Authors Books

Kees is a brilliant modernist poet, who describes the world he sees in dark and apocalyptic tones, filled with biting satirical wit. He poems read like photographic images of the dark reality in which he lives. His style is inventive and original. The world around him is hollow and meaningless, as seen through the eyes of bathers, lovers, scholars, soldiers, politicians, businessmen, actors, and Robinson -- the caricature of the average man of the cold-war era. His vision is the opposite Whitman with a vision that's closer to Kafka and Samuel Beckett, expressing the pointlessness of war and mechanistic civilization. As he writes: "If this room is our world, then let / This world be damned. Open this roof / For one last monstrous flood / To sweep away this floor, these chairs, / This bed that takes me to no sleep. / Under the black sky of our circumstance, / Mumbling of wet barometers, I stare / At citied dust that soils the glass / While thunder perishes. The heroes perish / Miles from here. Their blood runs heavy in the grass, / Sweet, restless, clotted, sickening, / Runs to the rivers and the seas, the seas / That are the source of that devouring flood / That I await, that I must perish by." Kees is one of the best American poets and deserves a wider audience.

--Alexander Shaumyan, poet, author of "Spirit of Rebellion"

If the passive despair of Prufrock (or should we say Eliot in a Prufrock mood) could be entwined with the searing wit and rage of S. Plath, the result might resemble Weldon Kees' unforgettable best poems -- twenty of them perhaps, all included in this book. And the comparison with Plath is fair I think, not because both lives ended in suicide but because both were spectacularly inventive imagists and masters of the craft whose poems peer into the abyss. Although this collection contains some of the most harrowing English language poems of our times -- the final poem in the "Robinson" series, certainly -- flashes of black comedy ensure that this book is as pleasing as it is troubling. I for one, find the following lines from "The Crime Club" devilishly pleasing: "Consider the clues: the potato masher in a vase,/The torn photograph of a Wesleyan basketball team,/...The unsent fan letter to Shirley Temple,/The Hoover button on the lapel of the deceased,/The note, 'To be killed this way is quite all right with me.'"

Kees is a master of image, and has a profound sense of time and place--his language has the direct and unselfconscious quality of a newspaper headline, and his meters are natural and terse. There is a lumious, jarring quality to his work that makes you feel like you'd found something important that's been lost for a long time. You have. This is the first collection of his work that has ever been generally available.

It would have been sad indeed if the work of Weldon Kees had disappeared into obscurity, as it was dangerously close to doing. Nothing escapes this poets' dark, razor edge sensibility;
the whole thing reads as a kind of pessimistic culture shock. Taking his cues from Joyce and Eliot's "Waste Land", he is pitiless in his assessment of the human condition and civilization.

He is not, however, tiringly depressing like Philip Larkin. He has a voice all his own and it is compelling and vivid. It is pretty obvious that his "Robinson" poems are autobiographical, at least in terms of Robinson's perceptions of the world around him. "For My Daughter" is a poem you will not soon forget.

For my part, I do not believe Weldon Kees is still alive. After reading and re-reading this collection I can't help but see that as wishful thinking. You can't fake this kind of sincerity. I would liken him to Leopardi, Beckett, and other masters of poetic darkness, but he has a voice so individual that he needs no predecessors. An absolute must read.

Weldon Kees has been recommended to me by more than one person. And the reason is that he is a very dark poet, and a very interesting one at that. Kees is slightly outside of academia, though his reputation is getting bigger. I found his earlier work to be better than his later work, that's not to say that there isn't good stuff in his later work, just that I preferred his early work. I'd also recommend you did up a good biography of Kees, since he also has an interesting life.

The classy look of the hardback cover is just perfect for the treasures inside the book. Thanks!

would put Pushkin in category with Turgenov and Chekov for a good read with a hot cup of tea in front of a roaring fire. Everyman's Library edition offers a decent look at historical Russian window through stories.

