Literature Books

I am an evangelical Christian and I have recommended this book to many fellow believers about to embark on a mission somewhere. As far as I'm concerned, it's essential reading for anyone taking the Gospel to people who have never heard it.

I also have lived and worked in the so-called "Third World" and seen the remnants of Christian mission work over the past several centuries -- the great, the good, the bad and the ugly.

Matthiessen tells a story here of mostly bad, of course, and some ugly. Narrow-minded, holier-than-thus, do-good Christians come in and almost destroy a native culture. That, in itself, is indeed a fascinating if predictable story line.

But the story does indeed include some of the good -- of self-discovery and loving sacrifice by one of the do-gooders, and of self-discovery and perhaps "deliverance" of another major character, a Native American Indian. All involved leave changed -- one way or another -- after the arrival of the do-gooders and their attempted intervention.

It is an outstanding story that will stand the test of time, worth telling for a very long time to come.

I highly recommend it to any thinking person anywhere.

This is a very good book, but not great. Matthiessen's writing is engrossing and it is difficult to put it down. However, the vileness of some of the subject matter is a bit hard to swallow. This is, no doubt, a realistic tale, written after Matthiessen had traveled throughout the continent. The movie does have an influence, as one keeps thinking of Ms. Hannah. The plight and evolution of the natives and their values is intriguing. The disaster that results from outsiders forcing culture and religion down the throats of the "savages" is thought provoking and relates to many situations one sees. The characters aren't all that likable, but certainly very real. Hazel is a sad case. The jaguar shaman-to-be is a character about which it would be nice to learn more. Matthiessen says that he rewrote the last journey many times. This is the toughest part of the book to follow; is it real or a dream? I actually did reread parts of the end. There's no escaping the depression that comes from dwelling on the conflict in the jungle. I still feel that, despite the author's beliefs, his nonfiction work is better. But this is an enjoyable novel, regardless.

An excellent adventure story that is both fast paced and well developed. I've read a number of books by Matthiessen. This is the best I've read yet by him. His fiction is far better than his non fiction in my opinion.

I see there are many 5 star reviews here on Amazon. I 2nd these reviews. Recommended.

I am reading this book as a book on tape which is a good way to "read" it. This is a "good read" and worth your time. Recommended. Email Boland7214@aol.co

This case study of culture clash is the story of Protestant missionaries trying to bring the Word of God to jungle savages. They think themselves heroes of The Lord, but there are no heroes here save, perhaps, Louis Moon a reservation half-breed who lost his faith. Moon is now an aimless mercenary staggering through life, bouncing off one obstacle after another. When it becomes his job to massacre the indigenous people, he is revisited by drug-induced dreams of his youth and instead joins them as their rain god fallen from the sky (and a failing airplane).

Self-righteous missionary Martin Quarier, becomes less certain of his beliefs as the novel progresses, but seems incapable of moving beyond them. He sees the absurdity of the doctrinal feud between Catholics and Protestants, yet cannot think of priests as anything but the Enemy, in league with Satin. And Satin seems to be working on him, as well, churning up lust for the wife of another missionary.

The religious beliefs of the natives give a glimpse of how faith gets started. Their minor gods clearly provide more for them on a day-to-day basis than the major one Quarier tries to serve. He creates a "rice convert" or two, but is ultimately a miserable failure.
At Play in the Fields of the Lord is a classic tragedy of misunderstanding and miscommunication. If you haven't read it, it's worth that first read. If you have, it was probably long enough ago that it deserves a second look.

Every public and school library should have a copy of this excellent resource. The research that Judy Freeman did to create this compendium of quality read aloud books is well worth the investment.

Ever wished you could keep up all the great children's books and pick the best ones to read aloud and recommend to your students? Need inspiration to liven up your lessons on library skills? Looking for more effective ways to collaborate with teachers? This book has it all!

Targeted at grades K - 6, the first 100+ pages include wide-ranging information about children's books and ways to use them. Topics include: how to be a great school librarian, evaluating children's books, read aloud and booktalking suggestions, fun library learning games, storytelling, creative drama, reader's theater, etc.

