Music Books

Arthur Hull hits the nail on the head with his book, Drum Circle Spirit. Without this book to use as a guide, I would feel lost!... I call it simply "REQUIRED READING" for those who care about their community and friends who wish to drum in a group setting. It empowers most anyone to begin and conduct their own drum circle. THANK YOU ARTHUR!

This book is the bottom line, the base of the pyramid. All others I have read-and I have very many-rest on it. It explains the why, the where and the how of different types of drum circles and how, when one is called upon to do so, to facilitate them so that they live and create music on their own. While there are many facilitator "tricks" and techniques, the message is always that the circle is not to serve as a platform for a facilitator performance, but that the facilitator's job is only to get the music the circle is making past places where it starts to self destruct and back into solid playing. There is a great deal of anecdotal information about how specific difficult situations were handled as well as examples of wonderful, joyful exhuberance. If you are new to drum circles, and especially if you need or want to facilitate them, this is the FIRST book you buy.

As a Christian wanting to start a church-oriented drum-circle, I was somewhat concerned that this book would be full of propaganda that would run counter to my Christian values. (Making it annoying to read at the least, and at worst, difficult to convince other Christians in my church of its value.) While some of the author's values come through (especially with references to "tithing to Rhythm Church" and the like) there's nothing in here to really offend any particular religious belief. There's no "we can heal the world with drums, just think good thoughts and good things will happen to you" message here. It's practical advice on how to bring out the best in a group of drummers.

Arthur's numerous anecdotes are entertaining and informative. They really conveyed the spirit of what Arthur does with his drum-circles.

I'm very anxious to get started applying what I've learned (and will continue to learn) from this book, and it has convinced me to attend one of Arthur Hull's Facilitator Playshops. Arthur's teaching in the book is very clear, presented in small, easily-digested steps, and most of all, very encouraging. The whole book shouts, "You can do this, it isn't that hard!"

I've very pleased that Arthur has taken the time to share his hard-earned wisdom with the rest of us. If you're wanting to start a drum-circle, work with kids through rhythm, or any such activity, you can't afford not to own this book.

This book and CD set has wonderful examples of drum circle games and exercises. He and his facilitators also share their drum stories and let us know how fun it can be to be an "Arthurian" facilitator! Get a bunch of friends together and PRACTICE these games!(It REALLY comes to life after attending one of Arthur's facilitator playshops!!!)

This guy is a modern Trickster! At first you wonder, is this guy a joke? Then as you read more, you realize, yes he is, thank god! But be aware; this is a book about building community; if you want a book about drumming, look to Mickey Hart.

Almost like a brief history of the era and new insights into how those movies were made. Enjoyed the ancedotes of fellow artists.

With John Wayne's 100th birth date coming up I started looking for books on him that I have not read. This book is very enjoyable reading. You learn alot about the man from his fellow co-workers and friends. I would recommend this one to any one.

Critics complain that he was a Johnny-One Note who played the same person over & over, & wasn't very good at it. I say this is Baloney.

The annecdotes & observations of the people who lived & worked with him that are found in this book show that he was able to do so much, physically, & emotionally with the characters he played.

You come away with a better sense of why you cheered, laughed, & cried under the spell of his performances. Whether you agreed or disagreed with the actions of his character, you still cared for him & cared about what happened to him

His friends, family, & co-workers loved & admired him & it shows very clearly in this wonderful book.

Sure, he drank, & smoked, & was a staunch anti-commie, but he was also a loyal, funny, kind & gentle family man who worked hard to perfect his craft & cared about his co-workers.

Read this book & understand.

I am a huge fan and relative of Herb's writings. He has a true gift for the written word and I have enjoyed all of his books. Herb, my prayers and thoughts are with you during these very trying times. I am thinking of you incessantly and the entire family prays for you daily. Godspeed.