If you want to sincerely have a happy, fulfilling marriage to a Russian lady then you better not be complacent either.  Study the Pimsleur language lessons, read all the books you can, study Russian history and culture, read their literature.  The works of Pushkin alone are rewarding for any scholar with or without the motive of a beautiful Russian bride!

Readers seeking an entrée into Russian literature are prime candidates for this prose collection. Pushkin's stories are well-paced--not a word is wasted--and those who look beneath the surface of the writer's refreshingly lucid, taut and unembellished style will find a world that bristles with energy and life.

Among my favorite short stories in this collection were: The Tales of the Late Ivan Petrovich Belkin, The Captain's Daughter and The Queen of Spades. The epistolatory introduction to Tales of Belkin consists of a wry letter from the publisher, which kicks off a hilarious and sweeping commentary on Russian society. Filled with such characters as an arrogant fop, a wistful maiden and a heartbroken father, these poetic stories were beautifully crafted by a bon vivant who, without a doubt, appreciated the art of entertainment. The only selection I didn't care for was The Undertaker, as it struck me as silly, but the rest of Belkin's tales were page-turners. The Captain's Daughter was a heartwarming and often amusing tale of love, persistence and respect, as well as a not-so-oblique commentary on Tsarist aggression: the subject nearly landed young Pushkin in scalding-hot water, too. The protagonist Petr Andreich, who remains callow and a victim of circumstance throughout much of the story, incidentally, reminded me of Pip from Dickens's Great Expectations (Penguin Classics). Finally, Queen of Spades is a poignantly dark and cynical exploration of greed and treachery.

The images this artist pours into his short stories, as well as the plethora of superb scenes and economy of writing he employs, are reminiscent of modern screenwriting, and I suspect even harried readers who are accustomed to a steady diet of film and television will find themselves welcomed here. To wit, several stories struck me as prime candidates for a short film; I'd especially like to see an adaptation of The Shot, one of the five Tales of Belkin. Too bad this Everyman's Library edition isn't available in paperback, although it's probably small and light enough to fit into a travel bag.

Regardless, it's a fine read.

My Titles
Shadow Fields
Snooker Glen

This book contains the major prose works of Aleksandr Pushkin, which include "The Tales of the Late Ivan Petrovich Belkin", "Dubrovskii", "The Queen of Spades", "The Captain's Daughter", and "A History of Pugachev". Also included in the book are many unfinished stories and fragments, which provide some glimpse into what Pushkin was thinking in between the years that he wrote his masterpieces.

Pushkin's stories range from melancholy to humorous to psychological and yet they are all written in a clear, and crisp style that is easy to grasp. Unlike Pushkin's poetry, little is lost in the translation of his prose works from Russian to English and thus we can fully appreciate his genius.

Although all of Pushkin's prose works are excellent, but one that continues to remain in my memory for some reason is "Egyptian Nights". Here the two main characters are Charskii, the nobleman who upholds the aesthetic and personal nature of poetry writing, and the greedy Italian improvisator, who lives by giving public shows and is able to deliver a poem (and quite astonishing at that) on any topic at a moment's notice - but for a fee. Is it possible that Charskii and the Italian both represent different facets of Pushkin's own personality? Anyway, I thought the story ending was erotic and exotic...

Even if you are not interested in Russian literature or in Russian culture in general, I would daresay that you would find it hard to put this collection of stories down after you started reading them.

The only problem that I had was with the publisher. I wish that they had provided a bookcover, because the paint on the outside of the hardcover kept coming off onto my hands!

I had heard of this book many years before I was tempted to read it, and now I truly regret my lack of interest in Sassoon up to this point. He is a great poet, but as a memoirist he absolutely sparkles. Robert Graves' book, "Goodbye to all that", often described as a classic, is a mere string of unrelated anecdotes compared with Sassoon's modest, humorous, poignant account of his own youth, which takes us from his childhood in Kent to the end of his military career after the First World War. Don't hesitate to read this book, especially if you enjoy seeing the English language used at its very best.

