Music Books

This is an amazing book. The concepts make immediate sense as they are explained. Once the book is finished, you will have a thorough conceptual understanding of how and why relativity must work.

This book is a precious aid to help you develop your intuition about both special and general relativity. If you, like me, are someone who relies and feels comfortable more with intuition then reasoning, memory and abstractions, you have probably experienced quite a bit of discomfort studying and thinking about relativity. In other areas of physics, even quantum physics, you might have been able to come up with some sort of intuitive feel, but relativity, just a big void and a sense of "what this guys are taking about?". It's just about the fact that light velocity and strong gravitational fields are so outside of our reach that our intuition has nothing to work with, not even the "little balls" of particle physics.
Well this book is really helpful in starting to develop a visual and "gut" feel about relativity. Sometimes the drawings get a bit too fancy and confused, and you should avoid the pitfall of being led to believe you areally understand relativity just because you made something out of this book, but still it's a worthy, interesting and unusual read that will surely add something to your understanding.

This book provides a basic look at the What of relativity... but is seriously flawed when explaining the Why. And this is very problematic in a book that is constantly claiming that it's "showing" you why a fact about relativity is true. Epstein keeps "proving" things but when you really look at it he hasn't proven anything at all and you don't really understand relativity any better. For example, he loves schematic diagrams, and showing how something is true because it looks a certain way in a diagram. But just drawing something in a diagram and saying, "See, that's the way time works because that's how the line looks on the diagram" proves nothing. Why does the diagram represent reality? And why must the diagram be drawn in exactly the way he did? And the "diagram proofs" are just a symptom of the bigger problem here: a lack of valid argument to back up conclusions, and an overall lack of rigor throughout the book, from the terms used to the methods utilized for demonstration. Read this book if you are new to relativity and want to get an initial grasp of what it's about and the kind of phenomena it entails. But don't make the mistake of being fooled into thinking you're really undertsanding relativity, because for the most part you're not.

This is the best introductory book on relativity, period. What makes it different from others is how much it emphasizes a visual approach to the subject. The diagrams are not there merely to help you understand the main text; they are an integral part of the main text.

Even if you understand the basic concepts of relativity, you will probably learn something new. Consider, for instance, the following passage: "The reason you can't go faster than the speed of light is that... everything, including you, is always moving at the speed of light. How can you be moving if you are at rest in a chair? You are moving through time." Accompanying diagrams then clearly show how this is so, and how time dilation follows from it.

The theory of Relativity was Einstein's conceptual framework for explaining some weirdnesses physicists had uncovered about the way light waves, fast-moving objects, objects in heavy gravitational fields, etc. behave. Relativity is hard to understand partly because their behavior is hard to grasp -- it defies both one's normal intuition and the rules of Newtonian mechanics. So first off this book excels in explaining exactly what the weirdness is, what it was that had physicists scratching their heads in confusion and disbelief.

But Relativity is also hard to understand because of a lack of a simple explanation, a way of picturing what's going on. And this is the true value of this book, that it provides this type of concept.

By analogy, if you follow the motions of the planets with a telescope, you see them speeding up, slowing down, even reversing direction, in a way that would be hard to justify on simple principles... until you make the sun rather than the earth the stationary frame of reference. Then all that seemingly complicated motion reduces to simple elliptical orbits. And more importantly, this explanation gives you the sense of "getting it" conceptually. It's that kind of idea -- what the author calls a "myth" -- that this book uniquely provides for Relativity.

The ideas presented not only make Relativity comprehensible, they also hold up quantitatively (e.g. how much does one's clock slow down, how much does a body shrink, etc.)

Galileo's helio-centric writings got him into trouble with the Church, and he was forced to recant. In effect he said that he didn't mean that the Earth rotated around the Sun, only that the math is simpler with the Sun as a frame of reference. That the motions of the planets were calculable, but not comprehensible, was sufficient for the Church to spare his life.

To this day, Quantum physics remains mathematically rigorous and in perfect agreement with experiment, but no one understands it. It is my fondest wish that someone some day will come up with a conceptual touchstone for grasping Quantum physics that is as powerfully intuitive as what this author has come up with for Relativity.

I do have one caveat, which is that this book does not distinguish between Special and General Relativity. He never mentions uniform vs. accelerated motion. Although he does seem to explain some phenomena that I thought fell into General Relativity, I also thought I recognized one or two places where his explanation breaks down if General Relativity were taken into consideration.

The book "Sound Design", the expressive power of music, voice, and sound effects in cinema, is one of my favorite in my collection. I always recommend it to colleagues and customer. During my technical seminars-workshop and product training sessions, I have often taken inspiration from the book, particularly the sections "TRY THIS" that the author has included in various parts inside it.

