Music Books

This is a decent book. About what I expected. Gave it a 3 instead of a 4 because editing was a bit shoddy.

My man BFG. Nice tunes , nice beard, real nice cars, but MAN: those guitars are incredible!! Sharp dressed indeed...!

You dont have to be a ZZ Top fan to like this book , that's just an added Bouns . This book showcases both
Billy Gibbons one of a kind collection of Car's , and Guitars . One especially famous Guitar by Houston legendary Luthier Huey "The Axehandle" Wilkinson . I bought 6 of them , and gave them out as Christmas gifts .

Hey if you play guitar you need to buy this book and soak yourself in the aesthetic and philosphy of the Reverend Billy G. If this guy and Little Steven were running the world, (or just the record and radio industries), we would all be a lot better off. Cool cars and cooler guitars... what more do you want??

WOW. Awesome pictures and great stories. My husband is a ZZ Top enthusiast and I am so glad I bought this book for him. It also has some great pictures of cars Billy collected and since my family is a "racing family" this book was perfect! Well worth the money!

I feel that the book is an excellent manual documenting the brilliant production of CABARET by one of the great theatrical directors of our times. Sam Mendes. It is readible; it's well laid out;includes personal comments and historical facts and notes/interviews; and is an interesting insight into how the show was staged including costume sketches, the conversion of the former NY Studio 54 into a "classy" cabaret, etc. The photographer brings all contents to life and the whole work borders on being a topnotched manual of all theatrical arts.

I just got this book. It is so neat. I couldn't stop reading it. I love Broadway shows, and this book tells so much that I want to know. The pictures in this book are also great! I have yet to see the show but this book almost makes you feel right in the theater. I fyou want a goog Braodway book, this is a VERY good choice!

This book is absolutely delicious. It is filled with gorgeous, glossy photos of the entire beautiful cast, with lots of attention paid to my favorite, Alan Cumming. This book is a must have for any Cabaret fanatic. Even my roommate, who isn't really a fan, couldn't help but read it cover to cover! This book is breathtaking.

I've seen the movie, the revival, and I remember the original production with Joel Grey from my childhood....but nothing ever beats the book! A complete script, with stage directions and brilliantly captured moments of the play; a thick and hearty slice of life backstage at one of Broadway's most fun and intriguing shows-- get it now!

This is the next best thing to seeing Cabaret in studio 54! Pictures of the Roundabout theater production light up this book and tells the story of the revived new musical. This book does not tell the story of the Liza Minelli version, or any of the other Cabaret versions, but of that of the revival. I have seen the new production in person, and can only say that this is the next best thing...and the book even has the whole libretto in it!

A wonderful book. I loved it as a child, and going back to read it as an adult I realize that there are a lot of things that I missed. I remember my teacher reading it aloud in class--wonderful!

The movie, although very nice, has only a superficial resemblance to the book. For one thing, it moves the time a generation or so back. For another, in the book both parents are alive, rather than Caracticus Pott's being a widower; consequently, there is no romance.

I could very well wish that a new movie be made, NOT a musical and following the original plot.

Just like when I was a kid at my moms knee listening to her read this to me I wsa again transported to another time. This audio is great. Kids and adults alike will fall inlove with this audio book. Some what diffrent than the movie staring Dick Van Dyke. which is always a welcome suprise.

It is a charming and delightful story that you will love to read to your children. I read this book to my 6 year old. She loved it!! We both wish we could find more books about this wonderful family and car.

I remember the 1968 movie based on this novel fondly, but had never picked up the novel itself until just the other day. I was surprised at how different the book is. Although Chitty-Chitty-Bang-Bang herself is very similar in both, the plot of the story is much different. I enjoyed this simple little story, with Fleming's humorous asides, very much. Those asides reminded me of the "Series of Unfortunate Events" books I have read and I would be interested in learning if Lemony Snicket drew from Fleming's story style for his own series. This is a fun, quick story that most kids will enjoy. I do, however, fear that the admittedly crude illustrations in my original edition would not be as popular with modern children.

