Music Books

The book has some good ideas, but much of it explains really basic things like how to upload audio and video files. There's simply too much filler. All of the really good marketing ideas could have been written in ten pages or less.

There has never been anything available before that offers such clarity and knowledge of this industry. A must have for someone starting out either as an artist or anyone wanting to get into the field. The author really knows his stuff.

In today's world where music is the number one download on the Internet and connected with the top gift lines of today, making money with it has not been the on the "top of the online businesses to make money" for the average person. Until now.

From basic HTML codes to social networking, this book clearly and simply explains every single step of the way to the bank, with success whistling all the way. Its contents and index provide an easy way to browse through the book to find exactly what you need to know or do, with professional advice and teaching from cover to cover.

The book is written from heartfelt experience, tough roads, and successful insight. I enjoyed reading it, and with the information in this book opening up a new field on line--it would be best to jump in now ahead of everyone else.

I must say I was very surprised at how good this book was! Yes there were basic things included as well, as mentioned in another review but there was also tons of new ideas and more advanced strategies. I understand how many people dont know the basics such as my bass player..lol Myself I know alot more than basic and this book gave me lots of ideas.. we already have booked more shows and following is growing for sure as more people are coming to shows..and got a review in the paper! never would of done that without this book! great read, Great strategies, and useful ideas here! Thank-You, Thank-You, Thank-You!

I'm extremely suspicious of this book getting 17 5-star ratings. It was alright! Seriously though, any more than 3 stars is generous.

THE BAD:
It's quite basic, explaining how to set up a myspace page, etc. Now, maybe I'm biased because I was not new to MySpace when I purchased the book. I already knew about bulletins and blogs and messages and how things work on MySpace. I was more interested in getting more traffic to my band's page.

Certain things about the book were frustrating. For instance, there is a subheading in one of the chapters titled "Getting on the Front Page." Well, in that section it talks about what a great opportunity it is to get on MySpace's homepage. (Duh.) However, it does NOT tell you how to accomplish this. Instead, it states how unlikely it is, but that it's a "wild dream for everybody." Useless. Basically, the book tended to tell you which things would be good things for you to do but then left you clueless as to how to go about it.

There was a type-o probably every 5th or 6th page, and that REALLY irritated me. It was hard to take the book seriously when it clearly had not been edited.


THE GOOD:
It is a quick read. You could go through the whole book in a day.

It talked a good deal about promotions for your band. Although, most of it involved writing or hiring a writer rather than flyers or other traditional techniques I assumed would be the most proficient.

Nicky Kalliongis obviously has a lot of contacts and has done some great stuff in his musical career. ... but I would not by any means consider him a good author.

Anyway, yeah, 3 stars, no more.

Don't look at this with the eye of a photo critic or you may miss the magic. This is an intimate glimpse into the life of Sammy, his family, friends, and acquaintances as only someone "on the inside" can capture.

A wonderful book!

an amazing collection of photos that serve as a historical and entertaining view of the times he lived through.

This book is so fun. It has so many candid great photo's, really intresting history on Sammy Davis Jr. and his relationship's. I really enjoyed this book. Great coffee table book.

I originally picked up this book as a curiosity and found its links to a bygone era utterly fascinating. The subject matter, i.e., rat pack photos were wonderful but the photographic mastery of Davis Jr. is, I think, equally as stunning. A look into Davis Jr.'s remarkable life is given by him in the way, like other great photographers, he insightfully choses to document and communicate with his subjects through the lens. Again, like many great photographers, the images are powerful and soft, crisp and dazzling. More talent revealed from a man who had more in his baby finger than most of us have coursing through our entire bodies.
Bravo. Well done.

Few have personified the phrase "self-made man" as did legendary entertainer Sammy Davis, Jr. (1925-1990). The world remembers Davis for his varied and extraordinary accomplishments as an actor, singer, musician, dancer, and comedian.

But hardly anyone outside his circle of friends and family has been familiar with his photography--until now. With this hefty book, interspersed with reminisces by longtime friend Burt Boyar (who co-wrote Davis's autobiographies Yes I Can and Why Me?), his old fans and a new generation can revel in hundreds of images that reveal yet another significant facet of Davis's far-reaching talents.