World War I had a far greater impact on Britain than the US for the obvious reasons that they were in the war for over four years and suffered horrific casualties. The literature produced by that war made a sharp break from what came before, which reflected the feeling in the country that the war had irrevocably changed life in Britain. This is well illustrated in Siegfreid Sassoon's "The Complete Memoirs of George Sherston," a fictional version of his own experiences. The first part covers Sherston's pre-war life, with his obsession with fox-hunting. This is so well written that you will enjoy it even if you don't have the least interest in the subject.

The next section, "Memoirs of an Infantry Officer" covers his experiences in World War I, during he is highly decorated. The horrors of the war, which many of Sassoon's class thought would be a great adventure, are accurately portrayed. Eventually he becomes disillusioned with the war, and writes a letter denouncing it that could have led to his court-martial. A close friend (Robert Graves in real life) gets him classified as having a mental disorder and he is sent off to a hospital to recuperate.

This book is deeply moving and is one of a handful of books that changed the way that the English-speaking world views war. Sassoon's writing style is plain on the surface, but its plainness makes the emotional impact all the greater.

I find this book completely compelling, particularly volume 2 (Memoirs of and Infantry Officer). The descriptions of degradation experienced by those who fought in the trenches and their ability to create a sub-culture of derring-do is powerful in its modesty.Sassoon's mounting frustration is skilfully portrayed, especially in his allusion to details about provision for and management of warfare. His ennui is almost palpable on those train journies across France.

The first volume (Memoirs of a Fox-Hunting Man) is possibly of more interest to those of us born and raised in the parish where Sasson himself lived. I enjoyed playing 'spot-the-location', but must declare that I am in possession of a comprehensive list, produced by Brenchley History Society,of pseudonyms/real names.

The writing in this volume has some of the lyrical quality of his autobiography (The Old Century and Seven More Years - out of print)on which it is based. Rather than a treaties on Hunting, I consider this to be a gentle study of the awakening of Sassoon's poetic sensibilities; the Hunt and the relationships he formed with particular characters was, for him, an early catharsis. They also augur the events and characters in the following volume.

The final volume (Sherston's Progress)is probably most poignant if one is aware that this is, indeed, a thinly veiled autobiography. Sassoon's heroism is, for me, as great beyond the era of World War I as it is within it. This volume should certainly be read within the context of the previous two, but stands alone as a testament to the debt future generations owe to the perseverance of men such as Sassoon.

A rhetorical question. I've looked for these memoirs off and on in used book shops for years, chiefly because I remembered the first, foxhunting volume so fondly. I don't agree at all with the other reviewers that this section of the "memoirs" is dull. If you like animals or learning about lost sports and conventions--alpine climbing when it was a club activity, say, or round-the-world sailing--you'll enjoy Sassoon's description of hunts and hunters, especially those of the equine sort.

Sassoon's three volumes wrapped up into one take the reader into another world. First volume describes life in the English country, where a young George Sherston becomes completely immersed in fox hunting. To say he becomes consumed by this is an understatement. Sassoon's intimate depictions of the countryside, to include the life of a country gentleman are so detailed you can clearly "see" and feel how young George felt.

Volume 2, Memoirs of an infantry officer take George into the trenches of France, where again with graphic details, the horror and calamity of the fighting in WWI are brought to our attention. Of note is the latter part of the volume where Sherston's morals are challenged, and how he deals with this mental dilemma.

Volume 3 takes Sherston from the trenches of France, to a stint in Ireland and Palestine, but ultimately back to France where the novel is brilliantly wrapped up.

Sassoon's experiences in the war have given us perhaps one of the greatest novels from the era. The writing is absolutely outstanding and will give you pause to put the book down.

Nicely bound. Really does have all of his poems. Good paper quality. Very satisfied.

