History Books

Shelby Foote's Stars in Their Courses provides the perfect balance to Bruce Catton's Gettysburg: The Final Fury. While Catton's history unfolds largly from the Union perspective, Foote walks the reader through the same battle from the Confederate perspective. I appreciate Foote's professional attitude. He is careful not to assign undue blame or indulge in excessive "what ifs". Instead he describes the strategic and tactical logic behind the battle, what led to its eventual outcome, and how crucial decisions were made during the fighting. This is a well written book, though, as someone has said, it would have been nice to have better and more frequent maps. Foote is the quintessential southern civil war historian, and you will not be disappointed with this relatively quick read.

Actually sought this out to give as a gift to a very big fan of Shelby. This work is tremendous and for the fan or the enthusiast a brilliant read.

Bought this after I went on a self guided tour of Gettysburg one gray winter day, and wanted to learn more than I did or could remember from Elementary/High School.

Wonderfully written. I just wish there were more of the maps in the book to refer to as he talks about the movements.

Highly recommended

I could write a long review about how good this book is but that would be a diservice to the author. We lost a great historian when Shelby Foote passed. He was a historian who prefered to be remembered as a novelist. As a proud Vermont Yankee, professional historian, and living historian of that period, I tend to get cranky about revisionist views or the whole Sourthern "lost cause" foolishness. However, Mr. Foote, a proud southerner, wrote about the most important event in our nation's history without the prejudice or regionalism, so many bring to the topic. He could write excellent history and tell the story with the readability of a novelist.



We are poorer for his passing but the body of work he left behind on the Civil War will remain some of the must have items in any serious collection of books about that second birth of our nation.



We'll miss you Shelby but thank you for what you left behind.

Foote isn't just a historian who writes, he's (IMHO) first and foremost a writer who really knows his history. What that means is that in his books, you get great narratives that draw you in, but the story stays true to the facts and isn't over-dramatized.

This book strikes the perfect balance between giving enough detail that you can follow the key events clearly, but then not getting so bogged down in details that you get bored or lost in them. He is great about sprinkling in stories that bring in the 'human element' and make the story come alive. I especially liked how he handled the contention between Longstreet and Lee over tactics at Gettysburg.

I'd recommend this book to anyone, but especially to someone who knows a bit about the Civil War but wants to flesh out their understanding of this key battle.

One last thing... the book has no index so going back to find information later is difficult. Why no index?

Sad to hear that Foote has passed on and that there will be no more wonderful books from him like this one.

I had an original post WWII copy of this book and gave it away when I moved from W.Va..... Boy, was that ever a mistake!!!! I needed a copy for an event here honoring the Veterans, and so I was very pleased to see this one in print..... Bill looks at war from the dogface's perspective, and I'm quite sure there's a Bill Mauldin in Iraq somewhere.... but he's tied to the Internet and I'm not sure if we'll get good pen and ink sketches outta him now..... Bill had the way of seeing the ironic, the humerous, and the just plain sorry, in the average G.I.'s battle to survive....... I'd recommend it to school teachers for a look at WWII (AND I'd hustle up some of the last survivors... that first hand look isn't going to be with us much longer).............the Students would actuall LEARN something useful!!!

I am very satisfied with my purchase.The book itself is a pleasure to look at.The drawings are just as funny as I found them as a kid.The writing itself is new to me,but superb.It will allways be among my favourit books.Again marvellous

Indispensable depiction of the face of the Second World War. War and the pity of war. The humour is in the pity.

It's a gift, the ability to draw, to have perspective, to create, to be able to portray human misery as humor, for a reader to see the image and words and turn to laughter. Bill Mauldin had this gift that gained prominence in a time of war where talents rise to their greatest heights or sink to their lowest depths.

Truth is portrayed in humor or the humor isn't funny. Sergeant Bill Mauldin, an infantryman, barely twenty, and serving in Italy picks up a pencil and anything he can draw on, and begins to sketch two characters named Willy and Joe, two, brave, disheveled, irreverent, likeable and crusty infantry soldiers that give meaning to the names infantrymen were referred to as: ground-pounders, dogfaces, legs, and grunts. Mauldin portrays their grim and grimy existence with fatalistic pictures and captions--or grunts. One called "Breakfast in Bed" finds one of them waking up under a cow's utters, or the one where both are in a rain-filled foxhole and Willie touches Joe's shoulder saying, "Joe, yesterday ya saved my life an' I swore I'd pay ya back. Here's my last pair o' dry socks," or with rain pelting down on a scrawny dog facing the opening of their make-shift shelter, one of them says: "Let'im in. I wanna see a critter I kin feel sorry fer." My all-time favorite is a drunk German staggering toward a hidden Willie and Joe, holding a bottle of schnapps, unaware that he is wandering into American lines: "Don't startle `im, Joe. It's almost full."

These cartoons show the comradeship that soldiers developed for each other that would last a lifetime. Each man knew each other better than his own family or spouse ever would, and they could see the good and the bad in everything. They would carry a wounded lieutenant back to safety because he wasn't a "salutin' demon," or curse the Germans as vile, evil Nazis for scuttling a large keg of cognac before their retreat. These soldiers were miserable without being despondent. They were scared without being cowardly. They complained about their predicaments, but carried out their mission as American soldiers always do--attacking silently. The viewer cannot help but feeling empathy and admiration for soldiers who sometimes spent thirty months "in the line."

Mauldin goes further than just making us laugh at the miserable existence of two men trying to stay alive. His real success is that his humor defines the very best and most humane in the human character when it is engaged in its most destructive behavior. It is also timeless. Seventy years later, civilians and servicemen can still see the gallows humor in Willie and Joe's death-defying predicaments.

