Arts and Culture Books

I FIRST HEARD ABOUT THIS BOOK WHEN I READ JEFF CHANG'S (AUTHOR OF "CAN'T STOP WON'T STOP: A HISTORY OF THE HIP-HOP GENERATION) GREAT REVIEW ABOUT IT IN THE VILLAGE VOICE. THEN I HEARD HARRY ALLEN (THE MEDIA ASSASSIN ON PUBLIC ENEMY'S "DON'T BELIEVE THE HYPE") RECOMMEND IT ON HIS RADIO SHOW AND I KNEW I HAD TO GET IT. "BROKEN WINDOWS" DID NOT DISAPPOINT. IT'S FULL OF HUGE COLOR PHOTOS OF BOMBING, PIECES, PRODUCTIONS, AND EVEN PAGES OF TAGS FROM ALL OVER THE BOROUGHS OF NYC. OVER ONE-THIRD OF THE BOOK'S PHOTOS ARE OF ILLEGAL PIECES AND BOMBING. THERE ARE EVEN 5 FOLD-OUTS ALONG WITH THOUSANDS OF QUOTES FROM THE ARTISTS THEMSELVES. THIS IS DEFINITELY A MUST-HAVE FOR ANYONE INTERESTED IN THE GRAFFITI SCENE. I EVEN SAW THAT BOMBING SCIENCE'S WEBSITE DESCRIBED THIS BOOK AS THE NEW "BIBLE" IN THE WORLD OF GRAFFITI.

Yes! This is must-buy for any graffiti fan whether you make them or not. Good story with beautiful photos shows you magnificient graffities from the center of graffiti zone, New York.

Anyone who loves graffiti and knows anything about it will not be able to put this book down!!! It is packed full of illegal bombing, tags, pieces and huge productions from all over NYC( and yes, pieces can be illegal too- check out some of the great spreads along the Amtrak lines of NYC in the first part of the book). There are so many awesome and original quotes from the graff artists on all types of topics like the paint they use and how they describe their style and even how they got into graffiti. It is really cool that the authors interviewed ALL the graff writers themselves and even have their tags and action shots to prove it. You can really get inside these guys heads!! Overall this book is a must have for anyone interested in graffiti. The panoramic double-page photo spreads and 3 FOOT FOLD-OUTS along with the unforgettable interviews are INCREDIBLE!!!

This volume provides the reader with a pictorial and written description of the New York graffiti scene. This is a variety of information presented in a unique format which provides the reader insights into the various artists.
Pictures are well laid out , with gatefolds supporting a plethora of photographic depictions of a variety of talents.
The reader is provided with visual detail of the NYC graff, while text provides additional detail.
Artists are depicted practicing their craft, the reader is exposed to a thorough overview of individuals and groups who represent street art in NYC.
A required addition for an grafitti library , and an excellent introduction for the reader looking for their first graff lit, a nice volume to build a collection from.

THIS BOOK IS BUMPIN'

Awesome book on New York City Graffiti with illegal bombs and pieces, legal walls, tons of tags,action shots and crazy quotes from hundreds of artists. Sick fold-outs, mad color and all the boros represented.

This book is one of the ultimate companions to the blockbuster show of the same title.

In a day and age when show creators and producers have gotten into the habit of talking down to their ausiences, Whedon again breaks the mold by sharing the direct scripts with us, the loyal fans.

I remember how happy I was when I heard that BTVS was going to be a television series and this book brought back the early euhphoria that I experienced with the revival. Thank you again Joss for everything.

Of course it's not all in the dialogue. You've got great acting, directing, editing, costuming, etc. HOWEVER, the Buffy writers obviously not only love what they do, but are also very good at it.

The pop culture references mingle freely with the historical. Renaissance Poetry class was never so much fun.

These scripts give you a chance to catch anything you might have missed the first time around. It's peppy. Is Poppy a word? Well, I know it's a word, but is it a word the way I mean it? Anyhow, I would recommend this book for any Buffy fan.

Watching "Buffy" T.V. series or cassettes is huge enjoyment already. Reading this script brought pure delight: sharp wit, self-derogatory under-/overstatements, punch and speed - this script is, quite definitely, for lovers of language. Stage directions, as indicated between parts of dialogue,are about as savoury as dialogue itself. I've just one reservation:I suppose, to really relish this book as it should be relished, one should obviously have seen related episodes on either TV or cassette. One then remembers Charisma Carpenter's studied drawl, Sarah Gellar's brisk deadpan humour, and Nicholas Brendon's fantastic "fool's faces". Only then does one realize, not just how good the writing is, but also, how brilliantly the whole cast has done its job. Yes, this definitely does show just how brilliant the whole "Buffy" act was - and still is. Can we PLEASE have scriptbooks of what follows?!...

