Music Books

Wicked is fabulous on every level. Just know that this score is not easy to play from if you are not a good piano player. Also as voice teacher, prepare yourself for a lot of students who will not be able to even touch the high belt required for some of these songs!

Check Out: Vocalize!

good product (amazing musical), excellent condition, quick deliver. "Thats why I couldn't be happier. Thank goodness." :)

Thank you!! What a deal!! I received my order within a few days. I'm delighted.

Many a time has this book come in handy. It is perfect for a recital or review type performance. If you have the talent and skill to actually play these pieces, kudos to you!

I love the Broadway show and adore listening to the CD. But the music in this book is very difficult to play and enjoy. I'm an advanced intermediate who just plays the piano for fun, and so far, this hasn't been fun! I'll keep practicing - maybe it will become more enjoyable.

I am 61 years old and finally I can play lead (any key) over entire neck after going thru this book and taking time on each lesson to fully understand it. I have taken private Jazz lessons for a year before but something was missing. This book made it clear,I now see lead patterns when i hit a chord and can jump anyplace on neck and still be playing lead in the right key.

I found this book to be great for learning general techniques for playing the Blues. The book starts out with some simple riffs and graduates into more challenging routines while introducing new concepts used by the Blues masters such as progressions, bending, use of the Blues pentatonic scale, etc.

This is a nice introduction to blues guitar. With a good combination of theory and practice, each lesson builds on the previous material. The one confusing thing I've found so far is the fact that the author will introduce some chord forms for a given lesson, then in the practice exercise, a completely unknown chord form will appear. It isn't that the "new" chord is wrong - it just hasn't been covered in the lesson. Guess that keeps you on your toes, tho. The CD has some really nice "studies" that you can play along with. Bottom line - after about 4 weeks, I've gotten through the first four lessons and I'm having more fun with my guitar than ever. Your mileage may vary.

This book is not really a beginner's book. Some of the licks require a dexterity level beyond what a beginner would be expected to do. This is one of the few books with a method presented in a logical format as opposed to a caffeteria style approach leaving you asking questions. For the most benefit, you should do the following:

1. Get this book as well as the "more Blues You Can Use".
2. Also get "Complete Rhythm Guitar Guide for Blues Bands" by Larry McCabe.
3. Listen to the Rolling Stones' Beggar's Banquet and Exile on Main Street CDs.
4. Listen to Kenny Burell's "Midnight Blue" CD over and over.

I have been very impressed with this book. I am a novice guitarist, but with 30 years experience as a pianist and a degree in music education, I am not your average beginner. So I can tell you this isn't a book for beginners, but you don't have to be very far along to benefit from it.
My teacher, a friend from music school, was teaching me to play blues guitar, and I bought this book just to check it out. He was thrilled to find a book that uses the same method he has been teaching the blues for 20 years, but with the added benefit of some good songs to play. We immediately incorporated it into my lessons.
The structure of the book includes short lessons including scales and chord progressions, followed by some nifty little blues numbers you can play to illustrate those concepts. The book takes you through each skill and concept step by step, and is really fun to play. If I had one suggestion to make, it would be to include backing tracks in addition to the demo tracks for all of the songs on the CD, so that you could play them by yourself instead of just with the recorded version. Otherwise, this is a terrific method and a lot of fun.
I will defintely buy more of the books in this series.

This video is an indispensable aid to any beginning drummer. It covers everything from setup, to how to hold the sticks, how to hit the drums, and some basic patterns to start you playing. There is a wealth of good drum instructional material out there, but for an absolute beginner, this is the very best there is. Follow it up with the even-better "Groove Essentials" and you can't go wrong. Every parent buying a drum set for their kid should but this too, and make watching it mandatory. It just might prevent a few weeks of random pounding followed by abandonment of the drums.

Tommy does a great job relating to kids. My son (11) really enjoyed this training video. We purchased "Essentials" and it has alot of complicated grooves in it to learn. I believe "Basics" needs a little more in it to help with the transition between the two. Still a great product.

I am a bass player. I have been fascinated by drums forever. I recently got a good deal on a like new Pearl Export. I got this and Groove esentials. Very impressed! Tommy explains everything in detail, yet it is not at all boring. He is very good at teaching. He doesn't have an attitude. I would recommend this DVD to all aspiring drummers.

