History Books

"The Count of Monte Cristo" is a phrase that most people are familiar with; the broad outlines of his story have become a part of everyone's general understanding via cultural osmosis: Edmond Dantes, wrongly imprisoned by the contrivance of four men, escapes jail after decades, and, armed with essentially limitless money, plots his revenge. With this in mind, those revisiting the original novel have a general idea of what happens with the principal characters. While it would perhaps be optimal to begin reading with no preconceptions, the novel does not suffer for knowing the general outline. In particular, adaptations always end up significantly cutting the original story, which clocks in at nearly 1300 pages in this edition; so there are plenty of story points normally omitted for the reader to discover.

An English professor once related that in the Renaissance genre of revenge tragedy, there were only a few that really examined the toll taken on the revenger (Kyd's "The Spanish Tragedy" and Shakespeare's "Hamlet" being the notable ones), while most simply offered a black-and-white story of wronged men slaying the demons who haunt them. Alexander Dumas' story, which has become perhaps the archtypal revenge novel, also falls into the more complex category. It is perhaps telling that while the novel follows Edmond Dantes' perspective from the beginning to the point where he escapes from prison and finds the treasure that will finance his scheme, as soon as Dantes becomes The Count of Monte Cristo the perspective largely shifts to other characters; Dantes, a young and happy man, becomes something different and less human; the Count is almost automaton-like in his calculations and actions, though, as the story wears on, pricked by resurgent emotions. It is the conflict between his assumed roll as the wrath of God and his mere humanity that serves as the major conflict in the novel's climax.

Dumas offers a panoply of other characters, generally well-drawn, and absurdly interconnected in the best traditions of the Victorian novel; particularly notable is the oblique sketch of a lesbian couple who ride off into the sunset, a risky inclusion for the time period (and generally sanitized from most versions of the story).

This is by no means a quick read, but it is very much recommended for fans of classic literature.

There are a handful of traits that make a book a "classic". They can stand the test of time from 10 years to 100 years beyond, due to their meaningful story lines which everyone can both relate to and have different interpretations of. The Count of Monte Cristo has all these characteristic of a classic story. It is a story of revenge, love, hatred and the second chances in life one may be lucky enough to receive. Even though this story is almost 200 years old it still appeals to people of all ages and walks of life.

Edmond Dantes is wrongly accused and imprisoned for a crime he did not commit. After spending 14 years in a horrendous prison he miraculously escapes and uses his new fortune given to him by a prison mate to live out his new life of enormous wealth and his quest for revenge. This seeking of revenge captured me along the ride with Edmond Dates' use of wit and internal hatred towards others to seek revenge on those who destroyed his life. It came to my discovery through the Count of Monte Cristo's experiences and actions that people back in 1800's were just as devious, greedy, deceitful, manipulative and vengeful as people can be today in modern times.

Alexandre Dumas builds a captivating and rich plot throughout his story which makes the reader wonder what will happen next and what the consequences may be. The theme of love, hatred, happiness, vengeance and forgiveness is something everyone can relate to since they are feelings we have all felt. My negative critique for this book is the fact that it was a struggle to keep all the 40+ characters in order. The French names I am not familiar with as an English speaker, were confusing at times.

I found this book intriguing because this story portrays the evil nature of the human spirit while at the same time teaching a lesson in the possibility of Karma and how eventually people will end up paying for their wrongdoings. It was at times a struggle to get through, but I was glad I did.

Wow. I am so glad to have bought this book. I cannot put it down! At first I must admit I was intimidated by its size as well as the period it was written. I find that many period books are really dense and difficult reads. Not this one at all!!! Easy to read and such a gripping tale! It draws you in and you do not want to put it down. I am so glad that I am reading the unabridged version because I cannot imagine it any other way. I am also so happy that it is so long because I do not want the story to end!

"The Count of Monte Cristo" is a literary masterpiece. It has everything one could want in a book and more: adventure, fighting, planning, tales of riches, tales of suffering, tales of ultimate betrayal and revenge, and even a little love.

This book may be long, but every single page is worth your time. It is written so perfectly and the story put together with such great design...an epic tale perfect for any reader.

I had never read Monte Cristo before and was at first reluctant to invest the time needed for this modern, unabridged version. I'm glad I did though, because it was a great story that moved along quickly in spite of its length. The freshly translated language helps, and because it's unabridged, it's satisfying to know that you're getting the full text that Dumas intended.

Bing West did an excellent job! I chose this book because I wanted to better understand both the Battle for Fallujah and the larger War in Iraq from the soldier's point of view. West describes the negotiations and he makes that an essential interplay with the conduct of the War. The US is lucky to have the committment of troops who fought this battle under the political circumstances they faced then and continue to have to contend with.

The only unanswered question I have is: What was the source of the Insurgents' high powered weapons? West implies that they may be the remainder of the Iraq Armys' weapons under Sadam Hussain by describing the former soldiers and officers who fought with the Insurgents. But he does not directly address that.

Jim(Illinois)

the title comes from a comment on The Iliad. a well written book. lots of details on the battle. also gives a broad view of the entire socio-political background. not for the faint of heart.

I picked this up to read on a month long travel trip. I ended up reading it in one sitting! Consequently, Im very glad I had also purchased a few other titles on the same topic. I really good read, disturbing and terrifying at times with a great deal of insight, but a great read.

"No True Glory" written by Bing West.

"No True Glory" chronicles the combat and political events directly relevant to the city of Fallujah from April of 2003 through 2005. Perspective is given from soldiers on the ground all the way up to commanding officers.

The Good: No True Glory provided a wide range of perspective and gave good information from all sides of the Fallujah story. It didn't just given the action and tragedy on the battle field and it didn't completely bog you down with politics or tactics. A good blend of political explanation that helped you to understand what happened and why was combined with thoughts and attitudes of the high ranking officers and mixed with the day to day activities of the guys who were actually kicking in doors and getting shot at. The mix was good and paints a full picture of not just what happened when but also why.

The Bad: I had previously read "Jarhead: a Marine's Chronicle of the Gulf War and Other Battles" and "Generation Kill". Both of which were more personal because they focused on individuals or individual groups providing a personal aspect to each. That is the only aspect in which "No True Glory" lacks. The reality is that this couldn't be accomplished in "No True Glory" because the time frame the book covers is longer than any single tour of Duty served.