The story of Caractacus Pott, his family, and that wonderful magical car is one of the best children's stories you will ever read. Ian Fleming, the creator of James Bond, tells a fantastic story about Chitty Chitty Bang Bang, the magical flying car that can even turn into a boat! It's a delightful story, filled with crooks and gangsters, and you won't be sorry you bought this fantastic little book. Should be added to every child's bookshelf. Just delightful! The book is so much better than the movie, eliminating that silly Vulgaria story. If you want to read the story Ian Fleming intended, you'll have to buy the book. You won't be sorry.

I finally bought a guitar and started taking lessons. This is the book my instructor teaches from and I can't beleive how quickly it progresses to playing actual songs. It keeps my interest, so I know I'll be flying solo soon enough.

Recently I enrolled in a school of music. I was aprehensive at first (I didn't want to have to practice little children's music) but soon was happy to hear that my instructor uses this book. When I first looked thru the book I could see that it was meant for serious students. I appreciate the methods used here. The music that one must practice is beautiful and I really get a sense of accomplishment when I "get it right". I would recommend this lesson book to all instructors.

This book was originally purchased from a music store in Montreal, Quebec, Canada for my grandson who was visiting from the Czech republic. His music teacher recommended it as a great basic tool for learning to read music and understand the basics of the guitar. With the help of this book he was able to show Joni that in order to be a great guitar player, no matter what type of music, a good foundation in reading music is essential.
After Joni returned home to the Czech Republic, the book was stolen from him. His father sent me the co-ordinates to allow me to easily replace it by ordering it from Amazon. Thanks. (PS, it was on sale at the time and I paid less for this copy than for the original).

This book offers enough exercises to obtain a well practiced hand before moving into harder pieces. Other books seem to offer you building blocks, then show you the pyramide, but miss connecting the two. Shearer does an excellent job of helping all the pieces come together.

this is the ideal next book in the excellent Aaron Shearer classical guitar learning books. I like these books a lot. Very good buy for the price.

Exactly what, I asked myself, is a Diva?

Well, according to most dictionaries I checked, Diva is a noun, and it describes a "distinguished female operatic singer; a female operatic star." Synonym: prima donna

Hmmm. I've noticed in today's usage, Diva seems to be applied to anyone who is at the pinnacle of their career, or knowledge, or special in some other way. Let's find out if it applies here.

Our Diva in this book is one Aubrey James, the reigning Queen of Country, residing at the top of the charts for over ten years. We meet Aubrey onstage at a CMA special. She's exhausted. Her boyfriend pops out onstage and publicly proposes. The ring is thrust on her finger. He leaves, she steps up into the spotlight - and the Diva takes a dive. Total wipe-out.

As she recuperates, she learns she has been cruelly betrayed by a former band member. Her "story" has been sold to a major tabloid. Up to this point, Aubrey has kept her very public life separate from her private life. Now, she realizes she's going to have to open up and talk about the real Aubrey James.

She chooses the venue for her interview, but they change her scheduled interviewer. A person from her past she'd rather forget. Now she faces her past--her personal life--on more than one front.

Aubrey James refuses to become a victim. She is strong. She faces everything head-on. No hiding, no prevaricating. Brought up by Christian parents, at their death, Aubrey moves away from her faith. Yet, though she doesn't realize it, her 'faith' never left her. When things happen to her, accusations thrown at her, she handles them with grace, though she doesn't realize that. Some of those things made ME angry. I wanted Aubrey to lash out in anger, throw something, do something--anything. But she didn't.

And she remains a Diva.

I loved this book. I highly recommend this title, even if you don't reach much Chick-Lit.I believe this is Rachel's strongest book to date It is not a "girlie" book - it is full of depth and rich with symbolism. Get it!

extremely well written. the characters dont feel like they were pushed and forced into being and the conversations and story feels natural. extremely good book and i would recommend it to everyone. i enjoyed the storyline in that it could be read by anyone, man or woman. its a chick lit thats not too romancey.

