Arts and Culture Books

I am watching the I Love Lucy DVD sets right now. I loved to watch the TV show when I was a little kid right up through adulthood. This book is a great help while watching the DVDs. I can look up an episode that I really loved and read more about it. Memories can be stirred up or I can find out more about the show for the first time. My only regret is that the book isn't comprehensive. It deals with the best episodes and not all of them. I would love a book that deals with all the episodes but maybe it would be too big.

This is a really nice look at I Love Lucy. The pictures are great. I just wish they would have been able to include more episodes.

" I LOVE LUCY " WAS 1 OF THE BEST TV SHOWS IN THE 1950'S AND IS THE BEST SHOW EVER." I LOVE LUCY" CLASSIC MOMENTS BOOK IS A MUST FOR ANY "I LOVE LUCY" FAN. IT SHOWS YOU THE CLASSIC MOMENTS IN WHAT THE BEST TV SHOW THAT WAS EVER MADE.LUCILLE BALL AND DESI ARNAZ MADE WHAT THE SHOW WAS,ALSO VIVIAN VANCE AND WILLIAM FRAWLEY WILL ALWAYS BE REMEMBERED AS FRED AND ETHEL MERTZ AT 323 E.68TH ST. I FINSHED THIS BOOK AND I TRULY ENJOYED IT.

This is a great book for behind the scenes pictures of the cast and the stage they worked on. I have owned this book for about a year, and come back to look at it all the time. Lucille Ball is my favorite actress, and I just love her to pieces! This book contains photos of their set and everyday life. It also conatains some stories of their lives, so if you are a Lucy fan like me, don't miss this book!

this book is a must have for every LUCY-DESI fan all over the world. it contains beautiful pictures and a lot of information about each episode. it is part of my collection and I see myself coming back to it everytime to look something up.is one of the most complete books I have ever encountered.

If you were born in the 1950's this book is for you! All the great shows are here (U.N.C.L.E., Wild, Wild West, Mission Impossible, etc) The book is nicely illustrated and features the author's incredible collection of props from many different shows. Much of the author's prose illustrates his considerable knowledge and love of the subject. I wonder if the former Soviet Union has books like this one? It is my theory that the Soviet Blok collapsed because it simply wasn't very fun. This book is fun. Buy it, or you will be shot with a sleep dart (while you are sleeping, of course, so you will never know that you have been shot with a sleep dart)

Danny Biederman is the actual author--the forward was by Robert W. Wallace. Biederman's collection of fictional spy artifacts is interesting to both movie buffs and to those involved in real-world espionage. I hadn't heard of most of the movies in "the Incredible World of Spy Fi," so I'll be looking them up on DVD. The spy gadgets and props are almost as important as the actor--the gimmicks are characters, too! Who can forget John Steed's steel-lined bowler, Maxwell Smart's shoe phone, the U.N.C.L.E. Special, James Bond's PPK and tricked-out sports cars, or Jim Phelp's self-destructing tape recorders? I enjoyed reading this book and it will be a valuable reference in my personal library.

Christmas present, birthday present, valentine's present, no-special-occasion present: this book makes me HAPPY! I can't imagine anyone not falling in love with it. It brought back floods of ecstatic memories -- and of course, I had to read it while drinking a shaken/not/stirred martini! BRAVO! MORE BOOKS from Mr. Biederman's archives -- and WOW, can he write! Wry, witty, charming, impeccably researched -- 10 STARS!

Danny Biederman's THE INCREDIBLE WORLD OF SPY-FI is not only the perfect coffee table book for those of us who grew up wanting to be James Bond (and maybe still DO want to be James Bond), it's also a brilliant and deeply enjoyable work of scholarship and pop-culture history. Biederman's personal collection of props, costumes, and other arcana from the Bond films, TV shows like THE MAN FROM UNCLE, and even spoofs like AUSTIN POWERS, has been justifiably legendary for years; now he's given us the gift of an intense look at just a fraction of that collection. One word of warning: Don't just get lost in the incredible photos, because Biederman's insightful, humorous, and intelligent prose (which accompanies the pics) is every bit as pleasurable as the visuals. My only complaint? I just wished this book was six times longer. Can we hope for a SPY-FI 2 sometime in the future, Mr. Biederman? Sure hope so.