Overall: If military books interest you then pick up No True Glory and give it a try. A great read!

His account of the fighting in and around Fallujah was very informative. He description of the bravery and determination exhibited by the Marines was very memorable. Yet by ignoring the political ramifications of fighting a trumped up war created by the Bush administration and the large number of civilian casualties that have been subtained, he intentionally created a very distorted overall picture of the conflict. Also, his comparison of the fighting in Iraq with the Tet Offensive during the Vietnam War was extremely inaccurate. By blindly accepting the offical version of events, Bing did an injustice to his readers. Amazingly, he pretty much ignored the total incompetence of President Bush, Rice, Rumsfeld, and the political leaders who served there. As a Vietnam Combat veteran myself, I was very disappointed that he didn't recognize the harsh fact that one man's terrorist in another man's freedom fighter. Or rather, the glaring fact that we can't militarily win a war of occupation, unless we literally accept the fact that we are corporate occupiers and not political liberators.

Shattered Sword by Parshall and Tully is simply breathtaking, the most thoroughly researched and lucidly thought out history of an event that I have ever read. Setting out to tell the story of Midway primarily from the Japanese side they have created the new standard of that crucial battle in the dark days of 1942 that shines as an example of scholarly effort without parallel.

First these authors clearly did their homework, and to say that they explore the battle in the utmost would be an understatement. Setting the stage for the battle with germane explanations of the geopolitical, then strategic, and then operational backdrops that led up to 4-5 June 1942 the authors then delve into the battle wielding an awesome array of salient information ranging from the psychological makeup of the senior Japanese commanders on the scene, to Japanese naval doctrine of the time, to the naval architecture of the four Japanese flat tops, to how many bomb carts each carrier had (and are thus able to derive such details as the quickest possible practical TIME, down to the minute, it could have taken to re-arm waiting dive bombers and torpedo planes in the hangar bay) to even the names of individual Japanese pilots in the CAP and when they were launched. What emerges is a picture of the battle in toto, grounded in a thorough understanding of the pacific campaign and the entire war itself, aided by a completely fresh and unbiased look (which subsequently shatters many myths about the battle) and delivers not just the most accurate picture of what happened and why during the fighting, but also what it meant in the larger scheme of how the rest of the war was fought and ultimately won (or lost by the Japanese). This is truly the stuff history is supposed to be about.

What is better yet is that the book, in a surprising cut against the grain for pieces written by more than one author, reads both like an erudite intellectual analysis and Tom Clancy-esque action thriller. Throughout the book you are taken from the strategic and coolly logical minds of senior commanders, to white knuckle seventy degree dives in the cockpits of cascading American SBD's flying through walls of flak and marauding Japanese zeros. Later you are privy to the acts of desperate survival of Japanese engineers sweating in the asphyxiating air of the engine rooms in their carriers as the ceilings above them start literally glowing red from the heat of uncontrollable fires ravaging above and blocking their only route of possible escape.

After setting the stage of the history of the Japanese naval war in the Pacific up until the time of the battle and explaining the strategies, doctrines, and technical features (i.e. carrier air wing make up, command organizations, etc.) of both the American and Japanese navies the authors place you onboard the ships of the Kido Butai for a minute by minute account. This in depth and detailed account takes you from the moment they sortie from Hashirajima bay to their ignominous retreat mere weeks later. The writing is crisp, fast paced, and clear, conveying information, tension, emotion, and action all at the same time without compromising any of those features. Told primarily from the Japanese side it is taut and disciplined, delivering information to the readers as it came in real time to Nagumo and the staff of the Kido Butai on the cramped bridge of the Akagi and under fire, instead of giving the reader a truly "God's Eye View" of the battle. There is just enough delving into the worlds and actions of Nimitz in Pearl Harbor, Flether onboard the Yorktown, Spruance onboard the Enterprise, and several other American forces to give appropriate context and understanding, but the reader is basically experiencing what the Japanese commanders were going through. This allows the reader to truly appreciate the Clausewitzian "friction" that plagues any battle, and to understand the decisions the commanders made at the time. After the fact everything is tied together by the authors to deliver a true picture of exactly what happened each minute of the battle. The scope of the battle and the author's telling of it is enormous, covering not just the more familiar strike on Midway istelf and ensuring carrier duel, but the ordeal of survivors from each carrier as they attempted, futilely, to save their ships then abandoned them, to the harried Japanese retreat and the less familiar American attacks on the Mogami and Mikuma which ultimately led to the latter's destruction.

The book sets the record straight on many things, of which I cannot mention all. When the American dauntlesses rained down upon the Japanese carriers at 1020 however it is clear that their decks were NOT full of a strike package just moments from launching to crush TF 17, this was a myth that was propagated by Mitsuo Fuchida after the war's end for self serving purposes as well as dramatic flair. VT-8's heroic and fatally doomed torpedo attack did not draw down the Japanese CAP, instead it was just one of a series of hurried and poorly organized American attacks that virtuously threw the Japanese into confusion and left them reacting to conditions rather than shaping them. The Americans were not so outmatched as is commonly believed, but still won a glorious victory ableit against a deeply flawed plan developed by the actually bullying and overbearing Yamamoto (who was restricted from leaving Kure Naval Harbor while in Japan to visit Naval General HQ in Tokyo on fear that other resentful officers there would literally kill him.)

The lessons the authors draw from this battle are applicable even today. The Japanese primarily lost the battle, and the entire war for that matter (although for the entire war the relative industrial might of the US played a far more important role than it obviously could have in this single, early on confrontation), due to an operational rigidity born of national culture and character. This rigidity left it unable to correctly learn lessons from its past operations, anticipate future operations as well as enemy capabilities and reactions to such, and, most critically, to adapt to real world circumstances when their overly elaborate plans inevitably began to unravel against determined and unpredicted enemy actions. (The Japanese expected to face a cowed, fearful, and largely reactionary and passive US Navy at Midway, and not the aggressive and ably commanded force that Nimitz actually sortied to meet them and that guided itself on the flexible principle of calculated risk rather than dogmatic devotion to operational planning.)