The next 600 pages contain wonderful annotated read-aloud lists divided by Easy Fiction/Picture books, Fiction, Folk & Fairy Tales, Myths and Legends, Poetry, Nonsense and Language Oriented non-fiction, Biography, and Non-fiction. In addition to standard information (author, summary, etc.) each of the 1,705 annotations includes grade level, related titles, subjects, and a "Germ." "Germs" are small, practical, do-able ideas to interject into lesson plans including ideas for sharing the books with children and incorporating comprehension, creativity, library skills, and cross-curricular ties, etc. Pick one book on the list and turn it into a great lesson plan!

The final 200 pages include a professional bibliography and 3 handy indices: Author/Illustrator Index, Title Index, and the index I find most helpful - the Subject Index including grade level of each book. Subject you can think of is covered - from Aardvarks to Bullying to Hispanic Americans to Zoos!

I cannot recommend a book more highly! It's not just for school librarians - teachers, homeschoolers, parents, and public librarians will also love it! I also recommend previous editions - Books Kids Will Sit Still For and More Books Kids Will Sit Still For - both have different hints on how to be a great librarian and annotated lists of older books. I use all three Judy Freeman's books almost daily to help me work with teachers and plan great library lessons.

I stumbled across this wonderful book while working my way through our library's books about books in search of more wonderful picture books to share with my toddler (who is nearly 19 months). It was mis-shelved in the local branch (took 4 tries for the librarian to find it) and since no one had noticed in the 6 months or so since the book came in, my friendly librarian slapped a due date sticker on it and let me check it out. I found myself immersed in it during the daughter's afternoon nap and checked to see if either of the previous volumes was available to check out. Alas no, although I found a cheap ex-library copy of the previous volume, More Books Kids Will Sit Still For: A Read-Aloud Guide (2nd Edition), which when it arrived looked like it had never been touched. I don't pretend to understand that - I think this is a treasure trove of ideas and books to share with young (and not so young) children. Although it's aimed at elementary educators, there's a huge amount to offer a parent or other caregiver...ideas for activities related to the books as well as related titles.

As the parent of a toddler, I confess that I prefer the overlapping mini-sections by age found in More Books Kids Will Sit Still For: A Read-Aloud Guide (2nd Edition) and Books Kids Will Sit Still For: A Read-Aloud Guide Second Edition (Books Kids Will Sit Still for) because it's easier to sift through a couple hundred titles than 800 for books short enough for a toddler to sit through, but that's more of a quibble, especially since the expanded entries offer so many ideas for making (or keeping) books interesting.

How does she do it? Another winner from Judy Freeman! More tips, annotations, bibliographies, storytelling, reader's theater etc.. The amount of material is superb and the format is clear and precise. She is marvelous at what she does and can help any media specialist or teacher sharpen their book skills.
A must buy for all elementary educators!

I've had the pleasure in the past week to read Judy Freeman's Newbery committee experience in her latest "Books Kids will sit still for 3" (c. 2006). She had to take the Librarian Oath, probably with a ceremonial blood letting to seal it, that she and the other members would never tell the secrets of the Committee dealings with the individual books. Ooooooh, that makes me want to be on the Committee even more!

I thought the listings alone in the book would be worth the book's weight in gold (which is substantial, with more than 900 pages), but it pales in comparison with the first 100+ pages of the book in which she shares her passion for reading, books, libraries, and children. What a treat! Reward yourselves soon by allowing time to read this.

Thanks, Judy! You made my day!

Liz Frame
Librarian
San Antonio Christian Elementary School

This is the fourth book in David Macaulay's series of how things in history were built. In both text and detailed drawings, the author describes the planning and construction of a typical castle and adjoining town in thirteenth-century Wales. In 1283, Kevin le Strange was named Lord of Aberwyvern in Wales by King Edward I of England. While Lord Kevin's castle is imaginary, its concept, structural process, and physical appearance are all based on several castles that were built to aid in the English conquest of Wales between 1277 and 1305. The town of Aberwyvern is also imaginary but is drawn from descriptions of towns founded in conjunction with castles in Wales during that time.