Great starter DVD. Mr.Igoe does a great job for those just starting out. Starts with how to set up, time, beats, grooves and fills. I still use the DVD on top of lessons! Plan to purchase more of his work.

I don't normally write reviews, but this DVD inspired me to write one. After getting my drum set, I purchased quite a few drum DVDs looking for the best substitue for lessons. The two Tommy Igoe DVDs (Beginning Drums and Groove Essentials) are by far the best DVDs I've ever seen for that purpose. In fact, Tommy actually shows students learning the drums and talks to the audience as if he's in a lesson.

I didn't really need the first section on setting up the drums as I'd already had quite a bit time to play around with them, but for someone that's new to the drums, that part is excellent too.

Tommy has one of the best personalities for teaching that I've ever seen on a DVD. As an expert level, accomplished drummer, he knows the material and is able to professionally convey it on a DVD to his students. His attitude of having fun and feeling the music also comes out in his excellent approach to teaching. Having never taken a proper lesson, I can say that I've learned more from Tommy's DVDs than I have from any other source. The section on drum fills was especially usefull to me as no other DVD describes the technique as he does. I would HIGHlY recommend both of his DVDs to anyone learning to play the drums or even to intermediate drummers who want to pick up

I was so glad to find this book again as I had read it to my sons when they were in grade school. This is a very fun book for children big and small! This was our very first Daniel Pinkwater novel and was the biginning of our lifelong love of his writings. Read this to your children - give it to them to read. ONE disclaimer - if they are already immersed in fantasy then they will have little appreciation of how subtly Pinkwater takes you from known to the absurd to the almost believeable.

Lizzard Music is the way I got my son Matt to read as a kid. He could read but wasn't at all interested in the boring books he got handed at school. It was like pulling teeth to get him to read. I gave him lizzard music and asked that he read for 1/2 an hour and that was the last I heard from him except for some laughing and every once in a while a "wow! mom this is great!". He didn't put the book down except to eat and sleep until he finished it and then made me go get more Pinkwater books. So basicly my son reads thanks to the humor of the genius that is Daniel Manus Pinkwater!!! Thanks Mr. Pinkwater from moms everywhere

A very appealing book, and a favorite from Pinkwater. Good for both boys and girls, especially those looking for something funny and original.

Manus Pinkwater is a pretty cool kinda guy. He has the unique feature of being as tall sitting as he is standing, and that makes me wonder if the convex dimensions of an author's backside are somehow related to the quantity of his imagination. You see, Manus writes far-out books. No, no, I mean...realllly far-out books. I think he passes the Twilight Zone somewhere in route to where he goes to pen his creative little novels. Lizard Music may take the cake among everything straaaaange he's written, however. This story puts your brain in a food processor and hits frappe. What's it about? Oh, you want to know that, don't you? Okay.

Lizard Music is about a ten-ish young man named Victor, who is left one summer in the early 1970's in the custody of his free-loving teenaged sister, Leslie, when their parents take a summer vacation. Not ten seconds after the parents exeunt stage left Leslie does the same thing, meeting up with some hippie buds and taking off in a van with the warning that Victor better NOT tell on her for this. Hey, Victor's more than happy to oblige. What ten-year-old wouldn't love being left alone with a full frige, a small stack of spending money, and no rules or supervision whatsoever? Victor has the time of his young life. He eats what he wants, he does what he wants, and he stays up as late as he wants watching previously forbidden monster movies. It's this last liberty, the late bedtime, that sends young Victor's life into some veddy odd places. One night, past midnight, Victor is up watching the TV station sign off after the late-late-late show has concluded and right in front of his drowsy eyes he sees the most peculiar program he's ever witnessed: a jazz group composed entirely of man-sized lizards performs a concert in the minutes before the station ceases its signal. That's not to say it's a cartoon or guys in costumes...these appear to be great big lizards playing jazz. The next morning Victor wonders if it was all a dream. (He had after all been hitting the candy and cola a little hard the last couple nights...) To get to the truth, Victor stays up another night to see if it happens again. It does...and something else does too. Let me just say Victor takes a trip that's even weirder than the one his sister is on with her fellow hippies. "LiKe FaaR OuT, dUdE!!!" Lizard Music is the sort of book no one but Pinkwater could have written, no one could possibly figure out before its conclusion, and that no one will quite know what to make of when they've finished reading its mind-altering text.

