Literature Books

I have used Jane Brody's book so much that the pages were yellow and torn. I was glad Amazon could supply me with a crisp, clean copy.
I put the old one in our high-rise book exchange area. It was gone the next day.

I have a 20-year-old softbound copy of this cookbook that is in tatters, so I am very happy finally to find a fresh copy. I have made many of the recipes in this book and my family has a couple of all-time favorites, especially the pork with green beans and the vegetarian lasagne. While the basic recipes are wonderful, I frequently find them to be bland. My cookbook is filled with margin notes about what herbs and spices I have tried over the years to enhance the recipes. Nonetheless, this is a treasured part of my cookbook library.

The first part of the book is lots of info about nutrition and so on, very interesting and informative (like talking about how potatoes have gotten a bum rap, there really healthy, she mentions one guy who lived healthily for 300 days on nothing but potatoes (and a little margarin). The second part is a few hundred recipes, which are great - easy, delicious, pretty fast, a lot of them with ingredients we keep around the house. Some of our favorites - the chili recipes, the spaghetti pancakes, multigrain pancakes (good with soy flour and blueberries), etc. This (along with books from Moosewood, Tara Duggan, and the Quick Vegetarian Pleasures book) is one of primary cookbooks; we use it all the time. Highly recommended.

Putting "high carbohydrate" in the title is a no-no these days with the lo-carb craze that's going on, but I'm here to tell everyone that this is a great cookbook full of healthy recipes. Brody focuses on recipes that are often low-calorie and almost always include lots of veggies and other complex carbs, and she has many delicious desserts that aren't overloaded on fat and sugar. True weight management comes with exercise and watching overall calorie intake, while ensuring a majority of those calories are healthy ones. This cookbook is perfect for anyone who's interested in increasing his/her repertoire of delicious, healthy recipes.

I bought this cookbook back around 1992 and the tattered paperback is the most used cookbook in my kitchen.

I live with a vegetarian, so most of what I've cooked has been the meatless recipes, and without exception, they have all been wonderful! Some of these recipes are also my potluck dinner staples (esp the Tri-Color Chickpea Salad). The Quick Lasanga with Bean Sauce has been the hit of every party I've taken it to, and the Lentil soup is to die for.

At one point, I went through a heavy-duty baking phase, and tried many of the muffin and quick bread recipes in this book. Again, there wasn't a dud in the bunch - everything I baked was excellent and won praise from all who partook.

Most of the recipes in this book are very good "as is" (they don't need much futzing with). There is some prep work involved (lots of chopping of veggies and the like), so many of the recipes do take some time. Almost half of the book consists of information about food, nutrition, cooking hints and techniques, which I've found to be very useful. Personally, if you have to have one main cookbook, I'd say that this should be it!

This is an absolutely charming story set in England before the war. The Linnet children are sent to live with their staid grandmother after their mother dies and their father is away in the army. Grandmother is too strict to abide, so the children steal a pony cart to make their escape. And so their adventures begin, when the pony "delivers" them to the home of an old, grumpy man who agrees to let them spend the night.

This wonderful story is the very first book I ever owned and I never forgot the feelings of magic and wonder that I experienced reading it for the first time. Even now, as a grandmother sharing the story with grandchildren, I SO want to believe that Ezra talks to bees and that all can be right with the world.

I highly recommend this book to young and old alike!

Beautifully done story that starts off with the Linnet children running away. The story has an air of mystery and magic to it, that might or might not be.

This book begins as a delightful Victorian-style children's adventure. However, about halfway through the book, it turns to witches and witchcraft, evil spells, and an oblivious or helpless clergyman. I am glad that I proofread it before I was going to read it to my children. I will definitely be getting rid of this book.

This enjoyable tale is about 4 children who, separated from their father by war, end up spending the summer with an elder, bachelor, uncle. At the home of their uncle they have frightful adventures that ultimately lead to the redemption of the entire town. The book is well-written and could be appealing to both girls and boys. The book might require approximately a [...] reading level. It is a relaxing, entertaining read for those who enjoy Children's Literature.

I first read this book as a pre-teen. Then reread it again and again until the cover began to shred off. The only other books I have read more often are Jane Austin's novels. It is a charming, magical tale, meant to please young children who truly believe in good witches, and the protective nature of bees.

does your child have an obsession for backhoes, fire trucks and other large equipment? this is your answer. simple text and large photos. the dk series delivers.