"Up Front" is Mauldin's account, of what he was doing when he created a particular drawing, why he made sure to include medics, engineers, chaplains, and even Tommies. The writing is matter of fact, well-written, and interesting, but without fascination. That was saved for the cartoons. The author is explaining each one in his text. It's the drawings and the captions that make this book a winner and a conversation piece.

Bill Mauldin died January 22, 2003. Willie and Joe occupying a foxhole filled with water and several cubic feet of complaints, live on.

Think about this the next time you put on a pair of dry socks, and marvel at the simple pleasure of just how good they feel.



May 26, 2008 Memorial Day (observed)

In Memory of the Fallen and all our Gold Star Mothers--especially today.

Of course, this is not a novel. It's a collection of cartoons as they appeared in the Armed Services newspaper Stars and Stripes. The cartoon began to appear in 1944 as the invasion of Europe was underway and millions of Allied troops were fighting their way through Italy and France and into the heart of the third reich.
After a few false starts, Mauldin settled on two characters, Willie and Joe-infantry men. Willie and Joe (who were barely distinguishable from each other) were concerned with all the things that veterans said concerned them during the war. Lousy food was as much of a concern as enemy artillery, fear of cold, wet feet as annoying as the fear of death.
The cartoons, and Mauldin's self-effacing recollections together form a kind of narrative that is at once immensely personal and deeply historical. Mauldin was a pioneer. It was ten years before Cornelius Ryan The Longest Day: The Classic Epic of D-Dayturned personal narratives into history and almost forty before Ken Burns came along.The War - A Film By Ken Burns and Lynn Novick
Mauldin was, in effect, the only war reporter who was relatively uncensored. Since his cartoons carried no strategic information, his only worry was the military's possible perception that he might be lowering troop morale with his swipes at the brass and the rear-echelon. Fortunately, some American sensibility that 'it's good to laugh at the boss even if the boss is us' prevailed.

Up Front was one of the few books that my parents kept by their bedside. This is the book that helped the post-war generation remember the war as it was fought by the men who did the hard work. A quiet masterpiece.

Lynn Hoffman, author of bang BANG: A Novel

We bought this and "New York Yankees: an Illustrared History,"for a Yankee fan. He keeps them on a table next to his favorite chair and each time we visit, there are more little bookmarks and notes. He had told us how much he was enjoying them, but the sight of that well used books showed us that we chose a perfect gift.

The Olympian

A Yankee Century" ($16, Berkley). Baseball's spring training does not truly reside in the deserts of Arizona or near the sands and swamps of Florida. It resides in the hearts and minds of children-turned-adults, who carry with them years of baseball lore and feelings (rational or not) of intense rivalry.

So the paperback version of "A Yankee Century" is just the ticket for warming up to the first crack of the bat. As one raised on the Baltimore Orioles, I can do nothing else but hate (rationally or not) the Yankees.

That said, 100 years of Yankee baseball is a walk through much of baseball history. Harvey Frommer's book covers so many of the details that fans love to savor that it's irresistible.

Frommer stays out of the statistic pit (although there are plenty of numbers), instead making a winning delivery out of stories and quotes that will help baseball fans stay sane on a rainy late-January afternoon.

The Olympian, Olympia Washington

This N' That with Tony Mack:
BLACK ATHLETE SPORTS NETWORK

BOOK REVIEW: A YANKEE CENTURY\\
***************************************************************

BRISTOL, CONN---Earlier this year, you may have read a book review I wrote on the historic relationship between Branch Rickey and Jackie Robinson. That book was penned by noted baseball writer and historian Harvey Frommer.

Prof. Frommer has since come out with another historic baseball book, this time about the sport's most celebrated franchise.

Frommer, who authored "The New York Yankee Encloypedia", has now penned "A Yankee Century: A Celebration of the First 100 Years of Baseball's Greatest Team".

Not only does Frommer give an oral history of the Pinstripes, but there are several rare photos of Yankee greats past and present.

From Babe Ruth to Derek Jeter, Lou Gehrig to Reggie Jackson, and all those in between, "A Yankee Century" is keepsake dream for fans of the Bronx Bombers and a nightmare for Yankee haters all over.

Even though this review is being written by a lifelong Met fan, I found this to be a very entertaining read.

One of the things that was enjoyable about the book is how Frommer has separate "Yankee Stories" on the well-known and lesser known ex-Yankees.

A humble Chris Chambliss talks about coming over from the lowly Cleveland Indians in a 1975 and then winning the pennant with a dramatic homer in the 1976 ALCS against the Royals.

Frommer also writes about the plight of Elston Howard, the first Black to play for the Yankees. His struggles on and off the field are chronicled along with a review of his very understated career as a player and coach.

The breathtaking and sometimes tumulous career of Reggie Jackson in pinstripes is also well chronicled. "Mr. October" had one of the greatest moments in Yankee history when he hit three homers in Game 6 of the 1977 World Series.

At the time, it gave the Yanks their first World Series title in 13 seasons and he would help them go back to the next season.

Among some of the other African American players that are featured in Prof. Frommer's book are Jeter, current third base coach and ex-captain Willie Randolph, Bernie Williams, and Hall of Famer Dave Winfield.

The book also includes a comprehensive trivia quiz, quotes, anecdotes, and other entertaining features for all baseball fans, Yankee or otherwise.

If you know a true Yankee fan, it's a great addition to their library.

If you know a true Yankee hater, this will be a best way to start an arguement.

