Women Books

This was such a great book when I read it many years ago. I've recently gotten ahold of a copy and have to say that it's still a great read, especially when we are surounded by object in our daily lives that seem capable of their own thoughts and motives. It's also nice to see young people painted in such a way where they're not just miniature adults but actual kids reacting well to tough situations. I always wanted to learn more about what happened to Ellen and Otto and imagined they both continued to be self-sufficient individuals who went on to do quite well for themselves.

The Silver Crown by Robert C. O'Brien is a wonderful fantasy about a girl named Ellen Carroll. Ellen wakes up one day and finds a silver crown on her bedside table. Shortly after, her house burns down with her family inside. Not knowing what else to do, Ellen decides to hitchhike to her Aunt's house. But then she finds the person who burnt down her house is stalking her because he wants to kidnap her and take her silver crown.

The book begins with Ellen receiving a silver crown in the mail on her birthday. The next thing she knows, her house has burned down, her family is missing and people are willing to engage in mayhem and murder to find her. Ellen decides she needs to visit an aunt and sets out on foot to find her. She eventually meets up with a somewhat mysterious young boy and they attempt to solve the mystery of the crown and get Ellen to safety. This book was written in 1969 and at times it really shows. For example, that Ellen wears pants briefly and gets messy is considered striking within the book. However, in the end the book is driven by Ellen's determination and will.

I first bought this book when I was 12 years old at a book fair at school. I absolutely adored it and read it repeatedly for the next year. I gave it away to someone and never got it back. Only recently have I thought about it again and decided that Amazon was the first place to look for it. When I had read it again I couldn't believe how much of it I remembered from many moons ago. It was the first book to capture my interest in fantasy writing and I have never looked back since.

I first this book when I was about 12, and it remains on my shelf to this day (I'm now 35.) I highly recommend it for kids who enjoy fantasy books. Yes, it's dark and has genuinely creepy moments in it--but I see no reason that should discourage young readers or their parents, as it's an extremely engaging tale of a little girl battling the forces of evil. Resourceful girl characters are in short supply in children's fantasy literature, so this shouldn't be passed over.

The issues raised in another review here (regarding the unhelpfulness of adult authority figures in the book, and Ellen's bad descision to accept a ride from a stranger) would be points well taken if this were a book for 5 year olds. However, any child old enough to read and appreciate this book should be well past the point of learning that policemen are generally good and that hitchhiking is unwise. Give kids some credit! And give them good books, like this one.

Now, I loved this book, this is the second book by Ms.Ervin I have read (I need to get Mina's Joint)and I am amazed and very appreciative at the authors growth and how she's come into a style of her own, I could see it in Hold U Down but she was still trying to find her way and I saw to many other authors in that one too. And once again, the designer name droppin and talking about how much something cost and every detail in peoples clothes and all that stuff could be lessened. But this book is all MISS ERVIN! And she did a great, great job! This book took me back a little I can really understand Mo's pain, the up's and the down's, the in's and the out's. Mo is wayyyy better than me though lol(accept the kid part, she was bogus for that lol). What we won't go through for love, but this was very well written, with a nice pace, not to slow, not to fast, not overly dramatized, but nicely put together you really could feel the emotions, and the supporting characters were wonderful as well and fit nicely into the book. It was emotional, funny, made you mad, I mean I was ready to jump in the book and smack dude around a little bit, then smack her around a little then hug em both! I read it in a few hours(ok so I didn't pace myself and almost burned my rice) but it was that good. I loved how it ended with nobody holding grudges or wishing ill on the other. Good going Miss Ervin, keep up the good work!

From the Beginning to the end it was good.....Especially at the end. Good Twist Torn (Triple Crown Publications Presents) (Triple Crown Publications Presents)

I THINK THIS IS THE BEST BOOK THAT I HAVE READ IN LONG TIME. KEISHA TO U (YOU HAVE SOME MAD SKILLS)CONTINUE TO DO WHAT U DO.

THIS BOOK WILL SEND YOU THRU SO MANY EMOTIONAL ROLLER COASTERS ITS NOT EVEN FUNNY. YOU CAN ACTUALLY FEEL THE PAIN MO IS GOING THRU. I THINK MANY FEMALES CAN RELATE TO THIS BOOK, I KNO I DID.I LOVED IT.

This has to be one of the best book i ever read. Torn kept me tearing through the pages, from the day i started it. The book hit so close to home because i went through the same experiance but not for 10 years. Its easy for people to say that Mo shoulda have left quan, but in all reality when you are in the situation,loves clouds your judgement. But otherwise the book kept you intrested, it made you feel like you are really there. I laughed and i cryed and i can proudly say that i am going to pass this book around to each and everyone of my friends. The book made me realize that you could easily think that you love a person,but it might be the idea of love, that makes you hang on for dear life.I WISH I CAN GIVE IT MORE THAN 5 STARS. this book deserves 100 stars.

It's too bad this isn't required reading for "I've got my mind made up, don't confuse me with the facts," anti-prostitution people. Alexa Albert is a graduate from the Harvard school of medicine, and she brings a balanced, non-emotional, non-judgmental perspective to the topic of legal prostitution in Nevada (which is pretty rare for this topic). This book adds a candid, human dimension to the lives of sex workers. Highly recommended reading for anyone who wants the real story.

