History Books

a story of courage and survival that proves that truth isstanger than fiction. these men were true patriots. the author was able to bring them and their plight alive and real for the reader.

This is not a book made great by the writing. Rather, this book is great because the author didn't get in the way of this epic story. No US submarine sunk more enemy tonnage than the Tang and whether any US sub sunk as many enemy ships is debatable. Dick O'Kane, the Tang's skipper, literally jumps out of the pages as America's foremost sub warrior. Anyone uncertain about what it means to be aggressive, go into harm's way and do all one can to serve one's country will find answers in this book.

This is a very good book that tells a great story. It is engrossing and draws the reader in from the beginning by painting a compelling portrait of the USS Tang in general and of the U.S. Submarine service specifically. They are portrayed as the miracle workers of their age.

Still the book comes up short in several areas. We don't learn as much about the Tang's patrols before the final patrol. If we learned more about the other patrol the book would have been much more compelling. We are also rushed through the crew's time in the POW camps in Japan. These do a disservice to what could be an amazing book. But rest assured, the book is very much worth the read!

This an unbelievably well-written book that keeps you on the edge of your seat, and I couldn't help wondering what I would have done if I were thrust into a similar circumstance. Calling these guys the Greatest Generation is uttering an understatement.

As the son of a career sailor who served on submarines (USS Baya, SS-318, USS Menhaden, SS-377, and USS Segundo, SS-398) from the late 40's until his retirement in 1963, some of my earliest memories are of going to work with him and eating ice cream in the galley when the sub was in port. I also attended several dependents day cruises on the Menhaden and loved and respected the crew.

With that background when I saw Escape from the Deep by Alex Kershaw and realized what the book was about I had to read it. Life on a diesel electric boat was truly hardship duty. Though the crews ate well, they still managed to lose weight while on patrol, a fact that says it all about the stress under which they served.

The history of the USS Tang can't be matched by many other submarines in the PTO. Her skipper, Dick O'Kane was considered to be one of the best submarine skippers around, and his list of successes can't be matched by many of his contemporaries. It was on a war patrol that the Tang experienced one of submariner's greatest fears; a run-a-way torpedo that circled back and struck the submarine a death blow. Only nine of the crew managed to escape. They were picked up and finished the war as POW's of the Japanese.

Alex Kershaw's telling of the story of the USS Tang is an historical account of one of America's most successful submarines, with one of America's best trained crews, led by one of Americas best skippers. Having read the Bedford Boys I was already familiar with Kershaw's attention to detail in his storytelling and the quality of his research. However, he surpasses himself with Escape from the Deep.

Dramatic, suspenseful, and emotionally charged, Escape from the Deep is a must read for anyone interested in the war in the Pacific and with submarine warfare specifically.

American submariners suffered the highest casualty rate of any military specialty in WWII. Fully 25% of serving crews were lost while on patrol. Escape from the Deep is an excellent statement about the submariner's courage and sacrifice.

I highly recommend.

Peace always

"I became saturated with his poetry and began to translate his poems. Although there were many beautiful existing translations, many others did not flow as I felt they should and I often had interpretive differences with them." ~ Mark Eisner, translator

"The Essential Neruda Selected Poems" is the best translation I've read so far. The words are alive with beauty in a way that feels authentic to the heart. You can immerse yourself in the poems and emerge with a sense of wonder.

"Leaning into the evenings I throw my sad nets
to your ocean eyes."

Mark Eisner has captured the soul of Pablo Neruda's art and perhaps even enhanced the creative majesty of each poem. At times the poems can make you feel a little breathless as if you have happened upon a new discovery or secret revelation.

"And the air came in with orange-blossom fingers
over all those asleep:
a thousand years of air, months, weeks of air,
of blue wind, of iron cordillera,
that were like soft hurricanes of footsteps
polishing the lonely boundary of the stone."

The imagery is at times so vivid, as if you were transported to each scene. Pictures flash across your mind and you can almost catch the scent of the ocean or see the colors vivid and pure. Angels and death dance through the poems with equal ease and at times the words are heavenly or earthy and dark.

"Full woman, carnal apple, hot moon,
thick smell of seaweed, crushed mud and light,
what obscure clarity opens between your columns?
What ancient night does man touch with his senses?"

If you are new to the poems of Pablo Neruda then this would be an excellent place to start. The poems present many facets of the poet unlike other books that simply reveal his romantic nature. While I seem to enjoy his love poems best, I can say that this experience gives a more wide-ranging portrait of Pablo Neruda.

