Arts and Culture Books

Art of Modern Rock features some incredible art drawn from great artists and is a must not just for a rock aficionado, but for an art enthusiast, an artist, a designer or even a writer. The tremendous amount of variety and unique and powerful imagery makes looking through this book a great pleasure.

I've had this book for several years now and this is my all time favourite art book, and I own far too many to even be considered in the realm of normal. The Art of Modern Rock is a huge book (almost 500 pages) and the art diverse and inspiring. I just love this book!!

I purchased the Art of Modern Rock online for my son and his wife for Christmas. I usually have a difficult time finding a gift I think they will like. They have a rock band themselves, and my daughter-in-law is also interested in art, so I gave this book a try. Not only did they love it, but they are in it! I wish now that I had opened it and looked through it before I mailed it to them. I was pleased with the book, and the service from Amazon is always excellent!

This is one of the greatest books I've read in the last ten years about rock posters. All kind of rock music is here. If you really like rock'n'roll music, you must get this one.

This book is THE bible for poster art. Fantastic collection of art, with great interviews and history accompanying. Obviously a lot of hard work by a lot of people passionate about poster art. Highly recommended.

My boyfriend's father convinced me that, as an art history major, I needed to read this book. I was a little hesitant, but after the first chapter I was completely hooked.

This was a truly powerful book. No matter that it is not a true biography, it was beautifully written and moving. I would recommend this to anyone with even a passing interest in art.

Amazing book and so very well written as all of Stone's other books are...I have always been mesmerised by Van Gogh's paintings, especially when I saw an exhibit of his in London.The colours were so wonderful that I just stood there infront of those pieces of art like a zombie ! I loved this book !

I loved this book. For someone like me, with just a passing knowledge of art and art history, it was pretty amazing to learn about Van Gogh's development as an artist and the Impressionist art movement. In addition, I think that its two major themes of expression and immortality are going to have a lasting effect on me.

By expression, I mean that Van Gogh put all his time and energy into expressing himself in a way that he felt was making the best use of his skills. For him, his calling was a new form of art, and he stuck with it despite receiving no recognition or profit for his work during his lifetime. By immortality, I mean that although Van Gogh was not successful in his lifetime, his work lives on and is hung in the most important museums in the world.

Highly recommended.

This is a beautiful novel about a beautiful human being. If you love Van Gogh's paintings (he is my personal favorite of all painters) then by all means, you need to read this wonderful book. In his prose, Stone is able to paint a vivid, vibrant, illuminating portrait of an amazing artist. I was truly blown away and completely consumed from the first chapter on. I actually read this fine story after visiting the Musee d'Orsay (Museum Orsay) in Paris and seeing first hand the magnificent works of this illustrious Impressionist. Of all the great many paintings presented at the Louvre and d'Orsay, it was the Van Gogh's that captivated me more than all the others (which is saying a lot, because the whole place is captivating!). I couldn't believe some of his self-portraits. What really fascinated me the most was the despondency in those steel blue eyes of his. This is what led me to read this story. I wanted to know where all that pain and suffering came from. Irving Stone answered all of my questions and then some. He is a brilliant and insightful writer and I will be looking forward to reading his novel "The Agony and the Ecstasy" which is based on the life of another favorite artist of mine - Michelangelo.

Anyone who is struggling to become an artist needs to read this! Talk about sacrifice and desire and heart and passion... this man Van Gogh was a true original. A man like no other before or since.

"...for by sadness the countenance of the heart is made better."

I can't recommend this one enough.

I should have read this biography sooner. I used to be in love with his paintings, and even fantasized that IF I were to travel back in time, I would've married him -- all this BEFORE I read this book. After I read it I found out that there was one such infatuated woman (Margot), and also a tragic unrequited love story that led him to religion and then to painting. Anyone who is creative will sympathize with the extent to which pain can be transformed into the strength to create. The creative path is not always materially rewarding, and even if it is all an artist has, it will continuously change others' lives. I absorbed every word of this book and was hooked until the very end. Poverty and disinterest is ephemeral... belief in oneself is revolutionary.

I know it's a tacky thing to do but I bought this as a gift for a slasher-flick loving friend and read it before I gave it to him. Yeah, a confession after all these years that the gift wasn't strictly 'un-used'. Anyway, I won't go into the plot of Scream, anyone reading this probably already knows it better than I do, having only seen it twice, but I will note that devoid of its visuals (beyond a few movie freeze-frames included in the book) Williamson's writing in this script comes off as better than I remember it being in Scream. Its campiness is elevated to funnier than on screen, its pop culture/film references seem more apt, and the twist the run-time builds up to is reinforced as decently unexpected. (The screenplay also spares the reader a lot of the visual violence that distracts in the case of reading for the sake of broadening insight into the spoken words of a film.) I've read scripts to a few other movies, the best being The Usual Suspects, and every time I've thought how it's a shame more people don't read the scripts to their favorite films, and how un-selfserving that more directors don't publish their screenplays.

Scream isn't a favorite of mine, and it's not high art but if you like the movie, pick this up sometime. The guy I bought it for still has it and seemed to like it.

Reading SCREAM seven years after the initial impact of the film--and in movie terms seven years is definitely a whole generation later--I wonder if it would be a success if Williamson wrote the same material today. Some of it is very clever, and the references to pop culture still work, but more might have been made of the human and emotional back stories of the main characters. Neve Campbell's character, for example, doesn't have the emotional resonance years later that (to take up a similar example in a different film genre) Molly Ringwald displayed in her movies for John Hughes.