The good news is that original shooting scripts of "Buffy the Vampire Slayer" are available, as in this volume offering up the first six episodes of Season One. But the bad news, relatively speaking, is that we just get the scripts without any extras. The pages are your traditional Courier style font (including the title page), and while the pages are not in blue, pink, green, yellow, goldenrod and salmon to reflect the various revisions, if you follow the revision dates on the top of the pages you can figure that part out. Therefore, while I appreciate having the original scripts in front of my while watching the episodes so I can see what has been deleted/added/changed (these are not transcripts; big difference), I would have really liked to have a bit more such as introductions by the writers talking about the genesis of the script ideas or problems they had to overcoming in putting the script into production, beyond the production notes and stage directions. Certainly some of what I am looking for can be found in "The Watcher's Guide," which covers the show's first two seasons, but given how first-rate the BtVS companion volumes have been I am rather surprised this is a comparatively bare bones effort.

Included in this volume for those of you who do not have the first 100 episodes totally memorized are "Welcome to the Hellmouth" and "The Harvest," both written by series creator Joss Whedon, "Witch" by Dana Reston, "Teacher's Pet" by David Greenwalt, "Never Kill a Boy on the First Date" by Rob Des Hotel and Dean Batali, and "The Pack" by Matt Kiene and Joe Reinkemeyer. After the two-part pilot these other episodes reflect a time when the Buffy mythos was just starting to get organized. After all, Buffy has yet to find out about Angel's true nature and the emphasis is on how high school is a living hell if you are a teenager, but even more so when you are perched on the Hellmouth. Besides, once you get the first half of Season One you have to pick up the second half as well. Then there is Season Two...

It's valuable for fans of Buffy, full of hints and descriptions that make the tv episodes even more enjoyable; it's also a very cool book for anyone interested in writing tv scripts who're curious about the format, or looking for insight into how to blend comedy and suspense and juggle an excellent ensemble cast without shortchanging anyone.

If you are looking for a small, comprehensive analysis of how to do animation, this is your book. Walter Foster is one of the best companies out there on drawing books, though I wouldn't recommend them all. I highly recommend this one. :)

This is a great way to see how animation starts. I would recommend it to anyone wanting to choose Animation as a career. I am taking Web design and Animation.

This book is simply the best animation how-to guide for the novice or talented amateur. Very well presented and beautifully illustrated. It's a classic book that has been around for many years and should be around for many more.

The book is arranged like this: Drawing principles, character design, then animation. The principles are about constructing forms and wrapping guidelines & features around them properly, facial expressions, building a simple skeletal foundation, how bodies can be drawn, and hands!

The character design section is small, but brilliant. There are great example drawings to work from and trust me when I say the characters are pleasing to look at.

As for the animation section, it's got the essentials for walks, runs, understanding squash & stretch and line of action in movements. It might not have enough movements as one may want, but really, using what you learn here to analyze actions from life will enable you to learn how any movement can be strengthened for animation. I actually haven't started animating yet (still doing the drawing sections), but I know I'll be perfectly fine with just this. Harold Whitaker's "Timing For Animation" does seem like it could be a perfect supplement to this though, so you might wanna check that out as well.

Other pages include things about dialogue phonemes, takes (when's the last time anyone's seen a Tex-Avery-style reaction in a cartoon? learn this and bring it back!) pointers on animation, and, best of all, TONS of characters to practice from.

The book is only eight bucks and, being from Preston Blair, a genius from the golden-age era of animation, you can't go wrong. Buy it, follow everything that he says, draw from each drawing in the book until the concepts seep in, and make some cartoons. Even if you wanna draw comic strips and/or comic books, get this now!

Very informative in the use of art work. Hopefully, this book will help my son in the future with his career in art work.

I haven't read much yet. I've been too busy browsing through the pictures. Beautifully detailed. Amazing how this art was created by people that we think of as primitive. There has always been a need of humans to express themselves through art.

I have always be fascinated by this type of art work. Lately I have bought a half dozen books on the subject, This book is by far the best for photographs and illustrations. It gives real insight to the art and way it was created. The wealth of photographs is amazing. I would highly recommend this book to anyone with an interest in cave art.

This is an amazing book! I don't think I've ever lingered over a book as much as I have this one. The incredibly detailed descriptions of the artwork draw you to repeatedly examine each photograph. I find this book even more fascinating because it includes a study of the cave's floor as well as the parietal art.
This book is a fascinating journey into the past depicted by the most extraordinary photographs!
I highly recommend this book for your personal collection.

It's dark in there. Deep in the caverns located in cliffs of the Ardeche River gorge somebody left images of a world unseen. Bears, ibexes, lions and more are depicted in over three hundred complete and and partial imagery along the rock walls. Some have even been "erased" by smudges overlying the originals. In some cases the animals are probably fighting. The rutting season? Others are massed together as if migrating or hunting in packs. To depict these fauna so precisely required immense talent. Yet they could only have been drawn in the flickering light of oil lamps or torches. The very walls must have seemed to flicker with life as the painters went about their craft. Who were they? Why did they put so much effort into these images? What can we learn from them?