I remember the night that my grandmother gave me this book. My mom was in the hospital for what would have been her last round of chemo and I had been beaten up in school that day for tucking my pants into my argyle socks in a rather unsporting display involving football players, loose change, and vending machines. Pinkwater's book kept me sane through the sixth grade and then some. There are a whole bunch of physicists in my department who feel the same way. We are very much in debt to the Chickenman and some other friendly phantoms from Bughouse Square and Pinkwater's memory (real or not, we are smart enough as a collective to get back to them).

I probably would have liked this book a little more if I had read it before I read Ravished; it just seemed like a rehash of that book, only in a medieval setting instead of nineteenth century.

Also, the purple prose bordered on the silly side at times, making it hard to read with a straight face.

this book is fun to read. one of the only medeival books written by amanda quick.high in action.

This is definitely my favorite AQ novel. I won't go into a breakdown of the book, but I will say that besides enjoying the story, I learned more about how life was during that time.

A great read for any Medival novel or Amanda Quick fan!

I love these 1-title books from Amanda Quick. I know they are not a series, but each book has some similarities, but she always keeps it fresh!

I cannot believe all of the 5 and 4 star ratings for this book! I couldn't wait for it to end. Very formula and hoaky dialogue. If this is any indication of how Amanda Quick writes her best-selling novels, I think I'll pass up the next opportunity to read another. The purple prose was forced and ridiculous. If this was supposed to be a satire or comedy, it missed the mark and just came across as incredibly stupid.

"He found the valley that divided the luscious hillocks and followed its course to the hot spring that awaited him." (The words of Hugh the Relentless.)--Even though this is a medievil romance--way too hoaky.

"A cold, ghostly wind wafted from the dark corridor. It carried before it the promise of doom." (this is describing Hugh entering a dark cave and Alice, the heroine senses his presence by mental telepathy or something. OH PLEASE!

"Hugh was vengeance incarnate, a dark wind that would sweep all before it."

And these ridiculous passages were easy to find--they're everywhere in this book.

I say don't bother with this one.

This book is one of the best books about the fire service I have ever read. I hung onto each and every word. It was though I was there sometimes.

During the tumultuous period of the 60s when author Dennis Smith wrote Report From Engine Company 82, the book was a cry for help from exhausted, frustrated men. Men who cleaned up in the aftermath of other exhausted and frustrated inhabitants of a society stretched to the breaking point.

As I type this, a younger firefighter in a comfortable, air-conditioned fire station among a population that by-and-large respects my profession, it's easy to forget the sacrifice of our past brothers who unceasingly fought fires, city hall and the population they served, until they had forged the modern fire service.

It's an important book for new firefighters to learn how the iron men of old did the job. And for the general reader it's a testament to both a volatile period in our nation's history, and to the timeless strength and courage by which good men have always worked to keep back the chaos of barbarism and destruction.

I spent 10 years in the fire service in both engine and truck companys. While I have many memories and stories to tell, the author, Dennis Smith, sums up the life of a fire fighter in an urban environment about as well as can be possibly told. Trying to balance the unpleasantries and sadness against the satisfaction of saving a life or helping a family overcome one of life's most agonizing moments is very well portrayed in this book. This is what a fire fighter's life is about folks. There is no other book that I can remember that tells it any better than this. If you're thinking of a career in a big city fire department or for that matter, if you're even thinking of becoming a volunteer fire fighter this book is a must!

I first read this book 20+ years ago, when I was under 20 years of age myself but streetwise from being the "wheels" (with a driver's license and a car) for various escapades all over Chicago in my raucous, hard-partying and utterly politically incorrect youth. Many aspects of "Report From Engine Co. 82" stuck with me through the years, and I've re-read it several times. Now I'm 40 and an ER RN in a Chicago hospital where we see more than our share of the extraordinarily dysfunctional lives of the people who live in poverty in the neighborhoods that surround our hospital -- the type of job and environment Smith portrays so well in "Report From Engine Co. 82."

"Report From Engine Co. 82." tells truths about the nearly inescapable poverty and illiteracy of people scraping by in lives that are marginalized in every possible way because they don't -- can't -- really care for themselves appropriately because they don't even know how. Poverty isn't what it used to be -- but it's still as screwed up as it was in Smith's first book. Most of our ER visits aren't really emergencies, just as most of the calls Company 82 responded to weren't emergencies, either. Nowadays, people call 911; when "Report" was written, that 911 system didn't exist yet. But not much has changed since then, in terms of what the firefighters/paramedics respond to and bring to the ER.

