Literature Books

This was quite helpful and informative for a book aimed at preteens, yet highly accessible and understandful. It offers great tips and advice, especially on dealing with feelings and seeing them in a healthy, real perspective. I even used this for an essay I had to write!

J'adore! ^_^

(p.s. everyone should real Twilight.)

Don't get misled by the cover. This book is for girls at any age. . . Really.. As we grow older, people assume we know things that we are not supposed to know. For instance, how to keep and take good care of our emotions and feelings.. This is the book that will get you started..

I got this book along with the "What would you do??" book for my 12 years old step daughter and she loved it...I noticed its hard for her to communicate with us and being that our marriage is new to her and the possibility of having a little brother and sister someday is making her worried that she will no longer be the only child, a book about expressing feelings seemed perfect...She sat down with us to read through the books...THANKS AMERICAN GIRL this book is great!!!

I got this book along with the "What would you do??" book for my 12 years old step daughter and she loved it...I noticed its hard for her to communicate with us and being that our marriage is new to her and the possibility of having a little brother and sister someday is making her worried that she will no longer be the only child, a book about expressing feelings seemed perfect...She sat down with us to read through the books...THANKS AMERICAN GIRL this book is great!!!

Gave this book to my Tween daughter. I think this book will help with a lot of the problems they will come in contact with.

My boys, ages 6 and 7, love this book. The art work is fantastic, and the story is great. We have read it many times and sometimes we just look at the pictures, which are so full of detail.

I would highly recommend it.

I grew up with this book and it is still relevant. The shipping was fast and the book arrived in perfect condition.

I have all the same things to say as everyone else. I loved this as a kid, my copy was all torn apart, the artwork is stunning, etc., etc.

The story is lovely and teaches a lesson. My 2-year old likes this story because of the illustrations and the COLORS. He likes to name the colors of the goblins. Of course, he does not really understand the story, which is good, because it might be a bit scary for little kids. By the time he does understand, it won't be scary anymore, and he will already have gotten a couple years of enjoyment out of the book just based on the pictures and colors.

I completely recommend this book for all children's libraries and collections.

My children (when they were young) and I LOVE this book. The pictures are beautiful, colorful renditions. The story is one that interests young children, but doesn't frighten them. While this is not the original, full-size art book, it is a very nice printing that can be read and enjoyed many times. I have purchased many copies as gifts and all were appreciated.

I found the story disturbing and no amount of beautiful artwork is going to change that. The goblins plan to steal the rainbow colors, but the flowers beat them to it. Then the flowers lie in wait for the goblins to drown them with the rainbow colors. The rainbow is saved and turns the flowers into colorful creatures as a reward.

Make your own choice, but we are not keeping this book.

This novel merits the overused label of "classic." This is an astoundingly good read, a wonderful romp through familiar as well as not-so-familiar venues of literature.

Silverlock, the protagonist, is a cynical, heartless scamp. Through a mishap, he finds himself in the "Commonwealth" which is a place in which things happen differently than in our world. Robin Hood is alive and well, and fighting the Sheriff of Nottingham. Circe is capturing men with her magical wiles. And so on. Throughout this gorgeous romp, we see our friend Silverlock emerge from his coccoon to become a real man and a decent human being.

This review cannot do justice to what is a gorgeous voyage through the Commonwealth. No one should miss this wonderful novel. Hopefully it will soon be available on the Amazon Kindle so that I may add it to my electronic library, and have it handy at all times.

This book is a fun read if you like A) classic literature and B) fantasy. The references to classic literature throughout this book are what really makes it fun to read. The setting of the book probably inspired the creators of "the Neverending Story." The only thing keeping me from giving this book five stars is the fact that it does get rather boring in the middle due to the seeming pointlessness of the quest they go on. Basically, it's hard for me to understand why the main character (Silver lock) and his sidekick (Golias) try so hard to help someone who seems so completely self-absorbed (Lucius Gil Jones). You'll see what I mean when you read the book.

A book that is a literary puzzle, an adventure of sorts, and full of sneakiness and tongue-in-cheekness. I have read quite a lot, and when I read this, I had trouble trying to work out who was who in quite a lot of cases. I suppose this is a lot of the appeal, though, being like a really, really hard cryptic crossword, at times.

