History Books

Harry Browne is why I became a Libertarian. He presents the Libertarian standpoint in a down to Earth matter that is easy to follow. Harry you're still the greatest. R.I.P.

This book opened up my eyes. I now clearly see what direction the country needs to head in order to be both free and competive in the world. Bravo, a master piece of facts and conclusions

I became a libertarian gradually, but it wasn't until I watched Harry in a televised 3rd party debate in 1996 that I really became aware of him and got more interested in the Libertarian Party. He seemed so trustworthy and reasonable, and unlike the other candidates, everything he said MADE SENSE!

By 2000 I had begun to be active in the Libertarian Party, and traveled to see Harry twice during that campaign, once in Philadelphia while I was on a business trip in Eastern Pennsylvania, and once in Marin County, California. Harry signed our copy of The Great Libertarian Offer, and we got a chance to speak with him at the Marin County event. I believe he said that very day was his wedding anniversary. He obviously would have rather been with Pamela then, but Harry and Pamela made many personal sacrifices for the cause of liberty.

I am intensely saddened to hear of his death last evening. I'm trying to see what I'm typing even though my eyes are full of tears. Harry meant so much to me. His 2000 campaign inspired me to get more actively involved in politics: I ran for local office in 2001, and for Congress in 2002. I often referred to Harry's books and web site for ideas on how to answer questions and present my own views in a more compelling, concise way.

The world has lost one of its best men. Thankfully, Harry's legacy will live on through his many books and other writings, and through the memory of millions of fans like me. But the world will never be the same without him.

Harry, thank you.

Kevin Bastian
Encinitas, California

Harry Browne is an "IN YOUR FACE" Thinker. He does brilliantly in this tome. He defends Libertarianism quite well and for someone like me (a former Republican), his writing style shocks! Not just what he says but how he says it is both a breath of fresh air and at the same time shocking. Luckily Browne is still around to tell us all of the evils of big government (of all sorts) that sadly continues to grow in this so called War on Terror. Luckily I came across the Party (in detail) and Harry Browne some 4 or 5 years ago. I am glad it saved me from the silly political/intellectual path I was on. Listen folks, read this, and you'll see what Liberty is really all about.

Harry Browne's Great Libertarian Offer is a call for a return to the principles that made the United States the great nation it once was. Browne lays out a precise and coherent blueprint for returning to the American ideal of individual liberty and freedom. Browne cogently points to how the rapid growth of the Federal government has led to more crime, danger from abroad, and the destruction of liberty in America.

Browne calls for reducing the Federal government to only it's constitutional functions enumerated in Article 1, Section 8 of the Constitution. He calls for abolition of the welfare state, a reaffirmation of the 9th and 10th amendments of the Constitution, and a return to Jefferson's maxim "peace commerce and honset friendship with all nations, entangling alliances with none".

Browne calls for freedom in health care by abolishing medicare, medicaid and other socialist programs. He also calls for the gradual abolition of Social Security by selling off Federal assests and replacing SS with private annuities.

This book is a snapshot of what a Libertarian administration would be like. A fun and fantastic read!

One should read this book only after the first volume covering the years 1933-41. The story of Victor & Eva's survival of detention in the Jews' house, the Dresden bombing and subsequent wanderings stunned me. But Victor's courage in continuing his secret diary for 12 years comes through - as does his humanity ad personal growth.

The diary jotting sryle means you pick it up and read a section at a time, but you will most likely be drawn into finishing it within a short time.

Because my friends all know what a book-hound I am, people often ask me what my all-time favorite book is. Admittedly the answer to this would change over time, but, at present, "I Will Bear Witness" is the one that first pops into my mind.

I found this very personal account of the days and nights of a German Jewish man--an inoffensive and formerly rather conservative German nationalist academic married to a Gentile--during the Nazi terror regime to be absolutely breathtaking. Indeed, I was so caught up in his account that I took an unexpected day of vacation from work just to not interrupt my reading once I had started.

Further, I found myself sprawled on my bed, as is sometimes customary with me, surrounded by ancillary books, atlases, and maps --a behavior that signifies I'm reading a book that has utterly gripped me and a book that is expanding my horizons.

Klemperer was (just barely) saved from being sent to a concentration camp due to his marriage to a non-Jew. However, he lived every day under the threat of torture and deportation to a camp and his journal tells of the years of grinding anxiety over his fate and the fate of his wife, friends, and relatives-many of whom were taken. It also speaks to the minutiae of life under the Nazi's--such things as their penchant for legalisms to justify their treatment of the Jews embodied in his incessant embroilment in Nazi demands that he take part in the legalisms of their confiscation of his property. Moreover, as the war draws to a close, he draws a stunning portrait of life as a war refugee--a picture that applies to war refugees the world over throughout time.

Kudos to those who elevated this book to number one among the history choices-it deserves it and in my mind deserves even more.

And I will get the other years of this author's diary. This is not a fast paced WWII battle book; this is the diary of a poor soul who had to live through every moment of a terrible regime, to endure even more when he thought he'd reached his limit. If you're interested in what it was like to live day to day in Hitler's Germany (as a Jew or a gentile)--to understand what it was like to watch it begin and grow and eventually implode--this is an excellent read. I would say it is for those deeply interested in the psychology of the times; not a passing interest. I'll get the other books and read them in order of the years they cover. I really want to understand how the Third Reich could ever BE.