We actually had to purchase this book to replace the library copy, which my 18-month-old daughter loved so much she didn't put it down for weeks and somehow reduced it to pieces (and that's hard to do with a board book!).

Well, my son loves the book and doesn't seem to miss the stickers, but I am bummed that the book came without the stickers.

My grandson loves this book. It's smaller than his other 'board' book, but he loves to look at the big equipment, being especially fond of the ones like his father and grandfather operate. Excellent pictures and easy to turn pages.

I bought this book for my son, who loves a truck book at his day care. When I gave him this book, he got a HUGE smile on his face and immediately wanted to read the book. It was the first book he ran to when he got home from day care, until we decided to put it in his crib with him, in an attempt to get him to stay in bed a little later each morning (he's a VERY early riser...) It worked! We can hear him in his room "reading" out loud and talking to the trucks in this book. He absolutely loves it and therefore we do, too!

I purchased this for use at home as we home-educate our children. I thought this would help me to brush up on my grammar skills, but my kids immediately picked this book up and started using it on their own. It is very user friendly - an easy read for any age, and a great review for middle and high school students. My 14 yr old uses it as a reference when she is writing. Highly recommended!

Painless Grammar is completely different from any typical grammar stuff! We tend to label grammar as boring, but I noticed something totally different from what we learned at school; it doesn't involve any dull and/or old-fashioned structures at all. What really intrigued me was the last chapter dealing with how to e-mail! Actually, I like that chapter best in this book. That was the least I'd expected! Facial expressions and abbreviations drew my attention because both of them are expressed differently from Japanese. I think using them sometimes helps you enjoy e-mailing your friends. Of course, I know too much use of them confuses readers, though. I bet dealing with e-mail is a down-to-earth and up-to-date approach to attract readers!

Read and then keep at your desk within arms reach when you write. This book is perfect for those grammar stumpers.

Even though this book is geared for the 6th-8th grade student, it offers sound advice in a clear, easy-to-understand style. Who needs a grammar book that's full of long, linguistical answer that no one can understand. If I'm stumped by a grammar question, I don't hesitate to pick up this fun reference tool.
Karen Reddick, author of Grammar Done Right!

Before ordering this book I've read many reviews. Those reviews helped me a lot to make the right decision. This book is just amazing for sharping your English grammar skill. You polish your English by learning little details. I'm a Junior in High School. I thought that my level of English grammar is pretty high, but till I started reading ''Painless Grammar" with all these small, tiny detail. My dad, is educated 52 years old teacher, who is a bookworm! Even he found this book very exciting. So right now, when I start to read this book he is always next to me. The book is written with good humor and explanations to every aspect of the grammar. I read 10-15 min. per day, that's enough.

I think this book should be a "hand book" for every single person, no matter how old you are. Folks, don't even hesitate! Just go for it, buy it, and have pleaser by reading "Painless Grammar."

You can tell that this book is something special just by looking at the quirky artwork on the front cover. I must admit that I've never visited that part of the world before, but was surprised to find out that New England has such a rich history of folklore and creepy tales. I love the informative way in which all the stories are presented. They have depth and the author usually always offers a theory as to why the (mostly) supernatural events have occurred. My most favourite story in the collection was "Beyond the Dark Entry". It discusses the demise of a small hamlet by the name of Dudleytown. This story was genuinely creepy. I also loved "From the Mountains of Madness" which details some of the eerie experiences various people have had on the top of Mount Washington. Another thing I liked about this book was that even though some of the subject matter or folklore may have stretched the truth a little over the years, they never fall into the trap of being so far-fetched that you feel like you're being taken for a ride. This was a thoroughly entertaining book and I would recommend it to anyone who is interested in this genre. I consider this to be one of my most favourite reads ever!!