Though Photo lacks the singular thematic focus of books published by such photographer-celebrities as Dennis Hopper and Gerry Spence, that's no drawback for this posthumously published volume. Rather, it pulls the reader into the exciting world of nightclubs, casinos, and Beverly Hills homes in which Davis moved, mostly from the late 1940s through early '70s. A voracious shutterbug, he took his photography seriously: his compositions are strikingly iconic, employing sophisticated use of line and form. Yet, his pictures are mostly snapshots--in the best sense of the word: they capture their subjects spontaneously, and his joie de vivre suffuses his work. Think of it as a highly stylized family album packed with candid portraits of "Rat Pack" pals Frank Sinatra, Dean Martin, Joey Bishop, Peter Lawford, and Shirley MacLaine, as well as other famous friends like Nat "King" Cole, Tony Curtis, Janet Leigh, Sidney Poitier, James Dean, Marilyn Monroe, Jerry Lewis, and Bill Cosby.

Among the more touching aspects of this book are the portraits of his actual family: his parents, his second wife May Britt and their children, and his third wife (and widow) Altovise Gore Davis. The most poignant are the many shots of actress Kim Novak, the first great love of Davis's life, who was forced by Columbia Pictures studio chief Harry Cohn to break off their relationship (interracial relationships were strictly taboo in 1950s Hollywood, not to mention in society generally).

One photograph, despite its matter-of-fact framing, is particularly chilling. Through the window of a passenger train en route to Miami, Davis snapped a picture of an elderly white gentleman on a station platform holding a cigarette, standing before a pair of double doors over which the foreboding phrase "WHITE WAITING ROOM" is painted. Davis's photographic abilities and inclinations were such that we see a mostly glamorous world through his eye. Thus, when we arrive at this jarring image, it's impossible not to apprehend it from his point-of-view--and also not to feel the sense of injustice that he must have experienced in the Jim Crow South as he clicked the shutter.

As Davis's show business career took off, many venues--even north of the Mason-Dixon Line--were happy to let blacks perform onstage; but the same headliner artists weren't even permitted to drink at the bar, use a dressing room, or occupy one of their hotel rooms. Photographs from Rev. Martin Luther King, Jr.'s 1963 "I Have a Dream" speech at the Lincoln Memorial, and portraits of politician friends Senator Robert Kennedy and President Richard Nixon, give silent witness to Davis's largely forgotten achievements as an outspoken civil rights advocate.

Photo is a coffee-table book that won't spend much time on the coffee table if your houseguests are anything like mine. Because of a car crash in 1954, Sammy Davis, Jr., was left with only one eye. But what an eye this cat had!

For those who know of Roy Buchanan...he's not as well known to the general public...this book documents the upbringing and influences that guided and shaped one of the most talented and unique guitarists ever. A wonderfully researched chronicle of the life of an icon in music.

I've always wondered why Roy Buchanan, who in my opinion was the world's greatest guitar player, never broke through to a larger audience. After reading this excellent biography of his life, I completely understand why. Phil Carson did an outstanding job of pulling together a huge amount of detail into a page-turning, sometimes laugh-out-loud funny and other times heart-wrenching story of Roy's life. I've read quite a few biographies on music legends and the majority of them have been hard to read chronologies of factoids and interviews loosely held together. So, even though I was very motivated to learn more about the life of this unsung guitar master, I assumed that I was in for a chore. Much to my surprise, this was an outstanding read...a well researched, heart-felt, telling of the life of a gifted, albeit troubled, man.

If you're a fan of Roy's, then order this book immediately. If you aren't familiar with Roy's music then order a couple of Roy Buchanan CD's and listen to them while you read this book.

Note to Phil Carson: I'd love to see you take on the biography of another relatively unknown guitar master, Nils Lofgren (a protégé of Roy Buchanan).

THIS BOOK IS FANTASTIC..ROY WAS FANTASTIC....IF YOU ARE A FAN, YOU NEED THIS BOOK..I WILL READ IT OVER AND OVER....

All I ever wanted to know,about the man and his music.Great biografy,have read many books on other artist.If you go through Buchanan`s songs,there are many differt styles he mastered.Country,rockabilly,rock & &roll,instrumentals,pop,r & b,jazz.Saw him live once in Oslo,that was great.My friends say,play the #Telecaster# and die young,but I have to play it,have -blonde 52 reissue.Now I study bossa nova masters,like Lois Bonfa,Joao Gliberto,Jobim etc.cause I got a job with a female singer,playing spanish guitar.There are a few cuts with Roy playing acoustic and they are great.Read the book,by his concert DVD,s,and if you run short,get bored playing the beast,listen to the man.There have never been a guitar player like him,he had his own style,his style will never be duplicated.All american music styles,and Malaguena.The roadhouse king will live on forever.Arnie Buy-ROY BUCHANAN his first and SECOND ALBUM on Polydor,that is a good start.Good reading,good listning and play them over and over,and you will hear his soul.