~The Rebecca Review

It's difficult to read Neruda and remain intact.

"Of all that I was, I bear only these cruel scars,
because those griefs confirm my very existence."

I got The Essential Neruda when it came out in 2004. I already loved Neruda, and have the old Selected Poems edition (which unfortunately ends at 1968, and some of the translations are just plain flat) plus the 20 Love Poems, Residence on Earth, Canto General, and some of the odes. But the translators here (former US Poet Laureate Robert Hass just won the Pulitzer!) just bring Neruda so alive, and the selection of poems just captures his whole range of 'the many Pablos'. So when I came here today to buy one as a gift, I'm pleased by the reviews of how great an introduction to Neruda it is, but I want to stress how great it is as a book to keep going back to again and again. Actually, to quote the great writer Ariel Dorfman on the back cover of the book:

"What beter way to celebrate the hundred years of Neruda's glorious residence on our earth than this selection of crucial works - in both languages! A splendid way to being a love affair with out Pablo or, having already succumbed to his infinite charms, revisit him passionately again and again and yet again."

Gorgeous work. Neruda is my all time favorite. A beautiful book to give as a gift or to get some started with Neruda.

This would be my first introduction to Pablo Neruda, and I must say I'm a bit disappointed. Not that Neruda isn't a great poet, the Nobel Prize and critical acclaim prove the contrary, but perhaps the translation could use some more work.

I picked this copy up noticing the name of Robert Hass', the translator and author of the Essential Haiku, on which he did a great job. Unfortunately, Eisner is the editor of the majority of the poems. The analogy to Eisner's translation would be like what Zondervan did to the bible in their NIV. It's not a bad translation, but it's moderned up a bit. I would have appreciated a more King James-like translation of Neruda's poems as I could infer a lot of missed nuances that appear to be in the original Spanish on the opposite page. A lot of the translations lack the depth and texture of what a great poet should have, and sometimes it feels like I'm reading a different poet altogether.

For instance, a line "Hermano, hermano!" is translated as "Hermano, hermano!" in the English, though it could have plainly been have translated as "Brother, brother!" considering the second "hermano" is not capitalized. Perhaps this was Neruda's original intent, but there is no way to tell as there are no footnotes.

Poetry is about texture, a poet's voice, and brilliance in how the artist uses his words to paint; this translation doesn't do enough to convey the voice of Neruda, but merely makes it accessible to new readers of not only Neruda, but also poetry.

Fat City by Leonard Gardner is a singular masterpiece of modern American literature. I was introduced to the book by the John Houston film of 1972 which in its own right is a work of wonder.

Gardner, who has regrettably not written another novel since, tells the story of an over-the-hill boxer in Stockton, California, his brief affair with an alcoholic woman, and the last chance he is given at a bout. In a spare, flawless prose, the novelist depicts the starkness of this life which unfolds in cheap hotel rooms and bars, in third-rate boxing arenas and in the agrarian fields where he has to work as a picker to eke out a living. A scene of onion picking is often cited as an example of supple, kinetic writing at its best.

By being so specific and immersing the reader in this small world, the author manages to make devastating statements about the mercilessness of American life and even the ultimate futility of life's many struggles.

As the veteran boxer mentors a young contender who is getting married and starting his own life, the reader is given every reason to believe that the travesty is open-ended.

Fat City is a short book, so I'll write a short review. You can get a plot synopsis from the other reviewers. This is high-quality noir territory. It is 180 pages of boxing, booze, lousy jobs, poisoned relationships, and flophouse squalor. It perfectly captures the characters' desperation and hopelessness. If you are looking for a tough, lean, gritty read, then look no farther.

Fat city is a book that took place in Stockton California in the 1950's that follows the broken lives of several men who are brought together from boxing. This book is written by Leonard Gardner, a boxer himself during the 1950's. As you read through the pages a story of the lives of different men unfolds.
Billy Tully is an out of shape boxer who gave everything up because of long losing streak and the painful divorce with his wife. Living off of almost nothing he decides he wants to go back and try to fight. While training he meets a young boy named Ernie Munger who has a natural talent for boxing. Ernie wants to be a boxer so bad that he trains day and night letting nothing get in his way. In the middle of his career he gets his girlfriend pregnant but tries his hardest to stay in the life of boxing. While following the characters in their lives this book goes though the struggle of each man and illustrates how they react to their failures. In this story the women are the cause of problems between all of the unhappy boxers; a problem that cannot be fixed.
Some chapters in the story are dedicated to small parts of other men's lives such as the trainer and the opponent, letting you understand the story from both sides. Although these men are brought together by boxing the book is about these men doing what they can do to survive. From boxing to farming this book accurately covers the actions taken to survive. Although the book can be slow at parts over all it is a quick read.