BOOK REVIEW: A YANKEE CENTURY
By Tony McClean
BLACK ATHLETE SPORTS NETWORK

BRISTOL, CONN---Earlier this year, you may have read a book review I wrote on the historic relationship between Branch Rickey and Jackie Robinson. That book was penned by noted baseball writer and historian Harvey Frommer.

Prof. Frommer has since come out with another historic baseball book, this time about the sport's most celebrated franchise.

Frommer, who authored "The New York Yankee Encloypedia", has now penned "A Yankee Century: A Celebration of the First 100 Years of Baseball's Greatest Team".

Not only does Frommer give an oral history of the Pinstripes, but there are several rare photos of Yankee greats past and present.

From Babe Ruth to Derek Jeter, Lou Gehrig to Reggie Jackson, and all those in between, "A Yankee Century" is keepsake dream for fans of the Bronx Bombers and a nightmare for Yankee haters all over.

Even though this review is being written by a lifelong Met fan, I found this to be a very entertaining read.

One of the things that was enjoyable about the book is how Frommer has separate "Yankee Stories" on the well-known and lesser known ex-Yankees.

A humble Chris Chambliss talks about coming over from the lowly Cleveland Indians in a 1975 and then winning the pennant with a dramatic homer in the 1976 ALCS against the Royals.

Frommer also writes about the plight of Elston Howard, the first Black to play for the Yankees. His struggles on and off the field are chronicled along with a review of his very understated career as a player and coach.

The breathtaking and sometimes tumulous career of Reggie Jackson in pinstripes is also well chronicled. "Mr. October" had one of the greatest moments in Yankee history when he hit three homers in Game 6 of the 1977 World Series.

At the time, it gave the Yanks their first World Series title in 13 seasons and he would help them go back to the next season.

Among some of the other African American players that are featured in Prof. Frommer's book are Jeter, current third base coach and ex-captain Willie Randolph, Bernie Williams, and Hall of Famer Dave Winfield.

The book also includes a comprehensive trivia quiz, quotes, anecdotes, and other entertaining features for all baseball fans, Yankee or otherwise.

If you know a true Yankee fan, it's a great addition to their library.

If you know a true Yankee hater, this will be a best way to start an arguement.

In the northeast, the winter of 2003-2004 will be remembered as one of the snowiest, iciest, coldest and dreariest in recent memory. A YANKEE CENTURY was the perfect cure for those miserable days. Filled with the baseball history that took place on the sun-drenched field of Yankee Stadium, Harvey Frommer has provided us Yankee [and most baseball] fans with a warm nostalgia and a good feeling for the springs and summers to come.

With equal parts statistics and anecdote, the book is a well-balanced exploration into the most successful sports franchise in history. Peppered with wonderful photos (some that I had never seen before), this 400+ page book moves swiftly. The writing is respectful without becoming sentimental. And Paul O'Neill, who I will always remember as our favorite water-cooler kicking hothead, proves to be a sensitive and articulate commentator. Congratulations to both writers.

A YANKEE CENTURY is a great exploration into the Bronx Bombers, and by extension, to the history of 20th century baseball itself.

The space race of the 1960's was a crossroads in time that will never be repeated.

Walt Cunningham had a crow's nest view of that period. As a member of Apollo 7, the first Apollo mission and the first successful flight after the catastrophic Apollo 1 fire that almost disbanded the space program, he was able to see the inner workings of the American space program. He has recorded this unique perspective in "The All-American Boys."

"The All-American Boys" is a rare document of what really happened in the early days of the space program. In my opinion, most other astronaut memoirs are cleaned up versions of the truth--all "flag waving" and "ballyhoo." One gets a sense in the All-American Boys that the space race is being presented warts and all, including the social and political quirks of being an astronaut.

This version is an unabridged audiobook of Walt's book, which was first published in 1977 but thoroughly updated for this version. It covers Mercury/Gemini/Apollo but also shuttle/MIR/ISS. Walt himself narrates the audiobook, which is a great bonus. His pleasant narration makes the 22 discs go by very quickly

Unlike most other astronaut memoirs, you get your money's worth with this book. Highly recommended.

Col. Cunninghams's audio CD version of The All American Boys is, simply put a great listen! Having read the hardback, I thought that there would be little to gain in buying the CD version, but I was wrong. His carefully spoken rendition has laugh-out-loud moments, and his tough but thorough thought provoking commentary on the space race, NASA, the Russian's, the International Space Station, and the future of man's involvement in space is a must have. I don't know why, but hearing it 'first person' and in the spoken words of someone who was there, and who made this history, is a remarkable thing. Can't recommend it highly enough.

Absolutely Fantastic!
Walt's voice resonates through you as he recounts his life experiences before, during and after his NASA years. This is a wonderful way to learn about Americas Space Program from the ground up.
Whether you have read the AABoys or not, nothing matches hearing this incredible story with the true life passion only the author and main character, Walter Cunningham, can convey.
A great joy, and true and exciting find! A must have for anyone interested in space history and space exploration. What fun it was to replay parts to hear the subtle inflections in Walt's voice just to gain a greater insight into how this space hero must have felt during the space race years, through to the changes that are on the horizon today.
A most favorite addition to my space collection!