Silverlock is a fun, roller coaster ride through literature. It chronicles the journey--inner and outer--of an American cynic as he travels through the world of literature. Some of the fun is tracking down the literary characters, from Beowulf to Don Quixote to Becky Sharp. Part of me regrets not having been born in the 1950s to relish Silverlock fully; the Internet makes finding the sources of the characters effortless. Hopefully, readers take the next step and read the original sources to expand their understanding and appreciation of literature. In my opinion, the novel posits that literature is an evolving, cumulative organism. Modern (American) literature is built on the foundation of the stories that came before. The novel shows that someone can find meaning in the stories he or she encounters, and sharing those experiences--and possibly using them to invent new stories--is one of the joys of life. Anyone with respect for literature and the history of speculative reading should give Silverlock a try.

I suspect that this is one of those polarizing books: those that love it REALLY love it; others will be, at best, blandly indifferent or outright bored. I hew more closely to the second camp.

The book has notable adherents and in recent years has been hailed as a bit of a neglected gem, but I found it only moderately diverting. It was written in 1949 and so it's a bit dated (and its attitudes toward women are not the most advanced, but then again, the protagonist is by his own admission a cad and a bounder), but that's really not much of a problem.

The novel is your typical Pilgrim's Progress type of thing, and is divided into three parts, which turn out to be Chance, Choice, and Oracle, or as I see it, Heaven, Purgatory, and Hell, based on the decreasing level of quality (and the not-concidental Dantean shenanigans toward the end). It starts out strong, but the charms grow old fast, and the overarching quest in the middle section simply is not very gripping. In the final third, the book becomes unbearably didactic and wearisome, and then, rather suddenly, the words "The End" scroll across the screen.

On a side note, I found myself often contrasting this book to Stephen Donaldson's "Chronicles of Thomas Covenant". Both feature (anti-)heroes thrust into a strange land and both deal, to some degree, with large philosphical concerns. (In fact, Donaldson acknowledges having read this, and having plucked the titles of a couple of his novels from one of the songs within, but purports to find the book sub-par.) The major contrast, of course, is that Covenant believes nothing of what he sees, but Shandon easily rolls with all that he finds, no matter how fantastical, to an extent unbelievable of someone from mid-20th century America.

Filkers and others who enjoy making songs out of poems will like "Silverlock", as will those who excelled in high school English classes and who can pick out some of the myriad allusions. I suspect most others will find this to be much less than advertised.

I would, at any rate, recommend picking up an annotated version to get details on some of the more cryptic appearances of characters from myth, fable, and literature.

The appearance and physical quality of the book is wonderful. I first read this book many years ago. The 100 year re-print is a great reminder of the history of this classic.

While the pace and depth of this book may bore some readers used to Stephen King and other pop writers (I am a huge SK fan by the way...) it allows one to consider the author's philosophy and make your own judgement. Personally, I've read this book 3 or 4 times, and each time I experience it a bit difference depending on my current life situation and my willingess, need, desire, to examine my own beliefs.

Give this one a try, you may just find you see the world a bit differently.

A sprawling novel of nearly 1200 pages, this book was first published in 1957 by the Russian immigrant, Ayn Rand, writing in English, a second language she had to learn. It has continued to be read, explained, interpreted, memorialized, and frequently reprinted over the last 50 years for its unapologetic defense of capitalism and its often overembellished, overdramatized lectures about Ms. Rand's philosophy of Objectivism. While very stilted and repetitive in the frequent monologues of its main characters, its profuse examples and unflinching conviction embolden it to worship the accumulation of wealth through the pursuit of capitalist ideals.

The book is divided into three sections, each with a concise, inarguable statement of logic as its title. Part I, "Non-Contradiction", shows a world in turmoil in which the opposing forces of selfishness and selflessness are colliding. In Part II, "Either-Or", she explains why the profiteers - the "movers" of the world, as she calls them - are withdrawing their knowledge and refusing to participate in the system that the rule-makers - the "looters" of the world, as she calls them - have created. In Part III, "A Is A", Ms. Rand unveils her Utopian ideals, buffered with an uninterrupted speech of 43 pages by John Galt, to show why Atlas has shrugged only to once again take a strong grip on the world which he then holds in balance.

