Arts and Culture Books

As an old 60s hippy, I can really appreciate this guy for his nonconformity and attacks on corporate propaganda. He's not only a talented artist, he's brilliant and not afraid to stand up for what he believes in. If more of us would stand up we could make a difference in our world. Do yourselves a favor and give this guy a look. There is also a DVD available that's very entertaining and insightful.

Ron English is masterfully twisted. I own four original pieces of his work which are the gems of my art collection. His work reminds me of Salvadore Dali's work with more raw talent added. You will enjoy this book.

Having been a protege of Ron English during the early years of his career, I am thrilled to read a comprehensive telling of his accomplishments. From his early surealistic photography tableau to illegal billboards to his brilliant current work, Ron English's art always puts his message in your face. Ron English is the ringmaster of a circus of eager zealots who will do practically anything to participate in his creative events. It is a fascinating phenomenon to observe - and even more inspiring to participate! Well written and researched, this volume gives insight into the artist's personal and creative processes. The extensive visuals and photos help tell the story of a great artist's career. Where will Ron English go from here? You should definitely tune in to find out more.

A VISUAL EXTRAVAGANZA.I COULDN'T BELEIVE HOW MANY WAYS RON ENGLISH CAN SCREW WITH YOUR HEAD. A GREAT BOOK

This glossy, colorful book collects Ron English's great works and accomplishments, spanning his 20 years of using and twisting pop art to subvert itself, popular culture, and commercialistic overkill. Although a painter, street artist, and musician, English is best known for his hilarious - and sometimes dangerous - billboard work, whereby he would covertly paint over hundreds of billboards to convey an ironic, social point, sometimes done so well that the original doesn't appear altered. One of his thoughtful pranks was to paint a close-up of Charles Manson in the style of Mac's "Think Different" ads, to point out Mac's tasteless use of geniuses and great humanitarians to sell their products. Big Tobacco is another common victim of English's talent and wit, and his Joe Camel spoofs are more effective and affective than any government-funded anti-tobacco advertisement.

Ron English's work successfully addresses the Disneyification of America, the blatant commercialism of pop art, the uncontested corporate (and irresponsible) intrusion into people's lives, and the nonstop barrage of advertising that forces itself upon us everywhere we turn. His works throw a stick into the cogs, jamming popular culture for just a moment, so that for the split second you take in his work, you can actually "think different."

In the past, I have read many books and articles by Fred Grandinetti about one of the greatest characters ever created - Popeye the Sailor. By reading this book, one finds out what Mr. Grandinetti has already discovered, the truths he has uncovered, opinions he has cultivated and even what he continues to learn and he shares all of this with us about Popeye. Even though this is an expanded update from the first edition published many years ago, one can still learn many fresh things about the character and history of Popeye from this book. With the information, descriptions, photos and illustrations provided, this book is a great springboard for the mind to rekindle one's own personal memories of Popeye from years past. If one is discovering the character of Popeye for the first time, or just revisiting him, this book can introduce and establish who he is and what he is all about. This book is one I continue to enjoy, as it can be read and re-read again and again.

This book is nothing short of genius. A detailed account of the creation of this legendary cartoon character that is still enjoyed by millions. This is the type of documentary that you just can't put down and it answers many, many questions about the history of Popeye the Sailor. Fred Grandinetti has put together an in depth analysis of the old salt and has delivered a classic piece of literature to be enjoyed for generations to come.

Indulge in all that is Popeye! Mr. Grandinetti has put together a book on the American pop culture icon, Popeye the Sailor Man and it is nothing short of fantastic. Popeye: An Illustrated Cultural History is a must for any book collector's library. It is filled with information documenting Popeye's career in print, radio, film and television. The writer has gone to great lengths in his research on the subject matter and it is apparent when admiring some of the rare and hard to find illustrations of Popeye's past layed out in this book.

With the holiday season at our door step I couldn't think of a better gift for that special someone in your life.

Popeye: An Illustrated Cultural History is a brilliant book dedicated to one of the most enduring comic book / cartoon characters of our time - Popeye the Sailor. Written by Fred Grandinetti, the co-founder of the International Popeye Fan Club, this splendidly illustrated book provides an astonishing and thoroughly researched overview of the charismatic sailor's rich history and exciting career. The author leaves no incarnation of the brusque, yet charmingly humble swab untouched - from the pipe-tooting runt's beginnings in daily funny pages, his extremely successful ventures on the silver screen, to Popeye's career on TV, radio, and stage. Mr. Grandinetti also includes a great episode guide with short summaries of every Popeye cartoon, emphasizing significant aspects of particular and/or groundbreaking "Popeye" shorts. As if that is not enough, this magnificent book provides appendixes with selected scripts from Popeye cartoons and information about the International Popeye Fan Club.