Diva NashVegas is the touching story of a country music superstar trying to get back in touch with herself, her faith, and her love for music. In the first few pages of the book, the main character, Aubrey James, bursts forth as a glitzy, glamorous star of the stage who has everything that anyone could ask for - love, money, success. But it doesn't take long for the reader to get to know the inner turmoil of Aubrey's life as she has learned to deal with the loss of her parents, the betrayals by lovers, and the duplicity of former band members, all while under the bright spotlight of the public eye. Now, recognizing that there is nowhere left to run and hide from the mistakes and misfortunes of her past, Aubrey decides to face them head on by doing a one on one interview with Scott Vaughn, one of the co-anchors of Inside NashVegas. Rachel Hauck does an amazing job of bringing to life the complex character of Aubrey James whose larger-than-life, diva persona is balanced perfectly with that girl-next-door, down to earth quality that makes Aubrey irresistibly relatable despite her status as a country singing legend. Aubrey's encounters with Scott span the gamut of emotions from embarrassing and nerve racking, to compassionate and even comedic. The moments where Aubrey dreams of her mother will touch the heartstrings of anyone who has ever felt sad and alone and wanted nothing more than to crawl inside a warm, motherly embrace. Turning the pages on the growth of a woman on the brink of a breakdown as she turns into someone enjoying the process of regaining her faith is a joy to witness!
--Amey Libman, Author of Heart of Blue

I loved this book. I read it during down time at work but had to be very careful... due to the fact that I busted out laughing at the antics between Aubrey and Scott. Singed eye-brows, the driving lesson, teaching Aubrey to cook.

I found Hauck's writing to be down to earth, weaved with love and humor. Aubrey was so well-rounded that I could relate to bits and pieces of her personality. Scott was such an easy character to love. He would be a lot of fun to hang with. When I neared the end of the book, I found myself procratinating to finish it. I didn't want the story to end.

I am going to buy this book for my 12 year old niece. I know she will love it.

Diva NashVegas is a good, fluffy read but it's not quite as good as Lost in NashVegas. As a heroine, I found Robin Rae to be more relatable than Aubrey James. Honestly, in the beginning chapters, I didn't like Aubrey very much at all- she seemed too cocky (I realize that she is supposed to be a `diva'- so this characteristic is fitting but still annoying), pessimistic, and at the same time, weak and spine-less (had a hard time standing up to her schmoe of a boyfriend/fiancé/live-in lover). There were more than a few instances where I tried to yell through the book at her for not making a bigger deal about things that were in fact a big deal. Another point of contention was her living with her boyfriend- granted, her faith wasn't that strong in the beginning but, still, for a Christian fiction book it bothered me how sugar-coated it all seemed- it was written and handled in too blasé a manner, as if it wasn't a big deal that they were living and sleeping together. And there was really no remorse, regret, or anything from Aubrey after the fact, never realizing or admitting that it was a mistake.

Still a good quick read but a disappointment after the fun of Lost in NashVegas and the plucky Robin Rae. Although the plot was predictable, I'm not giving up on Ms. Hauck; I just hope the next story in more in the lines of the first and not this mediocre second installment.

Very accesible book & good introduction not only to Duke Ellington but the world of Jazz. I suppose an author is limited by the number of pages how in depth one can get but still I expected a more critical examination of the contradiction of Ellington's public persona w/ his spirituality and how he reconciled these contradictions. That said, I still found Steed's argument convincing, especially his leading up to his sacred music. This is especially a good book for the new initiate to Duke Ellington.

The author's knowledge of Duke Ellington, and descriptions of his compositions is impressive. After studying Ellington's life and compositions through this book more closely, in his music, even when it is not overtly religious, one can quickly see that Ellington did indeed work out his spirituality through his music, as this author so convincingly argues. Of especial interest is the author's conception of spirituality and her deep artistry of both genuinely recognizing Ellington's and making that connection with his music, and how both shaped and influenced his life. This is not a scholarly tome, but rather a wonderfully quick, short read. As one of many old Ellington fans, my guess is that Duke Ellington would have smiled brightly and given his big stamp of approval to this book.

I just got finished listening to the new CDs of Duke Ellington's Sacred Music, picked up at Borders. Wow! While I was listening to this great stuff I was reading this book. And Wow! again. If you want the nitty, gritty, the lowdown, or dope so to speak, on the Duke you'll have to go somewhere else. Miss Steed does give you the whole story but her emphasis is on his work, his artistry, and his legend--what the Good Man left us with--and his Sacred Music, which he said, was not his best work, but his most important work. And it was real, man, this is what I was looking for, someone who really had something new to say about The Man, and knew what they were talking about! Buy this book and get to know the Duke and the man behind the legend.

