Music Books

The text is written in modern English which is easier to read and comprehend than some of those ancient scrolls translated from german or some other archaic language. In addition to the information of technique and method, I especially enjoyed the lengthy resource lists for rated (according to level of difficulty)musical compositions for flute.

The book is dictionary-like in terms of weight and feel. The pages are filled with well-written standard type font. I mention this because I have become weary of those pamphlet-thick 'modern music method books' and their clip-art laden, nearly empty pages that are too often mass produced and marketed as an only source of published information.

The author also addresses, in great detail, some of the well and lesser known flute debates(such as the flutest/flautist conflict), the history of flute (with photos from the Dayton C. Miller flute museum/collection, where the author is also the currator), development and changes, and those other topics and issues some(those only superficially dedicated to the wonders of flute) might consider trivial.

I originally borrowed this book from the library. I have since added this title as a must have for my personal music book collection. If you are looking for a recently written, detailed, modern exploration of the flute, by an accomplished authority, this publication is a smart choice!

Nancy Toff has left nothing out of this grand book -- the history, anatomy, selection, and care of the flute in its popular and more esoteric forms; an extensive discussion on the development of not only classical and modern technique, but also personal style; building a repertoire and creating or finding performance opportunities; the history of flute music, and authoritative suggestions for building a sheet and recorded music library; countless charts and reference materials -- all has been included that a flute player, whether amateur or professional, student or teacher, could and would want to know and reference in the course of their playing career. And if one happens to find anything not included, I feel confident that Ms. Toff would personally see to correcting the matter immediately. An absolute must; look no further, oh wearied flutists (as Ms. Toff insists you are to be called, and not flautists, based on a well-researched etymological conclusion), for your redemption is at hand.

Nancy Toff does an exceptional job with this complete and well-rounded reference book for books. Any information that one could hope for about playing the instrument, buying the instrument, or listening to the instrument is included. The author also does well to give many perspectives on many flute issues, reasoning them out for the reader. The second half of the book on the history of many composers is exhaustive and complete. The catalog of repertoire pieces in a table format with available publishers is invaluable for any performer. Really a must own.

I borrowed this book from the library. I love the pictures of different flutes of different era. You can see how flute evolved through hundreds of years. Truly amazing.

I find this book absolutely helpful but I just want to say that what a pity that only paperback is available. It would be nice to have hardback version..

I'm in the middle of liking it and hating it. I would have prefered it was one page and printed on both sides for easier use and transportation. Since it's laminated and lasts quite a while, I can ignore that. I has basically all the fingerings you need, but should have listed ALL since it is 3 pages, lol. Awesome nonetheless.

My daughter just started playing the flute and this thing is awesome! It reads a bit complicated for a beginner, but I have enough flute/music experience to help her decipher the finger placement and notes she needs right now as opposed to those she doesn't yet. Wonderful!

Brenda Murphy's Flute Fingering Chart is a good, basic, accurate fingering guide for the beginning flutist. It's made of durable, laminated paper appropriate for young students. (If you have more than a passing interest in the flute, then a thorough guide to all the fingerings you could ever need is in James Pellerite's classic fingering guide, Modern Guide to Fingerings for the Flute).

Brenda Murphy's chart is simple and easy to read. It has standard fingerings for what is generally considered the full range of the flute and piccolo, and uses both staff notation and octave numberings to show the sounding pitch of the notes - however trill fingerings are not included. Also I would prefer it if she had given the two standard fingerings for B flat, rather than combining them as she does. If you don't already know about them that could be confusing.

The back of the chart contains some information on musical notation and very basic information on flute care. Most students encounter problems with flute care not from what they neglect to do, but rather from what they do in an overly zealous attempt to care for the instrument.

It is a helpful starting guide, though think this chart would be greatly improved if she had incorporated a basic trill-fingering chart on the back, which is also essential to beginning flutists, rather than the material on musical notation and flute care.

I am teaching myself how to play the flute (after a few weeks of lessons many years ago) and I couldn't have done it without this guide. It has big diagrams of each of the notes, showing which keys to press. It folds out into 3 sections so you can lay it next to your music book and check which fingerings you need to play the correct note. I found some of the beginning flute books to be lacking in this department. Either the diagrams of what keys to press are quite small, or they are scattered throughout the books so you'd have to keep searching for them. This is a great learning tool!