The book is written with great passion!

Sonnenschein effectively covers the theory behind shaping the soundtrack, and gives great examples of the ideas in action. I loved the candid quotes from masters like Ben Burtt, Gary Rydstrom, Walter Murch, Dane Davis, and others. I started noting down all of the films he mentions as examples of good sound design, until I noticed Sonnenschein was one step ahead and had already noted them all in the back. Only 4 stars 'cause I personally wanted more technique and a little less theory.

This eloquently written book describes the rhyme and reason behind all the sounds - music, effects, and dialogue - that are blended together to create the sophisticated soundtracks we're accustomed to. Sonnenschein, a director, musician, and award-winning sound designer, combines practical wisdom with sound theory and exercises to inspire and educate both new and experienced sound professionals. The book will appeal to non-professionals and other filmmakers as well because it's fun, entertaining, and enlightening. The author clearly loves and knows the world of sound and it's a joy to be brought into this world.

This was an interesting book, and it really gave me some new perspectives on sound design. Sonnenschein focuses on the organization and mindset of sound design, rather than the technicalities. I especially liked the excerpts from top sound designers such as Dane Davis (The Matrix, Drugstore Cowboy), Gary Rydstrom (Backdraft, Saving Private Ryan), and Ben Burtt (Star Wars, Indiana Jones).

My only knock on the book is that Sonnenschein was repetitive at times. The book would be about 30 pages shorter if he didn't repeat points that were made in previous chapters. Never the less, it was an interesting read, and I still think it is a great resource.

I am very glad, that I found this book. It helps me think about making sound design in a very deep point of view.
I love it!!!
Thank you David Sonnenschein:-)

Jan Sleska
student of sound engineering

This book is great for a K-2 general music lesson. It has a great introduction to jazz music and improvisation. All my students wanted to hear more jazz and move to jazz after reading this book. Can also be easily used as a sub lesson, since the whole book is on CD.

I first heard the cd that comes with this book when my 5th grade teacher played it in class. Everyone stopped what they were doing to listen even two kids who hardly ever stop talking. My teacher's a drummer and so am I so we LOVED the jazz beat. I read that another reviewer thought the beats were on 1 and 3. Anyone can hear the hi-hat clicking on beats 2 and 4. This is real jazz played by real jazz musicians! (I don't think that reviewer is a musician.) The thing I liked most about The Jazz Fly besides the music, was the illustrations and the way it introduce scat as a kind of language. It IS a language, ZA-BA-ZA-BOO-ZA-BA. Everyone can speak it their own way.

This book is solid! One of the best books on the market today about jazz for young kids. This is the story of a jazz fly who ultimately gigs on drums at a club following his encounters with several other creatures. The fly riffs off their contributions to create his own improvised session. Children love the rhyme scheme and enjoy scatting to the sounds of za ba za boo za ba zee za ro nee ... Read it aloud and children can't resist trying to repeat the syllables in song. The book is sold with a CD that compliments the text and informs the reader on how it should be read aloud rhythmically. I highly recommend this book to anyone who teaches young children or has a child of their own that they want to expose to jazz.

I've given several copies of this book/CD as gifts to my friend's children. It's always enthusiastically received.

Most conventional music education seems to ignore jazz, which is puzzling since it is our own music, not a European implant. Matthew Golub has found a way to make the learning process truly enjoyable. The rhythms are infectious; you find yourself singing along with the CD. And the cartoon-like text is fun for children of all ages. This is a book to own, if you have a musically inclined child.

Jazz can get elitest sometimes. Jazz musicians can narrowly define jazz as only rhythm change or blues. I love this book because it does not put jazz in a box - it gives life to jazz sounds. This book gives kids and those who read to kids a chance to just "dig it." There is no over-emphasizing the roots of jazz or making the rhythm too complicated to follow, it's just a fun introduction to different scat sounds that even a little kid can relate to and follow.

This is the story that got it all started. If you haven't read this book then you are in for a treat, and before you finish this book make sure you have chances, lady boss, dangerous kiss on hand because you are going to need to know what happen next. I assure you.

Readers, please get all of Jackie Collins books, they are sensational. Get the book (Chances) first, then continue on to Lucky. The books will knock your socks off. All of Ms. Collins books are rated 5 stars as far as I'm concerned. Good reading material. You will like all of them.

