History Books

I teach adult education at our parish and this set of books is a "must have" for my research. I never walk away saying I could not find what I needed. Any Christian who wants to understand the Church from the beginning needs this set. You cannot walk away from these books and still hold to erroneous notions like "the Eucharist was a 12th century invention", or "Jesus did not become God until after the Resurrection", or "it doesn't matter which Church you go to." All of the doctrine and sacraments of the Catholic Church are found in the historical Church from the beginning, and Jurgens has compiled a marvelous compendium of the teachings, from the words of the Early Fathers themselves, to confirm this. This had to be a labor of love for Jurgens because it is done with such care and scholarship. He clearly had the intended audience in mind by the way he cross-referenced and indexed everything. The ease with which one can use this set is a marvel. No Christian, and certainly no Catholic, home should be without it. If you are trying to decide on which books you should have in your library, do not hesitate over this set. Just get it. You will not be dissapointed. And if you are a seminarian, or thinking of becoming a priest or professed religious, you need this set.

This is the best--the very best--of all the collections of the sayings of the early fathers. The choices are superb. The explanations of the translations are direct and clear and the short biographies that introduce each author include every drop of information you need.

Want to look up 1 Clement? Jurgens includes a biography with all the facts listed, plus speculative information: "Whether or not he was Peter's convert, as the Pseudo-Clementines would have it..." p 8). And in the footnotes: "This is the first time the word 'layman' was used in Christian literature" p 13).

The depth of the information, the perfect choices are remarkable. You might be able to live without these three volumes, but studying the early fathers without them would be much, much more difficult.

Without exception the best collection of early church teachers. In addition to the writings of the early church is a thorough general index but more than that an invaluable doctrinal index to find the seeds of virtually every doctrine imaginable. Do not presume to understand early church history without this reference. All three volumes are ideal but, at the very least, get volume 1. Do not learn church history by other sources, return to the original documents and rediscover the church that Jesus Christ founded. You will be richly rewarded in what you find.

Beautiful insight on how the earliest Christian's received Christ's message.

The writings of the early church fathers leave no doubt that they are linked directly to the 12 apostles and that their beliefs in dogma which go back 1500 -2000 years ago are consistent with the teachings of the catholic church to-day.The catechism of the catholic church which sets forth what catholics are required to believe to-day is consistent with the teachings of the early fathers.Is would be impossible for this consistency to last 2000 year if the catholic church were not the church founded by Jesus Christ.This volume of books proves this beyond any doubt.Excellent reading for any Christian!

This is a paintakingly detailed biography, yet rather than making for tedious reading, it flows smoothly from the pages...Hayden Herrera has done an incredible job with the story of Frida Kahlo, the most famous Mexican artist in history.

Written in the late 1970s' (when many of Frida's friends and intimates were still alive to interview), this excellent book combines letters (to and from Kahlo), first person anecdotes and historical records (along with a decent selection of photos and paintings), to create a sweeping portrait of a very, very interesting life.

Everything you ever wanted to know about Frida (and maybe some stuff you didn't), is in this book.

"Frida" is highly recommended to anyone who enjoys Frida's work or just wants to know more about a very interesting, opinionated, talented, brutally honest (especially with herself), yet very vulnerable) woman.

I learned about Frida when I took art history in college. I always wanted to know more about her because of her art work. She was so passionate! Although she was considered an abstract artist. Her art was very REAL. You can feel what she feels by looking at her art. This book really helps you understand what happened in her life and attached the painting that went along with that specific period in her life. Very well written.

An inspiring Biography of famous Mexican artist Frida Kahlo. It was comprehensive, read like a documentary and at some points was long and boring with gory details. Frida was such an interesting person it was worth the struggle to get to the end. I now understand her and her works so much better. I think she was an odd and eccentric person that was gifted with natural artistic talent. I recommend looking at her paintings at the same time you listen to the audio since the audio is so descriptive almost like a narrative from a museum. It doesn't make sense unless you see the works at the same time. I found them on a website dedicated to her. There is nothing like her art, she is truly original!