I read some stuff by Carl Sandburg when I was in high school, but now that I am considering writing as more of an art form I wanted to delve more into poetry, and this book is definately a great collection of one of America's greatest poets

I am a big fan of Sandburg. This is the most complete collection of his works that I have seen. His poetry is so full of strength and hope. Nothing is too frilly but still very beautiful. His poetry always reminds me of the verbal equivalent of a piece of art by Norman Rockwell - true down to the dirt on the skin but so full of awe and respect for his subject. Have a wonderful time reading this collection!

For me Sandburg is the poet of 'immortal lines' gleaned from anthologies. " The cat comes in on little cloud's feet' " Tell me if the lovers are the losers in the tombs, the cool tombs" " Chicago, beefhandler, wheat- stacker of the nation" Sandburg writes clearly and some might say is poetry is just prose chopped up into lines, but he has a strength and a humane sense that I find admirable. He is not given today the attention I believe he deserves. An inspiring poet who should be read more than he is.

Fifty years ago Carl Sandburg's poetry could be found in nearly every library, classroom and (in some form) home in America, but in the hurried twenty-first century, where too much bad poetry has spoiled whole living generations on the art, he is all-but lost to our social consciousness. This poet of freedom (even his poems disobey every respected rule of form) penned verses that celebrated the American spirit as no other writer had since Walt Whitman. If presented with a sampling of his most famous lines, the average American would probably light up and say, "Oh, yeah! Okay, I've heard that one." Reading the collected works of this Midwesterner is full of such moments of re-discovery. All of Sandburg's published books are here, putting his many hundreds of poems on display. His finest work, the controversial, slow-moving, stream of consciousness piece "The People, Yes" alone makes this anthology a gift to modern readers, but many other unexpected gems await to delight, challenge, inform, or taunt with sheer irony. Though some of these poems date back nearly a century, at no time does Sandburg ever sound anything but cutting-edge and post-modern. He is one of the greats for all ages of man.

I have never read a short story that's any better than "The Films of Richard Egan".It's a knockout!

There are at most a handful of male writers whose honest portrayals of male psyches ring true, and Giardina is certainly one of them. What's special about these stories is that men reveal their lives with women and children as the measure of themselves. And though the stories revolve around one theme, the voices vary; there is a scarily ruthless loser; a couple of men looking back on adolescence; but best, men talking themselves toward deeper commitment. If I didn't have a wonderful husband, I'd be jealous of this writer's wife!

The Country of Marriage was great. It had a good beginning middle and end

I was trying to figure out why I liked this book so much because subject matter and other things were so bourgeois and a little pretentious - poets and professional type people drinking wine, listening to Jazz, going to therapy, driving semi yuppie cars, reading classics and watching foreign flicks. Despite all of that, it occurred to me, on my third or fourth reading of the first story, "I live in Yonville," that Giardina transcends. Without committing the sin of profundity, he reaches so deep (especially the first story, which, in my opinion, outshines the run of the mill contemp. lit. found in magazines and journals today and even the stories in this collection). He's got IT, as a writer. Reading Gardina is like getting high. He santifies those precious things we merely feel, on that touch and go level, though, we know it to be worth so much more.

Just when I thought there was not one man in this world who understood themselves, let alone other men, I stumble onto this book. Giardina writes such truth. His voice hits the mark on every imaginable relationship. It is hard to except such weak, yet successful, crap fiction from say....Nicholas Sparks, when there is an intelligent writer like Giardina, in the wings, waiting to save us all. Read this and recomend the book to your friends who give a damn. You will not be disappointed.

Dan Burnett has penned some of the funniest stories I've ever read. Don't start this book if you don't have time to read the whole thing, because you won't want to put it down.

Mr. Burnett reminisces about his rodeo days--footloose and fancy free. A teensy bit intoxicated on occasion. And that's just what this book is: intoxicating. I bought copies for my brother, my sister, my kids, my friends--and they all loved this book.

Don't miss out on some of the best Americana of the 20th Century!