I just recently joined a book discussion group and last night, during my first meeting we were discussing Janna Tull Steed's new book "Duke Ellington: A Spiritual Biography." In just 192 pages Steed traces Ellington's development from a piano player to bandleader to composer and his truly thrilling and sublime sacred concerts in the last decade of his life. Steed also discusses in depth Ellington's ability to write for the individual voice, or band member, which seems to be, at least partly, what made and marks him as such an extraordinary and perhaps greatest American composer--that and his overwelming dedication to his music and a relentless ability to constantly break new ground.

Steed's grasp of Ellington and his music, particularly Ellington as a composer is tops. She draws on the enormous archives at the Smithsonian Institution but also on extensive firsthand interviews with scores of people who were intimately familiar with Duke Ellington and his music, and especially his development of his sacred music and concerts. It is in the area of the sacred concerts that Steed breaks new ground but also her focus of Ellinton as composer, as well as his oft forgotten important work in Hollywood. Her outstanding achievment is that she accomplished this in 192 pages. Steed covers the entire scope of Ellington's remarkable life and career and her insights are very welcome and as engaging as they are informative.

I picked this book up after reading Joan of Arc in this Lives and Legacies Series. This new book delivers everything it promises. I'm a real biography nut with an interest in a very broad range of subjects (and that's just what this series delivers) but have little time to immerse myself in a 500 or 700 page reading. So it's great to be able to pick up these short biographies, get a great read, and then decide if I want to explore a subject in further depth. But I can tell you with both these books, short as they are (192 pages), they are still very in-depth, scholarly and but still accessible to the popular audience. Duke Ellington was a particular pleasure as I knew nothing about his Sacred music and Concerts, nor have I run across anything that examines so fully the films that him and his orchestra were featured in, and which by the way Ellington had a significant role in developing. Author Janna Steed offers up a terrific little gem with this new book on Duke Ellington.

For me this was an amazing discovery. I read a review of it in a literary magazine in the waiting room of my optician and when I got home I immediately ordered it from Amazon.
What caught my eye in the review were the names of the inhabitants of the February House - Auden, Britten,McCullers... in that amazing year. I knew of their work individually but to read of them living under the same roof was a revelation.What a cauldron of creativity! All against the background of the war in Europe and the period leading up to Pearl Harbour.As I read the book I felt as though I were there. I hope that someone will make a documentary about it or better still a dramatised reconstruction. The two Truman Capote films have blazed the trail.

A friend just recommended this book to me and it's fabulous!!! I live in an artist bldg and it's nothing compared to the energy of Middagh Street. The book is a great read and the research is most impressive. I cannot wait to read the one she's writing about the Chelsea Hotel!

Thomas Wolf once famously said "only the dead know Brooklyn." There might be some truth in that, but some of us know Brooklyn, N.Y.,U.S.A., pretty well,and are still very much alive. Quite a few people are aware of Brooklyn's brownstone belt, that swath of historic houses stretching from the East River to Prospect Park and beyond. Many of these people would declare Brooklyn Heights the ultimate Brooklyn brownstone neighborhood. It's beautiful, and gets scenic views of Manhattan. It's got history galore--an important Revolutionary War battle was fought here;and it's been, and still is,home to a lot of well-known important people.

One little-known fact is that a number of celebrated people shared a house on Middagh Street, in 1940-41, right in the middle of the Second World War. That house, which came to be known as February House-- a number of its residents had February birthdays-- has long since been torn down to make room for the Promenade that provides storied views of Manhattan. But among occupants of February House were poet W.H.Auden, writer Carson McCullers, writers Jane and Paul Bowles,composer Benjamin Britten, and stripper Gypsy Rose Lee.