I bought this book after re-watching the movie taken largely from this exhaustive biography. As someone who has read many bios, let me say that this is a refreshing and encouraging alternative to the fawning and excessive grocery store drivel and/or the dull and fact-filled dissertations that describe most biographies. Hayden Herrera manages to combine a staggeringly comprehensive detailing of Kahlo's life with an easy prose that makes for an engaging read. I know far more about this artist than I could've imagined and it is largely first-hand accounts either from the pages of Frida's own diaries and numerous letters or the people who were there. Herrera keeps her personal opinions regarding the events to a minimum and allows the events to speak for themselves. The life of Frida Kahlo needs no additional padding or maudlin tricks to engender a connection to anyone with a heart and soul. When the author does speculate, it comes from someone who has clearly studied her subject thoroughly and backs up her theories with a wealth of compelling evidence and sensible arguments. While her appreciation for Kahlo is obvious, Herrera does not stop short of being critical, questioning Kahlo's motives, and revealing the stark humanity and insecurity that Kahlo tried to obscure with her public persona as the confident, outspoken, provocative enchantress sporting her exotic Tehuana finery.
However, the best use of Herrera's research and the clear compassion and empathy she has for this incredible woman is when she analyses Frida's paintings. I found myself continuously turning back and forth from the detailed observations and interpretation to the paintings and trying to understand what the author is talking about. It was fascinating reading and a wonderful exploration that shed light into the depths of Frida's intensely personal art.
Two last notes: First, the version I bought does not sport Salma Hayek on the cover but instead one of Frida's many self-portraits. Apparently the publishers corrected this unfortunate decision based on movie marketing. Second, I was fortunate enough to take in the amazing exhibit of Frida Kahlo at the Philadelphia Museum just a few weeks ago and it was a moving and special day. Seeing the actual frames dripping blood, the size and grandeur of some of the works juxtaposed with the smaller works, and the sheer emotionally gravity of her art was something I'll never forget. Having read much of this biography by that time, I was able to bring that much more to that exhilarating opportunity.
Frida Kahlo was not just an extraordinary artist but was moreover an extraordinary person. Herrera's heartfelt, deeply researched, and brilliantly written biography allows those of us who never knew her to feel as if we have and to share in the universal quality of her painful work. That alone makes us better people for having experienced it.

Since her death, Frida Kahlo has become something of an exalted icon, representing for millions of people the alegría of a life fully lived. Hayden Herrera's insightful book both supports the artist's status, and provides devotees who never met Frida the chance to know their idol in depth, to familiarize themselves with her happiness and suffering, to experience her highs and lows.

The book's mixture of intimate biographical details (a thorough chronology and evocative descriptions of events), psychological analysis and art criticism create an intensely vivid picture of Frida Kahlo, the world in which she lived, and the means by which her art conveyed her mind and body's pain. Objectivity is retained throughout; unflattering and negative aspects of Frida's personality are discussed with attention equal to that devoted to the subject's positive traits.

As Hayden Herrera's biography shows, the benefits to Frida of putting brush to easel - with her deliberate, small strokes - were manifold: not only was painting a solace and diversion, it was also a visual expression of the pain resulting from a terrible bus accident in which she was involved when she was 18, miscarriages, and the hurt of her husband Diego Rivera's infidelities. She also used painting as a means of earning money and limiting her financial dependence on Diego after they married for a second time. (While during her lifetime one of Frida's paintings might fetch $200 from a private buyer, nowadays even small-scale works have sold for over $1,000,000 at auction.)

To me, an appealing aspect of Herrera's bio is its lack of pretense (appropriately, as pretension is something Frida disliked in any form): you won't find any flowery, purple prose here, nor do the author's analyses and assertions smack of arrogance. It is quite apparent that Hayden Herrera knows her subject top to bottom, but I never felt as if facts and dates were crammed into the text superfluously, simply as proof that she knew them.

If it happens at all, it will be many years before Hayden Herrera's "Frida: A Biography of Frida Kahlo" is replaced as the definitive biography on the subject. Having read it cover to cover three times, I can't imagine a better-written or more stimulating study of this truly unique, truly gifted person.

Sin duda es una de las mejores novelas que jamás se han escrito.
En ella se puede encontrar un relato sobre las guerras
napoleónicas y la participación de Rusia en ellas, pero también
un retrato de la vida de la alta sociedad rusa de la época. Estas
situaciones tan diversas están narradas con una gran viveza.
Aprovechando el trasfondo histórico de la novela, Tolstoi nos
proporciona también sus visiones sobre la Historia y
el papel que los hombres representan en ella. Estas impresiones

no rompen la narración, sino que la complementan de forma
magistral.
El gran volumen de la novela puede asustar a algunos lectores,
pero en el caso de esta novela merece la pena: cada página se
lee con verdadero placer.