Just what I was looking for, a great visual, wonderful to have it in plastic for durability sake, perfect size, folds open... folds into thirds. I like that I can limit what octave I'm looking at. I've seen other charts and this one's the best. Crystal clear as to the information and a pretty color too.

I developed an appreciation for Handel's Messiah over 60 years ago, and to this day I listen to recordings of it frequently. While in college I became a participant, singing in the chorus, and have done so many times since. A while back I gave my vocal score to my daughter for her use, not realizing how much I missed having it at hand. Since I recently purchased a replacement I feel complete again as I refresh my readings of this great work, truly an all time classical composition.
Donald A Carlson

My copy of Handel's Messiah arrived when stated and in in perfect condition. Thank you

The Messiah is, by far, my favorite piece of classical music. It has been a Christmas tradition for me to attend singalong Messiah concerts for many years. This score has been the choice of the choral conductors and organizers of the concerts of which I have been a part. I bought this book to give to my son-in-law for Christmas, as part of a package that also included a recording of a radio program about the Messiah and Handel, and a CD of the music. He is an musician, so I knew he would enjoy it, and I wanted to provide him with material to share with my granddaughters, so they could also become acquainted with this great piece of music. He was very pleased to receive the gift.

The book arrived in a very timely manner. It was in excellent shape. I am extremely happy to have it. Now I can mark it all up for the soprano lines.

Our Chancle Choir preformed excerpts with guest soloist I wanted my own score. The quickness in receiving this was of utmost importance. I was delighted to receive a copy just like the ones purchased by our church. A beautiful score to own.

A very intimate portrait of Francis Albert, giving us a different perspective of his begginings through photos as provided by his family, creates a more human appreciation of the greatest pop singer of our generation. A must for Sinatra fans and collectors.

Being an avid Frank Sinatra fan, this book had some great pictures I have never seen. I recommend to any Sinatra fan.

My dad is a big fan and already has lots of books so I was afraid this might not appreciated. But he loved it. He thought that it was a copy of photos in a real family album.

Excellent book by Charles Pignone, noted Sinatraphile. Charles does a fabulous job in putting together this great family albulm of great photos and remarks, this is a must have book for all Sinatra fans and collectors.
Frank Sinatra is and will always be the greatest singer in the world and this book shows you a little bit of how he got there over the years in pictures. Awesome.

He's one of the true icons of the entertainment industry as well as one of the most renowned stars ever. Ol' Blue Eyes...Frank Sinatra. His name is still synonymous with stardom. Sinatra is one of those stars who will never fade away. It's not just that he left an enormous body of work in music, film, and television when he passed away, lots of stars did that. But Sinatra has something only a handful of celebrities had, true charisma and a certain aura to him. It's what separates Sinatra and others like Marilyn Monroe and Elvis, from the pack.

With Christmas fast approaching, Little Brown & Co., has released a book that is sure to be a hit this holiday season. Frank Sinatra: The Family Album is a glimpse into the personal life of this legendary performer. As the title implies, this book is photo album of Sinatra's life. His family has graciously supplied most of the photos in the book, a gift to his legions of fans. The book contains over 100 color and black & white photos, tracing his life and career every step of the way. Writer Charles Pignone provides the informative captions as well lively anecdotes that include comments from Sinatra himself as well as various friends and family members, all sharing their memories of Frank.

What must assuredly be the most rare Sinatra picture shows as an infant, lying naked on a blanket, and even at that age, the eyes were already striking. We see Frank as a kid on the streets of Hoboken, New Jersey, riding his bike and also visiting the beach with friends along the Jersey shore. My only regret is that we didn't get to see Frank more as a child and the album quickly moves into young adulthood with his marriage to Nancy in 1939. The happy couple are shown walking down the steps of Our Lady of Sorrows Church in Jersey City. It's evident that Frank and Nancy were deeply in love as evidenced by the joyful photos. Nancy notes that in those early days they were together 24 hours a day as Frank traveled from show to show for his blossoming career. There's also lots of pictures of Frank and his children having many fun times together.

