Literature Books

Enhance your dining pleasure by reading this most enjoyable and entertaining book about the restaurant business. It has added another dimension to our frequent visits to our favorite eateries.

John Galloway excels in the area of sardonic wit. His writing is stunningly succinct and his snappy writing style infuses this book with an impressive energy. His astute observations are deliciously poetic and he seems to have a photographic memory. His descriptions either infuse your mind with vivid pictures of complete chaos or shock you with laughter. He claims slavery still exists in America and at times this book does border on a study of human debauchery. John Galloway has a finely tuned sense of justice and not only has the ability to analyze his past work environments; he is at times almost expressing a calculated view of modern life.

In the first section we read about John Galloway's induction into culinary hell and then he delves into the topics of tipping, memorable waiters, celebrities and his views on patrons galore. Nothing escapes his shrewd observations skills or his critical review.

Everything from his sage advice to restaurant owners, to his views on the environment and veal leads me to believe that his reasons for writing this book are at the heart, healing. I was amazed at how many of the unspoken rules members of my own family have broken while dining out. I now understand why waiters are not especially interested in worrying about large parties and why they hate it when people fight over checks or despise the "can we have separate checks" question.

The hilarious, yet wicked revenge tactics and kitchen adventures might make you wonder how any cooking is ever accomplished. It did occur to me that the world John Galloway so despised was also one he actively helped to create. There are moments when a call for solidarity and the complete lack of regard for patrons clashes sharply with the obvious undercurrent of concern John Galloway wants to show to the world. His writing may dissuade a few innocents from entering the food service industry and then again it might even encourage the adventurous to take up a new challenge.

This book is filled with tales of inebriation as a survival mechanism, not so tantalizing descriptions of food preparation, drunken crazed chefs enduring overwhelming stress levels, descriptions of waiters, extreme chemical addictions, insensitive patrons and all the true thoughts waiters never reveal in glowing detail (swearing included).

I loved the idea of just putting a pepper mill on every table! Salad lovers unite. I also love the fact that throughout this book the reader is scathingly admonished to the extent that even I may never eat bread again before ordering my meal. Although, normally the bread is served after we order. I'm definitely not drinking the water anymore unless it is in bottled form.

John Galloway sheds light on various levels of society who seem to lack all consideration for human dignity. Although, I have to say I've heard of chefs who were voted husband of the year (I've also sampled their cuisine at the restaurant), waiters and waitresses who actually enjoy their job (some relatives and friends) and take pride in their appearance and have a definite work ethic.

I think John Galloway focuses on a extreme environment in which "the love of money" truly does become the root of all evil.

On the other side of the world, over here in the other Washington, chefs enjoy cooking with organic ingredients, support recycling efforts and contribute recipes to cookbooks that help to feed the hungry. There is another side of the story and this book presents the extreme comedic view of "dining out" as it dishes up all the dirt about the negative side of human nature.

"I would like" to say that if you enjoy reality shows or all the negative reviews for movies you disliked, then this might be your book. The writing in this book is impressive for a first-time author. I hope he will take on American culture in general and bring to light many of the issues that need to be addressed in a refreshingly honest and yet somewhat brutally candid way. He does address the issues of animal cruelty, gluttony, food waste and pertinent issues of homeless situations.

I can almost guarantee you that some parts of this book will cause the warrior in you to rise from the dust, but overall it is a humorous read. If you have a good sense of humor, you will be able to overlook the obvious arrows hurtled in all directions.

Since we all eat out, know someone who has worked in the food industry, or may have worked in the food industry at some point in our lives, this book contains information that will be of interest to almost everyone. As long as you have a strong stomach and a willingness to wade through a few moments of extreme revelation you can gain an entirely new perspective on culinary culture.

~The Rebecca Review

Truth, Humor, Edge, and Energy, December 17, 2004
Reviewer: FurSanhomera "furjomharnen" (United States) - See all my reviews
This book was simply outstanding, for a first work. The only book I liked better, was John Galloway's phenom new effort-
FINE DINING MADNESS ((Universe, January 2005),a 5-Star masterpiece which is maybe the best nonflction book I've ever
read {I purchased an advance copy at an Alzheimer's fund-raiser dinner in NYC}. With the rules of restaurant engagement
clearly laid out, FINE DINING MADNESS is turbo-charged, Vegas-centered new edition of his last book,"Dry, Up, with a
Twist." "Dry, Up, with a Twist" never attained it's full best-seller potential because Galloway's original publishing house
[Gardenia Press] went out of business after the death of its president, P. Elizabeth Collins <who herself authored "Wild
Gardenias" and "Secrets Unbecoming";.. Galloway knows his stuff,and and his words have edge and energy. His "rules of
fine dining" not only apply to restaurants, but to/for life. There will be much noise made about FINE DINING MADNESS
I'm sure all of it will be positive. '

John Galloway, Jr. has led an incredible life in the business of fine dining... He has brought that journey to life in his book Dry, Up, with a Twist. The stage is set by his autobiographical story, where he speaks of the personal tragedy and victory which lead to his career in the food service industry.