Writer Sherill Tippens has produced an interesting, pleasantly gossipy book about the house's residents and their accomplishments. Jane Bowles began "Two Serious Ladies," her only completed novel here. The young lesbian Carson McCullers had just tasted, at the age of 23, great success with her novel "The Heart is a Lonely Hunter." She began two other great successes, "The Member of the Wedding," and "The Ballad of the Sad Cafe," between drinking bouts, right here on Middagh Street.

Auden and Britten, both homosexual, but not involved with each other, were being raked over the coals at the time by the British press for choosing to sit out World War II in the U.S. But they were working: they collaborated on the opera "Paul Bunyan,"not critically well-received. Auden who continued to live in the Heights, on his own, to pursue his lifelong, unrequited love for the young American Chester Kallman, was working hard in the interstices of his personal soap opera: He produced "The Double Man" in February House. Britten produced "Peter Grimes;"considered one of the great masterpieces of 20th century opera. Meanwhile, he pursued his own personal soap opera: many critics believe this opera echoes developments with his partner, tenor Peter Pears, at the time.

The most unexpected resident of February House would have to be Gypsy Rose Lee, burlesque artiste. She was talked into joining the fun by George Davis, homosexual himself, fiction editor of "Harpers Bazaar" magazine, whose idea February House was, and who worked hard to keep it alive. Davis had published some of his own writing, but he was best known for the talented writers he kept on discovering.

In Gypsy Lee's case, she brought some money, a lot of common sense,and a cook to Middagh Street. The house's residents needed all the above. Her reward for her support: George Davis, great editor, midwifed her book, "The G-String Murders," a publishing sensation for many years.

George Davis continued to live at 7 Middaagh Street after its time as an artistic commune had passed. After Kurt Weill's death, Davis married his widow, Lotte Lenya, and devoted his life to introducing America to Weill's great works,such as "Three Penny Opera,"from which we get "Mack the Knife."

There are some informative photographs, extensive notes and acknowledgements in February House. Tippins evidently did a lot of primary research, but she managed to organize the voluminous results in a very readable style. February House well rewards the reader.

Sherill Tippins has done an amazing job of finding the significant narrative threads in the chaotic convergence of creative lives that occurred in the months before Pearl Harbor when Harper's Bazaar editor George Davis and British expatriate poet W.H. Auden rented a brownstone on 7 Middagh Street in Brooklyn Heights and actively recruited other creative artists to live with them. Among the co-renters were Carson McCullers who had recently published her highly acclaimed first novel, "The Heart Is A Lonely Hunter," soon-to-be famous British composer Benjamin Britten and his parnter, singer Peter Pears, unpublished novelists Paul and Jane Bowles, Broadway set designer Oliver Smith, writer Richard Wright and his wife, and burlesque sensation Gypsy Rose Lee, who it turns out was the most reliable in the rent-paying department and joined the little "creative commune" on the condition that she could bring her own cook and maid. Her fiscal reliability and drive along with Auden's willingness to take on the unpleasant role of house disciplinarian (collecting rent and other "dues" and establishing and enforcing many house rules) are probably sufficient explanation for why this menage managed to last the two or three years it did.

Tippins wisely focuses her attention on the leading figures (without neglecting to name the many others who partied but did not reside at 7 Middagh--Salvador and Gala Dali, Lincoln Kirstein, George Balanchine, Erika Mann and her brothers Klaus and Golo, to name a few). One passer-through, Anais Nin, christened the dwelling "February House" because so many of the residents had February birthdays. Tippins has a good knowledge of the works of these creative people and is able to see how one of the artists intentionally or inadvertantly influenced a subsequent work of one of his or her co-residents. For example, McCullers was struggling with the novel that would later become "The Member of the Wedding" when she was able to appropriate an experience from Chester Kallman's childhood to explain her heroine's profound sense of alienation and abandonment (Kallman was Auden's lover).

Tippins other great achievement here was her ability to slice through history and palpably recreate the political atmosphere in pre-war New York and to do so in a way that reflects on both British and US perspectives. She takes a good hard look at the criticism expatriates like Auden, Christopher Isherwood, Britten, and Pears faced from the British press and fellow artists who chose to remain in Great Britian during the war. She is similarly insightful in her analysis of the role the Mann family had in trying to get an apathetic America to respond to the European crisis. A lesser writer might not have bothered with these issues and chosen to report only the salacious and saleable anecdotes about the goings-on of the February House residents.