I simply can not say enough good about this book. It is useful to anyone with an interest in history as an example of the heights that that discipline can reach and the edifying fruits it can bear when practiced properly, to those in the military who seek a better understanding of how war actually is fought and can be fought best, to someone who wants to read about a real world battle written with the excitement and drama of a great fiction author.

HIGHLY RECOMMENDED!!

Haven't finished its reading yet, this book is a superb job about the battle of Midway. With every data carefully referenced and a lot of research in the JPN archives, most of them ignored so far in western bibliography, this book torpedoes a lot of myths that have risen around the famous naval battle over the years.
Reflects, in my opinion, the real "fog of war" that both navies had to fight with those days.
It is mainly focused in the Japanese side, giving credible answers to questions that had been ignored over the years by all history books that I have read.

"Fantastic" is not enough to describe this book. The research which has gone into it and the amount of details presented is absolutely unbelievable.
In the wake of this book, I don't think there will be any further need for continued discussion over the relative action of the US and IJN fleets and what really happened near Midway on that fateful day.
The explanation of Japanese tactical and strategical thought which lead to their demise is clearly spelled out and it finally lets the reader understand the how and why of the action Adm. Nagumo took at the time.
Altogether, I could not have asked for a better book on the subject.

Simply a must-read for anyone with a serious interest in what happened off Midway in June 1942, and why events unfolded the way they did. The authors explain not only what happened, but why - in exhaustive detail. And therein lies the reason I could not in good conscience give this outstanding work 5 stars.

When the subject is as complex as this battle, and the research so comprehensive, any author has a responsibility to write as concisely as possible. Doing so respects the reader's time and improves the chances of the less dedicated making it through the text. Not only is this book unnecessarily wordy, the authors sometimes use three or four paragraphs to explain a point only to spend another paragraph or two summarizing and/or providing 'in other words' alternative explanations. Frankly, the average reader may be hard-pressed to finish this work. I half expected the last page to be a submission form for three hours of credit.

With that said, the afterglow is a pleasant one for those of us with a deep interest in this battle and the patience to read through to the end. The authors do a fine job of explaining why they're explaining. For example, with great effect they use Japanese carrier procedures and doctrine as evidence indicating what was actually happening in specific timeframes. Another example is showing the real role the decimated American torpedo squadrons played, which was critical but not for the reasons most people believe. The research appears impeccable and the conclusions reached on points where absolute evidence does not exist make sense.

The authors are perhaps a bit snarky when addressing some other sources on the battle, but I believe that to be a product of their own passion for accuracy, the battle, and the Imperial Japanese Navy as opposed to any intended animosity.

Bottom line: highly recommended, but be prepared to invest some time.

I was rather surprised that the authors make no mention of the actual prime source for the Battle of Midway that most Americans carry around in their heads: the 1976 film, "Midway." With familiar names like Henry Fonda, Glenn Ford, Robert Mitchum, Hal Holbrook and Charlton Heston, the film reinforces the popular wisdom that an under gunned American Naval task force, on June 5, 1942, surprised the main fleet of Japanese carriers bearing fighter planes helplessly exposed on the decks. Certainly I had never heard the names Yamamoto, Nagumo and Genda prior to seeing the film one rainy summer afternoon. After reading Parshall's and Tully's masterful study of the battle, I was even more surprised to learn that this enduring version of the Midway encounter came not from the understandable pride of American historians, but from the pen of Fuchida Mitsuo and Okumiya Masatake, whose "Midway: The Battle That Doomed Japan" [1955] served as a template for historians, school books, and even Hollywood.

Since Japanese historiography has shaped the Midway story for over six decades, Parshall and Tully decided to address their gripping minute-by-minute account of the battle through the eyes of Japanese experience and intentions in order to restore a sense of perspective. In truth, much of Mitsuo's narrative and interpretation is not as much defective as it is deficient. Midway was the product of complicated forces; its individual tactical events at many turns had lives of their own. Thus, only by breaking the battle into dozens of microcosmic signatures could Parshall arrive at something resembling a true chronology of the encounter, though war is such a hellish psychological event that exactitude is its first victim.

The attack on Pearl Harbor on December 7, 1941, was for the US the beginning of the beginning. For Japan it was the beginning of the end. It may not have been clear to Americans in 1941, but Japan's eastward expansion to Hawaii was something of a Pickett's Charge moment save that Japanese efforts had, for a time, a more favorable psychological outcome. Parshall's map [20-21] makes the Japanese problem crystal clear: advancing across the Pacific meant investment north and south as well as east. Japan at this point had been at war since at least 1937, first with China and then throughout Southeast Asia.

In these circumstances the Midway situation takes on a whole new look. The Empire's interest in seizing the Island had little to do with westward expansion, and much to do with protecting its holdings. Possession of Midway would allow the Japanese to cut US supply lines to Australia. Achievement of the goal was certainly within capability, given the limitations of the US Pacific Fleet, had not the ambitious Admiral Yamamoto Isoroku overreacted to recent US sorties with a complicated plan of his own for Midway. Yamamoto violated a basic tenet of war--massed force--to execute simultaneous action toward Dutch Harbor in the Aleutians. Parshall is careful to note that this Aleutian action was not a feint, as is popularly believed, though Dutch Harbor had questionable value in any strategic equation.

With two carriers off to the cold north, Yamamoto proceeded to Midway with four carriers instead of six, and just a one carrier advantage over Halsey's three. [Bill Halsey, of course, would be hospitalized with shingles and replaced by Ray Spruance for the Midway expedition.] The result is basic history, with the US destroying all four Japanese carriers with the loss of only the Yorktown. Parshall certainly does not diminish the accomplishment, nor do he and his colleague entirely deny the element of luck. More often, he takes the dramatic edge off of events, reminding his readers that in war the best schedules go awry, runways get congested, radios break, intelligence gets manhandled, and weather conditions change.