This book should be in the library, or, more likely, on the coffee table of every aficionado of espionage. Most of us of a certain generation were weaned, so to speak, on the exploits of the imaginative and edgy TV spy series of the 1960s, so there's much here to bring one back to one's formative years. Danny Biederman gives it all his intelligent, informed, and indulgent commentary. There is simply no book like this.

Some of the most creative rabbit-monsters I have ever seen. Im even thinking about getting a couple tattoos of them.

I LOVE portrayals of monster rabbits because I have one myself--I took him in when I found him hopping down the street one week after Easter--yup, he was one of those poor abandoned Easter rabbits. He repays me by acting the savage beast. It is hilarious to be attacked by such an adorable creature, and his is SO WELL represented in this book!

GET THIS BOOK! This is fun to look at! What an imagination! Fluid and Beautiful designs make these drawings irresistable to stare at for hours. The artist is as imaginative as he is a talented.artist.

What delightful book. Gagne in color is even twice the power of his other popular offerings. I think he has really matured into a fine author and every new book is a joy. All I can say to Twisted Rabbits is bravo. What great designer.

Anyone who loves Monty Python, or who is a fan of Anya understands that rabbits are really voracious, man-eating creatures that hunt the night (or Knight) looking for the unsuspecting. And yet we continue to expose out children to them, believing that appearances could never be that deceiving. Finally, Michel Gagne has decides to take the lid of this secret scandal and reveal to the world the real horror that lurks between those sad brown eyes and cutesy tails.

Gagne was an illustrator in the well-known Don Bluth Studios until they closed in 1992. during that period he and another artist, Dave Kupczyk had a one-on-one competition about who could draw the evilest rabbit. While we won't know the real winner until Kupczyk publishes his own book, Gagne's rabbits are a delightfully evil and twisted as they come. The stuff of fluffy nightmares.

This is one of those books that is reserved for gag gifts for rabbit enthusiasts and excesses of cute, but it is fun for anyone that discovers it. Even as we speak, my cats are checking it out and whispering tales about that famous serial killer, Jack the Rabbit. You can't help but like this thin volume. Recommended for the light of heart.

Inside the Passion is a behind the scenes peek at how the movie was made. It explains why certain things were shown and is surprisingly useful as a meditation tool.

A lot of folks flipped out because they thought the scourging and crucifixion scenes were too strong. The book explains why Mel Gibson and his team decided that they were not going to sanitize the Passion the way other movies had in the past.

Some folks nitpicked becuase Gibson and the team decided to have Jesus speak Latin to Pilate but the book shows that they made this decision for pretty sensible reasons: 1. The Romans had been in Palestine for 40 years. In Gallilee, which was heavily gentile by that time, a smart person must have been roughly familiar with Latin if for no other reason than that it was important to know how high to jump when a Roman soldier demanded that you do so. 2. Jesus was God. He could've spoken in any language He chose when He decided to speak to Pilate's ignorance.

Finally, the great strength of this book is that it so closely follows the movie step by step that even if you never saw the film after reading the book you will understand it. This is an excellent work and I plan to buy more copies as gifts.

I bought this book for my Dad, but opened it up last night and couldn't put it down. The book is only 186 pages, but it's not a quick read. It makes you think. It brings up insights I never thought about, Mel Gibson's 12 years of meditating on Christ's Passion have born a lot of fruits. Read it for yourself.

This book is written so clearly that almost anyone should have no trouble understanding the way Father John Bartunek, a Legionary of Christ (Roman Catholic Religious Order), clarifies the different aspects of Christ's Passion as is portrayed by Mel Gibson in his movie. Father John spent time on the set, watching as Mel filmed this great epic and has not only interesting insights into the filming of the movie, but also clarifies the main points, as well as details of the entire Passion of Our Lord, Jesus Christ. The movie is well worth rewatching ... as you read Inside the Passion and you will see it in a new light every time. Our Lord's Passion speaks to each of us individually, touching our hearts anew and calling us to a real Love, that comes from Christ Himself. This is a great book and a great gift for anyone at any stage in their faith.