Sin duda es una de las mejores novelas que jamás se han escrito.
En ella se puede encontrar un relato sobre las guerras
napoleónicas y la participación de Rusia en ellas, pero también
un retrato de la vida de la alta sociedad rusa de la época. Estas
situaciones tan diversas están narradas con una gran viveza.
Aprovechando el trasfondo histórico de la novela, Tolstoi nos
proporciona también sus visiones sobre la Historia y
el papel que los hombres representan en ella. Estas impresiones

no rompen la narración, sino que la complementan de forma
magistral.
El gran volumen de la novela puede asustar a algunos lectores,
pero en el caso de esta novela merece la pena: cada página se
lee con verdadero placer.

Sin duda es una de las mejores novelas que jamás se han escrito.
En ella se puede encontrar un relato sobre las guerras
napoleónicas y la participación de Rusia en ellas, pero también
un retrato de la vida de la alta sociedad rusa de la época. Estas
situaciones tan diversas están narradas con una gran viveza.
Aprovechando el trasfondo histórico de la novela, Tolstoi nos
proporciona también sus visiones sobre la Historia y
el papel que los hombres representan en ella. Estas impresiones

no rompen la narración, sino que la complementan de forma
magistral.
El gran volumen de la novela puede asustar a algunos lectores,
pero en el caso de esta novela merece la pena: cada página se
lee con verdadero placer.

Sin duda es una de las mejores novelas que jamás se han escrito.
En ella se puede encontrar un relato sobre las guerras
napoleónicas y la participación de Rusia en ellas, pero también
un retrato de la vida de la alta sociedad rusa de la época. Estas
situaciones tan diversas están narradas con una gran viveza.
Aprovechando el trasfondo histórico de la novela, Tolstoi nos
proporciona también sus visiones sobre la Historia y
el papel que los hombres representan en ella. Estas impresiones

no rompen la narración, sino que la complementan de forma
magistral.
El gran volumen de la novela puede asustar a algunos lectores,
pero en el caso de esta novela merece la pena: cada página se
lee con verdadero placer.

Sin duda es una de las mejores novelas que jamás se han escrito.
En ella se puede encontrar un relato sobre las guerras
napoleónicas y la participación de Rusia en ellas, pero también
un retrato de la vida de la alta sociedad rusa de la época. Estas
situaciones tan diversas están narradas con una gran viveza.
Aprovechando el trasfondo histórico de la novela, Tolstoi nos
proporciona también sus visiones sobre la Historia y
el papel que los hombres representan en ella. Estas impresiones

no rompen la narración, sino que la complementan de forma
magistral.
El gran volumen de la novela puede asustar a algunos lectores,
pero en el caso de esta novela merece la pena: cada página se
lee con verdadero placer.

This is an excellent resource for anyone who wants to understand the U.S. Constitution, but especially for high school and college graduates who know they want to go into law as a vocation. My grandson, who just graduated from high school, was really pleased that I gave it to him, since he's planning to study Constitutional Law.

I have a friend whose son is adamant that the Federal Income Tax is illegal(16th Amendment)...so I purchased this book...looked up the 16th amendment...and sure enough it is VERY LEGAL...only kooks try to avoid paying it...well I copied the pertinant pages from this book and gave them to her so that she could pass them on to her law-breaking son...If you really want to know what the LAW OF THE LAND is ...then read this book...read it multiple times and please read it to your children...so that they understand our Constitution.

With each clause of the Constitution placed in historical context and reviewed in light of recent Supreme Court precedents, this academic tome brings together the brightest young and old minds in conservative and libertarian legal thought, including Eugene Volokh, Nelson Lund, Claire Priest, and countless others. Indispensible guide to anyone interested in an original meaning view of the Constitution. Not a better guide out there for originalist scholarly thought.

Every American Citizen should read this book. Understanding the relationship between citizenship and the rules by which the people authorize governance are very well described. With the press for democracy in the world, we tend to forget that the United States is not a democracy but a republic. Likewise, compliance with the Constitution prevents the establishment of an aristocracy. With the current arrogance of elected officials, we as a people have an obligation to become better informed on the roots of our sovereign law (which comes from the people) and what should be enforced; and that enforcement comes from our knowledge of the Constitution! The Heritage Foundation has done a superb service for all Americans in preparing this guide!

Edwin Meese was head of the editorial board for this guide, which is put out by the Heritage Foundation. That might suggest to some people that there's a conservative slant to the guide, but those people would be wrong. The Heritage Guide was first brought to my attention by a very liberal aquaintance who praised it to the skies, and then by a very conservative colleague who likewise praised it highly. They both had good reasons to praise it.