This is actually the second volume of Klemperer's diaries, published in two volumes. I highly recommend that you buy both volumes as a set and read from the beginning how a bureaucratic mindset advanced towards ultimate evil.

In the end, Klemperer's diary doesn't fully answer the haunting question, "How could it have happened?" But you will find some definitive answers here to questions that Holocaust scholars have debated over the years.

For example, Klemperer's experience answers the charge that virtually all Aryan Germans knew from the beginning exactly what the Third Reich's intentions were towards the Jews. Klemperer's actual interactions stand as refutation of this blanket indictment. Often when he visited Aryan acquaintances to conduct business - he would then jovially be invited to come back that evening for schnapps. Klemperer had to explain that he couldn't come back later for schnapps - that as a Jew, he was prohibited from boarding any vehicle of public transportation after 6:00 PM, that he had a general curfew, and that of course, he had long since been banned from owning his own car.

Klemperer was always circumspect in recounting these laws he labored under to his "Semitophile" acquaintances. (That's an awkward translation of the German phrase Klemperer probably used to refer to Aryans who were sympathetic to Jews. But it is perhaps the only word that was available to Martin Chalmers, who otherwise has produced a generally fluid translation of Klemperer's journals.) At any rate, Klemperer was careful never to appear too whining or too critical of the restrictions placed on him. He didn't want to alienate these Aryan allies. Nevertheless, he repeatedly found himself in the position of having to enlighten them about the government's latest round of restrictions. And his listeners were almost always genuinely surprised to hear about these laws. Their ignorance in the face of all the anti-Semitic propaganda blared daily from radios, blazoned from the newspapers, seemed to be more a function of people's tendency towards plodding self-preoccupation than an indication of any active complicity with the advancing evil.

I think you'll find that Klemperer's account also carries a very relevant warning to us in our current pursuit of terrorists at all costs. Klemperer survived the early rounds of call-ups for the concentration camps because he was a decorated World War I hero, and because he was married to an Aryan. For these reasons, he was given some initial grudging dispensation from the worst Nazi reprisals. However as the War progressed, his past service to Germany and his Aryan affiliation came to count for less and less. Finally his number was up and he, along with the last handful of Jews remaining around Dresden, were scheduled for transport. The only thing that saved him was the Allied bombing of Dresden. Most local Nazi records were destroyed in this notorious bombardment. So Klemperer and his wife, having survived the bombing, were also able to survive those last most brutal months of the Nazi regime by assuming new identities and wandering through the German countryside from town to town, passing themselves off as a typical displaced Aryan couple. If the Nazis' meticulous records (documenting family lineages and confirming who was where) had remained intact, Klemperer would certainly have been deported to the gas chambers.

So if you don't already have doubts about the increasing surveillance measures being taken in the U.S., presumably to guard against terrorists and other "evildoers" - reading these journals will give you pause. One of the lessons of Klemperer's journal is how tyranny proceeds by little increments of paperwork. Its power is in keeping tabs.

Klemperer risked his life to write the entries in these journals, because it eventually became a capital crime for a Jew to possess paper or any pen/pencil. So it feels almost sacrilegious to make any criticism of this supremely brave and literate account. However I do have one small criticism. And that is Klemperer's common masculine tendency to put his wife in the background of his life. Eva Klemperer comes off in the diary as a shadowy adjunct to the importance of Victor's work producing these pages.

She is mentioned, more frequently in the first volume of the diaries, but this mention is usually limited to reports of the fact that she had another hysterical fit that day, or that she engaged Victor in another round of angry lamentation, or that she suffered some physical malady. He does acknowledge her collaborative bravery. She also risked her life every time she smuggled the pages of his work out of their small assigned apartment into the hands of friends for safekeeping. But we never directly hear Eva's voice in all this. The reader is only left to guess at the actual substance of her outbursts.

You will probably feel impelled to read between the lines to flesh her out. Perhaps Eva wasn't the prettiest girl in school, so she took the one marriage proposal that came her way. She married the intellectually accomplished Victor. Victor was available because Aryan prejudice, even in those early years, already limited him socially. We can imagine her outbursts of recrimination as the Nazi noose grew tighter around their yoked necks. Why did you have to be Jewish? Why have you dragged me down with you? I could have led such a happy life. And instead, look at me - scrounging for rotten potatoes, under constant threat of beatings and death - and all because of you!

If only Eva had written her own diary, we might have had some additional fascinating insights into why and how a couple stays together under such trying circumstances. We might have gained a greater understanding of the ties of love and the chains of having nowhere else to go. As it is, we have only Victor's side of the story. But that is a powerful, must-read insight into how tyranny grows, brick-by-brick, petty edict by petty edict.

Victor Klemperer's diary of the years of the Hitler dictatorship and his recording of the day-to-day lives of the Jews of Dresden, his thoughtful and insightful commentary on the methods (particularly the language of the propaganda) of the Third Reich, the heart-wrenching stories of those who were taken away never to be seen again, his experience in the firebombing of Dresden in 1945 and his miraculous journey home should be required reading for everyone about the horrors of tyranny and war. It is also a tribute to the true human spirit and the power of the intellect. Klemperer never lost his determination to live, despite all the blows of terror that were aimed at him, his family, and his friends. That he believed there was something to live for--in the midst of utter barbarity--should inspire all of us to work for a better world. It did me.

A remarkable record of a dark time. Reading it gives one the courage to carry on in the dark times that have come again.

