Arts and Culture Books

great purchase for any kid at heart who grew up in th 80's. could've been more inclusive. may i suggest a part 2?

I am a big 80's fan and this book seemed interesting so I figured that I would give it a shot. I am soo glad that I did. I love the writers sarcasm and memories about the toys mentioned in this book. The book is like a trapper keeper, with the opening on the side. There are 32 toys mentioned in this book. I think I'm a little to young to remember some of them , but I know most of them. I showed the book to my brother who just flipping through it was laughing. It was so fun to talk about the toys.

After buying this book for my brother for Christmas (which he loved too btw) I Got this book yesterday for myself and read it all last night:):):) it's exactly what I was looking for a great nostalgia filled trip down memory lane....I thought I was a complete 80's geek but some stuff in this book I hadn't even heard of.....even though it's written by two guys and has a lot of "boy" toys....there were still all the major "girl" toys in there too....and I loved the candid stories they shared especially the babysitters club and punky brewster doll (sorry action figure) too cute:):):)it is nicely set out and presented really well.....a great gift for 80's children everywhere:):)I hope they will do another one from the 80's tv shows/fads etc.....and even the 90's too:):):)good job guys:):)

There's a certain innocence about the 80's that seems very transparent by today's standards. But in the 80's... we all thought that we were living a revolution of cutting edge pop culture. Little did we know that those years would pale in comparison to the childhood trends of the 90's & 2000's. I really believed that I had dismissed from my mind most of the decade and rightly so, it seemed so 20 something years ago. But honestly this book made me really appreciate what I had forgotten. Being a kid of the Reagan Era, I lived through the 90's thumbing my nose at most of these pop culture icons (and listening to grudge rock). I bought "Just Can't Get Enough" as a passing fancy (being a follower of vintage toys), not knowing that the personal stories and memories of the authors would be the gems within.

The Book Itself - It's pretty neat really. The chapters are each a certain 80's icon, divided into small subsections with titles like, "The Story" or "The Products" or "What Does It All Mean?" All of this wrapped up in a suedo-Trapper Keeper style cover with a velcro clasp. When reading the chapters, you begin to appreciate how much time and effort was put into this book. With chapters devoted to Transformers, He-Man, Madballs, Scratch N' Sniff stickers, Garbage Pail Kids, etc., the book gives equal focus, regardless of obscurity. I particularly liked the toys that I remembered fondly from childhood, but also enjoyed the great details about toys I never knew - i.e. Pogo Ball or "Pogo Bal" as the writers note humorously. The authors treat us to most of the usual suspects of the decade, but there are a few rarely honored candidates such as Crossbows And Catapults, Choose Your Own Adventure books, and Hit-Stix among others. Also, there are some obvious misses such as Teenage Mutant Ninja Turtles, Ghostbusters, Gremlins, Get Along Gang, Shirt Tales, Smurfs, Pound Puppies, etc. Hopefully these oversights make way for a follow-up volume. But what you do get makes up for anything not included. First thing you will notice is the great writing style. I particularly like the sarcastic overtone that seems to permeate from every page, pure "Gen X" humor at its best. These authors go to great lengths to make each chapter witty and nostalgic. In fact, if you are unable to feel an overwhelming sense of nostalgia after reading this book, then you most likely were born after Operation Desert Shield... or during the hay days of Rowan & Martin's Laugh-In. Whether you relive the 80's regularly or haven't looked back since 1990 - this book is going to trigger fond memories... or at least jar something loose from the painfully hidden recesses of the mind.

My Personal Reaction - I found myself on several occasions laughing out loud. My girlfriend seemed frustrated with me continually interrupting her TV watching by loudly exclaiming, "listen to this" as I read aloud large passages time and time again. Finally she picked up the book, which was a big mistake for me... since it took me quite a while to get it back. She appreciated different sections (the My Little Pony, Strawberry Shortcake, Rainbow Brite). It was like going to Toys 'R Us from your childhood; you either were in the boys section or over in the pink section if you were a girl - no matter which, it was fun. So I can say, there is something for everyone, boys and girls alike. Personally, I was pleasantly surprised by my fascination with chapters like the game Guess Who?, which I actually hated as a child. The more ridiculous the idea the funnier the commentary became as the authors put it all in perspective. And when I say perspective, I mean being a 20 something or 30 something adult. There is some crude humor in here that is not at all pointed to the young kids we once were. But honestly, do we expect any children today to even bother reading this? I can plainly put that to rest - kids today would never "get" what this book is about. Once you start reading, remember this isn't just a book about the items; it's a book about how they all relate to us - the children of the 80's. So don't get caught up expecting a long treatise on the history of everything 1980's, that's not what it's about.