The Guide takes you through the entire text of the Constitution, line by line, article by article, starting with a three-page discussion of the preamble. It's written by around 100 contributors, all of them well-regarded experts in law and political science. Their discussion of even contentious topics (e.g., Amendment II or privacy rights) is dispassionate and clear, laying out for the reader the history and the case law behind contemporary constitutional issues and avoiding value judgements. The contributors write without legal jargon and with admirable directness, making the Guide accessible (not just accessible, but even enjoyably readable) to anyone with a good highschool education. The sophistication of their discussion, though, makes it suitable also for university students at all levels and for anyone who has any interest at all in the U.S. Constitution. No matter what your position is on presidential war powers or gun control, you come away from this guide with a clear and concise understanding of how the legal debate got where it is now. Each article in the Guide is followed by cross references to other passages in the Constitution, suggestions for further research, and a list of significant cases touching on the particular Article and Section of the Constitution discussed. Thus the Guide isn't just good reading on its own, but an excellent tool and springboard for further research on any constitutional topic.

This book should be required reading for university undergraduates, and for at least those few who will fall under my power next year, it will be. I intend to use this book in my classes on "Law and Literature" and "Law and Economics" as required supplementary reading. It will help clarify class discussions that revolve around constitutional issues, improve student papers, and make my students better informed citizens of the United States. That last one is the real payoff for everyone. I recommend this book far beyond the mere number of stars by which Amazon allows me to rate it.

Anyone with a background in Boy Scouting will love and appreciate this book. Oh my gosh, the memories that it brought back. I will definitely read this again.

A great read, very uplifting.
Captures the positive difference that Eagle Scouts and Boy Scouts create in our world.

This is a priceless book for someone who is into scouting or who is an Eagle Scout. I bought this book for a family member who was extremely pleased. I would highly recommend purchasing this book!

A second class scout, I left Scouting at 16, became a father at 21, joined as an adult leader when my eldest of two sons turned 11. Two months later, the Scoutmaster announced at a Court of Honor that his job had gone away and I was taking over as Scoutmaster, and I was too surprised to say no. Steve came home from his first meeting and announced that he was going to be an Eagle Scout as soon as he could, and two years and 4 months later, his mother pinned his Eagle on his shirt, and I, as his Scoutmaster, MC'd his Eagle Court of Honor. His younger brother took a longer route, with more encouragement, and after I despaired of his ever getting there, he decided he also wanted the honor, and had his board of review the eve before his 18th birthday. I bought 3 copies of the book, after reading it, to give one each to my two Eagles, and one to the troop, which I still serve as a troop leader and counselor for several merit badges, in the hope that it will encourage several more boys to achieve. Years later, their Eagle awards opened doors for my sons, and in a way, I am still "paying thier dues".
As an adult leader, I have organised and led our sons and others to most of the high adventure bases, and many other high adventure trips, and as many of those quoted in the book, get more out of Scouting than I put in.

Legacy of Honor: The Values and Influence of America's Eagle Scouts This is a great book for all Eagle Scouts, both new and old. Makes a great gift for a new Eagle. Solidifies the importance of the rank of Eagle latter in life. I bought two and gave them to knew Eagles. It was a great hit. Not likely to be a duplicate gift and something to refer back to as the scout gets older.

I am so happy I finally bought this book. I was hesitant to spend the money on something not entirely useful but it's breathtaking and so refreshing compared to all the red lips/platinum hair shots we see of her. The book is thicker and heavier than I imagined and has found it's place on my coffee table, partly because I can't move it around so easily. I am so so happy with this purchase!

The book is very well made with great quality paper. There is a little introduction by Bert Stern at the beginning and then all the pictures of the last sitting in chronological order. You can see big images, the ones that Stern thought were the good ones, and then the little ones which are very interesting and funny too. It's an incredible book, you can see a new Marilyn, more mature and prettier on the inside and on the outside.

Come ho detto nel titolo, è il migliore libro di foto su Marilyn che c'è in circolazione, lei è assolutamente spendida, in uno stato di grazia che l'obbiettivo del fotografo Bert Stern è riuscito in pieno a mostrare.
Questo grande libro con tantissime pagine e tantissime foto che ci mostrano Marilyn bella come non lo è stata mai è per tutti i grandi fan consigliatissimo avere!
compratelo!!!!!