Another collection of the incredibly bizarre and truly creepifying true tales of New England from Joe Citro. Not only are these tales so weird, so full of the Yankee spirit, so very scary, but Citro imbues them with the clever, dry-wit of the twinkle-eyed New England storyteller. This book was fantastic. Part of it might be that these places are very familiar to me and it isn't hard to imagine these weird, magical, creepy things occurring in the depths of old New England. Also, these tales are so absolutely bizarre that not even New England's best storytellers (from Nathaniel Hawthorne to Steven King) could have imagined them. I couldn't put this book down, and yet, I couldn't read it at night. Wonderful, scary, and fascinating collection. Grade: A+

the book was interesting,not the type of book to read on a cold
dark rainy night.some of the tales were dated,but still of interest to me since i have lived in new england all my life

What you'll love about this book is that Citro spins a good yarn. His storytelling style reads well, and your eyes effotlessly flow over the words. As for whether these stories are true, he includes some fantastically compelling reasons why they could possible be more than simple legend or folklore. Documentation, methodical investigations by qualified skeptics, law enforcement sightings, journalists, and witness-upon-witnesses, all shared in a non-overbearing fashion. He's not trying to prove anything, he's just tickling our thoughts -- and it works!

The stories themselves are either interesting, quirky, terrifying (or all of the above), and all of them -- I mean all of them -- are utterly unique. Just stuff you couldn't have made up on your own even if you were using hallucinogens!

If you're a skeptic it will challenge you. If you're a person of faith it will make you rethink your pre-assumed theologies. But ultimately this book succeeds because at its heart they're just well-told stories that will chill you to the bone and make you think at the same time.

From the title of this book, I was expecting mostly ghost stories. However, this book is unique in its genre, and I was very pleasantly surprised! Although this book has much legend and lore, of which I am not usually a fan, this author's ability as a raconteur quickly overcomes the boundaries of time. These tales are superbly told by a master at his game. Joseph Citro, in his own words, claims to be an "anthologizer." That is exactly what he does here, and he does it well.

The author's ability to narrate a captivating tale is the epitome of the classic New England story-teller, wry humor included. His prose breathes invigorating life into these stories, most of which are "off the beaten path." He will at times make you shiver, and at other times scratch your head. Gathered for your inspection are some of the most creepy, bizarre, and, in some cases, well-documented strange happenings from across the region. Joseph Citro has set himself apart as a top-notch investigator of odd history and unsolved mysteries, a true "Bard of the Bizarre." I am especially a fan of the stories about the sightings of the "Yankee Bigfoot." There were some pages I couldn't turn fast enough.

This collection peeks into lots of New England's nooks and crannies, and should be included in any ghost story, folklore, or mystery-filled library. These strange tales are engrossing, well varied, and unique. I would love to sit down with the author over a roaring campfire, late at night, with only the forest winds howling . . .

Lips that taste of tears, they say,
Are the best for kissing. ~Dorothy Parker

Dorothy Parker died the year I was born and yet she seems like a modern writer you'd like to meet and talk to for hours. While she lived a troubled life she is a fascinating study. While in France she became friends with Earnest Hemingway and soon thereafter published her first book of poetry, "Enough Rope." She writes about her friendship with Earnest in the Uncollected Articles section.

Of all her writing, her poems strike me as her true self. She reveals so much in her poetry and many times her feelings reach new levels of desperation. She doesn't seem to find as many beautiful moments as Anais Nin, but then again she manages to continue the struggle of life without taking her life in a river like Virginia Woolf.

The true irony of her life is that she dies of natural causes after spending a life embraced in a dream of death. When she wishes people were dead, it might be because she sees death as some beautiful way to escape reality.

The memorable short stories make extended points about human nature and page 48 is an especially good example of a page dripping heavily with sardonic wit. Where did all this angst come from? She is a woman living in a time where she cannot always speak her mind and she is deeply frustrated in many of her "internal dialogue" confessions.

When given the choice between creating and curing, she seems to create from a place of deep emotional pain. She seems to fall into similar patterns and actually seems to revel the idea of: "I wore my heart like a wet, red stain on the breast of a velvet gown."

Dorothy Parker's poems seem to be more of her desire to break free from the brutal revelation of life. She has a typical love-hate relationship with men and is an astute observer of cultural trends. I have a feeling she wrote many of her poems while she was in a manic state of some sort because she reveals so many of her feelings and comments so deeply on her life experience. The first few lines of "Wisdom," show her frustration.

This I say, and this I know:
Love has seen the last of me.
Love's a trodden lane to woe,
Love's a path to misery.

She seems to be having a bipolar diatribe during the story of the Telephone Call. Her mean streak can be a bit shocking at times, but she does love rain and has other sensitive qualities which seem to balance this more sarcastic and vindictive side of her personality.

