History Books

When my grandparents got me this book, I didn't think it could help me. I was looking for a "How to Draw" not a "How to Write". This book proved me so wrong. I couldn't believe how much fun it was to read, and it helped me a lot too. Almost everything I thought I knew was proved wrong and after reading it I felt like I understood comics so much better. As well as making me better at writing comic books, it made me a better writer altogether. I strongly recommend this book for anyone who is interested in comics or in just plain writing or art.

Well thought out, well written, quality throughout. I like this book the best so far; the previous weren't as appealing as this but were still very well done. The author really practices what he preaches as far as his message and the book speaks for itself. You won't be disappointed. Looking forward to the new books!

This is the best cartooning and illustration
book that has EVER been created. It accomplishes cartoons and
illustrating and explains everything. THIS is
the only book you will ever need. Don't let this
book escape you, you will NEVER forgive yourself if
you let this treasure get away. It is total visual
instruction. Easy to understand. Easy to attempt.
It is the book I keep on the drawing desk next to me
because it is so complete. Wow!!!!!!---- Luisa Felix

What I like about this book is the fact that it is not only instructional for comic book artists but also for all artists. He writes and draws to enhance what he is teaching so that it is not even noticed by the reader that he is being taught. I have met Scott and he is as entertaining and funny in person as he is in his book.

Great book for beginning comic artists. You will not be taught technical details for how to draw or lay out panels, but you will be shown how to pace comics, shown some basic face anatomy in the context of emotion, given a few inspirational tips on choosing characters, and so on. Probably an interesting read even for people who aren't sure that they want to get into comics.

A good film comes at you slowly, like a work of art, creeping into your soul through metaphors and meditation. That is how Suber's THE POWER OF FILM comes at you. Start anywhere and read a little or as much as you want, in small bites. Then stop and meditate on what you just read. Better yet, think of the film you're working on or just watched, and note in the wide margins what you now understand anew. A good scene in a good film should be watched time and again. Each page of this book is like a good scene. Underline it, mark it up -- and then, later, read it again, and add to your discovery of why film is so powerful.

Howard Suber is a legendary film educator at UCLA, and has taught dozens of courses on every aspect of filmmaking (except for animation). In The Power of Film, he commits his wisdom to paper, gathered over many decades of teaching.
The Power of Film is not a how-to book or theoretical treatise, however. Rather, it is a lexicon of movie storytelling concepts. The topics range from Accidents to Writing What You Know, and cover such things as the most important word in storytelling (it's `but'), the `real' American religion (individualism), the characteristics of the Hero (someone outside of society who sacrifices personal happiness and contentment for the greater good or goal) and whether happy endings are really mandatory. Suber also talks about genres (the essential characteristics of each), dramatic structure (some), and specific narrative tools such as the Macguffin. Throughout the book the emphasis is squarely on the mainstream American film, so you will be able to find many exceptions to the `rules' Suber mentions here, though `rules' isn't the right word. Rather, they are `insights' or concepts which work and have done so for ages, but which are just some of the possible narrative solutions to the problems cinematic storytelling poses.
This is a book to dip into, and which is intended to spark the imagination of the reader. Not all of the topics are equally enlightening, and I disagreed with the definition of the Crisis Point, but as an encyclopaedia of Hollywood storytelling it is currently without equal.

I found The Power of Film truly refreshing and unusually spiritual. Suber compiles years of teaching experience into a few hundred pages loaded with wisdom and wit. While not a believing man himself, his reverence for world scriptures and figures of faith who have changed the world, from Moses to Jesus to Gandhi, is rare in books on film.

Also, Suber's coinage of "Aristolatry" sure could have come in handy in film school (I went to USC, grad level), along with many of his paradigm-shattering concepts. I only had one professor who dared say that some films may have four acts -- I think he got fired!

The Power of Film is a great book that will take a prized place at the top of my list of books about filmmaking.