Jackie Collins' Lucky, is a novel about power, love, lust, sex and crime. Daughter of a powerful man, Lucky Santangelo, an erotic and wild beauty, plans on continuing the family tradition with honor. Hungry for power, success and pleasure Lucky sets out seeking for her desires. Before she knows it, Lucky embarks herself on an adventure full of glory, passion, trouble, sex, vengeance and suspense. From Vegas to New York after her father's unexpected and undesirable wedding. Pregnant by the world's richest man, Dimitri Stanislopoulos, a passionate lover, Lucky lives her life between her East Hampton home in New York and her son's father's private Greek Islands. Off on business in Atlantic City, Lucky hits the road with power, money, glory and love. Her glory is cut short, when her dangerous past catches her back leading her to court.

This novel is extraordinary. This novel kept me reading, I couldn't take my eyes or mind off the book. Jackie Collins gets deep into descriptions making you feel the characters emotions and desires. As you read on and learn more about each one, you feel that you know these people. You can just imagine each scenario in your head, and feel that you are part of the scene but that no one can see you.

In an earlier review, I said Collins wrote trashy reads; I regret that now. "Trash" is sexist as it often only refers to light fiction written by women and there's LOTS of pop fiction by men that is hardly prize-worthy. I also think calling her work "trashy" was a way for me to act as though I was above it and just reading it ironically. The truth is, Collins is great at what she does and that's writing compelling, "can't put them down" novels that can make you turn off the phone so you won't be disturbed.

"Lucky" is Collins at her best. Don't worry if you haven't read "Chances": Collins summarizes the previous book in the opening chapters. Also, don't be turned off because there is a Mob element if that's not your thing because the Mob barely figures into this tale. What we get instead is a sprawling, multi-character tale full of coincidences, surprising developments (at least once a book, Collins springs something on me that I didn't see coming) and the usual doses of sex and money.

"Lucky" is an insanely fun read. Despite the fact that it was published in 1985, the novel is as enjoyable as ever and is my highest recommendation for a fun summer read of 2007.

What more can I say? All of the money in the world could not get me to pry my fingers off of this book. In Collins' sophomore release of the Santangelo saga we get reaquainted with the awe-inspiring, business savy and headstrong Lucky Santangelo, daughter of the notorious Gino "The Ram" Santagelo -- former mob boss.

Not one iota of what Collins' writes in this book comes off as being unrealistic, boring or repeptitive. Writing a book like this takes pure, unadulturated talent!! How she manages to come up with new and exciting characters, keep us thouroughly updated on old ones, intertwine all of their storylines FLAWLESSLY and leave her fans begging for more is harder to comprehend then learning Chinese Arithmatic in Latin!

Lucky comes back geared and ready for a whole new peril. I don't know if there is much I can say about this book without giving too much away... It's just all so JUICY and addictive! I will say that we are introduced to some new characters -- Lennie Golden being the main one. As well as reuniniting with some characters some of us may have thought wouldn't come back -- Olympia and Dimirti Stanislopolous ... These three characters will influenece Lucky's life in a MAJOR way... You will just have to read to find out. This is yet another 10 star read from Ms. Collins.

This book is a treasure. I have used it many times to check the lyrics of a song. Dylan is a favorite poet of mine.

The book is beautifully produced, but badly out of date (getting more so with each new album) and suffers from a certain lack of attention to the lyrics as the man sings them. Even so, ya gotta have it.

This book is a must for anyone who loves Bob Dylans lyrics. If a course were taught on Bob, this would be the textbook, and any fans will gets endless hours of enjoyment out of it.

I love this book. Dylan's output covering a 23-year span is right there in front of you. Whether you read the lyrics as they are or read while listening, any Dylan fan will soak up this wonderful book.

Interestingly enough, I have loaned this book to people who can't stand Dylan, but appreciate him as a writer. Their appreciation for the man and his talent always increases as a result. Sometimes this leads them to buy the discs, and they're forever hooked.

As much as I love the book, it is badly in need of an new edition covering Dylan's work since 1985, which includes at least 12 discs worth of work. But taken as it is, this book is priceless. Buy it.

A friend and I were out shopping a few weeks ago and we both picked up Bob Dylan's "No Direction Home: The Soundtrack" CD, which is the 7th volume in Dylan's archival Bootleg Series, and also the soundtrack for Martin Scorsese's excellent PBS documentary of the same title. The album is outstanding and now that my shopping pal's birthday is coming up, Halloween actually, I decided that Dylan's "Lyrics, 1962-1985" would be a near perfect gift. She is a major Dylan fan, as am I, and we have been for almost forty years. Time flies!

One of the deciding factors for making this purchase is that the hardcover volume edition makes an excellent, elegant presentation. The cover is laminated and each poem is printed singly on large, cream-stock pages with colored headers. Arranged by album, the book is a compilation of all of Dylan's writings and drawings, ('62 - '85), some wonderful pen sketches ranging in topic from roadside scenes to the romantic, plus 120 new compositions and an Index of song titles. "Lyrics, 1962-1985" is an extraordinary celebration of the artist's/composer's work.