Parshall believes that that US Pacific fleet was not quite the crippled eagle it is often portrayed to be. Between the Pearl Harbor and Midway encounters the Lexington and the Yorktown had embarrassed Yamamoto on several occasions in his back yard. The US Navy had learned quite a bit about aerial warfare despite the fact that at Midway its planes were somewhat inferior. Vice Admiral Nagumo, commander of the strike force, found himself repeatedly surprised by the Americans' tactics and capabilities, though admittedly some of these tactics--with tragic and needless loss of life--were as much a surprise and shock to the Americans' own commanders.

Parshall observes that American forces did enjoy an overall edge in technology, planes notwithstanding. Photographs of the late Soryu, Kaga, Hiryu and Akagi carriers throughout the book reveal tinker-toy vessels of another generation, which in some cases were actually Gerry rigged when designers changed schemes. US carriers enjoyed greater simplicity and a much more efficient deck technology, particularly in the design of elevators which allowed for rapid turnover of planes for duty. Most notably, American carriers enjoyed much safer and more efficient fire control systems, which gave the Yorktown an added essential day. From a humanitarian standpoint, Parshall brings home the terrible suffering of Japanese sailors primarily from fires resulting from poor ship design. As a rule the rank and file of the Japanese Navy manifested an amazing courage and devotion to duty; Parshall's account puts the responsibility for their plight in the appropriate places.

Parshall's decision to write from the Japanese perspective was quite daring and very successful. As befits a military work, nearly one-third of this book is composed of maps, photos, and an exhaustive bibliography. It is hard to imagine how the author could have been more helpful with his illustrations of ship movements and time lines. And yet this is a work with a gripping story line. The revised truth about Midway is still a captivating tale, about commanders coping with strain and sailors loyal to their comrades. For all its technical information, Parshall's work can best be described as eminently human.

To review this book I will divide it into two parts.

The first part is the story of Charlie's Angels from it's very first inception when it was about three "freelance crimefighters" calling themselves The Alley Cats to the final days of shooting when the show closed it production for good. There are a lot of interesting backstage tell-alls going on here featuring just about everyone connected with the show. We also have some pretty objectionable opinions on storylines and the direction of the series, as well as some pretty honest quotes from those that were involved. Very little was held back which makes this book an interesting read, but on the negative side there were a few cases which, unfortunately, sounded like one-sided gossip.
Example #1: the book, of course includes the story of Farrah Fawcett's abrupt decision to not return for season 2 and her subsequent lawsuit settlement which required her to make six more appearances. When she returned to film those episodes, she was "not warm to anyone," according to Cheryl Ladd. "She did not want to be there." Unfortunately, Fawcett was not interviewed for this book, therefore her side of the story was not included.
Example #2: Kate Jackson became increasingly unhappy with the direction of the show and by seasons 2 & 3, she started making a lot of demands which added a lot of tension to the set. Additionally, she apparently was not happy with the hiring of Ladd and the two actresses did not get along very well throughout the two years they filmed the show together. However, Jackson was not interviewed for this book, therefore her side of the story is not included.
In fact, one of the authors admits to having been friends with Jaclyn Smith for many years, and perhaps that is why the book is full of current quotes from Smith and Ladd, while anything from Jackson and Fawcett were lifted from previously published interviews printed while the show was still in production. Suspiciously, the story of how the network wanted to fire Smith after the pilot episode (and Aaron Spelling's fight to keep her on) is missing.
Anyhow, the book is still an interesting read, including the sections featuring Shelley Hack and Tanya Roberts. There are also brief resumes done on everybody associated with the series in their respective chapters. Kudos to that!

The second part of the book is an episode guide followed by commentary featuring small trivia and tidbits. The description of the episodes read more like an extended description you'd see in TV guide: enough to set up the plot but leaving enough out to not give anything away. In this case, I think that was wrong and made this section a very boring read. The authors should have included full synopsis from each episode (from beginning to end) - there'd be no need to fear that they would be spoiling anything since anyone who buys a book like this would've seen all the episodes anyway. Still, the commentary is interesting, making notes of notable guests stars and small little tidbits that you never knew, like: only in ONE episode of the entire five year run did all three angels appear in bathing suits together in one shot. Now that's trivia for the thinking man.

The bottom line is that the book should probably be taken for the same amount of entertainment that the TV show should be taken as - some shallow storylines mixed with some really good ones making for some guilty pleasures.

This is a great book. I'm a huge fan of the series and Farrah Fawcett. It's a great book for fans of the hit TV show,from the actresses profiles to the series episode guide and commentary. Great pictures too!

If you are a Charlies Angels fan, then this book is a must. It is full of everyhting you need to know about the show and the beautiful ladies that made the show a hit. Oh and let's not forget Bosley "David Doyle". I loved this show from the day it debuted til the last episode. I have also been a longtime pen pal to one of the authors Jack Condon Who I know for fact has met each one of the Angels personally and is friends with Jaclyn Smith. So I truly recommend this book to all Angels fans because, trust me Mr. Condon knows his Angels.

Ok I love Charlies angels as much as the next... but this book is lame. Just as I watched each week enjoying yet hoping the plots would get better this book is the same. Just reading and waiting for it to get better.
Basically there is nothing you havent heard before. I would sell my copy for a buck plus shipping.

This is such a fun book! Lots of rare photos of all cast members. I really enjoyed the stories and anecdotes from all the personal interviews with the different cast members. This book obviously took lots of time and effort to compile.
I was won over in the first few pages where proper hommage is paid to the Angels' predecessors in female crime-fighting : Anne Francis as Honey West and Diana Rigg as Emma Peel. Charlie's Angels was perhaps ground-breaking but these 2 women broke the ground for the Angels in the previous decade. After this bit of history, it was evident that the author really knows his subject matter.
Just tons of fun facts in this book! Nice filmographies of each cast member and a very cool reference section on all the merchandise created for the show.
There is also a review of each episode of the show. This may be my favorite part as the author points out various bloopers or script inconsistencies that make the show all the more endearing. I didn't know that Rossano Brazzi was an Olympic athelete! The only drawback about his book is that it's so much fun to read that it leaves you wanting more! Thanks for a job well-done Jack!

This book has everything you need if you are interested in more than just the movie. The whole script is included. Interviews with the entire cast! The whole story of how rent was created, start to finish. It is worth every penny and is the only rent book you'll ever need.