I highly recommend this book to anyone even passingly interested in one of the artists who lived at 7 Middagh Street (you're sure to learn something new), to anyone who ever wondered how great works of art come about, or to anyone interested in knowing how history and art intersect. I'm sure I'm going to use Tippins's Selecte Bibliography as a basis for future Amazon.com purchases.

Sherill Tippins' volume fills a tantalizing gap that fans of Auden, McCullers, Britten, and Gypsy Rose Lee have long wished could be filled. Most overdue is Tippins' portrait of George Davis: failed literary wunderkind; editor extraordinaire (who "discovered" McCullers and got much-needed writing jobs for her and W. H. Auden in the lean months before Pearl Harbor); husband to Lotte Lenya and the catalyst that re-invented her for American audiences in Marc Blitzstein's staging of Weill's "Threepenny Opera"--the list goes on and on. Davis and Auden are central to Tippins' account and to the amazing colony of artists who called 7 Middagh Street in Brooklyn Heights their home in 1940-41. But Tippins gives everyone in that circle his/her due. Her depictions of Auden's rocky romance with Chester Kallman, of Benjamin Britten's coming to terms with his artistic destiny in England, not America, and Gypsy Rose Lee's ability to charm and disarm everyone she met are more than engaging--they are extremely moving.

Tippins' research is exhaustive and impeccable, and she lets her characters speak naturally and eloquently. I could not put this book down and practically read it at one sitting. I was hungry for the kind of information Tippins delivered, and I finished the book with the deepest satisfaction. Gracefully written, carefully organized and researched, and extremely relevant: this book wins on all counts.

my son is 7 months old and when i got a book version of twinkle twinkle little star, he loved it! when i found this book at the bookstore, it reminded me of my sesame street days! he loves the song and the pictures and now we'll both have grown up with this song!

What a wonderful book based on the great Sesame Street song! My twins love the song and book!! Beautiful pictures and easy to follow for toddlers.Pricey, yeah.... But well worth the money!!!Best money I spent in a long time!!!

We have enjoyed singing this song to our son almost since he was born, and when we got the book recently, it was an instant hit with him! It makes a wonderful bedtime story. I wish we had known about it a long time ago! Great gift idea, too.

My 22 month old loves this book, as do I. We sing it together every night, and she loves to see her friends Ernie and Bert in the beautifully illustrated pages. Its a wonderful song, and a lovely story about taking adventures but always coming home.

I can't read this book to my children without singing. The song is a lovely little lullaby we heard on Sesame Street, sung once by Aaron Neville. It is so beautiful, if you buy this book and don't know the tune, do yourself a favor and get a CD, too! You'll want to "sing" this book! It doesn't matter if you think you don't sing well -- the tune is so simple and your toddler loves your singing voice, anyway.

Even if you don't know the tune, don't sing the song, and don't ever care to "sing" a book with your baby, this little board book catches a lovely, lilting rythym (even without music) that's perfect for bedtime. Read softly with lots of cuddling. The point of the story is that "home" is the best place to live, and other spots are great "just for visiting."

I was a little hesitant in purchasing this book and I was pleasantly surprised at what a gifted writer this woman is. Can't wait to the sequel!!

From a man's point of view, after hearing the basic idea and theme of Leaving the Wilderness, I didn't think I would enjoy it. So, after buying it for my wife and her not reading it, I picked it up one day, much to my delight, and I could not put it down. Another reviewer said that this is a book that "every woman should read" and I TOTALLY DISAGREE. THIS IS A BOOK THAT EVERYONE SHOULD READ! Your emotions will range from happiness, sadness, anger, etc., etc. You will love this book, I PROMISE!