This book is actual written by John Bartunek. He is a priest with wonderful insites. He speant a great deal of time on the set when it was being filmed and during the editing. This is a great companion to the movie.
I Loved this book so much I bought a copy for my mother and myself as well- and I will probably being buying them for a few people I know this year (just before) Easter.
I Hope that he writes more books in the future.

I saw Fr. John Bartunek (the author) give a presentation on The Passion of Christ (event and film) last night to a surprisingly packed (who knew so many people would show up on a Tuesday night to discuss a two-year old film?) university campus church auditorium of over 500 people (students and community members). His presentation, like his book, gives a fascinating and compelling account of the theology and symbolism that went into the making of Mel Gibson's film. The presentation was electrifying; the book is no less moving and thought-provoking. For example, there's a very short scene in the film when, in the midst of the horrific flogging of Christ, the camera turns to what appears to be a shot of a young mother with her infant child in the crowd. As the camera moves in on them, however, we find that the woman is not beautiful, but very odd and sinister, and the baby almost inhuman, as we see when it turns its head to give the viewer an evil smile. The symbolism: The woman represents the devil and the child his handiwork. Gibson takes an iconoclastic image of Beauty (Madonna and Child) and turns it into Evil (devil and inhuman offspring). The point:
Evil is not immediately identifiable as starkly evil; rather, evil is simply beauty that has become distorted and false. It tempts us into thinking it is one thing, when in fact it is quite something else. The significance, twofold: to illustrate the devil's role in the suffering and death of Christ and, perhaps more importantly, to show that when Christ is at his weakest (including in modern society), the devil gains a foothold. Interesting tidbit: Gibson used a beautiful actress as the devil, had her head and eyebrows shaved, and used makeup to turn her into something very un-beautiful. And this was only one 20-second scene! The examples go on and on. As a liberal-minded Catholic unhappy with the "culture wars" surrounding so many issues today, I was pleased to see that this film had no agenda other than to relate the Gospel story with the major theme being Christ's love for all humanity, including not only us simple sinners but also those who beat, mock, and kill him, in various ways. It's an invigorating story and makes the book well worth reading.

I've been interested in popular Japanese culture for a long time, so I was pleased to see this new exploration of the interface between Japan and America, . . . though I was somewhat put off by the use of the pejorative word "invaded" in the title. That seems to have been a marketer's contribution, though, because the half-Japanese author, who has become something of a professional explainer of Japanese and Americans to each other, seems not to reach value judgments about the wide popularity of manga and anime in this country, nor about the much more longstanding popularity of everything American in Japan. It's largely a generational thing, though; most Americans over the age of thirty have no idea what Gundam is, nor what "otaku" and "cosplay" mean. And while anime has become increasingly popular in the U.S., it remains deeply Japanese. There's really no such thing as "American anime." Though he comes to no strikingly original conclusions, Kelts does a good job of explaining things to those who are new to the subject.

Mr. Kelts' book about the popularity of Japanese culture in America is first rate. He discusses more than just anime and manga and provides the reader with an easy to understand analysis of Japanese popular culture both in Japan and as it appears in the US. It should be in the collection of any Japanophile.

As an American who is fascinated with Japan, but frustrated with books about the relationship between the two countries, I found Roland Kelts' "Japanamerica" to be a welcome breath of fresh air. Kelts focuses on the growing popularity of manga and anime among Americans, and the "mobius strip" of give and take between the two cultures, but his focus inevitably widens to address the broader mutual fascination between these two worlds. I love the fact that, as an American with a Japanese mother, Kelts avoids the two hazards of Japanophilia and Japanophobia. There is a refreshingly grounded and sensible middle ground in his analysis, a realism that seems to lighten things up and make it all more accessible and welcoming. Perhaps best of all - and this is a miracle in the world of cultural analysis - Kelts is delightfully unpretentious and his prose is as clear and comprehensible as it is filled with fascinating ideas and observations. Never for a moment do we doubt that Kelts knows what he's talking about it - and he brings it all across with infectious enthusiasm.