John then leads us through the characters, personalities and celebraties he has befriended and served in his travels. He tells the story of life as a waiter from a very open an honest point of view, sparing no words and no one. This book is a must read if you want to know how to "get in touch" with your server and enjoy the best dining experience possible.

It is also inspiring to watch as John struggles with tragedy, matures and rises above those around him who settle for their given lot in life. Read it for your self, give it to a friend. It will inspire you as well.

This memoir was good, but unpolished. FINE DINING MADNESS, Galloway's subsequent book, which was made from the ashes of this one, is best seller caliber.

American children went missing before and after Adam Walsh, but his was the first to gain national media attention. His parents were likable, educated and well-spoken, and Adam was kidnapped from the safest place anyone could ever imagine, from inside a Sears department store. The Walsh family's story could have been any American family's story. I remember seeing the original news stories, and the national TV interview of John and Reve Walsh, on the same morning that their son's headless body was found in a Florida canal.

The true story that John Walsh tells is about a family nearly torn apart by the senseless murder of a little boy, and the anger and rage that they turned into positive action and change, establishing the National Center for Missing and Exploited Children, and later, becoming host of the TV show America's Most Wanted, which has brought home missing children and helped police to solve murders and bring killers to justice.

The murder of his own child remains unsolved, but Walsh believes that he knows the identity of the killer, a homeless drifter who later died in prison, where he was serving time for crimes unrelated to the murder of Adam Walsh.

I've never read a book so gripping or heart wrenching. My condolences to you and your family Mr. Walsh; my heart breaks for you.

John Walsh has decided he is the voice for victims everywhere. The problem is, fewer and fewer people want him to be. Why? Because of things like this book.

He seems to ignore reality in favor of what he wants us to think.

I agree that this book is very sad and heart breaking. I can only begin to feel the sadness and heart break that this man and his wife went through. This book reveal that. I could only somewhat feel his pain because I have never been through it. This book proves that something good can come out of tragic happenings.

This book is more political then I thought. This man has accomplished a lot Worth the buy.

AS A MAN YOUR NOT SUPPOSED TO CRY, BUT I DID, READING WHAT HAPPENED TO HIS SON AND THINKING OF MY OWN SON I JUST COULDNT HELP IT! ITS A GREAT BOOK AND MAKES YOU WONDER WHAT YOU WOULD DO IF IT HAPPENED TO YOU!

Fantastic story, great for these turbulent times. Also recommend The Great Hippo Migration, fiction, for kids. William James Reece.

Bought this book for my wife for christmas. She heard the story on the news and really wanted to know the whole story.

The well-written book portrays a heart-warming story about friendship. Mzee's love and guidance, along with Owen's resilience, proves that Science can't always explain what brings species together. The book contains factual material, as partially told by the general manager of Haller Park, Dr. Paula Kahumbu. Photographer Peter Greste brings this story to life with his photos that capture all the main events leading to the remarkable friendship of Owen and Mzee. Further, they capture the amazing bond the two share. The pictures do a well job of telling the story. The vocabulary of the story is geared towards an average intermediate reading level, and can easily be modified to tend to a younger audience's level of understanding. Following the story are maps with facts about Kenya and Malindi, as well as facts on hippopotami and aldabra tortoises. The last section of the book also further discusses the aftermath of the 2004 tsunami. Lastly, this wonderful addition includes websites where teachers and parents can download discussion guides and take a virtual visit of Haller Park. This is a must for any parent and/or teacher to share with students of all ages.

The story of Mzee and Owen is a beautifully written story of two friends. The message of friendship and the bond of love shared between two souls makes this a must read for all ages.

I purchased this book after hearing something about their story. I believe it is intended to be a children's book, but I enjoyed the story and the pictures of the two together. It's a touching story of two misplaced creatures bonding together - gives you warm fuzzies. I pass it around to others who might enjoy reading it as a "pick me up". It is always returned with a smile.

The storyline is very simple, a good complement to illustrations that are colorful and detailed enough to hold the attention of very young children. We got this when my first son was about 9 mos. old; within the next year he had it memorized and could "read" it to us. My son is now 22 (YEARS old) and my husband and I can still recite the book . . .

this is a great book to teach aobut seasons and bring in new vocabulary and it is a great book because it is for toddlers but it is a board book so it can withstand younger siblings.