I read Fat City sometime in the mid-sixties, when it was first published, and was immediately captivated and envious of Gardner's powerful style and talent. If you appreciate and admire Hemingway or Steinbeck you will likely feel the same about Gardner, who, unfortunately, has not published anything since. Perhaps this small gem of a book was the only one he had in him. Even so, this novel is a remarkable accomplishment and may well become an American classic. What intrigues me the most in this work is that Gardner gets it all down right--the sights and smells and sounds of the seedy streets and flophouses; the drifters and dingy diners; the sweaty gyms, barsweeps and whores and how it is to work as a stoop-laborer in the fields, especially the true-to-life characters inhabiting the pages. Fat City is simply a well-crafted execution of art throughout and is as pleasurable to read now as when I first picked it up years ago.

Short novel, published in 1969, about two boxers, Billy Tully, who is 29 and down and out, and Ernie Mugger, who is 18 and up and coming, two versions of the same man, in some respects. Terrific skilled prose, short chapters, switching points of view between these two main characters and an assortment of other minor characters. The author takes you inside the characters' deepest despair or elation. How simple the author makes it look, one thinks, reading this book. But of course it is not. The prose is precise and honed, and looks easy only after who knows how many drafts. There are only 18 or 19 short chapters, and much of the novel is dialogue. But somehow one comes away with a panoramic view of Stockton, California, this woeful place, and the people the inhabit it - the immigrant fruit pickers, the bartenders and bar girls, the hobos on the street. The descriptions are compact and dead-on. About Billy Tully's hotel room: "All his neighbors had lung trouble." One could quote sentences from this book almost at will, the prose is so spare and perfect.

That the author never published another book, and that this was his first, is incredible. To write this cleanly and confidently, he must have practiced and studied for years. Yet to never do it again.

Great! Book was received in perfect condition and in a timely manner. Thanks you!

Harrowing, at times bleak, but a superbly written memoir of a very special lady and the historical times she helped create.

Aside from being a celebration of the human spirit, Ms. Holland's Memoir offers a fresh, interesting, and unique glimpse into the early days of the Civil Rights Movement. This focus alone, I believe, renders the book meritorious.

Ms. Holland tells the civil rights story from the perspective of individuals born and raised in the muck and mire of Mississippi's lethal brand of white supremacy and racial hatred. Through her eyes, we get a close-up view of what had to be overcome; and, what was required of ordinary folk brave enough to get involved in a situation that could and DID, literally, cost them their lives and the lives of their loved ones.

These unsung heroes deserve national attention and recognition if the story of the Civil Rights Movement in the United States of America is to be told in its entirety. But, if this isn't reason enough to add Ms. Holland's book to your 'must read' list, I believe the author's superior craftsmanship will certainly convince you her work is worthy of the acclaim she is sure to receive once her book gains a wider readership. And, above all, the Memoir is a magnificent read!

Usually, I find it awkward and sometimes unnerving to read books written in a black, southern, vernacular. However, as in the case of Zora Neale Hurston, Endesha Ida Mae Holland writes with such a pure and authentic voice, I found myself falling effortlessly into her rhythm.

I'm a voracious reader and the authors I most enjoy are great storytellers. My current favorite is Barbara Kingsolver, and my all time favorite is Zora Neale Hurston. Endesha Ida Mae Holland 'puts me in the mind of' both these writers.

She also reminds me of Frank McCourt (Angela's Ashes & 'Tis). Like McCourt, Ms. Holland transports you back to her childhood and growing up years with such seamless ease, you find yourself sharing her heartbeat through every single experience she lives to tell about. Almost immediately, I found myself caring deeply about her; I grew to love her mother, her child, her neighbors, her friends; and, I found no strangers among those who populate her world.

What an exquisite gift of storytelling she has! I certainly hope she plans to write more 'from the Mississippi Delta,' because her talent is as rich and fertile as her source.

Obviously, I've become a devoted fan of Ms. Holland and her work ~ a designation I'm hoping you and I will soon share. Who knows, your reading experience with Ms. Holland may inspire you to join me in asking Oprah Winfrey to feature the author and her book on the Oprah Show, as well as making 'From The Mississippi Delta,' an Oprah Book Club selection.

I was moved to make this appeal to Ms. Winfrey because I believe we all benefit from an increased national and international exposure to brave and talented women like Ms.Holland. These women are profoundly inspirational and deserving of our applause and recognition.