Most of the "emergencies" he sees are not emergencies. The non-emergencies, combined with the real emergencies, portray the dangerous and unthinking way poor people live through a combination of lack of resources, lack of experience with the "straight" world, lack of common sense, and minute-by-minute survival thinking. Most of these emergencies and non-emergencies are easily prevented -- if people had common sense, proper parenting, and a normal instinct for self-preservation.

These qualities, however, are surprisingly hard to come by in poverty, and this is what Smith dramatizes. The heroin overdoses. The stupid kids doing stupid things because they are constantly left unattended and to their own devices. Kids who shoot themselves in the thigh or foot -- or worse -- "playing" with guns. Fires that kill children because space heaters provide the heat slumlords refuse to provide in their code-violating buildings. The incipient hatred and distrust poor minority neighborhoods have of the white emergency personnel and firefighters who respond to their calls. The huge cultural gaps that make true communication and understanding so difficult -- even when you're both the same race and both speaking English.

What Smith accurately portrays is the way poverty-stricken people "live in the now" -- people whose entire lives are spent with no real financial or material stability or security. These are people for whom the concept of saving money for the future is impossible, either as a concept or a reality. People for whom making an appointment days or weeks in the future, and actually remembering to get to the appointment, is nearly impossible. Their main mode of thought is: what do I need to do now, what do I want to do now, what do I need or want to do in the next five minutes. This inability to think about and plan for the future is endemic, as is the inability to prioritize that which really matters -- one suspects because most of these people realize on some level they have no future that truly matters to the rest of society, and they're incapable of living as the rest of the "straight" world lives because they never have, didn't grow up with it, and don't know the language of living that life, let alone the mindset.

These are the people and children who have no insurance, no health care, no glasses when their vision is bad, no braces or dental care when their teeth are bad; who never use birth control (to prevent pregnancy OR to prevent disease transmission). People who don't understand why it's inappropriate to come to the ER with an upper respiratory infection and get pissed off when they wait hours for care while higher priority, higher-acuity patients (in respiratory distress, cardiac arrest, heart attacks, asthma attacks, and overdose, etc.) are taken before they are.

Conversely, these are also the people who shun health care until they are so sick they can no longer avoid it, and discover they have cancer... Cancer that could have been prevented or at least treated, often saving their lives, had they ever had regular health care -- but who are now consigned to an inevitable death they will blame on the healthcare providers who couldn't save them because they were at a stage beyond saving or treating in any way other than palliative.

Smith's New York is NOT the New York of Sex And The City. This is the New York of the infants whose welfare mothers don't immunize them, but have the latest, most expensive coats and boots because conspicuous consumption is how they live: you show how much money you have by wearing all that your money has bought you (rather than doing the far less glamorous but sensible things more responsible people, whose children were WANTED rather than accidental, do). The New York of the kids having kids who have kids, all of whom have never known proper parenting, nutrition, or health care. The overdoses. The children who come in with accidental poisonings or burns from household chemicals because no one was watching them. The attempted suicides with anything and everything -- cold medicine, knives, guns, illegal drugs. The kids raised by siblings because the parent is completely incapable, if they're even around, with or without the additional problems of substance use/abuse, addiction, or domestic abuse. The families which are largely single-parent families -- and where the parental figure may be an elder sibling, aunt or cousin who cares more for the children than their biological parent(s) does or is capable of doing.

This is also the world of the terrified illegal immigrants who wait so long to call for help because they're afraid of INS (now ICE) and deportation; by the time they do, they're often too sick to save. The penniless old people whose pensions don't cover their living expenses and who don't call for help because they're terrified of being discharged from the hospital to a nursing home and losing what little autonomy and material security they have left. The fractured families (with utterly dysfunctional dynamics) who interfere with the paramedics' jobs -- as well as the tight-knit families who are rich only in love for one another. The people who refuse help they desperately need because they fear and distrust the paramedics and firemen trying to help them, and because their healthcare illiteracy is such that they have no idea what is necessary to save their lives, and so refuse or avoid medical treatment that could stop problems in stages when they're still treatable. The mothers who speak no English, who superstitiously fear that emergency treatment will kill their children, yet who are so desperate to save their babies, they don't know what else to do, because all home remedies have now failed. The endless numbers of people who let their prescriptions run out or try to save money by taking less than the prescribed doses and then have severe health problems that wouldn't happen if they bought and took their meds as prescribed -- but who, for multiple reasons, can't and/or don't. The people who beg not to be brought to the hospital because "people DIE in the hospital" -- people who don't understand that their neighbors and family members who died in the hospital, died because they waited far too long to call for help, and were therefore were beyond saving when they finally got to a hospital.