This book is delightful for children of 18 months to 3 years. The story is lyrical enough to capture their attention, the illustrations are delightful and Richard Scarry lives up to his excellent reputation as a chldren's author. It makes a great inexpensive gift.

I loved this book as a kid. When my family moved it was never seen again. I have been trying to find it again for years. I just found it! I read it to my daughter now and she gets so excited to turn to the next page. I am having fun sharing these kind of books with her. :)

This book holds the attention of my 18-month-old for quite a while, especially the rain page. It should last forever.

Easy reading,interesting,and educational.After reading Orchid Fever,I read a comment in Orchids at Home,and having read Orchid Fever,I realized that ugly,just like beauty,is in the eye of the beholder.

Having no interest in orchids whatsoever, I picked up "Orchid Fever" because I have been smitten with Eric Hansen's lucied and entertaining adventure writings (see previous reviews). This book is well researched and very well salted with Hansen's devastating wit and easygoing demeanor.

We are introduced to the orchid universe via the growers, scientists, show judges, "orchid police", and so-called smugglers who turn out to be not so.

Hansen once more captivates with these loosely linked stories of orchid obsessed people and the absurdities of the power brokers so bent on enforcing horticultural regulations that end up ensnaring the wrong people.

"Orchid Fever" is part expose, part travelogue, part literary journalism, and part horticultural history. This really is investigative writing at its very best, at turns tantalizing and educational. This man has a seriously clever wit which keeps the narrative light and fluid.

Hansen's abilities as a writer are superb: he knows his craft as well as any contemporary non-fiction writer. The seven years of creating this wonderfully woven bunch of stories is very much appreciated. From the first sentence, your attention is requisitioned and not released until the last - the mark of a Big League writer I think.

As always with Eric Hansen, my highest kudos.

Extracts: A Field Guide for Iconoclasts

"I thumbed through the pages ... Immediately I was confronted with centerfolds showing ... moistened, hot-pink lips that pouted in the direction of tautly curved shafts and heavily veined pouches." - from "Bodice Ripper", a chapter in ORCHID FEVER

A porn mag featuring your favorite XXX-rated stars? Um, no. An orchid catalogue, actually, as described by author Eric Hansen in his narrative exploration of the science, business, hobby, and collecting of orchids, ORCHID FEVER. Who knew flower breeding could be so titillating, or so lucrative? Indeed, as of the turn of the last century, orchids generated about $9 billion of worldwide business annually.

With so much money to be made, it's no surprise that the collection of wild orchids and their transport across national boundaries is so fiercely regulated, ostensibly to protect orchid populations in their natural habitats. But, of course, the cynical will recognize that it's all about the fees generated by the obligatory export licenses and certificates. Indeed, much of ORCHID FEVER is about the Convention on International Trade in Endangered Species of Wild Fauna and Flora (CITES), headquartered in Geneva, and its almost Gestapo-like enforcement powers, which, as Eric tells the story, have done virtually nothing to protect free-range orchids and have only increased their demand and value vis-a-vis breeders, hobbyists, and collectors.

Hansen illustrates his subject by traveling the world from California to Borneo to Minnesota to Britain to Germany to Turkey to France to New York and to Holland to interview the field's "horticultural extremists, pioneers, lone rangers, fantasy merchants, flower show flim-flam people, paid informers, rapacious nurserymen, international plant smugglers, pollen thieves, eccentric botanists, corrupt orchid judges, legendary growers, misfits, groupies, and camp followers". Though, as the author states, normal, balanced people are drawn to orchids, he found such only infrequently.

"Behind the cash register (of a neighborhood grocery store) sat a long shelf filled with mass-produced Phalaenopsis hybrids, selling for $19.95; every time I saw them I thought about the California orchid grower who shot and killed his partner and then mutilated the corpse because they couldn't agree on how to breed and sell these supermarket-quality house plants."

Perhaps the most engaging chapter, especially if you like frozen desserts, is "The Fox Testicle Ice Cream", in which Eric journeys to Maras, Turkey, the home of orchid ice cream, salepi dondurma, made from the tubers of the flower genus Orchis. Indeed, the chapter is so informative and interesting that a large segment of it was apparently plagiarized on a website I discovered sponsored by a Turkish-American business alliance. (After I communicated this fact to the author, he replied that it wasn't the first or last time such has happened, and he would pursue getting credit for the entry.)

When I began dating as a teenager in the late sixties, if I really wanted to impress the girl I'd buy a stalk of 5-6 orchids for 3 bucks from an elderly next-door neighbor that grew them. I don't recall that the expenditure ever helped me get lucky, but they sure were impressive in the giving. Nowadays, try buying just one on Mother's Day for less than an hour's pay. After reading Hansen's excellent volume, I better understand the orchid's mystique.