Howard Suber delivered a lecture to a large gathering in a theater in Kansas City this spring. What was striking about the experience was how Professor Suber turned this theater into a classroom and, by asking questions, made us active participants in a search for answers to the question: "What makes a film great?".

Suber's book, "The Power of Film", uses this same Socratic Method but the technique is necessarily different. Instead of asking questions, a writer can only pose riddles, and to this end Suber employees wit and irony to provoke careful and thoughtful reading of his concise dictionary like definitions.

The films Suber examines are American films. Without being jingoistic, he says that over the decades American films have been the most popular not only in the U.S. but all over the world. The American films he focuses on are those that have maintained their appeal ten years after they were released those, in other words, which have stood the test of time and remain perennial favorites.

The question he asks is: "What makes these films classics?"

Some of the answers are surprising. The notion, for example, that Hollywood films, to be popular, have to have a happy ending, Suber demonstrates is not true. Think of the Godfather films, Lawrence of Arabia, Chinatown. Even "It's a Wonderful Life" journeys through some very dark regions before emerging with a comic ending.

So why do people go to see these films? Suber suggests that going to the movies is akin to going to church, that what people need and want is to experience time honored rituals that put us in touch with our humanity.

As a practicing filmmaker, I have spent many hours over the years thinking about how to use the power of film to move an audience and I am always looking for help. Of the many available, I have culled a few "essential" books on film theory and aesthetics. Eisenstein's "Film Sense" and "Film Form" are two, Pudovkin's 'Film Technique and Film Acting", Mascelli's "Five C's of Cinematography" and a few others. Suber's "The Power of Film" has already taken its place with these.

Why? Because first of all, the book is packed with information and insight covering every subject about American film, literally from A to Z. Second, the insights are uncannily precise. A brief example: I don't like using flashbacks because I feel they are too easy but I find I must at times because they are sometimes necessary and I haven't been able to think of anything better. This is in Suber's definition of "Flasbacks":

"The reason flashbacks came back is that they are not merely
stylistic flourishes, like iris shots; they are necessary tools
that, so far, cannot be replaced by others."

The authority of this statement is reassuring, but notice the two words: "so far"; this tiny insertion leaves open the possibility and, indeed, ecourages the search for other ways.

How to transition to a flashback?

"The camera moves to a tight close up of a character's eyes, they
glaze over and we hear an echo chamber voice..."

I fear that every time I use this device that someone in the audience is going to yell out: "Visual cliche!". It never happens and I continue to use it because, as Professor Suber says: "no one has come up with anything substantially better.".

This is a sampling of some of what can be considered Suber's practical advise; but this book is very rich and has a broad range and covers everything from the technical to the philosophical.

The entry for "Tragedy" is three pages long but delivers a store of wisdom. One paragraph in this concise definition is about "impulsivity", and the final line reads:

"Impulsivity we see over and over again leads to tragedy."

The philosopher Martin Buber in his book "Good and Evil" devotes pages of discussion to the tendancy to impulsivity and how it is an aspect of evil. Suber's book is obviously a distillation of years of thinking and study not only about film but also about human nature.

The entries that make up this book are cross referenced. This cross referencing, like the use of wit and irony, is not only an practical aid, but also an encouragement to explore the connection of ideas.

Suber has carefully culled the essential ideas of what makes a film "great" and this selection reveals that the subject in Suber's mind has a unity, that it constitutes an aesthetic, an interlocking system of ideas. It is an indication of Howard Suber's wisdom as a teacher that he does not expound this system but only indicates it; and because this system must be discovered and recreated by every reader, it will always be new.