Endesha's story, rich in its southern dialect is a remarkable story of triumph, and a testimony that affirms regardless of our past, our pain, our short-comings that within each of us is a tiny seed waiting to blossom. Her ability to surmount the many obstacles growing up in the Mississippi Delta (a black girl) in the 60's serves as a beacon of light for African Americans who are today experiencing the pitfalls of poverty and injustice. Endesha has shown us how a committed spirit can burst forward to claim all that the Almighty has in store for us. Dr. Lady, thank you for pioneering the way. Keep writing!

'Inspirational' has become one of those watered-down adjectives like 'brilliant'. Though we know certain words might signal something monumental, perhaps our frequent usage of them has lost some of the grandeur in their meaning. We no longer arch our backs or allow a goose bump to rise. Behold, along comes a work like From the Mississippi Delta: A Memoir. Dr. Endesha Ida Mae Holland turns the term, 'inspirational' on its ear. What is most remarkable about 'Delta'? Is it the phenomenal story itself or is it Holland's gift for unrelenting and witty story-telling? Holland never abandons humor even at the crux of tragedy. Her pen is as brazen as it is impeccably descriptive. She writes with an immediacy to jar the reader's sense of time so that we relive her most defining moments with bated breath. From Emmett Till's death to Dr. Martin Luther King's visit, Holland's simplest daily encounters mark turning points in American history.

Notably, 'Delta' celebrates the tenacious spirit of a true woman-child. Holland narrates from a clever perspective that never quite chooses between the wise narrator looking back and the rambunctious girl reaching forward. This devise is poignant. Arguably, young girls (in particular, young, black girls) are some of society's most disenfranchised members. When Holland employs that voice, the reader is humbled. One is reminded of Anne Frank's influence. When the worst aspects of humanity are articulated through the voice of a little girl, we see ourselves so clearly--vulnerable, restless, but especially hopeful. Thank you, Doc. Your struggle is instructional. Your literary prowess is an inspiration.

A General History of the Pyrates is good reading! Great history on famous pirates!

I compared this book with the pirate history published by Captain Charles Johnson. Daniel Defoe is definitely Captain Johnson. The one dissimilarity in the History of the pirate Gow is Johnson says he is John Smith alias Gow, while Daniel Defoe calls him the pirate Gow aka Smith. Gow is derived from the Erse name Gobha which translates to Blacksmith or Smith. So both version are in fact correct. But why the difference? Maybe editorial?

"Under the Black Flag", and all the rest of the pirate history books used this one as their basic reference. It's a lot of material, and took me several months to read as I'd read single captain's history before turning the lights out for the night. The stories are not watered down, there is enough murder, mayhem, robbery, thuggery, and general bad treatment of one person against another to fill years of "Pirates of the XXXX" movies with Johnny Depp scripts.

I did like this book, even though after about the 200th captain's adventure its sort of repetitive narrative. The other interesting thing was that amid this culture of mayhem there was a strong democratic theme. Captains and bosun's are elected positions on most of the boats! Colonies elect a "governor", they have jury trials to settle disputes and yet the economy revolves around ripping off passing merchant boats.

As for whether "Captain Johnson" or "Daniel Defoe" wrote the text, I can't tell. But it doesn't matter, there are no copyright royalties to be paid to the author at this point. The stories are just as good. Anyone who is really interested in Pirates would enjoy this book. (Although I got my copy from the public library.) I especially found the history of Annie Bonny and Mary Reed to be absolute soap opera story. History is stranger than fiction.

(Oh and read Richard Zack's book on Captain Kidd, Defoe got it wrong, and Zack's found the original documents to explain what really happened.) Zack's book is easier to read too.

This book is written in a different kind of English than we what are used to. As such, this book is amazing. Filled to the brim with pirate information, boat information, etc, this is a good book for anyone who really is interested in pirates.
For those who are interested in pirates purely at a humorous level, this isn't the book you should go with. This is packed with real information in older English, and is really intended for those who wish to know more about pirates and how they lived.

This book helped my understanding of pirates greatly! I recommend to anyone who is interested in trying to know more about those scalawags of the sea.

The dearth of primary sources have encouraged "scholars" to grasp onto the Furbanks / Owens short de-atrribution, which is basically an ad hominem attack against the preeminent 20th century Defoe scholar Moore. The tales in this book are wild and outlandish, much like Defoe's life. Full of get-rich quick schemes, bankruptcy, and being pilloried, he did not lack for his own source material. So enjoy the tales, picture a proto-democracy where illiterate desperate men create "articles" of piracy that would make a modern day attorney proud, read some more Defoe and make up your own mind. Clear sailing!