I read a lot about the Michael Jackson case and most of the time, everything written about it is superficial and redundant: reporters repeating the same lines over and over without thiking about it. I was pretty convinced about Michael's guilt. With the information broadcasted by the media, all pointed out to that conclusion. I was naive to think that we were well informed. This book, to my surprise, brings up new facts that were brought in the trial, facts that, you would think, everybody should know. As I read the lines, I just couldn't believe it! How come nobody mentionned it? To prevent from revealing interesting details from the book, I won't divulge it here, but I can say that now: Michael Jackson won that trial because facts proved his innocence.

I must say, that before I bought this book I was a little apprehensive. A media person commenting on the case. I figured it would just be another book bashing MJ. Much to my surprise the book gave a non-biased point of view of the actual occurances inside that courtroom. I have watched and read the cases in many criminal trials. NEVER have I seen the media, law enforcement, the D.A., and such an immoral, resprehensible group of people (the Arvizos), go to such lengths to destroy another person all for the sake of money.
What was done to Michael Jackson I would never wish on my worst enemy. I was so sad and so angry at the lies that were being told. At how this family tricked their way into his home, how they ransacked his home, and how they grifted money from several celebrities. What hurt me the most was that his mother had to sit through every vile detail that was made about his personal life and alleged relationship with the Arvizo boy. After reading this book, you will understand why the jury found MJ NOT GUILTY on all criminal and misdemeanor charges.
I must commend Aphrodite Jones for having the courage to write this book. Everyone in the media shunned her and refused to publish it. They only wanted to hear the negative. They didn't care about the real facts. Remember Ms. Jones is one of those media people who was "out to get Michael Jackson" also. But after sitting through the trial, and listening to the testimony she had a change of heart. What you saw on CourtTV was a biased, slanted point of view. After reading this book, I believe many people will change their negative opinions of Michael Jackson.

Wonderful. That's the only word I can use to describe this book. If you want to know why it's wonderful, BUY IT!!! It's definitely worth the money!!

And one last thing... MICHAEL JACKSON IS 100% INNOCENT!

I trust this author. She went into the court room a full fledged believer in the accusations and left dumb found. A few years later wrote this book.
Mr. Jackson is an easy target for indictments. He wears more make-up than the Avon lady and he dresses like Captain Crunch. He is not your average "Joe".
I don't know for sure that he didn't do these terrible things. Nobody does really except for him-- and of course the accusers.
What I do know, is he has been very loving to those who know him well and to those who don't, and enormously generous giving over 300 million dollars to charities around the world.
Lets face it your gonna believe what you wanna believe. But if you are really in search of the truth behind all the speculations and sensationalisms that have surrounded this famous case pick this up. My heart broke for him, and yours will too.

A book to own for an MJ fan, it is full of anecdotes and it tells the truth with reliable sources: the woman who attended the trial herself!! It's a mine of information, really worth your money.

This book is a real labor of love. Dr. Dusleag tells the story of his grandfather and the persecution he endured. Dr. Stroia overcame his horrible experiences and left a legacy behind in the journal that he kept, at great risk to his physical well being and that of his family. His grandson followed in his footsteps by visiting the sites mentioned in the journal, taking pictures and documenting his research. He used the journal as well as his memories of his grandfather to inspire his own life. This is a very good book indeed and I highly recommend it to anyone, but particularly to those with an interest in history.

Stanciu Stroia's memoirs are very important to all of us, because they help us understand what went on in Romania and throughout Eastern Europe before 1945, and what followed the fall of Communism in 1989. The book's web site [...] in itself is a valuable document.

I've read several books by political prisoners of the Romanian regime. This one does not discuss as much the details of the physical horrors of the prisons. The concept of a person being visited by the securitate late at night, put into prison for years, and familial contacts severed, is horrible enough. This story is told by a doctor, who by very nature is compassionate and sworn by oath to heal others. Dr. Stroia lived by that oath. In the book he mentions a prison doctor who "prescribed" that his patient throw himself onto the barbed wire as a cure for depression. The patient followed his doctor's orders and was shot. Dr. Stroia's humanity not only remained intact, but it grew. His "second university" tore a giant chasm in his life, but his inner strength carried him through.

This story is extremely important today, helping us to understand more about what happened in Eastern Europe and why there is still much of a struggle there since 1989. I think in the US we have tended to think "Oh good! Communism has toppled and everything will be just fine." The scars of a monstrous regime run deep and don't go away easily. We also must look at ourselves to make sure that we don't create a system that is not accountable to the people it governs. This exceptional story shows us that pride, integrity, and compassion are necessary to carry us through evil times and leave us intact on the other side. I highly recommend this very readable addition to the literature on Romania's modern history.

The book was exceptional in its treatment of how life in a Romanian communist prison must have felt on a personal level. It seemed as if Dr. Stroia was speaking directly to me (and all readers) personally through his grandson, telling me something about what that life was like for these prisoners. I cannot even imagine, however, what life must have been like for him as each of the things he did mention must have been repeated so many more times than he recalled, over and over again, day in and day out, for seven long years!

Without dwelling on the cruelty of the prison guards, he managed to give me enough of an idea to read between the lines of the events he chose to include in his journal (and in the book). I am not ashamed to admit that I cried at times while reading his story ... especially whenever he got his hopes up, only to be shattered by his oppressors ... or to hear how little they cared about his health. Imagine a doctor, knowing what was happening internally, and being unable to do anything to stop his slow deterioration through continued scurvy and hypertension.