What is particularly fascinating about this book is the fact that Fred Grandinetti does not simply reiterate the familiar "essentials" about the muttering sailorman's exciting career, but also includes what has traditionally been marginalized and overlooked within the dominant Popeye discourse. For example, in the "Popeye in Print" section not only does Mr. Grandinetti deal with Popeye's creator, E.C. Segar, and his superb art of storytelling, but he also incorporates various interesting accounts on Segar's imaginative successors and their own versions of Popeye (Doc Winner, Tom Sims, Bela "Bill" Zaboly, Ralph Stein, Bud Sagendorf, Bobby London, Hy Eisman). The author also touches on the gruff mariner's incarnations in comic books and even Mad magazine.

As with his writing on Popeye in print, Fred Grandinetti tries to stay away from the homogeneous interpretations of Popeye on film. For example, not only does Mr. Grandinetti discuss the "best" of Popeye cartoon shorts (Paramount theatrical films), but he also challenges (in a rather refreshing manner) the monolithic/mainstream perception of the King Features Syndicate made-for-TV Popeye cartoons by recognizing the heterogeneous nature of these animated films in terms of different directors' styles, quality of animation, use of music, etc. Here is an example of just how meticulous and comprehensive Mr. Grandinetti's research can be: Beside dealing with the easily distinguishable versions of the spinach-munching mariner (i.e. Fleischer vs. Famous Studios vs. KFS versions of Popeye), the author goes on to display/discuss different visual designs of Popeye used by different animators (i.e. Hugh Frasier, Ed Friedman, Ken Hultgren, Alan Zaslove, etc.) within Jack Kinney's unit that worked on King Features Syndicate's TV "Popeyes" in the period between 1960 and 1961. And that is just one example.

Unlike Mickey Mouse or Bugs Bunny who have had numerous official releases of their best cartoons on both VHS and DVD, Popeye the Sailor, one of the most popular cartoon characters of all time, has been a very unlucky victim of a rather complex corporate quagmire that has been keeping him in a sort of legal limbo for many decades now. In other words, the pipe-smoking sailor's magnificent animated shorts have never been officially released on either VHS or DVD (You can read more about this in the book). But, unlike Mickey or Bugs, Popeye is very fortunate to have the most dedicated, passionate and hard-working fan/historian in the world - Fred Grandinetti, who paid a fantastic tribute to this timeless animated hero in this splendid book. Written with love, admiration, superb knowledge and thorough research, this beautifully illustrated book (with many original frame grabs from theatrical/TV cartoons, comic strip clips, posters and advertisements) is an homage no other classic cartoon character has.

Recommended to animation fans, students of pop culture, history/animation/film, adults, kids,...in one word: recommended to EVERYONE !!!

The breadth of Grandinetti's knowledge about Popeye is truly astounding! This is good news for readers because it means that his book covers all things Popeye. From comic strips to animated cartoons to collectibles to live action to sound recordings to theme park appearances and more, it's all here. Those wanting to learn about the sailor, or find answers to trivia questions, or rekindle childhood memories and finally solve mysteries like "What was the name of that cartoon where Bluto was a bullfighter?" will find what they need. Even long-time diehard fans like me will learn new things. And the
illustrations are wonderful! There are sample strips from all the creators of the comics over the years, stills from the animated films, theatrical posters, sheet music, ads, model sheets and more. Fred includes episode guides, sample scripts, colorizations gaffs, character profiles, mini-bios of the voice artists, a section on the censored Popeye cartoons, and information about The International Popeye Fanclub written by club co-founder Mike Brooks.
In the interest of full disclosure, I should also say that there are two pages about me and my views toward Popeye and the Famous Studios cartoons, but even without those pages I would recommend the book to anyone wanting an education in Popeye and those curious as to why, 75 years after his creation, people all over the world still talk about the one-eyed, pipe tooting hero.
Not everyone will agree with all of Grandinetti's opinions about the various incarnations of Popeye, but Fred tries to be fair and will get you to think. And fans interacting with other fans' thoughts is what fandom is all about.
Bottom line: This is a good job from perhaps the number one Popeye fan in the world.