Jean Clottes, leading a team of researchers, has been examining the Chauvet caves for over a decade. In this book, the images are catalogued, defined and analysed for age and content. More than anything else, this book is a fantastic depiction of the images, in both panoramic and in close detail. It has been an immense task and the work has barely begun, as Clottes notes. Access to the cave, even when permitted, requires patience, dexterity and allows no tinge of claustrophobia! Yet some of the photographs show the researchers at their work or examining their surroundings. It's a vivid contrast to see but the boots of one crawling through an access tunnel, then standing almost lost in an immense grotto.

A compilation of the work of several authors, Clottes' book offers more than the images of our ancestors' paintings. It's made clear that whatever the painters' drive to convey their views of lions, mammoth or bison, it wasn't an evolving aesthetic sense or the expression of a leisure class. Among the collections of photographs, analysts attempt to derive some meaning from the depictions. To Joelle Robert-Lamblin, the closest approximation to these Palaeolithic artists are the Inuit. In an essay pointing out similarities and differences, attention is given to the role of the cave itself and known shamanic practices. For both societies, the bear is a figure of significance. At Chauvet, paintings are done over cave bear scratchings, and in one place a bear's skull has been carefully positioned. Were the skull and the many paintings of bears an appeal for their power, or an attempt to ward off predation?

Interpretation of these images isn't easy, but Clottes explains some of the patterns and practices involved. Reading his text requires a bit of page flipping, since the cave has so many chambers, all named for some factor or another [although "The Sacristy" at the far end defies explanation]. In the "earlier" part of the cave, the images are rendered mostly in red ochre. In the deeper chambers, the dominant colour is black. Certain animals abound in some grottoes, while others are nearly devoid of images. Many surfaces which almost cry out for use remain blank. Clottes suggests these divisions are based on initiation levels of those allowed within the sacred confines - a practice common in many of today's religions. Further, the mystery of the lack of human figures remains unresolved.

Beyond the glorious photography, Clottes provides maps of the various chambers and a table of dated artefacts. The dating, as he notes, was a shocking revelation. The images were depicted over thirty thousand years ago. And their creation wasn't continuous. A five thousand year stretch, a distance in time equal to that of the Old Kingdom of Egypt to today, separates the two major periods of occupancy. Was the location lost, or simply visited without adding new graphics? The notes and bibliography for this account are thorough, but are limited to the immediate work. Clottes is still working on the images and their meaning. He may produce another book on Chauvet, but it will not truly replace this one. [stephen a. haines - Ottawa, Canada]

It would be easier by far to climb Everest or to plunge into the Marianas Trench than to gain access to Chauvet Cave, which is restricted to a mere half dozen archaeologists by the government of France. There are very good reasons for the restrictions. Human activity in limestone caves is inevitably destructive; both natural features and artifacts are quickly degraded. This is hyper-critical in Chauvet because of its uniqueness and scientific significance. Fortunately, there is this magnificent book of photos of the cave and its art. There is also a spectacular virtual tour of the cave on line, maintained by the French government.

When the cave was discovered by spelunkers in 1994, it had not been entered by humans since roughly 22,000 BCE (or 12,000-14,000 years before the Creation of the Earth, according to Biblical fundamentalists). Yet to the astonishment of archaeologists, some of the art and artifacts in the cave were soon dated reliably as even older, perhaps 15,000 years older, from the Aurignacian era, thus being the earliest known cave paintings as well as the oldest known footprints of an anatomically modern human. Even more astonishing is the sophistication of the paintings, both technically and aesthetically. No words can describe the impact of seeing such skillful representations of horses, mammoths, rhinoceroses, elk, and cave lions, representations that seem as vivid and impressionistic as our own modern iconic images of the Wild. The Chauvet paintings are in no way "primitive" in comparison to the images in the caves at Altamira or Lascaut, yet they are as much as 750 human generations older!

I've personally visited a dozen of the cave-art sites of France and Spain. Some of them are over-toured, yet a few of the best, like Peche-Merle, are solitudinous. Photographs and even moving pictures do little justice to the sensations of seeing the paintings and sculptures in situ. You can't just walk into the gallery and stand on a flat floor and see the stuff on the walls. These are real caves, narrow, cold, full of sharp spikes of rock and jagged corners - head-bangers, crawly holes, slime, and ankle-twisters. Likewise the artists didn't stand and sketch; they crept and crouched, and sometimes hid their images in the weirdest crevices! Whatever they were doing, whatever it meant to them, it was no casual graffiti; it was full of lost intention.