I got the title of this review from Apollo 11 astronaut Mike Collins who described fellow astronaut Walt Cunningham this way. Only a few people have flown in space, and so we would expect astronaut auto-biographies to talk about this, but unfortunately, only Mike Collins book "Carrying the Fire" does it. After reading a few other autobiographies I finally came to the conclusion that it is not really worth the time and money to get their books, with them spending most of the pages discussing petty jealousies, practical jokes, celebrity golf tournaments, and their success or failure in the world of business.. Thus, I was somewhat reluctant to purchase Cunningham's, but the reviews convinced me to give it a try. Fortunately, it was worth it. Cunningham does share the flaw of the others in that he also doesn't describe his Apollo 7 flight in any detail, but the uniquness of his book is that he does give an interesting perspective on the American space program, and his fellow astronauts, not seen in the other autobiographies.
Part of the reason is, as Collins pointed out, that Cunningham received a rigorous scientific education and was involved in scientific research before going to work for NASA. This gave him a greater ability to objectively judge the qualities of his fellow astronauts.
The original Mercury astronauts were good pilots, but one of the most important qualitites that they were chosen for was ability to stand immense stress, because at that time, it was not known how spaceflight
would affect the astronauts, physically or mentally. After Project Mercury proved the stresses were not as bad a feared, new generations of astronauts were chosen who had better education, better ability to understand the increasingly complex Gemini and Apollo spacecraft and a greater appreciation of the importance of the exploration of space in a scientific sense, something the Mercury astronauts did not have so much.
Cunningham also shows that the grind of training took a toll on the Mercury astronauts, and he says frankly that the commander of his Apollo 7 mission, Wally Schirra, who flew outstanding missions in both Mercury and Gemini (piloting the first rendezvous mission with another vehicle) didn't really have his heart in his Apollo mission and it negatively influenced his performance. Schirra repeatedly lost his temper during the mission which gave his whole crew a bad reputation leading to both Donn Eisele and Cunningham being banned from further flights (everyone admits Cunningham got an unfair rap in this). Cunningham also frankly points out that although the crew indeed proved that Apollo spacecraft was flight worthy, they didn't really accomplish nearly as much as they could have during their relatively long-duration flight in a scientific sense.
Other interesting things I learned from this book was that, starting with the two-man Gemini flights, the Mission Commander was the astronaut who controlled the abort initiation sequence, so he had to be significantly better, and management required more confidence in him than in the other astronauts who flew along, and in borderline situations, he had to have the best "feel" for how the flight was going and the spacecraft was performing.
One surprising thing Cunningham reveals was the most astronauts felt that
in the Gemini 8 mission (first docking of a manned spacecraft), astronauts Neil Armstrong and Dave Scott made a serious mistake leading to their spacecraft to spin out of control. Fortunately, they got it back under control and made an emergency reentry. Most histories of the space program say it was a mechanical glitch and that Armstrong's cool response gave Deke Slayton the confidence in him to assign him to be the commander of the first landing on the Moon.
Cunningham feels that ultimately, although all the astronauts were talented and qualified, the flight crews were chose based on Slayton's
feelings of friendship
for the fellow (although it should be pointed out that the great success of the space program shows that Slayton did generally pick the best to fly) and this was more important than ability, physical fitness or other objective considerations. Famous examples was Slayton giving Alan Shepard the Apollo 14 mission without him having served as a back-up crewmember on a previous mission. Although Shepard did an excellent job landing the Lunar Module very close to the desired target, his subsequent performance during the lunar EVA left a lot to be desired and much possible scientific gain was lost. Another example was Gene Cernan crashing his helicopter while he was ogling sunbathing girls. Many people
thought this would wash him out of his Apollo 17 command position, but Slayton covered up for him (it should be pointed out that Cernan did an outstanding job both piloting and carrying out his scientific duties on that flight).

Finally, although he wrote the book before the Space Shuttle first flew,
he points out that many of the astronauts felt too many compromises were made in designing it and that it wasn't safe. Cunningham points out that fighter pilots and astronauts find taking life-endangering risks to be exhilirating IF THE RISK IS NOT TOO GREAT. However, they oppose taking foolhardy risks, and not a few astronauts felt the Shuttle fit into that
category. Subsequent history has unfortunately shows that was the case, and the new Orion spacecraft is going back to an Apollo-like design and getting away from the "space-plane" concept.
All-in-all, I found the book a good read and a pleasant reminder of the
glory days of the manned space program that led to man walking on the moon.

This guy is one opinionated s.o.b. - but this book is all the better for it. Because Walt Cunningham is aware of his limitations, and has the virtue of being right in his strongly-held opinions.

I'd recommend this book even for those not interested in space flight. To see the cut-throat office politics behind a smooth veneer... it's something that relates so much to many walks of life. The fact that it is told here in the golden age of space flight makes it all the better. Wow! A great book.

As the wife of a homebrewer, I often pretended to listen to my husband's dreams of one day starting his own brewery. After five years of pretending, I realized he was serious when he handed me Beer School and said, "If you're ever going to get on board, you've got to read this book." As a medical professional, the idea of reading a "business" book made me yawn. To my surprise, I couldn't put it down. I felt as if Tom and Steve were sitting across the table, telling me their story over dinner. Their honesty was both eye-opening and inspiring. I learned so much from Beer School and enjoyed every second of it. Reading this book gives you a good idea of how difficult it is to be successful in starting and running your own business, all the while making you feel like you can do it.
BTW-after reading Beer School, I finally got on board with my husband....founder of Tallgrass Brewing Company!

I've no great interest in the brewery business, but I do enjoy well-written, instructive tales of entrepreneurship. 'Beer School' definitely falls into that category. One-time journalist and co-founder Steve Hindry can really write. No surprise there. The pleasant surprise is that ex-banker and fellow co-founder Tom Potter's chapters are just as enjoyable. Like their beer, the chapters go down smooth. The arrangement of the book makes it clear who's written what parts - the chapters are given names that start with either "Steve Tells..." or "Tom Tells...". Where Steve has written a chapter, we get Tom's viewpoint with "Tom Weighs In," and vice-versa. Sounds sort of clunky, but it's well executed by the co-authors. They clearly worked very closely in shaping a final, cohesive product. As a result, the format works well.