I like Roy's first records--loud and clear, with the focus on his playing. Later on they tried to make him like Clapton, but it didn't work. I would rate Roy in the top 5 of the people I have heard. I also like Bugs Henderson, Tinsley Ellis, Wes Jeans, and Dave Hole. This book is a very good read. I saw Roy at Park West in Chicago. He did a very short set. It was hard to enjoy him with the female booze hustlers bothering me, but, he seem to be in top form. I still have my ticket, inside Roy's live Japan import.

his is the first classical instruction book i ever had with a cd i had flamenco books with a cd guide to show how you are playing i am looking forward to many hours of fun playing and learning using this book.

I stumbled onto this book as a teenager trying to teach myself to play the guitar. I found it both easy to understand and rewarding. Eventually I went on to minor in jazz guitar in college and spent several years as a union musician. A few years ago I returned to this book (I finally replaced my old copy with a new version) when I wanted to venture into classical guitar. Almost thirty years later I found it equally as captivating and rewarding as it was in my first encounter.

Recently I decided to learn to play the English concertina, but found that there were no quality tutorials readily available, so I turned, once again, to Mr. Noad. The exercises presented in the book have been very helpful and have allowed me to feel an increasing sense of aptitude on the concertina as I step through the lessons!

Solo Guitar Playing is built on a clear, accessible methodology and a well-paced progressive learning system that stands the test of time! If you could only have one guitar instruction book, this would be the one to consider.

I've started and stopped trying to teach myself how to play guitar on 3 different occasions for over 10 years. (I did have prior music experience from playing the violin as a youth.) I bought this book some time ago, got 20 pages in and then decided I'd just try to learn tabs and chords like everyone else seemed to be doing. But then I engaged my ego and decided to learn how to read notes and properly learn the playing technique I would need to last me for a lifetime. I dusted this book off again and kept plugging away. Lo and behold, I kept getting further and further into the material. The thing that helped me, which I didn't do on prior attempts, was to exercise PATIENCE! If it takes me two or three weeks to master a chapter, then so be it - I know it will stand me in good stead in later lessons and boy, has it! I now play at least 4 times a week for at least an hour, including practicing arpeggios and scales, for the sheer joy of it.

I am loving this book and have Solo Guitar 2 standing ready for when I complete the first volume. Highly recommend for those trying to teach themselves the "right" way. :-)

I ditto both previous review. Don't buy this book until after you have completed Noad's book one. It reviews some previous technique, but is much more advanced generally. I found a few mistakes in it so far, in the learning to count notation section, so it does have some notational errors. But overall, so far I think this is a good book worth the money. It would best to use this book in conjunction with a quality classical guitar teacher. Trying to learn classical guitar on your own with no professional guidance is begging to learn terrible playing habits.

First let me say that I would not recommend this book unless you are at least an intermediate classical player, if not, then begin with Noad's "Solo Guitar Playing 1", which goes from beginner to intermediate. Both of these books come with a cd containing most of the songs from the book, and neither one has tab. Solo guitar 2 has some technical instruction, such as counting dotted notes, rest stroke and free stroke, slurs, trills and other ornaments, and a number of definitions of classical music terminology. This book covers the periods known as classical, romantic, renaissance and baroque, with exercises and songs from each, by masters such as Sor, Tarrega, Guiliani (including his exercises for the right hand), Bach, Handel and others. The material goes from fairly easy examples that will improve your speed, accuracy and sight reading ability, to "Recuerdos de La Alhambra" and "Estudio Brillante de Alard", which are advanced concert quality pieces by F. Tarrega. There is also a song by Frederic Hand called "Study number 1", which isn't exactly classical, but it is quite nice anyway. This is one of my favorite classical guitar books, the material was selected to be educational and very enjoyable as well. If you put in several months (years ?) of work on this book you will not regret it, and by the end, you will be able to play these great songs, and just about anything else that you could ever imagine.

Look no further. This is the Reason book to own. I'm looking forward to a Reason 3.0 version!

This book is the most well written, documented, and friendly instruction manual I have ever read.

Firstly, its entirely clear that the author is a professional user of Reason, knows heaps about the program and how to maximize its potential, as well as suggests ways for taking it out of the norm.

Secondly, the tone of the author is friendly and fun. You get the feeling this book was written by your big brother or best friend giving you the details. The text is clear, simple, and accurate. The author conveys information without loosing your interest or overwhelming you with dry tech speak.