Jean Clottes, the author of this book and one of the chief archaeologists of Chauvet, writes lucidly and modestly about the project he heads, the history and significance of Chauvet, and the whole context of the presence of early modern H. sapiens in Europe. His text is not for specialists only; it's accessible to "armchair" archaeologists like myself, though I can't help regretting that my armchair is as close as I'll ever get to this first known masterpiece of human artistic impulse. Wouldn't a few million euros (or dollars)be more usefully spent on conserving and studying Chauvet than on building another freeway overpass or a fence to keep workers out of a country where work is wanted?

Of all the books I own on this subject (more than I can list), this is the 'Best' one. There are many aspects of taiji and other martial arts that extend far beyond the mere physical motions of the form. There are two main sections to this book. The first section explains the principles of Chinese martial arts, Taiji single form, and two person practice. Chen Pan-ling explains in depth his Yang form (steps, etc) with words and pictures, as well as common mistakes, advanced steps, and ways to improve - in the latter section.
Chen Pan-ling was one of the most knowledgeable and practiced Taiji players of his time. With this book, he has made it possible for even beginners to understand Taiji philosophy and to further one's own development as both a Martial Artist and an influential member of world society.

A Must Have for anyone in this game.

There're lots of "New Age Tai Chi Crap"out there. This is one of the "rare" books that deals with what Tai Chi Chuan is: A MARTIAL ART!. Chen Pan Ling was one of the finest "old guard" MASTERS of the Internal Arts. He is the ONLY disciple of Yang Shao Hou (His brother Yang Cheng Fu changed the original form into an smooth EXERCISE taking away every martial aspect like Fa-jing and Dim Mak) who was skilled in the real Yang Lu Chan's Tai Chi. I'm fed up of coming accross with fake masters and "soft and sweet" Tai Chi materials. The real Tai Chi CHUAN (Fist) is a devastating martial art that requires hard practice. In the West, only Mr. Erle Montaigue (you like it or not) keeps the Internal and Martial Tai Chi way. If you want to have a book on REAL TAI CHI CHUAN this is THE ONE.

Chen pan Ling was one of a few students of Yang Shou Hou (the elder brother of Yang Cheng Fu)who taught the same fighting style of Taiji as the one created by his Grandfather,Yang Luchan.This makes the book a rare pictorial record of the "Old" Yang Style,or something very close to it as there are a few changes made to the form that reflect Chens varied martial arts experience,but all in all a good reference book for the serious Taiji practitioner.The only issue not addressed is the different "ways" to perform the form other than the standard basic slow way.

The book is written without any speculation. It just tells you "how to do" even for what regarding the deep internal feeling during the tai chi practice. Much more great are the flow charts of the several tai chi skills development. (first that , then that, then that......) .In the initial chapters it looks like a great "Tai Chi Classic" written in modern (and concise) language.
No one word more, no one word less.
The sequence, very well illustrated in the book (with photos, foot diagrams, applications), is Chen's own stile. The footwork shows a Bagua Chuan influence that makes much more interesting and exciting to study the form. In addition there are clear and deep explanations of the applications (movement by movement during all the form description) and the self feeling on executing each posture.
This is really an excellent book. Even though I can not say it is a book for beginners It contains alone almost everything you need to practice and further study Tai Chi Chuan.
I teach Tai Chi and I own a huge amount of Tai Chi books, anyway, if it could happen I got lost in a faraway desert island, that's the Tai Chi book I'd like to have with me.

...Chen Pan-ling was a practical martial artist who had a background in not only Tai Chi (Yang & Wu), but also Hsing Yi and Bagua. The book not only includes clear photos (clearer than in my original Chinese version of this book) and precise descriptions of the proper movements and applications, but also descriptions of how you should feel. This is Tai Chi at it's most practical, not a new-agey easy to learn sequence.

Chen was a pioneer in that he did away with a lot of the superstition and ritual associated with martial arts teachers at the time. His attempt at educated scientific study of this martial art is a welcome addition to the mibrary of the scholarly martial artist.

The knowledge the authors have on Christmas collectibles is massive. They are historical,and humorous. I bought the first book when I started collecting pixies and learned so much more from them about trim, authenticity and why people started decorating the way they did from the early 1900's through the 60's. This book is lovely, but their other book is better. I hope they write a third.

This is a such a fun little book! Warm holiday memories, lots of humor and beautiful photography. I thoroughly enjoyed every page! The best gift book you will ever find for a vintage/antique ornament collector.

Charming and nostalgic, giving us a glimpse into the history of holiday adornment. A great stocking stuffer!

Debbie Elliott

Even if you're not particularly sentimental about Christmas, the images and recollections of the authors are a delightful experience. The photos and graphics are charming and magical, obviously done by people who truely love the Christmas season. Anyone can appreciate the vintage flavor of this little gem.

This book brings back so many great memories of Christmas and decorating the tree. It was so much fun reading and looking through every page for ornaments that we might have had on our trees over the years and seeing the many different kinds of ornaments. It is a book that I will spend much time reading and viewing for many, many years.