Anyone who enjoys learning about the Middle Ages will like this book. The description is sometimes technical but is written so that young children can become familiar with the terms, and the marvellous illustrations are very helpful in visualizing what is being done. From the choice of location, through the building of the walls and the inner ward, to the completion of the castle and the establishment of the surrounding town, the reader will follow, step by step, Master Engineer James of Babbington and all his workers in their labors. The story ends with a visit from King Edward, followed by an attack from the Welsh under Prince Daffyd of Gwynedd whose defeat leads to the decision by the Welsh to end their resistence, although the complete "conquest" did not occur until 200 years after Edward's death. This book won a 1978 Caldecott Honor award.
REVIEWED BY: Wayne S. Walker

My 13 year old and I read this book together. He absolutely loved reading about the history and building of the castle. He has another larger DK book on Castles and as we read told me about his previous knowledge on the topic we were reading about and expanded our discussion. The images (drawings) being b/w are a perfect match so that details of the castle stand out. After reading this story, we watched the accompanying PBS special Castle by the same author. The movie is s a perfect tag-a-long going into further details and highlighting real castles and showing the details that were discussed in the book. To follow up on the book/movie, my son is now building his own brick castle. We ordered a kit and it includes everything to make little bricks from molds and then directions on exactly how to build the castle. I highly recommend purchasing the book, movie and castle building kit together if you or your child is interested in castles and/or medieval studies. All three provide great discussion, for both visual and auditory learners as well as a hands-on experience.

We bought this book for our four year old who always wants to know how things work. He, and his Daddy are both fascinated by this book. It is a work of art, and a historic fictional work in one. The pictures are all in black and white, but the line drawings are incredibly detailed. This book will be a favorite in our library for years, and I can see him reading it to his kids one day.

After reading this book, I gave it to my grandson for Christmas and he is enjoying it very much. It is interesting not only to him but to his father as well. It really makes history and social progress come alive.

I remember reading this book back when I was in Junior High and High School. I'm 30 now (ugh!) I have always been fascinated with history (especially why folks did what they did when they did it) and while characters are fictitious, the design and building practices as well as the situations involved in the story are truly as it happened. The pictures are highly detailed such that you almost feel like you leap into the pages of the story. I primarily purchased this for a bit of nostalgia but would highly recommend this product to anyone who might be interested.

If you can't afford the Oxford Edition of Shakespeare's complete works than this is the next best edition you can find.

This was the text for my college Shakespeare classes over 20 years ago (different edition of course) I still have it and still use it. A wonderful book for students and those who want not only the complete works but some well written and authoritative information about Shakespeare and the world in which he lived and wrote.

The texts of the plays are well foot-noted and the type is easy on the eyes. Well worth the investment.

While reading reviews of this edition elsewhere on the Web, I came across this review by David Allen White, professor of English @ the U.S. Naval Academy and editor (with Charles Boyce) of Shakespeare A to Z:

"Re-writing Shakespeare is nothing new. The Nahum Tate version of King Lear--with the happy ending--held the stage for nearly a century and a half. The great actors of the romantic age, Kean and Booth and Macready, not only spotlighted the heroes in the tragedies but felt free to beef up their roles. Directors began more than 50 years ago to monkey with the historical settings of the play, often with imaginative and instructive results. Scholars, critics, and directors have ridden various hobbyhorses through the plays for years, introducing us to Freudian Hamlets and Marxist King Lears and feminist Tamings of the Shrew.

"Recent Shakespeare production and scholarship, however, add a perverse twist to this long tradition. We no longer care what the Bard actually wrote. Years of deconstructionist theorizing have taught us that words are needy and we, readers or actors or scholars, have the right, indeed the obligation, to give them the gift of meaning--our meaning, the more bizarre the better.

"For the 23 years that I've taught Shakespeare at the United States Naval Academy, I have always used the same text, The Complete Works of Shakespeare, edited by David Bevington of the University of Chicago. Professor Bevington is an old-school scholar with a distinguished career. The book he edited had many advantages: large print, full character names before each speech, specific indications of settings, modernized spellings, solid introductions that connected the plays to the students' experience of love and politics, morality and order, passion and faith, and comprehensive but not overwhelming notes. Every few years a new edition would appear, and I would open it with interest and a little apprehension. But the changes would be minor--thinner paper (approaching the substance of tissue, a malady afflicting many recent books), hints here and there of encroaching academic perversity in the notes--nothing sufficient to make me seek another text. The 4th edition's introduction to The Tempest caused me to swallow hard: We learn there that Prospero's authority "is problematic to us because he seems so patriarchal, colonialist, even sexist and racist in his arrogating to himself the right and responsibility to control others in the name of Western and Christian values." But this is an imperfect world, and I soldiered on.