I have used Reason for 2 years and am a Reason 3.0 user, but still refer to this book often. It covers so much about the core of the program that you will quickly be able to learn the new devices in 3.0 as you will have a fantastic foundation and understanding of the application. The book explains all the devices in 2.0 (including the functions of knobs, sliders, buttons, synthesis models, loops, envelopes, etc), CV/Gating, Sequencing, ReWire, use with other major audio applications, useful tips/tricks, and plenty of links to helpful user websites. It also has numerous quick and easy "how to" tutorials, that are clearly documented step by step and with pictures.

Very well done. I am grateful for how quickly I was able to ramp up on Reason due 90% to this book. Honestly, this should be the standard for instructional texts.

No, you can't RECORD with Reason. But there are countless ways to use files that you have recorded with other, very simple or even free applications (how about your Sony Minidisk recorder hooked up to a decent mike? talk about light years ahead of what we had available way back when); files that you have downloaded, files that you have gotten off of records or CD's or even TV, in Reason (shame!). It can be as simple as having the drum machine play a sound file from anywhere on your computer, with a surprising amount of control of, for example, sample start-and then you move on to the more powerful samplers... And then this will provide you with many different ways to control and distort, filter, and manipulate those files that are so easy to trigger or otherwise get inside Reason. Because that is what Reason does, it gives you a studio full of tools-synths, samplers, mixers, and the many sound sculpting modifiers to create, twist, and control your sounds.

And this book does a fantastic job of showing you these tools, in a very carefully thought out order and depth. Like another reviewer said, you would have to be a serious power user indeed not to get many good ideas from this book; and like yet another reviewer said, people that write textbooks should look at this one and see just how well it can be done. It will take you from a novice to synthesizers to an expert on Reason and computer synthesis music creation, giving history and background to help you learn about the many music synthesis tools. It is filled with tutorials, how-to's, and tips and tricks that even go beyond Reason sometimes. You could take a tutorial and change it as you follow along and create it and have a complete Reason song of your own easily. I also thought it gave a summarily good introduction into the powerful usage of the Control Voltage interface from ages past (one of Reason's most powerful tools in it's bag of tricks-one that ties everything together like you have never been able to do with so many different devices), with tips and tricks there, too. There are a lot of toys available in Reason, but once you get past a certain not-too-difficult level, it is actually a very intuitive and very fun to use interface; and this book is definitely filled with this same infectious enthusiasm for that rack o' modules and wires. It is an extraordinarily good book for beginner to expert.

You should see my copy of this book, it is nearly destroyed from so much usage, carrying it about wherever I go and constantly going back to it for reference.

As a side note, I think the Acrobat Reader Operation Manual supplied with Reason is also excellent. It's just what it should be-precise and to the point-it's an Operation Manual, after all. If you take the time to practise and apply what you read, it will give you the background to know what you are doing (as much as is possible-sometimes when you have so much going on in a patch it would be hard for anyone to say how you got there-and that can be fun, too) and what every control does. This book will do the same and take you farther with much more help.

Before I read this book I had Reason installed on my computer and I didn't use it very often because the interface wasn't straightforward for a beginning user like myself to understand how to operate it beyond basic operations. This book is an excellent source to learn how to use Reason 2 or 2.5. It contains practical, hands-on tutorials, explanations of the knobs and interfaces, and helpful tips. This is a must have if you want to become proficient in Reason!

This book contained a great amount of information. To use as reference or to learn from over all a great buy.

It helped me along in using C.V. Gates ect. and offers lots of other great information.

A must for any user of reason

P.S. Any one that made comments to recording audio in to Reason ha ha ha

Get Cubase or some other Program that will run rewire.
Think before the mouth opens. . . . know what I mean Mate

Thank you to Derek Johnson & Debbie Poyser

An interesting look at the life of an interesting personality. I don't understand the socialist attitude about money and investment. Mr. Hayden gives a good look at the attitude but doesn't clarify it.

I recommend his novel Voyage.

This book is as convoluted as its author. It maintains a flow of semi-stream-of-consciousness from start to finish, and what emerges are the memoirs of a man whose love of seafaring and considerable self-deprecation ("self-loathing" is a little too strong a term) has brought him to a sea voyage to Tahiti with a pick-up crew and his four children in violation of a court order. Hayden's story is it's own animal, going from the coasts of Massachusetts and Maine, to the forests of Yugoslavia, to courtrooms and congressional chambers and movie sets and finally to the high seas and South Pacific islands with a strain of fatalism and regret throughout. It should make for a downer of a read; instead, I found myself staying up and turning the pages to see what happened next. A great book.