This is a great read and I recommend it to any Indy fan or reader that enjoys a good "making of movie" book.
From the same writer and style written as The making of Star Wars, this book has it all from the 4 movies. The introduction on how George Lucas and Steven Spielberg got the whole thing going was interesting. Learning all the funny little things that happened on set were amusing as well. Amazing pictures, I thought I'd seen all Indy pictures until I saw this book.
Definitely a good read and well, well worth the money.

The book was a very interesting look, and brilliantly put together, but there could have been more about the the kingdom of the crystal skull. Most of the book heavenly takes you into the world of the first 3 movies.

This is one of the best books on my bookcase. It's just a great book. I paid $35 for it, and at that it was a bargain. It's even cheaper here, so absolutely no reason to buy it.

It begins with the origins of the Indiana Jones character recounted as the classic tale of what happens when Spielberg and Lucas joined forces. But with more detail than what I had heard previously. Then the process and making of each film is included with great pictures, storyboards and models of sets.

Then it ends with Kingdom of the Crystal Skull. The interesting part is how it details the development process and I was astonished about how many times Indy IV was going to be made and then pushed back for some reason.

A great purchase. Highly Recommended.

For any fan of the "Indy" film series, this is the ultimate book... While it does contain information we all may have heard or seen in archival footage or interviews on the two recent DVD releases, it also contains an abundant amount of new insight and some really great photographs straight out of the Lucasfilm Archives!

If you hated the new film, you can skip the last chapter, but it is also an insightful read - It also shows, and explains, in great detail how virtually every BAD idea associated with the series can be attributed to Lucas... who miraculously seems to win arguments with Spielberg just by wearing him down over time. While the book is never critical of Lucas, it nevertheless paints a less than flattering picture of him... It's odd that he let certain things come to light.

Anyway. This is the ultimate book for any hardcore "Indy" fan - a must buy.

I have to say that the research involved in this book was intensive. I am a pretty well-read fan of Lucas and Spielberg and I was still discovering cool snippets of information on every page.

If you need a frame of reference for the amount of love put into the writing of this book you should look at Rinzler's The Making of Star Wars, and Bouzereau's Star Wars: The Annotated Screenplays. If you liked those books, you will love this book too.

If you are a fairweather fan, you may find the information overwhelming. For those fans, this is not a fluff PR book put out by the marketing guys.

This truly is as "definitive" a chronicle of the "Indiana Jones" movies as you can get.

Last note...if you want this book in HARDCOVER, it is not available in North America. However, the remedy is very simple...go to AMAZON UK to get it in hardcover. Get it now while they are still available. At the time I'm writing this, they've already sold out of their softcover versions.

The "auteur" moniker that seems to hang ominously like a dead albatross around David Cronenberg's directorial neck is an overly misapplied reputation which requires a bit of deconstruction.

Essentially, when you hear the term auteur, the suggestion that typically applies is that the director in question--in this case, David Cronenberg--is a snotty type who doesn't budge not even the width of an atom for his particular creative vision. Everything on-set by definition must be done to the letter of the man himself, an inflexible character. Auteur, in this highly pejorative sense, is the closest thing to a Mussolini-type dictatorship which one could experience on the film set. Horrors.

But I'd certainly have to disagree.

David Cronenberg, according to many of the players who have worked under him (not toiled, collaborated!), especially in the case of Maria Belo and Viggo Mortensen, lately of A History of Violence, have nothing but rave reviews for the man. Even former porn-star Marilyn Chambers in The Brood had fantastic things to say about the Toronto-based director.

Few so-called auteurs seem to be as democratic as Cronenberg. He places a great emphasis upon his actors' appearance on screen, and much is discussed of how he generally will permit heaps of retakes for various scenes if a given actor feels as though they didn't pull off a scene correctly, or with particular aplomb.

He's one of the smartest directors in Hollywood. He's extremely well read (evidenced by his fluidity of speech during interviews--I've watched them), he's maginificently outspoken, and he knows his material so very well, especially when he writes the scripts himself. What's more is that he's adamant about shooting his films in his native Canada. In a North American industry where most Canadian would-be talent darts south of the border faster than Scotty's teleporter might, Cronenberg has stuck it out in places like the old movie studios at Kleinberg, Ontario and in the provincial captial, Toronto to establish a solid reputation north of the 45th parallel.

If you've never had the chance to hear Cronenberg speak on screen, you're really missing out. See if you can pick up the film called Spider...which starts Rafe Fiennes and Gabriel Byrne, which also contains an excellent segment on the director speaking about his various travails in attempting to land 11th-hour financing for that picture (which nearly capsized because they couldn't land the cash). I'm not raving for nothing--he doesn't miss a beat, this Cronenberg guy. He knows his stuff cold, and so do the people who entitle him to do what he does. They know they're in good hands, and Cronenberg always seems to deliver the goodies.