Much of the book is focused on Frank's careers from his days as a big band crooner and later with his film and television career. Frank is shown at lavish parties with a who's who of Hollywood including Jackie Gleason, Milton Berle, Jack Benny, Tony Curtis, Dean Martin, and many more. Frank's life truly lived up to the type of a legendary star! Oddly though, there were no pictures of the Rat Pack together as one might have thought.

The book comes full circle as an older Sinatra becomes a Grandpa. Frank's status as a true family man is cemented as he plays with his granddaughters Angela and Amanda, building snowmen, sledding, and hanging out in the swimming pool. Amanda reveals that Frank was a big fan of the "Jeopardy" TV show. A star to the very end, this book presents a unique and personal look into the life of one of the 20th century's greatest stars. A fantastic tribute to Ol' Blue Eyes!

REVIEWED BY TIM JANSON

If you're looking for an art piece, this is the book for you. I was hoping for a little more instruction. It is a beautiful book and I would probably buy it anyway even if I had known how little practical knowledge is actually offered. Most of the instruments could probably be figured out by a fairly competent ceramist, but a beginner would be completely lost.

I was disappointed not to be given cross-section diagrams of some of the wind instruments; I would have liked some more and more specific technical info on creating a clay xylophone and/or marimba; I'd like to know more about stretching drum heads and stringing/playing the bowed instruments and harps. That said, I can probably figure it out, but that's why I bought this book. To help me figure it out.

Conversely, in the section in which Hall does give step by step procedures, he includes simple steps that even the 6-year-olds in my pottery classes know how to do. Nothing about firing techniques or the rest of the stuff ceramists seem to feel obligated to include in a book written for beginners, though, for which I am grateful. Any beginning potter needs a general instruction text (or a good class), so I'm not sure why specialty authors feel it necessary to include basic steps and then, for want of space, leave out stuff you'd really like to know.

Sorry for whining so much. I really love the book and have been reading it word for word (some of it is pretty silly kind of psycho-babble, so you've been warned) to glean every bit of info. It's spangled with little stars of knowledge and I don't want to miss any of them.

As others have said, this isn't really a studio book. It's too nice, and hasn't got all that much practical information anyway, unless you've never made an ocarina or can't figure out on your own how to make a goblet drum. (Thanks for the instructions on fitting the head, though.) It will give you loads of inspiration, and if you understand the different ways of making a sound, which are really explained quite adequately, you'll be able to figure out at least a rudimentary model of most of the instruments shown.

I'm facinated by ceramic music and this book had instruments that I didn't know existed. It is well written and very informative. I also enjoyed listening to the music CD. If you're into ceramics, this book is a good buy!

Love the book and the cd. If you like making musical instruments out of clay or want to learn about them. This is your "must have" book!

I first made my purchase because I had a couple of my photos included in the book. But when I opened it up, it took my breath away! Not only are the photos well done and well laid out, but there is historical information about clay instruments, as well as information about currently made clay instruments. There are also pages of 'how to' for those so inclined. There is information about various artists. I thought it was of such value that I have purchased a copy for the Bethany College Art Department's ceramic instructor. There is a wealth of knowledge in this one book! I highly recommend owning one! Kudo's to Barry Hall!

This book is to own. It's at home in the studio, on the coffee table or in the historian's library. It's well written,informative (with some how make ceramic instrument techniques), exhaustivly researched with magnificient photographs of clay instruments, both ancient and new, of every type. I would never loan my copy for fear of not seeing it again.

For my recent compilation of pilgrimage quotations ("Ultreia! Onward! Progress of the Pilgrim") I read all 40 or so contemporary English journal accounts available about the various routes. Egan's is clearly within the first grouping of 8 or so best such books (i.e. largely those written by established authors and/or academics). Coming from Harvard's Div School just a few hundred meters from where I work, Egan's book is really one of the handful of best ones that attempts to break free (somewhat successfully here) of the linear (and often dead boring) narratives that characterize many such pilgrimage accounts, as she engages in the sort of inner pilgrimage that makes such journeys worthwhile. And she can certainly pen prose; i.e. I used 11 very nice quotations of hers in the review volume Ultreia! Onward!.