This book is a very powerful, moving, and professionally written look into the workings of what was once one of the largest legal brothels in the country. The author is essentially sympathetic to the concept of legalized prostitution, but conveys very clearly her own ambiguity, and makes no effort to gloss over the admitted negatives associated with the trade. This is a very balanced look at a subject that it is very hard to be evenhanded with, and gives very clear insights into the lives that legalized prostitution touches.

I'm a sucker for books that take me into a subculture I know nothing about and have no intention of visiting, and this exploration of legalized prostitution in Nevada certainly fits the bill. The author originally approached the Nevada Brothel Association in the early 1990s with the aim of conducting surveys of prostitutes as part of a public health study looking at condom use and efficacy in preventing STDs. However, when she finally did gain access, it turned into a larger anthropological study of Nevada brothel life, focusing on the largest and most well-known of these, the Mustang Ranch.

The author was a live-in guest there off and on, from 1993 until the brothel's closure in 1999, and the portrait she emerged with is an invaluable one for anyone seeking to understand prostitution as a legal, moral, political, and personal issue. She conducted formal and informal interviews with dozens of the women working there, the staff, and others on the outside involved in pro or anti-brothel lobbying, all the while struggling with her own assumptions and attitudes. The only thing more impressive than her fieldwork is her keen synthesis of everything she heard into a compelling straightforward account that is both fair-minded and likely to challenge most reader's assumptions.

The range of topics covered is vast, including: brothel pricing and business strategies, internal cliques and feuds among the prostitutes, attitudes of customers, attitudes toward customers, feelings of kinship among prostitute, the debate among prostitutes as to whether or not "enjoying" their work is acceptable, online "customer" forums, and much more. Perhaps the most surprising (and depressing) aspect to me was the extent to which many of the women interviewed were emotionally blackmailed or coerced into prostitution by family members (usually husbands, but at least one mother and one mother-in-law were mentioned). Indeed, the extent to which informal pimps exist in legalized prostitution is rather a shock. Throughout it all, she presents what she is told in clear, concise, and compassionate prose that raise the veil on a shadowy world and will likely challenge many readers assumptions.

Note: Academy Award winners Joe Pesci and Helen Mirren are starring in Academy Award winning director Taylor Hackford's (Ray) 2009 film, "Love Ranch," which is about the rise and fall of the Mustang Ranch.

Overall, this is an easy read, nothing too filthy, nothing too disturbing, and most definitely a window into a world most of us know nothing of. But make no mistake, this is very adult content.

I found the narrative simple and straightforward, basically a story following the Mustang Ranch until its demise in the summer of 1999.

Author Albert approaches the Mustang Ranch and its women, and her initial research project from a solidly anti-prostitution perspective, viewing it--without the benefit of truly knowing the subject--clearly as the manipulation, subjugation, and entrapment of vulnerable women. But quite interestingly, by the end of the book, having seen the business and its commodity up close and personal, she has had what appears to me to be an almost total change of heart, now seeing prostitution, at least in the context of a legally constituted and regulated industry, as an empowering profession lived by real people who more or less choose their involvement within it.

So, this is not necessarily an objective study on legalized prostitution. For a woman with the kind of medical and research credentials which author Albert professes to have, the book is remarkably devoid of research language, descriptions of her research methodologies, her trials, observations, etc. The book is virtually sanitized of just about any trace of her research, its methods, and its outcome. The entire reason for her to be at Mustang in the first place was for her to conduct research, but that issue and story is quickly left behind for the clearly far more interesting and compelling story of the Mustang Ranch, its ladies, and the business.

If you're looking for graphic descriptions of sexual encounters, this book will not deliver. There are a couple of passages in which she describes sexual acts and encounters, but the descriptions are not titillating. Thankfully, she also dispenses with any kind of medical or clinical descriptions of the acts as well. Yes, the f-word does creep in a couple of times, and there are some passages containing graphic language, although these are usually not from the author, but her quotations of her brothel-mates.

No, author Albert does not become one of the girls, although she is accepted as one by the ladies of the ranch. I was very much reminded of Patpong Sisters: An American Woman's View of the Bangkok Sex World, which I think would be a great companion-read to this book.

As a male reader, it was very refreshing to read the passage in which Albert actually buys a set of hooker lingerie to bring home as a gift to her husband. Now that's education in action.

More than anything in this book, I was heartened to see this story of an author with an established set of beliefs who set out to confirm them, only to have them changed almost completely, all because she kept an open mind and listened to her subjects.

Brothel is a peek into the women that work in Nevada's legalized houses of prostitution. Albert's introductory interest into brothels stemmed from her undergraduate and graduate research on condom use in brothels. But her education turned into much more than that. Albert befriended the prostitutes and learned about their personal history and their motivations.

I enjoyed this book because Albert simply presented information - good or bad. She also asked herself a lot of the questions I was asking myself - Does prostitution dehumanize and degrade women? Is legalized prostitution better than illegal, unregulated prostitution? Can people pass judgment on people who have sex with other consenting adults? How did these women end up in this position and why do they continue in the profession? And while Albert provides the women's answers to these questions, she rarely passes judgment and never gives definitive answers of her own.

