Theatre Books

There are things that I didn't expect, that surprised me a little bit about his character, but if anything, seeing Anthony come through all of these situations only upped my respect for him as an actor, as a writer, and as a person.

This book really moved me with Rapp's emotional honesty, and I echo the praises from previous reviewers. I rate it as 4 stars because, like a previous reviewer suggested, I feel it tended to drag a bit at the end and could have ended a chapter earlier. I strongly suggest the audio recording, especially for fans of Rent and of Anthony. Hearing him read the story himself (particularly for the small and poignant personal moments, like the frequent "Hi, Mama"--"Hi, Tonio" exchanges with his mother--it broke my heart every time) was an intimate and powerful experience, and when I finished I felt I had just had a long and passionate conversation with a friend--which i was very sorry to end.

Anthony Rapp tells an emotional story about personal life, love, and loss as he describes the years surrounding the phenomenon that is Rent. This is a book no Renthead should be without. Afer reading this book, I feel like I have gotten to know Anthony as a person, and gotten a rare glimpse through Anthony's eyes of the man that was Jonathan Larson.

Anthony Rapp was in on the creation of the masterpiece which became the Broadway sensation "Rent," almost from the beginning. He has written his memoir of that experience with great sensitivity and insight.

This book is a riveting tale about the creative process, how a play goes through its evolution to get to Broadway, and how every once in awhile a theatrical miracle can happen which changes everyone's lives. "Rent" is such a miracle. I just saw the play once again on Broadway this past weekend. I took my teenaged daughters to see it. After eleven years, it is finally closing down some time this year. If you cannot get to New York to see the play, rent the movie. It's not as good, but almost.

I loved this book, and recommend it to anyone who has ever overcome adversity to pursue a dream.

This book is amazing. It's a great read, easy to follow and really hits at your heart. I would reccommend it to everyone.

Our family loves to listen to the Narnia CDs on all our long road trips. Great family fun.

My son loved them We have a long drive to Grandma's and these are great to fill time in the car. The dramas are well done, and more interesting to listen to than one person reading the whole story.

Everyone loves the Chronicles of Narnia. Perhaps for the action. Perhaps for the intrigue. Perhaps for the meaning of the stories.

These audiobooks bring it alive. With complete voice casts and sound effects along with a beautiful musical score, this is the next best thing to living in Narnia.

Recommended for all age groups. As a teenager in high school, I started driving last year and I have enjoyed driving around with this set in the car.

I have only listened to 3 of the set so far, but I got them for my disabled daughter to listen to though she is 29. She listened to the books for the blind. This is so much more, it is like a theater movie without the vision, the different sounds and voices and music is really something. I am enjoying them myself and I am 61.

I have listened to many audio books over the years, but this one is clearly the best I have heard. The quality of actors, sound effects, and music is well above average. Of course, the books are great and that helps, but that would have made it even more tragic if the quality of the production had been lacking. I listened to the entire series driving around in my car and I found myself in my driveway listening and not wanting to leave my car. I would sit in parking lots at stores, not wanting to turn off the stereo. I would look forward to my drives. I was captivated by every moment. I plan to listen again very soon and find myself getting excited about hearing it again. I strongly recommend this. I only wish I could have played this for my children when they were younger. I guess I'll have to start with the grandchildren instead.

I bought a copy of this book at a performance of The Phantom Of The Opera in 2000 and really love it. I tried to purchase a copy for a friend at the most recent performance we went to but it is no longer available and feel very lucky to have been able to find it here at Amazon. It tells of the Paris Opera House, Gaston Leroux, the original story and the movies. The reason I bought it is the last 100+ pages cover the Andrew Lloyd Webber musical and includes some incredible photographs. I was delighted when I got home and found it also includes the Libretto! I would encourage any fan of the musical to purchase a copy.

Loads of beautiful photos and lots of info. I love it. We do need and expanded edition to cover the movie. This is for Phantom Fans.

This a must have for any phans of the A.L.W. musical!!