Rebeccasreads highly recommends FUMBLING as an outstanding account of the pilgrimage of a 25 year old divinity student carrying a heavy load of guilt, grief & self-loathing.

Salted in the stories of her trials on the trail, Kerry Egan offers the history of the pilgrimage from the French Pyrenees to Santiago de Compostela in Spain, giving us visions of a fable land, as well as how the journey cracked her open so that she could heal from her raw & unrecognized emotions.

Kerry Egan, back in 1999, was one angry woman. How Alex, her boyfriend, stays with her, is her compass when she's lost, bearing the brunt of her impressive rage & hopeless longing, is just as exciting as how she stumbles across the land upon which others have trod for thousands of years.

If pilgrimages fascinate you, then FUMBLING offers both the reason & the value of taking that first step on the journey to healing.

Fumbling is the best book I have read this year. It provides a personal perspective into Ms. Egan's pilgrimage while offering insight into the history and psychology of engaging on a pilgrimage.

The book is written is short chapters that make it easy to read in moments stolen from a hectic schedule. There were times when my eyes filled with tears and others when I laughed out loud while reading this book.

I think I'll read it again.

No table of contents, no index, I just had to dive in, but by the end of the first page the imagery of the words had captured me. An excerpt from the second paragraph:

"I knelt in the back of the church, my forehead on the top lip of the smooth, varnished pew in front of me. The wood was hard against my forehead, . . . .I'd been crying for a long time . . . ."

This is a story of pilgrimage, grieving and transformation, but not a daily journal. There are thirty one numbered episodes, sometimes causing a page break, sometimes just a break in the middle of the page. At a higher level the book is organized into parts, starting with Part 1 Fumbling, Part 2 Walking . . . and so on.

The episodes are a series of vignettes of the Camino experience. They are roughly sequential, but any one of them could stand alone as an essay, for example in a newspaper column. They all will bring back memories and tug the heart of anyone who has walked the Camino de Santiago.

This is a book you can read for pleasure, but certainly one you will want to read after making the journey.

Whether you're reading this on a train or on your back porch during a snow storm, be prepared for an extraodinary journey through northern Spain in the summer. For those of you planning to travel the Camino, Egan describes with vivid detail the scenary(especially the wheat), the people, and everything you'd want to know that they don't tell you in a guide book. It is of course much more than a physical journey, and as you travel with Egan it is as though you are taking a trip through yourself, only this time with a witty, insightful, and adventurous tour guide who doesn't stick to the path.

This item is out of print, and I was thrilled to find one in good shape. Many thanks.

This book features 61 traditional songs, primarily English and American folk and nursery songs. The illustrations, however, are much more diverse--from Japanese scrolls to a picture of a jeweled box shaped like a frog.

Each song has a brief introduction describing its origins or other important facts, and each image also has a description, often including historical tidbits.

The bountiful images (at least one per page, often more) make it a good book for young children to look at while singing or playing at the piano.

This looks like a book for children, and it is. But even more important, it is a book for babies! My two year old baby boy already knew some of the songs going into the book. Let me tell you that at two and two months he now requests "Bringing in the Sheaves." and "Down by the Riverside."
Every night we take that book to bed and we sing and sing until we fall asleep. This is of course after reading several other board books first. I reccommend this book as a keepsake for life!

This is a lovely book of full-color spreads & clear, easytoread music to accompany anyone singing these lively, familiarsongs. 61 classic childhood songs are decorated with some of the magnificent treasures from The Metropolitan Museum of Art. Songs for work, play, nursery, nonsense rhymes, ballads & lullabies matched to paintings, photographs, bedspreads, sculptures & collages spanning 3000 years from around the world...

Family members have been treasuring this book for almost 20 years, and I have given many copies as gifts. A great collection of beautiful melodies, good musical arrangements, and gorgeous visually. Old favorites, easy to sing, the ones everyone knows and enjoys - the whole family will sing along.