What drew me to the book originally was the forward by Mike Bloomberg. His endorsement is good enough for me.

By nature, I am not a "reader"... I have a large stack of books that I've picked up over the years to pacify me while traveling. Most still have their respective airline ticket stubs safely marking the spot where I left off reading. So yes, it's a tad ironic that I'm now leaving a book review here... However, I read this cover-to-cover in two (long) evenings (that alone will tell anyone that knows me that this was a really good book!) so I'm at least qualified to comment on THIS one.

I've homebrewed for a couple of years and am in the early stages of investigating the feasibility of trying to make a living out of brewing. The story in the book really struck close to home for me... My potential partner and I work in fields that really couldn't be further from the brewing industry, much like the authors. While I know that the odds are against us, it was refreshing to read a story of someone that took a swing at it and hit a home run.

The book is by no means a step-by-step business plan for starting a brewery. It is much more a story of the trials and tribulations that faced them as they progressed from a crazy dream to a crazy success. It's a story about partnership. It's a story about taking a leap of faith. So don't purchase it expecting a step-by-step recipe for you to go out and quit your day job, but do purchase it and expect a general high-level look at starting a brewery, some good general business ideas that you may not have thought of, and a good story to tie it all together.

I found it to be a very honest, open story... The authors take turns writing chapters, and there were at least a couple of times that they were so honest that I caught myself thinking "Jeez, I'm pretty sure that the other guy's going to read this... Are you sure you wanted to say that?!" As you progress through the book though, you learn that this is just the relationship that they've built over the years... Very honest and open with one another whether it is good news or bad. I think that reading about the partnership was really one of the biggest take-aways that I got out of the book, but it certainly has more to offer than that.

In summary, I really enjoyed this book and would have no issues whatsoever giving it a very high recommendation for anyone that is considering starting ANY new business, brewery or not.

I just finished Beer School and thoroughly enjoyed it. As a beer lover, and a fan of Brooklyn Brewery's products, I enjoyed learning about how the beer came to life, as well as the birth (rebirth?) of craft brewing in the United States. Mayor Bloomberg was right in the introduction, the book will make you thirsty.

As for the business aspect, I teach high school economics and intend to use some examples cited in Beer School to illustrate my lessons. If I taught on the college level, this book would be one of the required readings. It is a great example of entrepreneurship, economies of scale, marketing, start-ups, and business plans.

Just from a title perspective, this book was too good to pass up... Beer School: Bottling Success at the Brooklyn Brewery by Steve Hindy and Tom Potter. But even better, the book delivers the goods on a number of levels. One of the most enjoyable business book reads I've had in awhile...

Contents: Steve Tells How Choosing a Partner Is Like a Second Marriage; Steve Discusses the Importance of Building a Solid Team; Tom Talks about Creating the Business Plan - A Money-Raising Tool and More; Tom Asks, "What's the True Mission of the Business?"; Steve Discusses the Keys to Successfully Motivating Employees; Tom Tells the Story of Their Dot-Com Revolution - Fishing for Finance and Failing; Steve Talks about Building a Brewery in Brooklyn; Steve Discusses Publicity - The Press Wants You!; Steve Reveals How the Revolution Kills Its Leaders First; Tom Talks about Cashing Out and Reinventing the Business, Again; Tom Wants to Know If You Have What It Takes; Timeline; Index

Hindy was a foreign correspondent for a news agency, and Potter was an executive at a bank, but both felt as if they wanted to do something different in their lives. Their love of home-brew beer gave Hindy the idea of starting a brewery in their hometown of Brooklyn, a city rich with brewery history. Potter was less convinced about the whole project until he visited a homebrewer's convention in 1986. This was right at the start of the microbrew phenomenon, and they decided to seriously pursue their dream. The book chronicles their work from 1986 through 2005, while also distilling what they learned about entrepreneurship along the way. And since this is beer "school", each chapter ends with them giving themselves a grade on how they did in that particular area. Unlike many business books that make the principals all-knowning and omniscient, Hindy and Potter are brutally honest about what worked and what didn't, where they were skillful and where they got lucky. It's a fascinating read, both for the brewery story and for the business insights.

There aren't too many business books with stories about being robbed at gunpoint of $30000, visiting a metal fencing operation to get a fork-lift battery charger back, and getting a visit from organized crime and union leadership, intent on getting a piece of their business. Even if you dropped the business lessons, the narrative of the Brooklyn Brewery would be enough to make this a recommended read. When you add in the small business information, this becomes a must-read for anyone dreaming of starting their own business. And if you're already interested in homebrewing or microbrews, then this book will probably end up being read in a single sitting.

An excellent read on a number of levels...

Far better written than most, Class 29 transcends military memoire to become an emotinally authentic, engagingly human account that will interest even readers who are not SEAL afficiandos.

I'm a sucker for a story, and John Carl Roat knows how to tell one. He has one of the most incredible writer's voices I've ever encountered. It's like sitting with him over coffee and listening to him spin yarn after yarn about the earliest days of SEAL training.

Roat's dry and often wry sense of humor had me laughing out loud on every page. Endearingly willing to admit to his own human shortcomings, Roat sees the humanity in others. In a few strokes he captures those essential elements of character that make a reader care. Over and over I cheered, and sometimes, I cried.

In one memorable scene, in which another trainee reaches back to give Raot a hand over an obstactle course, Roat talks about how the trainees themselves in subtle ways played a part in who made the grade and who didn't.