This book... I have no words on how amazing it is.

When I rekindled my love for musicals, and of course, Phantom of the Opera made that happened... I had to get everything and learn everything about Phantom. So I found this book at the library and I went insane over it.

Firstly, it gives a clear background history on Gaston Leroux--the writer and the creator of Phantom of the Opera. Then, it goes into another section when talking about the films it inspired. You'll be surprised and amazed when you see it and read about it. Not only that, it tells you some small tidbit facts on the actors and actresses of these movies.

And then, my favorite part, it goes into the Lloyd Webber musical. And when I say "goes into" I mean it!! There are so many pictures of the Original London Cast it's phenominal! There ares ome behind the scenes pictures as well. I never seen so many pictures about Phantom sure in a book, ever.

And when you think that's enough, there is a libretto of the stage production--including scrafito'ed pictures of the OLC copied in there as it was when the CD/Cassette first made it's debut.

All in all, it's not clearly updated as it is now, there is mention of the movie and who they want in it. But otherwise, if you are a London Cast or simply a Phantom obsessionist, you MUST have this book. If you find it at a house sale, a junk pile, book sale... whatever... BUY IT. You will not be dissapointed!!

I recently purchased both 'The Complete Phantom of the Opera'and the novel, and I am soo impressed! After I saw the movie and bought the soundtrack, I knew that I had to have these books. My interst in the Phantom of the Opera was first sparked when I saw the silent version with Lon Cheney. Then I heard about the movie coming out, so I saw it and I was more than impressed. I still have yet to see the Broadway version however. So, I highly recommend the movie, the soundtrack and the books. In my opinion each is well worth the cost!!

It's simple: this is BY FAR the most constructive, step-by-step, easy to apply, and effective book I've read in regards to ACTUALLY WORKING as an actor. Bonnie has an ingeniously funny, yet professional, way of phrasing her sagacious advice for us. Thank you for putting it all into one little bound piece of gold!

Being the parent of a young actor, this book is a priceless addition to my library. I can not say enough good things! If you are an actor, and if you only buy one book this year, make it this one!

If you are an actor, regardless of how many other 'how to' books you've got on your book shelf, this is a book that you NEED. It's well written, to the point, and Bonnie "gets" it. Follow Bonnie's tried and true advice, and you'll "get it", too! Bonnie's writing is upbeat, positive, supportive, and clever. Invest in this book ~ it's sure to become one of your favorites.

This book literally changed my approach to my acting career. It is so chock full of great advice and insider information that you would be doing yourself a disservice if you didn't read it right now!

Self-Management is THE BEST book out there teaching you step-by-step the ins and outs of selling yourself as an actor. Bonnie Gillespie makes Hollywood (and other markets) accessible for not only newbie actors, but for veterans of the industry as well.

READ THIS BOOK, you can thank me (and Bonnie) later!

Written by casting director, career consultant, and former actor Bonnie Gillespie, Self-Management for Actors: Getting Down to (Show) Business is a straightforward guide to managing one's own career as an actor, whether for more control over one's offers, save money, or other reasons. Now in an updated second edition, Self-Management for Actors covers the necessary mindset to be one's own acting career management; the preparations and training that will be useful; how to smoothly interact with other people in the trade such as agents, casting office personnel, and publicists; how to fit in time and energy for "survival jobs" that keep a steady income; and much more. Now in a newly updated and expanded second edition, Self-Management for actors is strongly recommended reading for aspiring actors, even for those who don't plan to represent themselves, since any actor's current representative could choose to leave or unfortunately be fired at any day.

The Complete Works of William Shakespeare is an ingenious play. It is spontaneous and hilarious! If you're into Shakespeare, you'll love it. If you don't care for him because he was the reason you failed high school English, you'll still love this play!

I have seen productions of this play several times and each time it's hilarious! Now reading it I realize what geniuses the Reduced Shakespeare Company are - especially the writers Jess Borgenson, Daniel Singer and Adam Long! The book is worth it's price just for the footnotes. Their clever, witty, and yes - bawdy (Shakespeare would have been proud!) humor is priceless!