An absolute necessity for any renthead. only complaint is it is written early on in the broadway run but really that is the end of the story mostly.
rent has etched itself into my psyche like a weevil. there is not a morning that i wake up that one of the songs is not in my head. i sell music and i have never came across a group of music that has had this effect on me.
perhaps the story of larson's early demise colors it and adds that extra tragic twist that keeps it inside your soul but whatever it has provided the most joyus ride into musical bliss that i have ever experienced yet.
(move over "pet sounds", "west side story", "toy matinee" & "eli & the 13th confession".
the book is laid out well, quite informative. even has comments from the pit band (who are essential).
GET THIS if you have to futher feed your rent needs.
viva la vie bohem.

I wasn't a big fan of "Rent" until I saw the movie, and when I read this book, it gave me a bigger meaning to the play/movie.

Warning: This is just for fans of "Rent". Those who haven't seen the movie will get into the story of how it was made, but not as much the screenplay.

The life of Jonathan, how Rent was born, how it still grows... The neverending story of the musical that changed (and continues changing) the world. A MUST for every renthead, but also for everyone who likes this musical (both the stage version or the movie). A lot of informations, photos, the musical script...
You HAVE TO BUY IT!!!
...it made me cry... it's SO real... and SO full of love... AMAZING!!!

Daughter is "Rent Head" she cried of happiness when she received for Christmas so That gets 5++++ Stars in my book.

nicholas and alexandra should never had become czar and crazina of russia.nicholas was just to weak spirit and alexandra to strong without know the real russia people.she saw russian as childern who needed to be told how to run their lives by the papa czar.she hide her son illness and brought in a sexual twisted man of god into her family,ruin the romanov's relationship with it's people.stopping changes that would give citzen russian say in their country.in the end the people turn on the romanov's every thing end tragical.

I read this book many years ago and have never forgotten it, and I just recently purchased a copy of my own. Robert Massie is an excellent writer who makes this book memorable for the fun and loving family that the Romanovs were and their terrible, tragic end. I'm now collecting more books on the Romanov dynasty and the individual people who made up this fascinating family. For anyone with an interest, this is the place to start.

Far and away one of the best biographies I have ever read. Massie masterfully gives life to the doomed, tragic last Russian Tsar, Nicholas II, and his family. I was absolutely rivetted from page one by this outstanding work. The book gives a sympathetic portrait of Tsar Nicholas, his wife Empress Alexandra, and their ongoing struggle to cope with their haemophiliac son, Alexei, heir to the Russian throne. Alexei's illness indirectly leads to the downfall of the Romanov dynasty and the family's murder. An astonishingly good read, and one I highly recommend to all who are interested in this era of history.

Robert Massie's "Nicholas and Alexandra" is a biographical study centered on the lives of the last Tsar and Tsarina of Russia. Massie's portrayal of the last ruling Romanavs is like many other works on the subject in that it is poignant, dramatic, and vibrant; but never dull. However, Massie's work stands out above other works on the subject for its thorough account of the lives of the imperial couple and most of all, its sympathetic portrayal of them.

Nearly all works of the period agree that Tsar Nicholas II was not the blood-drenched despot the Bolshevik revolutionaries claimed him to be, and although he may not have been as benevolent as his contemporary Franz Josef of Austria-Hungary, he at least lacked the bellicose nature of his German counterpart (and early advisor), Wilhelm II. Massie's account demonstrates how Nicholas II was ill-prepared to ascend the throne in after Alexander III, but unlike the contention of other historians, Massie makes a reasonable case in defending the intelligence of the fallen autocrat.

Massie's account of Nicholas and Alexandra does not absolve the couple from their failure to prevent the collapse of the reign and ultimately their country, but it does partially excuse their inflexibility and fatalism on the serious of misfortunes that continued to plague Nicholas from the very day of his coronation; when hundred of Russian peasants were stampeded to death in a overzealous crowd on Khodynka Meadow. Yet, no Romanov apologist can ignore the detrimental influences on Nicholas's reign, including his wife Alexandra, a German Kaiser, and especially a corrupt starets. That such an array of persons from various strata of society could at times impose their will on a man raised to be an autocrat was a tarnish on Nicholas' character.

Despite his habit of being easily swayed at times, Nicholas is not one-dimensional in Massie's account. It is noted how Nicholas ignored the advice of able ministers and most of all; remained unyielding to grant the masses of his subjects the representation and constitution they desired--until it was too late. Even Massie can be counted among the historians who muse whether the Romanov dynasty might have survived had the Tsar been more accommadating to the popular demands of his people--or if war had not erupted in the manner it did in 1914.

Although Massie's work is very thorough, it only briefly touches the clandestine operations of the Tsarist police state in rooting out revolutionaries and assassins from its masses prior to 1917. Indeed, other works (e.g. Edmond Taylor's "The Fall of the Dynasties") are careful to point out that Tsarist police included a host of known double agents whose loyalties were perpetually in doubt. While Massie makes note of that insecurity in his account of Prime Minister Peter Stolypin's assassination in 1911 by a Tsarist agent, he fails to explain how widespread the problem actually was. Indeed, Taylor describes as monarchy's slide to collapse as a "suicide", not because they were unable to stop that slide, but rather because they were unwilling.

Just as it is difficult to excuse the corrupt system of Tsarist counter-revolutionary activity, historians are also unable to justify the Russia's policy in WWI of placing the needs of France above that of her own. The disaster at Tannenburg early in the war is described in detail by Massie, and is correctly portrayed as a premature offensive launched by Russia (with the support of Nicholas) to rescue its beleagured ally from the German onslaught through northern France. Indeed, even after his abdication and arrest, Massie notes how Nicholas pleaded with Kerensky to continue to support the Russia's allies in the war effort--a mission with which the Provisional Government leader would complete in the summer of 1917 with disastrous consequences. Although Massie's "Nicholas and Alexandra" does not outright label the monarchy as a principle agent of its own destruction, his book nevertheless provides a strong case to the conclusion that the last rulers (and their ministers) of the Romanov dynasty practiced an inexplicable policy of self-immolation.