One of the reasons Wayne was so popular was that he symbolized everything America wanted to be; strong ,brave,loyal,savvy and honest.His character was a fighter who never backed down when he knew he was right. He was a role model to millions, his screen actions were a roadmap to manhood. That was John Wayne,Icon.
But there was another side to Wayne. He was a real man,flesh and blood, and he had real thoughts and feelings,strengths and weaknesses. He was as brave as his larger-than-life screen persona in his real life,such as in the way he faced up to cancer, and very very human.This is John Wayne,the Man.
This book does an excellent job of showing both sides of the John Wayne coin,Man and Icon. It does it with stories told by people who really knew him. After reading this book you actually feel like you've had a bull session with Duke's friends and co-workers. It's got a very amiable feel to it.
The book also reminds me of Studs Terkel's books. Studs would just turn on a tape recorder and let his subjects pour their hearts out. The author here uses a similar approach. Each story is like a piece of a jigsaw puzzle and at the end of the book you can put all the pieces together to get a clear picture of the Duke.
After I finished reading, I wished I had known him too.

I grew up poor (though not as poor as the Presleys). There were 6 people in our family, Mother, Father, 2 boys and 2 girls in a 2 bedroom house. If my Mother had put the 2 young girls in the same bedroom with 2 teenage boys, the child-welfare people would have been knocking down the door. Instead, we slept in their bedroom, to the detriment of their marriage. That Elvis slept with his parents (it gets cold in northern Mississippi and Tennessee) doesn't really shock or surprise me.

What does surprise me is that someone like Dee Stanley, who put her own sons in foster care so she could pursue Vernon Presley, would condemn them.

I am also not surprised that Elvis was never able to form a long-lasting relationship with a woman. Most of the women I have read about seemed only interested in what they could get from him. not what they could give to him; a total contrast to his Mother. And let's face it, most men are looking for someone like Mom when they get married.

I thought Elaine Dundy did a masterful research job. Too bad the history books kids use in school don't usually match this level of dedication to facts.

This book is not just about Elvis, it is about poverty and how it shapes people and stays with them throughout their lives.

Buy this book, you will treasure it.

Just loved this book it was fascinating about Gladys and Vernons background. How poor they were and the sadness of the birth of Jesse Garon and Elvis it's to much to tell every Elvis fan needs this book. You will be amazed on how much understanding of the Presley family you will have after reading this book. This is why Elvis had such a kind and gentle way about him and a giving heart it hurts me to know that the people he loved the most used him for there own fame and fortune. All i can say is buy this book you will not be disappointed and you will come to know Elvis a lot better than before it's a must for every Elvis fan.

I've read quite a few books about Elvis and this one is excellent. The author spent a lot of time with people who knew Elvis back then and uncovered some very interesting and heart-warming stories. I learned a lot about his childhood and school days that I hadn't heard before. I'd recommend it for any Elvis fan.

What impressed me most was the account of Elvis' intense, enduring interest in performing beginning at an early age. She cites his participation in school shows, contests and courthouse jamborees, his involvement with entertainer Mississippi Slim, and his 240 mile hitch hike to compete at the Jimmie Rogers Festival. Elvis's association with Bill Black, his first bass player, occurred long before that famous Sun session that produced his first hit. Those who think that Elvis was just a truck driver that lucked up on a record hit are sadly mistaken. Elvis was into the music scene from the get go. He may have been lucky, but like they say, you make your own breaks. He was there, prepared, looking for the opportunity and taking the initiative.

The life of Gladys and her influence on Elvis are well documented. I've read several Elvis books, and none provides a better description. Gladys had her own dreams of stardom which filtered through to Elvis.

The author does a thorough, excellent job of researching and developing her own independent conclusions. For the most part, her logic rings true. In a very few instances, she may infer too much.

The author, Elaine Dundy, not only tells the story of Elvis and his mother, she traces back several generations into the history and psyche of Elvis' ancestors: the Scotch and Irish who settled the Southeast and tamed the Mississippi Delta. Although she is British, her extensive research and comments about post-Civil War Southern society, customs, lifestyle, and mindsets are dead-on. I grew up in the rural Deep South and many of the influences peculiar to the South that Dundy sites in this book were still a part of my mid-20th century experiences.

The reader closes the book with one thought about Gladys (and Vernon) and that is that these two parents loved their son more than life itself and that they simply did the best they could. They were handicapped from the beginning by poverty, ignorance, and also quite possibly genetic pre-dispositions towards depression, obsessive/compulsive disorders, and addictions. It was not uncommon throughout the 19th century and into the 20th that first cousins would marry and have children. The inter-marriages within the Smith and Presley families were pervasive and no doubt exacerbated genetic tendencies.