Final Thoughts - I read this only wanting more. The only fix for your "jonesing" would be to share this with others. If you buy this book, then don't forget to invite your other Gen X friends or siblings or whoevers to a fun filled day in the way-back machine. I highly recommend this book as a fan of humor and 80's pop culture. But, if you only want to see details of 80's toys - minus the nifty sarcasm, then check out Action Figures of the 1980s (Schiffer Book for Collectors) - it's loaded with great pictures. But be warned, that book doesn't have a one-tenth the laughs of "Just Can't Get Enough." If the authors do nothing else, then this book is still a masterpiece in its own right and worthy of a notable writing career. I hope this isn't the end though; there are plenty of unvisited pop culture products still lurking in our memories for "Just Can't Get Enough"... Volume 2.

I bought this book before Thanksgiving this year and after reading it through myself, I had to take it back home with me for the holiday. My cousins and I sat around reading out loud many of the hilarious comments about all the toys we loved growing up and laughing at all the ridiculous (or should I say redonkulous?) toys from our youths. The book jogged our memories on all the toys we couldn't remember on our own now and really made us long for the silliness of the toys of the 80s. It's a hilarious book and really fun to sit around with friends and just remember the good times with the redonkulous toys of the 80s. (and for the record, I STILL want the U.S.S. Flag!!)

Nightmare U.S.A. is an extremely informative and well written book. The author keeps it fun throughout by putting a sense of love into his work. I found, as I read through this hefty tome, a true feeling of 'being there' watching the films that are presented. I'm looking forward to the next installment. All in all, a wonderful read for those interested in the study of exploitation films.

So great a book I bought two one for my business partner and one for me!

I've written a longer, more extensive review for Film Threat, but I'm going to do another one here because I believe this book belongs on the shelves of every horror/exploitation fan, film buff and film journalist. Yes, it is expensive, but it's also a 500+ page oversized hardcover with color and black and white photos (many from filmmakers' personal collections), movie reviews and interviews (many with directors who have never spoken about their films publicly before). As I said in my previous review, this is probably the best film book of the decade.

If exploitation films are your cup of tea, you need this book. Period. At some point this should become some sort of mandatory college text book, as it is not only a history in filmmaking that is rarely covered by more "serious" journalists, it's also a crash course on filmmaking.

Once you read this incredible book, which will cause you arms to fall off if you try to do it in one sitting, you'll be thrilled to know it's only the first volume (the second one, according to the author, is scheduled for 2010). And you thought things couldn't get any better.

Simply put, you aren't a fan of exploitation/horror if you don't have this book in your library.

Price:
I've talked to many people that feel the price is a bit steep and I agree the book isn't cheap. It is however 500 pages filled with interviews, pictures (everywhere), and essays. Think Arnold Schwarzenegger's The New Encyclopedia of Modern Bodybuilding : The Bible of Bodybuilding, Fully Updated and Revised size wise but about horror films. I mean the book is no joke and there could be an exploitation horror film made about a serial killer who uses this heavy book as his weapon, that's how big it is. I felt the price was well worth it as a horror fan and film lover in general.

For those of you who aren't the biggest readers:
Basically, all you have to do is read section I The Exploitation Independents which is the history of American independent exploitation films during 1970-85 and goes from page 11-48. After you start reading you'll want to keep going and after that it's basically a reference book with essays and reviews, so you could read up on a particular film. What I'd do is either read up on a film I found prior to watching it or after I watched it to learn more.

THE BOOK:
Stephen Thrower appears to know film even though he made a rule to not include reviews on classics, foreign, and studio made films, he still makes tons of compare and contrast references to classics and mentions great directors such as Bergman and Fellini. I highly recommend this book to horror and film fans, my friends in everyday life not so much but I think my horror Amazon friends will love it, specifically reviewer Clint Bronson. Clint has crazy knowledge on horror and from my readings of his reviews 1970s imparticular which, after much thought, is the best decade for horror hands down. Be sure to check out Clint's reviews as well.