Anyone who works in public service as a fireman, cop, nurse, social worker, or psych intake worker in a big city -- and in poverty-stricken, crime- and drug-infested suburbs and rural communities -- can relate to Smith's book. For everyone who majored in something else, this book opens a door and exposes the lives of people you don't even know exist, people you don't acknowledge when you're forced to share a bus or train with them during rush hour (or who you intentionally avoid by driving in your own car, despite the expense of gas, insurance, and time spent on the commute): the people who don't work, or the people who work wage-slave jobs like janitor, maid, fast-food worker, security guard, who can barely pay their bills or care for their children with what little they make -- or who blow it all on liquor and/or drugs and/or gambling (or all three) to escape the miserable hopelessness of their lives. The kids who have the latest "stuff" -- whether it's the shiny ten speed bicycles Smith writes about, or today's video games and cell phone/mp3 player/cameras -- but whose parents can't or won't give them what they really need: breakfast, lunch, dinner, and a stable environment from which to emerge every day to deal with the life-endangering risks of walking to and attending public schools that do little more than babysit and warehouse kids whose futures include teen pregnancy (and the late-term, life-threatening miscarriages that go with total lack of prenatal care, with or without drug use), repeated incarceration, and shorter-than-average lifespans due to the daily likelihood of violence in their communities and their lives.

Smith's portrayal of this kind of poverty is not pretty but it is not unsympathetic -- there are glimpses of beauty and hope, mostly in the young women and children who haven't yet been ruined by their surroundings. Smith tempers it all with a matter-of-fact acceptance that although it is his job to care for these people, he may never really understand them because he's now too removed from that life, and he takes on faith that they possess human qualities they often fail to demonstrate. But some do show their humanity, and those are the people he does it for.

Smith does an excellent job of portraying the paradox that the job of these firefighters and paramedics is to help and save these people, which by its nature includes finding them WORTH helping and saving, at the same time as they move and live as far away from these neighborhoods and the associated poverty, crime and drug problems as they possibly can. This is not merely a racial difference. There are plenty of black and Latino paramedics, cops, firefighters, nurses and doctors who straddle the gulf (some might say 'minefield') between their class and the class of the people they help, in circumstances that are at best trying and at worst nearly impossible to help them transcend for any sustained length of time.

Smith portrays the sympathetic detachment required to know that this is what you do, all day, every day you work, with only the hope that one or two out of ten people will actually genuinely and sincerely thank you for what you do or have done for them -- which is that elusive reward you get, one that can make it all seem worth it when it happens -- and to hope that when you show up and give this of yourself on every shift, there might be one kid or teen who sees what you're doing, who still has enough time ahead of them to see this glimpse into another world... A world it is just *barely* possible for them to enter given enough determination, education, mentoring and drive, and sadly also given enough instinct to discard much of what they learn in their families about how they THINK the world works, versus how the world REALLY works for the more educated and better-off people who run it.

The fact that Smith can show all this without denigrating an entire class of people -- does, in fact, portray them with humanity and the grace one occasionally sees in these circumstances -- is because he also recognizes that he is not that far removed from the kind of poverty he sees on the job (he grew up poor, too). He recognizes and accepts that he is that kid who admired firemen as a boy and saw a different world -- he is that kid who made the leap to the next class up, to the working class and blue collar as opposed to poverty-stricken. He understands the dysfunction -- the drinking, the drugs, the abuse -- that occurs in the neighborhoods Co. 82 responds to because it occurred in his neighborhood, his family, his poverty, while he was growing up.

This understanding that few "get out" -- and that he was one of the lucky few -- underscores with sympathy his otherwise stark portrayal of the job of a NYC fireman in the 70s when NYC was not a desirable place to live and people did their best to escape "the city" as soon as their financial circumstances permitted it.