It is perhaps this mystery--or lunacy--of the Romanovs that continues to fascinate so many readers 90 years after their unglorious deaths in their Siberian imprisonment. Undoubtedly, the story of the last Romanovs will continue to perplex students of history for decades to come, and Robert Massie's work will will remain the foremost account of the twilight of Imperial Russia.

Massie has written a masterpiece.
Graceful, informative ,never boring.
One of the best introductions into the insanity
of the Red Revolution and the rise of communism.

I thought this book was the best book on Vietnam that I have ever read. Its a facinating look into life as a line officer in a front line Marine Infantry batallion during the early part of the war. Caputo holds nothing back when it comes to describing life on the front line and what goes through the minds of these young, too young Marines who fought on the front line. An excellent read and I highly reccomend it.

Its a page turner from start to finish. A very unique view of the war.

I assigned this book to my college students for a closer glimpse of the Vietnam Conflict. I had not read it before, but had done research and study on the subject. I found Caputo's book to be insightful, controversial and thought provoking. He doesn't glamorize the war but explains how it effected soldiers and one of the many reasons it was such a mess. Throughout the book, Caputo shows how the conditions changed the average American teenager into a robotic killer and how their experiences stayed with them. In the end, he speaks against the war, but not in the normal Jane Fonda version of bashing the military and labeling them rapists and baby killer. Caputo talks about how the government was at fault and created the situations that lead to PTSD and other issues for returning soldiers.

A must read to understand the war and its effects on our soldiers.

In keeping with the theme of this Memorial Day weekend, I would like to offer my thoughts on "A Rumor of War," a classic tale of Vietnam. Philip Caputo has crafted one of the most moving and disturbing testaments to the men who fought and died in that far away land. When the book was first published in 1977, the New York Times called it "The troubled conscience of America speaking passionately, truthfully, finally." I became aware of this classic memoir when my friend, Capt. Kyle Kalkwarf, West Point Class of 2002, told me that it was one of the best books about war he had ever read. He recommended that I add it to my reading list. He was right in doing so.

Caputo's recollections of his time as a Marine in Vietnam are filled with anger and sorrow at the misbegotten policies promulgated in Washington and carried out with disastrous results by General Westmorland and his subordinates. The author makes it clear in his introductory remarks how he felt and feels about that war and the impact that it had upon him and his comrades in arms:

"Beyond adding a few more corpses to the weekly body count, none of these encounters achieved anything; none will ever appear in military histories or be studied by cadets at West Point. Still, they changed us and taught us, the men who fought in them; in those obscure skirmishes we learned the old lessons about fear, cowardice, courage, suffering, cruelty and comradeship. Most of all, we learned about death at an age when it is common to think of oneself as immortal. Everyone loses that illusion eventually, but in civilian life it is lost in installments over the years. We lost it all at once, and in the span of months, passed from boyhood through manhood to a premature middle age. The knowledge of death, of the implacable limits placed on a man's existence, severed us from our youth as irrevocably as a surgeon's scissors had once severed us from the womb. And yet, few of us were past twenty-five. We left Vietnam peculiar creatures, with young shoulders that bore rather old heads. . .

This book is partly an attempt to capture something of its [the war's] ambivalent realities. Anyone who fought in Vietnam, if he is honest about himself, will have to admit he enjoyed the compelling attractiveness of combat. It was a peculiar enjoyment because it was mixed with a commensurate pain. Under fire, a man's powers of life heightened in proportion to the proximity of death, so that he felt an elation as extreme as his dread. His senses quickened, and he attained an acuity of consciousness at once pleasurable and excruciating. It was something like the elevated state of awareness induced by drugs. And it could be just as addictive, for it made whatever else life offered in the way of delights or torments see pedestrian." (Pages xv-xvii)

Caputo's last comments in the section just quoted seem to be eerily in keeping with the themes of the stunning films, "The Deer Hunter" and "Apocalypse Now."

In one of the most gripping passages in the book, Caputo recaptures the spectrum of emotions he felt during a helicopter assault - running the gamut from fear to courage:

"A helicopter assault on a hot landing zone creates emotional pressures far more intense than a conventional ground assault. It is the enclosed space, the noise, the speed, and, above all, the sense of total helplessness. There is a certain excitement to it the first time, but after that it is one of the more unpleasant experiences offered by modern war. On the ground, an infantryman has some control over his destiny, or at least the illusion of it. In a helicopter under fire, he hasn't even the illusion. Confronted by the indifferent forces of gravity, ballistics and machinery, he is himself pulled in several directions at once by a range of extreme, conflicting emotions. Claustrophobia plagues him in the small space: the sense of being trapped and powerless in a machine in unbearable, and yet he has to bear it. Bearing it, he begins to feel a blind fury toward the forces that made him powerless, but has to control his fury until he is out of the helicopter and on the ground again. He yearns to be on the ground, but the desire is countered by the danger he knows is there. Yet, he is also attracted by the danger, for he knows he can only overcome his fear by facing it. His blind rage then begins to focus on the men who are the source of the danger - and of his fear. It concentrates inside him, and through some chemistry is transformed into a fierce resolve to fight until the danger ceases to exist. But this resolve, which is sometimes called courage, cannot be separated from the fear that has aroused it. Its very measure is the measure of that fear. It is, in fact, a powerful urge not to be afraid anymore, to rid himself of fear by eliminating the source of it. This inner, emotional war produces tension almost sexual in its intensity. It is too painful to endure for long. All a soldier can think about is the moment when he can escape his impotent confinement and release this tension. All other considerations, the rights and wrongs of what he is doing, the chances for victory or defeat in the battle, the battle's purpose or lack of it, become so absurd as to be less than irrelevant. Nothing matters except the final, critical instant when he leaps out into the violent catharsis he both seeks and dreads." (Pages 277-8)

Caputo's thoughtful and passionate recounting of the growing up that he did in the cauldron of Vietnam added to my understanding of what many of my generation experienced as they fought in Southeast Asia and returned to a country that had grown sick of the fighting. As our nation once again wrestles with combat fatigue and the questions of when to withdraw and how to withdraw from Iraq, I am grateful that this time around - unlike the situation that existed in the late `60's and 70's - even those who oppose the war have not showered those returning from the Gulf with opprobrium. They desire our admiration and our gratitude.