"Notified that a 5th Edition would appear this fall, I took time to examine it closely. Many of the introductions remain the same; but new editors and commentators have significantly altered others. Despite the myth of progress that reigns in all the disciplines of modern academia, "new" is often far from "improved." Apparently, Professor Bevington has either ignored the changes or allowed the young scholar-colts to have a romp. In some of the new introductory essays, especially under the guise of new brief histories of stage performance, questionable judgment, to put it mildly, has crept in. For example, the introduction to Othello ends with the following observation:

'In another recent development, Emilia has stood out in several productions as the raissoneur and heroic figure in the play, speaking as she does on behalf of maltreated women, urging Desdemona to stand up for her rights. One recent Chicago production went so far as to rewrite the ending: Othello and Iago both survive unpunished for what they have done, while Desdemona and Emilia lie dead as their innocent victims. This deliberate and provocative overstatement might seem extreme to some viewers, but unquestionably did signal the direction of recent performance history of the profoundly disturbing play.'

"It may be time to stop buying tickets to that great play.

"The current obsession in academia is "queer theory," and the homoerotic is everywhere, not just in Shakespeare studies. But this particular perversity fills the introductions to the new Bevington, especially the introductions to the comedies. Compare the following passages, the first from the introduction to As You Like It in the 4th Edition, essentially a carry-over from earlier editions:

'Rosalind's disguise name, Ganymede, taken from Jove's amorous cupbearer, has homoerotic connotations that are easily misinterpreted today. Shakespeare delicately acknowledges the suggestion, to be sure, both in Phoebe's pursuit of a young lady (but really a boy actor) in male attire, and in Orlando's courtship of "Ganymede" as though addressed to Rosalind. Yet this innocent titillation, found also in Shakespeare's source, is not meant to hint at homosexual attraction as we understand it. On the contrary, the point is that Orlando can speak frankly and personally to "Ganymede" as to a perfect friend, one to whom he can relate in platonically spiritual terms without the distracting note of sexual interest.'

"These are eminently sane and sensible remarks. Now from the Introduction to As You Like It in the 5th Edition:

'Rosalind's disguise name, Ganymede, has connotations that suggest ways in which human sexuality can be partly understood as socially constructed. If Rosalind in disguise as Ganymede wins the affection and eventually the love of Orlando, while her father and the others are equally taken in by the disguise, are maleness and femaleness chiefly matters of sartorial convention and superficial appearance? When Phoebe falls in love with Ganymede, is not her infatuation a way of showing that the roles of the sexes can be put on and off? Theatrically, the device of having a young male actor play Rosalind who then disguises him/herself as a young man adds to the witty confusion of sexual identities by introducing homoerotic possibilities. Not only can the roles of the sexes be put on and off, sexual desire itself is unstable...'

"This is ideology masquerading as interpretation.

"To be sure, the range of possible interpretations of Shakespeare's work is wide, for he encompasses all of humanity and tells profound and mysterious truths about human life. Such inexhaustible expansiveness invites discussion and dispute and differences. At the end of the Introduction to Richard II in this volume, for example, there is a brief but superb account of various interpretations of that rich role by leading actors. Professor Charles Forker of Indiana University provides that account; another old-school scholar, he knows more about that play than any other living soul. Too many of the revised introductions, however, are more interested in advancing the latest academic-political orthodoxy than in discovering and illuminating the natural and conventional moral order so abundantly on display in Shakespeare's works. Nothing is more orthodox--still--among contemporary literary critics than the alleged truth that there is no truth, that all interpretations are valid except the author's own.

"Thus Puck in A Midsummer Night's Dream can be presented as "the denizen of a drug culture, with the love potion as the weed he gleefully distributes. The experience of the forest becomes a drug-induced 'high,' for audiences as for the actors. The fairies, sometimes played by adult and hairy males, can exhibit a streak of cruelty." And, indeed, in a recent production at the Shakespeare Theater in Washington, D.C., the fairies were hairy males who carried something like miners' lights. So much for lightness and charm and magic. This same Dream introduction gives the game away in words that are echoed in many of the other essays: "These modern interpretations are arguably neither more nor less 'true' to Shakespeare's text than earlier or more 'traditional' versions. What they do demonstrate is the play's remarkable permeability and openness to differing views."

"The new Bevington retails for $90; in good conscience, I cannot ask students to fork over such a sum of cash for a book that is now rife with nonsense. So next fall I'll assign The Riverside Shakespeare, which fortunately is still in its 2nd edition. I fervently hope it is not soon updated.