I am a high school drama teacher, and we bought copies of the Compleat Works of William Shakespeare Abridged for classroom use. They have been delightful to use, and perfectly correllating with the Reduced Shakespeare Company DVD that we have enjoyed in the past. The best part of all is how the kids retain the recognition of lines and scenes, even when we are viewing or reading other versions of his works. They love getting in front of the class and working up these zany parodies of the classics. I rate it 5 out of 5!!

Absolutely Hilarious! I would love to go see this play, however the book has annotations that are priceless, so you won't want to miss this either. You won't be able to put this down.

I bought this to decide whether or not to audition for a part in a local theater group performing the play. I didn't audition because I was on the opposite side of the atlantic ocean at the time, but five stars without question. The Reduced Shakespeare Company does a hilarious job of telling every single shakespeare play faster than ever before. Read this play!

I think that his book is amazing. Some disappointmennts are that they changed some of the songs to make them solos and not groups, which is nice but if you want the real original then i would recommend the Wicked Grimmerie. I also own that and that is really cool. So other than that I would say that this book is really nice if yuo have any auditions or any concerts or just for fun. Stephen Schwarts also made the notes easier for younger kids but he still put the real chords and everything. I highly recommend this book.

Great collection with plenty of challenge for the intermediate piano player. Several songs are written in keys with many flats/sharps thus requiring patience and practice. Includes a few pictures from the play, also. Label on the front calls this a "standard piano/vocal format with the melody in the piano part."

Wicked is fabulous on every level. Just know that this score is not easy to play from if you are not a good piano player. Also as voice teacher, prepare yourself for a lot of students who will not be able to even touch the high belt required for some of these songs!

Check Out: Vocalize!

good product (amazing musical), excellent condition, quick deliver. "Thats why I couldn't be happier. Thank goodness." :)

Thank you!! What a deal!! I received my order within a few days. I'm delighted.

This has to be among the best of Wodehouse. As so many other reviewers have remarked, the novel has a fluid feel to it; total and complete chaos. Starting with an ominous phone call from Aunt Dahlia, Bertie jumps from bowl to bowl constantly in the soup.

I loved the quotes from this book, on things being gruntled and what not. The characters are also amazing. Sir Watkyn Bassett, the treacly Madeleine, with Spode running after Bertie wanting to break his bones, the dog Bartholomew (this was perhaps one place where I almost laughed out loud) which terrorizes Bertie and Jeeves when (I think) they have to take shelter on top of the cupboard-Bertie goes to great lengths introducing this terrier. The moment is when they throw a candle at Bartholomew and it eats it.

The cow creamer plays no small part in the plot. It is a hideous silver jug that uncle Tom collects. Aunt Dahlia wants Bertie to 'sneer' at it by saying that its modern dutch, which might lower its value, apparently.

There is also Stephanie Byng and stinker Pinker who constantly trips over things. And constable dobbs, Aunt Dahlia herself, and Gussie Fink Nottle. There couldn't have been a more ridiculous set of characters than here.

This,and perhaps some of the Pig books (Pigs have wings, and Summer Lightning come readily to mind). I wish the world were as nice as that depicted by Wodehouse.

Believe it or not, I am 74 years old and had never read
about the trials and tribulations Jeeves put up with
Bertie Wooster. I have never laughed so much in my life.
I am now going to get my hands on every word P.G. Wodehouse
ever wrote. I truly would have loved to meet the man.

The Code of the Woosters, by the inimitable P. G. Wodehouse, is a fun and enjoyable romp with Bertie Wooster and his Man Jeeves. This novel features numerous plotlines, including but not limited to, the battle over a cow creamer, a lost notebook, romantic entanglements, the theft of a policeman's helmet, a potential jail sentence for Bertie, a dictator, and more romantic entanglements. Each plotline is brought to a conclusion by the brilliance of "Plum" the excellent English humorist. The book is full of hilarious one liners and brilliant wit. Amazingly, this novel was first published in 1938, yet it is still full of timely situations.