This is an ok effort by Ms. Goldstein but unfortunately the recipes don't quite result in the amazing flavors that Georgian cuisine is known for. Perhaps it is Ms. Goldstein's substitutions of less authentic ingredients as some ingredients in the "real" dish are hard to find. Perhaps it is something else. (Her "adjika" is REALLY bad/wrong for instance....)

OK book if you want an idea of what Georgian cuisine is like. Not good if you REALLY want the real thing...

This is a marvelous, utterly authentic encyclopedia of Georgian cooking. I tried some of the recipes before leaving for Georgia in summer 2006, and they were great, and gave me a good idea of what to expect. Once in Georgia, the book was an invaluable reference that I constantly turned to whenever I tried something new. Just about *everything* I had is in here, along with many things I didn't get around to sampling.

This book also helped me learn the correct Georgian names for the dishes and many of the ingredients. A significant portion of the book is devoted to providing cultural background on Georgia and Georgian food, such the elaborate rules for a _tamada_, or Georgian toastmaster. With its charming photos of representative paintings scattered generously throughout its pages, it also made me a Pirosmani fan, and better able to appreciate the originals when I saw them for myself.

Most importantly, as the other reviewers say, the recipes *work*. We just made the potato salad with walnut paste (p. 172), and it was delectable. Other dishes we have tried and like include tomato soup with walnuts and vermicelli (p. 73) and green beans with egg (p. 130). Pkhali was one of my favorite dishes in Georgia, and I'm glad to have the recipe for when I get around to making it myself. There is a recipe for beets with cherry sauce, a dish a travel companion had tried but that even some of our Georgian hosts weren't familiar with. For the few recipes that seem to be missing from this book, like eggplant with walnut paste, try Please to the Table: The Russian Cookbook, another excellent collection of delicious recipes from all the former Soviet republics.

_The Georgian Feast_ is well worth having even if you don't eat meat - many of the recipes are completely vegetarian. This book is a real treasure.

I've already written a review of this great book. I have only one suggestion: the basic khmeli suneli recipe can be augmented further to reach the authentic smell and taste. The wikipedia article on khmeli suneli has additional ingredients that can be added to the recipe. I tried that, about 2 teaspoons of each ingredient that's not already in Darra's recipe (less for black and chili pepper), and it came closer to the authentic smell and taste. I think the author of the wikipedia article might have meant safflower (marigold) instead of saffron though, so I didn't add that.

I gave this book to a Georgian and she loved it. It had all the dishes she had eatten as a child. If your looking for a book to fill in any missing recipes this is the book for you.

As someone who was born and grew up in Tbilisi, I was very happy to find this book -- it captures all of my favorite recipes, and when I prepare them according to this book, they taste just like my grandma's cooking.

More than just a recipe book, this is also an exploration into the rich history and culture of Georgia, and how the history shaped the cuisine. I suggest this book to everyone who would like to add some interesting preparations to their cooking. For vegetarians, Georgians have plenty of healthful and filling ways to prepare veggies and beans, and also some mouth watering sauces that will enliven any dish (veg or not).

I enjoy this book both as a cook book, and as a historical book!

Bought for my grandson's 7th birthday. He loved it, he is into everything Titanic right now. Even my husband loved it book, as did his father.

Awesome, in every sense of the word... One of the best books on the wreck i have ever viewed and it ties in brilliantly withthe movie which is probably one of my favourites too! I recommend this to any Titanic bod..

This book is a welcome additon to any on the RMS Titanic. Its not just history but of the crew of the deep sea submarine. The Titanic always captures ones imagination. This book shows the wear, and tear that nature is bringing the wreck of the Titanic. Its sad how much has changed since her discovery by Bob Ballard. The book goes into depth through pictures, and artwork of famed painter Ken Marschall. What is happening to the liner is awful. I also can respect a book that goes to the abyss without raping the Titanic that is a graveyard too, that deserves to be left alone to its fate by nature. Thank you for Amazon for allowing me to review this book, and give a little opinion on the subject of Titanic.