I was surprised to learn that many prostitutes in brothels still have pimps, and the history of legalized prostitution in Nevada provides insight into the love/hate relationship Nevadans have with the institution.

A little light on actual facts (I was hoping to see some statistics from her initial research findings), but a human interest story that leaves the reader with many questions that require introspection to determine one's own opinion on the subject. Excellent thought-provoking read!!

This is one of the first Holocaust survival stories that I read. It is by far one that has stayed with me in the most detail.

What a strong girl Gerda is. she was told to never give up her boots and in the end it is one thing that saved her life after marching in a blizzard half frozen to death. How she survived is nothing short of a miracle.

Reading this when you are in a hard time reminds you that you do have the inner strength to survive. If she can do that then I can face my problems. It is quite graphic and tells the truth of really happened in the holocaust.

I'm not going to give the story away I'm just going to say you will cry and rejoyce in this story. It will touch you to core of your very being.

I must read for EVERYONE!

I have read many of the holocaust books out there but this is the one I pass on to friends to read. Especially moving is the liberation of the prisoners at the end of the book. I wish all schools made this mandatory reading. What a way to learn history! This author is quite an incredible woman.

This book was gripping and I could not put it down until I finished it. It's so hard to believe the hardships so many endured for being Jewish. A must read. Beautifully written with rich detail.

I read this book a long time ago and just got done listening to the book on tape for the second time. It is the most powerful representation of the Holocaust I have found. Please read this book if you want to learn about the Holocaust from a gifted author and survivor.

Despite the horrors around her, and fellow prisoners dying and becoming mentally unbalanced every day, young Gerda Weissman managed to survive several Nazi camps from the late 1930s through the grisly end of World War II.

Imagine being a teenager, wrenched away from your beloved parents, older brother and home -- and never seeing any of them ever again. It would be enough to make anyone unstable, not to mention bitter. Yet somehow, Gerda emerges from her horrifying ordeal stronger than she began. As her body heals in a hospital run by the Allies during the spring of 1945, Gerda begins a relationship with Kurt Klein -- a young soldier who urges her to tell her story.

Now an elderly woman living in Arizona, Gerda Weissman Klein is able to see just how far she's come from the young Jewish girl living a priviledged life in Poland. Yet at the same time, her writing style allows readers to see clearly just how that same persona has managed to live such a rich, eventful life to the fullest all of these years.

I've read many Holocaust memoirs, though I must say that Gerda's story is beautifully and distinctly told.

This book is extremely helpful. I often wondered why I give up so much of my own personality to blend in. Now I am working on recovering my personality so I can be a leader and be myself. I am sure there are enough doormats in the world without me being one too. Everyone should read this book!

this book was life changing for me ...creating an epiphany moment of transformation and healing ... truly a must read for every woman !!

This was the first book that I read in Lerner's Dance series
and I must say, it changed my life. The book teaches you how
to break out of the familial patterns that keep you stuck in
one position: the backseat. No, you won't become an overly
angry woman but I certainly felt like that at times. Instead,
it shows you where anger comes from and how to talk to others
without screaming at them. I learned how to become more assertive.

Lerner asserts that it's dangerous for a woman not to speak
her mind, however, society says that speaking out is equivalent
to being bitter or angry or anti-male. This is NOT what Lerner
wants women to learn but instead learn how to take a more
self-assertive position in intimate relationships. If, like
me, you had a problem in the past with being real at all times
and telling others how you truly felt, then please grab this book!

Very insightful. If you can't figure out why you're not getting along with family check this out.

EVERY married person, male or female, should read this book. Very well written, interesting, and knowledgable. My husband and I agree that if we would have read this book a year ago, we would not be separated and in counseling. I can't wait to read the rest of her books!

I don't throw words like 'charming' around much, but this book really is. It's Jane Austen-ish, but better in that it's not certain who our heroine will end up.
But don't be alarmed; it's not sappy or silly or one-dimensional like Austen can sometimes be (much as I love her wit). Deadly serious and affecting are the stories of how the tough people of Guernsey survived the German occupation.
IF YOU LOVED THIS BOOK YOU MUST READ: The Book of Ebenezer Le Page. It's so good. The patois is hard at first, but it's one of the most satisfying and absorbing books I've ever read.

I passed on this book several times, then decided to purchase it and I was delightly surprised! It's a quick read which gives you a very good feel of Guernsey life during and after the German occupation. The many characters are pretty well fleshed out and the ending is tied up in a pretty bow! I love the "letter format" of this novel!

I fell in love with all of the characters. I didn't want it to end, and when I finished, I did something I have never done before, I reread a good portion of it. Hopefully book number 2 is almost done and ready to be published.

A charming piece of chick lit, with a little bit of serious history thrown in. I was somewhat uneasy, however, about some aspects of the story that seemed a little unlikely for England so soon after the war (World War 2, that is). Life immediately after the war was, economically, as bad or even worse than during the war. You'd never realize that from many of the details in the book. However, few American readers will have grown up in post-war England, as I did, and few will know much about life there immediately after the war so I predict that most readers who enjoy a light read with some redeeming social value will enjoy this book enormously.