Gladys' relationship to Elvis was very close in that she put his needs above everything else in her life. She was the only person who could have ever "saved" Elvis from his excesses. But unfortunately, she succumbed to her own drinking habits early on. Once she was gone, his life spiraled out of control.

Elaine Dundy leaves the question unanswered: If Elvis had such a close relationship with Gladys, why wasn't he ever able to form an equally enduring and intimate relationship with a lover? The answer comes from the reader's personal conclusion that the mother-son relationship was close to the point of crippling to Elvis. Just as he reached young adulthood his fabulous success story began. He was stretching out for independence and Gladys figuartively and literally abandoned him -- through death. Elvis was always able to keep the "enduring" part of a relationship going (i.e. he could never let Priscilla go) but his love affairs seemed to mirror his relationship with Gladys in bizarreness, obsessions, and misery.

My daughter found out about this book in school so I bought it for her because she really likes the song, it comes with a CD to sing along with.

my 3 and a half year old son's class did this song on stage for our pre-school's 1st annual Thanksgiving Day Parade. They loved it! And all the classes love singing it too. I teach the early 3s and all I have to say is I want to ride in a firetruck and my class of 14 all start singing. I love how fast they learned it and how much they love it.

My two grandsons, ages 12 and 26 months, are absolutely crazy about this book and cd. The 12 month old cries every time the song ends, and the two year old asks for the book to be read over and over again. I was absolutely floored by their response. A definite winner at our house!

We bought 5 copies of this book and CD for all our neices and nephews, they are in love with the music and the book and love to hear the story and dance and sing to the music. We will be buying more copies of this book and CD for our newest nieces.

I am a Music Teacher at Montessori preschool. My class includes children ages 2 1/2 to 6 years. This story and music are perfect for the whole class. Boys especially will enjoy this story, however, girls will really like it too. The music is good quality, that is what I search for in a story-music lesson. The book is beautifully illustrated and well written. I have purchased other Scholastic Sing and Read Storybooks and they are great also.
I will read the book to the class; then we will listen to the musical story and sing along with the CD. All of the students will love to participate in this musical lesson.

The text is written in modern English which is easier to read and comprehend than some of those ancient scrolls translated from german or some other archaic language. In addition to the information of technique and method, I especially enjoyed the lengthy resource lists for rated (according to level of difficulty)musical compositions for flute.

The book is dictionary-like in terms of weight and feel. The pages are filled with well-written standard type font. I mention this because I have become weary of those pamphlet-thick 'modern music method books' and their clip-art laden, nearly empty pages that are too often mass produced and marketed as an only source of published information.

The author also addresses, in great detail, some of the well and lesser known flute debates(such as the flutest/flautist conflict), the history of flute (with photos from the Dayton C. Miller flute museum/collection, where the author is also the currator), development and changes, and those other topics and issues some(those only superficially dedicated to the wonders of flute) might consider trivial.

I originally borrowed this book from the library. I have since added this title as a must have for my personal music book collection. If you are looking for a recently written, detailed, modern exploration of the flute, by an accomplished authority, this publication is a smart choice!

Nancy Toff has left nothing out of this grand book -- the history, anatomy, selection, and care of the flute in its popular and more esoteric forms; an extensive discussion on the development of not only classical and modern technique, but also personal style; building a repertoire and creating or finding performance opportunities; the history of flute music, and authoritative suggestions for building a sheet and recorded music library; countless charts and reference materials -- all has been included that a flute player, whether amateur or professional, student or teacher, could and would want to know and reference in the course of their playing career. And if one happens to find anything not included, I feel confident that Ms. Toff would personally see to correcting the matter immediately. An absolute must; look no further, oh wearied flutists (as Ms. Toff insists you are to be called, and not flautists, based on a well-researched etymological conclusion), for your redemption is at hand.

Nancy Toff does an exceptional job with this complete and well-rounded reference book for books. Any information that one could hope for about playing the instrument, buying the instrument, or listening to the instrument is included. The author also does well to give many perspectives on many flute issues, reasoning them out for the reader. The second half of the book on the history of many composers is exhaustive and complete. The catalog of repertoire pieces in a table format with available publishers is invaluable for any performer. Really a must own.

I borrowed this book from the library. I love the pictures of different flutes of different era. You can see how flute evolved through hundreds of years. Truly amazing.

