History Books

Torpedo Junction is a very educational and interesting book about German submarines destroying numerous ships and their cargos and many deaths. It is historically accurate and enlightening. Once you start this book, it is difficult to put down.

I recommended it to anyone interested in history, WWII and what happened on the East Coast of the U.S., particularly from New Jersey to North Carolina.

The U-boat war off America's coast "Operation Drumbeat" was merely one of Germany's U-boat operations. This book is an interesting read. I, like others, wasn't aware of the magnitude of U-boat operations off America's coast. It's a great account. It's limited to that operation. There's hardly anything beyond Operation Drumbeat...but that was the book's intent. It's a good account.

Ultimately how good I like a book is if I'm committed to finish it. Torpedo Junction by Homer Hickman is a book I had to finish, but I was so interested in what it revealed I hardly wanted it to end. Many factors were at work here. First, Mr. Hickman's writing is so clear and linear that it belies the painstaking research such an easy to read factual narrative requires. Thank you Mr. Hickman for doing the work so I could both be reviled and astonished!

This little known yet very tragic part of World War II played out right at our doorstep. Because of Japan's audacity to hit us with one massive surprise salvo the even more insideous U-Boat war on the U.S. coastline played out largely unknown to the general public. For months that seemed to drag on and on the Germans sank boat after boat after boat. Maybe for our protection or maybe because we couldn't quite get a handle on how to stop the German U-Boat threat the mounting damage was kept quiet. It was a tremendous tragedy which caused great loss of life as well as massive destruction of resources. With Torpedo Junction we can finally see how close to home death truly came. Also, we get to know the true courage of those who protected our home shores so we could both support the war effort as well as keep that all important semblance of a "normal life" at home. To know the facts surrounding the North Atlantic U-Boat war helps to rectify those long years of not talking about it.

I recommend this book as both educational and entertaining. As with Rocket Boys I was pulled inside a time and place as if I was there. Storytelling really doesn't get better than this.

As the U. S. Coast Guard Cutter Dione's lead soundman during period of Hickman's book I can attest that he did a wonderful job telling our story about some real hazardous duty. Homer's collaboration with our Radioman 1st, Swede Larson really paints the futility and danger of our sub chasing before and after convoys. I'm so glad Homer wrote about us. Now maybe we won't be forgotten.

Reads like a Clancy thriller. I recommend this book along with Michael Gannon's "Operation Drumbeat" so one can understand the havoc wreaked by German U boats along the Eastern seaboard against totally unprepared and in many cases complacent ships in the early days of World War II.

I read these books and decided to donate this set to each of the four high schools in our area from our Federated Republican Women's Club Literacy Program. This is a set I suggest you buy for your family library. Written by William Bennett, former Secretary of Education and author of The Book of Virtues, it is our country's history in a brief and non boring form. It is a great starting point for anyone wanting to familiarize himself with events from our country's past. It's readable history written by a patriot.

Mr. Bennett has a gift for making history come alive. It is very interesting and enjoyable to read.

Hi I highly recommend reading these american history books to ANYONE! The books are well written naratives of the United States unique and special place in history. While not bashing America as the great satan they at the same time the remain accurate in pointing out this nations flaws, which for the most part seem to consistently get righted. Evil flourishes when good men do nothing. ENJOY!!!

This series of texts should be required reading for all American children of high school age.
The writing is first class and the entire presentation flows in a professional, polished way. An excellent read.

I just finished Volume 1 and am amazed at the history I was never taught in public school. It gives a balanced view of facts and tells stories in an engaging way and shows the good while not hiding the poor choices that we made as a nation becoming. The characters were presented as real people wise and not so wise. We do live in the greatest nation on earth and can learn much from the deeds and misdeeds of those who gave much that we can enjoy the liberties of today. May we never forget and always be. Thank you Mr. Bennett. Looking forward to beginning Volume II.

As others have pointed out, this book is interesting as a history of popular cooking in the U.S. in the last hundred years or so. The illustrations are delightful and the text is informative.

But I must differ from the other reviewers and make a point for those of us who like authentic recipes. Many of the recipes here are introduced with the words "adapted from" or "version of" - which is a way of saying that the original recipe has been altered in unspecified ways and for unknown reasons. The result is that many of the bowdlerized recipes are only vaguely similar to the original, and invariably to their detriment.

I vastly prefer the recipes to be given in their original form so that, if we choose to, we can make them as we remember them. If I want to de-fat and de-sugar recipes where these elements are vital to the taste and texture, I can make that "adaptation" on my own. I think it's rather dishonest to portray the contents as "the recipes our mothers and grandmothers loved" when, in fact, they are frequently pale imitations with all the goodness removed. Be sure to preserve and treasure those clippings grandma left you; with a world full of "editors" carefully excising the politically incorrect ingredients, they're the only unadulterated record of how grandma really cooked.

Now that my mother needs others to cook for her, I look for ways that I can prepare a meal ahead that will bring back memories of the "Good Old Days". I still follow her dietary guidelines, but re-introducing recipes from her hey-day makes her smile, and gives her a welcome change of pace. One of her favorites from this cookbook has been Johnny Marzetti, but I use Baby Portabela mushrooms instead of white mushrooms, and my mother wants double the amount of mushrooms. For my mushroom-hating mother-in-law and cheddar-averse sister-in-law, I remove the mushrooms and saute red and green bell peppers instead and switch to colby cheese. For DH, I increase the extra lean ground beef and use pepper jack cheese. These variations are economical, not too spicy, but tasty. They bring a smile, and take some of the pressure off my mother's care-givers. This cookbook lets me recreate the "Good Old Days." As always, it is my prerogative to update to meet dietary needs.

I love to cook and eat. I have loads of cookbooks. This is the best book I have seen that captures what my parents and grandparents ate and taught me to eat. Beyond that, is chronicle of the food that became available and why and where they originated.
It should be considered a history od 20th century foods a s well as a cookbook. Loads of comfort recipes, as well as those that are now considered classics, never to be deleted. Worth purchasing if you are a baby boomer, you will love it.
DOC

This book is a treasury of true American cooking, with the recipes our mothers and grandmothers loved,and that make fond memories for us. Some are still favorites for family and entertaining (Pineapple Upside-Down Cake, Stroganoff Casserole), others beg to be rediscovered (Imagine! Coca-Cola Salad), all provide fascinating reading, with their accompanying histories, orginal ads and illustrations. "American Century" has rapidly become one of my favorite cookbooks, both for browsing and for adding to my collection of recipes that please and amaze.