Its simply a must in every Marilyn collection! Its like spending an entire day with her! If you like Marilyn you will love this book with hundreds of pics.

Thanks Bert Stern a wonderful photo documentary about
Marilyn Monroe.

I was very impressed from the pictures.

Thank you!

I could not put the book down.....fast reading and great stories and lots of humor.....one heck of a story teller....

Marty Appel served in the Bronx Bombers' public-relations office for nearly nine years, and was the PR director during the tumultuous early George Steinbrenner years (from 1974 to 1977). Appel's "Now Pitching For the Yankees" recalls the turmoil of that period -- and Appel's ability to function under pressure --with wit, a keen eye for detail and sensitivity.

None of the long hours Appel spent at the ballpark, the turmoil he witnessed, or the high-pressure tactics of owner Steinbrenner have dimmed his appreciation for his colleagues and bosses. It comes through in the pages of this warm, often touching memoir.

The boldface names are there -- including Steinbrenner, Mickey Mantle, Billy Martin, Joe DiMaggio and Reggie Jackson -- along with less-famous but pivotal Yankee characters like clubhouse man Pete Sheehy, team execs Michael Burke and Gabe Paul, and Appel's mentor in public relations, Bob Fishel. (It even mentions the writers: Appel's anecdote about one scribe's losing battle with bladder control in Boston is priceless.)

Appel also reflects on his vibrant post-Yankees career, including a bittersweet period with the Atlanta Olympics and a still-thriving stint as a baseball author (subjects include early baseball star King Kelly, former Commissioner Bowie Kuhn and former Yankee captain Thurman Munson).

"Now Pitching for the Yankees" is a good find for anyone who loves baseball, cherishes its history and appreciates the people behind the scenes who make it happen.

As a Red Sox fan, I was ready to read this and get whacked in the face with the hubris usually shown by anything Yankee. I was surprised by the balance shown. Marty Appel knows more about baseball than a lot of people running the game now. He was born about 30 years too late as people like Epsteil, Beane and Riccardi get to run ballclubs, while Mr. Appel 30 years ago had to come up through the ranks with Steinbrenner's Yankees no less. Mr. Appel also wrote an excellent biography on one of the first superstarts of baseball back in the 1800's--King Kelly. I recommend both books highly.

Only if you really know your New York sports would you realize that Marty Appel's in a much more unique position to write a tell-all book about the 1970s Yankees than many other athletes. During his progression over 10 years from Yankees' fan-mail gopher during the Horace Clarke years, to PR director during the 1976 World Series, Appel had once-in-a-lifetime encounters (with the likes of Joe DiMaggio, Mickey Mantle, Mike Burke, Gabe Paul, George Steinbrenner and ... Oscar Gamble) every single day.

"Now Pitching...", finally out in paperback, shows Appel's origins as a Yankees fan when everyone else was rooting for the Brooklyn Dodgers, and how he turned his love for the game into a career (when everyone else was watching the NFL). Most of the book covers the Yankees from 1968 to 1976, Appel's reign. Although many of the stories are familiar to baseball readers from what seems like 100 other books, only Appel is giving you the inside view. Nowhere else will you get such insider detail about Oscar Gamble's infamous haircut, Sparky Lyle's theme music, or George Steinbrenner's management style.

The book flags a little -- only a little -- when Appel leaves the Yankees and makes his mark in other ventures, such as team tennis and local NYC broadcasting. The most interesting part focusses on Appel's brief fish-out-of-water turn with the 1996 Atlanta Olympics organizers.

Marty Appel's been a very lucky guy -- who else gets to be friends with both Mickey Mantle and Billie Jean King? "Now Pitching for the Yankees" is several cuts above your standard baseball autobiography.

Posted 5:49 p.m., December 12, 2001 - Bruce M.
If I may add another book to the list. The best baseball book that I've read this calendar year is Marty Appel's Now Pitching for the Yankees. Marty worked in the Yankees' public relations department from 1968 to 1977, and shares loads of funny and insightful stories about the CBS Yankees and the Yankees of the Steinbrenner Era. The book is well-written, flows smoothly, and strikes me as honest without "hatcheting" people in and around baseball. I'd recommend the book to both Yankee and non-Yankee fans.

This book was chosen by Middle Tennessee State University for their summer reading book, and being a student there I decided to jump in with all the freshmen and read it as well. I'm excited that he will be speaking at our convocation ( our program to start off the year.)