This novel of classic comedy introduces us to Totleigh Towers and its owner, Sir Watkin Bassett. Several memorable mainstay characters are in this book including Gussie Fink-Nottle, Aunt Dahlia, Madeline Bassett, and Stiffy Bing. Any journey taken with Wooster and Jeeves is time well spent. This classic series endures because the characters are wonderful and memorable. A 5 star fun-filled romp.

An early critic of P.G. Wodehouse complained that his second book was identical to his first, only the character names had changed. In response, Wodehouse resolved to continue writing identical stories, but to keep his character names the same. And so, The Code of the Woosters is nearly identical to all other Jeeves and Wooster novels; Bertie gets into a sticky situation, inadvertently makes things worse, and is ultimately rescued by Jeeves. Could any one of them possibly be any good if they are all so unoriginal? Yes. In fact, they are all excellent. How? Wodehouse was a genius; reading any one of his books will prove it to you. His characters are unforgettable. His narrative is brilliant. Above all, his books are hilarious, and The Code of the Woosters is one of his finest.

Betram (Bertie) Wooster, a lazy, bumbling (but well meaning!) gentleman living in Britain during the early 1900's, is pressured by his aunt Dahlia to steal a cow-shaped milk creamer from Sir Watkyn Bassett, a magistrate who once fined Bertie five `quid' for `pinching' a policeman's helmet. The task is made complicated by the presence of Roderick Spode, the amateur dictator who founded `the black shorts' and who is a friend of Sir Watkyn; Spode is watching Bertie like a hawk and threatens to break his neck if he sees Bertie so much as glance at the cow-creamer. Things go downhill when Gussie Fink-Nottle (a newt fancying friend of Bertie's) suffers a snag with his engagement to Madeline Basset (a dreamy girl who holds opinions like `the stars are God's daisy chain,' and who thinks that Bertie is madly in love with her). Bertie rushes to patch things up between them, but nearly becomes engaged to Madeline himself. In the end, only Jeeves, Bertie's brilliant, (almost) all-knowing manservant, can guide Bertie out of these troubled waters.

If you aren't familiar with P.G. Wodehouse's dynamic duo, you owe it to yourself to read this book. I guarantee you won't be able to stop laughing. Nearly every line is comical. The narration itself (the story is told by Bertie) is positively hilarious. And so, I give The Code of the Woosters the highest marks I can!

After every two sentences or so, I had to put this book down and howl like a hyena. This was my first Bertie and Jeeves book and I think it's a comic masterpiece. In Code of the Woosters, the plot spins faster and faster until the immensely satisfying end, where everyone gets what he or she deserves.

Wodehouse's comedy has no mean side to it - his writing remains engaging without resorting to the snideness that many humor writers employ. I still can't figure out how Wodehouse keeps my attention and keeps me laughing when his general theme is the unwavering silliness of the English twit. I'm heading to the bookstore for more.

This is an unusual book and I haven't seen another like it. I bought a couple of copies for co-workers in the TV studio I manage. Good reference.

amazing amazing amazing. get it, get it now! Perfect for those starting out or those needing quick access to info. contains everything

Great book, has everything you need to know and more about the backstage theatre just a useful book to have handy

The Backstage Handbook is the most comprehensive guide to technical theatre...and could serve as a reference beyond the stage. I was absolutely amazed at the sheer volume of information the author could fit in such a small book. It really has everything imaginable. It covers tools and machines as well as common production techniques. In addition, the Backstage Handbook covers the math and science needed behind the scenes. Need to know how to make a dodecahedron? This book will tell you how to scribe one inside a circle. The handbook also covers architectural details that are common for most American & European styles. I just received the handbook and my students and I have dubbed it the "bible" because of it's binding, but most definitely the content! This is a must-have for anybody who has a need for knowledge of practical math and science applications.