I use this book as a reference guide for my high school American History and African American Studies classes. Everything in the world seems to be here including an old favorite from the 1960s, 'Puree Mongole.' This cookbook is easy to read and most recipes are simple to follow. The best part for me, as a Social Studies teacher, is the gem of the history lessons and time lines associated with all the food preparations. A real pleasure and a book that is priceless if you like the history of American cuisine.

Many of my own impressions correspond to those in the Amazon capsule review, and I shall not repeat these. Older readers may not find the manner of writing to be especially appealing, because the presentation is very much in the 'young adult book' manner of expression. As well, those of us who have previously studied Anne Frank may find little that is truly original here. It nonetheless is a superb biography for young adult use, and should be very enlightening to those of any age who know Anne only from her diary.

The author is frank and detailed about Anne's recollections and those of the people who knew her and her family, and there are many contributions from those in the latter group. She also is sensitive and insightful regarding factors in the diary which may be troubling, such as in outlining the circumstances which would have coloured Anne's highly negative comments about her mother and Mr Pfeffer. It is a well balanced presentation. The treatment of, for example, how the enforced, constant isolation, at the very age when one normally expands one's life beyond one's family, could have sparked Anne's strong irritation is accurate and delicate, and could be helpful to those who wish to use the book in a classroom.

I think this is a great book because it gives you history about Germany and the Nazi's. Yes, yes most of us have heard all about it. But this book had vivid images of unhumane things that were done to these human beings. I think this is a book that helps you realize that even now a days we have problems with our society. I think it's a book that shows you the tolerance people had in that time. Lastly I must confess that I have never cried by reading a book. However, when I finished readying this book I was sobing. It's a book that really touched me. I would definitly recomment it!

Anne Frank is the most interesting book I ever read. She has interesting life with her family and friends. And it talk about her diaries and letters, including the five missing pages were found in 1998. Melissa Muller is a good writer. This is a great book to read! Beware!! in this book, it talk about who betray the eight jews in the secret annex in 1944, were never been prove who were the actual person who betray them. Read the book "The Hidden of Otto Frank" and it has a theory that someone who betray them.
The Emmy Award winning mini-series "Anne Frank" is the best mini-series I ever seen.

I recently went to the Anne Frank house in Amsterdam which prompted me to reread the diary. When I was in my local bookstore I came across this book and bought it. I am glad i did.

This book, while not telling me anything I hadn't really heard before somewhere in all the history books, manages to portray the living conditions of Jews before WII broke out in a simplistic manner. This biog gives a superb timeline as such, of the events preceding the Franks going into hiding.

I also went to Dachau while in Germany, which affected me more than I thought it would, while reading about Anne's time in the camp. I knew before going to Europe and before reading Melissa Mullers book about the conditions the Nazi victims were kept in, but again this book pulled it all together. It may have been that I've been to a camp since reading anything on the subject or it may just have been the incredibly well detailed portrayal of it in this book (I suspect it may be both) but it was all brought home to me hard. As well as being detailed this became personal. In the epilogue Miep Gies writes she doesn't like to hear Anne Frank being labelled the face of the 6 million, but that is inevitable and I don't feel that it lessens the importance of any other victims.

This is a superb biography and I recommend it be read in conjunction with Anne franks Diary. I also recommend visiting the Anne Frank House should you ever have the opportunity to be in Amsterdam

From the years of 1939 to 1945 mankind endured the darkest period of evil and brutality that has gone unparalleled in the modern (and ancient) era. One wicked man's irrational, murderous hatred and insatiable lust for power, combined with the cruel, sociopathic personalities of cowardly henchmen such as Hoess, Himmmler, Goering, and Eichmann, to name a mere few, swept the continent of Europe into total devastation and near destruction, destroying dreams and cancelling the futures of the soldiers who fought for both sides, those who were simple bystanders in bombing raids, and others who simply had the misfortune to be considered "undesirable" and who perished in inhumane, intolerable conditions in horrendous concentration camps such as Auschwitz, Bergen-Belsen, Dachau, Treblinka, Sobibor, and Neuengamme. The dreadfulness of their pain and the senseless of their deaths cannot be imagined, described, forgiven, or forgotten.

One of the millions who was murdered during the Holocaust was Anne Frank, the young Jewish girl who lived in hiding with her older sister Margot, their parents Otto and Edith, Hermann and Auguste Van Pels, their son Peter, and Dr Fritz Pfeffer, a dentist, in Amsterdam, Holland, in the secret annexe of the office building which still stands at 263 Prinsengracht. As a literary work and historical document, Anne's diary is perhaps one of the most important volumes to emerge from the twentieth century. However, when reading it, one must remember that it was written by an ordinary teenage girl who was forced to exist under extraordinary and wearisome conditions that would have strained the patience of the Lord himself. Neither Anne nor her co-habitants saw anyone but each other and their benefactors day in and day out, week in and week out, month in and month out, year in and year out. Hence I feel that the above situation must be considered when reflecting on her often harsh views of her fellow annexe dwellers.

Melissa Muller's book is a great companion to the diary but should not be read instead of it - to do this would be severely shortchanging to oneself. It provides a rounder, fuller narrative of the times, places, and people in Anne's life and of those that decided her fate. From the rise of the Nazi's and their use of bullying tactics as their tyranny and terrorism begins, to Anne's formative years, and a broader, wider, more objective description of the Frank's life in hiding. Particularly heartrending are the chapters in which Melissa Muller describes 4 August 1944, the day the annexe dwellers were arrested, betrayed, like Judas betrayed Jesus, for a symbolic twelve pieces of silver, and previously little known details of Anne's life in the death camps Auschwitz and Bergen-Belsen as she bravely fought, and bravely lost, the battle for survival. The tears will fall as the words are read, as they will fall as we share the moment that Otto Frank learns of the terrible fate of his daughters. To lose a beloved spouse is bad enough, but to lose your child, to lose both your children, is an unfathomable and unimaginable grief that never fades even with the passage of many years. And Otto Frank was only one of many parents during the war whose children would never come home..............