Dorothy Parker wrote reviews under the title "The Constant Reader." There are quite a few reviews from The New Yorker. She reviews The Journal of Katherine Mansfield and We Have Always Lived in a Castle by Shirley Jackson. I enjoyed her conversational style and the way she thinks through her writing while she writes. It is as if you are observing the entire thought process. You can read her thoughts about Oscar Wilde's An Ideal Husband from Vanity Fair.

One of my friends reads me Hemingway and I read him Dorothy Parker poems. It is a friendship made in heaven. He also knows all about Dorothy Parker and the Algonquin Round Table and has lists of books for me to read. This book is my first Dorothy Parker experience and I found many poems that I loved and quotes that are definitely collectable. This is an enjoyable introduction to Dorothy Parker that may end up with many highlighted pages.

You may also enjoy reading: Touched with Fire: Manic-Depressive Illness and the Artistic Temperament

~The Rebecca Review

This is the bible for Dorothy Parker lovers. "The Portable" contains Mrs. Parker's short stories, poems, book reviews and Broadway criticism. The book originally came out in 1944 - and has never gone out of print.

Most of Mrs. Parker's most famous writing is presented here. Her short stories and verse were chosen in 1944 and arranged by Parker herself. When the book came out again in 1973 the editors added some of her theater reviews from Vanity Fair and The New Yorker, along with selected book reviews she penned for The New Yorker and Esquire.

The only downside to this edition is the rotten introduction by the crusty Brendan Gill, who was a longtime staff member of The New Yorker and is not too kind to Mrs. Parker. I suggest skipping his intro entirely. For most Parker fans, this is the first collection they buy, and it is a good start. If you are going to own just one Parker book, this is it.

I most like her very short stories & this is a great collection. They are almost scenes more than stories. In many of her writings, definitely in my favorites ("But the One on the Right"- about sitting next to a dud at a dinner party, "The Sexes"- about a date getting off on the wrong foot, "Here We Are"- about nervous newlyweds), Parker takes people's silent assumptions, adds dialogue riddled with miscommunication, then has her characters completely overanalyze the situation. What's left is very biting, very funny and gives loads of evidence to the saying that `assuming makes an ass out of you and me'.

This has been one of my "always by my side" books for several years now. The short stories are ironic and witty, the poetry is amazing. Of everything, I would probably say the best part of this collection is the poetry. Ms. Parker has a brilliant sense of humor and she reveals an essence of feminism one can relish for years to come.

Dorothy Parker was brilliant! Sure I'd have been afraid of her and that whip-sharp mind of hers that could unleash a rapier wit with seeming ease, but I love her stories, poems, and essays. This "portable" anthology of the great lady's writings is a perfect marriage of the printed word compacted into an accessible format. This is a book to sit back and fall into, as one slips into tales peopled with a cast of (surely Hell-bound) movers and shakers, all infused with the cool, trademarked Parker style. Recommended sans hesitation!

Una novela que marca a todo el que la lee... el lenguaje en su máxima y más hermosa expresión.

La historia con Bèrthe Trépat, la carta de La Maga a Rocamadour, Talita pasando por el tablón y, claro, el capítulo 7 (toco tu boca...). Este libro me deja sin aliento. Nunca, pero NUNCA he leído nada de semejante belleza.

I really enjoyed this original book.

It has taken me years to sit down and finally make a serious commitment to read Julio Cortazar's "Hopscotch/La Rayuela." I cannot think of a better companion to devote a few weeks to, maybe even longer - hey, whatever it takes! It depends on your reading speed and the time you take to truly savor the poetry of the author's language. So, be willing to make a small personal investment in this very special novel, and the reward you reap will be a worthy one. Julio Cortazar will take you to places you have never been before in literature, and may never experience again. I read "Hopscotch" over this past summer, after a thirty year delay. I can be very stubborn about putting off what is good for me!! The author's imagination is boundless, his prose rich and luminous, his wit and sophistication rare, the dialogue brilliant, the plot...I won't attempt to describe that with a few adjectives. Wander through the extraordinary labyrinthine plot on you own - the way is yours to discover. I promise, you won't get lost!