The thing that interested me most about this book is that he knew not to expect much from his country. He had pride, and he had hope for a better future, but he knew better than to expect anything more than the current situation.
This book is definitely something to be read by those who are very involved in world politics, sociology, and psychology. Rusesabagina delves into each one with vigor, and I very well believe he could be a professor in any one of these concentrations.
I am proud to say that I share the world with people such as Rusesabagina.

My product arrived in time and in very good condition!

would definitely purchase again

Paul Rusesabagina is an ordinary man. He feels sadness and joy, fear and hope just like the rest of us. He is not a superhero in the ordinary sense of the word--he cannot fly, he does not have an agility belt, and he cannot scale walls. He is an ordinary man by all accounts, but in 1994 when the dark cloud of tense hatred between the Tutsis and the Hutus that had been brewing for decades in the small country of Rwanda erupted into a genocide that left eight hundred thousand dead, Paul Rusesabagina's actions as described in his biography An Ordinary Man were anything but ordinary.
Rusesabagina was born in a small village in the countryside in 1954. His mother was a Tutsi, and his father was a Hutu. According to Rwandan tradition of heritage passing through the father's bloodlines, Rusesabagina was considered a Hutu as well. Rusesabagina's father was his inspirational role model growing up, and his philosophy that "kindness and justice did not know ethnicity" was embedded in Rusesabagina's actions later in life (12).
Rusesabagina learned early on in life to fight with his words, not with his fists. He found that by speaking to people face to face, he could connect on some level, and convince them not to do him harm. This technique worked with schoolyard bullies, and later on with murderous, fanatical generals. Rusesabagina found work at the hotel Mille Collines, and eventually became manager of its sister hotel Diplomates.
After the plane carrying President Habyarimana was shot down, the extremist radio station RTLM began to use powerful diatribes to convince Hutus that it was their duty to murder the Tutsi "cockroaches." Rusesabagina, a moderate Hutu with a Tutsi wife, was able to negotiate, bribe, and flatter those carrying out the murders into sparing the lives of the 1,268 refugees that had fled to the hotel Mille Collines. The world turned a blind eye to the genocide and for a long seventy-six days, Rusesabagina had only himself and his words to save his family and the refugees from certain death. It is estimated that about five people were brutally murdered every minute. Rusesabagina managed to save approximately four hours worth of people. Eventually, he and the refugees were evacuated. Rusesabagina and his family moved to Belgium, where they reside to this day. In 1999, the movie Hotel Rwanda depicted his actions during this "dark bead" in Rwandan history.
This is one of the most remarkable books that I have ever had the pleasure of reading. It's so morbidly fascinating that even though at several times I felt physically ill, I was unable to put it down. Rusesabagina has a special skill as an author, and is able to paint an accurate and horrifying picture of the events that occurred, but at the same time is able to insert his whole-hearted and stubborn belief in the "triumph of common decency" over evil (203). Rusesabagina is able to argue this in the face of heartache and bloodshed. He is even able to provide concrete examples of people in the book that hacked their neighbors with machetes but still had a drop of human kindness desperate for an excuse to show itself.
Rusesabagina unapologetically criticizes all the nations that ignored the genocide for far too long. Rusesabagina not only provides criticism but also possible solutions that could have staunched the bloodshed quickly and effectively in the genocide's early stages. He also provides an excellent rhetoric on how extremists were able to convince rational, calm people to take up machetes and kill their neighbors and friends. Rusesabagina is able to counter the extremist rhetoric with words of his own, and uses this same skillful mastery of words that saved so many from slaughter to narrate this fantastic and moving book.
There are very few weaknesses in An Ordinary Man. Yes, the gore that is described twisted my stomach and left me feeling tainted and disgusted with mankind. After reading too much, I was almost unable to continue, but then again the mass genocide of men, women and children is not supposed to be neat and digestible. The descriptions are meant to shock and sicken. At the end of the novel, I felt ultimately dissatisfied and furious with the abject lack of justice. But this is a specific tactic used to irk the reader, because justice has not occurred in Rwanda and murderers still walk the streets. There is little justice to be found in that, and there is no reason why Rusesabagina should candy coat the issue to make the reader feel better.
Rusesabagina leaves the reader feeling hungry for more knowledge of the Rwandan genocide. His book inspired me to do outside research on the Rwandan genocide, and all of the other humanitarian crises that have occurred since then. Rusesabagina believes he is an ordinary man because to him saving all of these people seemed the most normal thing to do, something every man ought to have done. His message is a simple message of hope, a message that every man has the capability to give a "Rwandan no" to evil (203). His book serves not only a testimony to what happened in the dark days of the Rwandan massacre, but also serves as a means of getting people to care. He cautions that if the world cannot overcome apathy, then the phrase "never again" will be "one of the most abused phrases" and the "greatest lies" of the time. The book leaves the reader with a sense of hope that ordinary men like Rusesabagina will continue to say "no" to evil and do these extraordinary things as if they nothing more than ordinary.