His was a gentle, quiet condemnation of what some human beings are willing to force another human to endure ... and also a loud voice proclaiming the human spirit of this man to endure and overcome an adversity that was forced upon him without justification! He and others like him are the true heroes ... in every sense of the word! I can only wish I had known Dr. Stroia in real life ... he'd have so many things to teach me, I'm sure, about living.

A wonderful book and one that I'd recommend to anyone!

I have read My Second University, which told the story of a man with strength of character that all of us should strive to achieve. As a doctor he was taught "to do no harm". Whether he was born with that humane instinct or acquired it after medical training is not important. What is important is how noble a man can remain after a period of harsh confinement. His life is a testament to our best possible behavior that few of us live up to. Not only did he defeat his enemies in his life time, he also left a legacy for his grandson to emulate. What more could a grandfather do for his grandson? From a man whose life has been enriched by reading about a human being of regal character,
Joe Garcia, Lakewood, Ohio.

This item was delivered in a timely manner in very good condition as was stated. I am very pleased - Thank you

This book has been an excellent resource for my bible studies. It's very informative and priced reasonable. I recommend it to all who study the bible. I appreciate the preview on the store site, it sealed my purchased. I'm not disapointed I bought this book.

This is the best bible dictionary I have ever purchased. The definitions
are easy to understand. It is well worth the money.

What a difference when used in conjunction with your Bible. This is an excellent tool for study

i am very pleased with my shipment of books from amazon.com i have used this service for other products and have never been disappointed. the shipments always come quickly and are in great shape just exactly what the description describes on the order page.

I was skeptical at first that this was a book by someone born with a silver spoon just looking to sell a book. But after reading through the thoughts and stories included, it's evident that Hutcheson has been on the front line throughout his career and the information included can be a benefit to any business owner and manager, particularly one looking to grow and transition ownership while facing the rough roads that will come with it.

As the world changes, a business must change or decline and die. Some do so even if their business climate has not changed at all. These businesses self-destruct due to internal incompetence or conflicts that blur their focus on what it is their business should do. James Olan Hutcheson is the grandson of the founder of Olan Mills, the world's largest photography company. After starting in the company as a telemarketer, he rose to a position of responsibility and then resigned to pursue a career as a business consultant. Therefore, while he draws heavily from the history of Olan Mills, he also uses examples from several other businesses.
His advice is sound, logical and yet not simple. Ideas such as having proteges (including relatives), work their way up through a company rather than having the reins of power simply handed to them without training is a sound yet often ignored management principle. Another bit of sound advice that is often ignored is the toleration of honest, well meaning and factually based dissent. An examination of business, political and religious history shows quite clearly that when dissent is crushed an organization loses its' health and eventually dies, sometimes rather abruptly. As greater details of the latest corporate fiasco's come to light, it is clear that those who dissented were hounded, and sometimes it continues even after they were proven correct. This is an absurd business practice, as denying the truth only makes it worse when the end finally comes.
The nine keys listed in this book will not make your business a success. Only the making of a valuable product and executing a sound business plan can do that. What it can do is increase the odds that you will do both by showing you how others have done it.

James Olan Hutcheson has written a book that should prove invaluable to owners of small businesses and other nonhierarchical organizations. Portraits of Success: 9 Keys to Sustaining Value in Any Business is a book that deserves--and will hopefully get--a large readership.

Drawing on what he has seen in his own family business' transition to second generation leadership, as well as what he has witnessed as a consultant on such transitions, Hutcheson gives the reader much to think about. As he makes each point in his "9 Keys" he illustrates it with a real-life example.

Many of the keys are basic but easy to overlook and (after having overlooked them) sometimes tricky to introduce in a static leadership environment. Yet Hutcheson is a faithful guide through the peaks and valleys.

Having suffered through encounters with ineffective organizations (my daughter's school) and reveled in being a part of an effective, on-purpose organization (my Church), I cannot stress enough how important it is for people in leadership positions to be intentional in what they do and have the ability to be life-long learners. Learning about leadership and listening to those who "have been there," like Mr. Hutcheson, is a big part of this. Nothing less is in the balance than the difference between a life of drudgery and one of joy and freedom.

My only critique of this book is one that springs from my Christianity. I feel that the missing tenth (and possibly most important key) is Spiritual giftedness. When people serve in an area they not only enjoy, but also are gifted by God to serve in, explosive results are to be had. Also, as part of the Kingdom, "Business Traditions, Myths, and Shared Beliefs" melt away in the face of the kind of common purpose given by the Great Commission and the whole history of salvation.

Bearing this in mind and also recognizing that Mr. Hutcheson's audience probably have not all partaken of the Kingdom as of yet, I have to say that this book does a darn good job as a whole. It is less of a compilation of other sources than are most other leadership books. I found it refreshing to be able to distinguish an actual authorial voice in a work such as this. Too many leadership books read like a cross between a presentation and an instruction manual.

Get this book. It is well worth the time spent reading.

A great book to read especially if you are interested in building a great company.

I've done the leadership thing at Toastmasters. I've attended the 12-class Dale Carnegie Course. I've read a lot of books on leadership, and I've counseled clients at SCORE.org counseling sessions on leadership. What I've garnered from all of this on the subject of starting a business and doing it as a leader is described in this book.

If you are leading a company - are you interested in just creating short term profits, or are you looking to the long term? When you hire people are you promoting them because you have become their friend, or because they have earned it? Are you leading or just managing? Do you have passion, or are you just putting in your time? These and other topics are addressed in this book. Get it and read it. You'll be glad you did.