In terms of the book itself, I've fallen head over heels in love with this "directors speaking about themselves" series. After having first read Cassavetes on Cassavetes in New Zealand, Kieslowski on Kieslowski in the Czech Republic, and now Cronenberg on Cronenberg here in Prague (with Herzog on Herzog waiting anxiously in the wings), you're going to be hardpressed to find better biographical data on these giants of indie cinema other than what you'll read here. Martin Scorsese has even been profiled in this series...from what I've heard, it's one of the thickest of them all. Oh poor bank account...

This book rocks (!!!) because you're getting an uncensored take on the author's views. The book is Cronenberg at his vintage best, cussing, intimately describing various details (especially the final insert on his film CRASH, the "real" CRASH, not the Oscar-winning impostor!) of the sex scenes between his actors Holly Hunter, James Spader, and Elias Koteas, and some keen insider details from the period of cinematic history in Canada back in the old "tax shelter" days, when finance was freely available. When guys like David Cronenberg were only looking for scripts to fit the bill, because they were swimming in Canadian dollars. Those were the days, and Cronenberg pays due homage to the era -- it's what made him who he is today, and without the access to the money back in those days, his destiny might've turned out slightly differently. It's what he describes as his transition from "filmmaker" to "movie maker," a la Hollywood, bigger budgets, bigger stars, and box-office coups.

See if you can also catch a special "director's series" DVD from the American Film Insitute (AFI). It's called "The Directors: David Cronenberg," and he's one of (I believe) several directors profiled, with clips from their various films (I've watched most of 'em). Catch some early clips of Canadian actor Michael Ironside, who is still stupendous, IMHO, even in his later years. That infamous "head exploding scene" from Scanners, still to this day, is something else. It's buried somewhere on that DVD I'm talking about.

So I think I've said enough about completely irrelevant things. If you're looking to be entertained, see if you can pick up a copy. It's not heavy lifting, reading-wise, and it's packed with factoids, anecdotes, and details.

--ADM in Prague

Dude, it's really hard to stop David Cronenberg from yapping about his films. this, though, is a good thing. The man is very well spoken ,even if he doesn't think shivers and videodrome aren't comedies. this book, my friend, make me feel good.

Or at least I did until I gave away the second edition as a gift but it meant a lot. The current edition is fourth and came out after The Crash. To the people who know only his films it will be surprising Cronenberg came from a literary background and how much his films are intellectual. The man also possesses mean dry wit which shows up when talking about his ex wife and personal enemies like censors or would be do-gooders (fellow Canadian writer Margaret Atwood). To those who do not know about the author as much as they should this is a great book. Those who love Cronenberg's films probably own this already. I am waiting for a new edition to come out, the one to include the making of Existenz and his new film Spider and I'm buying!

"Cronenberg on Cronenberg" is a great start for anyone who wants further insight on David's work, specially his early films. One musn't hesitate, this is the basic fan purchase.

A semi-autobiographical look into the world of David Cronenberg and how he came to make films of grotsque, yet, captivating life of media, biology and society. You will read about his influences in his early childhood life and then, eventually, virtually being the only Canadian film director with a promise. Cronenberg seems humble in his writing, yet, you get a sense of high intelligence. Definately reccomended! It is a good read, moves along nicely and you will be quite fascinated by his personal accounts of his world and what inspires him.

I am such a huge CSI fan and this book is the most fantastic book for fans of the show. It has lots of information about ever episode from season 1 through to 4 and information on the characters too. For each episode, it's headed up with the name of the episode, original airdate, special guest stars etc. Then it goes into depth about the storyline (something the dvds don't do on the cover at any length) shows a few pictures and ends with a side piece about how the creation of that episode came about. Throughout the stunning glossy-ish book, there are case files on the CSI's themselves and their fields of expertise (and great pictures of Nick).
It's really a coffee table type of book in the fact that you look through it once or twice, keep it aside and flick through it again every now and then. It's interesting and fun to look at and I highly highly recommend it to any fan of the show like I am and you'll be so happy with your puchase for sure.

This is a spectacular book for all CSI fans that covers Seasons 1 - 3. Each episode is summarized in order of airing for each season with highlights of the case, investigator(s) involved, evidence found and tests performed (DNA, autopsy, facial reconstruction, fingerprinting), suspect and victim information, and the status of the case, i.e. solved, unsolved. If more than one case is handled during the episode, each plot is summarized separately, going between the cases as they do on the show.

Some case summaries include a couple pages of graphical information relating to the case and provide more details, such as investigator reports, evidence and chain of custody tags, evidence and DNA test results, investigative reports, etc. Some of the contents of these pages are difficult to read but give you an overall picture of the actual "case file".

Then on blue tinted pages, the producers, directors, writers and actors make comments on the episode. There is some great information on how some scenes were filmed for maximum effect. Actors also provide insight to their characters as they relate to that particular case and in general. This is really nice since for the most part there is not much character history on the show. It's also in these pages that we learn that some of the cases are based on real life cases by one of the writers.