Section I- As I mentioned details the history of the exploitation film from 1970-85
Here is how Thrower breaks down section I and the history, this was a great read.
The roots and the Godfather of gore H.G Lewis.
Romero and the Modern Horror Pantheon
Critical Responses to Exploitation Cinema
Drive in Massacres
42nd Street Monsters
Serial Killers
Psycho-Killer, Qu'est-ce que c'est?
Slashers- J'adore
When Blood Is Not Enough
Torture
R ape
It Came from the Stars/Swamp/Bushes/Caves
Things That Go Bump in the Night - One of my favorite avenues of horror being the ghost story. Thrower is honest in this area saying a bigger budget with good acting helps this area of horror.
Art of Perversity-Horror and Incoherence
Decline-Carpenter, Hooper, Romero, Craven
Hollywood Trash

Section II
Essays on Films and Filmmakers
This goes from 73-373 and like I said at this point it's a reference book. You can skip around read films that interest you and as you see others go back to the book and read up.

Section III
Reviews
118 Additional reviews. These are done in a shorter format then the essays above.

Section IV
Appendices and Index
Including an exploitation independent checklist Horror, 1970-85
A Bibliography
Index

I actually learned about this book in a non horror magazine Film Comment which gave it very high praise as well.

If anyone wants to know if a particular director or film they like is talked about in the book feel free to ask.

Being somewhat obsessed with the period and films covered in this mammoth tome I can unreservedly say that reading this was a religious experience for me. The amount of research gone into this project is extraordinary and the enthusiasm author Thrower has for forgotten gems like THE CANDY SNATCHERS, DEATH BED, BOARDING HOUSE and others is truly infectious. Not since Mike Weldon's original PSYCHOTRONIC came out in the early 80s have I been this giddy about a movie book.

Part 2 is announced in the back of the book which means the good times keep coming.

I am an in-house attorney for a film production company. This book is a great resource to point you in the right direction in many respects: reminders of what terms various contracts/agreements should contain, the different types of agreements common to the film industry, copyright information ... just to name a few items. Money well spent for a very focused look at legal aspects to the film industry.

This book helps anyone who wants to do or is doing anything in entertainment be on top of their game. I carry this book with me, along with my bible (that says a lot about the book right there!) I read it every chance I get and learn so much more as a Writer/Producer, about the legalities and expectations of each member of a production team. This book is necessary for a business minded person. Crowell educates the readers in the basics of entertainment law, however he does not use language that only an attorney or judge can comprehend. He breaks concepts down in bite size pieces. I have gained a better understanding of what needs to happen in pre, pro. and post production of a film and will make sure that the many areas in film making get the attention and documentation that it needs because of this book.

This book is so useful, I don't know where to begin. It's well-structured, well-researched, and I don't know where I'd be without it. The author has so much useful information, and puts it in a way a filmmaker, who doesn't speak legalese, can understand. This book gets a very high recommendation from me for sure.

Having the hindsight of producing several movies, I wish I had read this book much earlier. ANY filmmaker would benefit from reading this book as early in their career as possible and then keeping it on their shelf as an invaluable reference tool to return to again and again.

This review is specifically directed to aspiring professional screenwriters: GET THIS BOOK.

(Note I did not say "buy" this book, since, if you truly are an aspiring professional screenwriter, you're probably sucking your own body lint for food and live under a bush overlooking the Santa Monica pier.)

Yes, do whatever you have to do. Beg, borrow, steal...pawn...get this book. You've already read your Sun Tzu:

"If you know the enemy and know yourself, your victory will not stand in doubt."

Hollywood was built on exploiting talent, and specifically exploiting writers. It's time we (YOU!) writers start preparing for the business side of things because gosh knows the other guys are plenty prepared already. Reading this book will make you realize three things.

1. Actually getting your great little/big screenplay made will be incredibly complicated, even if you're just selling it to someone who already knows what they're doing.

2. There are ways to make your script more attractive for producers/distributers and more lucrative for you.

3. Thom Crowell is an informative and entertaining scribe.

I had a friend of mine in negotiations with a major studio executive. True story. Wrote a little script called "Balls, No Balls II." Guy tried to get my buddy to sign a contract without an NDA. My buddy stood up, whipped out his Pocket Lawyer and KA-BLAW! Smacked that suit right in the mouth! "You want my high concept? I WILL be signing that NDA!"