I am glad it was a book. I would have missed too much while in a state of uncontrollable laughter, if it had been a movie. At that time, I could not wait to order, A Cowboy Never Lies 2. Truly one of the best books I have read in a long time. I enjoyed it so much, I also ordered it in cassette, so my father could listen to it.

Yeah, I wuz alive 'n sorta moved around the fringes of Dan's circle, even entered a coupla events justa see if I wuz as tough as I thought I wuz. We-e-elll, I wuzn't, but his crowd wuz. Man! Until I saw em do it, I didn't think there wuz such a thing as a cowboy what could eat rawhide fer breakfus', drink a quart a beer fer lunch 'n eat ten pounds a rodeo dirt fer a full course dinner, then be ready ta dance 'n drink 'til sunrise, includin a lil scuffle outside tha dance hall! Now the story-telling enhancements to the truth are like salt, pepper and tobasco on yer favorite food and Dan has definitely perfected the flavoring without distorting the truths...much, anyway. If ya don't wanta laugh while reading this, I can only wish ya luck. Consider it a challenge, cuz it shore will be. --- Mike Danford

I can only shake my head in admiration of Mr. Burnett's adventures. It must have been fun to get up every morning just to see what was going to happen that day!

I read "The Hat" on the train and noticed people in my immediate area were looking around to find a) the person that was laughing so hard and b) decide if they should be concerned about some looney popping a gasket on the train.

Definately a book worth reading.

I read about Mr. Burnetts escapades in "A Cowboy Never Lies" laughing all the way through, put it aside for about 2 months then read it again so as to make sure I caught all of his zany escapades. My 14 year old son kept asking what book I was laughing about. [Usually he doesn't give a hoot about what I'm reading] I told him he could read my book when I was done with it. Later that evening I couldn't find my book so I headed to my sons bedroom to ask him if he had seen it; but only had to get to his door and hear his howl of laughter to know I wouldn't get my book back 'til he was done with it. I fooled him tho....I went out and got "A Cowboy Never Lies II". He knows I have it, and is bugging me to finish it so he can get started reveling in Dans' sidesplitting fun.

This is a fiction novel that reads like it's been ripped from the front page of the New York Times.

Continued crisis in the middle east, an oil `issue', Israeli-Palestinian problems, FBI-CIA turf battles; first-time author David Salkin has come up with a book that begins to rival the stories of Tom Clancy. Salkin writes knowledgably and at times, humorously, on the Middle East, and his research and attention to detail is one of the reason the book is so readable. Set in the post 9/11 world, "Crescent Fire" could be either a fiction novel or the next headline in Newsweek - it's that good. Could we see another terror attack on CONUS ? "Crescent Fire" makes the case that we could.

Highly recommended, author David Salkin has written a book that makes for excellent reading for anyone interested in current events.

I couldn't put it down! This book is amazing and kept me on the edge of my seat! Would LOVE to see it come to life on the big screen! We need more books by this author!

Agents Still & Hollahan are so real, and they draw you in -- you become their friends. I couldn't help but think of Nelson DeMille as I read Crescent Fire -- David M. Salkin is right up there with the big guys. A good read, and appealing to a variety of personalities.

What a great book, and one that touches on what's wrong with our foreign policy.

It's a thumping great read......perfect for quiet time on a airliner or just before bed.

The good guys win- but just barely......I'm waiting for Mr Salkin's next gift.

David Salkin has fashioned an engaging tale with realistic heroes doing the kind of work we can only hope is duplicated in the next volume. The perfect read for a trans-Atlantic flight!

This book was originally published in 1953. The following excerpt demonstrates that it is as relevant today as it was then: "War is a symptom of the breakdown of civilization. There are only different degrees of guilt among the combatants. All is not black on one side, and all is not white on another . . . So the evil of our day is the evil not of the East or the West, but of the world." Bishop Sheen's study of a broad spectrum of knowledge and thought is reflected in his writing. We have benefit of his self-disciplined study. He was no doubt one of the most, if not the most, learned, articulate persons of the Twentieth Century. It is wonderful to see his books selling so well. This is one to keep close at hand and reread often.