Getting the book and reading all of the blurbs on the cover written by film experts like Coppola and several successful Hollywood screenwriters, I was a bit concerned that perhaps I had purchased an insiders handbook, which might prove too esoteric for the casual reader. The 'power of the book' Prof. Suber has written, is his ability to take substantive information and make it enjoyable reading. The book is written in bite size stories, alphabetized by topic, each insightful and entertaining. I often sat down with the intent of a quick read of one or two articles and discovered I had read seven or eight. The topics are easy to digest, yet informative enough to go back and read several times.
Certainly as Bill Cosby used to say, "Be careful or you just might learn something". Film students and pros, no doubt already know about(and swear by)this book, this review is for the rest of us, those who just like films. The Power of Film would make a terrific gift for lovers of films of all ages and is certainly a must read for anyone with film career aspirations.

If you have any interest in Smith & Wesson firearms, this is a must have. Tons of information on pistols, rifles, shotguns and other items made by S&W.

Excellent resource for the S&W collector. Very comprehensive, quality pictures, great read. The type of book you get lost in for a few hours!

This is a great book to get familiar with all the different models of S&W revolvers. I needed a book that would help me identify different revolvers and this book is the one. I believe this book will help anyone looking to broaden their knowledge of S&W firearms. What I like about this book is the color photos and detailed descriptions of each model. This book should be in every gun enthusiast's library.

As a firearms dealer there is a need for referenca materials that I can use & depend on, both for my business & as a service to my customers. This is the BEST S&W book I have come across.

Best, most useful reference text I've seen on the subject. A very valuable reference for the collector. Very well done. Couldn't be more pleased.

It is understandable why this book earned a Pulitzer for the author. Written in the early 1950's, it was the first time Civil War events were treated from a human versus fact-after-fact view. However, Shelby Foote later wrote a superior account that not only provides the human side, but also presents all the historical data.

It would be an almost impossible task for anyone to figure out just how many books have been written dealing with the American Civil War. It would also be difficult to determine which Civil War historians are most often cited by their peers but there is no doubt that Bruce Catton would be near or more likely at the top of any such list. The reason for this is quite simply that Catton was one of the great historical writers of all time. Very few people can take their readers into the heart of an army, both those of it's soldiers and leaders like Catton and even fewer convey their story in the very clear and easy to read style that this author has mastered. To read this book of pure history is in many ways like reading a historical novel and even the reader who already has a firm grasp on the historical facts of this story will sometimes find themselves wondering what happens next.

This is the story of the last campaign of the Army of the Potomac, that Ill-fated army that had so often been humiliated by Robert E. Lee and his Army of Northern Virginia. This campaign was to be different however because there was a new man calling the shots and having a man like U. S. Grant at the helm made all of the difference in the world. It took Grant a while though to convince this often badly led army that he was any different than his predecessors. Different he was however and once he locked horns with Lee he wasn't going to let up until one army or the other was destroyed. In other words Grant understood what had to be done and he was determined to do it.

Catton's main field of study was this man Grant but one of the author's most endearing qualities is that he makes no effort to whitewash or hide his subject's faults. Catton also does not attempt to build Grant up by tearing away at Lee like many of the more recent Grant biographers have done. He simply makes Grant's greatness apparent by telling the story the way it happened and it doesn't take long for the reader to figure out what an outstanding general Grant was.

The author has done a lot of searching through soldier's letters and memoirs as well as regimental histories and this leads to a very personal perspective of the last year of the war. The stories he has gleaned from these sources are poignant, somber, gleeful and funny. For example, one entire brigade falls out of the final advance upon Lee's army to chase down and cook some chickens that have been scattered by artillery fire. I think it was Napoleon who said something about an army traveling on it's stomach.

I highly recommend this book to anyone with an interest in the Civil War. The hard core Civil War reader will find new information here and the casual reader will find that this book is fun to read and no one should have a problem following the story. If Amazon allowed six stars this is one of the few books that would qualify.

Part 3 of Bruce Catton's fantastic trilogy of the civil war is an interesting look at how the Army of the Potomac ended the war. From a discussion of a daring plan to plant dynamite underneath confederate lines to the chasing down of Lee's Army by Grant a true sense of what happened during the civil war can be gathered form this trilogy. An essential collection to any civil war historical library.