I would like to add something to the excellent and perceptive reviews above. What came through so strongly is that life is messy, yet Hayden's remarkable self awareness didn't seem to help him. This is a fascinating look inside a big life. I found it valuable.

I believe it was 1959 and I had just returned from a month's cruise to the Tuamotus and Marquesas islands on the copra schooner Charlotte Donald. I was sitting at a table on the quay in front of the Hotel Le Grand when the schooner first appeared off Papeete. It sailed in smartly, picked up the Pilot, and docked stern first, as was the custom, at the concrete quay. The name "Wanderer" was nicely affixed to her transom. I lived in District Punavia, kilometer thirteen, next to Paul Gauguin's old home by the Thompsons. Several weeks later I would board the Wanderer after meeting her skipper at a party to buy some of the 16mm color film he had for sale. He was courteous, the children were well mannered, the library below was impressive, and his ship was clean and appeared to be able to sail on a minute's notice. We chatted for some time and he recounted some stories of his trip. We knew the same haunts in coastal California. We met a couple of more times at functions on the island. He seemed to be a cheerful and courteous person. He was a large man and deep voiced and I knew he was an actor, but that's about all I knew. Not long ago I had written my autobiography and had made a small mentioned of the encounter and the film. A friend who read my book asked if I had read Hayden's biography, which I hadn't. He suggested I do so, and last month I ordered it from Amazon. The book was disheartening for me to read. While he and I had many similarities in our lives (I wasn't an actor) and had been to many of the same places, we came away with massively different reactions. Mr. Hayden is a good writer and tells, especially about his life at sea, in an authentic style that kept me reading. I don't know if I would have finished if there weren't the similarity of our experiences. The sparse interjection of the third person voice over his normal narrative of first person was effectively used. The book and his life stand on their own merits and I make no judgment. He was first and foremost a seafaring man of unusual talents, and I wish I had visited him in the States in our later years. Mr. Hayden, you steered the course you wanted in recounting the voyages of your life. That's about all most of us could ask for. Rest in peace.

PS:
Spike Africa, his mate, came as a surprise, or else I had forgotten. Skip ahead twenty years and I chartered the "Spike Africa", a 70 foot schooner out of Newport Beach California somewhere around 1979 for a company off-site (the exact thing Hayden despised ... sorry). Bob Sloan built and then christened the boat "Spike Africa". The California yachting community all knew of Spike Africa the man, as a legend in the Pacific ocean, although I never knew any details of the legend.

Hayden was one of those force of nature types who, sadly don't exist in sufficient quantities to make the world a really interesting place. In this book, he tells his life story, while telling the story of his last voyage on the 100 foot schooner, Wanderer. His prose is lovely and has the rythm of the sea; like other great works of sea literature (like Moby Dick). I'll give a high point of his prose before I complain:

"What does a man need ---really need? A few pounds of food each day, heat and shelter, six feet to lie down in --and some form of working activity that will yield a sense of accomplishment. That's all --in the material sense. And we know it. But we are brainwashed by our economic system until we end up in a tomb beneath a pyramid of time payments, mortgages, preposterous gadgetry, playthings that divert our attention from the sheer idiocy of the charade. The years thunder by. The dreams of youth grow dim where they lie caked in dust on the shelves of patience. Before we know it, the tomb is sealed. Where then lies the answer? In choice. Which shall it be, bankruptcy of purse of bankrutpcy of life?"

Hayden was a child of the depression who worked his way out of bad circumstances by a combination of stubbornness, physique and leadership skill. He is eventually given a job a an actor, after being spotted by the media during a sailboat race in Glocester. He abandons this due to a love affair with an actress who fancies herself concerned with serious social issues. He joins the war and does OSS/CIA type operations in maritime support of partisans in Yugoslavia. He returns to his acting. Makes many movies. Marries an evil shrew. Divorces. Gets the kids. Chucks it all for a trip to Tahiti in his 100 foot yacht. All this is well and good, but the man reveals too much about himself. His self loathing isn't interesting. It is certainly not edifying, and though he seems to abundantly pity himself, I cannot feel sorry for him. The man had many fine opportunities. He had fine charachter qualities; I admire the fact that he chucked it all, just because he didn't like it. But he was not a fine man: he was petty and ugly -he couldn't even treat his own widowed mother decently, and though his ex wife was probably no better, I rather doubt as being around such a tormented spirit was good for his kids. In that way, he is a tragic figure; all the more tragic because he doesn't seem to realize it himself. It is no suprise he never did much with himself after he wrote the book. I don't know this to be true, but I suspect he drown himself and his self-loathing in booze.