This book is an excellent, quick spiritual read. Each short essay is pithy and pertinent to modern life. Bishop Sheen exhibits his usual charisma and his knowledge of the difficulties of everyday life.

I recently became a fan of Fulton Sheen after seeing an old broadcast from the 1960's. This book only enhanced my warm feelings toward this witty and hilarious archbishop.

If you have never read anything by, or even heard of this man, I would definitely recommend this as a first reading. It's short, but the message within these lines speak volumes.

Truly this phenomenal read was written by the Holy Spirit with the help of Bishop Fulton Sheen. Through a deep interior prayer life and a wholly intimate union with God, infused knowledge occurred in this man's soul.

We, us readers are the beneficiaries.

I will continue to purchase this book for my loved ones.

Like others of the younger generation, I was unfamiliar with Fulton Sheen until the internet brought his fine lessons to light again.

The book is modest in length but is able to communicate a complex ideas in ways the average person can readily understand.

Although a great read for anyone, it would also be a timely gift for someone struggling with depression.

Reviewed by Gina Holland for RebeccasReads (5/08)

Do you remember Rosemary's Baby? A scary novel and film that made lots and lots of money, it has nothing on the novel "Dark Lullaby," which was terrific, thrilling and mind bending! The story is actually much different than Rosemary's Baby, but I'm reminded all the same. There is a baby involved, but that comes later. Mayra Calvani did an excellent job writing, and I was so captivated by the book, I kept turning the pages, no matter how many other things I needed to do.

"Dark Lullaby" starts off with two young people who have just ended a long-term relationship months before, but still remain friends. Gabriel and Liz are definitely two different people, but both have a great heart and love for family. Gabriel thinks about moving on with his life, but Liz is still madly in love. Liz finds it hard to stay friends, so she is contemplating staying away from him. Then, while sitting together in a public place, discussing their opinions on different subjects, a beautiful young lady named Kamilah joins in on the conversation. Immediately, Gabriel is mesmerized by her looks and the way she speaks. Liz is very agitated by Kamilah's intrusion, as she sees the sparks fly between Kamilah and Gabriel. If it wasn't jealousy before for Liz, it will be now.

Gabriel has a twin sister named Elena, who is getting very close to giving birth to a baby girl. Elena and her husband Brandon had a baby once that died. So both are very nervous about this birth. The doctors tell Elena she has nothing to worry about; the baby is going to be fine. Elena keeps in constant touch with Gabriel and since they are so very close, she wants Gabriel to be at the birth of the baby with her. He has taken a week's vacation from his job just to be there with his loving sister.

After Gabriel and Kamilah meet, they start spending all their time together. A lot of strange things are happening for Gabriel, Liz, and also for Elena and her husband Brandon. Things that none of them seem to be able to explain. Does any of this strangeness have anything to do with Kamilah? Bad dreams are becoming too real for Gabriel and Elena. They may not be the exact same dream but they are disturbing dreams nonetheless. The more Gabriel is with Kamilah, the stranger things seem to get.

When Gabriel and Kamilah take a long trip to Kamilah's homeland the week before he is to go visit his sister Elena, Gabriel starts realizing that something is wrong, very, very wrong. He has lost his cell phone, knowing for sure he packed it, he blacks out at times and the only explanation Kamilah has for him is that he fell asleep. He starts to feel sick and he has a strange pain on his left side. What is going on? He can't help but wonder if all of this has something to do with Kamilah; with her beauty, her hot to the touch skin, and her childish nature. Are his dreams of someone doing something bad to him, real?