Hmmm, actually this never happened. But at least I know what an NDA is now. Do you? Oh, you don't? GET THIS BOOK!

And yes, AMAZON, you do offer a very reasonable price. I suppose buying it isn't out of the question.

A nice hardcover edition of this book with lots of explanations about the making and good full color illustrations. I liked the section on the CG. It's definately worth the price and could be used as a good coffee table book or such.

I saw this movie when the dubbed version came out in theatres. I had never been a fan of Japanese animation beofre, but after I saw this movie, all my misconceptions were blown away. Unfortunately, it took a long time to come out on video, so to pass the time, I bought this book. It is a great coffee table and conversation piece, and the pictures chosen are beautiful. My only problem with this book was the captions that described the pictures. Since they were based on the original Japanese and not the dub, there were a few small facts that were differing and served to confuse me. Yet that is a very small problem. All in all, a good book.

This book is a wonderful little look into the world of not only Mononoke Hime, but Hayao Miyazaki's world as well. It contains high quality screen captures, pencil boards, original movie posters, and original character designs. It is a hardbound keepsake for all those who loved the movie and/or any of Hayao Miyazaki's other works. The book is also highly informative about the storyline and the creators views about the story and characters. It is a good thing to have in your collection.

I've given this a high rating, not because it is flawless but because it is an awesome companion to the film and a wonderful keepsake for that time in your life when you get a coffee table to put it on. If you own the film, you probably won't need this--and honestly, I purchased it as a way to show my support of the US distribution of this film. The book is a US translation of the Japanese edition, and as you can expect was lovingly put together. The last section does seem to perhaps be filler, but with such wonderful reproductions from the film along with in-depth background information, what more could you want out of it. On the other hand, it isn't really cheap either, but given it is probably one of the 10 best animated films ever, it makes a very nice addition to your over-sized film book collections.

Lastly, if you can recall the boring titles your grandparents kept on their coffee table, I think you can start to seel the appeal of things like this. Why settle for pretty national geographic titles (or whatever) when you can have this or big godzilla coffee table books (as do I)? Let your future grand-kids know that you were plenty weird in your former years.

I loved this book, the drawings are excelent, the writing also, this one was the only one that i reed with a smile.

Following on from the previous Open Season art of, Surfs Up is another great look at the development years. The environment drawings and paintings are wonderful to look at and the characters a fun to look at. Again the book delivers some extra inserts throughout the book like stickers and such...but i feel this didnt have as much put into it as Open Season. Still it is a great book to have on the shelf for inspiration.

I collect and study a lot of "art of" books. This is one of the best I've ever seen, much better than the Disney "art of" books. It gives you a great breadth of development: color, sketches, layout, backstory, etc.

The sketches are amazing, and the renderings and color treatments are beautiful, lush, and eye candy. I read this book before seeing the movie and it was wonderful to see how everything came together in the film. If you like "art of" books - this one should be in your library.

If you like the movie, you must have. The book is amazing, full detailed in sketches, layout, character design and comments. The book included a big mount of extras (postcards, stickers, minibooks, DVD of making waves,etc.). If you can, don't doubt, buy it.

This movie and book was great. The DVD with the book is a MUST SEE! I love it. I buy it for all my movie buffs, family and friends. Oh! I forgot to mention..... my son is Erick Miller and he helped make the movie! Rock on Erick! Love, Mom

i would say, above and beyond, this has to be one of the most stylistic and visually thought-out artbooks i have ever had the pleasure to lay eyes on. To this day, i have not found one for any other movie that was in so many ways rewarding. From conceptual drawings to added removable material, paintings and sketches, this book leaves you without much more to want. I am a huge fan of the movie, and appreciated all the detail work that went into every facet of the film, and most of these are laid out in the book!- more than just character designs, pages on the surfboard designs, logos, "old" photos of surfers and younger geek, all topped off with a beautiful hardbound cover (with plastic, image-overlaying slipcover to protect the book) for a very reasonable price.
if you are obsessed with the movie, there is no choice- get it.

The making of Rear Windows, The Man Who Knew Too Much, To Catch a Thief and The Trouble with Harry in one book! Through interviews with the key production personnel of Hitchcock and writer Hayes, this book covers each detail of how these films were made. Very recommended.