Thanks Kyle, for recommending this book, and for your continuing service to our nation.

Al

Caputo wasn't much of a marine. He started complaining about Vietnam before he arrived. Every page is filled with criticism, cynicism, griping, complaining, and self-serving tripe. He wanted to be a hero, but he didn't have what it took to be anything but a whining wimp. Certainly he writes well. But writing well and living well are entirely different. He doesn't understand honor or duty. Sure the war was politicized, but so is every war. Sure the rules of engagement were stupid, but a soldier serves. Caputo did not serve; rather he whined. Many of us who served in Vietnam believed there were many things that made no sense. But we didn't turn tail and run. We served. For those who want to understand what is was like to be a soldier in Vietnam, read "We Were Soldiers Once... and Young" or "Steel My Soldiers' Hearts". If you want to know what is was like to be useless in Vietnam, read this book.

Well researched and well written. If you want to know about Special Forces recon teams in Vietnam, don't pass this one up.

This exceptional story of US commandos and their allies the Montagnards, called the Yards, who were fiercely enemies of the North Vietnamese communists, is written by one of a three tours veterans in the SOG.

John Plaster is particularly good in the way he reveals the magnificent acts of heroism, of chivalry, of gallantry, of comradeship these commandos lived.

These true elite fighters who always fought behind the enemy lines inflicted tremendous damages to the NVA forces. As the author quotes in the book : " SOG recon men consistently killed more than one hundred NVA for each list Green Beret, a ratio that climbed as high as 150:1"
Moreover: "At one point each American Green Beret operating in Laos was tying down six hundred NVA defenders, or about one NVA battalion per SOG recon man in the field".

These soldiers are the quintessence of qualities of the USA. As a French citizen (with some family having fought in the French Para Legion in Indochina) I could not think otherwise than them being of the true nobility.

I am a veteran of SOG having served with CCC, FOB-2, Kontum RVN. After being assigned to ST Illinois I pulled several missions and suddenly found myself One-Zero (Team Leader) after the One-Zero quit Recon and moved on to the Hatchet Force.

I have conversed with John Plaster on several occasions and have purchased all his books. In this particular book I am mentioned on pages 89-90 where he (Plaster)tells what he says is the story of the "Bright Lights" mission that recovered the body of SP5 John Kedenburg MOH. I and my assistant Team Leader, One-One,Mike Tramel have read this tale and were absolutely astounded to learn from Plaster's book what a couple of bumbling heroes we were. In short, the only truthful details is our names. The date, and details of the mission are l00% BS.

In addition to our mission Plaster makes several stupid statements in his book that defy the imagination. For example:

He states that Thunderstorms in VN (SE Asia) do not produce lightning only thunder.

He was issued a Silenced Swedish K SMG. To the best of my knowledge and belief we had a plethora of Silenced Sten Guns/.22 cal colt woodsman pistols, a conex container of Swedcish K"s but none had silencers.

He always checked his safety just prior of getting out of the Helicopter to insure, due to humid weather in VN, that it had not rusted solid. Now this would be a real trick since the receiver of the CAR-15 was aluminium alloy and did not rust.

Going to the Club and singing "Old Blue" everytime a US SF soldier was lost. This never happened while I was at the FOB ,again to the best of my knowledge and belief. However, SFC James McGlon was known as "Old Blue" because he was always singing "Old Blue" at the Club.

This is just a few of the untruths I found in his book and I don't have it in my possession so I might extract other parts of his tales that I know to be incorrect. Suffices to say, that every SF Soldier (circa1968), that I have spoken with have the same opinion of the Plaster's Books.BTW Neither Mike or myself were interviewed by Plaster prior to the publication of his book

This is a book I bought based on the VERY high reviews on Amazon. To me this one lived up to the high praise. I had no idea what SOG was - now I do ...& I am very impressed. There are so many great stories in here - almost all incredible life & death situations. I have the highest respect for the men who served in SOG. Worth buying for sure.

Read this book a while back and I just want to say it was a terrific read, with good stories about our fighting men who performed magnificently in an unpopular war for an ungrateful populace. Thank you Vietnam veterans for your service.

This was an amazing book. Marie Antonette was a beautiful young maiden who showed her worth to King Louis. This was a great historical story. She was the great queen of England. She was, sadly, forced into an arranged marriage. She then transformed Louis into a kind man. I like this novel because it had real life situations in it and how to get out of them. I would look up to M. A. if she was alive today. She is my historical hero. She is a great role model to all special people.

Marie Antoinette: Princess of Versaille, Austria-France, 1769 takes young readers and adults into the world of the Franch history through the eyes of a young Queen. All the cruelties and hypocricies are exposed in sharp contrast to the extreme devotion to fashion and petty perfections.

What a wonderful way to enjoy history -- and an excellent lesson in human nature, as well!

Recommended!

This royal diaries book starts out in Vienna, Austria January 1, 1769. The book continues while Marie Antoina (Marie Antoinette) goes from an Archduchess in Austria to a Dauphine in France. Marie Antoina becomes Marie Antoinette when she marries Louis Auguste. This book kept me entertained from the first page. When Marie Antoinette first arrives in France she is told to leave everthing Austrian behind and she feels alone. She encounters Madame du Barry, King Louis XV's mistress and ends when she makes up her mind to talk to du Barry after ignoring her for a while in the book. The Epilogue finishes up Marie Antoinette's life in a few pages and a brief description. A Historical Note explains how the world was changing and calling for revolution. A family tree that includes the Habsburg-Bourbon family tree with descriptions of Marie Antoinette's parents, husband and children. There are pictures in the last pages too of Marie Antoina, Antoina's mother, Antoina and her children, castles, and du Barry. There is also 2 and a half pages about the author.