Yes, this is a great biography of Anne Frank, the Jewish teenager who became world famous because of her diary, who became world famous because she expired in a concentration camp. But Anne is not merely ashes or dust - her soul lives on. And what of her diary? Her diary, the contents of which she guarded so fiercely, has become a gift to millions.

Before I picked up this book, I had no idea what a detailed and interesting history lay behind the explorations of the Arctic region. This is a truly fascinating book about man's determined quest to explore one of the last unexplored regions of the world.

This is a story of the search for the Northwest Passage, that elusive waterway that would let ships sail over the north of what is now Canada, instead of having to sail around the tip of South America. Even after the British had determined that the icy arctic conditions and the maze of islands made the Northwest Passage worthless as a commercial shipping route, they were still determined to find it anyway. Ship after ship headed to the Arctic to find the passage, sometimes spending two or three winters trapped in the ice, with only a few warm summer months each year in which to explore before the winter ice returned. Many men died, mostly because of the remarkable inability of the British Navy to learn from its mistakes, or more importantly, to learn from the natives, who had lived in the Arctic for thousands of years. The British sailors wore wool instead of fur and sealskin, refused to hunt (they didn't even know how), suffered from scurvy from their impractical diets, and hauled extremely heavy sledges over the ice with man power instead of dogs. Not only did the British fail to learn from the natives, but the natives also got less than their fair share of credit at the time for helping avert death and starvation for hundreds of expeditions over the years.

This is also a story of the quest to reach the North Pole. Early explorers held the belief that the top of the world was an open polar sea, and tried to sail all the way to the pole. Once that theory was abandoned, explorers tried other ways of getting there. One allowed his specially-designed boat to become trapped in the polar ice and then played a waiting game as the boat drifted with the ice. Another tried to float to the pole in a balloon. Many tried and failed to walk to the pole over the hundreds of miles of ice. And even when two explorers claimed to have seperately reached the pole in this fashion, their claims were dubious.

While this book is long and a bit heavy at times, it is worth it to stick with it. Pierre Berton has done his research, and he is an excellent writer. I look forward to reading more of his books.

Very rarely the reader is so moved by a book that he simply starts thinking about it around the clock. It is such a powerful book. For two weeks I couldn't think about anything else than Arctic and those people confined by and in the ice for often several years.

It is the book you will never forget. It is so powerful narrative.

Reader get accustomed with names like Lancaster Sound, Admiralty Inlet, Gulf of Boothia, King William Island etc. Reader feels urge to see those strange locations on a map.

I bought and read this book just out of curiosity about arctic exploration and the men behind the quests...I was very much awed at this spellbinding tale of adventure,loneliness,deprivation,life,death and above all the courage and determination of the individuals involved in the Artic explorations....I had no idea at all what to expect and after the first chapter was hooked till the very end...I recommend this book to anyone interested in history,explorers,'firsts'...I gave it 5 stars on everything...I wish there were more photos but the drawings were good and the maps explained a lot....READ IT !!!

I was already a great fan of Pierre Berton, as well as being very interested in arctic exploration and history, so it was a natural that I picked this book up. I wasn't disappointed. This may be the best book that Berton has written. For certain, the material is irresistable. There were sections where it sounded as though Berton lost his temper at the imbecilic and entrenched attitudes of some of the explorers. This book is often a testament to man's unwillingness to adapt, and the down the nose view of Europeans of the exploration era to other cultures. Only this time, it was the Europeans that paid the price for their snobbery.

This excellent book, first published in 1988, stands as a fitting memorial to the prolific and accomplished writer Pierre Berton, who passed away at age 84 as recently as November 31, 2004. It details the events and personalities of Arctic exploration over nearly a century, beginning in 1818 with the first British naval expedition of John Ross and Edward Parry, and the related disastrous first naval land expedition led by the oddly ineffectual John Franklin. It concludes with the strange twentieth century tales of Robert Peary and Frederick Cook, both of whom claimed to have reached the North Pole, though neither could prove actually to have done so (nor had they). Along the way we meet a host of players, including the indomitable Lady Jane Franklin, Admiralty puppeteer John Barrow, the underestimated arctic masters Edward Penny and John Rae; Robert McClure, M'Clintock, Charles Francis Hall, Sabine, Nares, Greely, Elisha Kent Kane, Nansen, Amundsen, a number of memorable Inuit personalities and a host of others.

The great strength of this account is the repeated demonstration that the outcome of almost every event in the drama depended ultimately on the characters and personalities of the major players, their strengths, weaknesses, flaws and ambitions, and their capacities to learn from the experiences of their predecessors and their Inuit contacts. This gives a Shakespearian, if not biblical, dimension to the history, which is ably exploited by Berton. The book is as much about explorers as exploration.

Berton's well-detailed sources include the numerous accounts of the explorers themselves, their biographers and ghost writers, and much archival material - letters, original field notes, official reports etc, all woven together in a skilful and compelling synopsis. The book can be heartily recommended!

A few matters are missed among the vast number of items covered, for example James Cook in HMS Discovery, shortly before his death in Hawaii, reached Barrow Point, Alaska, from Bering Strait in 1780, setting the target for Franklin and others exploring from the east. One would like to have read the story of the Oval Office "Resolute desk", donated to the American Presidency by Queen Victoria in 1880, and constructed from timber salvaged from HMS Resolute, a ship mentioned frequently by Berton. The icebound Resolute was abandoned at Bathurst Island, Melville Sound by the British in 1854. She released the following summer and was later found adrift in Baffin Bay by a US whaler, sold on to the US government, refitted and returned to the British with a gorgeously attired naval band, much panoply and splendid one-upmanship. Also that Amundsen eventually disappeared in the arctic in 1928 while on an aerial search for the wonderfully zany General Umberto Nobile and his downed dirigible Italia (watch those late-night movie listings for the excellent film Red Tent (Krashnaya palatka), in which Peter Finch plays Nobile and Sean Connery Amundsen). Most of all perhaps, that the first expatriate to fully traverse the north west passage (on McClure's Investigator to Banks Island in the west and Intrepid from Barrow Strait in the east, with much walking and sledging between the two) was Lieut. Samuel Gurney Cresswell, in 1853 (he departed for Britain ahead of the other former Investigator crewmen with the news that McClure and his men had traversed the elusive passage).