This book is an excellent tribute to those who designed,built and sailed on the world's most famous ship. It is also a fine tribute to those who sacrificed so much to find the ship laying on the ocean floor,at a depth of 2 1/2 miles below the surface,375 miles SE of Newfoundland,and 1,000 miles due East of Boston; and bringing back to us, in unimaginable detail ,how this magnificient ship, in all her splendor, looks today in her final resting place.For many decades ,there was wild speculation of how the ship would look after so many years under such great pressures and even if she could ever be found. All that speculation has been resolved,thanks to the efforts of these determined and talented people.Not only have they found her,visited her,returned with fantastic photographs;but have also done a superb job of sharing it with us through Motion Pictures,Documentries, beautiful,haunting and imaginative drawings and keepsakes such as this dazzling book.
Where this book shines is that it shows what things originally looked like ,using actual pictures at the time;and then showing what they look like now,after over 90 years of ravages by time and elements.
While the photos alone would make this an exiquisite volume,the text covers much information on the ship,how events unfolded and why things happened the way they did.
The painting by artist Ken Marschall of the Titanic, majestically forging ahead ;while she is being fatally ripped open by the iceberg shows the spirit of man against all odds of nature;and even though man is often set back,he refuses to be defeated. This scene in History is reminiscent of the spectacular explosion and loss of life with the Challenger Spaceship.We all owe a gerat debt of gratitude to the artists who portray images such as Marschall and who have the imagination and talent to paint such a picture as is on page 35, showing the Titanic breaking up,the many unfortunate passengers and crew heading with the ship to their watery graves;while a few fortunate are saved.The lifeboat with its few survivors ,where the artist shows that while some look on,others can't even bear to watch.While photographers can produce excellent images of events,if they get the opportunity;it takes an artist to record events like this.
The book is dedicated to those who perished on April,15,1912,and on September 11, 2001. As the world watched the events of 9/11,the crew who gave us the scenes in this wonderful book,were actually at sea ,diving on the Titanic.
We need books like this to remind us of the hopes, struggles and endurance of Man against both the forces of Nanure ,as with the Titanic and and the Evils of Man, as we saw on 9/11.

"Ghosts of the Abyss" features a collection of the greatest Titanic Wreck images to date. Cameron has wandered into areas of the ship inquiring minds like my own have often wondered about. The contrast of the Titanic then to what she is now reveals the tragic aspects of this signifciant historical disaster. What was by far catching were several 3-D models present here and there such as the Grand Staircase among other locations within the ship. The angles of the images taken and lighting of the wreck were brilliant. If anything, the rare images of the D-Deck vestibules make the book worth the price. A must have for anyone who is captivated by the former elegance of the ship of dreams.

When a book appears on the same Newberry Award shelf as: The Island of the Blue Dolphins, Julie of the Wolves, Number the Stars, Dear Mr. Henshaw, Sounder and and other classics, one sits up and takes notice because it means the best in children's literature. This recent addition to the honor roll, with its narrative poems, reminiscent of The Canterbury Tales, gives the young reader a real sense of what daily life was like in the Middle Ages.

A few of the monologues deal with complex topics which may require some adult guidance to guarantee comprehension. For example, in the story told by Simon, the Knight's son, the Crusades are mentioned, which are a key to understanding his story. To familiarize the young reader with this intricate historical episode, the book provides a two page summary of the Crusades crammed with many facts and more in the margins. These summaries have been inserted beside the half-dozen monologues dealing with the more difficult topics, but may serve to further confuse the reader with fact overload. Topics like the Christian attitudes toward the Jews, Pilgrimages, the Crusades, and Feudal customs, call for some direct teaching and/or guided research to assure comprehension. In short, they need to be explained to children. The majority of the monologues, however, can be read independently. The stories in this fine piece of historical fiction are the right stuff for engaging reader's theatre.

Winner of the 2008 Newberry Medal, Good Masters! Sweet Ladies! was actually written to be performed. Laura Amy Schlitz has written here a series of interconnected monologues and dialogues which, taken together, depict the life of kids of all kinds in a medieval village. There's the Falconer's Son, the Blacksmith's Daughter, the runaway villein, the Young Lord, The Pilgrim and The Sniggler, all of whom help complete the picture.

The reviewers have covered it all, but such a truly great book deserves ongoing praise. How nice to see that this jewel of a book won the Newbery! Standing ovation from this reader.

A wonderful book from a wonderful person. This is especially good for lower- and middle-schoolers. Quite usable for in-school performances.

I didn't really realize it would be a children's book when I placed the item on hold at my library. I just knew that I wanted to read the latest Newberry award winning book. I guess I figured that if it fell into the same category as "A Wrinkle in Time" by Madeleine L'Engle then it must be good.

I was a little surpised at how thin it was. I was also surprised at how it is not just one coherent story (or even a story in the general prose form).
They are monologue and dialogue plays written by a librarian for the children in her school classes. She wrote them so that each child would have a starring role for three minutes.