"Highway 61 Revisited," "Blonde on Blonde," Tangled Up In Blue," "Masters of War," "Don't Think Twice, It's Alright," "With God On Our Side," "It Ain't Me Babe," "My Back Pages," "Subterranean Homesick Blues," "Stuck Inside of Mobile With the Memphis Blues Again," "You're Gonna Make Me Lonesome When You Go," "Tonight I'll Be Staying Here With You," "This Wheel's On Fire," "Shelter From The Storm," etc., and hundreds of others - they're all here! Dylan's liner notes and stream-of-consciousness short prose pieces really enhance the text.

Bob Dylan is a songwriter, musician and poet - an artistic genius and innovator whose tremendous body of work has had a major impact on over 40 years of American music, from the oldest anonymous folk ballads through blues and country into rock-and-roll. He expanded popular music by including politics, social commentary and philosophy into its vocabulary. He told more folks what was happening than the politicians and news reporters combined...and the counterculture loved him! We still do! While exploring and creating musical styles, Dylan did remain true to his roots in traditional American song.

I am so sorry that the book is out of print. Fortunately, I was able to purchase it, "New," from an Amazon marketplace seller at a very reasonable price. Highly recommended!
JANA

In our household, we were "bread and buttered" listening to the Clancy Brothers and Tommy Makem. The 33-1/3 rpm Columbia records were scratched and worn from overuse. We would play the records on family occasions and holidays. We would play favorite songs in the mornings during breakfast and as we made ready for school. In hindsight, I am surprised that the neighbors never complained or called the police.

Tommy Makem died last summer. The two eldest members of the quartet, Tom and Pat Clancy predeceased him. Liam Clancy is the sole surviving member of the recording group. This book is a sketchy and incomplete attempt at an autobiography, but it is as good as we are likely to get from this Clancy. Its strengths far outweigh its deficiencies. Readers should count themselves fortunate that Liam remembered anything at all after so many long nights and sexual misadventures. Perhaps, Tommy Makem, who abstained from drinking for most of his life, should have been taking notes for him (Makem wrote some wonderful essays, but I do not know if he ever published a full length book).

Liam Clancy was the youngest of eleven children. One of his problems when the recording group was formed in the USA was that his two much older brothers scarcely knew their youngest sibling at all. They had to introduce themselves to him when he arrived in New York. The Irish ballads and rebel songs (the Irish rebellions always seemed more successful in song than in reality) that the Clancy Brothers and Tommy Makem performed proved to be immensely popular. In addition the Irish diaspora, the authentic songs gained wide acceptance among fans of the Greenwich Village Folk Music scene. Liam Clancy became a fast friend of Bob Dylan.

There is a lovely story of how Clancy dropped his given Christian name while working as an actor in an Irish theatre company. A fellow actor chided him for answering to Willie, telling him that it was an "English" sounding name. He adopted the Gaelicized form and has been "Liam" ever since.

Pour yourself a drink and enjoy this book. Be thankful that the next generation of Clancy and Makem family members have taken up the songs that their fathers helped popularize internationally. Imagine how quiet our homes would have been if Clancy had kept up his father's plans and became an insurance agent!

Liam Clancy's has great literary talent. His bio is a tribute to his family and to his native land. Catholic schools greatly contributed to his native talent for the stage----I am not sure why he makes a critical remark of the Church.

The Clancy Brothers albums opened by ears to traditional celtic music in the 60s, so it was a treat for me to read Liam Clancy's account of how the group evolved. The family background and his personal development as an student, actor and musician were very enjoyable reading.
If you liked Angela's Ashes, this will certainly appeal.