This autobiography was written very well. The author was committed to getting the facts out without glorifying himself. Done very well. I appreciated being told about the genocide in Rwanda without all the gore. I understood perfectly what he was describing without seeing it on screen. I learned so much from both his experience and his trials trying to get help from other nations. Great book!

I purchased this book two months before I had the courage to read it. I feared it would be too upsetting and entirely depressing to engage myself in.

The book begins with a wonderful history of Paul's life. His vivid descriptions of The Land of A Thousand Hills, the banana beer, the family, his path to hotel management. It is an interesting story about a young man growing up in Africa.

The middle of the book approaches and details the horrific genocide of 800,000 people in as little as three months. The terror, the worry, the perseverence is all conveyed beautifully (if that word can be appropriate). I found inspiration in his ability to use words and intuition to communicate with people who could have taken his life. I felt connected to Paul's belief that nobody is 100% evil, and nobody is 100% good. I like his description of human nature, and felt he truly "gets" what being human is.

The ending of the book focused on his life in Belgium, among other Rwandan expatriates. And the decision to start a business in Africa. What a truly interesting person. I was fascinated by this story. It also shares much of the pre-1994 and post-1994 politics.

Whenever I gently give someone "the kindhearted blow-off" in my mind, I now think, "that was a Rwandan 'no'" I appreciate Paul's sharing of his culture and political environment.

I would enjoy seeing him speak. I appreciated his also sharing a little bit about how the movie came to be.

I really felt the storyteller is a person I could sit and have a beer with, and truly enjoy an afternoon chatting.

The last few pages of the book include a wonderful reference bibliography with information and suggestions on additional books to be read on Rwanda. I appreciated that, and plan to read several.

This is a very well researched and well written book. All of Tom Wheeler's guitar and amp books are terrific. I also have the companion Fender Amp book which is a "must have" for enthusiasts and collectors.

Incredible book. The whole story of the Fender Strat and Fender Musical Co., beautiful pictures and a deep analisys on different versions of who designed what!!! A lot of people have different versions of the story but at the end the picture is so much clearer. I tell you, this book is only for hardcore strat fans or collectors. 100% Recommended!!

Sometimes I think the rarest book of all is any good book on musical instruments. The market is FULL of make-a-quick-buck enthusiast books with poor content, bad writing, and indifferent quality. This one is a refreshing exception. It's a sweeping survey of the strat's history, but it's a good one, is very readable, and the pictures are excellent. I have to agree with another reviewer, though, that the accompanying CD is forgettable. It doesn't detract from the book itself, however. Well worth your while.

The Stratocaster Chronicles: Celebrating 50 Years of the Fender Strat

I ordered this book for my son-in-law. He is a working musician, the owner of 30+ guitars, and the Strat is his favorite guitar (he owns several). The book arrived when promised and in perfect condition.
Having been a guitarist in my own younger life I perused the book before wrapping and mailing it. It's a stunning beautiful look at the iconic guitar of a generation, and one which continues to stun us with the purity of its sound and the simple beauty of its shape.

The book is great and images are great. However, it was completely damage when it's arrived. Scratches everwhere. dented around the corners. I bought this book new, but it looks like someone has been throwing this book around before I got it.

Vera Brittain (1893-1970) was raised as the daughter of a mill owner in the north of England. She was an intellectual who dreamed of majoring in English Literature at Oxford University's Somerville College for Women. In the post-World War I period Vera would return to Oxford taking a second in History and later winning a Master's degree.
The first third of this book deals with Vera's autobiographical description of her raising in a conservative Edwardian home. She was close to her brother Edward; fell in love with poet Roland Leighton and enjoyed poetry. She and her generation were not ready for the horrific reality of the war which would kill over 10 million people.
During the war Vera temporarily dropped out of Oxford to serve as a
V.A.D. (a volunteer nurse). She would serve in London, Malta and France.
She would minster to German Prisoners of War as well as serving with distinction. Vera's beloved Roland was killed in battle as was her brother Edward who fell in the last summer of the war. Vera was seared by these overwhelming tragedies. And yet she went on with her life serving with bravery.
As the war ended she returned to Oxford becoming a feminist and pacifist. She lectured all over England on behalf of the League of Nations Union. Vera married a World War I veteran who became an academic.
Vera would write over 25 books becoming a beloved and popular author in her native England.
This is a long book over 600 densely printed pages. It is also one of the best books about non-combat, civilian life ever written about the war. Many of the scenes in which Vera is serving as a nurse are graphic and touch the human heart with the sadness and tragic loss of a bright generation of young Europeans. This book has become a modern classic which should be required reading in any course on World War I. Several years ago it was broadcast in a miniseries by BBC appearing on Masterpiece Theatre on PBS. This is a book which will remain lodged in your memory. Do your self a favor and purchase a copy soon!