For those who have been to Japan or have an interest in anything Japan, I highly recommend this book. The author does a wonderful job explaining Japanese pop culture and how it relates to Japanese society and culture. IT was a very easy, entertaining, and insightful read.

I read this book after a Village Voice critic called it "a Wired Magazine article on steroids," and Ain't It Cool News said that it was "an imperative resource." Then Bookforum called it "an amazing ride," and The Boston Globe raved.
Then: Even Pete Townshend of The Who endorsed it!
I am skeptical of books trying to capitalize on trends, and very skeptical of books on Japan. But the chorus of praise from so many different voices was enough for me.
This book is written in lucid, carefully crafted prose--telling you everything you need to know about transcultural entertainment and the psychological and spiritual traumas embedded in pop culture, and also precisely what makes Japan so sexy to Westerners in the 21st Century. It is also hip and smart, and very accessible. I only wished it were longer.
The author is no geek, but a writer of considerable talent and range. Get Japanamericaa now.

This is such a treasure! It shows life inside Termite Terrace and preserves the history like a textbook. The author shares stories that aren't covered in other books and talks about the people who weren't in the spotlight of the Golden Era. I was amazed to find someone who had lived through it and been there had written this. Any students of Looney Tunes, animation, or cartoon history should read this book.

If you've read any other animation history books, you've gotten a basic idea of how things were during "Golden Age" of the 30's and 40's. But not only is Living Life Inside The Lines one of the few books written someone who actually worked in animation during that period, it's the only book I've seen written by an ink & paint artist, which gives it a point of view of the animation world that other books never mention.

Sigall also tells stories of people like Irv Spence and Phil Monroe who were a big part of animation history, but have never gotten much mention in books. And having worked at numerous studios and ink & paint houses, she has very broad perspective on how the animation industry has changed from the 30's thorough to the 80's. Plus her pleasant demeanor makes for a nice, easy-going read.

If you're interested in animation, this book is a perfect supplement to your library.

I know the son of the writer and was eager to read her book. I have done computer animation and presently am in involved in video production. I found this personal history of the early days of animation to be fun, informative, and came away feeling I had a better knowledge of the people involved in this wonderful form of visual art!

If you love animation, history of early animation days...this book is a wonderful read!

When Chuck Jones received his special Academy Award in the mid-1990s, he wondered aloud from the stage where all the "laughing faces of Termite Terrace" had gone. They're right here in Martha Goldman Sigall's wonderful book. Martha was a central participant in the Golden Age of the animated short: she inked and painted on timeless, classic films directed by Chuck Jones, Tex Avery, Bob Clampett, Friz Freleng, Bob McKimson, Frank Tashlin, Bill Hanna and Joe Barbera, and others, and almost certainly contributed to more animated films than all of them combined, probably without receiving a single screen credit in that era. But she sketches the men and women who sketched Bugs Bunny and Tom and Jerry masterfully in this extremely well-written book, which, like Martha herself, is very warm, funny, and people-oriented. Her personal portraits of artists like Treg Brown, Virgil Ross, Ben Washam, and many others are a crucial contribution to animation history as well as a fun and funny reading experience.

This is the best book on the Schlesinger studio (birthplace of Bugs Bunny, Daffy Duck, Porky Pig, and many others), and provides perhaps a thousand important details about that historic cartoon studio and MGM's that aren't found elsewhere. Martha sketches the 1941 strike, the Red Scare, wartime Hollywood, and other events from the animation community's perspective, and also sheds light on the historic industry locations such as 861 Seward, where six different studios sought shelter through the years; the neat and clean (but long gone) MGM building in Culver City, and the shabby Van Ness home of Leon Schlesinger and his "kids".