In 1953 John Michael Hayes met Alfred Hitchcock in the Polo Lounge of the Beverly Hills Hotel for dinner. After indulging in much wine and food with the legendary director, the 33-year-old writer, who was just starting to earn his spurs as a film scenarist after a luminous period in radio, returned home and told his wife he was certain that Hitchcock would never hire him to collaborate with him on projects.

How wrong Hayes proved to be, to the distinct benefit of himself and the great director. Hayes believed he would not be hired since he frankly criticized some of Hitchcock's earlier films. As things turned out, Hitchcock admitted he had heard very little of what Hayes was saying. Instead he focused on his manner, believing him to be glib and confident of himself. They then went to work on their first project together, with Hayes writing the screenplay adaptation of Cornell Woolrich's renowned short story, "Rear Window."

Steven DeRosa takes us on a fascinating journey with a succinct dual biography of the two men, brilliant creative forces with styles in some ways different, in other ways similar, while also showcasing the four films on which they worked during their collaboration. Despite his formidable background and lengthy film experience, Hitchcock knew where to tread and how to back off, giving Hayes plenty of suggestions on settings while providing him with all the independence he needed to place his own brand on his screenplays, particularly the masterful dialogue that made him sought after from the time he arrived in Hollywood looking for work. We learn that Hayes, before working on films, was a smashing success as a writer on the Sam Spade radio series starring Howard Duff and Lurene Tuttle. It was while cranking out radio scripts and being compelled to meet pressureful deadlines that Hayes developed a discipline that led him later to be branded as "Hollywood's fastest writer."

Another fascinating collaboration was "To Catch a Thief," in which the French Riviera settings form a brilliant visual backdrop to a thriller in which Cary Grant plays a reformed jewel thief who is enticed back into action to help the local police catch that period's successor to Grant. Along the way he finds romance with Grace Kelly, who will not that long afterward return to the French Riviera to reign over Monte Carlo with new husband Prince Rainier.

DeRosa provides interesting details on the remake of "The Man Who Knew Too Much," this time, 22 years after the original was released, as a spectacular color film. We learn how this film, starring James Stewart and Doris Day,was crafted in a way to utilize the good points of the original version while building upon that success and providing excellent original material.

This book is a rare effort. Scarcely ever does a reader receive such a close perspective on the important relationship between two master craftsmen, a brilliant veteran director and a young screenwriter at the peak of his powers.

This book is about the successful teaming of Alfred Hitchcock and screenwriter John Michael Hayes. Hayes, a native New Englander, and recently a screenwriting professor at Dartmouth, wrote four films for Hitch, including Rear Window, To Catch a Thief and The Man Who Knew Too Much. They worked extraordinarily well together, Hitchcock bringing to the table his mastery of suspense and technique and Hayes his knack for sharp dialogue and strong characters. Predictably, ego, money and a battle for credit soon got in the way and ended their partnership. Steven DeRosa's research is impressive, and his style accessible, entertaining and informative.

Although the book's main focus is on the four films Hitchcock made with Hayes, and on the personal relationsip between the two, DeRosa provides many insights into the director's collaborations with writers throughout his long career. It becomes quite clear that the very nature of Hitchcock's technique, that of planning everything in advance, made him more reliant on writers than he ever admitted. At the same time, DeRosa shows what it was like to be an up-and-coming screenwriter during that era.

In almost stupefying detail DeRosa describes how Hitchcock and screenwriter Hayes conceived, wrote, and produced four of Hitchcock's better films, including Rear Window and To Catch a Thief. Along the way DeRosa tells how Hayes' reputation grew to the point that Hitchcock was no longer comfortable maintaining the relationship. Engagingly written, this is a fresh take on Hitchcock which I thoroughly enjoyed, especially after seeing three of the four on the newly released DVD's.

Computer collages blend with private diaries to make for a stunning visual display of 20th century history. 20th Century Dreams provides an excellent, involving survey which will prove hard to put down, capturing in image and text the quirky high points of this century.

OK...I take my one chance to tell you how amazing this book is.The collages are something fabulous,and they're so intelligent.I really fell for this book and the texts are short but so true and smart.This is something to be seen, not just read about: SEE IT!

I found this book really intriguing and definitely interesting...It reminded me of Lachapelle's work but less glossy and kitsch. I recommend it to everyone in need of something new and funny.