There's probably a good book about orchids and the recondite subject of international orchid policy in "Orchid Fever." In fact, I'm sure of it. Unfortunately, Eric Hansen spoils his effort with a lubricious, snarky brew of exaggerations, sneers, dubious anecdotes and invented suggestions.

One example can stand for a multitude of sins. Hansen attends a three-day conference and trade show of orchid fanciers, trying to set up the idea that these people are wild, crazy, risk-taking guys and gals -- not far from sociopaths is the general view. His evidence: The conferees sang karaoke and after that, "What went on in the hotel rooms after dark between the orchid growers was anybody's guess."

You could write the same thing about an Amway convention. So?

The serious issue behind this unserious book is how (or if) to conserve orchids that may (or may not) be threatened by collectors, habitat destruction or whatever it is that threatens orchids.

The antagonists are, on one side, amateurs, businessmen and independent scholars; and, on the other, academics and international bureaucrats, who are accused of self-aggrandizement and appropriation. It is not an issue just with orchids or even just about plants. It comes up concerning ancient artifacts, fossils, sunken treasure, even -- in a non-material sense -- myths and legends. See my review of "A Dinosaur Named Sue" for an example with fossils.

A friend of mine who runs an orchid nursery confirms the difficulty. Under a treaty called CITES that purports to protect endangered species, he must prove that his commercial stock (450 species) does not derive from wild-collected plants. Of course, ultimately, any orchid derives from such stock, but CITES has rules. My friend got much of his stock from his teacher, now dead. How can he prove where the teacher obtained it?

My friend could have his business shut down. In the worst instance, he could be shut up in a prison. It has happened to others.

"Orchid Fever" has obtained wide publicity and wide sales. It was aimed at the thoughtless, the sensationalistic and the lascivious, and there are plenty of those people out there. It's sad that probably the most-read book about orchids turns out to be a piece of low-rent crap.

I read this with jaw agape most of the time. The main reason for this embarrassing state of affairs was the CITES ridiculousness that crops up again and again. Can people in positions of power REALLY be so stupid? Well, yep, they can, sadly enough for the thousands of plants that are destroyed in the name of "development," illegal to save by conservationists.
But the people Hansen meets are equally worthy of a jaw drop. Their passion--there's truly no other word, unless it is obsession--for their orchids simply astounded me. Wonderfully humorous, enlightening reading.
Now that I've read it nearly a decade after many of the encounters described, I am longing for an update. What's become of the CITES laws? Has common sense prevailed? What about the individual scientists and growers? Are they still as enthralled with their plants? What a terrific book, to leave me hungering for so much more!

I notice that Robert M. Snyder uses the (for Juniors) ie: Winning chess for juniors. Anyways, I came across books by Robert Snyder from the publisher chess for Everyone. And it would appear that all the chess for Juniors have become chess for Everyone. Some examples: Unbeatable chess Lessons, More unbeatable chess Lessons, Chess traps, and Winning chess tournaments. My question is are these books the same just with different covers or are they different in any significant way?

I was wondering for a long time while playing in chess tournaments what was the best way to train. This was to improve my game and to make me perform better in tournaments. I had a lot of books that just had materials to learn from. But I wanted to know what to study, how to study and then when I get to the tournament what to do to put me in the best shape.

WELL, WINNING CHESS TOURNAMENTS FOR JUNIORS, WAS THE BOOK I WAS LOOKING FOR. Not only did it cover all of those things, but it has some really cool material for actuall study. It was fun too because it used funny true stories like about the "Chess Genie" and what other kids try and do to disburb you while you play.

But I liked also the stuff about the rules that isn't told to you in the rule book. And the parts about how the thinking processes make typical mistakes. This book shows you using real positions from actual games where you typically make mistakes under chess psycology.

Though if you just want lots of great materials on endgames to study, a set out opening system (completely outlined), lots of tactical problems that are the most important to learn, then for this alone this book is great. I agree with the other reviews who say there is not another chess book like this one.

Want to improve? Want to know how and what to study? Want some great material for study? Golly, I love this book (I do think the picture of the two kids on the front cover is cheesy and staged, so I am glad I didn't judge this book by the cover as I am certain those kids did not know anything about chess but the girl is cute and the boy is dorky looking).

When I purchased Winning Chess Lessons for Juniors, I realized it actually contained much less instructional material then I had hoped for. Eventually I realized why and am puzzled as to why no other reviewer pointed this out. It is a companion book to Unbeatable Chess Lessons for Juniors, another book by the Author. This book by itself is inadequate, but I realized it is for owners of the previous book, Unbeatable Chess Lessons for Juniors. This book intentionally dodges around the material covered in Unbeatable Chess Lessons for Juniors so none of it is repeating (This is a good thing).