"Portraits of Success: 9 Keys to Sustaining Value in Any Business" by James Olan Hutcheson is just another "how to succeed at business" book. I wish its value was more than that, but it isn't. It is neither passionate nor any more informative than its competitors.

In the business books I have read recently, I found this one lacks the authority and substance I found in others. William Pollard's "Soul of the Firm" has the authority, as he took ServiceMaster to a new level. "Values of the Game" by Bill Bradley was worth the read because of Bradley's unique metaphorical look at life. "Leadership" by Rudolph Giuliani has power because of what Giuliani has gone through. "Portraits," however, has a flaccid tone to it. I felt as if it was researched information regurgitated into book form. I felt like I was reading the kind of book which gets sold after a corporate sales seminar.

The book, as seen in the subtitle, can be boiled down to nine major points. In each, Hutcheson retells stories of business success and failures, from security company founder Richard Wackenhut to Yankees owner George Steinbrenner.

Action items accompany each chapter, and herein lay the book's greatest value. Hutcheson provides a topic sentence to lead the mini-lesson, but weakly completes the thesis in the following paragraphs.

The redundancy of subject matter mixed with a bland presentation has me suggesting to you to look elsewhere. It was not edited tightly enough to build the necessary tension and excitement. Overall, "Portraits of Success: 9 Keys to Sustaining Value in Any Business" lacks the poignancy I have come to expect from professional advancement books.

Anthony Trendl
editor, HungarianBookstore.com

After reading the reviews I knew this book would be great... It greatly surpassed my expectations. If you are a Star Wars fan, you should order it right now!

I bought this book for my husband. He really loves it. Its like a scrapbook collection of 30 years of Star Wars. Very neat! I was disappointed because the shipping caused the book to be dented in the corners. I know its a heavy item, but Amazon should make sure to accomodate.

My husband LOVES all things 'Star Wars' and I don't think there's a single day in his life that goes by without him making at least one daily Star Wars reference. This collection has so much to offer. So many little gems that will surprise even the biggest Star Wars fan. It's so masterfully crafted and quite a show piece! It's like a modern heirloom, and sure to provide hours upon hours of enjoyment.

STAR WARS VAULT BY STEPHEN J. SANSWEET AND PETER VILMUR: Celebrating it's thirtieth anniversary this year, the Star Wars franchise is in a similar predicament to the time after the release of Return of the Jedi: no plans for future movies, apart from a continuing animated series of the Clone Wars. By the same token, fans are in the same state with little to nothing to look forward to. Thankfully, to commemorate the third decade of the blockbuster, internationally bestselling movie series, there's the Star Wars Vault: "thirty years of treasures from the Lucasfilm archives with removable memorabilia and two audio CDs.

This is not just a nicely decorated picture book in a sturdy slipcase; it's an experience, a journey that one is immediately taken one when they open up the cover. Star Wars Vault is part of the new style of picture being published, like that of 1776: The Illustrated Edition, where the book goes beyond glossy, colorful pictures and photos, but incorporates all types of media, and with the rich heritage of the Star Wars franchise which literally revolutionized the world with merchandising, Star Wars Vault is a gift that would make any fan of the series, no matter how old or how much of a fan, respect you greatly in your choice of gift.

Sansweet keeps his story short, taking up little room on the page, and leaving the evidence reproduced here in various forms to speak for itself. He begins with the fascinating tale of how the first movie, Star Wars Episode IV, barely made it to release, and with little support, until the enormous numbers of audience members proved that the studio executives were very wrong. While Sansweet spends less time on the development and release of the rest of the movies, the experience as one turns the pages and relives the history of the Star Wars empire is unlike that of any other. With unique photos, movie posters, and a plethora of pictures from around the world, there are innumerable insets and handouts of unique items like patches, stickers, collectible postcards, film cells, and even two audio CDs with a variety of different pieces ranging from the mid-eighties radio ads, to special interviews, to a recording of the song sung by Carrie Fisher for the infamous Star Wars Holiday Special.

While the price for Star Wars Vault is considerable, no one will regret it when they turn the page and discover the world within. It is a book that will immediately be quickly read, the stickers and patches possibly used, and added to the shelf to be rediscovered over and over.

[...]

My 8-year-old, who is a huge Star Wars fan, loves this book. Unfortunately, because it's so cheaply made, it fell apart shortly after he got it. The pages have completely separated from the hard cover, probably because the materials/methods used in the binding are too flimsy. For a more-than-$50 "collector's edition," the publisher should have made the book to last more than two weeks. It will cost me $85 to have it repaired.

I recently inherited my uncle's book collection and going through the boxes, I found this stack of 5 books and once I realized what it was I couldn't control my excitement!! I've made no attempt to read straight through but each night I pick up a volume and read about he all the Doctor says concerning the Trinity, the Eucharist, the Immaculate Conception (though he is not entirely accurate on that point), Passions, Virtues, and more!! This is truly one of the greatest additions to my library.

The clarity and insight of the Summa is unrivaled in philosophical theology. St. Thomas is dedicated to finding the truth and attaining happiness. He pursues the truth with formal logic and applies Aristotle, Scriptures, Church Fathers et alia to reach solid conclusions which make perfect sense. Like Euclid, Aquinas requires some postulates, i.e. the existence of God and God's revelation of Himself. Positing these, he builds a solid invulnerable theology which must convince any intelligent reader.