Colin Mcginn puts the great majority of film theorists to shame with this book. For at least three decades serious film studies have been largely (not entirely) under the hegemonic thumb of poststructuralist, and especially psychoanalytic, theory. Here, we have an extremely thoughtful consideration of film in relation, not to an already-institutionalized theory, but to human beings as creatures with certain kinds of cognitive faculties. Film appeals, Mcginn argues, because of the ways our eyes attend to the world and to the eyes of other people, and because we dream when we sleep. And Mcginn's explanations always show a very clear concern for the non-academic reader. Unlike, in my opinion, most scholars of film, Mcginn understands his own key ideas so well that he can explain them in ways that any reasonably educated person can comprehend. This does not mean his ideas are simple, only that he has mastered their complexity. We may not agree with him, but we can be clear about what he is saying. This has not typically been the case with film studies. Really a good read.

What a marvelous guy is Colin McGinn. He recently appeared with Bill Moyers on the 'Faith & Reason' series and is ever more apparently the closest thing we have in our culture to a modern-day rennaisance man. In 'The Power of Movies' we come to understand how it is that movies are capable of affecting us and what is unique about the movie-viewing experience - as opposed to perceiving other forms of art such as painting, live theater, etc. Personally, I am a huge fan of the way Colin McGinn thinks, what he thinks about, and the lucid, cogent way his thoughts are regurgitated which makes for easy ingestion and assimilation.

Fans of movies and movie history will appreciate this college-level discussion by a philosophy professor who takes a different look at the entertainment industry and its appeal. His analysis considers how movies affect the mind, fire the imagination, and cause viewers to relate to events on screen. Considerations of how screen images pair with emotional reactions and how dreams and narrative work together to create atmosphere create an intriguing blend of philosophical and psychological reflection.

If you enjoyed the musical, Sunset Boulevard by Andrew Lloyd Webber', and liked the song "New Ways to Dream", you will love this book. McGinn takes us on a journey of analytic philosophy as he tries to understand why movies have become cultural icons in our western world. He does this with the skill of a journalist without making this a tutorial on Descartes, Strawson, Barthes, Freud, Wittgenstein or the many other philosophers and psychologists whom he has extensive knowledge as a professor of philosophy at the University of Miami, Florida. His favorite metaphor is that movies are like dreams. He describes movies as synthetic reality, wish fulfillment and propaganda sharing the attribute of being able to seduce our minds. Although he includes recorded music, theater, art and literature as tools to understand the ambiguous relation between mind and the external world, he ranks movies as the most important.

This book of 210 pages is the result of a great modern thinker sharing his thoughts about modern media and the movies. This book will be a favorite for film students and film buffs alike.

I'll get straight to the point: this book changed the way I look at movies. And what's more important, it changed the way I look at the mind. I've read a number of books on philosophy of mind, and they are pretty much dry, abstract, and repetitious; but this book is great because it examines how the mind works, but in an oblique way--by looking at an externalized analogy of mental processes.
This book is highly recommended because it deals with important and complex topics in a way that is simple and very enoyable. A very rare combination. What more could you ask for?

The book begins with a heartfelt foreward by the late Lewis Griefer (writer of "The General" under the psudonym of Joshua Adam), an introduction by the author, and then a reproduction of the original ITC "Prisoner" writers guide created for the series' writers by Story Editor George Markstein which is a most interesting read! Then follow the original shooting scripts for the first 8 episodes of the series.

Each is reproduced in full, along with cast lists, transmission dates, writers details, original TV Times "trailers", and music cues. The highlight of the reproductions, other than being able to witness the superb scriptwriting, are the endless footnotes supplied by the author. Every single subtle change from the original script to the finished programme are highlighted in these extensive notes, as are interesting snippets of information concerning the filming locations, shooting schedule, performers, crew, and much more. The amount of information Rob has managed to include is not far from astounding, and the mind boggles as to how many times he must have watched the episodes to include every otherwise unnoticeable word change. The above-mentioned footnotes are fascinating, and make this book the ultimate tome of "Prisoner" information.