I normally don't read fiction, but the odd title of this book caught my attention, and I'm so very glad it did! It was a quick and easy read, very hard to put down once I started. Through a collection of letters and telegrams this book tells the story of the Guernsey islanders during and immediately following WWII.

A donated book that belonged to Juliet Ashton makes its way to the island and is read by Dawsey Adams, who then writes a letter to Juliet. An author, she writes back to him and eventually the other residents begin corresponding with her too. Intrigued, she decides to visit the island and slowly unravels the story of what they endured during the war. Under German occupation, they were completely cut off from the world, kept under strict curfew, and barely had enough to eat. The Guernsey Literary and Potato Peel Pie Society was created out of necessity to cover an incident in which an "illegal" pig feast was nearly discovered by the Germans, but it ended up being a weekly outing the islanders could look forward to to get through those miserable and uncertain days.

I not only found the story touching, sad, and entertaining at times, it also made me want to find out more about the island, the occupation and the Todt slaves in particular.

Donna Gillespie's The Light Bearer is an entertaining, substantive work, made even more impressive by being the author's first novel. She cares for her characters, especially her two leads, Auriane and Marcus Julianus, who are likable, soulful, and passionate heroes. It is impossible not to root for them to overcome their enemies and come together as allies. Her research is evident in the amount of historical detail, particularly in her description of Chattian customs and rituals. Since many of the facts about the culture of Germanic tribes have been lost, she relies on educated speculation to authenticate her portrayal.

As a character, Auriane is appealing in that she straddles the limbo between Germanic tribalism and Roman civilization. While she firmly subscribes to her tribal customs, she is amazed and impressed by Roman advancements. Her tolerance of Rome and Romans distinguishes her from the Boudica, a British warrior maiden who is her closest real-life composite. I like how Auriane's quasi-Romanization provides conflict between her and her kinsmen.

The novel is more fiction than history. Auriane and Marcus Julianus are entirely fictional, although I am sure they inspired by true people and events. While it is possible that people like them existed, I do not believe it to be likely. Marcus Julianus's role in monumental events is too significant; anyone who would have effected such dramatic change would have been remembered. I think that the author could have learned from Gore Vidal (in Creation or the Narratives of Empire series) or Mary Renault (in The Praise Singer or The Mask of Apollo) who create memorable fictional characters who witness historical events but rarely incite them.

In my opinion, the novel's main weakness is the lack of complexity in the characters. On one hand, the heroes are unquestionably good and capable. They rarely make mistakes, and when they do, they turn out to be fortunate errors which lead to greater understanding of events or acceptance by others. On the other hand, the villains are monstrously evil, which is the novel's biggest failing. The author never attempts to humanize Domitian, Junilla, or Odberht, all of whom may have compelling causes for their villainy: Domitian and Junilla were persecuted under the Nero regime, and Odberht was disowned by his father. The author did not have to elicit sympathy for them, but she could have made an effort to make them more understanding. In particular, her depiction of Domitian is heavy-handed, lacking the realism or intricacy of Robert Graves's Claudius or Colleen McCullough's Caesar or Augustus. While history is sketchy about him, there is some consensus that he was an able administrator, which the author omits. I think that Gillespie could have done more with him by weighing his reign against Nero's and using the similarities and differences to pin down his character.

I also think that the novel would have been more digestible as two or three midsized novels than one colossal epic. The plot has numerous places where one storyline ends and another begins. These ending and beginnings might have better handled in separate works than in one book. The novel sprawls at times; as a series of novels, it might have been tauter and more focused. She could learn narrative control from Gillian Bradshaw, whose Roman novels are consistently engaging due to their economy of words and plots.

The fact that I am comparing Gillespie to accomplished, praised writers in the genre indicates her talent and potential. Mentioning a first-time novelist alongside Vidal, Renault, Graves, and McCullough is an accolade.

The Lightbearer is truly an amazing read. Once I began it, I couldn't pull myself away from the spell of Auriane, woman warrior, fighting for the survival of her embattled Germanic tribe against the all powerful Roman army. The characters are so richly drawn, I had an immediate sense of our shared humanity, despite the remoteness of their times. I was captivated by the vivid descriptions of these two worlds, sometimes hauntingly beautiful, sometimes disturbingly barbarous, always artfully rendered through Gillespie's exquisite prose. This is definitely a page turner filled with passion, struggle, heroism, and intriguing myth. With this carefully crafted tale Gillespie enters the arena of master storyteller.

I'll never completely comprehend the fact that this is her first book!
Beautiful prose, characters that spring to life and roam in your mind, surprisingly insightful details of the ancient days, plots refreshingly free of cliche, battle & gladiatorial scenes that take your breath away and bring you to the spot, as if you are watching the whole event close-up, seeing, hearing and feeling each exciting, gory moves on the battlefields and arena yourself...