"Of course, the Bevington volume has come to reflect the universities it serves, where young students pay small fortunes to be taught that there is no enduring meaning or beauty to be found in the poetry of Shakespeare, no tradition worth preserving, no "truth" other than personal whim and innovative foolery. If the price of the new Bevington is petty theft, the tuitions charged by these institutions have become, at least for the study of the humanities, highway robbery.

"I know a father who gave his son the equivalent of a year's tuition and told the lad to go to Europe, to travel, to observe, to learn for as long as the money would hold out. The young man came back after two-and-a-half years, mature and educated, and instantly found a good job. The time has come for imaginative, alternative learning. I talked recently with a very intelligent young woman who loves literature; she is completing her sophomore year at Yale, where she had hoped to pursue an English Literature major. She informed me with sorrow that she was abandoning that plan. Her reason was quite simple: she had already sat through too many classes where lunacy prevailed. She mentioned the possibility of looking at traditional Catholic convents. Could this be the first refreshing drop of a wave of the future? It would not be the first time that civilization was preserved in the convents and the monasteries. Nymph, in thy orisons, be all of Academia's sins remembered."

(Allen, David White, "An Unweeded Garden," The Claremont Institute, http://claremont.org/publications/crb/id.959/article_detail.asp [originally published March 22, 2004])

I guess it's safe to say that, based on his review, Professor Allen'd give this edition 1 star...right?

I purchased this book as a birthday present for a graduating high school student who is a big fan of Shakespeare.
This volume has a lot to offer to both students and casual readers. In addition to very readable text of all the plays and sonnets, the fifth edition provides historical and literary context, including drawings and photos, as well as insightful essays on each of the plays. The essays include background, plot summaries and discussion of major themes and would be very useful to anyone seeing a play, especially for the first time. The helpful glossary is extensive, so the reader doesn't have to look up unfamiliar words or feel intimidated by the language. Professor Bevington's fifth edition of the Complete Works is a gem, authoritative and attractive. The birthday girl thinks so, too-- she gives it an A+.

This is truly a great book. Not only does it contain all of Shakespeare's works but it also has an enormous amount of information. There's a little bit on his life and a bit more about the theater during his time. There are also some great drawings in the beginning of the book.

This was the first of the Russell Quant mysteriea I read, and it was while I was on a Mediterranean cruise. I really got into the main character and all the rest of his friends. Everyone sweemed so real and the mystery held me. It was a page turner. The PI is gay, so if you are gay you will like it even more. I left the book with the cruise ship library so some one else could enjoy it.

There are some implausible plot twists, maybe one too many coincidences, and one major mystery element left quite unresolved, but with a sexy and personable detective (I am a sucker for a man who loves his mother), a large cast of well drawn supporting characters, sparkling wit, and prose as crisp as the winter weather in his Saskatoon setting, Anthony Bidulka keeps you turning the pages at a brisk clip, right up to the very last one. This is the sort of satisfying read perfect for curling up in front of the fire with a warm brandy--or a flight of cold aquavit. Victor J. Banis, author of Spine Intact, Some Creases

This book is about returning detective Russell Quant (2nd in the series) hired by a local businessman being blackmailed by a blackmailer who at once is both enticing and dangerous. Quant ends up for a spell in New York for a short but exciting time and then its back home for the exciting conclusion of another top notch detective story with humour and pathos and further development of some very unique and endearing and curious characters. The author has created a world that is very welcoming to the reader and you will easily (and happily) be taken in.

This book was one of the best reading experiences I've had in a long while, bar none! Anthony Bidulka has quickly become one of my top 5 authors and once you've read "Flight of Aquavit" you'll know why. First of all, I absolutely LOVE (!!) the lead character, Russell Quant. This character is so well-developed I feel as though I actually know this man, from his little quirks to his dry sense of humor, and even to his sense (or lack thereof) of style and likes/dislikes. The cast of characters (especially his mother and his fabulous, larger-than-life friend, Sereena) is quite memorable and provide the reader with a more "3-D" view of Russell's life. Bidulka has a way of drawing you into the story and making you care about the characters and understand what makes them "tick." I found myself having to pace myself as I read the book or else I might have spent all night and part of the morning finishing the story in order to find out how it ends. If you're looking for a great story with a top-notch private eye who happens to be gay (rather than his gayness being the primary characteristic that defines him), look no further than this book. You WON'T be disappointed!