Many original works of relevance have appeared in recent years. Notable are the excellent commentaries and reprints of the first Franklin expedition journals and paintings of John Richardson, George Back and Robert Hood edited by C. Stuart Houston (Arctic Ordeal, Arctic Artist and To the Arctic by Canoe), and David C. Woodman's studies on the Inuit memories of Franklin and his lost crews (Unravelling the Franklin Mystery - Inuit Testimony and Strangers Among Us ( all published by McGill Queens UP). Also the hard-to-find and indispensable arctic chronology of Alan Cooke and Clive Holland (The Exploration of Northern Canada - Arctic History Press), a first version of which was used by Berton. Many others are well covered in Amazon.com documentation.

I'm going to be a police recruit in the NYPD in the upcoming months, and wanted to know more about this line of work..Armed & Dangerous would be the book to read. This book is for anyone wanting to be a cop, marrying a cop or the friend of a cop...Gina pulls no punches. She is gritty, raw and honest in her writing, which a lot of other police novels lack. I'm currently reading another police novel now, and its so hard to get into it. Gina raises the bar on all other novels..if you never pick up another true crime novel, read this one!!

Riveting, disquieting, amazingly well written. I had to check the cover a couple of times to make sure it wasn't written "with Joe Shcmow." Ms. Gallo names names and leaves out no details about how she managed to function, survive, succeed, and retain personal dignity within a most wretched hive of scum and villany.

This was an interesting book, however I would have liked to see a little more of the positive side of being a policewoman. There had to be something positive about the job, or she wouldn't have been a policewoman for so many years.
Having a policeman for a friend, I did appreciate some of the insights into how they may feel different from "civilians".
It's a very sad tale of how many people live and how instead of the police being encouraged become discouraged.
I struggled with how to rate this book, because it's discouraging and haunting, with no upside I wanted to rate it a 3, but Gina does a good job of writing and relating her experience, so I rated it a 4.

I'm a retired police Sgt. my wife Ann Jillian an actress, and we just finished reading "ARMED AND DANGEROUS" by GINA GALLO. This book is FANTASTIC! It's easy to know that Gina Gallo was the real police and did real police work - that's a given, but her talent for putting it all in her book is something only a GREAT WRITER could do. This is a real page turner, we could not put it down until we finished it. My wife and I highly recommend this book to anyone. Thank you Ms., Gallo for an excellent book. Mr. Mrs. Sgt. A.& A Murcia. Los Angeles, CA.

At last, an interactive experience of life in big-city law enforcement! In a relentlessly authentic voice, Gina Gallo translates every nuance of the police experience into an unparalled copspeak primer for those who've never worn the badge. Forget cop stories as a spectator sport. Gallo pulls you into the action with "the real police", presenting the reader with the same visceral punch, emotional blindsiding and residual angst that haunts anyone who's been there. In my years as a Chicago homicide detective, job success often depended on equal parts of tenacity, intelligence and guts. Gallo's book provides this in spades along with an unflinching scrutiny of our own vulnerability. This book elevates cop docudrama to a new art form. I'm proud that Gallo is one of our own, even prouder of her courage and talent in telling our stories.

Seller had a great price for the product and she was very honest about the condition of the book.

This is a must read for anyone who wants to know how God can change their life forever. What divine wisdom is spoken by this saint of the Church!! Her "Little Way" to serving and loving Jesus is persuasive to anyone struggling with the "how" of living a Christlike life.

"Story of a Soul" is a collection of three manuscripts written by Therese of Lisieux near the end of her very brief life. Therese lived in France at the end of the 19th century and spent nine of her twenty-four years in a Carmelite cloister, yet this simple woman and her "little way" have touched millions of lives in the years since her death.

Therese lived and preached a spirituality based on the scripture passages that urge becoming like a little child, living a life of trust in God. While she never did anything the world might consider "great", she made the most of the opportunities presented to her. She took advantage of offering to God little sacrifices such as sitting straight in a chair without resting her back and going out of her way to be kind to a fellow sister she did not particularly care for.

From her earliest years, she had an intimate relationship with Jesus. Although she was very close to her family, She writes, "I knew how to speak only to [Jesus]; conversations with creatures, even pious conversations, fatigued my soul." In her final year, as she was dying from tuberculosis, she welcomed her suffering even as she experienced a crisis of faith which plunged her into a dark night of the soul.

The three manuscripts that comprise "Story of a Soul" each have a different tone due to the fact that they were addressed to three different people in response to three distinct requests. Manuscript "A" is addressed to Therese's sister Pauline, also known as Mother Agnes. She was a Carmelite nun as well and at the time was the Prioress of the convent. Mother Agnes had asked her to put down on paper her recollections from her childhood. It was intended as a "family souvenir" and as a result has a very familiar, sentimental tone. In it, Therese tells the story of her life from her earliest remembrances through her profession as a Carmelite.

Manuscript "B" was directed to another of Therese's elder sisters, Marie, who also resided at the Carmel cloister. Sister Marie of the Sacred Heart later recalled that "I asked her myself during her last retreat (September, 1896) to put in writing her little doctrine as I called it." The shortest of the three manuscripts, it contains the heart of Therese's insights. It consists of a letter to her sister in which she explains that "Jesus does not demand great actions from us but simply surrender and gratitude," and a love letter to Jesus in which she confides her desire to be "the warrior, the priest, the apostle, the doctor, the martyr." Using the metaphor that St. Paul established in 1 Corinthians 12 of the body of Christ with its many parts, Therese comes to the conclusion that in order to fulfill her desire to be all things she must be love. "I shall be love. Thus I shall be everything, and thus my dream will be realized."