And then, of course, there's the breathtaking love story.
Though Marcus and Auriane meet face-to-face over half into the book,
this particular sub-plot of the story does not lag along the way, as they--at least in their subconscious--constantly reach for each other. Their initial meeting sparks passion, not necessarily of love but of renewed zeal for life; their bone-tired minds and bodies understand each other better than they consciously understand, therefore lending them incentives for their despaired souls.

Auriane's uncommon courage and strive for life and the ultimate happiness--both of hers and the others--combined with Marcus Julianus's wisdom and wit come in beautiful harmony in their endeavor to solace each other's lifelong pain; they are both fighters in their own ways.

Despite the length of the book, I believe it'd be a rather fast read for everyone, not because it's easy to read, but solely because you won't be able to put it down and not think about it all the while.
And I sincerely regret that the Light Bearer hadn't received a brighter spotlight as it so much deserves; the publisher should have promoted it on a grander scale.
It is truly an incomparable epic that, in some ways, reminds me of Pressfield's Gates of Fire.

This is a big book by any standards, 800 pages and is the result of years of research and study by the author into the culture, and history of Rome and the Germanic tribes. I found it fascinating, exciting and thought provoking. In fact everything that a good book should be.

The year is AD 83 and the Emperor Domitian has crossed the Rhine with four legions, approximately 24,000 men and they have not marched that far for the exercise. The German tribes have tried to maintain their independence for as long as they can, but against such might their resistance is futile. Thus begins this mammoth book that takes us from the heartlands of the Rhine back to the decadence and temptations of ancient Rome.

A young woman Auriane, daughter of a chieftain who was to become the most revered prophetess of the tribes is captured and taken to Rome as a slave. There her life is changed completely and everything that she stands for is brushed away like so much rubbish. But having known her destiny from being a child Auriane is not about to bow to the yoke of Rome without a fight . . .

There is much I could say about "The Light Bearer" which has already been said, but as I don't review all the books in McCullough's Masters of Rome series (of which I've ready each book), I don't feel I can properly do justice to the greatness of this sweeping epic, which unlike McCullough's work, spans not just from Rome, but from a not well known Germanic tribe called the Chattians.

Gillespie does an amazing job of keeping Rome and Germania separate in writing details, with an inevitable connection between the two. Much is equally known about both the Chattians and the Romans as if written by two authors with the same writing style.

Some high points I point out are the very subtle rise of Domitianus's deranged paranoia and Caligulan/Neronian style reign, though the foreshadowing was a bit too obvious for my tastes.

Other interesting bits are the use and apparent source of commonly known modern things among the Chattians, such as the Goddess of the underworld, Hel, and the Eastre celebration, involving children dressed as rabbits and the hiding of colored eggs.

Because the flaws are so few and insignificant in the face of the greater elements, I think it's easier to point them out:

The writing is very sumptuous, but often at times it can get too dense and bogged down in details. This occurs mostly the first time Auriane enters the Colisseum.

Also, the sex. I've become used to ancient historical novels writing sex scenes very metaphorically and obtusely, without using direct wording. Gillespie appears to take it to such an extreme, with the vividly flowery writing between Marcus and Auriane's lovemaking that it becomes like a dense poem jackknifing from the wonders of nature and life and the gods in an obtuse manner, you nearly forget that the two characters are having sex. So over the top is the writing, that the way Gillespie describes it, you'd think Auriane was having blinding orgasms at just Marcus's touch on her arm or chest.


With the state of Rome at this point, and the main character being a foreigner and enemy to Rome, it's inevitable that a bias against Rome would be drawn, but the male character of Marcus Arrius Julianus is so much the outcast that there is little distinction between how Auriane and Marcus view the Roman world despite their differences. Auriane views Rome as savage and barbaric, and a plague on Fria's realm, whereas Marcus views it in somewhat the same fashion, but figures it's all he has, so he may as well love it.

Aside from Julianus and some of the senators friendly to him, you'd think Rome was a festering pot of corruption, barbarity, and bloodlust the epitome of the Roman view of the barbarians, while the Chattians are viewed as pure, natural, children of the earth that can do no wrong and are victimized by everyone from Rome to their neighboring tribes. Any opposition to Baldemar, Auriane's father and chieftain of the Chattians, is viewed as petty greed and personal problems on the part of the dissenter.

Some forgiveable offenses include loose ends, which may be tied up in the sequel "Lady of the Light", or the as of yet unnamed second sequel, including both Marcus and Auriane having amulets of earth from their childhood, duplicates of one another, and Auriane's seeming mystical foresight.


All these flaws are minimal, in my view, and not much to drag the otherwise epic tale down a full star in rating.

There is one issue with both Auriane and Marcus Julianus which may detract some readers, though is apparently done in such a way that broad interpretation can explain it away as easily as it couldn't: Gillespie may be guilty of "Mary-Sue"ing with Auriane and Marcus Julianus. Both seem to be greater than their surroundings, meant for greater things not yet known to either, and with little to no flaws beyond what their separate societies have naturally imbued in them (stubborn traditionalism in Auriane, cynic realism in Marcus), and beautiful physiques. From a certain point of view, many of their actions or words appear to be Mary Sue-ish reflections of the author's own point of view (determined by the narrative) or of a sense of moral or social well-being beyond that of someone from ancient times.