Also included is "The Outsider", an unused script written by Morris Farhi (rejected by McGoohan), and two storyline ideas submitted by series Music Editor Eric Mival, as well as a biography of George Markstein. It could be argued that the scripts and footnotes would be enough to justify a positive review, but these rare "bonus items" are the icing on the cake and also make for fascinating reading.

Those familiar with the scenes of "The Prisoner" could be forgiven for thinking that reading such a book might be a dull experience, as they already have the episodes on DVD, but they couldn't be more wrong. Whilst much of the scripts remained unaltered for the finished product, there is much that is different. Small/subtle changes in some cases, large changes in others, each and every one is included. Two such interesting things include the inclusion of the "original" Rover device, complete with flashing blue light, and mentions of Number Two's residence as the "Georgian Cottage", rather than the more familiar "Green Dome".

To list all the interesting script changes here would be an impossible task, so I will close by advising that you go out and buy this book and see them all for yourself. At £19.99 (hardback) it is by no means cheap, but is well worth the price for the scripts alone, let alone all the "bonus items" and countless footnotes.

This volume has scripts to the first eight episodes of "The Prisoner", together with extras like a script to an unmade episode called "The Outsider". Also contains a number of b/w Prisoner-related photographs.

I'm old enough (sad to say) to remember when The Prisoner first aired on American television, as a Saturday night summer replacement for the Jackie Gleason show on CBS. No matter what comes out of all the debates about what the show "really" meant and what McGoohan's "real" intents were, it's definitely stood the test of time. Perhaps because it was as eccentric as it was in its own time. This book is to the series what Martin Gardner's "Annotated Alice" is to "Alice in Wonderland". Needless to say, if you are enough of a fan to want this book, you will also want Volume 2 (thanks, honey... :-), which covers those infamous last episodes (and one unproduced one).

To say that Robert Fairclough's book is a revelation is perhaps an understatement. Sure, its just the scripts. But, the evolution between concept to realization is what this book is really about. Whether or not you agree with McGoohan's decision to take an essentially simple idea (the spy-prison) and turn it into his own subconsious metaphor, if you are a fan of this brilliant show this book is the only one I know that will give you any kind of window into this process.

Can't wait for the second volume.

This really sheds new light onto the series, with deleted lines, scenes, and information not found elsewhere. If you really want insight into things, read the scripts, assuming that you can handle script format...

I bought this book for a production class, and thought "Yet another book to sell", but after reading it, I decided to keep it. Each chapter goes to the point, and lists all the important facts needed for TV and film production. The CD that comes with it is full of generic production forms that can be modified easily. Overall, it has value, and it's cheap too.

I loved the speedy service. I needed the textbook for class, and it came early the following week, just in time for lectures and homework. The condition stated by the company said used and even claimed there is a high chance of some damage. I could swear this book is brand new. Not a single thing about it shows that it is warn, even the CD that came with it is unopened. Love it.

This great book should be a staple in every classroom. It instructs with clarity and insight, and gives real, practical, working knowledge from inside the world of TV and video production. It's conversational style makes ingesting the material a pleasure. You'll easily want to read and re-read it; and no holes will remain in your understanding, as it seems that every question was anticipated and then answered.

The book is extremely well written and very comprehensive. It provides a great entry-level introduction to the world of TV and Video Production while also managing to deliver thought-provoking and educational perspectives via "interviews" with many long-term practitioners.

Cathrine delivers here a complete collections of issues for those looking to learn all the details about producing TV and for those who are also considering to take the "jump" and start their own company.
Her advice and simple style make this book a "must" for those trying to get as much information as possible in a single piece.
Also of interest is the second part of the book, with several interviews with real people/producers, dealing with the most vexing questions about producing TV in the 21st century.
I can't wait for the next edition.

Some art is ephemeral and I find that sad. I suspect that Abby Banks does too. Punk House provides a window into a world that most people will never see in person -- in many ways as mysterious and remote as the Serengeti. Photography is all about access and Ms. Banks was able to get access to 42 homes across the country populated by a an insular and distinct group of people. Her photos are stark and beautiful, the layout simple and attractive -- and the result is all visual, as thick as a Sears catalog. The sad thing about Punk House is that most of these places probably won't exist next year -- it is an ephemeral culture. In photographing them, Ms. Banks has saved some bit of what they were in a style true to the subjects, with great care, and with obvious love. Punk House would have made an incredible zine but it would have been impossible to produce.