A very important book about one of the founding fathers. That may be a cliched phrase for a man who was repelled by the stale cliches abounding in pop music at the time of his career kick-off in 1954.
But once again we have a biography written by two people - why would a poet like Carl need anybody more than an "editor"? Same goeswith Sun label buddy Scotty Moore - his book too had that unecessary naarrator - an excellent piece of prose, like with Carl, but the thought of it gets me depressed. Do you think Dylan or Costello would need a helper?
'50s friend Chuck Berry did his all by himself. The defiant Rocker wrought the defiant Writer. (And baby, that is Rock and Roll....).
Love reading about that Sun to Columbia to British career "rescue" period.
As a CP fan/collector I was natuarlly disappointed in the lack of deatils as to the lesser-known should-been-million-sellers and the conspicuous absence of a much-needed sessionography. A Perkins *Discography* is always helpful. But when in the world am I gonna learn when and where he
cut "We Did In '54?"

I really enjoyed this book. Unlike others that I have read (Little Richard, Chuck Berry, etc), this book is not an attempt to stake a claim to the title of "King of Rock and Roll". This book offers what appears to be an honest and humble look into the life of the King of Rockabilly. Perkins gives due credit to his influences and songwriting assistants, and honestly discusses his alcoholism.

I personally believe that Carl was one of the truest talents in early rock and roll, and his importance as an innovator/songwriter/performer is vastly undervalued. Get this book, and the "Complete Sun Recordings", and you can't go wrong.

An excellent and, what I feel honest (by both the narrator and writer) review and impression of one man's journey through life. Though Carl Perkins story is almost parallel to that of Johnny Cash's (if not "harder") this book goes beyond telling stories and conveys the emotions and impact of Mr. Perkins decisions and experiences.
"They" really should make this life story a movie!

I'll admit it -- I'm biased toward Carl Perkins. I lived several years in his hometown of Jackson, TN and met him many times. Having those experiences, I was curious how this book would portray Mr. Perkins. After reading this book, I have more respect for Mr. Perkins. True, he wasn't perfect (who is?), but he had reason to be bitter about his career and his life, instead he never gave up. He pulled himself up after each setback and kept on striving. When you think about it, what would be the alternative? He was not only a great musician, but an active humanitarian. His work with children and their causes is nearly as impressive as his musical career, yet most people don't know of this. I went to Carl Perkins' funeral, and in the little city of Jackson, TN you would have thought time stood still. This book will give you the feeling of getting to know a true American success story . . .

What a story!! This should be a must read for all of us who get to feeling sorry for ourslves. Carl Perkins came from abject poverty,a racially discriminating South,was known as "white trash",wrote one of rock n rolls seminal tunes,was on the brink of superstardom,lost it all,became a sideman to another Sun records stablemate,delved into the pit of addiction,rose again,had alot of his early work recorded by a group known as the Beatles,played with the likes of Eric Clapton,loved performing with his own family,lived his life humbly,nursed somewhat of a grudge against Sam Phillips,Jerry Lee Lewis,and Elvis,made peace with himself,and left behind the legacy of a man who had seen the beast within and had conquered it.
This is a must read for anyone who has any interest in music,or for that matter,the sociology of the South during the late 1940's and 1950's. It is also ,quite simply,one of the most inspiring books that I've ever read,Thank You, Carl Perkins!

I lov this book and use it every year at story hours for kids ages 2 and up and we have a great time singing and acting out the book. I even sing it with the one year olds--we just act out the animals as we sing the song!

My favorite memories of this book/song are of my then 2 year old daughter singing "Zoo,zoo, zoo!" in the back of the car whenever she wanted us to sing this together!

If you don't know the tune for this, you can find it on the Peter,Paul and Mary album "Peter Paul and Mommy". In fact, if you look it up here at Amazon you can hear a clip of the song. Sadly, the Tom Paxton recording is out of print.
And don't worry about your voice quality--kids just love it when you sing with them!

My two year old loves this book. I was hoping to find some other books for my daughter by checking reviews from other readers, but no one had any- so I thought I would recommend Chicka Chicka Boom Boom (another sing songy favorite that we have memorized) and Eric Carle's book about Papa getting the Moon (exact title escapes me). The Carle book is a necessity if your child likes the moon like ours does.

My 4 year old read this book at her daycare and came home asking for it. It is a great book because it is also a song, very appealing to the 4 year old group and makes it easier for her to remember when she is "reading" the book.
The illustraions are very clever and very cute. A book that parents and children alike can read many times without getting tired.
I highly recommend!