I find this book absolutely helpful but I just want to say that what a pity that only paperback is available. It would be nice to have hardback version..

I'm in the middle of liking it and hating it. I would have prefered it was one page and printed on both sides for easier use and transportation. Since it's laminated and lasts quite a while, I can ignore that. I has basically all the fingerings you need, but should have listed ALL since it is 3 pages, lol. Awesome nonetheless.

My daughter just started playing the flute and this thing is awesome! It reads a bit complicated for a beginner, but I have enough flute/music experience to help her decipher the finger placement and notes she needs right now as opposed to those she doesn't yet. Wonderful!

Brenda Murphy's Flute Fingering Chart is a good, basic, accurate fingering guide for the beginning flutist. It's made of durable, laminated paper appropriate for young students. (If you have more than a passing interest in the flute, then a thorough guide to all the fingerings you could ever need is in James Pellerite's classic fingering guide, Modern Guide to Fingerings for the Flute).

Brenda Murphy's chart is simple and easy to read. It has standard fingerings for what is generally considered the full range of the flute and piccolo, and uses both staff notation and octave numberings to show the sounding pitch of the notes - however trill fingerings are not included. Also I would prefer it if she had given the two standard fingerings for B flat, rather than combining them as she does. If you don't already know about them that could be confusing.

The back of the chart contains some information on musical notation and very basic information on flute care. Most students encounter problems with flute care not from what they neglect to do, but rather from what they do in an overly zealous attempt to care for the instrument.

It is a helpful starting guide, though think this chart would be greatly improved if she had incorporated a basic trill-fingering chart on the back, which is also essential to beginning flutists, rather than the material on musical notation and flute care.

I am teaching myself how to play the flute (after a few weeks of lessons many years ago) and I couldn't have done it without this guide. It has big diagrams of each of the notes, showing which keys to press. It folds out into 3 sections so you can lay it next to your music book and check which fingerings you need to play the correct note. I found some of the beginning flute books to be lacking in this department. Either the diagrams of what keys to press are quite small, or they are scattered throughout the books so you'd have to keep searching for them. This is a great learning tool!

Just what I was looking for, a great visual, wonderful to have it in plastic for durability sake, perfect size, folds open... folds into thirds. I like that I can limit what octave I'm looking at. I've seen other charts and this one's the best. Crystal clear as to the information and a pretty color too.

I developed an appreciation for Handel's Messiah over 60 years ago, and to this day I listen to recordings of it frequently. While in college I became a participant, singing in the chorus, and have done so many times since. A while back I gave my vocal score to my daughter for her use, not realizing how much I missed having it at hand. Since I recently purchased a replacement I feel complete again as I refresh my readings of this great work, truly an all time classical composition.
Donald A Carlson

My copy of Handel's Messiah arrived when stated and in in perfect condition. Thank you

The Messiah is, by far, my favorite piece of classical music. It has been a Christmas tradition for me to attend singalong Messiah concerts for many years. This score has been the choice of the choral conductors and organizers of the concerts of which I have been a part. I bought this book to give to my son-in-law for Christmas, as part of a package that also included a recording of a radio program about the Messiah and Handel, and a CD of the music. He is an musician, so I knew he would enjoy it, and I wanted to provide him with material to share with my granddaughters, so they could also become acquainted with this great piece of music. He was very pleased to receive the gift.

The book arrived in a very timely manner. It was in excellent shape. I am extremely happy to have it. Now I can mark it all up for the soprano lines.

Our Chancle Choir preformed excerpts with guest soloist I wanted my own score. The quickness in receiving this was of utmost importance. I was delighted to receive a copy just like the ones purchased by our church. A beautiful score to own.

Being an avid Frank Sinatra fan, this book had some great pictures I have never seen. I recommend to any Sinatra fan.

A very intimate portrait of Francis Albert, giving us a different perspective of his begginings through photos as provided by his family, creates a more human appreciation of the greatest pop singer of our generation. A must for Sinatra fans and collectors.

My dad is a big fan and already has lots of books so I was afraid this might not appreciated. But he loved it. He thought that it was a copy of photos in a real family album.