If you read this novel, you will be so fascinated that you will not want it to end. I, for one, am in hopes that Calvani will be kind enough to write a sequel to her novel. The ending is very stunning, surprising and will leave you with wonder. There is no other way to describe this book other than it was a terrific read. I wanted to read every word. I commend Mayra on "Dark Lullaby," and I look forward to her future novels.

Dark, exotic, and filled with chilling twists and turns, "Dark Lullaby" by Marya Calvani is horror story that grabs you right away and doesn't release its grip until the final word is read.

Astrophysicist Gabriel Diaz believes in the higher good and that everything can be explained by science and logic. One night in a tavern, a mysterious and intriguing woman captivates his body and soul. After spending the next several days with the mysterious Kamilah, Gabriel is convinced to join her in Turkey to visit her family's cottage, even though he can't push away the nightmares of his sister Elena's unborn child.

Plagued by a strange illness that leaves him weakened and sore, Gabriel begins to wonder who or what Kamilah really is. With the help of a village merchant and a one-eyed witch, Gabriel makes a startling discovery, calling into question all he believes in and forcing him to come to terms with his past so he can save Elena's baby.

Equally scary and beautiful, Mayra Calvani has drawn the beauty of Turkey into a chilling paranormal tale unlike any I've ever read. The descriptions throughout this book were stunning. I walked along the hike up a Turkish mountainside, lived inside Gabriel's head during his disturbing dreams, and stood beside him as he looked into the strangely carved trees in the forest leading up to Kamilah's cottage.

A master storyteller, Calvani hooked me from the first moment in the tavern to the very last page. This is truly a unique story that I look forward to reading again.

"Dark Lullaby" will capture you with its rich descriptions, its exotic location, and the need to uncover the dark secrets hidden within its pages.

The next time you feel like curling up with a scary book, get a copy of author Mayra Calvani's Dark Lullaby, a riviting page turner that will keep you reading straight through until the end. The story begins in Baltimore where Puerto Rican born Gabriel Diaz meets the lovely young woman Kamilah. Very soon she has his undivided attention.

Tension builds as Kamilah works her way into Gabriel's life. They spend almost every moment together, and it is then that his nightmares begin. A part of him suspects a connection to the new woman in his life, but ultimately his attraction to her pushes his concerns aside. In his apartment are photos of his twin sister Elena who is expecting a baby in a few weeks. He is anxious about Elena because her first child died soon after birth. Gabriel is very close to his sister and has promised to be with her when this child is born. Kamilah finds this admirable and wants to hear everything about Elena and her efforts to have a healthy baby. But first the exotic beauty convinces Gabriel that he has time to come with her to her family's small cottage in a beautiful, somewhat desolate area of northern Turkey. Just for a week, she says. Gabriel agrees then quickly regrets this decision. His nightmares worsen. He hears sounds of frightened children in the forest, and sees grotesque faces of babies in the bark of trees. All too quickly the nightmares become reality.

Dark Lullaby is a must read for those who enjoy novels of horror. Calvani keeps the tension tight throughout this gripping novel.

Astrophysicist Gabriel Diaz enjoys an intellectual debate especially over beer, but recently he has had doubts he will ever find a passionate love as his relationship with Liz went from girlfriend to friend. Meanwhile the only person he loves, his pregnant Elena begs him to be there when she gives birth as she is frightened having lost a newborn three years ago. Gabriel would do anything for Elena so he promises to come to Belgium where she lives.

However, his sibling's need vanishes form his brain when he meets Kamilah. She challenges his intellect with debates on good and evil and what is justice. Instead of going to Belgium, he accompanies Kamilah to her home in the Turkish mountains overlooking the Black Sea. Once in Rize, Gabriel loses his cell phone and becomes very sick suffering from nightmares that make sleep horrendous and he suffers even worse hallucinations when awake. As an increasingly paranoid Gabriel fears for his mind and wonders if somehow Kamilah is behind his descent into insanity and overall ill health, a panic stricken Elena keeps wondering where he is as he never failed her unlike their parents and she cannot believe he will fail his soon to be born niece.