As anyone who regularly reads to children can tell you, some kid's books are downright painful. "Going to the Zoo," like a handful of other delightful finds, almost makes up for all of the bad ones. My two-year old and four-year old love this book. My wife and I love reading (singing) it to them as well. The tune is catchy and easy to sing, even for folks who might normally have trouble with such things. The pictures are beautiful and the story engaing. Best of all, there are plenty of true-to-life touches that make the book feel 'real.' You'll be glad, glad, glad you bought a copy.

I've got this book/song memorized now after having read it millions of times. My children and preschool students LOVE this book. I do too. Great song and fun illustrations. Must have for your home and school library.

Thank you Jack Eadon for letting me share in your very personal journey of the sixties. Your honesty is captivating. You gave back to me memories of that era, the old neighborhood and people, which had long been forgotten. You made me smile. It took me days before I could pick up another book as I wanted more of "Got to Make It". Jack Eadon, you have truly made it.

Damn you Jack Eadon!! 'Got To Make It' kept me up until 2am for days until I finished it. I kept reading it in bed while trying not to wake up my wife with my booklight glowing through the darkness. Being in my early 30's I've only experienced the 60's as it probably wasn't: the TV-friendly Time-Life "Summer Of Love" packaged CD version, full of cliche'd images, shallow descriptions and dismissive attitudes towards the struggles of the era which are now illustrated through the words of someone who lived the political, social and music scene of the "60's" in 'Got To Make It'. This is a book that lays it all out there. The whole John Lennon sequence was literally a headtrip and a thrilling learning experience for me. You can just picture the scene all in white, just like in Lennon's music video for 'Imagine'! Now I always hear the "Hi" when I pop in "Sgt. Pepper's Reprise" in my CD player. I never did before. Wow, maybe he's saying Hi to all of us. This is a great story, full of tragedy, obstacles, small victories, innocent coming-of-age experiences that many of us never talk about, large defeats in life and love...and finally a huge victory that spans the globe and just makes you feel good. Sometimes with a little help from your friends....and sometimes not...you've got to make it.

I'll never forget Stanleys' mantra "It's all in the trying". There couldn't be an idea more important for every aspect of your life. And I'll never forget the philosophy that you and John Lennon shared: "to get 'it' out there...live your dream by doing it, getting thru the small failures, live thru the pain of being a true artist and don't be a fake...."

With 'Got To Make It' Jack Eadon reaches a new level as a writer. You've got to read it. Thanks, Jack!

Reading Jack's evocative book about striving to achieve his dream of making it as rock performer triggered a flood of memories for me about similar dreams, some pursued, some not. Jack's story is a must-read for anyone who shared his dream or had their own at that youthful stage when anything was possible. It's a wonderful narrative that brings back so many elements of growing up in the late 60s when everything seemed possible.

Emotional, entertaining and exceptionally evocative. Enjoy!

It still bugs me that I missed Woodstock.

I was only nine years old that summer, so I didn't fully realize what it was all about. Not until years later, after growing up with the music that had been introduced to me by my older brother, did I realize what an influential (and mind-bending)event that must have been. Looking back, I have always felt that I missed out on one of the defining moments of the '60s.

Fortunately, this book was written. After reading Got To Make It, there are now many more things I can understand, relate to, and appreciate more fully. With its personal, insightful perspective, the book speaks on behalf of those who lived through the turmoil of that decade -- and how it changed them and shaped them. The personal impact of events like the draft, the anti-war protests, and the hunger marches, and pivotal crises like the Kennedy and King assassinations and Kent State, are all brought home with a clear voice that sparks a direct connection, at a heart-to-heart level, between all those old rockers and their wide-eyed younger brothers (like me).

I now feel that I can better understand what my brother went through as we were growing up together in that tree-shaded, middle-class Vanilla World known as suburban Chicago. And why he always seemed a little bit smarter than me.

Jack Eadon pours out his heart and soul making himself vulnerable to the world and himself. He shows great insight on a universal level. True artists get lost in their medium; Jack's being the poetry. I see "Got to Make It!" as timeless. I was able to relate to the feeling of the 60's, paralleling the emotional environment today in our world. I found this book very thought provoking. I can't wait to hear the music!