They are poetic and easy to read with nice large print. The tone and vocabulary is all medieval - let's face it, I learned a few new words. Large colorful pictures are on every page and even the margins are colored and have text that explain certain words or aspects of the medieval culture/life. A large colorful map is on the first or second page and instead of locations being labeled the specific characters in the story are shown and labeled.

The tempo of the words is good and interesting -- I was particularly impressed with the two monologues done by the sisters talking about the apprentice boy their father has taken and how one of them must marry the apprentice for the apprentice to inherit the shop. The older daughter likes the boy and wouldn't mind marrying him but thinks the boy would want her sister (younger, prettier) instead. The younger sister thinks the boy will want her older sister (so he doesn't have to wait to inherit) but thinks that it's terrible that one of them will have to marry the boy in the end. The dialogues are completely different but manage to come together for a chorus type of refrain.

Another one that does this is the dialogue between the Jewish boy and the Catholic girl. They are able to put aside their differences for a little while and just be children playing together. The dialogue ends with the children saying together "Almost like she's a Jew;" "Almost like he's a Catholic."

The one down spot I can see - if I were the one performing the plays - would be having to play the role of the beggar child or the child of the villein where you obviously are not well-cared for and have to scrimp to survive. Or maybe that's just me being a girl and wanting the character I embody to be noble somehow...

All in all, it was a beautiful book and very easy to read. It took me maybe forty minutes of carefully thumbing through and looking at the pictures to complete it.

I thoroughly enjoyed GROWING UP BASEBALL. It was definitely a memorable reading experience. --David Dewse

A new book is out that takes an original approach to baseball. "Growing up baseball, an oral history," lets players tell their stories in their own words. Among those who write about their childhood baseball memories: Mark Grace, Bob Feller, Dom DiMaggio, Sam McDowell, Don Larsen and Mike Scioscia, manager of the Anaheim Angels, who vanquished the Giants in the World Series.

By Harvey and Frederic Frommer, the book is a quick and satisfying read about the innocent youth of baseball stars.

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The title and premise intrigued me. A series of mini-bios told in the first person by men who had actually made it to the "Big Leagues". I was looking for an answer, into my own psyche perhaps as to why the game is so compelling. Why do I stay up late for Opening Day and to watch every possible minute of the World Series? Why is Opening Day for my home team so important that I consider it a national holiday and have not missed an opening day game most of my adult life, even traveling over 300 miles to be there.

Why are celebrities like Tim Robbins, Susan Sarandon, Kevin Kostner and Billy Crystal so obviously obsessed with the game. Even presidents are drawn to the game, our current president owned a team, Bill Clinton is said to be "bonkers about baseball". It is not just America that is taken with the game. The Japanese passion is well documented as well as Cuba and the Dominican Republic. I thought if I could hear in their own words what brought many major leaguers to the game I could find a commonality and understand why I am so gripped by the game.

In Growing Up Baseball players from the past and present, ones who had afleeting time in the major leagues to ones who are icons- discuss their intimate childhood memories of the game. Players who grew up with and without TV and /or in areas where there was no access to major or minor league teams and areas where cities have several major league teams all have the same passion for the game.

Chuck Stevens - Played three years for the St. Louis Browns. Grew up occasionally hearing games on the radio and reading ticker tape reports of World Series games. But spent 23 years in the Browns organization.

Scott Brosius - NY Yankees third baseman, knew he wanted to be a major leaguer from age three, but never saw a major league game until he was drafted by the Oakland A's at 22-years old.

Jose Cardenal -Native of Cuba whose whole family's life was devoted to baseball. His father played, his older brother played for the Army League, his cousin is Bert "Campy" Campaneris and his sister was the only female official scorer in Cuba. Signed by the Giants but couldn't get very much playing time due to the existing outfield of Mays, McCovey and the Alou brothers, was later traded and played 18 years in the majors.

The stories recount tales of parents who encouraged, parents who discouraged. Idols who became mentors. Boys who became men.

While Growing Up Baseball was not able to give me insight into my own obsession it does give intimate details and takes a peak into the childhood of majors leaguers who we love so much and always wanted to be.
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"Ambitious, very interesting. The wonderful oral histories humazine the players so much."

The title and premise intrigued me. A series of mini-bios told in the first person by men who had actually made it to the "Big Leagues." I was looking for an answer, into my own psyche perhaps as to why the game is so compelling. Why do I stay up late for Opening Day and to watch every possible minute of the World Series? Why is Opening Day for my home team so important that I consider it a national holiday and have not missed an opening day game most of my adult life, even traveling over 300 miles to be there?