The beauty of this book is in the clarity of its ideals and the certainty of its characters as they commit themselves to the necessity of living by Ms. Rand's objectivist philosophy. However, when reading it, you must also be prepared to skim parts because the same messages are continuously pounded into your head like a throbbing headache - greed is good, need is bad; self-reliance is good, self-dependence is bad; individualism will triumph, collectivism will fail.

Ms. Rand is certainly guilty of an excessive amount of simplification as she draws distinctions between ideas as large and somewhat nebulous as those of capitalism and socialism and, at her most insistent, seems oblivious to the essential role of government in providing roads, bridges, highways, courts, prisons, schools, libraries, parks, water and sewage systems, street lights, airports, harbors, tunnels, as well as the military, police, fire, postal, and hospital workers. Surely without that core of essential products and services provided by a collectivist, profitless government there could be no economic system of any kind, let alone the one she blesses so reverently. It also seems overly presumptive, I believe, to ignore the government created and enforced role of patents, copyrights, trademarks, and property ownership that play such an important role in a system of profiteering. Surely the abolition of these would topple a system of capitalism as quickly as it would take mobsters and racketeers to take over the role of adjudicating justice.

Nonetheless, this is an important book for anyone trying to grasp the big issues which confront our world economically. But, like an excellent wine, if you drink it too fast, you will lose some of its finer points, and if you drink too much, you will be numbed by its inebriating qualities. While Atlas Shrugged is certainly a book to be savored, it is also one not to be overimbibed.

Ayn Rand is probably one of the finest authors I have ever read. She has amazing character development and explores issues that are incredibly hard to describe.

I love one of the many themes of this book -- how people who do their jobs well can get penalized by others who don't understand them.

This edition is particularly useful in that the forward includes notes from the author's journal as to her thoughts as she planned to write this novel. It is mammoth is scope, and reads very well. Anyone who is serious about giving Ayn Rand's ideas a fair reading should consider buying this edition, as it is a well made hardcover with clear text, and will endure a great deal of physical handling.
Anyone who remembers the childhood tale of the little red hen can relate to Ayn Rand's ideas. The little red hen was the only animal in the barnyard who worked and provided for others, until she decided to go on strike to protest the laziness of the other animals. This novel is somewhat more sophisticated in the development of a similar theme.

Long book, but well worth the time to read. Very prophetic of where our country is heading now.

This is a great compendium of short stories from the mind of the man who dreamed up Charlie and the Chocolate Factory, James and the Giant Peach, and Matilda, all renowned stories for children. The book pulls together some of the best from several of his collections.

Dahl, who was married for a long time to actress Patricia Neal (The Day the Earth Stood Still), hosted a British television show in 1961 called "Way Out," an anthology show whose episodes are hard to find today. He later hosted another anthology show called "Tales of the Unexpected" (1979-88). Both shows featured a number of Dahl's own stories. Some of Dahl's work has also been adapted to other television programs, notably "Alfred Hitchcock Presents."

The hallmark of Dahl's stories is a good dose of irony, coupled with a macabre sense of humor. Dahl's stories work fantastically well on this level, bringing the reader to laughter in a horrified kind of way. His dialogue is sharp and characters are well drawn and very human, even at their worst. In "Lamb to the Slaughter," for example, a woman kills her cheating husband, then disposes of the murder weapon in a singularly unique way. The reader will feel for her and root for her to get away with it, and she does. Another frequently adapted work, "Man from the South," tells the story of a man who likes to wager with other people's fingers.

For readers who fondly remember Charlie Bucket and Willy Wonka from childhood, and who also appreciate poking fun at the dark side of human nature, The Best of Roald Dahl is highly recommended.

Very often the writer's skill can be appreciated after reading their short stories. The short form requires discipline and has to catch the reader's attention in a short time. Roald Dahl managed to do this in his short stories (the shorter ones from this collection are the best!). The stories are truly timeless - although written between 1945 and 1965, they have not aged at all. They still keep the readers holding their breath and having goose bumps. There are horrors, great insights into human soul, relationships, perversions, addictions...
I knew only "James and the Giant Peach" before I was recommended this collection by a (British) friend, who I am very grateful to. I have been returning to the stories over and over again. My favorites are probably the most morbid ones, starting with "Man from the South" through "Skin", "Royal Jelly" to "Pig". I like also "Taste" which is more focused on psychology. Anyway, Dahl knew how to find an original subject, how to twist the plot leading to the unexpected and very satisfying finale, and how to use the English language.