Excellent book by Charles Pignone, noted Sinatraphile. Charles does a fabulous job in putting together this great family albulm of great photos and remarks, this is a must have book for all Sinatra fans and collectors.
Frank Sinatra is and will always be the greatest singer in the world and this book shows you a little bit of how he got there over the years in pictures. Awesome.

He's one of the true icons of the entertainment industry as well as one of the most renowned stars ever. Ol' Blue Eyes...Frank Sinatra. His name is still synonymous with stardom. Sinatra is one of those stars who will never fade away. It's not just that he left an enormous body of work in music, film, and television when he passed away, lots of stars did that. But Sinatra has something only a handful of celebrities had, true charisma and a certain aura to him. It's what separates Sinatra and others like Marilyn Monroe and Elvis, from the pack.

With Christmas fast approaching, Little Brown & Co., has released a book that is sure to be a hit this holiday season. Frank Sinatra: The Family Album is a glimpse into the personal life of this legendary performer. As the title implies, this book is photo album of Sinatra's life. His family has graciously supplied most of the photos in the book, a gift to his legions of fans. The book contains over 100 color and black & white photos, tracing his life and career every step of the way. Writer Charles Pignone provides the informative captions as well lively anecdotes that include comments from Sinatra himself as well as various friends and family members, all sharing their memories of Frank.

What must assuredly be the most rare Sinatra picture shows as an infant, lying naked on a blanket, and even at that age, the eyes were already striking. We see Frank as a kid on the streets of Hoboken, New Jersey, riding his bike and also visiting the beach with friends along the Jersey shore. My only regret is that we didn't get to see Frank more as a child and the album quickly moves into young adulthood with his marriage to Nancy in 1939. The happy couple are shown walking down the steps of Our Lady of Sorrows Church in Jersey City. It's evident that Frank and Nancy were deeply in love as evidenced by the joyful photos. Nancy notes that in those early days they were together 24 hours a day as Frank traveled from show to show for his blossoming career. There's also lots of pictures of Frank and his children having many fun times together.

Much of the book is focused on Frank's careers from his days as a big band crooner and later with his film and television career. Frank is shown at lavish parties with a who's who of Hollywood including Jackie Gleason, Milton Berle, Jack Benny, Tony Curtis, Dean Martin, and many more. Frank's life truly lived up to the type of a legendary star! Oddly though, there were no pictures of the Rat Pack together as one might have thought.

The book comes full circle as an older Sinatra becomes a Grandpa. Frank's status as a true family man is cemented as he plays with his granddaughters Angela and Amanda, building snowmen, sledding, and hanging out in the swimming pool. Amanda reveals that Frank was a big fan of the "Jeopardy" TV show. A star to the very end, this book presents a unique and personal look into the life of one of the 20th century's greatest stars. A fantastic tribute to Ol' Blue Eyes!

REVIEWED BY TIM JANSON

If you're looking for an art piece, this is the book for you. I was hoping for a little more instruction. It is a beautiful book and I would probably buy it anyway even if I had known how little practical knowledge is actually offered. Most of the instruments could probably be figured out by a fairly competent ceramist, but a beginner would be completely lost.

I was disappointed not to be given cross-section diagrams of some of the wind instruments; I would have liked some more and more specific technical info on creating a clay xylophone and/or marimba; I'd like to know more about stretching drum heads and stringing/playing the bowed instruments and harps. That said, I can probably figure it out, but that's why I bought this book. To help me figure it out.

Conversely, in the section in which Hall does give step by step procedures, he includes simple steps that even the 6-year-olds in my pottery classes know how to do. Nothing about firing techniques or the rest of the stuff ceramists seem to feel obligated to include in a book written for beginners, though, for which I am grateful. Any beginning potter needs a general instruction text (or a good class), so I'm not sure why specialty authors feel it necessary to include basic steps and then, for want of space, leave out stuff you'd really like to know.

Sorry for whining so much. I really love the book and have been reading it word for word (some of it is pretty silly kind of psycho-babble, so you've been warned) to glean every bit of info. It's spangled with little stars of knowledge and I don't want to miss any of them.

As others have said, this isn't really a studio book. It's too nice, and hasn't got all that much practical information anyway, unless you've never made an ocarina or can't figure out on your own how to make a goblet drum. (Thanks for the instructions on fitting the head, though.) It will give you loads of inspiration, and if you understand the different ways of making a sound, which are really explained quite adequately, you'll be able to figure out at least a rudimentary model of most of the instruments shown.