In Flight of Aquavit we see even more of the story behind the story of who the hero of this series, Russell Quant, really is as he trails an captivating blackmailer to New York City and deals with his mother coming to stay for the Christmas holidays. A fun thriller as well as a very human story.

What a charming delight this book brings to the reader.A landscape of beautiful imagery and playful characters. Mind you this is not some sexy dime store romance. Enjoy the journey of Gitana and Tigany and his "Magical Matrimonial Beds". Weaving the past and future, Authur Alison Mackie acomplishes this story of the integrity of gypsy morals and gives you a dream within a dream of tales of Estrella la flamenca dancer and her quest for her true love, Angicaro relinquishing her calling from a Convent to discovering a love she could have never imagined.

Join the Cafe Alegria and celebrate the joyful sharing of intriging and very authentic characters and prepare yourself to be delighted and a smile upon your face.

Loved this little gem of a book!

This book is duende! I come from Gypsy stock- and this book tells it all about our wonderful culture and passion for life. This book oozes passion, so be prepared for reading it beginning to end - it will be hard to put down!

I've always been drawn to stories about those mysterious wanderers known as the Gypsies. Although often portrayed in literature and in movies as conniving hucksters and campy fortune tellers with bad eastern European accents, author Alison Mackie's "The Gypsy Chronicles" captures the truly passionate heart and soul of the enigmatic Roma. Are you a hopeless romantic, longing and searching for meaningful prose in a age of bawdy sexuality and violence-themed literature? Then go out and get this book! Your only regret will be the words, "The End."

The Gypsy Chronicles is a crisp, energetic work that happily ensnares the readers into a world of love, passion, and beauty. The back drop is southern Spain and the culture of the gypsies. The stories convey a message of love and that sex without love and respect is not a worthy life path. This is so refreshing as our popular culture seems to deliver an opposite message, which degrades both women and men. Thank you Ms. Mackie for an enchanting book and I can't wait to read the next book!

The Gypsy Chronicles may be a Fairytale but the feelings it created were very real. And that is why at just under 180 pages, with illustrations, this book is maybe more like an appetizer than a main course.
It ended far too soon and so despite all the charm I felt a little short changed by The Gypsy. Even so I am eagerly looking forward to read the next book in the series.

This is a great book. I bought this book because my husband enjoyed this book when he was a child. He still enjoys this book today and reads it to our 6 year old son.

The lesson we learned from this book is there are always some problems no matter where you go.

I highly recommend this book because it's fun to read, educational, and it never gets old.

My dad was, is, and will always be a huge Dr. Seuss fan. He read this, as well as all the other Seuss classics, to me as a child. I had a devil of a time finding it a few years ago; had to special order it. It has an honored place on my bookshelf.

It taught me two valuable lessons: 1) Tackle your problems instead of running away from them, and 2) The grass is not necessarily greener on the other side.

Those two bits of knowledge have stuck with me for many years and led me through many challenging times. Thank you, Dr. Seuss!

What can I say, Dr Seuss is popular for a good reason. These are fun for all ages. The rhyming, the cute stories, the good morals. These books make reading for homework fun.

This was my favorite Dr. Seuss, and one of the books that stuck with me. I came across it recently while I also happened to be reading Campbell's Transformations of Myth Through Time.

A young man, beset with the travails of life, sets off to find paradise. The premise having been set, this story is actually predominantly about his many encounters and experiences on the road to paradise -- how he gets conned, imperiled, left to the mercy of the elements, enlisted into a battle he has nothing to do with, lost and alone in a crowd, etc. Having risen to the occasion repeatedly, he arrives at (literally) the door to paradise a changed man. In the end, Dr. Seuss leaves open question of what paradise really is.

This is an archetypal Hero's Journey.

And there is another parallel. Campbell often talked about the danger of concretizing the symbols -- for example that there is a physical holy land, the place where your myth takes place, to which you as a human being must physically travel to touch divinity. The alternative is to recognize your myth as metaphoric, and to recognize that the divinity of your God is your own divinity, and to sanctify and make holy the land and the place where you are, etc. 'Solla Sollew' speaks to this theme.

Can't really add much more than what everyone else has already said. I'll just add that this is my very favorite Dr. Seuss book... great story and great illustrations.