Roald Dahl is best known for his children's books, namely CHARLIE AND THE CHOCOLATE FACTORY and JAMES AND THE GIANT PEACH. This book collects some of his best adult short stories from his long career. The dark humor and morality that guides his children's books are amplified here. Outlandish, often unlikable characters often personify one or more of the seven deadly sins and usually pay for it. Dahl's dark sense of humor is fantastic and almost every story ends with a delightfully surprising and ironic twist. Dahl's macabre sensibility might draw comparisons to Poe, but his style is not nearly as laborious. Gems from this collection include: "The Man From the South," (a story that Quentin Tarantino, among others, has paid homage to); "Skin" about a million dollar tattoo; "Pig," in which a vegetarian boy discovers the joys and horrors of meat; a story about a hair-brained wife-swapping scheme; and "The Sound Machine," which allows one to hear the screams of plants. My only complaint about the collection is that the order is chronological and some of the more absurd stories fall in the middle, which makes some of the later, less absurd stories a bit of a letdown. But overall, a fantastic collection.

As a child, I loved Roald Dahl's books from James and the Giant Peach to Charlie and the Chocolate Factory. Now that I am a little older, I started to read his mature works. I never go so enthusiastic about reading a book. You get it all with Roald Dahl, humor, suspence, brutality, and horrific stories all end with a surprising twist that you will never suspect. The best reading in years. Highly Recommended. My favorite is The Great Switcheroo. He is definatly one of the greatest writers of our time.

Have loved his kids' books ever since I was a child and am now reading them with my daughter. This one is for grownups only, though! I described this collection to friends by saying "Roald Dahl is the British Flannery O'Connor." If you like dark, funny (sometimes truly twisted) short stories where, in surprise endings, those who scheme and plot always get theirs, you will truly enjoy this book.

Great classic reference book. Exactly as described, and very useful. Blacks is the expert reference book for all thing legal.

Black's Law Dictionary is worth it's weight in gold. I used it in my research in learning about investment opportunities and basic common law terms. It is very easy to used and the price is right. I am glad that it is part of my personal library.I purchased this book in 2005 and I have been very pleased with it.

I bought this book for a class I took while I was an undergrad, and I used this book almost as much as I used the text for the class. I was able to find almost everything I needed, and in the end, it was worth having. I would recommend this for anyone taking law classes, however, I would buy a used copy because new copies can be a little pricy.

In my opinion blacks online (through west) is too cumbersome to use. too many redirects and long paragraphs. But this book is not essential either. You'll know the phrases you need after your first month or so, and all the legal libraries have a bunch of these all over the place. Bringing it to class is almost impossible because it's so big. But it is nice to have also. I would recommend this over the 8th edition because it's so much cheaper. I don't see much difference between the two. This will sit in my office throughout my career. However it's use will continue to be limited more and more.

This dictionary will be well worn! It is indespensible and sits at my desk. Clear, concise easy reading print. It is one that you can't do without. With a tremendous amount of reading to be done as a student, this dictionary was printed with that in mind making a lot less a chore to use.

I am very happy I could locate this book. It is one of my favorite books, and one I insist being on my shelf. Thus, my copy was missing and I was pleased I could replace my copy. I am happy with the condition of the copy I just recently received; it arrived quickly, and I'm glad to have it in my personal library.

A fascinating and horrifying account of a slave woman's experience. While fiction, the story appears to be based on the life of an actual Hannah. Don't be put off by the long introduction. It becomes more significant after reading the narrative itself.

This book gives a great emotional account of the horrors of slavery. It is amazing the vocabulary the author had without being formally educated.

This book will stay with me for a while.

In her novel, Crafts illustrates her life as a slave over the course of many years. Starting at a place cursed by a linden tree, things only seem to get worse. Though she is taught to read, her teachers are punished and banished from her life. Her early years are filled with much more than learning, however. She witnesses many horrific aspects of slave life, which are depicted vividly by use of imagery and her colorful similes. In her story she attempts to obtain freedom with her new mistress, but the success is cut short.
By the middle of the story, the reader can easily assess that slave life is neither desirable nor easy. Crafts and her mistress are captured with only more hardships following. Crafts depicts for the reader her passing from one master to the next after her mistress's death. Things only continue to get worse until she brings the reader along with her on her flight to freedom.
Though met by a series of mishaps throughout the novel, Crafts finally obtains freedom to live life with her husband and her recently found mother. No doubt, the reader is happy to see something pleasant finally happen for Crafts. The reader is left with not only a sense of happiness for the author, but with a vibrant image of what it took to get there. The Bondswoman's Narrative is most certainly a good choice for anyone wanting a harsh, yet inspiring, account of what slave life was truly like.