Or this could simply be the tired ramblings of a fussy reader.

Either way, the over 1000 page epic was a great read, and a highly insightful view into how the Germanic tribes of the early Roman Empire, and the early Roman Empire itself may have been.

Jeanne Boylan could be a movie star or model. She is tall, slim, and blonde. She began her artistic career by doodling in notebooks as a child. Her art career is really based on getting serial killers, mass murderers, and criminals brought to justice. Her relationship to Marc Klaas, the father of murdered victim Polly Klaas who became an activist seeking justice for the victims. The book's narrative is taken by the author's perception and experiences. The Smith case rendered the same feeling that the mother was involved in her sons's abductions and murders. Reading about how Jeanne and Marc learned about their fates were both horrifying. They still had hope that a mother would not have gone so far or over the edge of the unthinkable. We all think that the criminals can be monsters but Susan Smith was also the mother to two innocent young boys, Michael and Alexander. Nobody believed her story of an abduction in a rural road in the middle of the night. Most motives behind carjacking is the car itself. Carjackers don't want two babies in the backseat. Sadly, a carjacker would have probably returned Michael and Alexander safely somewhere but Susan's story never washed out. Her sons' bodies were in the bottom on John D. Long Lake. Of course, Boylan writes about her failed marriage, her background in Montrose, Colorado, and how she became known as the woman behind criminal portraits which led to the captures of the Unabomber or Ted Kaczynski and others.

I became interested in this author after seeing her speak about eyewitness memory on the Oprah Winfrey Show. I found the book, read it and then noticed a composite drawing in the Elizabeth Smart case that seemed to bear no likeness to the man arrested for the kidnapping. Jeanne Boylan's name was periodically associated with the case and I felt let down that she'd so badly erred in doing the less than stellar drawing. (Though now we know that the man was caught because the Smart family realized his religious name, announced it to the public and then were given real photos by the man's own family that were aired on TV which then resulted in his subsequent identification and quick arrest.)

Now, in more recent news reports, I found out that Jeanne Boylan actually interviewed the younger sister of Elizabeth about her memory of the abduction night and that the poor suspect drawing the media was showing was not from her interviews, but was from a local portrait person and was not taken from the little sister's sighting the night of the abduction but rather was taken from the family who knew the man and had spent many hours with him. Now I understood why the descrepancy.

I felt relief. I momentarily thought Jeanne Boylan had lost her skills. Now I understand the difference between her interview and the drawing that is now linked to the case but does not look like the kidnapper.

I look forward to the sequel of 'Portraits of Guilt' and to reading more about what happens to eyewitness's memories when the sightings are endured during moments of fright and fear and how that forces their vision very deep into the recesses of their mind as it did for Elizabeth's little sister.

Praise the Lord that with help and encouragement, Elizabeth's little sister finally remembered the religious name with the help of the loving Smart family, the apparently astute police and Jeanne Boylan who all had fiercely guarded the young child's evolving memory while it was gradually surfacing so that the kidnapper was finally caught. Good things come to those who wait!

I found this book on Oprah's website under "Oprah's Books" and think highly of her choices so ordered it. I'm happy I did. It was a fast moving, compelling read and gave me a view into a world I knew nothing about. I feel entertained, educated and wiser from reading it. What more could you ask... I endorse the book, author and Oprah's good taste.

I am a reseacher in the area of human memory. My university studies and thesis are in the area of crime victim recall and memory malleability. I was given Miss Boylan's book by a fellow doctoral student who said simply, "Read this. This woman gets it."

To my astonishment, this was true and to know that there is a woman struggling essentially all alone to enlighten police about the seriousness of memory malleability made me want to jump into the pages of this book and yell to the police she works with that there is scientific data backing up every word she says about this topic.

Miss Boylan unfortunately writes in too kind a fashion, seemingly concerned about offending the masses, but sometimes creating change requires the proverbial 2 X 4 to create the desired impact. Although I appreciate Miss Boylan's subtle and polite manner, my only complaint about this book and her story is that she should and could have been much more hard hitting in her critique of what has historically gone wrong in criminal investigations. With what she's experienced, she is entitled to be direct.

With the knowledge we in the academic world have now of how memory works, there is no excuse for the mistakes made in past cases to continue to take place. Jeanne Boylan should scream her message and take her lumps. I'd rather see her save lives than to worry about winning a popularity contest. She can speak from inside the world of police, whereas "us" in our ivory towers, don't have access to the real world as she does.

Boylan relied on us to give her the foundation for her work and my predecessor's findings of three decades now, but those of us doing the empirical research have to rely on people like her to deliver our findings to the point of practical application in the police world. She can be the go-between from our world to inside real life criminal investigations.

Overall, Portraits of Guilt is a great book, great 'on the mark' insights into crime victim memory and some lessons in Boylan's stories that had better be paid attention to before we lose more lives such as Polly Klaas. (Her book is dedicated to the Klaas girl's memory.)

I give this book a five star rating for it's general level of readibility and for her stunning insights into trauma victim memory malleability, but Miss Boylan, if you write a second book, and I hope you do, next time, take the gloves off and try to come out swinging.