Other books about SEAL training will give you detail, endless detail, about SEAL training today, but no other will make you understand so well what makes a man become a SEAL, and what becoming a SEAL makes of a man.

Mary Margret Daughtridge, Romance Author, SEALed With A Kiss
SEALed with a Kiss: Even a hero needs help sometimes...

This book is real!! It's a fast easy read with no dull moments. It is a testament to the tough nature of seals past and present.

John Roat's book demonstrates the toughness and determination that was required in the early days of SEAL training.

I enjoyed the way that he describes in great detail the training that he went through. It's like you are right there with him.

Also, there are many stories about their "interactions" with their instructors.

I especially appreciated the last chapter in the book where the author describes, by observing the training the candidates currently go through, the differences in training between then and now. The training now has causes less long-term damage to the body, especially to the knees (the duck-walk was a favorite of the instructors back then).

Above all as you read the book you can see his loyalty, after all these years, to his team members.

To the point, easy to read and like a couple reviewers said " It makes me proud and it made me laugh" Who thought SEALs would be such down to earth enjoyable guys.

This was written for my Classmates and like them it has brought me nothing but joy. The book comes from the heart, theirs and mine. I've been pleased to hear how much help the book was for some in getting through BUD/S. I do love the questions from young men who aspire to become Team Members so feel free to ask. I will do my best to answer.
realnavyseal@yahoo.com

John Carl Roat
Class-29, UDT-21, UDT-11, SEAL Team 1

This book was extremely disappointing unless you would like to know how many gallons of water it takes to illegally cross from Mexico into the United States. The author takes a liberal and sympathic view of illegals and tries to sway the reader into thinking that breaking the law is OK for these people. Give me a break. Where is the equal-sided journalism? What about the economic drain to healthcare, gang violence and drugs that these people bring into the United States? If it looks like a duck, quacks like a duck and swims like a duck then it is a duck. Illegals are illegals are illegals. Don't waste your time on this book.

"A passionate exponent of more human solutions to the problems of illegal border crossings...John Annerino, an Arizona writer-photojournalist, tells the story up close and personal in a gut wrenching, bare knuckle account...His account puts flesh and bones on the story behind the dreams, and skeletons,too," Desert Candle.

There are those who call themselves experts on the subject and those who are. John is the genuine expert. His points on the subject can only be done by being there and doing it. That is John, that is how he is. That is how he lives. A Master photographer, a Father, Journalist. His treatment on the border issue is a no-holds-barred trip into the unknown. He makes it known, he does it masterfully! When I read Dead in Their Tracks I found it to be the best publication on the subject. It should be required reading for those who are studying Hispanic Culture here at the University of Arizona! When one has the folks at ABC News and other News organizations beating on your door for your knowledge on the subject you know it is John Annerino. When you read a John Annerino book or see his imigaes you are guaranteed that you have exposed to the very best in subject treatment. Dead in Their Tracks will take you for a ride you won't soon forget.

-"Photojournalist John Annerino plunges into a world few Americans ever consider, much less confront: a pitiless trek through the southwestern Arizona Desert that can deliver a man to steady work - or to a whimpering death," Laura Brooks, The Arizona Daily Star.

-"Anyone interested in this slaughter should run, not walk, to John Annerino's Dead in Their Tracks," Charles Bowden, author of Down by the River.

-"A passionate chronicle. The story...is gripping and profoundly disturbing," Susan J. Tweit, The Bloomsbury Review.

-"A stunning portrayal of the dangers (including death) faced by immigrants eager to work in the United States," Library Journal.

-"I'm trying to illuminate the lives of those who continue to die in America's killing ground," Annerino said," abcnews.com.

-"A gripping firsthand account of crossing the Camino del Diablo in the company of Mexican nationals...Annerino's evocative words and haunting pictures make the issue impossible to ignore," Donnamarie Barnes, People Magazine.

-"The story is riveting.Annerino's writing is emotional and graphic," Ernesto Portillo, San Diego Union-Tribune.

-"Through cholla cactus and scorpions, along sands simmering at 140-160 degrees, John Annerino and four Mexican companions stumble toward an oasis north of poverty: the American dream," oneworldjournies.com.

-"The book is a testament and a memorial.Thirty pages list the known dead...Annerino deserves praise for putting this story into words and pictures," Will Chaffey, San Antonio Express-News.

-"A gripping work of investigative reporting," Nicole Davis, National Geographic Adventure.

-"Seen on CNN and featured on CNN Bokchat, John Annerino has worked on the border for Newsweek, ABC Primetime, National Geographic Adventure, and America 24/7," KmG

This book is poorly written, _utterly_ disjointed, and has a cloying sentimentality that is really annoying. By that I mean it's not at all analytical: it includes random snippets of poems, etc. that serve only to confound the reader looking for some meat. Plus, there are certain phrases like "cutting sign" that I hadn't the foggiest idea about until I looked it up. Help the reader out here.

Yeah, it's hot as hell in the desert, and it's doggone handy to have water. It sucks that people are dying in the desert and the forces that draw them to _El Norte_ are highly complex and not necessarily their fault. Still, they are breaking the law from the word go, and well they know it, and it seems to me there are worse tragedies involving truly innocent people. Plus, it peeves me to no end that these illegals have largely trashed some of the most beautiful and exotic wildernesses in the U.S. So my sympathy is just not all that deep.

The photos are for the most part of lousy quality as well. Why it took carrying several cameras, as the author claims, to produce these pictures is beyond me.