In what may be the last major eyewitness account of the classic era of animation, Martha raises the spirit of those long-gone laughing faces, and humanizes the creation of the great cartoons and timeless characters that will last forever. The joy she obviously felt in her career infuses the book and the reader.

Martha and her husband Sol, who, happily, is also heard from here, have always been like beloved grandparents to animators in Southern California (one of which this author was for a few years), but in 1996 they kindly donated themselves to the Warner Brothers Museum and are now officially public treasures. If you're not in the area, you can claim your share of them right here in this wonderful book. They should designate a rating higher than five stars for it.

I love reading stories from animations golden age and this book is especially charming.
Most people don't know it, but the ink and paint departments in all the major and minor studios were the real unsung heroes of the cartoon business-many ladies being accomplished artists in their own right and having the ability to take well drawn line drawings and just adding the right touch to each cel that the scenes would really shine. Water effects being one of the areas of animation that without great inkers and painters could tend to look "hokey".
I give this book 5 stars, but I wish it had more pictures!!

I really LOVE this book! From start to finish, I LOVE everything about this book-Tara's dedication "To everyone who has loved and lost"; Frank Kozik's wonderful Foreword speaking about the appreciation of an art culture and discovering such a unique artist like Tara McPherson; to all of the amazing rare & hard to find works of Tara Mcpherson's art this book features...this book is truly a must have!!! This book does not have a great deal of text...The most text you'll find in this book is the Foreword by Frank Kozik, which says everything that needs to be said! This book focuses on the art, which for me is a breath of fresh air as Tara's beautiful, intense, colorful art speaks for itself! "LIFE IS ART & ART IS LIFE"...I found that to be the case with this book, which I love seeing being an artist myself...to find an artist like Tara who shares her life through her art...what a gift! I purchased a couple of copies of this book, because I am a fan of Tara's art & this book FEATURES some of her SOLD OUT, RARE & HARD TO FIND Paintings, Prints, Posters, drawings, an interview with Tara & some of her personal photos which is a nice personal touch!

Nerdy BirdLonely Heart: The Art Of Tara McPherson

This compilation of Tara McPherson's work is simply amazing.
I could spend hours pouring over the pages.
She's so talented and this book is a must have for any Tara fan.
Very decent price also.

Tara McPherson is a NY based artist who seems to gently dominate all of the fields she works in.

She's made her mark in Comic Books, Poster Art, vinyl toy design and fine art. This book collects a body of work from sketch to finished piece, including transparent layover pages that bring her process to life. And for it's very affordable price, should be on every art collector's shelf.

This book is fantastic, the quality of the colours is great and i love the tracing paper pages that show the process from drawing to prints. Tara Mcpherson is an inspiring modern artist, I am a high school teacher and my students love this book.

Love, light as the air, but sometimes as dark red as the blood running through your veins (see my customer images).
"This book is dedicated to everyone who has loved and lost" reads Tara McPherson's dedication on the first page.
Love, broken hearts, innocence and its loss, yet neverending hopes and dreams come to mind when I look at these drawings.
Tara's work is beautiful, seems innocent at first sight. The colors - mostly pastel - at first have you think you're in bubble gum heaven. But you don't need a second look to discover the deeper and often darker side in Tara's art.
Tara created posters for bands like Supergrass, Green Day, Dandy Warhols, The Hives, The Strokes, Duran Duran and Suzanne Vega, Josh Rouse, Elvis Costello, PJ Harvey, and various covers for DC Vertigo.
The book contains beautiful reproductions of posters, portraits, comic book pages, drawings, roughs, an interview with Tara, polaroids, and a foreword by the legendary Frank Kozik.
A beautiful gift!

A nice book with the screenplay of the movie, some photos from the backstage and a very small interview to most of the main characters. For all the people (like me) who have loved this movie and its marvellous all-star cast.

WHAT IT IS
This is one of the best presentations of a script I've purchased in recent months. There's loads of extras in this paperback including some queries with the principle actors, bascstories on characters, cut scenes and storylines, great photos (behind the scenes as well as infront of the camera) and of course, the full screenplay.