I loved this book! If you want a cool {get it? She lives in Alaska} author to come to your scool,get Shelley Gill! I loved Kiana's Iditarod because it told me a lot of things.

I like this book because it is funny and makes me learn about dogs and cool places and how to do it in a dog race.I did not know you had 13 dogs. How can you feed them. I wish I had won the dog race but that would not happen.

I like this book. This book reminds me of snow. This is a cool book. I like you. This is very very interesting

I liked this book because it has excitement.I also liked this book because of the colorful pictures.I liked the part when they were in the iditarod near the finish line.

This book was a good book but I think it didn't really tell that much about the Iditarod. It was about a musher and the dogs. She's doing the Iditarod and she goes around mountains and peaks. I would recommend this book because it has good illustrations and is about a lead dog.

This has to be one of the most hilarious and enchanting children's books ever written. It was written ages ago, and yet it still has such a power over everyone that it might as well be considered a classic (I hope it is) as it artfully combines a fairy tale, humor, and a soft and simple story of caring.

The story begins as the little Princess Lenore falls sick and claims that the only thing that will make her better is if she has the moon. Thus her father the King begins a quest to find someone that can bring her the moon. He consults the wisest in the kingdom, people who cannot even agree on what is what.

Thus comes a surprisingly thoughtful and intelligent story about observation and personal view that is educational as well as enchanting.

A beautiful little book for the elementary school set (illustrations by Louis Slobodkin are wavy and whimsical). The story concerns the princess Lenore, who is ill from "a surfeit of raspberry tarts." To make her well, the King offers to get her whatever she desires. What Princess Lenore desires, however, is the moon. The King and his advisors scramble to fulfill her wish, and then to preserve the illusion once they have given her the moon. It is Princess Lenore herself who comes up with the solutions to both problem, out thinking the worldly, wise advisers.Thuber's storytelling style is quite wonderful here -- the language is fairly simple, and there's a nice cadence of repetitive elements that kids will enjoy. A beautiful, funny and satisfying story.

I read this book many time to my daughter, since her age of three-four, she still enjoy it much. It is a beautiful, funny, and well written story. It is my definitely one of my favorite. It teaches you that what the world is after all it is what we think it is. What a lesson for the half-empty fellows! It is written in a crescendo on this theme until the end: the eye blinking moon. Beautiful.

The princess wanted the moon. Her father, the king, demanded it be gotten for her. As you can imagine, this causes problems for the king's servants. The Royal Wizard, Mathematician and the Lord High Chamberlain have done many near-impossible feats for the king--but getting the moon? It's out of the question! But the Royal Court Jester thinks not. (Is this another one of his jokes?) A funny story.

A Non-Workbook, Non-Textbook Approach to Teaching Language Arts: Grades 4 Through 8 and Up

Illustrations are sketched and mostly pastel colors are utiilized. After reading each detailed page, the pictures don't seem to do much for the imagination. Good ideas are behind the words, but this book is extremely wordy at times and could've been shortened while still making the same point known. I enjoyed how the King, who was in search for the moon for his sick daughter, continued to ask his smartest men to figure out a way to get his daughter the moon only to find out that the court jester was the wittiest of them all. The daughter helps solve her own problem without realizing it and comes to a wonderful conclusion about how she can have the moon in her hand and also see it in the sky.

THIS BOOK WAS SOOO GOOD I LOVED IT. VICTORIA WAS A MESS, THE DRAMA KEPT COMING JUST WHEN I THOUGHT ALL THE SECRETS WERE OUT HER COMES ANOTHER ONE. IT KEPT ME WITH MY MOUTH OPEN. THIS WAS A GREAT BOOK I LOVED THE ENDING A MUST READ!

Better Than The First!!!!!!!!! You Thought Secrets Was Exposed In The First Book You Aint Seen Nothing Yet. If You Havnt Read Had Secrets Of A Housewife You Need To Buy The First Book In Order To Really Understand whats Going On. I Give It 5 Stars

A little un-realistic in some of the events but all in all a good read.

From the first chapter you will be hooked. The book starts off with drama, sex and eye gripping words. Its a good piece of work. I never read any of his books but I will start to read from this author. Zane has NOTHING on him!

This book was ALL THAT! I couldn't stop reading it. I recommend this book to all of the ZANE, EJD, Carl Webber fans out there. The sequel is even better!!!