Lastly the book is VERY short, with a ridiculously long appendix addressing every single death that has occurred in this area ... newsflash: no one is going to read that.

How could the editors have allowed a book like this to go to press? It's absolutely amateurish, despite being driven by sincere emotions.

The ilustrations in this book portray you to another book that perfectly capture the original paints.

I read Edgar Rice Burroughs novels as a teen and will never forget the impact of the Frazetta covers. His heros, the settings and the creatures were so wild and vivid; plus I think he definitely set my ideals of feminine beauty for life. This collection is a must for anyone who wants a good biography of F.F. along with some great reproductions of his best work.

Frazetta is great and this book is swell... however (as one other reviewer also experienced) the cover came off my book after I had it for only one week! I couldn't believe it! To credit of the publisher they did send me a replacement. I think I will buy the sequel now. Too bad it's only available in hardcover, but at least that way the cover is much less likely to fall off. As for the third book, it seems to be completely unavailable except to those who are willing to pay over a hundred dollars for it!

Words cannot describe the beauty and passion in Frazetta's work; This book is filled with amazing art, from the original sketches to the final product; Lots of personal photographs and insightful narratives help to make this a satisfying package, but the artwork alone makes this book a must have. From his early career doing comic books and movie posters, to the grand scale of his fantasy art, this is a book that is sure to excite any and all who have a shred of creativity within them. Totally inspiring book!!!

When people think of fantasy artwork, they might think first of those Conan and Edgar Rice Burroughs paperback covers, or a berserker warrior on horseback, corpses of foes beneath him and dripping weapon above him. People think of Frazetta first, whether or not they know it's him they're thinking of. He's also done recognizable work for Mad magazine, Little Annie Fanny for Playboy, posters for Peter Sellers movies, and lots more.

Frazetta has done plenty of work in ink, especially for a range of comics, but his oil paintings are best known and most heavily represented here. It's easy to see how he became the inspiration for an entire generation of fantasy artists, and probably well into a second generation, too. No one captures the rippling sinews of barbarian warriors like Frazetta does, or beasts, half-men, dungeons, jungles, and every other fantasy-scape that he's rendered. Above all, no one comes close to the lush, rounded figures of his female characters. They can be warriors and wizards in their own right, or eldritch spirits, or even savable maidens. Some, as in "Moon's Rapture" or the standing figure in "Rogue Roman", show a rich and womanly figure at rest, but somehow promising as much raw physical power as any man.

I recommend this collection to anyone passionate about illustration or fantasy art. Any one of his paintings can be an entire course of study for a budding artist. They can also be seen as powerful narratives in imagery, or as a jumping-off point for dreams of far-away worlds and heroic adventures.

-- wiredweird

If you have any intrest in knowing what life is like in Israel this book will satify your intrest. I found it very well written easy to read and the author gave intelligent insight and positions of all groups written about. Upon finishing this book I had a useful and fulfilling knowledge of Israelis and Israel. Of course this is only a glimpse but the book shows one there is such rich history and fascinating people in this diverse land. It gave some insight to both views mentioned in the editorial review. However I took from the book Israel is making attempts at assisting ALL Israelis no matter their ethnic origins. You will not regret adding this book to your Library.

I found this book (the first edition, 2003) in an apartment I'm renting in Jerusalem. It's quite interesting and well-written.

However, the author seems to have been rather sloppy in her research. I noticed at least two gross factual inaccuracies in details about the Orthodox communities in chapter 9, and this in turn calls into question whether the other information in the book is supported by the facts.

On page 176 (2003 edition), Rosenthal describes how "[s]oon after independence, Prime Minister Ben-Gurion agreed to Rabbi [E.M.] Schach's and other rabbis' requests to free haredi scholars of military obligation." Ben-Gurion's primary interlocutor on this issue was actually Rabbi A.Y. Karelitz (known as the Hazon Ish), the leading Lithuanian haredi rabbi of his day in Israel; the story of their meeting is quite well known in haredi circles, even to school-age children.

Again on page 188 (2003 edition), she writes: "For Lubavitch/Habad Hasidim, however, [Israel] Independence Day is a religious holiday becase they believe the birth of Israel in 1948 marked the beginning of the messianic redemption." This is completely incorrect: there are indeed religious Zionist Jews who believe this, and their communities are treated in the following chapter of the book; but Habad's position has never been that the establishment of the State has anything to do with the coming of the Messiah. Habad does support Jewish settlement on all territory under Israeli control, and opposes giveaways of land, for religious reasons having to do with saving Jewish lives; sometimes this puts them side-by-side with various Religious Zionist groups, as in opposition to the Gaza disengagement of 2005. Most likely our author saw or heard of such events and jumped to conclusions that the Habad and Religious Zionist ideologies are the same. But again, how hard would it have been to find out the real facts?

Rosenthal, Donna. "The Israelis: Ordinary People in an Extraordinary Land", New Press, revised and updated, 2008.