This book is an excellent resource for anyone working behind the scenes as a stage hand or anyone in show business.

One of the biggest changes the theater has seen of late was Disney's successful track record with bringing their story-telling to the stage. As with most of Disney's greatest successes, their efforts were immediately unique as they ignored many of the rules along the way. In the process, their shows introduced a new audience to the wonders of live theater. So it's only appropriate that the coolest book that ever covers the theater experience comes to us from Thomas Schumacher, the head of Disney Theatricals.

A good play begins with its script- its storyline. Here the journey is suggested in text, providing a beginning, middle and an end. Likewise, this book begins with a telling, informative narrative. It describes in simple yet effective words practically every element of the theatrical experience, be it on stage, backstage or in the 3rd row of the balcony. What will you experience from the moment you arrive at the theater all the way through the end of the curtain call? This book and a little imagination provide answers to that question quite fully. But watching a show is only the beginning. We also experience the many house activities, to the backstage work, to belting a song center stage and even at the initial creative meetings. It's quite simple and informative.

Like any play that begins with a good script, the creative job to follow is how to tell that story. For anyone who has seen any of Disney's Broadway shows, you know that their "way" is simply stunning. From THE LION KING's introduction of Simba to MARY POPPINS' flying retreat over the balcony; from TARZAN's use of vertical stage work to AIDA's mix of modern stagework with a classic tale, the Disney audience usually leaves richly experience. So it should come as no surprise that the book is as beautiful and wild an experience as the works it trumpets. Not only is the book a collage of beautiful photographs easily identifiable to the Disney fan, but they are also surrounded by mixed media samples such as removable ticket booklets, script pages and even costume designs.
HOW DOES THE SHOW GO ON? is a great book for the theater novice and also the seasoned veteran. It's a nice wink to the audience, a pat on the back to the backstage crew, a nod to the creators and a standing ovation to the performers. Check it out!

This is the best book on Theater I have ever seen. The design, story, and the interactive pieces are well put together in this book.

A really great overview of the wonderful world of Broadway! My daughter, (11 years old) who is a musical theater kid, absolutely loves it!

Get this book if you have young children so they can see what goes on back stage. I think it will make them want to see more of the action.

A great book that shows children (and adults) what goes in to putting on a show!

Besides the complete script and some wonderful production photos, what makes this edition so special are Mel Brooks' "hand written" notes off to the side. Inserted throughout the text, they tell great behind-the-scenes anecdotes about lines that were cut or revised out-of-town, things that happened in rehearsal, and the show's evolution from film to stage musical.

This is a soundtrack of the original 1968 movie "The Producers." It is not a soundtrack of the movie that was made from the musical that was adapted from the original movie "The Producers" (whew). That may be good or bad, depending on your point of view.

The original movie wasn't really a musical, altho it was about a musical and had some music. Therefore, this CD is mostly dialog. The 3 main pieces of music of interest are "Springtime For Hitler," "Love Power," and "Prisoners Of Love." These are all great works of musical comedy, but, considering the price, that's not much for the money.

I decided to buy this because: 1> for some strange reason, digitally transferring the audio of these songs from my DVD didn't work quite right; 2> I absolutely loved the (original) movie and these songs, and 3> I thought it might have a snippet or two extra that I might want (such as when Dick Shawn sings "1+1 is 2, 2+2 is 4, I feel so bad 'cause I'm losing the war") - it doesn't.

Well, I got the songs I needed - at a pretty exorbitant price - maybe it'll be worth more someday as a collector's item. I do like that they included Zero's "That's our Hitler!" at the end of Love Power.

Also, just for the record, if you only know "The Producers" from the stage or the 2nd movie, you really should watch the original The Producers (Deluxe Edition). In my humble opinion, it is much, much, better (in fact, one of the finest movies ever made), albeit less musical. Unfortunately, many people are only interested in something new or "hot," so that's how you can make money today - by perversely reworking something sublime into an inferior product.