First of all,there are 17 other reviews;most of them excellent and all deserve to be read.I read a fair bit of modern Irish Writing.The McCourts,Roddy Doyle,Brendan Behan,Morgan Llywelyn,Brendan O'Carroll,just to name a few.What I really like about these writers is their magical use of language.Although I have been a fan of Tommy Makem and the Clancy Brothers for at least 30 years,I have never read anything about them.I had no idea of how much they were involved in acting;let alone that any of them had such gifted writing skills.What a surprise;Liam's skills are as good as his musical talents.
Though not a Clancy,I heard Tommy Makem perform here in Toronto at an intimate club a few months ago.He did "Oh, me name is Dick Darby,I'm a cobbler.";mentioned on page 102.That had to be the best recitation I ever witnessed.
I would like to quote something Liam wrote about his experience in North Carolina in 1956 and he was writing about it nearly 50 years after the fact.
From page 170....
"South Carolina in the spring was seductive with scents of growing things,of magnolias and hibiscus,the air heavy with noontime heat and the swampy buzz of katydids and flying critters.The nights there belonged to the frogs and bats and flying beetles and the countless mingled smells of a land at rest after a burgeoning day's work fermenting life." Imagine the thoughts of a 21 year old,written 50 years later.
I also had no idea of Clancy's involvment with the people like Oscar Brand,Bob Dylan,Woody Guthrie,Pete Seeger,Odetta,Barbara Streisand,Lenny Bruce,Jean Ritchie,Ramblin' Jack Elliot,Brendan Behan,Diane (Guggenheim),Josh White,Alan Lomax,Mary O'Hara and on and on.
Liam gives a great insight into the world of acting and folk music of the 50's and the 60's. Now that I have read the book,I am looking forward to listening to the tape.
I also have no idea if Liam has a second book planned to cover the last 40 years.I am sure it would be a great follow up.How about it Liam,you're only 70 ,and you must still have lots to tell us.
Thanks.

I never heard Liam Clancy sing until a couple of months ago, when I found a copy of an album called "The Lark in the Morning" that looked interesting, given its cover and its date of the mid-50s. Growing up, The Clancy Brothers and Tommy Makem were heard of but not heard by me--I associated them with Aran knit sweaters, hearty shour-an'-begorra singalongs,novelty tunes, and the kind of kitsch that the previous generation had listened to complacently before the revival in the 70s of a tougher trad scene out of Ireland shook it all up again.

Well, I heard the tracks on "Lark" in the car without knowing who was who since I could not see the CD case listings. But when I finished it, I noticed that the songs that had stood out from the rest were all by Liam C. Impressed, I read the liner notes about one Diane Hamilton, who I had never heard of, and Tradition Records, the label for which "Lark" was the debut issue. But the whole story was not clear, given the brief notes, until I read "Women of the Mountain."

From the title, I expected a tale of lusty drunken couplings and riotuous escapades from the "Folksmen"/"Kingston Trio" era. Instead, an evocative tale of growing up eating mortar and chalk for nutrition during WWII, poverty, clerical abuse, and hardscrabble small-town life in Waterford's Carrick-on-Suir unfolded smoothly and eloquently. Sure, the blarney sometimes is laid on a bit too thick for less glib me, but the stage Irishman tendencies are kept mercifully in check by realism: the death of a sibling, the estrangement from mother and Church, the entanglement with Diane H. (who turns out to be a Guggenheim nearly as neurotic as her relative Peggy G. did for Beckett!), and the adventures on the road, in theatre, and on stage.

One surprise and a reason for four stars is the lopsided nature of the book: the singing takes decididly second fiddle to the stage in the dramatic sense. This was fascinating for me, but it misleads the reader perhaps who by the back photo of the group harmonizing might expect far more about Clancy's musical experience. He mentions, for example, as if offhandedly that he learned the tin whistle. Yes, but how? As a musician, did he find it easy after the guitar? How did it help his reportoire? Did he learn it so the group could expand its range? How does it sound to him? How does he play it? Here, music as enacted comes rather late in the book, in not a lot of detail, and seems rather superficially treated as opposed to other incidents and events.

I do commend Clancy on his delicacy with relating his own romantic and emotional engagements with women and men--he reminds us of the fragility we all possess and the need to recognize humanity in each other. And he makes his point after having earned the right to say so after his own checkered past. He comes off wise without sounding pious, intelligent without acting snobbish, and flawed without playing it up as maudlin. He handles people and places with stamina and wit, and his own coming-of-age here, while cut off while he's not even thirty yet, needs however fuller exposition than is given here. The New York Greenwich Village years deserve more depth than they're given here; the book's unbalanced in favoring much more from his pre-NYC years (nothing wrong with that) and again this may mislead misinformed readers as to its actual coverage of many more early situations predating the group's rise to fame. I also got little sense of how he got along with his fellow group members--granted that two are his brothers--but how the three Clancys got along with Makem who was from Keady in the north and from a different region, musical tradition, and political regime seemed like the sort of detail that could have enriched the book.

I guess a sequel is in the works. Like recent Irish memoirs by Frank McCourt and Hugo Hamilton, the autobiographical account stops suddently, at the height of a self-realization by the author in his formative years. I do not know if this book would have been published if McCourt had not led the way, but resilient Clancy's tale too deserves a wide readership for dispelling (as do McC and HH in their accounts--also see John McGahern's memoir) the myths of recent Irish life, while advocating a return to the more durable and more feminine myths that inspired Yeats, Behan, Synge, Joyce, and the Slieve-na-mBan/Sleivenamon that gives its rounded breasted mountain shape to the landscape that rose above Clancy's hometown.