This is the definitive work of Catholic theology and is still studied in all the divinity schools. I had the two-volume set included in the Great Books of the Western World. It isn't the sort of work one goes to for a little light reading, obviously, but as an exercise in applied classical logic as well as theology, it is one of the most important ever written.

Thomas is important to both mystical and non-mystical traditions within Christianity, and for me the most interesting aspects of the work are where he attempts to deduce the various aspects and attributes of God. This was a popular exercise in the area of natural philosophy, and even mathematicians with a religious bent, such as Newton and Leibnitz, had a go at it, Newton referring to God in his Principia (his mathematical theory of universal gravitation) as "...an infinite and elastic spirit." And of course Leibnitz is famous for the ontological argument for God's existence.

In addition, Thomas was also concerned with everyday life and ethics and morality, with a person's natural and supernatural life, countering heretical thinking, and the nature of beauty. He influenced early Renaissance artists such as Fra Angelica, who followed Thomas's three canons of beauty: immaterial purity of form, luminous clarity of color, and harmonious beauty of proportions, and Angelica's paintings are really meditations upon these three principles, in some ways not so different from the way Perugino's paintings (Leonardo's teacher) were sometimes meditations on spatial geometry.

Finally, you may know the story that when Thomas was in school, he was very quiet in class and so his fellow students thought him dull. But at the conclusion of one class when the teacher gave the final exam, he was the only one with the right answer. Sort of reminds me of those stories about Einstein. :-) All of which just goes to show you that you can't judge a book by its cover--nor the Summa Theologica, too, I might add.

I purchased this Five-volume set after taking a couple of philosophy courses, which I feel like I should recommend to anyone starting to dive into this hefty text. If you don't feel like taking a class, perhaps some of the secondary texts written by philosophers about Aquinas will help in reading this fantastic set of info.
Aquinas forms his arguments in a way that is almost flawless. I am not Catholic, yet I find this to be an explanation of Catholic doctrine that makes me almost want to convert. For anyone from the atheist to the devout catholic, this text is a window into one of the greateast natural and revealed theologians to ever document his thoughts. Footnotes are aplenty to send you on your way to other documents, especially Augistine, so be prepared for an obsession.

Mike Yandell

Probably the best sys theo work ever. Oh, that more fellow Protestants would pour over this text!

I am new to making armor, but not so much to metalworking. This book gets you started on techniques (although a few could have a little more attention), and has terrific sections on measuring and padding. The illustrations and photos are a big bonus, and most are helpful to some extent. Overall a great example of a master passing on some of his knowledge to the apprentices of his craft.

I have yet to find a better book for armoring. Nearly every fundamental is covered.

Tools, stock, techinque, buying tips, and even history is covered.

The Maille section is somewhat lite but there are other books that are fully dedicated to that discipline.

It's worth every penny. You can't go wrong with this book.

This book is an awsome read, very interesting and the info on constructing armour is just incredable. Every aspect is covered even lining the armour to make it more comfortable, if you are intersted in medieval armour this book is second to none.

Good book. BUT compleatly failed to mention safety glasses. These are IMPORTANT. you need to get a good pair and wear them when you are working in your shop. unless you think you will look good with a eyepatch.

This is a book on how to build armor. Tools, techniques, materials, workspace needed, cost estimates are all part of it. I make leather armor for re-enactors, so much of what was taught here was not directly applicable. However, there are chapters on how to measure, pattern, and cut. These are useful even if the material used isn't metal but leather. There are even some basic instructions on leatherworking. Overall, a pretty straightforward work. I recommend it for anyone who is interested in armor construction, collecting, or re-enacting.

Popular scholarship at its best: engaging, entertaining, and very informative. Magee systematically illuminates some of the most elusive and misunderstood aspects of Wagner's life, work and influences, with graceful clarity. He summarizes and recapitulates just enough so as to ensure that each idea is remembered and understood in light of what proceeded. A broad scope of complex topics are made remarkably easy to digest. A tribute to Wagner both unapologetically celebratory and intellectually rigorous!

People who have learned how to write properly organized essays in school might find the kind of writing that Wagner did rather loose, to say the least. I'm far more interested in rock 'n' roll as an artform that appeals to the contemporaries of those who are moderately talented than in the fine art of Mozart, but favorite songs can be done well no matter where they came from. Not half bad is more likely to be my judgment on anything I would like to hear. I have enough CDs to remind myself of music in many forms, but the creative tension involved in trying to write a review of a book like THE TRISTAN CHORD also reminds me of many things that are not in this book.

THE TRISTAN CHORD ~ WAGNER AND PHILOSOPHY by Bryan Magee starts out strongly with the idea that Wagner's work is based on an understanding of life that exceeds anything within the confines of philosophy or knowledge as it is contained in universities. Clearly Nietzsche acquired so many of his ideas from Wagner because Wagner had realized that ancient Athens was the kind of society he wished to inhabit, and the festivals at which tragedies were performed were so different from the commercial nature of entertainment values in modern global intellectual property that the context has to be explained to modern readers as follows:

... Third, human participation was also maximized, in that the whole community was involved. Dramatic performances were accorded the highest possible importance, a significance that was tantamount to religious - nothing that the community did was seen as mattering more, unless it was fighting a war. This attitude could scarcely be further from that of a bourgeois society towards its commercialized art. When Athens put on a play the entire life of the society revolved around it: the day was a public holiday, all other activities came to a halt so that everyone could go to the play, no one talked of anything else, attendance was free, the actors were maintained by the State; what we would call commercial considerations were totally absent. As Wagner summed it up in his essay `Art and Revolution,' published in 1849: `With the Greeks the perfect work of art, the drama, was the sum and substance of all that could be expressed in the Greek nature; it was - in intimate connection with its history - the nation itself that stood facing itself in the work of art, becoming conscious of itself, and, in the space of a few hours, rapturously devouring, as it were, its own essence.' (pp. 86-87).