The uncensored version of this book (which is the one I've read multiple times) also shows the bizarre split someone who works as a fireman/paramedic, nurse, or doctor must negotiate within themselves -- the intimate knowledge you have of the bodies of the people you must save, which is merely part of your job but which you can't really talk about to any family member or lover who isn't in one of these fields. I don't mean merely intimacy with people's genitals -- though there is that, such as the way the Smith describes heroin overdoses getting icebags put under their testicles (negative stimulus, designed to bring unresponsive, unconscious people back to responsiveness and consciousness). I mean the intimacy of seeing people stripped of their modesty and dignity, voluntarily (prostitutes) or involuntarily (the terribly sick), whose personal space and body integrity you must necessarily invade, often in less-than-respectful or diplomatic ways because there is no time for those niceties when someone is dying and you're trying to save them. People who don't work in these fields can never really understand how you can be unaffected by the nudity, exposure and/or intimate knowledge you have of these total strangers, and the disinterest or casual attitude with which you greet what would shock most everyone else.

And, of course, you're not unaffected by this knowledge. Sometimes you're disturbed, or someone or something sticks in your mind -- the things you've seen or had to do -- and is recalled in inappropriate moments with your loved ones. You're not unaffected, you're just emotionally calloused or you compartmentalize it, in order to repeatedly perpetrate and endure this violation of the boundaries between strangers and its inherent power imbalance: you, as the emergency personnel, never have to reveal any of these intimacies to your patients... but they must necessarily, willingly or not, reveal them to you. This includes the mentally ill and the hopelessly drug-addled or dopesick (or both, combined) -- sometimes the most disturbing intimacy of all: the insides of their heads and their distorted, sometimes frighteningly unhinged, perceptions of the world around them.

Before anyone decides to dedicate their lives to becoming a firefighter, they would be wise to start their research here. Some 30+ years after it was first published, this book still shows remarkable insight into the lives, struggles, and emotions of a professional firefighter. When I started on the road to becoming a firefighter, being a volunteer and reading Dennis Smith books asserted in my mind that my life would be wasted doing anything else. For others, this may convince you that the job is not for you. It isn't for everyone. Either way, this is a very enjoyable read and worth the time and money for anyone, not just firemen and wannabe's.

Should we "let go and let God", trusting Him to bring us victory in the battle for holiness? Jerry Bridges would answer this question with a firm "no." Instead, he would lead us to "grab hold and let God." In other words, Bridges charges us to take hold of the resources Christ offers us to kill sin's power and cultivate the fruit of the Spirit. In Bridges' view, holiness is not a matter of victory or defeat, but of obedience or disobedience. He teaches that victory is the byproduct of obedience, not the aim of the pursuit of holiness. Holiness is still the work of God, but we must actively lay hold of the work of God in our lives to see the fullest possible work of the Holy Spirit in us. As I consider all of the personal commands to action in the Bible regarding holiness, I am convinced that Bridges is right. Commands like, "put off your old self, mortify the deeds of the flesh, put on the new self, pursue righteousness, think about whatever is good and pure, walk in the Spirit" and many more show me that my part in holiness is to throw off everything that hinders and fix my eyes on Jesus, the author and finisher of my faith. This excellent book is best in its final half, as Bridges deals with some of the details of this walk of faith and the specifics of how to fight sin and cultivate good in your life. Highly recommended.

When I started reading this book I had the "fear" that true "holiness" was something I could never achieve. Yet scripture calls us to be holy (1 Peter 1:13-25) so it must be possible. As I went through this book and examined my heart, I realized the obstacles that stood in the way of holiness and came away from the book with a whole new understanding and sense of hope and purpose. I now encourage other men to step up and TRULY pursue a life of holiness.

Don't read this book unless you are ready to be convicted and own up to your responsibility as a Christian! I have read this book twice and am reading it again (along with the Study Guide) with my church's women's Bible Study. It is a provocative book to study alone or with a group. It lends itself to wonderful group discussions. Jerry Bridge's book, very practically written, is an aid to Christians in our understanding of God's grace on one hand and our obligation to live a life worthy of His calling on the other.

I highly recommend this book and the study guide as essential to every serious christian's library. Jerry Bridges gave me an entirely new perspective on living life as a christian that has led to a lot of positive changes in my attitude and actions. I also recommend the companion to this book, "The Practice of Godliness".

Very good book for anyone who wants to become a more mature Christian. It really helped me understand the differense and interrelation between God's provision and my responsibility for addressing sin. Direct, practical, and "to the point".

Series book. The large, readable print makes this good for children to read.