In Manuscript "C", Therese returns to the story of her life, this time at the request of Mother Marie de Gonzague who had taken over as Prioress. It tells of her remaining years at Carmel up to three months before her death in 1897 when she no longer had the energy to write. In her final words she exclaims "I go to Him with confidence and love . . ."

Therese never intended any of these words for publication, yet in the last months of her life she seemed to have had a premonition that her words would eventually do much good in the world. "Story of a Soul" provides a blueprint for a life lived in relationship with Christ. Therese comes across as extremely human, struggling with life as all of us do, yet she had such trust and faith. We are wise to learn from her example.
[...]

Really enjoyed reading this book. Excellent akutobiography of St. Therese. What a beautiful life she lead. Everyone should read this if for nothing else than inspiration from an extradorinary woman. You don't have to be a religious person to get something out of this autobiography.

Therese of Lisieux lived a very sheltered life. As we begin the book she actually seems to be spoiled by her family. Her parents were financially secure and devoutly religious. Therese knew she wanted to be a nun from the age of three. She had bouts of poor health and she suffered the loss of her mother early in her life. And then the sisters she relied on left one by one to join the convent. But she also had security and love from her family. She also had an incredible sense of self-direction.

In her book Saint Therese describes souls as similar to different types of flowers. Some are roses, others lilies, and some like orchids, for example. And all can be equally pleasing to God in their own way, when seeking his role for them. People have different talents and different struggles, but these characteristics do not mean that any type is more valued than the other.

Saint Therese describes the Christian Church as one body, and how she wants to be the heart that loves. She writes frequently of the many ways that God is love. She believed that heaven for her would be to be able to help people on earth after she died. She writes that any sacrifice in daily life can be offered to God, for the conversion of souls, or help of others, whether it is the suffering of an illness or loss, or the performance of a mundane daily chore. Therese also writes much she preferred to speak directly to God as a child when she prayed instead of using formal liturgy.

This is the final volume in the "Ages of Middle-Earth" series and it was actually the first written. Although published in two volumes The Book Of Lost Tales was originally written as one. Tolkien expands in this second volume the stories of Middle-Earth as they unfold during the first four ages. For years Tolkien had been a scholar of mythology and he used his studies to transform ancient Earth mythology into the fantasy we know today. So if you love fantasy, whether you are a Tolkien reader or not, you will love this remarkable first attempt at reshaping modern fantasy.

The Book of Lost Tales 2 is a fantastic continuation to the first, taking place right where it left off this book goes in deeper than the first. The Book of Lost Tales includes 6 tales that where apart of the first but explains it with greater detail. This book was edited by Christopher Tolkien, the author's(J.R.R. Tolkien) son. All of the six stories include many notes that help you with the story, and 4 of them include a commentary that Christopher Tolkien wrote. I found the commentary and notes to be very helpful and enjoyable although he refers a lot to The Simarillion so one who has not read that might not understand some of it, and infact the stories that are in The Book of Lost Tales 2 are briefly in The Simarillion, which is also a very wonderful book. These books can be at sometimes a little difficult to read given the ammount of detail and information that they give you, sometimes it is hard to organize all of it but as you read on more things fall into place.

I highly recommend this book, although suggest reading The Simarllion before hand, J.R.R. Tolkien's fantasy world is quite enjoyable and his writings are full of detail. I also found the appendix and index of words quite useful and very nice to have, it tells you where all the names come from and have referances to where you can find them in this book and others. If you have read Lord of The Rings then you will find referances that are from this book and also The Simarillion that you did not get before.

Overall I thought this book was very enjoyable, although some what tedious at some points, and I recommend it to all fantasy and Lord of The Ring fans.

If you like the silmarillion and book of lost tales one, than you cannot wait another day to get this. If you are like me and REALLY LIKE this whole middle earth thing with the trees, music of the ainur. etc, then you absolutely have to read this.

The first lost tales was the first half of the silmarillion, and of course part 2 of lost tales is the rest of the silm. Though a lot of these works are unfinished(certainly the whole tale telling itself with eriol and gilfanon?, yet some seem very finished like the fall of gondolin.

Some people don't think peter jackson did not do a good job with the lord, yet they do admit it was still a pretty good movie. I did not find return of the king NEAR as good as the other 2 movies, but I think that Pete was the best choice as director.

Now the point that I wanna make is that with all of the material from the book of lost tales part 1 AND 2, the silmarillion, unfinished tales, and all the annals I think Peter Jackson could make another epic movie doing 1 of 3 things, or something that I'm not thinking of. It doesn't matter how these are made, I just wanna see them on screen.

1. Make a two-part movie 6-7 hours in total.
2. Make a 3 1/2 hour or 4 hour movie
3. Pick a certain tale like turin or luthien

Any of these things that I have suggested are acceptable to me, but I would be open to any way possiblre to put this on screen.

I honestly feel that with the very strong emotions in these books it could be better than the lord of the rings movies.

`if he could indeed destroy with his cunning the happiness and glory of the Gods and Elves...'

When the hateful god Melko marred the world, the Valar hid within the blessed land of Valinor, abandoning the Elves and Men of Middle Earth to slavery under his terrible rule. This was the time of great heroes who challenged Melko's impossible might. Beren and Lúthien entered Melko's hall to pluck his most prized possession from his crown. Cursed Túrin became a feared enemy of all evil creatures. Tuor fought to save a beleaguered realm. The mighty kingdoms of Gondolin - ruled by King Turgon - and Menegroth - ruled by King Thingol - long provided refuge for the few free people. Finally Eärendel risked all to beseech the Valar for aid. These heroes made terrible sacrifices to rid the world of the greatest evil it has ever known. Ashamedly, as magic faded and the Elves fled from the world, Men forgot these great deeds.

Ages later, the English mariner Eriol sailed to Tol Eressëa, the Lonely Isle, where Elves welcomed him as guest. In grand oral tradition, they recounted to Eriol the tales that should never have been lost.

Anybody who enjoyed The Book of Lost Tales Part 1, which should be read first, will love Part 2. It is also helps to first read The Hobbit, The Lord of the Rings, Unfinished Tales, and, most importantly, The Silmarillion.