A Stillness at Appomattox is the last in the trilogy of the Army of the Potomac and covers from the period from late 1863/early 1864 (before the Wilderness and Spotsylvania Campaign) to April 1865 (Appomattox).

While the book is certainly heavily weighted in its coverage of the Union side, Catton is fair in his assessment of the various Union leaders. Of course, there is also the unique writing style that Catton possessed - a free flowing and smooth narrative rich with details.

My only complaint is the lack of maps. However, one must also bear in mind that the first edition was written in 1953, a time when books did not have the number of detailed maps that you would find in more recent titles.

Complaint aside, I highly recommend the book and series as the best coverage of the Union Army of the Potomac during the Civil War.

Read and enjoy!

This superb narrative about the Union's Army of the Potomac in the war's final year captured the 1954 Pulitzer Prize. The book is one of several superbly readable volumes on the Civil War by author/historian Bruce Catton (1899-1978).

This narrative covers the Army of the Potomac from the start of the brutal 1864 wilderness campaign through the war's end a year later at Appomattox. The author shows that General Ulysses S. Grant was more capable than brilliant, and fiercely determined to keep the pressure on General Lee's rebel army until the Confederates had no choice but to quit. Given the Union's advantage in men and material, the strategy made sense. What was less sensible were costly errors by Union officers, frightful casualties, and a sickening Union failure to clinch victory on the first day at Petersburg (thus reducing carnage on both sides).

The author perused many soldier diaries and letters to show us the life of the average Union enlisted man. That soldier was well-paid ($16 a month), but forced to endure boredom, rough weather, marching, stress, and dangers from disease and a tough, determined enemy.

This moving look at the last year of conflict is probably the best of Catton's narratives on the Civil War.

I truly enjoyed this book. It is somewhat parochial regarding the air force, but not awful about it. Some of the personal anecdotes were quite interesting, especially the description of the Saudi officers. I laughed out loud at the anecdote of "you are now leaving Saudi Arabia, please set your watches ahead 600 years".

This book assumes the reader has something of a military background, which isn't an issue to me but I can imagine some people struggling w/the story. If your interested in military history in the mideast, you can easily afford the day or two it will take to read this.

Boy, I certainly enjoyed this book. It really keeps you on the edge of your seat as you relive his experiences in Iraq and with GEN Schwarzkopf during the Gulf War.

With his unique first-hand experiences in Iraq and the Middle East and being fluent in Arabic, Col. Francona has certainly had a most exciting career. I'm sure he must still be an extremely valuable consultant to the Bush administration in Washington.

This is the best book I've read in quite some time!

He was right in the middle of the Iraq war with eyeball accounts of things that were happening. Great if you like behind the scenes info. Well written.

If you were an intelligence officer fluent in speaking Arabic and served in Iraq during its war with Iran and later as General Schwarzkopf's interpreter during Desert Shield and Desert Storm you would have a lot to tell that could not be found in American news reports--and Rick Francona does just that in Ally To Adversary.

This book takes you into Iraq, Saudi Arabia, and Kuwait, where you will come away with a better understanding of the political, military, and cultural mishmash of the region.

The book is full of revealing tidbits, such as:
--Government Control - In order to mail a letter outside of the country of Iraq, one must get government permission to buy postage stamps. A woman "sobbing quietly" told the author that she had a sister in the United States but could not correspond with her.
--Bunker Opulence - The Saudi king's bunker deep below the palace is itself an underground palace with kitchen, living areas and medical clinic, "opulent beyond description."
--Allies? - When the first Iraqi missiles hit Israeli soil, inside the coalition operations center every Saudi officer was on his feet applauding and cheering the attack.
--Monster Marines - The fighting ferocity of a small group of U.S. Marines surrounded and greatly outnumbered by Iraqi soldiers spread through the Iraqi army spawning wild perceptions about American marines. Among them: each marine had to have killed a member of his own family as a condition of entering the corps; and that marines practiced cannibalism on the bodies of their foes.