You'll be hard pressed to find a real negative reaction to this book. Even supposed "critiques" such as the previous review admit that the content of the book is amazing. This alone should suffice as reason to buy the book. As to the allegations stated under the heading "What We Do Is Secret: For a Reason" I have every reason to believe that they are almost totally unfounded. Having known the author throughout the process of traveling and collecting photographs for the book, I can safely attest that she did everything under the sun to obtain permission from the subjects (a process that took months) and approached the topic with utmost sincerity.
A recent book tour (that took the author through many anarchist book stores,house shows, and food not bombs feedings) revealed how many people were not only satisfied with the work but also grateful that someone had taken the time and labor to document punk house culture in a tasteful and nonexploitive manner.
If this book has truly made a lot of people angry, I certainly haven't met them. Nor have I come across any "Beware of Corporate Zinester" bulletins. Perhaps its because most people who've read the book recognize it for what it is; an honest portrait of a unique cultural lifestyle. My guess is that these people have learned enough from 8 years of Karl Rove than to rely on unfounded accusations and "facts by implication".
Don't Believe the Hype!!! The book is the Real Deal!!!

It seems this book has made a lot of people pretty angry. I lived at one of the houses in this book and nobody remembers actually giving permission to use these images in this coffee table book. People, places, and works of art all are printed without giving any context, attribution, or discription. And, of course, it doesn't help matters that it was published by a for-profit corporate publisher. If my housemates had known this, they probably would have not only shown the author the door, but also most likely wheatpasted some sort of "Watch-Out For This Corporate Fake Zinester" flyers all around town like Abby Banks was some sort of convicted sex offender or something. Probably not deservered, but that's what would have happened....

Other people who had their houses featured in this book have expressed similar concerns/feelings/resentments. In fact, some of these people are quite pissed. I suggest you don't bring this topic up at a house show, food not bombs feeding, or the anarachist book fair.

I know getting release forms might not be very punk and maybe not getting permission is actually more anarchy than I'm used to. But I doubt the publisher has the same views on their intellectual property. (I just checked... they require you get their written permission before using the images they own. So much for the golden rule...)

However, despite all that, I bought this book and think it's pretty good. I don't even mind that a picture of me (a picture of a picture, actually. Taken in my kitchen when I wasn't home...) is in it and nobody asked if that was alright. Image quality could be a little better on some of the photos, but the book works as a whole, especially capturing the empheral feel of the punk house moment/movement.

Or something like that. Er, I mean, whatever.

I don't usually write reviews on Amazon, but I wanted to say something about this book.
I found Punk House to be one of the most beautiful, colorful depictions of punk life that I've seen outside of the zine world. Living in and visiting some of these houses, they certainly don't feel as vibrantly alive as Abby Banks' photography makes them appear. I was looking over one photo of dirty dishes with a vegan cookbook,mostly torn apart from overuse, and it made me fall in love with the punks again (not that I ever fell out of love, but like you would a lover who you see in a new light after years of relationship).
So much heart is captured in this book, and so much life. Fleeting life.
It says somewhere in these pages that 90% of the houses photographed are now gone. Maybe not the house itself, but the people inside and what made it a punk house in the first place-punks.
So few think to document their lives, thinking that they'll remember or that there will always be time to take pictures. Then, as the years go by, they find that they'd wished they'd at least had a few momentos of a time gone by. Abby Banks took the pictures for us and presented them in a tasteful manner, with permission of those featured, that captures an ongoing moment, a piece of our history, and a slice of life that is usually marginalized at best.
Punks don't need to see their pictures in print to know they matter. But it doesn't hurt sometimes. Hassled by the power structures that make our lives somewhat on the fringe, we need few reminders that much about our way of life is fleeting.
I lived in one of the houses featured in this book and had no fewer than 50 roommates over 8 years (not including a dozen or so dogs, 4 cats, mice (some as pets and some living in the walls). Some of the people who lived in our house are in other countries now, some became ex-punks before our eyes, some moved on to other houses, and others simply moved on with their lives. Memories are good, but photos are more clear.
However, few took pictures or thought much about the unique moment they were living in. That's why Abby Banks' book is so important. It's somewhere between a yearbook, anthropological study, and a beautifully illustrated history book.
Everyone I have talked to, including many of those that were featured in this book that live in the houses featured, had nothing but praise for this work.
Criticism from within the elite statospheres of anarcho-punk are certain to come, mainly because of how professional this book looks and because it documents something that some may feel protective of. But I have to say that the professional feel takes little away from how beautiful these photos are. It is not overdone and feels mostly like it was made by punks, which is was. While feeling protective of our culture is understandable, I feel that the fact that Banks documented a piece of our history is worth the very slight "intrusion" into our dirty laundry (literally) to show us realistically portrayed in all of our beauty.
We're smart, well read, active, and political. All of that is captured here. From the books we're reading to the people we're seeing. And, not to mention, we look good! No use shying away from it. Punk, not only are good people (as Thurston Moore says in his introduction), but we look good. From the dirtiest crust lord to the musician with guitar, we look good.
This book is a celebration of punk culture for once done by a punk. Not by some corporate jerk trying to make a buck off of us, or some has been aged ex-punk who happened to have glory years at the right time-later to become an accountant and come back to punk when it's profitable. This done by a punk, of punks, and inside their homes. I think that means a lot.
I highly recommend Punk House to punks and those interested in our culture. Abby Banks Rules!
Stay punk.