Author :Tonya Blount, Novel: "Leaving the Wilderness"

"Leaving the Wilderness" was ingeniously written It discloses how an abusee overcame many dire impediments and triumphantly rised above it all.
Revenge wasnt the storyline in Blounts novel. Eventhough she battled several diverse worlds: Good verses Evil; Love verses Hate; Emotions verses Spiritual.
She ensured us that her lessons were well erudite. By allowing us to walk candidily with her to that spiritual intercession . Where she discovered she found her place of counterpoise.: Her Lord and Savior!
As a reader , I'd like to applaud and thank Ms.Tonya Blount, for showing myself. That if we keep God first and believe with all our hearts.. That we too, can obviate any stumbling blocks in ones life. While holding steadfast to faith; We too can avoid our pitfalls along the way. But we must believe!
As i conclude with (Psalms 23:4..... "Yea, though i walk through the valley of shadow of death, I will fear no evil, for you are with me, Your rod and Your staff, will comfort me.)

This novel was great! It made me feel as though I am not alone. I experienced similar circumstances and I used to feel stupid and alone. But through reading this book, I found that I am not the only woman who has experienced the degrading, jealous hatred from a male counterpart. More than anything this book was not just about the abuse but how it was overcome. When you have faith and a firm belief and understanding of a higher power you will always come out on top regardless of what you are going through!! Ms. Blount I can not wait for your next novel. Jordan feels like one of my sister friends!! You go girl.

Author and poet, Tonya Blount unfolds the story of a young woman's journey for self-love and restoration in Leaving The Wilderness. For eleven years, Jordan Baez has endured physical, verbal and mental abuse at the hands of her malicious husband, Franklin. When a night of unbridled passion, precipitated by Franklin's drunken state, evolves into sexual assault, another member of the Baez family is conceived and Jordan's disdain for her husband begins. Torn between hatred for Franklin and love for her children, Jordan must decide if she will remain in a contemptible marriage or abandon Franklin and his callous nature for good.

Tonya Blount has illustrated an unforgettable and emotive female protagonist in Leaving The Wilderness. Ms. Blount's poetic writing style is both fluid and enchanting allowing readers to empathize with the main character. I would have liked to read more about Jordan's rediscovery of self as she mends the broken pieces of her life. Nevertheless, Ms. Blount's debut novel will speak to women in the midst of their wilderness experience and serve as a testimony to those who have been stripped of their self-worth. A must read for men and women alike.

Reviewed by Nicki Lancaster
APOOO BookClub

"Letters from Backstage" is one of those witty little books you can hardly wait to recommend to friends. Written with wry humor and a delightful perspective, Kostroff's fingers literally tap dance across the keys as he brings you along on his touring company adventures.

Kostroff is dazzled by things. He has stars in his eyes, and he can't help it. In spite of his crazy life backstage, the encounters with theater ghosts and machines that fail just when you need them, he remains awed by the fact that somehow life has given him a chance to be an actor

If you dream of achieving a career in the theater, there are valuable lessons to be learned in this book. Intimate details only a professional can know will prepare you for the grand roller coaster ride.

In the beginning, Kostroff is nervous when he gets called back for a second audition for The Producers. "There was tension in the room," he writes. "I've learned, over time, that it falls to me to break that tension. As I walked to the little X in the center of the floor and prepared to sing, two of Ms. Stroman's associates got up from the table and headed for the door. "I don't know what it is, I quipped. "Whenever it's announced I'm going to sing, people put on their coats and leave." Everyone laughed gratefully. I can now die happy."

In Portland, he is confronted by a convention of cheerful, chirping ladies dressed in cutesy sweaters sporting pom-poms, kittens with big eyes, or panda bears. These ladies think they are the funniest ladies on earth, but they drive Kostroff crazy. Rushing to get to the show on time, he finds every elevator packed with these gleeful broads. Each time the door opens one of them screams," Oops! Must have caught the local!" then they burst out into hysterical laughter. "Ladies," Kostroff imagines himself saying. I am in comedy, and please trust me; none of you is the least bit funny."

"It's like this:" he says in his epilogue, "amazing, horrifying, magical, thrilling, boring, tiring, energizing, satisfying, hilarious, sad, lonely, fraternal, endlessly long, and far too brief, an adventure. Really, there's nothing like it."

By the end of the book, you'll get to feel what it's like to have Mel Brooks kiss you on the cheeks and compliment your performance, but you'll also get a sense of annoying frustration when an over-eager dresser keeps tugging and fussing at you all the way to the edge of the wings.