I clearly am in a minority here but I did not like this book. A peer of other notable young British writers like Robert Graves and Wilfred Owen, Britton's book stands out among the male writers of the period as giving a woman's view of the war. The problem, at least for me, is that Britton is so over come with bitterness that she flogs the reader with it from the start.

An early feminist Britton had strong views and supported her male friends and family going off to the First World War but as they fell to the german guns she, like many of her generation, became disillusioned. This is understandable but in writing her book, Britton cannot set aside her bitterness and it makes the reading ponderous and heavy. For example noting a fete in her early childhood and the bunting and flags put out she says "If only I knew then it was all meaningless." we are taken from a little girl's views to a bitter adult in the blink of an eye and it just gets too much.

By comparrison the autobiography of Robert Graves, Goodby to All That, starts out with the childish illusions being enjoyed as a child and slowly the bitterness slips into the writer's world view as he matures and is exposed to the horrors of the war. this is far more subtle and easier to read, meaning you are guided to the ponit he wants you to reach, instead of trying to bludgeon you into the mindset as Britton does.

This is a fascinating, insightful book that it would behoove many of us modern folk to read. Learn about the harder times of the past, while sipping latte in a comfy chair. You'll be thankful for today's comforts -- and today's modern attitudes towards the capabilities and intelligence of women -- after you read what it was like for one woman early in the 20th century. Simply a great book.

The word "classic" gets thrown around a lot these days. Many so-called "modern classics" are not that important, but "Testament of Youth" deserves this reprint as a Penguin Classic. Brittain tells of her early life in the north of England between 1893 and the start of World War I in 1914 in beautifully clear prose, and her clarity of thought and powers of observation make the bulk of the book, dealing with the war's impact on her, painfully vivid without ever lapsing into self-pity. Like too many others of her generation (and the next and the next) Vera Brittain learned almost unimaginable lessons about life and her own inner strength. To that extent, "Testament of Youth" can serve as both example and inspiration.

Vera Brittain came from an upper-middle-class background shared by millions of young women in late Victorian England. One thing that made her different was her great intellectual curiosity and determination to escape a truly suffocating existence that few of today's Western women can easily imagine. What made her like most citizens of the time (and of later times)was her complete ignorance of the meaning of "war." Patriotism, her social conscience, and a desire to take part in the bigger world led her to volunteer as a nursing sister with the British Army. Her grueling hospital experiences were a revelation to her. Her personal losses are even more powerfully revealing of the human condition. Brittain was a "survivor" in every sense of the word.

"Testament of Youth" is just as fresh and moving today as it was when it was written 75 years ago and Vera Brittain tells a story that must be told and retold to each generation. For every reader who finds the book "too long" by current standards (its almost 700 pages), there will be two who wish they could follow the author even further. But even if you find yourself skipping ahead, particularly in the early part, you will not be able to forget Vera Brittain or her story. "Testament of Youth" is one of the great autobiographies of the past 100 years.

Vera Brittain enrolled in Summerville College, Oxford, in a time before degrees were granted to women. This was just before The First World War changed almost everything for almost everyone. When it was over, her best friends, her fiance and her brother had all been killed. She also personally witnessed the agony of thousands in the surgical wards where she worked as a volunteer nurse.

In response, she became a suffragette, a feminist and a liberal writer and lecturer. She sought to prevent such tragedy from reoccurring.

The answers to the political and social questions with which she struggled elude us still. But Vera Brittain's autobiographical account of her generation's trials, Testament of Youth, remains both a stunningly-honest portrait of a courageous young woman and a vivid chronicle of a time almost out of living memory. Through her words we see what we might have thought, felt and believed, had we been born into her era.