Abbie Banks came to my house and took photos of it and put it in the book she is the real deal. She did her dishes when she stayed over and even helped cook. Oi!

Quinlan has a unique way of portraying a movie start: a few enlightining words about his/her looks and performing capacities. And that goes for his "film stars" book as well as his "film directors" (where he has more room to go into details).
When I went to Britain last week, i looked for a new edition of his "film stars", as the last one I got (and the last one known here in Portugal) was from 5 years ago, the 2000 edition; unfortunately I was told that no new edition had been released.
The "film stars" is a complete and excellent work, though one can always come up with some name that is not included (the one that comes always to my mind is the talented late american actor J.T. Walsh)

David Quinlan has an uncanny knack for describing actors and actresses in four or five perfectly chosen words, or less. If you love movies, you need this book.

I watched the Oscars with this next to me, and it made them so much more fun! Look up fun, strange and important facts about your favorite stars and see some of the quirkiest, yet best descriptions of the actors you'll ever read!. The author describes everyone by their physical attributes - but it's like reading the cartoon page. This one is guaranteed to make you laugh!

If you want to know every movie that your favorite actor has made, this is the book for you!!! It is well organized, incredibly detailed and up to date!!! Keep a copy next to your TV!!!

This book has been an invaluable resource for quenching my film knowledge thirst since I got my hands on my father's 1st edition copy around '82 or so. Due to publisher's restraints, author Quinlan gradually, and unfortunately, weeded out entries for lesser known, or no longer relevant, stars over the years. But fret no more! This edition appears to include every entry he's ever created.
Whether you're looking for the complete filmography of the world's most well-known actors (Eastwood), the birthdate of you're favorite cult star (Marie Windsor anyone?), or the names of those long lost Lon Chaney titles, you'll find yourself immersed in this bible of film history.
Quinlan's research is thorough (and I do mean thorough! Before IMDB came around, I'd never seen anything like it), well-spoken, and virtually flawless in its accuracy. This edition is fairly up-to-date (through 2001 I think) & packs many surprises about the status of actors actors you might have already assumed dead, retired or out-of-work. Superb!

I wish Reader's Digest would print some more of these books. It is such an excellent composite of popular music and the arrangements are fantastic. If anyone has a copy, I would love to buy it.

From "Somewhere, My Love" to "On Top Of Spaghetti", this book has so many songs that I find myself humming and wishing I could play. Did you like Sesame Street, Dr. Zhivago, The Godfather? Do you like showtunes? There's over a hundred of them here ... the breadth is part of the fun of the book!

Great book for the intermediate pianist. It's one of my favorites. Reader's Digest needs to reprint it. I borrow it at the public library and would buy it if available.

This songbook has many of the great songs of my youth. The chords are easy, there are guitar chords written above the treble staff and the print is large enough for those of us over 50 to see. The arrangements are outstanding. I wish Readers' Digest would reprint this book. I'd buy it in a second. I have to borrow mine from the public library.