Find out why Iraq did not use chemical and biological weapons against the coalition forces.

At a time when many Americans want to understand Arab and Islamic influences and their effect on current events, Rick Francona's book is an excellent and enduring source.
As an Air Force intelligence officer, a Middle East veteran, and a fluent Arabic speaker, Rick had seen the Iraqis, first as an ally, and later as an adversary, as the title suggests. Early in the book he tells us about visiting Iraq during its long war with Iran. He visited areas of grinding combat around Al-Basrah and observed, as an ally, the army we would later face in the Persian Gulf War. His unique, first-hand observations would be invaluable later. He also entertains us with stories of life in Baghdad, once even escaping his Iraqi escort and conversing in Arabic with surprised ordinary Iraqis in the marketplace.
Later in the book, he gives us an insider's view as General Schwarzkopf's interpreter at the meeting at Safwan where Iraq was to receive surrender terms. Asked to translate instructions to the senior Iraqi representative, Rick tells us, "I translated the words into Arabic; the Iraqi interpreter, a brigadier who had spent several years living in Michigan, nodded to Sultan Hashim that my translation was correct." He ties many of his experiences together at a meeting later in the book when he finds himself facing an Iraqi major with whom he had worked during the Iran-Iraq war. "I was stunned to be now face-to-face with Majid Al-Hilawi, whom I had not seen since my last night in Baghdad at the end of the US-Iraq military relationship in 1988. I simply walked over to where Majid was sitting and offered my hand which he took warmly."
Rick Francona makes us feel like a personal witness to all these events. This is a great story from an observant eyewitness. It is all the more compelling because we saw the highlights on CNN and many of the observations will probably be relevant far into the future.

Small compact paperbook can take with me when traveling. Am enjoying the brevity, but not as much the small print type, but still very enjoyable book.

I love this book. It shows a beautiful example of the artists work in alphabetical order and a great short history of each artist. I discovered a lot of artists I wasn't familiar with. It's a great quick reference and easy/enjoyable reading. It's more than I expected! A must for anyone interested in art/artists.

A bargain at the cover price and even better at the prices listed here at Amazon. I have copies at both my homes and am always referring to it. Would that Phaidon could do the same for music and lovers of great literature.

An excellent mini art history book. It covers the majority of well known artists with a representative work. All this and the paperback is small enough to carry around. I present it to my students for special achievements.

This little book couldn't be any more straightforward or useful. Over the span of 500 pages, each page is devoted to a different artist, with one representative work by that artist and a short description of his or her life and work. At the end, an invaluable 6-page glossary provides short and informative descriptions of the major genres and schools of art (e.g., Fauvism, Constructivism, Expressionism, etc.) that don't require a PhD to understand, as well as explanations of common art materials and techniques (e.g., gesso, fresco, tempera, etc.). It's a great value, and much more inexpensive than almost any other art book this informative. Buy it now!

Misty Pilot General Don Shepperd and Rick Newman of U.S. News and World Report have compiled a great tome of in-the-cockpit true stories of the first jet fighter combat Forward Air Controllers. "Bury Us Upside Down" is an incredible account of how it all started. The reader will feel the "G" forces, the strain of avoiding ground fire, the satisfaction of a completed rescue, the black humor of combat-hardened pilots and the effects on the families of those who didn't return. But most of all the reader will feel proud America can produce such men.
A combat fighter pilot himself, Mark Berent is the author of the five-book war and politics "Rolling Thunder" series. See www.markberent.com

Having read many books about the Vietnam war, "Bury Us" opened this reader to an aspect of the battle previously unknown. Told like a narrative, the book guides you through not only the day to day battles, but the emotions felt by those who risked their lives everyday. A great read and real page turner!