It is also mentioned by writers and actors (William Petersen and Jorja Fox) that the sexual tension between the characters of Gil Grissom and Sara Sidle has been part of the plans from the beginning of the show. Also, details are provided of how certain scenes and dialog are planned out for specific episodes to highlight that tension.

There is also a character profile provided for each of the main characters of the show. This profile gives background information of each of the characters, including family history, education, work history and other pertinent personal information.

I give this book "two thumbs up".

Just what I wanted- very quick shipping and all ready to wrap for Christmas. Thank you so much. I would certainly rate this transaction A+,A+,A+,A+
I'll be back!

Now that the CSI series is into its seventh season I keep hoping that a second volume of this fantastic book, covering each program of the first three seasons, will be followed by a second volume covering the 4th, 5th and 6th season's programs. I can only hope that the author, Mike Flaherty and the publisher, Simon & Schuster's Pocket Book Division, will not disappoint this volume's legion of fans!

If you love C.S.I. Crime Scene Investigation - The Complete First Season (which I do) then you'll love reading through this companion book (which I did)! Covering every episode in the first three seasons of the hit show, this book takes you behind the scenes with details you might have missed while watching them on television.

Besides listing the writer of each episode, the director, and all of the guest stars and parts they played, you get an overview of the case, the evidence and facts, and the conclusion.

One of the most interesting aspects of this book are the pictures and illustrations. Taken from the actual "case file", you can see up close and personal the evidence that the CSI's collected from the crime scene and used to find the perpetrator. Many of these items were never shown on the actual show, or if they were, it was done so quickly I must have missed it!

I really hope that they come out with another companion for the succeeding seasons, as this is one show I can't get enough of. You'll definitely be happy you purchased this book, and the only thing I can think of that would make it better is to also put out a CSI: MIAMI companion!!

I've never been to Hungary or had much experience with anyone from Hungary, however I've recently become very interested in this lovely country. This book sounded like a fun and interesting introduction into the social aspect of Hungary (as opposed to architecture and history). The author has a lively and easy-to-read writing style. I would recommend this book and will seek out other books from the "Culture Shock" series.

Seldom does a book that is written for a narrow readership, in this case tourists and businessmen, become a success beyond its intended audience. What elevates "CULTURE SHOCK! HUNGARY" above the level of a Traveller's Guide Series is both the quality of the writing and the intimate knowledge of what overdrives this nation of 10 million restless souls. It is like a firmly held mirror, an unflinching but affectionate insight into the character of a nation.
If you are lucky enough to witness Zsuzsanna Ardo's meticulous undressing of Hungarians and their culture, you realize that she leaves very little mystery for any self-respecting Magyar to hide behind. To the embarrassment, or if you will to the delight of a native, who believes that he or she is comfortable with all the intricate layers of social interactions, the language and the "unpredictable excitement and character building" Hungarian history, even for them the "CULTURE SHOCK! HUNGARY" is full of fresh and original information that provokes conventional wisdom. With her warm satire she is experiencing life head-on in Budapest and the relentless and unavoidable hospitality of the countryside and its people. Whether it be a late evening stroll on the banks of the Danube or on the Margit bridge, challenging snow and ice on the hills of Rozsadomb, or a hot summer swim in Lake Balaton, her eye is always sharp and correct.
"...while surfers get hooked on the gentle waves and brisk breeze in the glaringly corny sunset, complete with golden-red reflections across the calm waters of the lake. No picture postcard of Lake Balaton can be such perfect kitsch as reality itself.."
Most enjoyable are her repeated journeys into the Hungarian psyche which explain and become the basis for all the advice and experiences she provides so abundantly. Her street wise comments on the personal and impersonal ways of greeting someone, the telltale handshakes, the persistent eye contact, the formality of kisses wherever they may land, the invitations and/or the un-invitations to a visit... are like a hilarious anthropological study.
"Some argue that laboring on building and nurturing and consensus-based love relationship with a Hungarian is, overall, like teaching a raven to fly underwater. This is grossly unfair... to the ravens. There is consensus all right as long as you consent to whatever your hero desires..."
"...status markers in social relations (are) a rather sophisticated system for keeping and reducing psychological distance, imposing and refusing hierarchy or intimacy."
Obviously she is afflicted by the same genes of passion, humor and unbridled need to inform and/or set things straight, as the people she is writing about.
"Whenever it is momentarily blue, manic, or depressive, the admirable lack of self-irony with which some Hungarian egos indulge themselves by fits and starts guarantee the heavy-duty nature of their state of mind. ...their oscillations between euphoric drives to get ahead and melodramatic soul-tearing driven by paranoid fatalism are sizzling and spectacular."
Ouch! She exposes universally and correctly the Hungarian nerve; it is up to the reader to differentiate among the joys and obstacles and to decide if he or she is adventurous enough to visit or even to stay in this very hospitable country, better yet, to befriend a "demonstratively woe-stricken... mega-sensitive" Hungarian! Her view is compassionate but sobering of a society where fantasies of even the possibility of grandeur, sentimentality and "an intensely vague discomfort or inarticulate ethnocentricity", is the norm; as if she would say, "I love the place and all of you guys, but you are so..." It is a well deserved roasting. And when she is in her more somber mood, a well deserved warning. Noticing the heavy drinking and smoking and a "decidedly non PC diet" she muses: "Traditionally, many Hungarians embrace premature death with gusto."
"Hungarians eat just about everything that you are not supposed to, prepared in the way it shouldn't be, and consumed in deadly quantities. Naturally, they enjoy it tremendously. And they want to make it sure their visitors enjoy it too."
But her satire is not just idle remarks of society's shortcomings and idiosyncrasies. She admirably provides a long list of agencies and social services where Hungarians, visiting businessmen and tourists can turn to, to redeem themselves.
With her academic background in Linguistics and Literature, Ardo's casual introduction to the Hungarian language, that is difficult by any standard, is like a friendly persuasion. Her unusual but well researched approach is a very convincing short course in Etymology. Surprisingly revealing even for those who think they can speak Hungarian.
Page after page Zsuzsanna Ardo, who was born in Hungary but presently is a British citizen, proves an important point, that only from a safe distance, preferably from as far as possible, can one truly look at his or her homeland objectively.
I would recommend the book to anyone who wishes to have a less bumpy ride through this little country in the Danube basin. It is unfortunate that the book is available only in English, because "CULTURE SHOCK! HUNGARY" should be a must, a specially required and liberating reading for all Hungarians too.
Kid from Pataj, Steven Domonkos.