This book is an add-on to Unbeatable Chess Lessons for Juniors, an upgrade if you will. This is a great book, but is to slim to be by itself. Get Unbeatable Chess Lessons for Juniors, and this book, and you should have no problems. As for the material covered in this book, it teaches you about tournaments and their rules. Chapter 3 is a psychology chapter, which is interesting and helpful, but nothing to rave about as other reviewers have. Chapter four shows you opening charts. While this did show me a new way to organize my openings, it didn't teach me much. The author mentioned for teaching that the reader should read Unbeatable Chess Lessons for Juniors. Finally, it has a thick tactics chapter full of useful tactical puzzles(about 100 of them). It contains a nice endgame study chapter, then some annotated games by the authors national champions.

All in all a good book... for its intended purpose. I didn't take any stars away because for its purpose as an add on to Unbeatable Chess Lessons for Juniors its great.

This really helped me improve how I did in tournaments. I had read some other chess books, that helped. But this book was the most helpful because it helped condition me for tournaments.
I especialy liked the chapter on psycology that teaches you about thinking mistakes during your play. Also what to be like eating, drinking, proper sleep during tournamnets and then about preparing.
How to study and what to study is neat. It also gives a lot of study stuff, problems, games, openings and endgames.
It also has some very funny true stories about players and things that happen. Very good book.

"Winning Chess Tournaments for Juniors" was the most useful single chess book I have read. One thing that hasn't been said in the other reviews, though implied is that this book helps you with ORGANIZATION and STRUCTURE in,

Helping you prepare for tournaments.

Telling you how to use many books, computers, methods of practice in ways that I never knew about.

Making it so I understand the rules and how to use them to your advantage. I will not likely be taken advantage of again!

Helping me prepare an opening system properly.

Telling me what is important to know about endgames with the endgames to study.

The importance of pattern recognition with many tactical puzzles to work on.

What to look for in a good qualified coach and chess teacher.

How psycology plays a part in chess and how you make mistakes when you analyze.

My list can go one, but I think I have said enough for now. I thing this book is simply the best book to help you do improve.

It's a touching story and the illustration is beautiful. I'm glad I found this book on Amazon. But for now, I think I enjoy the book more than my 2 year old. May be in a couple years he can start to understand the meaning of the story.

There is something absolutely timeless about this story--that is probably where the "traditional folktale" bit comes in. I'm not sure just how old the story itself is but I can see why it is still loved today. Ms. Hunt does an incredible job retelling this meaningful and beautiful story of a connection with Jesus Christ through sweet, emotional prose and fantastic pictures. Definitely a keeper.

I love this book and so do my kids. I'm sure my grandkids will too. I was surprised at what excellent condition it was for a used book. Even the cover looked really good. Thanks much!

This is one of the best books ever; for children and adult. If you have Christian Beliefs, I highly recommend it.

This is a wonderful book for all ages! The meaning is beautiful. Highly recommend!!!

In our modern age of vaccinations, it seems inconceivable that in 1949, 42,033 cases of polio were diagnosed. It was a disease without a vaccine or antidote that meant excruciating pain, followed by extensive physical therapy assuming that the patient didn't die from complications. There are three main variants: spinal polio, which causes rapid paralysis of the arms and legs (generally asymmetrical), bulbar polio, which causes difficulty breathing and swallowing (and frequently requiring the use of iron lungs as breathing muscles and mechanisms are greatly weakened), and respiratory polio, a combination of the above two. Peg Kehret was twelve years old when she contracted respiratory polio; she was the only victim in her small Minnesota town that year.

Peg recounts her terrifying illness in a very matter-of-fact yet gripping narrative. Paralysis set in rapidly, and she had a fever of 102 for nearly a week as her muscles weakened, requiring her to use an oxygen tent. But Peg was lucky; once her fever breaks (aided by a contraband chocolate milkshake), her recovery is much more rapid than her fellow hospital and rehab roommates. Even though Peg is nearly a teenager, there are small poignant touches of the remnants of childhood; her brother Art sent her a teddy bear that had to be burned once she left the polio ward, and her mother recommended that she donate her old books and toys to the children's polio ward. Peg resists, recalling happy memories with her old books and toys, and is dismayed to find that her parents have redecorated her old room as a surprise.