WHY I PURCHASED IT
In general this is one of my favorite movies, but I am also an aspiring screenwriter and am currently using this screenplay to assist me with formatting my own intersecting lives in my screen play. It's a relief to see a screenplay with such depth be easily read and translated by enve a novie like me. Love Actually is proof positive that the best screenplays are rewritten, not written. Thank you Richard Curtis!

amazing movie, soundtrack AND book. i love love love it. when i got it i basically flipped out and sat down and read the whole thing through. this is a must have for anyone who loved the movie!

This is a film for people, like myself, who like movies that make them think, but occassionly need a feel-good flick with just enough complication to keep it interesting. I laughed, I cried, I got up on my feet and danced, I clapped my hands and I'm telling everyone I know that Love Actually is, actually, a must see movie!!!! And, so the screenplay is, also, a must read!

Richard Curtis is a genius! Although I haven't seen the movie version yet, Love Actually the screenplay heightened my excitement for the movie. The screenplay will leave readers giddy with excitement, eagerly anticipating the turnout of every character's story.

All characters are very human and everyone is looking for love in different forms, which anyone can easily relate to. Readers will find themselves rooting for all characters. The book is also complemented with photos of the movie and budding scriptwriters can pick up points on how to make a screenplay.

The book is masterfully written and it is a great read for those who are looking for love because, as Hugh Grant's character says in the opening scene, "I've got a sneaking suspicion you'll find that love actually is all around."

Mr Fordin's a great writer with great taste in subject matter. I owned this one first in hardback as "The World of Entertainment". It's so fabulous I bought it again in paperback. One of the best researched and documented film books I know.

ABSOLUTELY FABULOUS!!!!!!

I love to know the behind-the-scenes of the days Gene Kelly made his magic at MGM, so Gene drew me to buying this book. Well, Mr Arthur Freed, if there could be more "bosses" like you today, the workplace would be a much happier place to be. Arthur and his "UNIT" or as I like to call them, "THE CREW" will have you laughing, maybe even crying and definitely astounded, amazed and so very happy that this man was the back bone and the money maker of this fabulous studio of the real movie days. His mind is one that could never be found again in any producer of today. They definitely cracked the mould when they made this man. So, I recommend that you buy this book, and even purchase the movie under the same title. Mr Hugh Fordin has done the most fantastic job on this book. You will feel like you are standing there in every scene that is described..

Hugh Fordin is an expert in his field. His detailed research is clearly evident throughout this work. His love of theater, film and particularly the Hollywood (make that MGM) Musical is revealed in the many interviews he conducted with people involved in every aspect of the productions he writes about.He shares small insights and many heretofore unknown facts about this disappeared genre of movie making. If this isn't a textbook at film schools, it should be. A superb work whose value increases over the years.

I was expecting this to be a straight biography of Arthur Freed with discussions on his films but instead I was pleasantly surprised to see that the entire book is a blow-by-blow account of how the films were made (which to a movie buff is pure heaven) and, as the author says, Freed's movies were his life anyway.

I think it says something that the title of this book is "M.G.M.'s Greatest Musicals", since the truly amazing thing is that one man was more or less responsible for all of them. Great behind-the-scenes stories.

The text of this book is very interesting. It's more of a nuts and bolts of how the movies were put together than a critque of the movies themselves.

However, beware if you are replacing an older edition of this book. This edition is inferior to one that I had years ago. The pictures in this version look like they were photocopied from an earlier version of the book. Many are grainy and washed out. Also, a number of the pictures at the tops of pages are cropped so that tops of some of the heads are cut off. I know this wasn't how earlier versions of this book looked. Although a minor point, in the back of previous editions there was a list of much money each film cost, as well as the domestic and foreign grosses of each film. I found this interesting, and I was sorry to see it missing.

This book is awesome!!(although im biased, my uncle wrote it..