This is a very detailed account on a part of the air war over Vietnam that was secret at the time. I would give it 5 stars except for the over-long chapters on the families back home. I know it must have been terrible for the families of the MIA, KIA, and POW pilots, but that part of it could have been shorter. What is truly amazing is how hard these pilots fought for a cause that was obviously lost no matter what they did. They had plenty of chances to quit Misty and just go "monkey bombing" in the south. EAA members and LongEz pilots will enjoy the exploits of Dick Rutan.

This is one of the greatest avaition novels ever written. This entertaining story is about a group of Vietnam U.S. Air Force Pilots organized in a group called MISTY. Almost all of the flights were examples of professionalism and bravery not seen since Normandy. This is a book that every military historian should have. To put it simple ...just a great book!

This book will give you the big picture of the Vietnam conflict from the viewpoint of the cockpit, flight surgeon, intelligence officer and wives at home with timely notes on the then-current news of the war. Read it and learn the way it really was.

This book is a great read. It is well written and flows well. Keeps your interest throuhout.
This narrative gives you good information and insights into what is happening over there. One of the few books that gives you the perspective of the actual soldiers.
I look forward to more books from Mr. Lubin

This was a great book detailing Marine Artillery. There are very few books out about artillery and as an artilleryman I thought it was an accurate account for those who have not been around a battery. It is a must read for all military and military enthusiasts.

From the tedium of Camp Lejeune to the hell of An-Nasiriyah Professor Andrew Lubin writes an engaging story of a father's love and concerns for a son heading into mortal combat. You don't need to be affiliated with the Marines to appreciate how brave our soldiers were in one of the first major battles to take place during the invasion of Iraq. Personally, as an ex-Marine myself,I was fascinated at the precision,dedication,knowledge,skill and bravery of the mostly young, and untried, Marines of Charlie Battery under fire. I was even more impressed with the collective calm of the units' senior NCO's and officers in bringing about eventual victory. This book is a must read for military historians and anyone else interested at an in-depth look at why, and how, our United States Marine Corps is a force to be feared throughout the world. Good job, professor! Gary Carter - Author of the military/political thriller "For the Good of the Many" - MWSA Silver Star award winner 2007

This has got to be one of the best of the Iraq war books on the market today. Writing from the viewpoint of the parent of a deployed Marine, Mr. Lubin follows his son and his artillery battery as they sail off to Iraq, fight at An-Nasiriyah, and then thankfully, all come home. This is a well-written book; it has an easy and natural flow as the author works blends interviews with the parents and girlfriends with the stories of the Marines themselves. Highly reccomended ? You bet it is; every parent of a deployed Marine and Soldier should read this book!

"Charlie Battery" is one of the best books on the war in Iraq on the market today. Author Andrew Lubin is a father writing about his son's being called to war on New Years Eve 2002, and then follows his son and the fellow Marines in Charlie Battery as they sail to Kuwait, live and train in Camp Shoup, and then fight and win at An-Nasiriyah. Lubin's descriptive and powerful prose made me feel as emotionally involved and stressed Charlie Battery parents as their sons go off to fight. "Charlie Battery" is the 2007 Gold Medal Winner of the Military Writers Society of America Military Non-Fiction category - the book is that good !"

This book has awesome revelations about healing. We bought a number of them so we can share them with people who are seeking truth about healing from the Lord. I'd recommend this highly!!

Healing is still happening today. This book will explain what Jesus meant for us to have in our health.

This book is all you need, beyond the bible, if you are seriously interested in divine healing. It should be noted that this book is written by someone who was very successful in the healing ministry,
as distinct from those who merely theorize. This is an excellent book!

An old book with update from author's son. There is so much to enjoy in this book. I will reread it often.

Definitely a book worth reading. For those who doubt that God still heals today, well that's sad for one thing, but this is a book that can help inspire you to get past those doubts, of course along with the Bible also.