Even though I think a few people are missing, I really enjoyed watching this phantasmagorical world of famous faces put together in a completely fictional way.I guess it's taken the artist many years of work to achieve something like that.There are about 80 pictures and not one seems to have been neglected! I didn't know the artist Guy Peellaert until I saw the article in Vanity Fair and I must say that his work fascinates me.

This is the kind of book that you'll want to keep proudly in your art books collection...I'm sure it's on its way to become a classic.

I found the history of the drive-in very interesting in this publication. It would make a great gift for any friend or family member interested in this type of history.

Although the drive-in theater didn't start in Hawaii, it may be that the outdoor movie did.
In "The American Drive-in Movie Theatre," Texas drive-in buffs Don and Susan Sanders have a photograph of a sizable crowd watching films projected against the outside wall of a building next to Sacred Hearts Convent School in Honolulu in 1906 -- about a year after the silent movie came to America.
It took a surprisingly long time to marry the outdoor movie and the automobile. In 1933, Richard Hollingshead Jr., the "father of the drive-in theater," opened the Camden Drive-In in New Jersey.
Although cars and movies seem as natural a combination as milk and cookies, it wasn't so easy for the pioneers. The Sanderses say the studios never liked "ozoners" and refused to make first-run, or even good second-run, films available.
And getting sound to the customers was a problem that took years to solve. When the problem eventually was put in the hands of a professional engineer, at RCA in 1941, a workable solution was simple.
But drive-in entrepreneurs were not engineers, nor were they the kind of people who turned to engineers for help.
They tinkered. The results were weird and wonderful -- and likely to annoy the neighbors. One solution was a giant speaker that broadcast the sound over the lot, and much farther.
Cold nights cut into business, too, but every problem was an opportunity to the drive-in operator: In Anchorage, the Billiken Drive-In offered 18-hour, seven-feature admissions in the wintertime.
The 1945-55 decade was the peak for drive-ins. The nation had more than 5,000 of them, though they never caught on much overseas.
From 1955 on, the Sanderses say, television and other changes started to suck the family trade away, leaving the field to teen-agers and Samuel Z. Arkoff's American International Pictures for another half decade or so.
Since then, drive-ins have steadily declined. There are about 500 left, mostly in rural areas. They require too much land to be affordable in cities.
Some individual theaters are doing well, and drive-in societies seek to preserve and protect them.
The Sanderses have traveled to more than 40 states to interview drive-in people and take pictures, and they have ransacked archives for illustrations.
They came up with enough material not only for this charming bit of nostalgia, but for another volume, "Drive-In Movie Memories."

The best book of its kind, bar none. Photos are excellent, and it is obvious that the authors really know and love their subject. Anyone who has ever spent an evening at the drive-in would love the memories this book evokes. Anyone who never had the opportunity to participate in the golden age of drive-in movies can experience it vicariously through The American Drive-In Movie Theatre. I've given several copies as gifts -- Everyone loves a Drive-In !

Being a huge fan of drive-ins, I really looked forward to reading this book. The only criticism I have is the sequence of the actual chapter text of the book, and the information inserts that the author has throughout. It is very "chopped" up. Reading the chapter, then turning the page to find there is information pertaining to something else on the next page. The chapter text starts a couple of pages later in some cases, breaking up the continuity. Other than this, it makes for a very interesting read for those who enjoy nostalgia and want to be transported back to a more simpler and fun time.

Don and Susan Sanders have captured the essence of the drive-in movie theatre and packed all of the magic into a really great book. I flipped hamburgers at the now defunct Belknap Drive-in when I was in high school and turning the pages of this time-machine brought back many memories. Forget about multiplex cinemas and theater complexes at the mall. The American Drive-In movie theatre lives!

I'm a fan of the wonderful Brady Bunch sitcom and some of the made for television reunion movies so I bought Elizabeth Moran's Bradymania book and I liked it and thought it was interesting and fun. I loved the episode guide which was actually the main reason I bought it but I loved all the rest of it too including the cast biographies and I highly recommend this book and also Growing Up Brady which was written by Barry Williams who played Greg Brady.

After reading Bradymania, I bought the book for friends that I knew would get a kick out of it! I even played a trivia game with friends and family, utilizing the Bradymania book as my source of questions about the show!