Peg is an engaging narrator who brings a distant era to life through radio dramas such as The Lone Ranger and the simplicity of a time where books and friendships filled our hours instead of electronics. Her rehabilitation is tempered with humor and spirit; no self-pity here, only the desire to become the best she can be. The Sister Kenny method of polio treatment is described in detail, along with physical and occupational therapy exercises. Peg has a crush on Dr. Bevis, a handsome doctor who makes her feel special by painting her toenails when she's still in intensive care, and promises him that she'll return to walk for him. She makes friends with several other girls recovering from polio, including the bitter Alice, who's lived at the rehabilitation center for ten years after her parents couldn't care for her. The girls are brought together by their shared experiences as polio survivors, and Peg is apprehensive about rejoining her school and the outside world.

The novel is brought full-circle by the sad mention that Peg, along with her former roommates, suffers from post-polio syndrome; around 25% of childhood polio sufferers develop additional symptoms decades after the initial infection, including muscle weakness, fatigue, or paralysis. After working so hard to overcome polio, she's certainly not giving in now. There are also vintage photographs of the author and her roommates scattered throughout. A marvelous introduction to polio's debilitating effects and the power of positive thinking on recovery.

Small steps was an enjoyable book and i would definatley recommend it to all of my friends. During this story, a polio patient named Peg, changes, not facial or look wise but mentally. At first she would worry about winning first in something however when she gets diagnosed with polio those worries change. Now she worries about whether she'll make it or not, and she realizes how lucky she really was without the polio. One of my favorite things abobut peg is that she can always take a sad thing and make it better, such as whenshe needs a wheelchair, instead of outing she learns how to wheelie on it! there is one thing i would warn you about; there isnt a lto of dialoge. If you love dialoge and cant get enough of it, then you are just like me! I dont really like books without dialoge. however, when i read this book I realized it has enough dialoge to keep me coming back for more. Although i really like the way it was written too. When in saw that this was a biography, i hesitated to pick it up. But when i started to read, i realized that this wasnt one of the ordinary boring biographies, but a biography written in fictioin form! Also, if your looking for a book written by the author then that is anothter reasen for you to, go out and get this book. Small steps is written in frist person. The plpot of this book is very easy to follow now read carefully; a 12 year old girl named peg is diagnosed with polio, and is taken to many different hospitals. While she is being transfered, she is fighting with all of her gut to kick this polio out of her system. That is as far as i am going with that.
Wait there is more, if you are also not a fan of long expositions; this book is probably the best one or you. Tyeh exposition is npt long at all. It simply describes where Peg lives how old she is and what she like sto do, and then the action starts.

p.s. if you are going to read this book i hope you enjoyed it as much as i did!

My daughter, age 9, was assigned to read this book as part of a Reading Olympics program in her school. I found it at the library and read the first chapter to her while we were still in the library. She did not want me to stop reading. We read it together every night after she had finished her homework. She was so fascinated with Peg Kehret's story that she would work hard to finish her homework in order to leave time for reading before bed. I highly recommend this book for older elementary and middle school age children. The author offers a very engaging glimpse of her experience as a child their age going through an enormously difficult and challenging ordeal. Her courage and humor in the face of her disease will give children insight into coping skills they can use someday.

This book is a must if you are looking for a book for your Mother/Daugther book club. We read it when our daughters were 10 yrs. old, but you could certainly be older. All the moms loved it.

I loved this book! It is about a girl named Peg who is stricken with Polio. My fav. part was when her temperature dropped by drinking the chocolate milkshake. I would recommend this book for anyone!

This book really moved me with Rapp's emotional honesty, and I echo the praises from previous reviewers. I rate it as 4 stars because, like a previous reviewer suggested, I feel it tended to drag a bit at the end and could have ended a chapter earlier. I strongly suggest the audio recording, especially for fans of Rent and of Anthony. Hearing him read the story himself (particularly for the small and poignant personal moments, like the frequent "Hi, Mama"--"Hi, Tonio" exchanges with his mother--it broke my heart every time) was an intimate and powerful experience, and when I finished I felt I had just had a long and passionate conversation with a friend--which i was very sorry to end.

Anthony Rapp tells an emotional story about personal life, love, and loss as he describes the years surrounding the phenomenon that is Rent. This is a book no Renthead should be without. Afer reading this book, I feel like I have gotten to know Anthony as a person, and gotten a rare glimpse through Anthony's eyes of the man that was Jonathan Larson.

Anthony Rapp was in on the creation of the masterpiece which became the Broadway sensation "Rent," almost from the beginning. He has written his memoir of that experience with great sensitivity and insight.

This book is a riveting tale about the creative process, how a play goes through its evolution to get to Broadway, and how every once in awhile a theatrical miracle can happen which changes everyone's lives. "Rent" is such a miracle. I just saw the play once again on Broadway this past weekend. I took my teenaged daughters to see it. After eleven years, it is finally closing down some time this year. If you cannot get to New York to see the play, rent the movie. It's not as good, but almost.