Christopher Tolkien continues to expertly assemble and present his father's works. His precise commentaries are essential to understanding J.R.R. Tolkien's mythos.

Some of the stories in Lost Tales are much more detailed than their final versions in the Silmarillion. Lost Tales is a treasure trove of rejected content that really fleshes out the myths.

The Book of Lost Tales Part 2 has six sections.

`The Tale of Tinúviel', one of Tolkien's most popular stories, tells of the triumphant love between Beren and Lúthien. This version is shockingly different than that found in The Silmarillion, and it contains much more dialogue and plot.

`Turambar and the Foalókë' is the stirring tragedy of Túrin son of Úrin (or Húrin). Cursed as a child, Túrin rages against fate with heroic intensity. This account is wonderfully detailed.

`The Fall of Gondolin' recounts the final days of King Turgon's fair city. Ulmo (the only Valar to intervene in Middle Earth during this period) sends brave Tuor upon a divine quest to bring counsel to the doomed realm. This Lost Tales version is staggeringly well detailed. The final battle for the city (summarized in a few sentences in The Silmarilllion) here receives tremendous attention. This action-heavy scene is definitely a highlight of the book.

In `The Nauglafring', Elves and Dwarves battle over cursed gold. This early-abandoned tale flatly contradicts much of Tolkien's other work.

`The Tale of Eärendel' tells of the legendary mariner who now sails the firmament above Earth as a radiant star, bringing hope to men. J.R.R. Tolkien never wrote this story, so this section consists of outlines, poems, and heavy commentary.

`The History of Eriol or Ælfwine' delves into Eriol's life. It clearly identifies Middle Earth as our Earth; for instance, the origins of England and Ireland are spelled out and Rome is presented as an Elvish enemy. Although enlightening, this thoroughly explained setting lacks the mysterious grandeur of LoTR's Middle Earth. This tale was never finished, and Christopher Tolkien shows superhuman diligence in piecing together jumbled outlines and narrative fragments. It is densely commented and makes a slow, though worthy, read.

The Book of Lost Tales shows the devotion J.R.R. Tolkien had for his craft. It is a perfect choice for any Silmarillion fan.

-Zach Zelmar

`The Book of Lost Tales, Part One and Part Two' by J. R. R. Tolkien, edited by son, Christopher Tolkien, is, according to the editor's Foreword, some of the very earliest works written by Tolkien on the mythology of Middle Earth. Many, it is stated, were drafted in the 1920s, nearly ten years before the start of `The Hobbit'.

This is an important fact, as it means that they were not written to `fill in' details of references made in either `The Hobbit' or `The Lord of the Rings' (LOTR). It means that both of these published novels were narratives of a preexisting world of Middle Earth with a history stretching back thousands of years, to the very creation of the world. This supports the sense of historical depth one has when you read both novels. Early in the Foreword, editor Tolkien addresses this very aspect and the danger that the great depth of history felt in the novels may not transfer to documents that lay out that history. I personally do not sense that danger when I read these works. The intellectual effort required to understand the text and tie it together with all the Tolkienania that has gone before is more than enough to keep me busy. This is the basis of my title for this review, `Fantasy for Grown-ups'.

My experience is that neither `The Hobbit' nor `LOTR' books or movies had a strong appeal to the same audience as the literal and virtual comic book works such as Spiderman, Superman, Batman, Star Wars, Lara Croft (Tomb Raider), or even Indiana Jones. The world in which Middle Earth is set is much more subtly different from our world or the world of `Long ago, and far, far, away...' Even in `The Hobbit' one gets hints that the world of Middle Earth is not our comfortable sphereical planet with a different geography but the same physics, chemistry, and biology. One gets the sense that while the great `Gandalf the Gray' may be called a `wizard', he is not a wizard in the same sense as Merlin or a wizard of `Dungeons and Dragons'.

The most important difference between Middle Earth and our world is that this continent is in the center of a great disk surrounded by seas across which are the undying lands including the Elven island of Eressea and Valinor. The next major difference is that there are beings, primarily elves, which walk the earth and which are literally immortal. That is, they cannot die by natural causes. They can, however, be killed in battle, as seen in `The Two Towers' movie with the death of the elven archer allies helping to defend the Hornburg with Aragorn, Theoden, and the Rohrrim. It is also interesting to see that Gandalf possesses an immortality of an entirely different order, as he survives the great battle with the Balrog in the mines of Moria, a battle that would have killed any ordinary immortal elf.

It would have been interesting to see Tolkien deal with immortality in the same way that John Boorman did in his script for the movie `Zardoz', an easily underestimated movie. (Oddly enough, Gandalf is most like the characterization of Merlin in Boorman's movie, `Excalibur').

Another big difference is that the physics of this world is different from our world. Light, for example, simply does not behave like our notions of light. It is much more like a liquid that can be captured in the Silmarils or in the vial give by Galadrial to Frodo in Lorien. This is part of the reason neither Gandalf nor any other character, even Sauron, seems to use much `magic'. What may appear to us as magic is simply bending the different laws of physics to the will of the magician, as Sauron does in creating the One Ring.

These two books are yet another step removed from the `popular fiction' of `LOTR'. `The Silmarillion' was one step removed in being much more like Hesiod's mythology than Homer's epics. The `Unfinished Tales' were another step removed in that they were close to being stories with extensive editorial annotations. These two volumes, which are really one work in two books are reconstructions of even cruder material. Reading them may be about as much fun as reading Frazier's `The Golden Bough'.

Now, reading `The Golden Bough' can be fun for a particularly intellectual interest, but it takes just a bit extra to gain the same pleasure from these works, as they are not stories from a historical mythology which may explain genuine primitive thought and beliefs. They are make believe! They just happen to be of a type of make believe which is more different than just about any other fiction you can imagine.

The greatest insight I get from these myths on the early history of Middle Earth is on the origins of Tom Bombadil and the Ents. While neither is mentioned, there are ample hints that both are beings who sprung up from the bones of Middle Earth itself, independent of any efforts by the Valar. This explains the total difference between Bombadil and every other character in `LOTR' aside from Treebeard and the Ents. The Elves, the Wizards, Sauron, dragons, and probably dwarves, hobbits, and men all arose out of immigrants from `The Undying Lands' or were created by the Valar.