Still, it is a beautifully written book. In a way, the book is his triumph over it all. It is doubtless a finer thing than any of the movies he made, and his great "the heck with it all" dramatic gesture is probably better than any he made on camera. I know I will read the book again. Perhaps when I am older I will think differently of Captain Hayden. Amusingly, a visit to Sausalito revealed that I had known Hayden as the demented General Jack D. Ripper in "Dr. Strangelove."

This book was the only thing I wanted for Christmas when I was 12. I've been playing and singing out of it for years now. It's still my favorite thirty-one years later. It's not Christmas for me until this book comes out.

This new edition of the best-selling Merry Christmas Songbook now comes with a companion 23-track CD!

The Merry Christmas Songbook is a collection of more than 100 Yuletide favorites, plus a lyric book. The 23-track CD will help you and your family enjoy the songs, create memories, and share the warmth and charm of this wondrous time of year. The convenient spiral binding enables the pages to lie flat when the book is open, and the songs are self-contained on one page or on facing pages to keep page-turning to a minimum. In addition, the songs are uniquely readable - when a song has more than two stanzas, a faint tint runs through each alternate line, making it easy to keep your eyes on the proper place when singing.

The companion CD contains such favorites as "Jingle Bells," "Deck the Halls," and "O Holy Night." The lyric book is perfect for those who love to gather around the piano or organ and sing along.

Titles: Silent Night * Away in a Manager * The First Noel * Blue Christmas * Have Yourself a Merry Little Christmas * Rockin' Around the Christmas Tree * Frosty the Snowman * Rudolph the Red-Nosed Reindeer * Here Comes Santa Claus * Let It Snow * Winter Wonderland * The Coventry Carol * Burgundian Carol * Buon Natale * Auld Lang Syne * What Are You Doing New Year's Eve * Ring Out, Wild Bells, and much, much more.

I can't believe they still print this book! My family has had it since probably the mid-80's, and I have been playing out of it ever since I could read music (about age 6). It has always been a joy. The music is definitely for experienced pianists, but be sure and read the "stories behind the songs" at the beginning of each section for some fascinating insight into your favorite Christmas songs. This book is a definite must for those who love playing and singing Christmas music.

I am a piano teacher, and this is my favorite Christmas Songbook for intermediate players. I see on Amazon that there are sellers who are attempting to jack the price up of the older edition of this book. But the contents of the older edition are identical to the "new" Reader's Digest Merry Christmas Songbook , with CD, which Amazon sells for around $19. Do not pay $63.90 for a $19 book.

This collectin of classic and popular Christmas carols is truly wonderful. Not only is it at a level suit for an average piano player, the compositions of the songs are so enjoyable, and fun. This book is definetely worth the money! Have fun!

This is an excellent, easy to understand book that will enable even a beginner to customize their guitar to any level, including true vintage tone through full hot rod modifications. If you own a strat(or clone) it would be foolish to not know how to maximize your investment. This is how.

Don't waste your time searching the Internet for tidbits on how to tweak your guitar's sound. This book will show you how to modify your guitar's wiring to make it sound more expressive than its current design allows it to be. The book is well-organized, clearly written, and jammed-packed full of diagrams and photos so can see you how guitar circuits are typically wired, and what you can do to modify them. The author gives you access to online sound samples, and provides a link to a downloadable ebook version of the printed book. The ebook version contains extremely clear, high-resolution color photos of the pictures in the book. It has a ZOOM-IN feature that lets you see everything in such fine detail it feels like you are taking a virtual tour of the wiring inside your guitar. The author also includes some links to out-of the ordinary guitar parts suppliers you might not have discovered. This book is definitely worth owning.

I purchased this book with the thought of getting a little more sound out of my American Strat. The book is an excellent source for the internal wiring of the guitar but it also contained useful information on selecting aftermarket pickups.

Added bonus!! It contained the wiring diagrams for my Les Paul. This is a must book for anyone that wants to understand how the electronics in their guitar works!

I really enjoyed this information. The techniques I learned are great for what mods I want to do to my axe. Fender Guitars have thier own sound and wiring. This ref book has made it easy to make the mods I wanted happen.

This is another great step-by-step guide which will teach you endless possibilities for your guitar. From wiring in new pickups, with countless configurations, to a vast array of tonal possibilities. All of which enable you to sound like the pro's or to create your own 'personalised' sound - all with easy to follow instructions and easy to see photo's. If you don't buy any other book, you should at least buy this one! A great reference tool for anybody wanting to maintain & Hot Rod their own Axe, whether you are a beginner or an advanced guitar tech, there will be a host of DIY Mods you WILL be capable of doing! Many thanks to the writer for creating such an easy to follow guide.