I've read a lot of good books about healing from trauma and the effects trauma has upon memory. I've also read a lot of books about the fallibility of memory that do not correctly take into account the actual experience of the trauma. Jeanne Boylan has succeeded in writing the first book that accurately addresses both sides of the understanding of memory. She clearly illustrates the way that traumatic memory can be malleable in the presence of suggestion. It is through the insight of Jeanne Boylan's work that we can keep the innocent people out of jail and the guilty people can be handled accordingly.

She succeeds at what she does because she has both a natural ability and a deep understanding of trauma and memory. She also succeeds because she knows how to reach the heart. She works from her intuition as well as her logical understanding. Her kind and gentle nature is a true asset in the work that she does, and she could not achieve what she has achieved without it. In addition to all of this she has the added gift of being an incredible artist. Jeanne Boylan was born to do the work that she does; it is an inborn gift, which was further honed by her own personal experience of trauma and surviving a crime.

Jeanne Boylan describes traumatic memory as being like a fifty-cent piece that has been tossed below eight feet of water. The memory gets buried by the intense emotional trauma, but at the same time is locked into memory. As the emotions arise our minds protect us by blurring the image, like the movement of water. We can still see it, but it is distorted. With the right approach the memory of the trauma can be brought back to the eyewitness's conscious memory in it's original condition, just as the fifty-cent piece can be retrieved from the water fully intact.

Jeanne Boylan works with survivors to draw near perfect portraits of the criminals. Her technique is the art form. She says, "The answers to uncovering memory reside in understanding the powerful inner workings of the human mind-- and more importantly, in the power of the human heart. (p. 11)" She says "The higher the degree of personal trauma, the harder the mind works to discard or bury the image, but, also, the more likely it will have been encoded into memory in the first place, even if it is housed at a much deeper level of recall... Sometimes if we can coach the conscious mind to move aside we can still access the original untainted image--if there is reason enough for it to have been retained in memory. (p.13)" It is the release of emotions, no matter what form, that helps reach the image. She uses an interview technique, which brings the person into a safe space in order to access the memory without the emotions blocking it, and she uses carefully worded questions to prevent suggestions from distorting the original memory.

During her chapters about the devastating kidnap and murder of twelve year old Polly Klass, she provides new insight into how to recognize the veracity of an eyewitness account. She explains that when witnesses remember the trauma or the attacker differently that this is actually a sign that they are telling the truth because no two people remember an experience identically. The discrepancies help to validate and preserve the images and details of the memory for later needs (as long as suggestion has not been introduced). There is usually one stronger witness, however that witness will often have a degree of self-doubt that can be increased when she/he encounters discrepancies among the other witnesses. Jeanne Boylan was the first person on the case of Polly Klass to treat the witnesses (also twelve years old) with the validation and support that they needed.

The chapter about the abduction and torture of Sister Dianna Ortiz was the most powerful aspect of the book, for me. Anyone who has experienced a similar trauma will find a lot of healing and peace in reading this chapter. We watch Sister Dianna Ortiz work through the intense PTSD, become empowered, speak out and overcome the accusations that her experiences were a figment of her imagination. Sister Dianna Ortiz speaks of her healing, "Healing comes in many forms. I know I will always carry the memory of what happened to me on November second, 1989. For more than six and one-half years I have allowed my Guatemalan torturers and Alejandro to haunt me. Many times, I've felt like they danced within me. Many times I've felt that if I got close to anyone, I was going to contaminate them with the evilness that they left inside me. But today, I can sit here and say that that evil does not exist inside me anymore, and that is because of the work that I was able to accomplish with Jeanne Boylan. (p.282)... The images of my torturers and Alejandro have always stayed within me, and I have held myself responsible for the horrible things that happened on that November day, but today, because I was able, with the help of Jeanne Boylan, to put a face to these monsters, I can put them away from me. They no longer live in my soul. Until I faced them, I could never be free. (p283)"

In the next chapter called Awakenings Jeanne Boylan says, "Though I knew instinctively the importance of freeing a victim of the evil left from an attack, never before had I realized so clearly the emotional power that floods the soul when the residual grip of an assailant is finally loosened, and gently removed from the heart. (p. 286)"

Jeannie Boylan ends the book with the conclusion she left us wanting to hear since the Prologue. She weaves in her own experience, and powerfully does for herself what she has already done for so many others.

I thought that the books where wonderful!!! I loved them, great story line, and plot. Love it!!!

I've loved the Hallmark Movies and now am reading the books. The print size makes them easy reading and who would not enjoy a Janette Oake story. Amazon pricing also makes them a excellent value.

these books are so wonderful, and makes you feel like you are in the book itself.

The movies of these books are good; however, these books are better and wroth of your time to read. If you like reading books, you should concider reading these series.

I loved this series of books! Janette has such a magnificent way of drawing her readers into the past! Love it!

"I think I shall be a great poetess or a distinguished novelist."
That is Emily Starr talking, the young blossoming writer, that will touch your heart, with her creative and interesting, ways and ideas.