I'm facinated by ceramic music and this book had instruments that I didn't know existed. It is well written and very informative. I also enjoyed listening to the music CD. If you're into ceramics, this book is a good buy!

Love the book and the cd. If you like making musical instruments out of clay or want to learn about them. This is your "must have" book!

I first made my purchase because I had a couple of my photos included in the book. But when I opened it up, it took my breath away! Not only are the photos well done and well laid out, but there is historical information about clay instruments, as well as information about currently made clay instruments. There are also pages of 'how to' for those so inclined. There is information about various artists. I thought it was of such value that I have purchased a copy for the Bethany College Art Department's ceramic instructor. There is a wealth of knowledge in this one book! I highly recommend owning one! Kudo's to Barry Hall!

This book is to own. It's at home in the studio, on the coffee table or in the historian's library. It's well written,informative (with some how make ceramic instrument techniques), exhaustivly researched with magnificient photographs of clay instruments, both ancient and new, of every type. I would never loan my copy for fear of not seeing it again.

For my recent compilation of pilgrimage quotations ("Ultreia! Onward! Progress of the Pilgrim") I read all 40 or so contemporary English journal accounts available about the various routes. Egan's is clearly within the first grouping of 8 or so best such books (i.e. largely those written by established authors and/or academics). Coming from Harvard's Div School just a few hundred meters from where I work, Egan's book is really one of the handful of best ones that attempts to break free (somewhat successfully here) of the linear (and often dead boring) narratives that characterize many such pilgrimage accounts, as she engages in the sort of inner pilgrimage that makes such journeys worthwhile. And she can certainly pen prose; i.e. I used 11 very nice quotations of hers in the review volume Ultreia! Onward!.

Rebeccasreads highly recommends FUMBLING as an outstanding account of the pilgrimage of a 25 year old divinity student carrying a heavy load of guilt, grief & self-loathing.

Salted in the stories of her trials on the trail, Kerry Egan offers the history of the pilgrimage from the French Pyrenees to Santiago de Compostela in Spain, giving us visions of a fable land, as well as how the journey cracked her open so that she could heal from her raw & unrecognized emotions.

Kerry Egan, back in 1999, was one angry woman. How Alex, her boyfriend, stays with her, is her compass when she's lost, bearing the brunt of her impressive rage & hopeless longing, is just as exciting as how she stumbles across the land upon which others have trod for thousands of years.

If pilgrimages fascinate you, then FUMBLING offers both the reason & the value of taking that first step on the journey to healing.

Fumbling is the best book I have read this year. It provides a personal perspective into Ms. Egan's pilgrimage while offering insight into the history and psychology of engaging on a pilgrimage.

The book is written is short chapters that make it easy to read in moments stolen from a hectic schedule. There were times when my eyes filled with tears and others when I laughed out loud while reading this book.

I think I'll read it again.

No table of contents, no index, I just had to dive in, but by the end of the first page the imagery of the words had captured me. An excerpt from the second paragraph:

"I knelt in the back of the church, my forehead on the top lip of the smooth, varnished pew in front of me. The wood was hard against my forehead, . . . .I'd been crying for a long time . . . ."

This is a story of pilgrimage, grieving and transformation, but not a daily journal. There are thirty one numbered episodes, sometimes causing a page break, sometimes just a break in the middle of the page. At a higher level the book is organized into parts, starting with Part 1 Fumbling, Part 2 Walking . . . and so on.

The episodes are a series of vignettes of the Camino experience. They are roughly sequential, but any one of them could stand alone as an essay, for example in a newspaper column. They all will bring back memories and tug the heart of anyone who has walked the Camino de Santiago.

This is a book you can read for pleasure, but certainly one you will want to read after making the journey.

Whether you're reading this on a train or on your back porch during a snow storm, be prepared for an extraodinary journey through northern Spain in the summer. For those of you planning to travel the Camino, Egan describes with vivid detail the scenary(especially the wheat), the people, and everything you'd want to know that they don't tell you in a guide book. It is of course much more than a physical journey, and as you travel with Egan it is as though you are taking a trip through yourself, only this time with a witty, insightful, and adventurous tour guide who doesn't stick to the path.