Zsuzsanna Ardó's well written guide to the customs and etiquette of Hungarian people holds relevant information for anyone traveling or doing business there.
I assist English teachers at a primary school in Hungary and am looking forward to incorporating the many tips provided on business and general communication when speaking with my colleagues at school.
I also appreciated the abundance of Hungarian proverbs and sayings written out in both languages. These are fun to bring up with Hungarian friends and since they often don't translate literally, I'd not have been able to sort them out just using my translation dictionary. The insight into history's role in modern Hungarian thinking was fascinating for me as well.
A "cultural quiz" rounds out the book. It was a fun
and, I thought, a perfect way to tie the information together. The author's sense of humor throughout made it a most enjoyable read!
As Hungary's entry into the EU should spur an increase in business and tourism--I noticed some new billboards promoting travel to Hungary when I was changing planes in Frankfurt last week--the relevance and importance of this book should likewise
increase!
--written May, 2004

"Culture Shock! Hungary" is a golden child in the Culture Shock! family of books. Ardo's text is extremely readable and functional. Part history and language lesson, part culinary and travel guide, and more, "Culture Shock! Hungary" is chock full of interesting trivia and applicable knowledge. Ardo's work is highly recommended to anyone hoping or planning on visiting Hungary. The book is compact and would also be well worth rereading on one's trip to Budapest, Balaton or the Hortobagy. This mini-masterpiece of hints and humor would also be useful for someone interested in better understanding the burning minds, yo-yo moods and often mysterious ways of Hungarian friends, colleagues or even love interests. And of course, this text is an especially good read for anyone, in the U.S. or Canada with Magyar ancestry who is trying to learn more, or read commentary on Hungarian heritage. "Culture Shock! Hungary" is a thoroughly relevant and entertaining read.

In preparing for my initial vacation trip to Hungary in August 2003, I read the usual travel guides, Frommer's, The Green Guide, Lonely Planet and best of all, Andras Torok's "Budapest-A Critical Guide". While these books describe the where, Culture Shock-Hungary supplies the who, what, why and how of the magnificent Magyars.

The 2003 New Expanded edition is a joy to read. It's fast paced and lively- a real page turner. It made me laugh out loud several times. The last time I laughed so much while reading a book was when I read "Confederacy of Dunces" some twenty years ago. If this book wasn't part of the Culture Shock series, it may well have been called A Confederacy of Magyars. Read and delight in the sections on Traditions and Values and Image and Self Image to find out.

For a foreigner, the part on the Hungarian language, Magyarul, is especially interesting. Having studied Hungarian for a year when I was in the Army and let it slip away because of non-use, the language section rekindled old memories. The study of the enigmatic Hungarian language could well prove to be a lifelong task although it is said that Sissi(emperor Franz Joseph's wife) learned it in no time flat and became the darling of the Hungarians. This book should be a favorite of Magyarphiles everywhere.

If you are planning a vacation trip to Hungary or do business there ( there is a whole section devoted to business etiquette and customs), read this book to understand what makes Hungary tick.