Few adults in American society were able to offer young people anything as compelling in the 1960s, when Walter Kaufmann was writing and translating, but rock 'n' roll was having more impact. The Beatles are not listed in the index of THE TRISTAN CHORD, but one of their songs, `All You Need Is Love,' is mentioned on page 60, long after comments about the early Wagner opera `Das Liebesverbot' (p. 24) being in response to the intellectual discontent of the Young Germans:

In the arts they saw the classic figures of their immediate past, people such as Goethe and Mozart, as pre-revolutionary, and therefore antediluvian, no longer speaking to the condition of the young. ... They glorified love as it really was, the sexual intoxication of the young, and they saw it as socially subversive. To express it they wanted an art that was freely and frankly erotic. In opera this caused them to look away from Weber to the unabashed sensationalism of the French, and also, much more seriously, to the sensual, hedonistic lyricism of the Italians. Perhaps most important of all to the Young Germans as individuals, they wanted to live out these principles in their own lives, loving and expressing themselves as liberated beings, innovating boldly in politics and the arts, deriding authority, and free for ever from the stultifying conservatism and conventionality of their elders. (pp. 24-25).

The philosophy of Feuerbach is considered a major source for the setting of Wagner's `Ring' cycle of operas. I tend to associate this kind of catastrophe with the Vietnam syndrome of my generation, but THE TRISTAN CHORD links Feuerbachian philosophy of religion to picturing the gods as a gang of crooks. Just imagine, "Isaiah Berlin used to exclaim complainingly, `But they're just a lot of gangsters!'" (p. 54).

The interesting theme for me is the idea that Wagner did a lot of writing to generate the creative tension which he would like to turn into a form of art critical of his own society by composing music that would maintain a stream of consciousness worthy of the kind of life currently possible or imagined as a future ideal. "Because Wagner believed that we live in `a whole world of injustice' which was about to be swept away and replaced by `a righteous world' there is a sense in which he was living for the future." (p. 59). "Because the drama of ancient Greece is the art he is bent on re-establishing, and the opera of his contemporaries is the obstacle he is determined to sweep away, he is liable in a discussion of almost anything to dive off into the question of how whatever it is he is talking about relates to either or both of those things." (p. 91).

... The musical motives need not simply be repeated, they possessed infinite possibilities of musical transformation - the light hearted could be made tragic, the triumphant hollow, the confident full of foreboding, the loving grief-stricken. The potential for musical metamorphosis was protean, and also endlessly subtle. (p. 91).

Rock 'n' roll has filled many pockets with big bucks, but it is also carrying remnants of more than philosophy could say. The vocabulary was entirely different, but the simplicity of a chorus that kept repeating after verses that can go from bad to worse in so many ways, certain songs could be described as blues. Just one example is a song, `(Down to) SEEDS & STEMS (Again)' recorded in Austin, Texas, November, 1973, written Billy Farlow and George Frayne, who do vocals and piano for a group called Commander Cody & His Lost Planet Airmen, which was included on a collection of their songs `Too Much Fun' released on CD in 1990. A looser version on `Marijuana's Greatest Hits Revisited' has someone singing, "I have a few decent memories of what I was going to say. I'm down to seeds and stems again, hurray!" At times, it is nice to discover that the fun is going to stop and life can go back to being about something else. But for us, what else could there possibly be?

This is THE book on Wagner that I hoped would one day be written and which I knew could be written. The author has no use for post-Holocaust axe-grinding or ideological regard, and neither does he indulge in any of the by now ubiquitous but superficial kulturgeschichtliche approaches in which Wagner is one more symbol-player to be pigeon-holed and arranged (much like the props in Hans-Juergen Syberberg's "Parsifal" film), nor does he dish up Wagner with a sideorder of Marxist criticism. Instead you get Wagner as a living, breathing, thinking, and creating human being, a real man (no impersonal cultural forces here!) who encountered ideas and reacted to them in the completely unique way that his personality demanded.

In a way one can only appreciate this book if he has already spent time ploughing through even a fraction of the tendentious trash in print that attempts to deal with this man (e.g. Gutman, Millington, even M. Owen Lee at times). If you have done that, then you will really be in a position to enjoy what Bryan Magee has done, how he has done it, and what a tremendous debt we owe to him for presenting to us Wagner the man in all of his outrageous but fascinating complexity. This is a book for people who are interested in learning more closely what kind of man Wagner actually was (that, for example, he was a 'commanding' personality, what that might mean in real terms, and that, in itself, should not be held against him)and who are equally interested in distinctions being made along the way that really do amount to something and are not just so much critical hot air.

After you read this book, and if you have not already done it, read Michael Tanner's "Wagner" and enjoy hearing from someone who knows actually knows what he is talking about and has spent some time thinking about it instead of listening to the clowns who parrot the prejudices they've picked up from "The New York Times Review of Books".