I found 4 reviews out of the 23 that didn't look like there were planted. Mind you, the 4 reviews that look legit were very positive, so it may be a good product. Still...I can't recommend buying it if these are the tactics used to sell it.

This was so helpful to me and my band. A lot of tips and advices which were very useful when we first arrived in the jungle called the music business. A great book with a lot of useful information for new artists and also for people who were in the music business for a long time.

Seeing all of these reviews for this is breathtaking. I myself have nothing but good stuff to say about this bundle. This bundle encouraged me to start out on my own- and I haven't looked back since! This is a great bargain and great resource for us newbies!

This is such a great bargain for us professionals out there. This bundle teaches you from the ground up how to survive, and turn a profit in this cuthroat business. I cannot say enough good stuff about this bundle- but don't take my word for it. Get your copy today, before your competitors do!

Okay, First I would like to point out that I have not seen or read this product yet. I hope that it is everything that the other customer reviews claim. After reading through them, though, something seemed a bit off. EVERY review was 5 stars. Not a single review even mentioned a flaw or an area that they wish had or hadn't been addressed. I then checked the other reviews posted by all the reviewers. With the exception of the first two, the other twenty had not posted any other reviews on anything else. I looked at the dates of the posted reviews, almost all of them are clustered VERY closely. I may be wrong, but I believe that someone is trying to overinflate this CD / Book. I don't know if it is someone who just loves it so much that they are misguidedly trying to help out, or if it being done directly by the person / people behind the book. If the latter is the case, how can I trust anything from such a dishonest shyster? If the former, then the author should see if Amazon can help legitimize or remove the reviews. This is 11-24-06. It will be interesting to see if the other reviewers all of a sudden start reviewing other titles in order to help seemingly legitimize their claims. I really want this product to be as good as it sounds. I would buy it in a heartbeat if this were true. I am left in a bit of a quandry, however. I apologize deeply to Ty if my conjecture is incorrect, and this review in any way hurts your sales. That is not my intention. I just loathe con artists. I have also tried to research Ty Cohen. He seems to me not to have much impressive in his resume' other than the fact that he has sold a lot of how-to courses. If he has impressive, verifiable, big name credits, by all means, somebody post them. I would really like to know what they are.

This book has been the basis of strict counterpoint instruction for over 200 years. In that period of time music has changed considerably. As a composer of a strange variety of music I have to say that these exercises are among the most useful things I've ever done. I dont think that the rules in the book were ever meant to be followed exactly in real composition, look at Handel Bach or Telemann( they were all in the middle of their careers when this was published:1721) but learning to do the exercises strictly to the rules influences the way you think about composing. Of course the main area that this book is concerned with is VOCAL polyphony, most of the rules of writing the individual parts are based on the general limitations of the human voice. I cant accurately explain how much this book has helped my music the exercises are realy helpful in making you think about certain details. Every composer should be force their way through the entire thing before they graduate from the conservatory.

Fux's masterful use of his counterpoint will leave you wanting more. Best know for his masterful thrust with a foreceful tempo, contemporary pianists have emulated his approach to great success. J. Holmes is reported to have read Fux's work daily prior to his strenuous orchestrations of thrust and release. Do yourself and your entire choir a favor and buy this book.

The absolute best book for learning 16th century counterpoint. Nothing better!

This is a great introduction to species counterpoint. It has been in use for many years and was studied by many great composers. It still engages the modern person today because it is concise, imaginative and teaches concepts in a digestible and easy to follow manner.

The form of the book is a relationship between a teacher and student. The student is not the brightest bulb on the tree, but the teacher shows him concept by concept how counterpoint works. This story format is entertaining, but also serves as a way to anchor concepts.

If you are looking for something that is a quick, easy read with lots of good content and historical interest, you will enjoy this. I feel it is a must have for any serious student of music.

I picked up this book and began reading it right away. In two weeks I understood it completely. It is very easy to understand. There are parts you have to work yourself through, but all in all it is very comprehensible. About the only two things you need to know to understand it is intervals and of course how to read music. I notice when I follow the rules closely enough I compose very much like people of the renaissance did. well actually this was the theory of the time so of course if you follow this book your music will sound that way. If you don't want to sound as they did in that time and just want to have more pleasant music, this book will still be helpful. Good price. Good classic theory. Good book.

This book is what I will call from now on: MY ELVIS BIBLE

Definitely the world's best Elvis "reader book".
Well written, easy to read, easily enjoyed whenever.

I am patiently waiting for the other Volumes of this series.
If they are anywhere near as good as this volume, Jim Curtin will the world's best Elvis books on the market! (well he kind of does already).