On my C.D. list for Christmas is this HILLAROUS C.D. I've always been a weird producer fan thinking that the movie is actually better than the stage show- despite the lack of 1968 songs. This C.D. is annoyingly funny.

"Love Power"has always been my favorite song in the movie- I laugh each time I see it in the movie. So I'm keeping my fingers crossed this Christmas for this wonderful C.D. I'm still a little disappointed that Mel Brooks cut the character and the song from the show.

Although there are only two songs with complete lyrics. This is still a soundtrack that any "Producer" fanatic will enjoy and I personally like the "Springtime For Hitler" song in the movie more than the actual one put into the show. You also catch a glimpse of Mel Brooks voice as the Nazi "Come and be a smartie and join the Nazi party."

By all means hit that buy now button and laugh yourself silly with these two songs!

... KITCHY fodder for the limp-wristed masses.

(PLEASE REMEMBER, THIS REVIEW IS FOR THE CD OF THE ORIGINAL FILM, SO IF YOU HAVE TO RATE ME, BASE IT ON THAT!)

I loved this movie. I watched it at a time when the Vietnam War was waning in in 1975 here in Chicago, as it was playing on WGN TV on the late late late show. Apparently, even the censors were asleep at the time, but God bless em, this was the perfect time to see him. Mel's brand of humor reminds me of a time when they used to use brown paper bags to wrap up the porn in.

It always has been a guilty pleasure to watch this film, laugh at the humor, and sing along with the actors. This CD captures the essence of the film, the heart of his message - it was as if the lyrics, the tone, and the actor's very intonations were possessed by the vision Mel tossed out after looking into himself and at the world when he penned these tunes, and think about it - in the late 60's! Who was confronting racism, gay sexism, and the Jewish question? Secondly, who could do it with such brave humor and didn't fear the reprocussions?

This CD contains over a dozen tracks of spoken lines from the film, and to listen to Zero Mostel and Gene Wilder's interaction witrh the wonderful diologue is to listen to the genius of Mel Brooks' zenith of comedy. In this CD is also included the true ability Mel had in making his special brand of comedy work - it was simply to make it as campy as hell by including MUSICAL NUMBERS ABOUT THE HOLOCAUST! Yes, I was laughing about Hitler, and Goebbels ( "I loves my little joe") and yes, I was shocked at first, but who wasn't?

This CD of the movie is giving us some of the greatest parody tunes of ALL TIME - "Springtime For Hitler," "Prisoners Of Love," "Love Power," and the spoken word of Zero Mostel - ULLLLLLLLLLLLLLLA! ('I met her at the public library.') I can listen to this CD in the car, at home, ANYWHERE.

(I can also watch this film on DVD - a bit dated, yes, but it represents a time when this was still edgy - but I will stand by this and gladly watch this over and over til it cracks.)

(On a personal note: I am saddened at what Mel Brooks did by making this film about a failed play into a musical about a failed play!!!

I consider it to be one of his all-time masterpieces and part of his holy trilogy of his genius -

"The Producers" is followed by "Young Frankenstein" and of course the gem on his cap, "Blazing Saddles." He will NEVER be able to top himself, because once you've been to the mountaintop, how can you go any higher?)

PLEASE! Buy this CD and LISTEN to it and remember a time when anyone could go out and try to be daring, try and amaze, listen to every second of this CD - I own a copy, and heartily endorse it!

A play based on a film based on a play? Only in New York.

Sad.

IF you LOVE Mel Brooks. IF you LOVE the stage show " The Producers" . IF you LOVE the music, BUY BUY BUY THIS BOOK. This is a MUST have for ALL "The Producers " fans. This book is the Guide to what is the most stimulating show I have EVER seen.
Based on the process of turning the original " The Producers " ( Gene Wilder ) movie into a Stage show, along with cast selection and music ( The entire score and lyrics By MEL BROOKS . HIMSELF ).
JUST BUY BUY BUY THIS BOOK.

It even tells you how to spell Ullas' 1st name correctly, wow wow wow wow. Got to go , Its almost 11.