This book was written based off of the diary of Marie Antoinette. When she is given a diary, she doesn't know at first what to write in it. She just writes her daily chores down & what she's done that day. She is born as the daughter of Empress Maria Theresa as Maria Antonia. Her mother is a very strict person who likes things done her own way. As custom, Maria Antonia is 13 & awaiting to find out who she will marry. Her mother picks out her husband just as she had done for her 3 sisters before her. She is only allowed to marry royalty because her mother needs allies for Austria. Years before, a ruler from another country had seized power of land that had belonged to her family. Ever since then, her mother had been making allies to take the land that she rightfully owned back. Unfortunately for her mother, Maria Antonia is a very headstrong young girl. She, also, knows what she wants & won't stop until she gets it. She obeys her mother but similtaneously listens to her wilder side. When she is told she is to marry the prince of France & live in Versailles, she isn't quite sure of what to think. She expects him to be a very handsome prince because his grandfather was. She spent months getting ready for the court of Versailles. The rules & manors are very different. This once independent girl has to learn how to let everyone else do everything for her. She isn't even allowed to give herself a bath. She doesn't adjust very well either. She believes that the manors are completely pointless. She doesn't understand why it is that in Versailles, belching at the table is considered polite. She also must change her name to Marie Antoinette to sound more French. The rules are almost opposite from her home. The worst part about her trip is that she cannot take anyone with her except for her dog. Her little dog will be her only companion as she leaves her home to join her awaiting new family & husband. When she gets there, Louis, the prince, is not exactly her idea of a fairytale prince. He's quite overweight, very shy, & has very bad acne on his face. For the first few weeks, he barely speaks to her. He is very sweet but she wants to get to know him better. She decides that if they are going to talk, she's going to have to start the conversations until he gets used to her better. She does, however, make friends with his aunts who aren't too much older than they are. She finds out a lot of important court information from them. Soon, she learns of a secret room in her apartments that had been used by previous princesses to get away from the constant media. When she wants time to herself, she can go in there. She talks to Louis about it & he has it decorated for her. Eventually, they warm up to each other & get to know each other better. When they don't share interests in a particular subject, they still support the other one & watch them anyways. They both teach each other a lot & do grow to like each other. Marie Antoinette knows that she will never truly love him but because they cannot divorse, they are at least good friends. They live a very good adolescent life together. The book stops a few years after their wedding. It doesn't go into her adult life at all but knowing about her childhood, I believe that she led a very independent lifestyle & probably changed some things about the Versailles manors when she became queen. This book was excellent & a good way to learn about history & a very important French ruler.

I personally thing that this was a very good book. I think it had a lot of good morals, and is apropriate for any age. I would recommend that you read it. I really like the main character i think she was an all around girl that just made a few bad choices. Anyway this is a great book and i think you should read it

I was in a book store and I was attracted to the title and the cover color. I picked up the book and read the jacket and I was hooked. I hardly ever buy non-technical books -especially non-fiction. But I was hooked after reading the jacket so I bought the book and assiduously read and enjoyed it. Also I am a Wharton alumnus. I also took classes with Len Lodish.

Eric Ericsson

The book spells out tips for starting a business (use credit cards instead of banks) and the mistakes the authors made along the way (when do you enter the market). You can even contact them after reading and talk to them about your ideas. The encouraging aspect of the book is that while they are starting their business, they spoke to their classmates who were making $200,000 on wall street and working for the dot-coms, but John and Kyle were not discouraged. I am happy that they were able to take an idea like a computer mouse shaped like a gold club and turn it into THEIR company. Congrats guys!

There is so much in this book that I can relate to, having started my own company around the same time in Silicon Valley (although in software). John and Kyle made the same mistakes that many entrepreneurs thankfully make - they followed their passion instead of their senses, and didn't buckle under the pressure and the unknown. One other valuable lesson from this book -- document your process. This is a great way to share your successes and your mistakes with others. I wish we had more stories like this when I was working on my MBA - something more than the dry, non-applicable case studies stuck in front of us. And John and Kyle also provided one other important gem: how to save a few bucks a month at the neighborhood gym. Thanks guys.

The Mousedriver Chronicles is the story of 2 Wharton MBA's who take a business plan developed on their entrepreneurship course at Wharton and decide to make a go of it. In 1999 they turn away high paying jobs at investment banks and over funded dot.com startups to go it alone.

Their idea: to make and sell a computer mouse that looks like the head of a golf driver.

They fund the venture themselves, find a manufacturer in Hong Kong, move to San Francisco (to be part of all the start up vibe in The Bay area) and run the business from the kitchen of their rented flat.

Their story is brilliantly relayed as they grapple with manufacturing, marketing and distribution hassles. The single product focus of their new company, named Platinum Concepts Inc., makes for a wonderful entrepreneurial story with excellent lessons about what it takes to succeed as a self funded start up. The two founders quickly learn that they need more than the theoretical knowledge acquired on their MBA at Wharton; they need to be street wise. They experiment with different mechanisms to make things happen and end up categorizing their execution strategies as follows:
Plan A: Make use of their business school network and contacts
Plan B: Hit the streets and the shops to find a creative solution
Plan C: Work the Yellow Pages

More often than not, plan B and C worked far better than plan A.

One of the founders, John Lusk, began sharing their entrepreneurial adventure with friends and family via a monthly email called "The Insider". The Insider was a real, often humorous, sometimes highly insightful newsletter about their adventure. The insider subscriber list grew and grew. MBA lecturers began distributing The Insider as prescribed reading. In 2001 Inc. Magazine featured a cover story on the company and its two founders. The Inc. cover story entitled "An American Start-up" focuses on the impact of The Insider e-mail newsletter. The email newsletters were used as the foundation for the book published in 2001 entitled The "Mousedriver Chronicles".
The company has since been shut down but the Mousedriver website still serves as a portal for entrepreneurs and copies of The Insider newsletter can be found in PDF format on the website: www.mousedriver.com

MouseDriver is about two guys who graduate from Wharton with MBAs in 1999 (the heart of the internet boom) and start a business manufacturing and selling a computer mouse that looks like the head of a driver golf club, turning down high paying jobs at dotcoms, investment banks, consulting firms etc.

As a small business consultant (Transcendence Consulting, LLC tcllc.net) I can tell you right now that if you are looking to start a busines, buy this book TODAY. It is an amazing look at the entire process of starting a business, from the ability to jump head first, manage yourself during
the highs and lows, deal with self doubt and solve an endless supply of problems. It is an easy read that will take you no time at all to complete.