I find the single most interesting character in these pre `LOTR' stories to be the Noldor (elven) leader Feanor. He seems to have the air of Prometheus about him in that he defies the gods (the Valar) without being an evil force like Melkor / Morgoth or Sauron. When Feanor is not on the stage, my interest drops several notches.

These are the first two volumes of the twelve volume `The History of Middle Earth'. While several of the volumes seem independent, I would not venture to read any of them without having read `The Silmarillion'. They will make very little sense without this background in hand.

This is the third, excellent volume in the author's series that follows the detective work of Major Abel Jones during the Civil War. This time, the author's masterful style immerses you in April, 1862, with its odd speech (to the 2007 ear), its stomach-turning savagery in the Battle of Shiloh, and its well-mannered relationship between Union and Confederate officers off the battlefield. Someone has brutally slaughtered forty slaves, men, women, and children, in the no-man's land between Union and Confederate lines. General Grant sends Major Jones on a hazardous trip through the lines with a request that Confederate General P. G. T. Beauregard cooperate in investigating this terrible crime. Beauregard agrees and assigns Confederate Lieutenant Drake Raines to aid Jones. The two officers follow a frightening path as they track down the murderers and barely prevent another mass killing. The story is full of action, and the plot twists wonderfully.

I loved the first Abel Jones Civil War mystery (Faded Coat of Blue), but was sorely disappointed by the second (Shadows of Glory), so it with great relief that I can report that this third in the series displays much (if not quite all) the skill Parry brought to Faded Coat of Blue. The story kicks off with a serious bang, as the first thirty pages or so throw Major Abel Jones into the messy battle at Shiloh in early April 1862. From the very first sentence ("I remember the smell of men burning"), the reader is immersed in the chaos and confusion that is war, and it's hard to imagine any work of nonfiction\ able to compete with the "you are there" sensation these pages impart. In this in initial bloody action, the ever-stern Jones rounds up as many of those fleeing the battle as possible, and rallies them into a little unit, fighting through the day.

It's only after the battle that we finally learn the purpose of his foray into the front lines. As outlined in the previous books, the Welsh immigrant and former soldier Jones has been transformed from an army clerk into a special agent of President Lincoln's. Here, he sent is to investigate the massacre of forty runaway slaves, an atrocity discovered by advancing Union troops in Tennessee. Jones meets with Generals Grant and Sherman (and his friend Dr. Mick Tyrone), and is escorted to the Confederate side as an emissary to General Beauregard to discuss this heinous crime. Of course, this isn't as simple as it sounds, and Jones goes through a few adventures before he's able to team up with an young aristocratic (and Harvard educated) Southern officer to unmask the killers.

Actually, the book's one significant weakness is that there is a great deal of buildup to the mystery, but once the investigation is underway, the killers are identified with very rapidly (not to mention that the answer seems obvious the moment the villain is first seen). As in Shadows of glory, the emphasis is much more on mood and atmosphere than actual suspense. Much of the story seems designed to have Jones come to the realization that slaves are humans too, and perhaps are worth fighting a war over. To that end, a number of the supporting characters aren't nearly as well realized as they are in either of the two earlier books. Jones' Confederate liaison is a textbook golden-haired young Southern gentleman, and there are a smattering of basic rednecks and slave types as well. One notable exception is the Barnaby B. Barnaby, the Cockney gentleman's gentleman to Jones' liaison, who provides comic relief and a vivid voice. Of course, the strongest voice is Jones' own as narrator, and his telling is robust with the Welsh idiom, cadence, and priggish prejudice of the earlier books. Phrases like "he was as full of tricks as an Irish barrister" abound, and add much to the story.

All in all, the book is satisfying reading, if not as outstanding as Faded Coat of Blue, which just had everything going for it. The series continues with , Honor's Kingdom and Bold Sons of Erin which I will definitely be seeking out.

I'm always wary of historical novels, since they have a tendency to transfer 21st Century sensibilities to their subject matter. Owen Parry (whose real name is Ralph Peters, the great Russian expert and strategic thinker) avoids that, creating a hero and a story which live and breath the Civil War era. I was impressed, although not overly so, with the first book of the series, but I am increasingly moved by every addition to the series.

Major Abel Jones is pompous and priggish and if weren't so clever in solving murder mysteries, he would be a classic comic figure (one on-going theme is the pride this Welshman takes in his singing voice, when it's obvious (though not to him) that it's rather awful).

The walk on parts of various historical figures is impressive. I always judge the walk ons in historical novels by using as my gold standard the Abraham Lincoln in George MacDonald Fraser's Flashman series: lovely little vignettes which both capture the essence of the man and allow the reader to see his hero in a new light. In River Jordan, Parry manages a General Grant who is every bit as real as Fraser's Lincoln. That is the first time I can say that about anyone's novel about any era.

I've traveled in Wales, know Welsh history back to the early Middle Ages, and even studied the language some years ago. I recognize Owen Parry's Union officer, Abel Jones, as the counterpart of some of the sturdy people of that splendid land. I've now read all three of Parry's Civil War mysteries available in paperback, and each new one has been better than the last.

The only mystery writers of comparable talent who've dissected the physical, mental and moral tragedy of war are Charles Todd and Reginald Hill. But Parry, writing in the voice of a deeply religious, highly puritanical Welshman of the mid-Nineteenth Century, is unique. I doubt that there are very many better first-person stories out there in any genre.

The plot and characters of this latest novel have been covered by other reviewers (with whom I soundly agree). I only want to suggest that if you haven't yet heard the voice of Abel Jones, go thou and do so.

There is something sublime about this book.

It would be easy for Parry to follow the easy path to Civil War fiction that so many other authors have followed. But, instead, he chooses to probe the depths of slavery and abolition and Union versus Confederacy.

Although this book is billed as a historical suspense/mystery novel, it is far more. The murder plot is merely a device the author uses to explore the depths of human character and the interplay between Whites and Blacks during the Civil War. All of Parry's characters are very human, including his main hero and his major villain. The terrors and bloodlust of war are portrayed vividly. And, to Parry's credit, not all of the action takes place on the battlefield.