Why are celebrities like Tim Robbins, Susan Sarandon, Kevin Costner and Billy Crystal so obviously obsessed with the game? Even presidents are drawn to the game. Our current president owned a team. Bill Clinton is said to be "bonkers about baseball." It is not just America that is taken with the game. The Japanese passion is well documented as well as Cuba and the Dominican Republic. I thought if I could hear in their own words what brought many major leaguers to the game I could find a commonality and understand why I am so gripped by the game.

In Growing Up Baseball players from the past and present - ones who had a fleeting time in the major leagues to ones who are icons - discuss their intimate childhood memories of the game. Players who grew up with and without TV and/or in areas where there was no access to major or minor league teams and areas where cities have several major league teams all have the same passion for the game.

Chuck Stevens - Played three years for the St. Louis Browns. Grew up occasionally hearing games on the radio and reading ticker tape reports of World Series games. But spent 23 years in the Browns organization.

Scott Brosius - NY Yankees third baseman, knew he wanted to be a major leaguer from age three, but never saw a major league game until he was drafted by the Oakland A's at 22-years old.

Jose Cardenal - Native of Cuba whose whole family's life was devoted to baseball. His father played, his older brother played for the Army League, his cousin is Bert "Campy" Campaneris and his sister was the only female official scorer in Cuba. Signed by the Giants but couldn't get very much playing time due to the existing outfield of Mays, McCovey and the Alou brothers, was later traded and played 18 years in the majors.

The stories recount tales of parents who encouraged, parents who discouraged. Idols who became mentors. Boys who became men.

While Growing Up Baseball was not able to give me insight into my own obsession it does give intimate details and takes a peak into the childhood of major leaguers who we love so much and always wanted to be.

A suitcase belonging to a Hana Brady gets to the children's Holocaust education centre in Tokyo in the year 2000. It immediately propels students and teachers alike to find out more about this mysterious girl. Thanks to their invaluable work, they are able to retrace Hana's story. This book is the result of their search for the truth.

A clear, simple narrative delivers a vivid picture of what happened. It was touching to see the dedication and interest of the children and of Ms. Ishioka to find out as much information as possible with just a name to start with. Well done.

I believe that this book is also suitable to readers aged 12+.

THANK YOU FOR THE PROMPT DELIVERY OF THE BOOK: HANA'S SUITCASE. IT WAS IN EXCELLENT CONDITION. THE BOOK ITSELF WAS WONDERFUL, AND THE PICTURES ADDED SO VERY MUCH TO THE BOOK. I SHALL NEVER FORGET READING THIS LITTLE BOOK. I SENT IT ON TO MY GRANDCHILDREN. THANK YOU.

This was a wonderful book. Hana's Suitcase allowed children to connect the events of the Holocaust with the experiences of a person about their own age who actually was affected by these events. Although sad by definition, the tale ends on a high note, as Hana's older brother travels to Japan to meet with young visitors at a Holocaust Museum. He is able to tell of his young sister who actually carried the suitcase in one of the museum's exibits and who later died while imprisoned by the Nazis.

Hana's Suitcase, by Karen Levine, published in 2007, is the true story of a young girl named Hana Brady, who was taken away by the Nazis as a small child along with her older brother George, and her suitcase, which through a chain of events ended up in Japan. It is also the story of a Japanese woman's efforts to find out about Hana- who she was and what happened to her. The book is incredibly moving. Illustrated with photographs of Hana and her family as well as the Holocaust center in Japan where her suitcase is found, Levine tells Hana's story in parallel with the story of the efforts to learn about her. This structure sets up two crushing waves of emotion that left me in tears by the end. It's bittersweet tragedy, told with beauty and sensitivity.

I have read this book to my fourth grade class for the past two years. They are instantly drawn to Hana, Fumiko, and the story of the Holocaust. The minute they see the picture of Hana's Suitcase, they begin to ask all the questions that the children in Japan asked of Fumiko. They always want me to continue reading and they are so eager to find out about her story. This book has inspired so many deep and thoughtful discussions with my students. They really connect to Hana and her story and the book helps them understand what happened with the Jewish people in WW2 and why it got so out of control. The chapters switch between Hana's story and the story of the children in Japan who are learning about Hana, so it kind of breaks up some of the more difficult parts of the story with the more happier, hopeful parts. I highly recommend this book for anyone- kids and adults.