I was introduced to "La Rayuela" about thirty years ago, when a close friend, with similar reading tastes, gave me the book. Enthused after just reading the novel, he told me that I reminded him of one of the characters, La Maga. (What a compliment...I think!). I was living in Latin America at the time. With personal interests at stake and much curiosity, I bought a copy in Spanish, which I read with some fluency back then. After experimenting with which way to approach the novel, and trying both ways, I gave up...and just read the parts about La Maga. I had little patience at that point in my life, and needed to acquire some, and to read slower, with more of a sense of play and participation. Cortazar wants his readers to participate - to make reading his book an interactive experience, not a passive one. I was and still feel touched when I remember my friend's comments regarding La Maga. She is a magnificent character and Cortazer's prose, his language, (Spanish), is exquisite. So, about a year later, I thought I'd give it another try, in English, perhaps with better results. None! I just wasn't ready, I guess. That happens to me with fiction occasionally. I have to be open to the experience. Yet, after all these years, I still thought of Horacio Oliveira and La Maga from time to time. And why not? They are truly unforgettable. As I wrote above, I did make time, at last. For an adventure of a lifetime, I recommend you do the same.

When Julio Cortazar published "La Rayuela" in 1966, he turned the conventional novel upside-down and the literary world on its ear with this experiment in writing fiction. He soon became an important influence on writers everywhere. "Hopscotch" is considered to be one of the best novels written in Spanish. The work is interactive, where readers are invited to rearrange its text and read sections in different sequences. Read in a linear fashion, "Hopscotch" contains 700 pages, 155 chapters in three sections: "From the Other Side," and "From This Side" - the first two sections are sustained by relatively chronological narratives and so contrast greatly with the third section, "From Diverse Sides," (subtitled "Expendable Chapters"), which includes philosophical extrapolation, character study, allusions and quotations, and an entirely different version of the "ending."

The book has no table of contents, but rather a "Table of Instructions." There, we learn that two approved readings are possible: from Chapter 1 through 56 "in a normal fashion", or from Chapter 73 to Chapter 1 to... well, wherever the chapters lead you. The instructions are all in your book and are extremely clear. At the end of each chapter there is a numeric indicator to lead the reader to the next chapter. One never knows where one will be lead. Due to its meandering nature, "Hopscotch" has been called a "Proto-hypertext" novel. Cortázar probably had this work in mind when he stated, "If I had the technical means to print my own books, I think I would keep on producing collage-books."

Horacio Oliveira, our protagonist and sometimes narrator, is an Argentinean expatriate, an intellectual and professed writer in 1950's bohemian Paris. He and his close friends, members of "the Club," do lots of partying, drinking, and intellectualizing, discussing art, literature, music and solving the world's problems. Oliveira lives with and loves La Maga, an exotic young woman, somewhat whimsical, at times almost ephemeral, who leaves behind her, like the scent of a light perfume, a feeling of poignancy and inevitable loss. La Maga refuses to plan her encounters with Oliveira in advance, preferring instead to run into each other by chance. Then she and Oliveira celebrate the series of circumstances that reunite them. Eventually, he loses La Maga, who loses her child. With her absence, Oliveira realizes how empty and meaningless his life is and he returns to his native Buenos Aires. There he finds work first as a salesman, then a keeper of a circus cat, and an attendant in an insane asylum.

As Oliveira wends his way through France, Uruguay and Argentina looking for his lost love, "Hopscotch's" narrative takes on an emotionally intense stream of consciousness style, rich in metaphor. Back In Argentina, Oliveira shares his life with his bizarre double, Traveler, and Traveler's wife, Talita, whom Oliveira attempts to remake into a facsimile of La Maga.

The game of hopscotch is only developed as a conceit late in the narrative. It is first used to describe Oliveira's confused love for La Maga as "that crazy hopscotch." The theme develops as a metaphor for reaching Heaven from Earth. "When practically no one has learned how to make the pebble climb into Heaven, childhood is over all of a sudden and you're into novels, into the anguish of the senseless divine trajectory, into the speculation about another Heaven that you have to learn to reach too." The variations on the children's game are described as "spiral hopscotch, rectangular hopscotch, fantasy hopscotch, not played very often." The allusions continue and include some beautiful passages.

"Hopscotch" is much more than a novel. Ultimately, it is best left for each reader to define what it is for himself/herself. Pablo Neruda in a famous quote said, "People who do not read Cortazar are doomed. Not to read him is a serious invisible disease." I don't know whether I would go so far. Remember, I put off the experience for many years. But this is one novel that should be read during one's lifetime. It is brilliant and it is fun!
JANA

Rayuela es, junto a otras obras como "El Túnel" de Sábato, una de las pocas muestras de literatura Existencialista latinoamericana. Y el resultado difícilmente pudo ser mejor, este libro de Cortázar fue aclamado por la crítica internacional y actualmente está junto con "Cien años de Soledad" ,y algunos otros pocos, dentro de las novelas latinoamericanas más renombradas.