In terms of spinoff coverage, this is the best I've seen so far. While they're not the focus of the book, Moran does talk about each one in more detail than anyone else so far. There's no episode guide for the spinoffs, but I suspect the problem there is availability. I bet a lot of us would do our own episode guides if we could just see the shows again, uncut!

Moran's book also talks about the stage show, and speculates about the "upcoming" (at the time!) theatrical film, the first Brady Bunch movie from 1995. Moran was shooed away from the ultra-high-security movie set in her quest for tidbits!

I have yet to find the true ultimate Brady book. Like the rest of the Brady books, the episode guide in this one could be a lot plumper. But Moran's book is a good balance of character trivia, actor trivia, producer trivia, episode trivia, etc. Read every word, and you just might pass the trivia challenges at the end of the book!

You can find more in-depth actor trivia in "Growing Up Brady," and good "outside-world" trivia in the "TV Treasures" book. However, if you are looking for a little of everything, "Bradymania" will do the trick.

I know this book is much more reliable than Barry Williams' often untrustworthy Growing Up Brady book. The GUB book has in it's original edition about 32 careless mistakes! In it's revised edition it has about 15! Buy this book by Moran instead!

Elizabeth Moran did her homework. The famous TV show which first aired October 3, 1969 accumulated a lot of trivia, and Moran found most of it,

It is as if she read every Brady Bunch fan site and spoke at length with every Brady contact.

I'm not a Brady collector, and found "Bradymania!: Everything You Always Wanted to Know" to be an entertaining book about a show I grew up with.

Learn about every episode, the careers before and since the show (including Oliver and Sam, and even 'Tiger the Dog' and 'Fluffy the Cat'). Incidentally, there were as many as 36 cats (all named Rhubarb) that may have played Fluffy.

There are sections on how the actors became Brady kids, how they were schooled on the set, how they relaxed, and why the show was eventually canceled.

Anthony Trendl
editor, HungarianBookstore.com

This book is jam packed with great information! As the parent of child actors, I wanted to get the scoop on what casting directors are thinking. On auditions, parents wait in the reception area while their kids meet with casting directors in a separate area. Most of the time, the parents do not meet the casting director at all. So I never really get to see how the process works.

By reading "Casting Qs", I got all of my questions answered, without having to nag my kids for info! The best part is that even after reading the book from cover to cover, I can go back use the book as a reference if my kids have a meeting with one of the CDs interviewed. I think that this book is a MUST READ for any parent of a child actor, seasoned, or just starting out. I wish that I had read it even sooner!

With all the research that has been done for me in this book I've been saved a lifetime. I've just started utilizing some of the words of wisdom gathered and have a new perspective and energy on the industry because of it.

Bonnie Gillespie's "Casting Qs: A Collection of Casting Director Interviews" is the most important book to have on hand if you are an aspiring actor in the entertainment industry. This book has been referred to numerously by myself and my daughter, a child actor. Bonnie's format is non evasive yet to the point - a perfect blend of insight for a new person to this business or a seasoned professional. This book should be in the hands of everyone with a true passion for "making it". Each Casting Director that is featured offers an enormous amount of hits and misses to their daily grind. Anyone wishing to embark on this business would be a fool to ignore the straightforward words from these top casting directors....I give it two thumbs up...but if you ask our whole family (immediate and who have read it) WE give it 10 thumbs up!!!

Bonnie Gillespie's book "Casting Qs" is a totally invaluable resource if you're an actor in LA. Every actor needs a leg up and every casting director is different - how great to have a resource that allows you to differentiate yourself while appealing to the Casting Director's own sensibilities! I go to this book every time I read for a new casting director, and also for ideas on how to gain access to casting directors I don't know yet. It's not what you know, it's who you know - so why not learn how to know the people you need to know? This book helps you do that. One casting director says flat out to send in your headshot with Casting Qs on the outside of the envelope, he'll know you know a little bit about him and he'll take a look at you. I took him up on the offer, and he's serious! But you'll have to buy the book to find out who.

The most fascinating book on auditioning that I've ever read. Nearly 100 casting directors share their thoughts on what they like, hate, and everything else that falls inbetween. The most incredible aspect of it all is how often the casting directors say the same things.

I learned things in this book I wouldn't (and couldn't) have possibly learned without it.