My People

Amos Lassen

Americans have no idea who the Israelis are. The stories we get in the American media by and large depends on the source of the report. We see them here as soldiers fighting for their freedom and we see them as aggressive colonizers who determined to stay in control over Palestinians who resent them. We know that there is truth to both depictions and at the same time they depictions are distortions of who the Israeli really is. Donna Rosenthal looks at the Israeli across the broad spectrum and she gives very interesting insight as to the nature of the modern Israeli in two aspects--an individual and as a group.
Many Americans are simply not aware of the vibrancy and diversity of Israel and as the nation is such so are the citizens. There are the very Orthodox who constantly study and await the Messianic age. They are against those that dress immodestly and violate the Sabbath. There are the modern Israelis who excel in business and industry and do not bother with their religious heritage. There are the Bedouin Arabs who still live primitively carrying everything they own with them to wherever they go. There are prostitutes and mailmen and waiters and there are farmers and fishermen and gays, lesbians and those that are transgender.
Rosenthal entered Israeli society and interviewed many people and she gives us their backgrounds and their viewpoints. She discusses the decline of the kibbutz movement which was once vital to the country and shows how the ethic of collectively is no longer relevant. She shows how the Orthodox remain a community unto itself and stays isolated from mainstream Israeli culture and society. She shows the vice and corruption with Israel and the presence of the drug trade and she gives us a history of Zionism as we hear the reminiscences of the way it was. We hear from the man on the street, from the leaders, from Arabs and from Druze, from the Russian mafia and from the subcultures of sex and gambling.
Rosenthal has a wonderfully readable style and she manages to weave interviews, anecdotes and vignettes to give us a picture of a people that most of us know little about. But let me tell you that you must be prepared to have your preconceptions become misconceptions. In giving us the information on whom the Israeli is, Rosenthal sheds light on the shadows. It is absolutely amazing when we realize that Israel is a nation that has "ingathered the exiles"--Jews from all over the world who have not much in common except a history of persecution and the desire to live free in their own land.

I ordered this book because it was recommended by the tour company that is arranging our trip to Israel. I was looking for something that would give me additional insight into the country and its people. This book does an excellent job of exposing me to the various ethnic and cultural groups in Israel. The author is very good about interviewing typical people within each ethnic group with examples of their feelings toward Israel and their way of life. Highly recommended.

This new 2008 edition is a wonderful gift for readers of different religions, political backgrounds and ages.

I was born and raised in Baghdad, Iraq. As soon as I started reading The Israelis, I simply could not put it down. I learned about many varied faces of Israelis. The clear and easy prose and style of writing, the historical and political facts, the colorful anecdotes are enthralling and captivating. The book made me think and rethink about different issues that are an integral part of daily life in Israel -- and by extension throughout the Arab world.
It's packed full of information about different types of Arabic speaking Israelis -- Israeli Muslims, Christians and Druze. I learned a lot about their relationships within their communities and with other Israelis and Arabs outside Israel. Ms. Rosenthal does an excellent job elucidating issues that can change Arab thinking about Israel.
I highly recommend this 2008 edition of The Israelis for anyone interested in Israel, and also for anyone interested in grasping a better understanding of Arab society and its relationship to Israelis.

Layla Murad

This is a great tutorial and reference for anyone considering writing a comic book for the first time (or perhaps someone more experienced who'd like to get a fresh perspective and/or deeper understanding of fundamental structure). Scott has taken all those elements that go into making a good comic book (that you've probably noticed subconsciously but couldn't put into words) and laid them bare with expert analysis.

The analyses and guidelines are presented in a light-hearted, comic book format that is both entertaining and enlightening. You won't find yourself getting sleepy or distracted while reading this book - and you will understand every concept with perfect clarity, even if you are a complete novice.

Get this book! I found it at my local library and read it twice (cover to cover). I plan to buy it so that I'll have it handy for reference as I plan and begin drafting my first comic book.

Highly recommended.

Scott McCloud's "Making Comics" is a must-read for all aspiring comic artists. This book is very different from other comic technique books. While most other books will teach you how to draw characters or backgrounds, this one teaches you how to tell stories. McCloud goes in depth into what makes a good story through pacing, image choice, layout, words, facial expressions, among many other factors. All of the instruction is given in comic form, so it is very easy to see how the techniques are implemented since he shows you right on the page. I particularly like the section on facial expressions. He has a very inventive method of using basic facial expressions and then mixing them to create totally new facial expressions. It has to be seen to be believed.

If you're thinking of starting to draw comics, or if you're on the edge of giving up comics because you just can't get it right, this will give you the inspiration to keep trying. If you're a great artist, then you'll come to a better understanding of the techniques that you use. I definitely recommend reading this book.

I've always found it fascinating to imagine how a comic book author/illustrator creates the stories and images that appeal so much. Having been a non-fiction book author for many years, I have a firm understanding of the writing process. I sometimes pick out a few illustrations to put into a book.

But building a story around the illustrations, that seems like a trip to the planet Neptune to me. I was very pleased to find that Scott McCloud is very good at explaining (and illustrating) the creative and production processes he uses. I was delighted when I realized that he had also described how an individual could make a few comics to share with friends.

With computer art getting to be easier to do, I can see that there's even hope for those of us who couldn't draw out way out of a paper bag.

Mr. McCloud has the kind of mind that sees everything in perspective, in this case as facets of an overall story-telling task. He always has the goal of engaging the reader in mind and relates his points well to that purpose.

The work is impressive at another level . . . it's a masterpiece of providing instruction. The book shows more than tells, as a book about comics should do.

If Mr. McCloud ever tires of making comic books and graphic novels, he should go into explaining non-fiction subjects. He would make a fortune!

Well thought out, well written, quality throughout. I like this book the best so far; the previous weren't as appealing as this but were still very well done. The author really practices what he preaches as far as his message and the book speaks for itself. You won't be disappointed. Looking forward to the new books!

When my grandparents got me this book, I didn't think it could help me. I was looking for a "How to Draw" not a "How to Write". This book proved me so wrong. I couldn't believe how much fun it was to read, and it helped me a lot too. Almost everything I thought I knew was proved wrong and after reading it I felt like I understood comics so much better. As well as making me better at writing comic books, it made me a better writer altogether. I strongly recommend this book for anyone who is interested in comics or in just plain writing or art.