Main character Abel Jones is a Welsh major hired by President Lincoln to solve the mass murder of some Blacks barely over the Shiloh battle lines. To do so, he must coordinate his activities with officers from the Confederacy. The Union blames the Confederates for the murders and the Confederacy blames the Union. But Abel is Able as he solves the dilemma. But, as I said, the mystery plot is secondary.

Abel struggles with the line between Christian non-violence and wartime bloodshed. Some characters struggle with loss of life and property while others struggle with the concept of true freedom.

The only negative to this book is its obvious setup at the finish for a sequel. I don't dislike sequels or series novels, but the setup is too obvious.

Nonetheless, this book is glorious and there really is something sublime here that I can't pinpoint. A treasure.

I was unfamiliar with the Kindertransport that moved 10,000 Jewish children to safety from the Holocaust. This biography brings that event to life through the memories of Lisa Jura. At 14, her parents sent her to London and the book covers that wrenching journey and the next six years of her life. Growing up during the blitz in a refugee home with 31 children makes a fascinating book.
Lisa's devotion to music weaves the story together as she strives towards her parents' dream. Becoming a concert pianist seems unachievable under the circumstances, but this touching biography details Lisa's progress towards that goal. This account has appeal for both adult and teen readers.
I also recommend In The Shadow Of The Cathedral: Growing Up In Holland During WW II by Titia Bozuwa

author of Cooking Jewish: 532 Great Recipes from the Rabinowitz Family

from the Jewish Journal of Greater Los Angeles
August 30, 2002

Vienna, 1938. In the city of Mozart, Schubert, Beethoven and Strauss, 14-year-old musical prodigy Lisa Jura looks forward to a promising career as a concert pianist. Hitler has other plans. With the breaking of glass on Kristallnacht, Jura's dreams are shattered.

Internationally celebrated concert pianist Mona Golabek, with journalist and poet Lee Cohen, has crafted a loving, lyrical tribute to her mother, Lisa Jura, in "The Children of Willesden Lane: Beyond the Kindertransport: A Memoir of Music, Love, and Survival."

Jura was one of 10,000 Jewish children saved from the Nazis by the British and sent on the Kindertransport to safety from Eastern Europe. Already being compared to "The Diary of Anne Frank," this simultaneously heartbreaking and uplifting tale weaves together the stories that Golabek's mother told her about prewar Austria; the gut-wrenching separation from her family; life at the orphanage on Willesden Lane; and the power of music to help her survive.

As Jura's mother, Malka, puts her on the train, she says the prophetic words that will sustain and inspire her daughter and future generations: "Hold on to your music. Let it be your best friend."

In a world turned ugly, the beauty of music becomes Jura's strength, and, against tremendous odds, with the help and encouragement of the 30 other displaced children at the orphanage, she wins a scholarship to London's Royal Academy.

"Each kid saw something in my mother's music that reminded them of what they had left behind in Czechoslovakia, in Austria, in Germany," says Golabek, a Grammy-nominated artist, "and that's what I tried to do in the story, not only to pay homage to my mother, but to all these kids and to their bravery."

The book opens with Jura's tantalizing daydream of performing in a great concert hall and closes with the fulfillment of that dream, as she makes her debut before an exhilarated crowd. And in between, the pages burst with melody: Jura pounding the cadenza of the Grieg "Piano Concerto" to drown out the sounds of bombs during London's blitz, Jura visualizing Chopin fleeing a flaming Warsaw as she struggles with the somber coda of the "Ballade," Jura remembering her mother's Sabbath candles as she plays the solemn opening of Beethoven's "Pathetique."

"My mom and her mother never cared if a piece is in C major. What really counts is the passion behind it, the image. If it's `Clair de Lune,' imagine the moon over a desert island. That imagination allowed her to survive the horrors of what she experienced, because a C-major chord will not inspire you through the horrors. It's the moonlight, the idea that maybe the composer wrote it for someone he loved. These things inflamed her imagination, and that's how she inflamed mine."

And now Golabek's book will inflame the imagination of a whole new generation. The Milken Family Foundation, together with Facing History and Ourselves, an educational organization that teaches tolerance to 1 million students annually, are working with Golabek to bring the story to schools across the country by developing a companion curriculum guide.

Plans are under way to launch the book in Austria, and make it available to teachers as part of the now mandatory four-year Holocaust education program for students.

The saga of Golabek's 18-year struggle to get the story published is almost as harrowing as her mother's story itself. "It went through many, many writings; many, many ups and downs, starts and disappointments," Golabek says.

Now the accolades and offers are pouring in. On Sept. 24, she will be an honored guest speaker at the California Governor's Conference for Women at the Long Beach Convention Center and will appear at Beth Am on Nov. 17 with her sister, pianist Renee Golabek-Kaye, and Jura's four grandchildren, all musicians: Michele, 16; Sarah, 14; Jonathan, 8; and Rachel, 7. Brandeis University will honor her at the Skirball Cultural Center next March 31.

Last week Golabek was interviewed on NPR's Morning Edition and was the subject of a feature story by Andy Meisler of the New York Times. In the planning stages is a concert next year co-sponsored by the U.S. Holocaust Museum and the Austrian government. And, of course, Golabek is considering movie offers.

On her syndicated radio show, "The Romantic Hours," which highlights stirring writings against a musical backdrop (Saturdays at 10 p.m., 105.1 FM), Golabek often quotes the poet Jean Paul Richter: "Life fades and withers behind us, but of our immortal and sacred soul all that remains is music."

"That was a quote my mother taught me, and the whole reason why I wrote this book and why I created `The Romantic Hours' was that my mother felt through words and through music our souls would be immortalized."

This is one of my all-time favorite books. If you are a musician, you will fall in love with it. The story is inspiring and moving and will make you appreciate music to the greatest extent possible.

Full of history. Easy to follow. Great read for young and old alike.

This is a story which every parent should read to their children. Talk about the history of WW2 and discuss the extremes of humanity. A book which once read you will never forget.