This book totally kicks butt dudes !!!!! Specially if you are a true Ghostbusters fan or should I say Ghosthead !!!!!!!!! It has like a hundred pictures in it !!!!! I recommend this book to all Ghostbusters fans around the WORLD !!!!!!!!!

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Imagine yourself back in New York in 1983. It's about 5:30 in the morning. You're a regular pedestrian walking down the street near the New York Public Library. A large crowd of people are gathered there. Equipment such as cameras, lights, and microphones are everywhere. Soon you find yourself standing next to Bill Murray.

You ask, "What's this production?"

Bill says, "Production? This is a madhouse! These cameras are just getting in the way!"

You step back and see odd statues and robots crafted into obscene and terrifying figures. Suddenly, a voice shouts, "Action!" and you're pushed aside while Bill Murray and Dan Aykroyd walk into the magnificent library with a huge camera dolly following them.

Finally, you spot a small card table packed with coffee, donuts, and Styrofoam cups. Tired and thirsty, you pour yourself some hot coffee from an electric pot hooked up to a small generator. As soon as you touch the pot, a kid jumps from behind the shadows and screams, "Don't move!"

"I just want a sip of coffee!"

"This is Dan Aykroyd's coffee table. Only he gets anything on it, ya' hear? I'm his assistant!"

"You've got to be kidding!"

The kid whips his arm from the shadow of a tall streetlight and points with a shaking hand, "And that table is Bill Murray's!"

Not willing to argue with this crazed assistant, you begin to walk away from the mass of moviemaking paraphernalia and out of the area. Before leaving, you spot a short, nerdy man sitting at a small card table by some sound equipment. The table is filled with art supplies, and the man works on carefully molding a green goblin the shape of a spud. "I've got to get out of here," you think to yourself as you skip over a roadblock and scuffle back into the reality of non-fiction.

In 1984, the next summer, not knowing what to do with your friends, you go to a movie called GHOSTBUSTERS, for it's been getting a lot of hype in the media and you want to see what the fuss is about. As the first scene comes into focus, you let out an involuntary shout of amazement. That was the New York Public Library! Soon enough, the pieces fall into place. You had witnessed the partial filming of one of the greatest comedy films in history!

After the movie, as you walk into a bookstore to kill time before a party, there in front of you is a large book entitled, "Making Ghostbusters: The Screenplay." Ecstatic, you pass up cab fare to attend your party and buy this magnificent book, pouring over it until dawn. You realize that you're a Ghostbuster fan for life. The book is a possession you cherish, for it's like a souvenir of time you spent unknowingly with some of the greatest moviemakers in film history, not including that overprotective assistant.

The movie GHOSTBUSTERS means a lot to many people. One way to sum up their incredible fondness of the movie is "pure cinema magic." Most first impressions of the movie quantify its resounding quality: the wizardry of the special effects, the amazing cast, and the taught, well-written script. And it's largely a comedy! How many comedies have accumulated such a fan base? It's almost unheard of! How many comedies are enjoyed as thoroughly and extensively fifteen years after their original release? Almost none, I'd bet.

Here, in Making Ghostbusters: The Screenplay, the behind-the-scenes secrets and the complete shooting script are here, but the book is more than that. It's a complete sentimental scrapbook that materializes the movie's greatness and encapsulates its craftsmanship and artistry like a time capsule of moviemaking blood, sweat, tears, and creativity.

What this classic volume needs badly is a reprint, but for now, Amazon.com is probably your only hope. With the magnificent re-release of the movie on DVD, this book in its entirety would be a wonderful companion. So let's get this message out; let this be the manifesto! Hear that? Get those printing presses cranking, and bring back the magic!

Making Ghostbusters contains hundreds of exclusive concept sketches (many by legendary horror artist Bernie Wrightson), details of which scenes were deleted and why, color photos (though not nearly enough), and more. The book is built around an annotated script, with enlightening comments from Harold Ramis, Ivan Reitman, and others from the creative team. Few hit movies have had their creative process so wonderfully documented from genesis to box office--for Ghostheads, it's a must-have.