I loved this book, and recommend it to anyone who has ever overcome adversity to pursue a dream.

This book is amazing. It's a great read, easy to follow and really hits at your heart. I would reccommend it to everyone.

I am a fan of Anthony Rapp's and a major fan of Rent, so I felt the need to pick up this book. It gives you such great insight into Anthony as a person and there was a lot in here to which I could relate. Plus, you get to follow along with the backstory behind Rent, which I also found very informative and entertaining. But above all, Anthony pleasantly surprised me with his writing talent. I thoroughly enjoyed this read and I hope he continues to write in the future.

Jorge Luis Borges was one of those rare writers who can take even a bizarre, utterly unbelievable idea, and spin it into an exquisite little gem of prose.

And this classic writer was at the peak of his powers when he collected together "Ficciones," whose plain name belies the subtle power and exquisite beauty of Jorges' short stories. Even among Borges' many short stories, few of them can rival this little labyrinth of strange ancient cities, fictional histories, and the eerie depths of the human mind.

"I owe the discovery of Uqbar to the conjunction of a mirror and an encyclopedia." An odd old saying from the Middle-East leads the narrator to seek out the long-lost heretical histories of a fictional world known as Tlon. Its beliefs, language, and metaphysical eccentricities increasingly fascinate the narrator, until it's almost a surprise to realize that Borges invented all of this.

The stories that follow are no less engrossing -- the recounting of a strange, haunting novel, a man who attempts to LIVE as Don Quixote, a man who tries to dream a new being into existence, a lottery that determines the way the people of Babylon are to live, an examination of a brilliant and underrated author, an exploration of the eternal Library of the universe, and a labyrinthine spy story.

The second round of short stories is a bit less enthralling, merely because it focuses more on "typical" Borges short stories. But they are still pretty enthralling pieces of work -- the remembrance of the brilliantly eccentric Ireneo Funes, the story of a scar, a series of murders linked to "the secret Name," a condemned man's begs God for a year to perfect his art, a forgotten heretic, a conversation leading to revenge, the Cult of the Phoenix, and a man entranced by the "Arabian Nights."

Mirrors and labyrinths fill Borges' work -- real and imagined, in word, metaphor and reality. You see them in an endless library, a guitar melody, a contradiction in religious faith, a complex plot, and in the mind of a man who loses himself to an obsession. The mirrors show you the sides of people that they would never see themselves, and the labyrinth twists the mind into new places where it would never normally go.

"Ficciones" explores places where normal fiction would never go -- such as a Babylonian lottery for different places in society, corrupted by greed -- even as it imbues its eulogies, metaphysical ponderings and explanations with the tinge of reality. The cults, deaths, and art that Borges describes seem so plausible, and are given such depth and detail, that it comes as a mild shock when you realize, "Hey, he made all of this up."

Part of that is due to his unique style, full of elegant wordcraft and gently luminous imagery ("a round yellow moon defined two leaf-clogged fountains in the dreary garden"). Even a stabbing is made brutally beautiful, and often dialogue is unnecessary -- the most beautiful and striking stories in here are the ones where Borges (aka the narrator) eagerly explores some invented facet of the world.

And woven through these stories are many of the things that fascinated Borges through his career -- a tragic hero, ancient heresies, an elusive God, and people whose lives he could somehow explore through his own imagination.

If you could criticize anything at all, it's that few of the characters -- aside from the Borges "narrator" -- are much more than walking symbols of a murky little message. But hey, you could simply see this entire book as an exploration of Borges' own imagination by himself. He happily recounts countries that are nonexistant, books that were never written, geniuses who never were.

"Ficciones" is about the dullest name you can possibly give to a work of genius -- an intricate little web that is all mirrors and mazes. Absolutely stunning.

Borges is one of the great literary giants of the 20th century, a statement that in itself appears as a graveyard of a word; that his influence is comparable to that of Joyce, Proust and Beckett. I would another name to that list, that of Georges Perec, a French novelist most famous for his works "Void" and "Life, A User's Manual".

I am no authority in much of anything, so I'd advice you find and read as much Borges as you can, but I've found that this collection is a fitting place whence to start and end endeavours of life. Literature works as a way of shaping not only our imagination but expounding our sense of self; this is a phenomenon that does not exclude anyone: most of the time it is merely unconscious as we hone endless miles through the seas of matter, of influence. Reading the great masters not only takes us to the root of what has been shaping and influencing the most intelligent and worthy art created, this reading gives us tools of becoming a self-conscious human being.