This is a good visual book on the life of Johnny Cash - it is indeed a collectors item.

Bill Miller, who put together this book about The Man In Black from his own personal collection of Johnny and June Carter Cash memorabilia, knew him well, loved him and was loved by him for many years. The love that Bill Miller had for Johnny Cash is apparent on each and every page from the International Fan Club button with June's autograph to the last lyrics Johnny ever wrote. There were times when I laughed out loud.. and there were times when I had to hold the book upright to keep from staining it with my tears.

An amazing book about an amazing man compiled by a friend of Johnny Cash.. What more could you ask for (except for it to go on for many more pages)!

FOR THOSE OF US WHO FOLLOWED JOHNNY CASH FROM ALMOST DAY ONE, THIS IS POSSIBLY THE MOST PERSONAL AND MOST FULFILLING BOOK EVER DONE ABOUT HIS LIFE. BILL MILLER, A CLOSE FRIEND OF JOHNNY'S SINCE CHILDHOOD, HAS PUT TOGETHER A SCRAPBOOK.COLLAGE OF THE VERY BEST OF JOHNNY'S LOVING AND CARING PERSONALITY. IT'S LIKE GOING BACK IN MY OWN CHILDHOOD, TO THE FIRST TIME I HEARD THE GREAT MAN SING. THAT VOICE, IT WAS LIKE NOTHING WE'D EVER HEARD BEFORE. LATER, THANKS TO MY UNCLE PLAYING ON VENUE'S WITH JOHNNY, I ALSO GOT TO MEET HIM, AND ALWAYS HE WAS KIND, CONSIDERATE AND TO A YOUNG PERSON, OVERWHELMING.

BILL SENT MY WIFE AND I A COPY AND IT'S JUST A TREASURE. EVEN IF YOU BECAME A FAN LATER ON, THIS IS A BOOK THAT GOES BEYOND ALL THE OTHERS. IT'S LIKE JOHNNY HIMSELF LEFT YOU SOME OF HIS PERSONAL BELONGINGS AND GAVE YOU A GOING AWAY PRESENT. WE LOVE THIS BOOK AND TREASURE IT AND THANK BILL MILLER, HIMSELF AN OBVIOUSLY KIND AND LOVING MAN. BUY IT, YOU WON'T BE SORRY AND 25 YEARS FROM NOW THIS ONE BOOK WILL BE THE ONE EVERYONE TRIES TO FIND. IT'S SO GREAT!

I just loved this scrapbook-style memoir by someone who was probably Cash's biggest fan. The photos and the stories were just wonderful and the layout was fantastic.

Bill Miller is an amazing man. He and Johnny Cash were friends for many years. They shared a love of collectibles.

This book shares some very rare memorbilia from Johnny and June's lives. Bill Miller has more CASH memorbilia than most anyone I have ever met. I am so pleased that he is sharing all of those treasures. They should be shared.

One thing you should know...Bill Miller is donating ALL monies, from the sale of this book, to the SOS Children's Village. That really speaks volumes.

God Bless Bill Miller. For his dedication to preserving the memories, for his ongoing support of Johnny Cash fans at his website (http://www.johnnycash.com), for his vision to help those SOS children, and for ALWAYS being a stand up guy. Johnny always told me that Bill was a good man. And he was always right. :)

Kelly Hancock
Hendersonville, Tennessee

For all you kids out there who picked up a guitar because you wanted to be a Beatle, this book shows you how to do it.

First, be exceedingly talented and charming, then WORK YOUR TAIL OFF! Within these pages is detailed documentation of exactly what the Beatles did to attain, then retain, their unparalleled success.

No other band, save possibly The Ramones, put in more stage time wherever they could, and we all know the results.

Read this book, young musicians, then go out there and do it, for the sake of us music fans.

Thanks to Mr. Lewisohn for this book. We look forward to his multivolume bio.

I borrowed The Complete Beatles Chronicle from the library hoping to get more info on the making of the White Album (my favorite). But, because of how well the book is written, I wound up starting from page one.

This book is interesting because it doesn't miss the big picture. At the beginning of each year is a concise chronicle of what happen that year and its significance. One needn't get bogged down in the details. Just read the first few pages of each chapter for a good overview.

But, if you read the whole account, you'll discover the true genius of the four lads from Liverpool and how they somehow managed to create high-quality songs in between appearances on TV shows, sitting in on radio broadcasts, making movies, going on far-flung concert tours and dealing with mobs of desperate Beatlemaniacs.