I am so happy I found his books online.
My first exposure to Curtin was through his Unseen Elvis book (definitely the best photo book on ELvis to date).
I did not know he authored more books, till one of my friends bought me his Christmas With Elvis book, and from there on, I became a Jim Curtin / Renata Ginter fan!

With as much enthusiasm as I had reading this book, I can honestly attest that anyone who buys it, will love it just as much. I can guarantee it (if my word even means anything to anyone).

I am just a fan who enjoys reading quality material on Elvis and who LOVES to see rare photos on him as well.

So if you want my recommendation as to what kind of books to buy or get on Elvis .... stick with Jim Curtin (the true Elvis expert and friend)

I have never written a review before on anything, so please don't mind if I rattle here and there. I will try to my best ability explain what I liked about this book.

#1- This book dispells the Elvis myths that have for some reason been printed all wrong! ... Jim makes true sense of many of these myths and explains in detail the real truth behind certain things: .... [EX: That the Dorsey Brothers who hosted "The Stage Show" did not like nor want ELvis on their show and only allowed him a few appearances when Colonel Parker paid them $5,000 under the table!!]

#2- Has touching stories about the sad times in his life: his mother's death - breakups with his girlfriends - breakup with his wife - etc.

#3- Has funny stories about how Elvis too had his moments of embarrassment, accidents and just plain ole funny situations .... [EX: In the 1970s, Linda Thompson talked Elvis into going to the local Memphis McDonald's and there he was approached by a man who thought Elvis was an impersonator and told him how sad he was to be someone else! Linda simply went along with the man and said to Elvis, "Cut the crap Bob!" ]

#4- Has wonderful behind the scenes stories during Elvis' movie filming ...... [EX: How on the set of Roustabout, Elvis was accidentally kicked in the head by costar and as a result had to have stitches to sew up the wound. The director incorporated a scene in the movie, where in a fight Elvis' character suffers an injury to his head! ]

#5 - Has great stories about the women he dated and what happened during some of the dates! hehe ....... {EX: How Elvis dated Yvonne Craig and he invited her to his CA rented home, while trying to leave, she activated his alarm which in turn called the local police and swat team. She was almost arrested for breaking and entering by them, if Elvis hadn't been woken up to explain why she was there!]

#6- Also has fantastic business stories of some of the deals he and Colonel Parker were offered and turned down. .... [EX: They were offered $1 million to perform one show in England]

#7- Heartwarming family stories about his parents, Priscilla and Lisa Marie ....... [EX: How Lisa Marie, at age five, would play Elvis' records on her own personal record player and memorize the words - and then go to Elvis and "perform" the songs for him - complete with all of Elvis' stage moves!]

These are just 7 reasons why this book is so great. It is so heart touching it should be retitled to: CHICKEN SOUP FOR THE ELVIS SOUL

So fellow readers, if you want a book that you can laugh, smile, cry and be amazed with, this is it! You do not need to be an Elvis fan to read it ... all you need is an open mind, a hot cup of tea of chocolate, a comfortable chair with blanket and this book!

I have never written a review before on anything, so please don't mind if I rattle here and there. I will try to my best ability explain what I liked about this book.

#1- This book dispells the Elvis myths that have for some reason been printed all wrong! ... Jim makes true sense of many of these myths and explains in detail the real truth behind certain things: .... [EX: That the Dorsey Brothers who hosted "The Stage Show" did not like nor want ELvis on their show and only allowed him a few appearances when Colonel Parker paid them $5,000 under the table!!]

#2- Has touching stories about the sad times in his life: his mother's death - breakups with his girlfriends - breakup with his wife - etc.

#3- Has funny stories about how Elvis too had his moments of embarrassment, accidents and just plain ole funny situations .... [EX: In the 1970s, Linda Thompson talked Elvis into going to the local Memphis McDonald's and there he was approached by a man who thought Elvis was an impersonator and told him how sad he was to be someone else! Linda simply went along with the man and said to Elvis, "Cut the crap Bob!" ]

#4- Has wonderful behind the scenes stories during Elvis' movie filming ...... [EX: How on the set of Roustabout, Elvis was accidentally kicked in the head by costar and as a result had to have stitches to sew up the wound. The director incorporated a scene in the movie, where in a fight Elvis' character suffers an injury to his head! ]

#5 - Has great stories about the women he dated and what happened during some of the dates! hehe ....... {EX: How Elvis dated Yvonne Craig and he invited her to his CA rented home, while trying to leave, she activated his alarm which in turn called the local police and swat team. She was almost arrested for breaking and entering by them, if Elvis hadn't been woken up to explain why she was there!]