En la primera página de "Rayuela", el autor indica que la obra es en realidad muchos libros y no sólo uno, pero que principalmente son dos libros (dos formas de leerlo). El primero se lee en forma continua, desde el capítulo 1 hasta el 56. El segundo se lee de acuerdo a un orden específico que da Cortázar, y abarca muchos otros capítulos, la totalidad de la obra. La palabra Rayuela se refiere a un juego, y algunos críticos consideran que esta 2da opción es también un juego, una broma del autor. Incluso al llegar a cierto capitulo (leyendo de la 2da forma), te ves dirigido luego al capítulo que leíste antes, formándose así un circulo de tal manera que la obra no tiene fin. ¿Cómo leer Rayuela? En lo personal la leí en forma continua, y no me arrepiento, aunque confieso haberle dado una hojeada a los capítulos no leídos.

No quiero contarles la trama de la novela, que si bien es muy valiosa, no es lo principal y no vale la pena conocerla antes de la lectura (como en casi todos los libros, en mi opinión). Basta con decir que narra la historia de Horacio Oliveira, un argentino de espíritu libre, sus años en París y en Argentina, y sus problemas existenciales. Como en toda novela existencialista, el principal atractivo es la profundidad de los personajes y la habilidad narrativa del escritor para envolvernos en la personalidad y mente de estos; en todo esto triunfa Julio Cortázar. En Rayuela, además de Oliveira, hay otros caracteres interesantisimos, como la famosa "Maga". La construcción de este personaje es una genialidad del autor, "La Maga" termina siendo una suerte de "Madame Bovary", una mujer a la cual ni Oliveira ni el lector podrán nunca olvidar.

Que más decir, "Rayuela" es un libro infalible, genial, de lectura imprescindible para cualquiera que disfrute leyendo a Sábato, Camus, Hesse, Sartre o Dostoievski. Pero es para cualquiera en realidad, pues es un libro verdaderamente extraordinario.

This book, which by all means should be read before "The Letter of Marque" is a wonderful, if sad installment in the series. In the midst of the unfortunate treatment of Aubrey however, is a real powerful moment towards the end of the novel. Again, a real testament to the themes of honor and friendship that abound in this series.

This is the 11th novel in the Aubrey-Maturin seagoing series. This book is all about honor and reputation, how easy they are to lose, and how hard they are to get back. The story takes place mostly on land and finds Captain Jack Aubrey an easy mark for some stock swindlers who lure him into a confidence game, with terrible consequences. Doctor Stephen Maturin finds that he has been dumped by his flighty wife, who ran off with a Swedish officer. The book ends with the men in an unaccustomed circumstance, with Aubrey reliant on Maturin to salvage his own future.

It was nice to see the series back in good form after the silliness of "The Far Side of the World." However, some of the on-going international intrigue that spans several books has gotten so complicated that I can't remember what it was about, and I find myself not caring, either.

Reviewer: Liz Clare, co-author of the historical novel "To the Ends of the Earth: The Last Journey of Lewis and Clark"

The twelve books that precede The Reverse of the Medal in the Aubrey-Maturin series together form a coherent, engaging chronicle of naval warfare, intrigue, and romance. Had its thirteenth installment been simply more of the same, the appeal might have begun to pale; however, with a single plot twist, Patrick O'Brian changes the rules of the game completely, handing Aubrey and Maturin a whole new set of challenges.(Note: plot spoilers follow).

Captain Jack Aubrey, ashore and in funds for a change, is induced to invest in the stock market on rumors of peace. When the rumors turn out to be a hoax, Aubrey is falsely accused and convicted of stock fraud and dismissed from the Navy. With his fortunes in ruins and reinstatement to his rank a dim prospect, his only choice is to take up privateering in the newly-decommissioned Surprise.

What sets this book apart from its predecessors is the extent to which we see Aubrey struggling honorably with devious opponents and murky matters quite at odds with his seamanlike competencies, and dealing with the loss of his Naval identity, so much a part of his being. In so doing, it contains some of O'Brian's finest writing - the scene of Aubrey's punishment in the pillory, cheered and protected by a city square full of seamen, is one of his most bitterly triumphant and touching.