Ups and downs, highs and lows, laugher and tears, that is show business as Michael Kostroff knows it. But one thing is for sure---you'll wish the tour would never end, and the next time you see Michael Kostroff's name on a book, you'll rush right out to buy it.

Reviewed by Kelley Anderson for Reader Views (11/06)

"Letters from Backstage" is a collection of e-mails to friends and family while Michael Kostroff toured with "The Producers" and "Les Miserables." They give you brief glimpses of his journey, from auditioning for "The Producers" to his last curtain call of "Les Miserables." He gives his impressions and descriptions of the cities, sites, hotels and cast-mates that he meets along the way. It is the story of a hardworking theater actor who doesn't seem to take anything for granted and doesn't let the fame go to his head. I feel that the book is especially written for anyone who has ever wanted to be a theatrical actor. He is brutally honest about the amount of work it takes in rehearsal and performing and also what gifts and shortcomings life on the road brings. He tells his story from his perspective and tells it well.

An actor is not something I ever wanted to be growing up. I was horribly shy and terrified of making what I thought was a fool out of myself. While Michael was describing being up onstage, the audience in their seats and all of the singing, dancing and acting going on onstage, I could honestly feel my hands grow clammy and my chest tighten. His descriptions were clear, accurate and (for me) terrifying. Any aspiring actor is sure to enjoy the suspense and drama of the stage. The practical jokes carried out among cast members did make me laugh out loud. Rehearsals, practices and more behind the scenes work seems to be just another day at work for any of these professionals, and yet Michael has a way of making it seem magical, because it obviously is to him. I have to admit, the book may have been even more interesting to me if I had ever seen either one of the shows.

My favorite parts of the book were the descriptions of the local activity in the cities he visited. Farmer's markets, local restaurants, and lively locals made me yearn to visit some of these cities. Other times, the descriptions were too sparse and generalized and I couldn't see in my mind what he was trying to describe, which is not surprising for text originally intended as e-mails to friends. A great addition to this book would be a final chapter, after the tours were finished, of highlights of what really stood out for Michael in all of those trips.

Michael says he has a "passion for the correct use of the English language" and it shows through in his writing. I read through the chapters swiftly, never getting tangled up in obvious grammatical mistakes. It is an easy to read book that I am sure will delight a younger audience looking to become actors as well as fellow actors in or retired from the business who would like to reminisce. He naturally finds a great transition from story to story, filling in background details necessary to the telling without bogging the entire story down. I believe that Michael could take many parts of this book and expand them into stories that would stand alone brilliantly, and they all still fit together neatly in "Letters from Backstage."

Aspiring, current and former actors along with theater lovers of all kinds will enjoy reading "Letters from Backstage." Michael is a natural storyteller, keeping true to the theme of the book, the backstage of two touring performances, while sharing his life and travels. The e-mails and letters included could be written directly to the reader. He tells the story as he sees it, not apologizing for some of the less than professional antics that go on. He continues to fall in love with the theater life over and over and brings you along for the ride.

This book is very entertaining and enlightening. He loves every minute of his showbiz career and is happy to let you go "on tour" with him.

This would be enjoyable for actors and just people who enjoy theatre watching.

LOVED IT!

I don't work in the entertainment business, and don't know much of anything about theatre, so I was a little afraid this wouldn't really hit me. I couldn't have been more wrong! This book is full of well told, highly entertaining stories. Kostroff has a great way of making you feel like you were on the road with him and the rest of the cast and crew. I laughed out loud a number of times, and feel like I got a real insider's view of things. It's practically your own backstage pass! Easy to read, and a lot of fun.

What is it like to be a touring stage actor? Author Michael Kostroff's childhood dream came true when he was cast in national tours of two plays: his story of life on the road comes to life in LETTERS FROM BACKSTAGE: THE ADVENTURES OF A TOURING STAGE ACTOR, which began as a series of emails to friends at home and evolved into a handbook of adventure. From hotels and old theatres to onstage mishaps and lovely old theaters, all the way down to the nuts and bolts of how touring stage actors handle typical challenges, LETTERS FROM BACKSTAGE brings it all to life.