Within just the first chapter of the book, you'll already be intrigued by Emily's charm, and her topsy-turvy imagination. All through the story, Emily meets new people and friends. Some will help her on her way to becoming a writer, "a painter that uses words". Others will shoot her dreams down, as if they were nothing but mere dust. Just watch her take on all the distressing incidents that she overcomes with an intellect beyond her years.

She's always on a new enchanting romp, that'll keep you guessing. From giving up her beloved cat, to clashing with Miss Brownell (her unjust schoolteacher), to unraveling an age-old puzzle with her whimsical mind, you'll stay right by Emily's side the whole time.

Here's a small excerpt that I especially enjoyed:
"But there is a destiny which shapes the ends of young misses who are born with the itch for writing tingling in their baby fingertips, and in the fullness of time this destiny gave to Emily the desire of her heart---gave it to her, too, on the very day when she most needed it."

Personally, I have to state that this book is very inspirational for anyone endeavoring a priceless dream. I have read the entire set of the "Anne of Green Gables" books (that are written by the same author), but in my opinion, "Emily of New Moon" is much more enthralling! It is at the top of my list of my favorite books.

It is difficult for me to write an objective review about this beloved classic. Emily is like a childhood friend to me. Created by the author of Anne of Green Gables, she is a more complex character than Anne - introspective, determined, and deeply sensitive to life's joys and shadows. Her love for writing, or her need to write, defines her; indeed, much of the story is told through her writing. And yet this first book of the Emily trilogy is mostly lighthearted, though not without its passages of intense experience. Emily is orphaned in the beginning of the book, and moves to the farm of New Moon to live with two estranged aunts and one uncle, their brother. She thrives and flourishes in the beautifully prosaic, quaint world of New Moon and Blair Water on Prince Edward Island. Though she is a private and secretive person, she gives lavishly of herself in her closest friendships.

Montgomery's writing is at times indulgently over-descriptive, but not without vividity, wryness, feeling, and rich character development. Perhaps the most eloquent aspect of Emily of New Moon is its flavorful honesty about life both light and dark. Emily is a complex character, full of both faults and virtues, neither of which are expressed simplistically. The reader's sympathies are always with her. Montgomery's indirect insights into the writing life are also very valuable. Emily has writing in her blood, sees it as something intrinsically personal and sacred but wants to share it, does it with abandon yet later throws it away, and yearns to climb the ladder of fame. In this sense, I feel more kinship with her than with her more popular sister Anne Shirley.

Emily Starr is a daughter of a faith-confused father that her mother's family has shunned for his poverty. Her mother, Juliet Murray, died when she was five, and then when she is older, her father dies of consumption, leaving her an orphan.

Her mother's family takes her in, and teaches her all their traditions and strict codes of honor and pride.

Emily makes new friends, grows, and even has a few love intrests, despite her young age.

The only problem I had with this book was her father way of thinking of God. He says everyone has their own God, and that Emily shouldn't worship their housekeeper's God.

That is very untrute. Every one has their own PERSEPTION of God.

Get it right L.M. :)

Sheltered by her loving father, 10-year-old Emily Byrd Starr has never minded her isolated life. What child notices poverty and a lack of playmates when her intelligence and imagination make each day special and exciting?

Then one terrible day, Emily finds herself an orphan. A mass of never-before-met aunts and uncles descend upon Emily, criticizing and making plain the fact that whoever takes the child is only doing so out of their sense of duty.

Still reeling from the loss of her father, Emily must also leave her beloved little home and pets for New Moon, her mother's childhood home, where unmarried aunts Elizabeth and Laura currently reside. It is with stern matriarch Elizabeth, gentle, loving Laura and "simple-minded" Cousin Jimmy that Emily must now learn to form a family.

Despite the hardships, Emily's new life is quickly filled with many joys, as she makes friends at the village school and develops her interest for writing. Emily also experiences -- at the most unexpected moments -- "the flash," her word for the brief startling glimpses of other-worldliness, which has the power to change both her life and the lives of others around her.

Ask most people what they associate with L.M. Montgomery, and they'll likely say Anne of Green Gables. Yet despite the fame of Montgomery's "other orphan," the Emily books are quite possibly even more memorable and beautifully written. Like Anne, Emily is thrust into an unfamiliar world, where she must make the best of circumstances; but unlike Anne, Emily is possessed of a strangely adult maturity even at the tender age of ten, a glimpse of darkness which will accompany her through the years. This streak makes readers both more concerned for her well-being and perhaps more able to relate, as she is not nearly as happy-go-lucky and childlike as Anne in her early years.

If you enjoy this book, be sure to read "Emily Climbs" and "Emily's Quest," which follow the girl through her years at high school, through romantic relationships and her writing career as a young woman.

It's a shame that most people like either Anne or Emily; I've avoided the whole question by loving them both. The Emily books give a picture of a girl with lights and darks, reacting naturally (and therefore not always cheerfully) to the events of her life. She is far from perfect, but as L.M. Montgomery says about her, you may like her, you may hate her, but you'll never forget her.

If what you love about Anne is the sparkling, bubbly world she creates around herself, then you probably won't like Emily. But if you like L.M. Montgomery and would like to see her go a different route, the Emily trilogy is a great read!!