Some of this data must be conjecture (even though it's not presented as such). For example, unless it was revealed in an interview, how would the author know that Billy Preston was brought into the Get Back sessions in order to break the tension within the group.

Still, it's an easy read filled with facts. I must now buy this book. So should you.

[DW]

Since publishers and editions change from time to time, I am not certain that I am reviewing the exact book. This book will be interesting mainly to those who were teenagers during the 1960s. These persons will recall the first time they heard each of the Beatles' albums, or they will recall the event of buying these albums. For example, I first heard Sgt.Pepper at the Fillmore Auditorium in San Francisco. The album was played before the performers went on stage -- that was Cream on their first American tour, along with Gary Burton Quartet and the Flaming Groovies (a last minute replacement for the Electric Flag). Anyway, the book takes the form of a diary detailing when and under what circumstances many of the songs were composed, recorded, and performed. The book contains 360 pages of small print, and almost every page has a 1/4 page photograph, though some are 1/8 page or 1/2 page, in size. The latter part of the book contains color photos. The reproductions of the photos are better than one might expect -- nice contrast and sharp focus. We learn that the original name of the Beatles was the Quarry Men, where this name came from Quarry Bank High School for Boys (page 12). We learn that the Quarry Men (John, Paul, George, and John Lowe (drums)) made their first recording in 1958 (page 13). We learn that Ringo was the drummer for a band called "Al Caldwell's Texans" even before he (Ringo) jointed "Rory Storm and the Hurricanes." (page 16) We learn that the first appearance of the lineup of John, Paul, George, and Ringo took place on August 18, 1962, and this was at Hulme Hall, where the occasion was the Horticultural Society's annual dance (page 75). We learn that the Beatles' first U.S. performances were in February 1964. An interesting fact is that Charles Finley, then owner of the Kansas City Athletics baseball team, paid $150,000 out of his own pocket to persuade the Beatles to play in Kansas City, and that the manager of the hotel in Kansas City cut up the Beatles' bed linen into 3-inch squares, and sold them for $10 each (page 139). We learn that the trumpet players on Strawberry Fields Forever were Tony Fisher, Greg Bowen, Derek Watkins, and Stanley Roderick (page 234) and that Dave Mason played the B-flat piccolo trumpet on Penny Lane (page 240). We learn that Maxwell's Silver Hammer took 27 takes, that She Came In Through the Bathroom Window took 39 takes, and that Here Comes the Sun had 13 takes (pages 324-327). Again, the reading is fairly dry and fun facts are encountered only on occasion. There is essentially no information on the Beatles' social lives. But for those who were teenagers during the 60s, the book is likely to be a page turner.

The Beatles weren't always big,and their was a time actually before Beatle mania.In these times we also didn't always have Ringo star to play drums.We had Pete Best.

The compiled information is outstanding.For a person to gain so much information and archives and list them all in this well priced book is a genious.Very affordable as amatter of fact i picked this up new for $5.99 just awhile ago.

With a well written list of all of The Beatles shows from Livirpool to the USA you can expect the same amoutn of quality info in each segment.The back of the book features a list/guide to all the Beatles albums and a well summed up list of al their songs.(OR so we believe)All the information found in this book is accurate never having to worry of fasle news paper clippings or romours that spread amongst those days.Cool little tid bits of info float all over the book and some well done photos.

This is truley for the Beatle fan in all of us craving that little bit of nerdiness wondering about everything they ever did.Or to some one who wants a well written chronological ordered book of the Beatles in general.Big fan or newcomer this is just right for you.

I borrowed The Complete Beatles Chronicle from the library hoping to get more info on the making of the White Album (my favorite). But, because of how well the book is written, I wound up starting from the beginning.

This book is interesting because it doesn't miss the big picture. At the beginning of each year is a concise chronicle of what happen that year and its significance. One needn't get bogged down in the details. Just read the first few pages of each chapter for a good overview.

But, if you read the whole account, you'll discover the true genius of the four lads from Liverpool and how they somehow managed to create high-quality songs in between appearances on TV shows, sitting in on radio broadcasts, making movies, going on far-flung concert tours and dealing with mobs of desperate Beatlemaniacs.

Some of this data must be conjecture (even though it's not presented as such). For example, unless it was revealed in an interview, how would the author know that Billy Preston was brought into the Get Back sessions in order to break the tension within the group.

Still, it's an easy read filled with facts. I must now buy this book. So should you.

[DW]