Great songs to play for a party or for your own enjoyment: Georgia on My Mind, I Left My Heart in San Francisco, It's Impossible, My Funny Valentine, The Shadow of your Smile, The Way You Look Tonight, On the Street Where You Live, Honky-Tonk Train. ALL of the songs are excellent piano melodies sutable for the intermediate player.

although under ground red dwarf groups put season 8 at the low end of the list the book is a hit since it is memorobila
some have come to like red dwarf because of season 8 others come to love season 8 because of this book
it is well worth the pounds or dollers you will pay

This gorgeous Red Dwarf companion may seem a bit pricey, but no smeghead should be without it. It contains LOTS of extra material from the smash hit series 8, and is full of beautiful cast and CGI pictures. Best of all, each script is introduced by the king of smeg himself- Doug Naylor! Some of the behind the scenes stories are utterly hilarious(anyone who's read 'Rubber Mask' will know what I'm talking about!). Mr Naylor also shares with us smeggies the troubles Red Dwarf went through in the three years between series 6 and 7. This man has my undying respect and gratitude- and Red Dwarf will never die!

This book is THE Red Dwarf to buy. You may have seen several novels, quizbooks and other largish coffee table-type books concerning Red Dwarf at your local bookshop, but there is no other one quite so good as this: particularly for a fan who doesn't want to get bogged down in endless books.

The content is first rate. Each script contains many sections which were (unfortunately) obliterated from the final shows and almost every scene is accompanied by a full colour photo - there are literally hundreds of them. The comments and anecdotes by Doug only serve to improve an already damn fine book, and allow it to be classed not only as a scriptbook, but also as a series companion and a 'behind the scenes' book, too.

Every fan should have a copy - get one now!

Excellent coffee table-style book with some great pictures from series VIII and interesting behind-the-scenes stories from Doug Naylor. A great gift for the Red Dwarf-deprived U.S. fan!

This is a large size hardcover book mostly consisting of the scripts to the 8 episodes in series 8. The scripts include original lines that were dropped from the show, many wonderful photos, and best of all, some introduction by Doug Naylor. If you are a fan of the show, this will probably make milk come out of your nose (if you happen to be drinking any.) If you are not a fan of the show and someone just reads a passage to you, you will probably still laugh out loud. Naylor explains why Red Dwarf 8 was almost never made, why Kochanski was introduced. (There WAS a reason! ) It is well worth the money, just for the beginning. A must own for fans, even if they aren't collectors, simply for the beginning.

Some women might want to call "The Red Green Show" chauvinist because there's nothng but men on it. Have you ever noticed that? Actually, I can remember one episode that had a beautiful model pretending to be Bernice, Red's never-seen wife. But that was the one and only woman I have ever seen on the show. I said women COULD call it chauvinist, but if they watched it, they SHOULDN'T. It's a show that does nothing but make fun of men. And it is funny.

This book takes some of the best material from the show and kind of throws it together. You'll meet pretty much all of the Possum Lodge members; a wierd collection of some of the goofiest regular guys you'll ever meet. I'm a particular fan of Buzz Sherwood who alledgedly can fly his airplane around Possum Lake, but when you're that stoned all the time, how do you do it? You might be glad to learn O.L.D.M.A.N. Sedgwick's full name.

If you're a regular viewer of the TV show, then you don't need me to tell you to buy this book. If you haven't seen the show, find it somewhere on you local PBS station, or gripe to the station for not carrying it and get one of the videos. Then, maybe you'll appreciate this book and maybe you'll buy it, or something.

Well, Quando Omni Flunkus Moritati. (you'll need to read the book or watch the show carefully to figure that out.)

This book is all of the hilariousness of The Red Green Show laid out in book format. There's Red giving advice to middle age guys, Harold's advice to teens, Red's songs, Harold's for-sale and other announcements, and so forth. I recognized some of these from the show, but by no means all. (Then again, I have not been lucky enough to see every episode.) Then, there's piles of information on Possum Lodge: the pledge, the charter, the rules (yes, they have some), Lodge merit badges, a history of Possum Lake, the transcript of a Lodge meeting (complete with Old Man Sedgwick, Stinky Peterson, Moose Thompson, et al.), a Meet Your Member bio of many member, [pant, pant, pant] and so much more!

This book is great. As soon as I got it I immediately started reading it out loud to my wife (her gardening book couldn't possibly have been as good as this one!). Don't be fooled, the jokes start right at the beginning of the book (if you can find it). This is a great book, a must-have for all Red Green Fans. Hurry up and buy it!

Nobody should be without this book! It is a real piece of humour in writing!!! Great as a gift idea for anyone!!!

If you love the show you'll love this book!

I bought this book for my husband, because he loves the show. He has had to fight me to get hold of it to read. It is a must buy!