But read these stories for fun if you're not a self-confessed pretentious bohemian like me. I do, too, yet for me the other half of the fun is to dwell in the experience and shape an abstractly spatial being of it, place it into my mind as a station between different poles of my being. I theorize because I don't know any better. I keep returning to this book time and again, and to his poems, in themselves undertakings of a genius mind to create a new world, a function which any work of art should consciously yet as lucidly as possible promote. Each of the stories is a labyrinth for the mind, a whole microcosm of wordplays, mirrors, riddles, puzzles, mazes, doubles, self-reflection, catalogues and everything from between. A whole literary life being constructed in these short stories, much in the same way as a word-to-word memorization of a Cervantes. As with that book, everything that we experience in fiction, that feels the same has changed forever.

With best regards,
AK

Borges, a half deaf Mephisto indian from Peru, wrote in the later half of the 20th century when half of his inheritance had been squandered in Bordellos charging full price. His forte into "asylum" literature came about as a result of being incarcerated by accident in a Bolivian prison camp which inspired the film, "Papillon". His days were spent by writing and re-reading a book he carried inside his pocket for 22 years which was titled, "Moth Collecting for Youngsters". Most of these stories deal with tidal waves and rocks but some, deal with the memories of his youth like "Hopping on Empty Books".

Transport the Wachowski brothers to the 1930's and ask them to express their philosophy by way of short stories. You might get something in the same ballpark as Ficciones. The diversity and genius of Borges' work is so unique that if you were to know all the languages in the world and had no word limit, it would still be hard to do a review that does justice. Ironically, this is exactly the kind of challenge that Borges would stand up to. I will attempt to review this work by enlisting adjectives that come to mind.

Surreal, mystic, recursive, sophistic, heretical, philosophical, religious, profound, imaginative, ingenious, circular, open-ended, unorthodox, personal, hallucinational, original, universal, self-referential, concise, contextual, complex, ironic.

Here are a few examples of the complexity of Borges' mind at work.

Borges attributes certain imaginary books and volumes of books to some of the authors that he is most influenced by. In reality, these books are projections of Borges' fertile mind and no more. In the process of critiquing imaginary works of art (let's call this meta-art), he creates an instance of the meta-art in the mind of the reader. It's like me talking to you about the eating habits of a third person you haven't met, and actually does not exist! Borges never fails to leave you with a lasting impression of a meta-art that resonates with your senses. On second thoughts, this is obvious because the meta-art is as much a figment of your imagination as it is Borges'. Every meta-art is a reflection of your own creative mind, while Borges is simply holding a mirror. And talking about mirrors, here's a quote from Borges as attributed by him to the meta-art in his first short story "Tlön, Uqbar, Orbis Tertius": "The earth we inhabit is an error, an incompetent parody. Mirrors and paternity are abominable because they multiply and affirm it." And with this we come full circle just like you would in most of Borges' stories.

Borges is fascinated with the idea of god and provides several unorthodox notions of god that might be as appealing to scientists as they would to priests. This is done more so by illustration than by elucidation. In fact, subtle self-references and recursions are an integral part of the entire work. The stories embody the concept that Borges sets out to illustrate, and always come full circle at the end such that appreciating the story is equivalent to appreciating the concept. Whether it is the wizard of "The Circular Ruins", the librarian of "The Library of Babel", the spy of "The Garden of Forking Paths", the teenage boy of "Funes the Memorious", or the playwright of "The Secret Miracle"; the self-referential nature of the work is haunting. Each story leaves you wondering how Borges could convey so much with so little words [This also speaks volumes about the quality of English translation]. Then again, the very topic of brevity and excessiveness is discussed in one of the reviews of a fictional book. It is like Borges does not let anything go. Yet again, the very topic of an all-encompassing book is discussed in the context of a fictional book that aspires to BE god.

There was not a single story of the seventeen that was not profound. There is no chance that you would not re-read this book after reading it once.

Borges never fails to please, to challenge, to entertain, and more importantly make one's brain shift into high gear!
If you are looking for an easy read, don't expect to find it in Ficciones.

However, if you are looking for a little cerebral cortex arousal; grab this book and find a cozy spot...you won't be disappointed!

Reading with his head instead of his heart, Borges looks to fill his mind with all the minutia and information he can possibly hold and release it back in his works with finely crafted and fascinatingly playful philosophical stories.

The sparse, objective writing of Ficciones is a far cry from his earlier lyrical style, of which he says: "In those days, I sought dusk, the outskirts, and unhappiness; now, mornings, the center, and serenity."

Thankfully in the newer center, we are treated to 17 extraordinary stories that are teasingly succinct, yet brimming with imaginative and aesthetic prose!

The scarcity of words requires that the reader pay attention to them all or miss much of the wisdom and subtleness that define the delicate and ingenious style that is this fine master of fiction...Jorge Luis Borges!