This is a terrific horror tale that hooks readers who in spite of knowing that Kamilah is malevolent from almost the first siren meeting with Gabriel wonder what her her motive is and who she is. Fans will assume due to Gabriel's descent into paranoia and Elena's increasing manic panic attacks and anxiety-depression that borders on bipolar that this is a psychological thriller; but the Turkish locale and Kamilah make it so much more. Maria Calvani will have fans hooked in a one sitting read as the author's appreciative attentive audience will want to know is it madness or something more paranormally chilling.

Harriet Klausner

Premise: Gabriel Diaz is an idealist. He loves debating about good and evil, justice versus murder. His relationship with his ex-girlfriend Liz is friendly, though he knows she would let it be more again if he wanted. But he doesn't think he loves her. Yet more fodder for moral discussions in his own mind. His childhood in Puerto Rico was not a happy one. Though he and his twin sister survived, it has colored his perceptions. The unusual bond he and his twin share hasn't failed to impart to him her fears of her current pregnancy, having lost a daughter hours after birth three years ago. Yet all these hanging issues and more get put on hold when he meets Kamilah. Foreign and beautiful, she drives him to distraction. And she seems as fascinated by the moral issues of justice and darkness as he is himself. Then little things start happening the closer the time for his trip to visit his sister for the impending birth comes. Is there a form of darkness at work here or is he only letting his imagination and worries run away with him?

Review: Filled with several exotic locals, Dark Lullaby makes for a plethora of the unusual and foreign. The Middle Eastern mythology used is also not one seen often, so it made for a very refreshing change and caused the horror aspects to be even more poignant. Gabriel has to face the very moral issues he's been battling in his mind, pushed and prodded toward an end that will affect the lives of more than just himself. While who the evil persona is was never in question, the goals and resolution weren't clear until the end, making the read much more exciting. If you like chills, foreign settings, and moral dilemmas, this book is for you!

...and quite possibly the best collection of quotes from the broadest range of leaders in the field that I have ever devoured. I started reading it with a highlighter to cover the best advice. Excluding the front and back covers and the title page, the book is now entirely yellow. From veterans to fresh meat on the hook, this is the bloody book to read if you want to take your craft seriously. What more can I say to rave about this? Buy it. Read it. Then read it again. Keep it within reach of your desk for inspiration when the words just don't seem to flow. It's like a horror convention in your brain!

This book is so inspirational it amazes me. It is quote after quote by famous authors on different topics that apply to horror writing. I think this is one of the most inspirational books on horror writing. I love this book!

Do you wonder what scares your favorite horror writers? Would you like to know who influenced them, or where they get their ideas? Wonder no longer--the answers to these and other intriguing questions can be found in Dark Thoughts On Writing. Editor Wiater, drawing on interviews he's conducted with fifty writers of horror and suspense, presents their responses to these questions and their opinions on censorship, the affect of fame and fortune, and why they choose to write in the genre. The result is a plethora of colorful opinions, surprising anecdotes, and useful advice from a wide selection of horror writers, including Stephen King, Anne Rice, Jack Ketchum, Ira Levin, Clive Barker, Matthew Costello, Charles L. Grant, Nancy A. Collins, F. Paul Wilson and Richard Matheson. Must reading for horror fans and aspiring writers in all genres.

This is a book that will be of interest to the struggling writer and the devoted fan alike: the author culls thought-provoking, helpful, and at times highly amusing quotes from his series of interviews with the giants of dark fiction and distills them into one handy volume.

As a writer, one topic I found particularly interesting was the matter of influences: discovering who inspired the authors and artists who inspire me was fascinating.

As an aspiring writer, I was especially interested in these writers' basic influences, fears, and drives. After the first chapter, I was glued to this book, absorbing the thoughts of writers such as Stephen King, Jack Ketchum, Anne Rice, and many others. This is a great gift for a horror fan.