This review is written eight years after the publishing date because I just discovered Mr.Martin's books. Now that I have read all of them I believe that this is his masterpiece- so far. Mr. Martin's meticulous research and portrayal of Washington gives the reader a very intimate look at his life, loves, politics, military work, and steadfastness in the face of adversity. The author's "bird's eye view" (as if an eagle were narrating) of the countryside and the military clashes provides a scenic description as well as another viewpoint from above the action.
From Washington's youth to his death, this book allows the reader to become an aquaintance and confidante of one of our greatest patriots- his humanity, his frailities, his faults and his immense sense of patriotism and integrity. This book is not only entertaining but highly educational. I learn and appreciate more history from Mr. Martin's books than I ever
did from formal classes. I highly recommend this book as well as all Mr. Martin's other books and I can't wait for the next.

This fabulous book starts with George Washington's death and a plan "to humanize the demi-god". A rookie reporter is sent to find out why -- after his death -- the first thing Martha Washington did was burn letters. What was in them?

The story is then presented as narratives written by various characters: slaves, Indians, wives, friends, enemies. Although each entry was labeled, each of the writer's voices was distinctive and some included Washington's take on himself. And from the getgo, the reader learns that George Washington was determined to mold himself in an honorable fashion and to rise as best he could. With practical determination, he made his life happen and his wisdom prevailed.

So, in chronological order and with varied dialects and writing styles, one learns quite a bit of history. The years 1730-1800 involved Indian skirmishes, matters of property (human and otherwise), and Revolutionary War's battles, namely: Brooklyn, Jersey, New York, Valley Forge, Monmouth, Philadelphia. The scope of Washington's life included presidential happenings and delicate handling of temperaments.

Among other things, I read about war strategies, politics of the times (Federalists, Republicans), the youthfulness and inexperience of officers, ideologies of those in power, how power was manipulated, and how greater powers overturned those egotists trying to wield power unbecoming our nation. I learned a bit about the British Generals Howe & Cornwallis and the French General the Marquis de Lafayette. And, I now know that not only did Washington have rivals, but John Adams and Thomas Jefferson were far from "shoe in" Presidents, too.

It was ALL exciting! In "Citizen Washington", I loved digesting all the aspects of all the players. I looked forward to each moment as it arrived. And as John Britain, known as Silverheels said, "I knew it was true, even if it never happened."

I highly recommend "Citizen Washington" by William Martin. Have fun!

Remember back to the early '50's (I was 6) and the program This Is Your Life hosted by Ralph Edwards? Now you know the premise of Citizen Washington. Imagine yourself sitting front row of a darkened theater. On stage are, say, 10 chairs in a spotlight. Behind the chairs is a huge painting of.....YOU! You look up and sitting in the chairs are 10 people that have been involved in your life - intimately and peripherally. They begin to spin a tale of your life, your personality, your looks, your mannerisms, demeanor and emotions --- as THEY saw it progress through their individual eyes. You are exposed in all your foibles and abilities and judged, individually, by these people. Frightening but fascinating. Martin plies this technique on George Washington and exposes him as no history book can. This is an eye-opening read. From his military underlings, his slaves, his peers, his wife, and his decendants we see his every movement laid bare to the reader. Where was Martin when the nuns were cramming dusty, throat choking historical facts into my reluctant brain? This work is interesting as history and a novel and will hold your attention to the last period of the last paragraph. Buy, read, learn and enjoy!

I just read Citizen Washington and enjoyed every page. A page turner that gives you a different look at Washington and the revolution.

Wonderful book!

The audiobook runs 6 hours and is surprisingly fun to listen to. Other reviewers have covered most of what you need to know so I will just add a parental advisory: contains rough language of a creative sort that boys of a certain age may like to quote, so if you are looking for something educational for a family car trip, this may not be suitable. Otherwise, I certainly recommend this book as an enjoyable piece of historical fiction.