Summary
Frog and Toad are friends who share life together. I love the "To Do List," which includes "Wake up." Lobel wrote and illustrated more than 70 books. This book received a Newberry Honor Award.

Illustrations
I love the fresh and pleasant green and brown pictures, as did my children.

When Frog and Toad saw a snake, the snake said, "Hi,lunch!" Frog and Toad ran away.
Toad made cookies and Frog said, "They got will power." Toad made a list then when he got to Frog's house, Toad said, "We have to take a walk." They went on a walk. Suddenly, Toad's list blew away.

My daughter's nursery is decked out in Frogs, so the discovery of these books made them books we had to consider. They are fun and the illustrations are grest. At eleven months she is too young to read them herself, but we read them to her - and she enjoys them. The stories are simple with a central theme - do good for others, treat your friends with respect, help your firends when they need help, laugh, and aporach life with adventure. These are great virtues to instill in young minds. If the books were made in cardboard stock, Teah would be even more happy with them - as it is she frequently grabs one of them when it's time for her bedtime story - and great bedtime stories they are. By the time she starts to read she will know the stories by heart, but that's ok - fond memeories of bedtime stories like these should help her build a lifelong interest in reading on her own.

The Frog and Toad books were favorites of my daughters when they were young. I often give them to young friends, and was very happy to share them most recently with my two year old grandson

Learn the value of friendship with one of the most delightful duos in all of children's storytelling! Perfect bedtime stories or beginner's reading books, kids love the animorphed amphibians and funny adventures. Buy one and you'll have to get them all!

J. Lyon Layden
The Other Side of Yore

Anyone who saw "Junior Bonner", and was entranced by Barbara Leigh's performance as Charmagne, cannot help but find this partial autobiography absorbing and rewarding reading. Similarly, anyone who saw and enjoyed the best of Elvis and Steve McQueen will be immediately attracted.

This book is written from the heart; it is devoid of both the taint of the popular media and casual hype. The style is almost conversational, as the writer follows different related paths in recounting her various adventures with the three titular protagonists. From her tough childhood to the loss of her son, and the failure of her marriages, you cannot help but respond; if you can keep that lump out of your throat you are a better man than I, Gunga Din.

It provides new insights into the worlds of movie-making and top-class entertainment; legendary director Sam Peckinpah needed a lot of convincing that Barbara was right for the role of Charmagne, and treated her abysmally , whilst Elvis' treatment of his lady friends and his entourage will no doubt surprise many of his fans.

As a London-based Francophile, I would have been interested to hear more of her life in Paris with Roger Vadim, and in London with her husband, but these were all incidental to the title of the book.

But be warned - this is no kiss-and-tell lurid account of an aspiring actress/model's encounters with three of America's successful men. As I said earlier, it is a candid review of part of Barbara's life which will provoke a response in the heart and spirit of any reader. I want to read it again, but my eldest daughter, a devoted Elvis fan, decided she wanted to read it first. OK, I can wait.

Thank you, Barbara Leigh, for sharing your experiences with us.

I recently finished Barbara Leigh's book The King, Mcqueen and the Love Machine. As an enthusiastic fan of Elvis and Mcqueen, her book was utterly fascinating.

There are rare, vivid insights into how Elvis lived in Vegas in the early 70s...how he demanded a very regimented world of nightly shows, post-show dressing room audiences with worshipers, late night parties back in his suite with the Memphis Mafia, a bevy of beauties, and one special girl each night ...who he took behind closed doors at the end of the night.

You'll enjoy a strange, enticing glance behind those bedroom doors: how he was a child, a rock star, a manipulator, a gentleman, an addict, a friend, and a deeply talented but utterly-flawed human. How obtusely insecure he was...and how he couldn't be left alone...insisting his woman sit next to him until he went to bed. How he doled out pills. And shower her with gifts.

Mcqueen meets Barbara at a casting and later lands her a part in his film Junior Bonner, where they begin an affair under the Arizona sky and the disdain of Martin Ritt. Mcqueenloves her in many ways (asking her to move in with him as his marriage to Neil collapsed), and again, Barbara sincerely tells it how it was with a "supe". While Elvis insisted on dresses, Mcqueen chugged brews and loved her in blue jeans. He was raw, and unpolished...but always running from his childhood of abandonment and poverty. Barbara even played a captivating role as messenger between Ali Mcgraw and Mcqueen, until she no longer wanted part of the deception.