Bryan Magee writes with enthusiasm and clarity. He's particularly good at explaining philosophy in layman's terms. According to Magee, Wagner was the most erudite of all the great composers, and his philosophical beliefs profoundly effected his compositions. His intellectual life can be broken into two main periods: the early, one of political radicalism and activism, and the late, one of resignation and mysticism.

As a young man Wagner believed that a revolution - a total annihilation of the existing order - must take place in order for people to start anew to build a free and equal society. This was the intellectual zeitgeist throughout Europe in reaction to the sweeping changes brought about by capitalist industrialization in the early 19th Century. It was, in part, a romantic longing for a simpler past.

In Wagner's first period two figures were his main influences, Mikhail Bakunin, the anarchist, and Ludwig Feuerbach, who taught that mankind created the Gods, or God, in its own image. This was not to dismiss religion but to appraise it seriously as something illuminating about human beings.

After numerous inconsequential attempts at revolution took place throughout Germany in the mid-1800's Wagner became disenchanted with politics. He immersed himself in the philosophy of his contemporary, Arthur Schopenhauer. Schopenhauer wrote a great deal about music and it occupied a large part of his philosophical outlook. Both he and Wagner shared an interest in Buddhist thought.

Schopenhauer maintained that human beings are the embodiment of a metaphysical "will", so that willing, wanting, longing, craving and yearning are not just things we do, they are what we are. And he believed that music was a manifestation of this metaphysical "will." Thus, music directly corresponds to what we ourselves are in our innermost being. Wagner's "late" period dates from his extensive study of Schopenhauer.

Schopenhauer wrote that music proceeds by creating certain wants which it then spins out before satisfying. Even the simplest melody makes us want to close eventually on the "tonic" and provokes dissatisfaction if it ends on any other note than that.

Schopenhauer gave special attention to a technical device in harmony known as "suspension," and this instantly appealed to Wagner's musical sensibility. The suspension in music is the penultimate chord, when what we had just heard was what we thought was the penultimate chord. This causes a sense of discord in the listener. Schopenhauer said "this is clearly an analogue of the satisfaction of the will which is enhanced through delay."

This inspired in Wagner the idea of composing an entire piece of music moving from discord to discord in such a manner that the listener was always in a state of tension waiting for a resolution that did not come. This would be the musical equivalent of the dissatisfied longing , craving, yearning that our being is. There could only be one resolution to it, the final chord that was the end of the musical score (and in an opera, the end of the protagonist's life). This would be a musical expression of the essence of humanity in the universe.

The first chord of Tristan is the most famous chord in the history of music: F, B, D sharp and G sharp or any chord of the same intervals. It contains not one, but two dissonances. It then moves to resolve one of the dissonances but not the other, thus providing resolution, yet not resolution. Thus as the music proceeds, in every chord shift something is resolved but not everything. This "partial satisfaction" yet continued "frustration" carries on through the entire work. The only point where all discord is resolved is in the final chord, which is the musical analogue of freedom from striving, freedom from the tension that is existence. It is like a mystical state of nirvana.

What made this double-dissonance chord so famous was that it, in effect, closed the door on the age of classicism. And it opened the door to impressionism, atonalism, and modern classical music in general.

It was under the influence of the Schopenhauer-Buddhist belief system that Wagner's late works, Tristan, The Mastersingers, and Parsifal were written. Actually, since most of his operas were written piecemeal with many interruptions (sometimes years in length), there are traces of the early and late philosophical influences in almost every opera. Tristan is the only opera that Wagner wrote uninterrupted from start to finish.

There are many more aspects of Wagner's life and work contained in this book. New insights are provided into the Nietzsche-Wagner relationship and the vexed anti-semitism of Wagner. It should be noted that although Magee believes the above conjunction of philosophy and music in Wagner, he is not dogmatic. He says late in the book that "one does not have to be familiar with Schopenhauer's ideas, let alone accept them" to appreciate the greatness of Wagner's music.

This book has added a new dimension to my understanding and appreciation of Wagner. I heartily recommend it.

I'm a careful fellow yet I make quite a claim in the title of this review; and I confidently stand by it. Wagner has stimulated an enormous bibliography, but most of it is biography and/or polemics regarding the man himself or else "way out" (e.g. Jungian) interpretations of his art. Surprisingly little criticism of real seriousness pertains to the actual music. Bryan McGee's book magnificently fills that gap.

It is not a musical analysis per se, but a study of Wagner's changing philosophical values and how they influenced his music...and there is no composer in history who was a more acute intellectual than Wagner and more influenced in his art by ideas. You cannot fully understand his art without this book...it is that seminal. And it does not pertain only to "Tristan und Isolde," despite the title. It covers the entire sweep of Wagner's output.

Mr. McGee brings to his text the virtues which previously made him an outstanding author in "popularizing" philosophy: clarity, honesty, common sense, and even-handed weighing of the evidence. I hesitate to say he "popularized" philosophy. That could suggest a "dumbing down." And that is definitely not this book. It is crystal clear for a layman yet it is a scholar's dream in substance...a rare combination.

The book is an absolute must for anyone who has ever been moved by Richard Wagner's music...and perhaps even for those who have wondered why the rest of us are so moved by it. I cannot recommend it enough. There are only two other texts in the last century which compare, in my opinion: 1) Ernest Neumann's multi-volumn biography of Wagner; and 2) Deryk Cooke's "I Saw the World End," (first published 1979), which is the definitive (if incomplete) analysis of Wagner's "Ring."

If you love Wagner's music, or want to investigate it, this book is both a delight and a "must."