As background for this slave's narrative, we are introduced to John Hill Wheeler, writer, who had published HISTORICAL SKETCHES OF NORTH CAROLINA, 1584-1851), who served as assistant secretary to the U. S. President Franklin Pierce (always one of my favorites) in 1854. There is a good photograph of Wheeler and a painting of his wife, Ellen, with her two sons by Thomas Sully who made the youngest look like a sleeping angel.

There is also a photo depiction of the abduction of his slave, Jane Johnson with her family, off the Steamer Washington on July 18, 1855, in Philadelphia "by force" by a gang of Negroes led by an abolotionist. Since he was unable to locate and reclaim his servants, Jane was subsequently replaced by Hannah -- who escaped in the Spring of 1857. He must have been a hard taskmaster.

One interesting thing (for me) was a mention of John Brown's (of Harper's Ferry, West VA fame) hanging in Charleston, VA. It was observed that he died as he lived, "game." He certainly was no coward.

I found too much redundancy in the introduction by Henry L. Gates, Jr., and the narrative itself. Absorbed in finding and preserving black culture in written form, he spends a lot of effort propounding on his conclusions, instead of the facts. Like a local writer involved in uncovering ancient history, he uses too many "that's" proving he is not scholary. To me, it shows a definite lack of education and too much emphasis on self promotion, so that whatever is printed will be thought or taken as the truth, the whole truth and nothing else.

As with all autobiographical material it is hard to tell what is fact and where the fiction begins. An old acquaintance now deceased who had been in the Merchant Marines in his younger years and received much enjoyment in bewildering strangers with his detailed stories, told me how he manufactured "truth." Add a few relevant facts which can be substantiated and names of real people and presto! it's history -- not fiction.

As with science, the individual authors are expounding on their own theories, not facts per se. It's the same in any field and any "case" history. Mr. Gates wanted to prove this narrative was authentic; therefore, he spent more effort with his "proof" than the slave's account itself.

Something that old can never be proven beyond a doubt. Now Clifford Irving's bogus biography of Howard Hughes was ill-timed. Had he waited until after the person's demise, there would always be doubt and nothing to prove he was a liar.

I don't believe a slave would know some of the words used by this writer. By including family background and descriptions of events, it is taken as the authentic tale of a real Hannah Crafts. He did too much surmising "what if's" to have run down the actual writer to New Jersey -- to have been the runaway slave from North Carolina.

I found the marked out words and phrases to be distracting (also detracting). It would have helped to have the edited parts left out; the 21 chapters would have sufficed without so much explanation and additions (in brackets). Instead of making this clearer, it befuddles the story itself.

I'm not a user of the word "that" which is grossly overused in newspapers today. About ten years ago, I typed the lengthy "memoir" of my ex-husband, a college English professor, and edited at intervals throughout. Of course, he proof-read every page before having the entirety copied and bound to distribute to members of his family. Sometimes, he agreed to my "clarifications"; at others, he'd say, "but we didn't talk that way." Growing up in a tiny hamlet between Shelbyville and Chapel Hill (where he'd been born) in Middle TN, and being about fifteen years my senior, he'd experienced things and feelings totally opposite to what I had in Knox County (East TN). My reasons to "edit" were for the benefit of those who'd be reading his memories, not to change events -- and he finally agreed with me.

Perhaps I should have left things exactly the way he expressed them, no matter how grammatically incorrect they were, as now that is what I am wishing Mr. Gates had done with this manuscript. The things he marked through seemed inconsistent vocabulary for such a young, uneducated woman confined in "the peculiar institution", and I'd have preferred not to have to think about them.

The textual annotations did not add to the story and were a bit too detailed. You can analyze a situation "to death." Some things are better left to the reader's imagaination.