#6- Also has fantastic business stories of some of the deals he and Colonel Parker were offered and turned down. .... [EX: They were offered $1 million to perform one show in England]

#7- Heartwarming family stories about his parents, Priscilla and Lisa Marie ....... [EX: How Lisa Marie, at age five, would play Elvis' records on her own personal record player and memorize the words - and then go to Elvis and "perform" the songs for him - complete with all of Elvis' stage moves!]

These are just 7 reasons why this book is so great. It is so heart touching it should be retitled to: CHICKEN SOUP FOR THE ELVIS SOUL

So fellow readers, if you want a book that you can laugh, smile, cry and be amazed with, this is it! You do not need to be an Elvis fan to read it ... all you need is an open mind, a hot cup of tea of chocolate, a comfortable chair with blanket and this book!

It make you see Elvis as a more well rounded person. He feels like a friend I never met.

I won't be too long in my review here, so here it is:

This is a very well informative book.
ok there may be some stories that didn't interest me much, but that is quite a small percentage (5% maybe); but I think there are fans out there, who want to know everything.

What I did enjoy (and even learned) were the stories that told the "behind the scenes story" of a particular event (ei: Dorsey Brothers payoff, Parker's business tactics, recording session goings-on, things that showed Elvis wasn't exactly the perfect date)

great reading and I would have to say: a must have reader!

My only problem with this book was some of the photos.
not exactly "unseen" *(because I have seen many before)* but I think they matched Curtin's "chapter themes" (if you want to call them that).

Ok so far Curtin is NOT A MEMBER OF THE FANTASTIC FOUR!
5 more Curtin books to go

I bought this book for the CD. Most of the Elektra catalog is out of print and was never re-released on CD. The CD is great, though I would have liked more international folk music. There's only one foreign language song on the disc. The book itself turned out to be a very pleasant surprise. While I am only about one fifth of the way through it, I'm finding the story of Elektra Records fascinating. I didn't realize (or, more likely had forgotten - you know what they say about the 60s) how many big names in rock got their start there. A great read about the little record company that could.

Great book for those that enjoy the inner workings of a record label,its history and the people that made it happen.If you dig musicology this book is a must read.

I have read my share of music industry books and this is by far the best one. And what is inspiring is that you do can make good business in this industry and still keep your integrity, just follow Jac Holzmann's example describe in this book. Awesome read!

One of the best books on the music industry I have ever read. When you read a book about a band or artist, or about an era in music or whatever, what you mostly want is to feel like you were there at the time these people were recording and gigging and just being bands. Follow the Music gives you a first-class seat in Elektra's offices, at its artists' concerts, in rehearsal spaces, in restaurants where biz wheeling and dealing is done . . . You come away knowing Jac Holzman underpaid his staffers and artists, but that he genuinely cared about the quality of music his label put out, and about artists' integrity. I wish there had been as much on Arthur Lee and Love as there is on the Doors, but then the Doors were Elektra's biggest-selling act, so I guess it makes sense that they get the most ink in the book. I also didn't like the way the sections on the MC5 and the Stooges - two of the most important bands in the history of rock - are so short, while the one on Carly Simon is so long. But that's because I like the MC5, love the Stooges and wish Carly Simon would go away. But these are quibbles. I loved the book. How much did I love the book? I don't even like the Doors, save for 5 or 6 of their songs, yet I drank in every word about them, and went back and listened to their debut and L.A. Woman because the chapters on those two albums were so moving.

This is a must read for music fans! There is something for nearly everyone here: The story of the founding and growth of Elektra Records (how an energetic young man, Jac Holzman, with a few hundred dollars, good musical taste and a ton of ideas could actually start a thriving record company). The history of many early folk music performers such as Theodore Bikel, Judy Collins, Jean Richie and many others. The story of the creation of Nonesuch Records (a low-cost Classical division). The history of many Rock performers (including Jim Morrison of the Doors). There is even enough technical info about early recording, studio design and Dolby units to satisfy a tech geek (such as myself)! The image conjured up of a young Holzman setting out with a Magnacord P-6 recorder strapped to his Vespa scooter, to record folk music performances in NYC really conveys the "shoestring" attributes of Elektra Records in the early days. At the other end of the scale, the design of studio "B" was perhaps representative of the "excesses " of the rock era.

The copy of this book that I got from Amazon included a "bonus" CD that contains many tracks of early Ekektra performers that have not been re-released on CD. To me, this CD was worth the price & the book was essentially "free"!

It is sad that only a few recordings from the early Elektra "folk period" have been re-issued on CD. This situation is starting to improve, (see my other reviews for some early Elektra folk "gems" that I have found on CD).