The Reverse of the Medal is not the place to start reading this saga. However, the changes that it rings on the previous books' formula ensure a fresh tone and a new perspective that will invigorate even the most jaded veteran of stern-chases and luffing-matches.

Just one of an awesome series focusing on "Lucky" Jack Aubrey and his friend, Dr. Steven Maturin (sp?). Series is a robust and rich historical men-at-sea and -at-war yarn that covers many years in the late 1700 to early 1800s. Ah-HA! (inside joke). Simon Vance's voice is excellent and each character is distinct.

This series is an absolute treasure, and I can't recommend it highly enough. I do, however, caution you on a couple of things. O'Brian is difficult to read. Well, that's not quite fair, it's not difficult, it's slow to read. Paragraphs can go on for a page and a half or longer, and that makes it difficult to digest all that happened.

Whatever you do, don't give in to the temptation to skip sections because they seem like long descriptions. If you take the time to read them, they seem to always offer some gems of wit and a sly turn of phrase; plus, O'Brian can resolve an entire dilemma or introduce a battle and the aftermath in a couple of sentences.

Looked at from a certain point of view, it actually enhances the story because you have to think about what you just read.

Read them all and read them in order. I can't speak to the rest of the series, but up until now it is superb.

we gave this to our four-year-old grandson. we then spent much of the days that followed reading and laughing at its contents (and learning some things too).

understatement: it was a huge hit. even if you have other scarrys -- and the content of this one does overlap the content of some other titles -- its format makes it special.

recommended without reservation!

my baby loves her biggest book- it's strong and covered with the pictures and words she loves, and for me, I grew up with Scarry, so I feel good about what she is learning.

We've had to buy another copy of this book as the first one had to be given away when we moved overseas. Our kids begged us to buy another one so our youngest child would not grow up without it!

I give this book about twice a year to little children learning to talk! I hear from their parents that it immediately becomes one of the favorites - and I find adults enjoy creative use of the book as well (eg:telling stories about the pictures, promoting imagination and self directed play) It's a sure winner, and Amazon price absolutely the best!

I was excited to get her this BIG book because she loves to look at books and point to the pictures and I name them for her...she is 12 months old. I thought she would sit on the book and look at everything but I think there is too much going on and it keeps her attention for about 1 minute and then she goes and gets one of her other books. The other thing that I don't really care about with the book is that things have "weird different names" to identify them (pumpkin car, etc). Maybe she'll grow into it...time will tell!

i gave this book as a gift once. to like a book enough to give it as a gift.. now that's something. if you appreciate being told the way it really is, you'll love bukowski.

The recording quality may not be absolutely perfect but the item captures Bukowski as he was, and adds significantly to the image one gets about his personality and his views from reading his, frequently repetitive books.

Some one gave this book to me to read highschool and the second I started reading it I was addicted. Now I'm in my late 20's and had to have it again.

Charles Bukowski takes you a trip that you soon won't forget. You will travel through a timeline that will have you anticipating what's next. The raw expression of life as depicted in his book made me want to become a writer.

Not only does he write a mean story he also has section filled with his poems, also amazing. You will not be dissapointed.

Bukowski is merciless. He can be quite cruel. He is a neutron bomb who destroys fantasy and make believe and leaves behind empty unadorned buildings. Like really rough scotch or bourbon, he can only be read in doses. In fact, his writing is an acquired taste. If don't want to see into the core reality of life, do not buy, let alone read his books. But if you are into honesty and courage and already know that no good deed ever goes unpunished, please enjoy. Bukowski's works are an affirmation of reality. Hobbes would love him. Ohm.

This double CD is a total joy! Quintessential Bukowski - there's nothing like hearing poems read by the author, I think, especially with him.
There's two CD's, poems interspersed with conversations with the people doing the recording. The only drawback could be that all of the recordings were done in a room with only a few people there, so there's an odd lack of feeling, the buzz you normally get in a live recording. Bukowski was also almost reluctant at times to read, but at the same time, the stillness in the background frames his voice and the work perfectly somehow. He warms up as it goes on, and as they have a few more drinks, and even reads a short story, which is brilliant.
There's some great photos of him in the booklet; no printed poems, but the sound quality is excellent, so you can hear every word.
If you're a fan, get it! If you want an introduction to Bukowski, get it!