This story is as old as the hills. Didn't he see the similarities between characters of this narrative and those in SHOW BOAT? Sad but true. Life is not always easy for those without power or money.

This book may have great value as a historical document, however, I evaluate it from the 'fun to read' point of view. I did not find it a greatly enjoyable read. It is written in the old novel style- "Perils of Pauline" comes to mind. Neither did I find that I learned much about it was like to live like a slave during that time. I am now reading a historical novel in which there are a few pages describing a slave market in the USA during the Revolution; which gave me a much clearer picture than Bondwoman's Narrative did. The description of how the field hands lived left me wishing to read more about that, and in fact, I felt I did not even get a good picture of how the house servants lived. There was quite a bit of philosophizing during the entire book so the author came across as an intellectual. In this respect, her comments about the death of a fellow runaway slave towards the end of the novel were very interesting to me.

This has rapidly become my 22-month-old granddaughter's favorite book. We all love the charming and beautifully designed popups, especially the last one, "all colors". A bit fragile, but that just means it is a teaching opportunity on how to take care of fragile, beautiful things.

This is one of the best pop-up books and is very well made unlike others I've reviewed. Our 10 month old LOVES to open flaps and these are quite easy to open. She also likes to tear, so I have to be quick to move on the the next page =) The colors are bold and very beautiful and just pop out at you. Very beautifully done! I wish there were more pop-ups like this one since our daughter loves to interact with books and is always looking for a flap or something to touch or move. She loves this one over and over again until she pushes it away.

Every color has a different way of popping up! My daughter loves this books, especially the green snake and black and white penguin pop-ups! Fantastic book for interaction and visual learning.

Pop ups were disappointing. Very basic. Good book for teaching colors to young children.

My kids love this book, it is our 2nd copy because the 1st got a little over loved (ie. ripped). So this is the special copy that is kept on the top helf. The illustrations and pop-up's are beautiful.

I had the old version of this precious children's book from my childhood. I love the new, colorful illustrations. The products arrived quickly and in perfect condition! Thank you!

Not seeing Jesus in the reillustrated version of "If Jesus Came To My House" took away the entire meaning of the book. I have purchased many copies of the original volume and I was very disappointed to see the illustrations in the revised edition. Nothing was improved upon in the reillustrated volume. Make no mistake, it is the original for me.

Lola J. Sell
Indian River, Mi

I have purchased this book and the new updated version for our son and have purchased this one for 4 of our friends. I love it and know our son will one day, too! It is not only a great book to read at bedtime, etc., but also to use in a children's Sunday School Class. A classic. I love this copy because the cover looks somewhat "vintagey" and I have it displayed on my son's shelf. It helps remind me that I want Jesus at our house!

I would highly recommend this book to any Christian parent and those that would pick and choose various books from the BFIAR series. My kids loved it and so did I. Its one of those timeless classics.

My wife and I love this book. Our two daughters ages 4 and 2 enjoy having it read to them at night. We now use this book as a gift for christenings quite often. It is a wonderful way to start introducing children to religion

A great resource for those seeking the character of Christ through humility. This book has encouraged me all the more to desire humility in the face of Christ.

Agree possibly the best book ever written on the subject, deep, slow read so much you must hit the breaks, should be a must read, old English but so powerful, get it if you are wanting to go deep.

Murray has left us a legacy of a high standard to emulate. This Christ-like virtue is not found in any religion.

This work has definitely got to be the best and most profound on the subject of humility, the fruit of the Spirit. There is no other challenger to this title today.

The matter at hand simply cannot be overstated enough, and if applied, is sure to bring fruit to all Christians alike.

A Christian classic.

I have read about humility in books, including the bible for over twenty years. I have searched for what it means to be a humble person, as I always interpreted it as being a doormat. Andrew Murray talks about humility using the life of Christ as our perfect example in such a simple way. I can now apply these very simple principles to my everyday life and I feel free.

I also love and appreciate that this is a small, very simple book. Andrew Murray gets to the heart of the matter without throwing in a lot of extra words.

After reading this book I bought five more copies. As God puts a person on my heart, I give them a copy of this book. this book is a wonderful spiritual journey.

This is much more that an book. It is truely a handbook for every believer. Keep it with your Bible and close to your heart. Give it to everyone you know who has a hunger for more of God.
God bless,
TDH, NC