There are thrilling moments in LA bars, Palm Springs, New York, on commercial shoots, in France, Mexico at Sinatra's...and much much more.

Also fascinating...all three men knew of each others involvement with Barbara, and were drawn to her, not only because she was stunningly beautiful, but because she was honest with them...and had her choice of the cream of the A-listers. They saw her as a sincere friend, who wouldn't settle down. She was in ways, like they were...living larger than life.

The photos of Barbara illustrate why these men were so captivated by her...she was the embodiment of raven-haired, flower-child beauty. Couple that with her sincerity and hunger for adventure and she was the angel so many men create in their mind.

Finally, Barbara saw all three men once more, near the ends of their lives. Each of these men had fallen tragically towards the end...hard for us to imagine since they are forever burned in our minds as legends. Nonetheless, this book offers unique insights into their outlooks near the end.

I highly recommend this fresh and revealing look at some of the greatest stars. Honest. Romantic. Sexy. Sad. it's all in here.

And her new 2008 audio biography is just as amazing with real people playing the parts. Check it out here on amazon!!!

If anyone ever lived a fast-paced and adventurous lifestyle it was Barbara Leigh during the 1970's. Her story is unique, one-of-a-kind and will never be duplicated. I wanted to read her book because I was always a big fan of Steve McQueen, and on that score, her chapters on Steve are informative, exciting and moving. Although these men are some of the most charismatic and powerful people of their time, it is Barbara Leigh who leaves the most lasting impression. Fame and fortune cannot compete with her kindess, inner-beauty and loving nature. Her story is well-told and is a real "page turner".

As the other reviewers noted, this book focuses on a few years in Barbara's life in the 1970's when she was a young Hollywood starlet making movies with actors such as Rock Hudson, Steve McQueen, and Tom Selleck. and modeling for all the big companies. She tells of her fast-paced work and romantic life involving some of the most powerful men in the entertainment business: Elvis Presley, Steve McQueen, and Jim Aubrey.

While she shared with the public a side of all three men that was unique to the public hungry for personal information about celebrities, she did so in a way that I found to be respectful and loving to these men, without intent to trash their memories. I came away with the feeling that she still cherishes each one and her time with them. I'd bet she's a classy lady.

I remembered watching Barbara in movies in the early '70's simply because of her stunning beauty. I was happy to read her book and learn more about her and her life. There were some beautiful photos of her in this book, and I'd love to see a book published of nothing but photos of her, in larger sizes. (For the record, don't take this wrong--I like men!!)

When I started reading this book I could hardly put it down. It was well-written, as well has having interesting subject material. I highly recommend it, even if you don't generally read books of this type.

As a die-hard Elvis fan for the last 40 years, I bought Barbara's book solely to read about her relationship with him. But I was quickly captured with her entire life story, from her first recollections of her traumatic childhood, to the death of her beloved son, through her overcoming spirit of today.

I easily have 30+ books on Elvis and without a doubt, this is in the top two or three. I was riveted by her memories of Elvis and her relationship with him. Barbara was blessed to know him and she often speaks of what a good heart he had. She writes about Elvis with love, loyalty and admiration. At the same time, she does not sugar-coat the drug use, mood swings and other human frailties.

Beyond her physical beauty, one can readily see why Elvis was attracted to Barbara. One comes away with the clear sense that she is a loving, kind and nurturing person. The fact that Elvis kept in touch with her through the years is a testament to that fact. There are undoubtedly only a handful of women in his life who can make that statement.

As the title of my review states, I bought this book because of Elvis but ended up loving the entire story. I invite all Elvis fans to do likewise. Barbara writes with candor, emotion and detail, the good and the bad, the bitter and the sweet. But she is never bitter. I felt as if I were right there with her through her entire story.

which book is better this one or life in the pit?

I wanted to do a book report on korn my favoret group but it curses to much wy do you havto do that micster37@hotmail.com

this book is realy good, it offers so much info on how the band started and little extras that you may, or may not have wanted to know. i wasnt expecting it to be this good

This book has a lot of great information about the band. If you ever wanted to know how they started out or just some tidbits about the guys just read this. I did notice that some of the pictures are backwards. Like the tatoo is on one arm in one picture and the other in a different picture.

This book is great for all the KoRn fans. It tells you the whole story behind KoRn and it also has many colorful photos to look at. This is my favorite book in the world and KoRn rules! ! !