I look forward to CURSED, the new collaboration between Kevin Williamson and Wes Crave, though the rumors of the re-shoots and re-takes, actors being fired, etc., and dissatisfied test audiences, make one wonder if it won't be more like KILLING MRS TINGLE than SCREAM. Still, there's always hope.

This book was wicked! I'm reading it for the 7th time I love it! But not as much as the film that was great "well done wes craven" Scream is the best ever i'm a extremly big fan. I know exactly every single word off by heart,I love it. I've got all three soundtracks and all three books and the films, of course! I've got the costume and everything. My favourite character is Billy Loomis he's gorgeous I would love to meet him or any one of the characters on day definatley! ...

I Like this book! Its like the movie! Its Scary!!!!!!!!! Cool! And If You are a big scream fan read it! It has pictures from scream 1 and 2 in it!

This book was wicked! I'm reading it for the 7th time I love it! But not as much as the film that was great "well done wes craven" Scream is the best ever i'm a extremly big fan. I know exactly every single word off by heart,I love it. I've got all three soundtracks and all three books and the films, of course! I've got the costume and everything. My favourite character is Billy Loomis he's gorgeous ...People say my personality is like stu's because I make a joke out of everything I say and I love to play practical jokes on everyone!

This book was interesting. It told of a lot of elements in the Phantom Menace movie like biographies of Anakin, Padme, and Darth Maul. It also went way beyond the movie and talked about things not mentioned in the movie. From shortened biographies on the Jedi Council members to looking inside a battle droid's head, this book has everything any Star Wars fan would ever want. The photography is great and the pictures are labeled showing a lot of the parts of machines and lightsabers. This book is the bomb.

The Star Wars Episode I- The Visual Dictionary is great. It has amazing facts about Star Wars episode I such as all of the members of the Jedi High Council (which I was amazed to find out that there is another one of Yoda's species on it, and her name is Yaddle, and she is young at 477), the species, name, and personalaty of the Trade Fedration leaders, every last detail of a Battle Droid and Droideka, Queen Amidala's dresses and makeup and the reasons she wears them, the sea monsters of Naboo, Gungan warfare, why Jar Jar was banished, Qui-Gon, Obi-Wan, Mace, and Yoda's lightsabers, the Queen's handmaidens, Darth Maul's double-bladed lightsaber and speeder, and much more!

This is a great book and will provide hours of fun for any Star Wars fan (at least, it did (and still does) for me).

This book likewise its similar for the classic Trilogy, is a good buy for a Star Wars Fan. Depicts everything that appears in the movie, except the starships, the only thing I missed, but it is not a major problem.

We have a 4 1/2 year old daughter obsessed with the Star Wars girls (Shaak Ti in particular) and this is good because it tells all about the different charachters, places, vehicles and robots of the movie in easy to understand, yet complete language.

Very good for the little Star Wars fan or anyone who would like to go a little deeper, but not THAT deep.

Bought this book along with Star Wars Episode II: Attack of the Clones, also by David Reynolds. The pages are falling out of both books. I've had this problem with a few DK books, even the children's books. The older DK books are more sturdy. I give this item only 3 stars, and only because of the content. A book with missing pages doesn't get 5 stars.

This is probably one of the few books you are going to find about Badfinger, who are another very essential but overlooked rock band. Sure they had hits, but they got screwed over. The book arrived in great shape and very quickly, so I was completely happy with everything.

I ordered this for my brother's birthday and he loved it! The book arrived in perfect shape. This is one of my brother's favorite bands from 'back in the day'!!! He was very happy with it. Thanks

A wonderful book. I knew very little about this band other than a couple of great songs I heard on the radio in the early 70's. By the time I finished the book I felt like I'd known them all my life. I couldn't help but get emotionally involved in their plight...Highly recommend

The most engrossing band bio I've ever read, and also one of the saddest stories in music. I find it funny that the two biggest debunkers of the author of this book are also two people who haven't read it! The story spans the very beggining, when they were known as the Iveys, to the ASCAP debacle in which Pete Ham and Tom Evans were utterly disrespected in front of an audience for their wonderful accomplishment of having written Without You. No stone is left unturned and unfortuntely some of the people involved should crawl back under theirs but haven't.

Dear Joey and Kathie: You can fool some of the people, but you haven't fooled me. At least Pete doesn't have a grave, or else I'm sure you would have been dancing on it quite happily. Why did you have to be part of the problem?

The "tragic" story of Badfinger couldn't be a better title for this book or this band. So much talent and ability and such bad management and naivete' destroyed not just a band but many lives in the process. I believe every young musician should read this book and learn from their mistakes.

This book is awesome. I recieved it as a gift with my first feature film coming up (coming from shorts). I went from having a little bit of a clue, to knowing almost every in and out of what I should do, how to do it, and how to get the upper hand in doing it.

The author is great. His points are humourous because they are so blunt. He'll add little comments that tell you a ton, and totally make fun of something in the process; but whatever it is is so true that it's the information you really need to know. For example, he puts "TOP SECRET" signs by any huge point that makes or breaks films, that 4-year film school and HY avoids telling people. All points helpful, enlightening, and direct.

It also is a huge directory book for studios, executives, rental houses--basically contact information for every single thing he goes over in the book. It also lists other books, films, etcetera to go and read and view and further your knowledge. You can't learn from just 1 book and go out and make it.

I'm going through this particular book, thought, 3 times--at least. To (2) index everything and then (3) pull everything from it together into a timeline that works best for me.

Now, [[[ CONS ]]] . Like other reviews have mentioned--he goes off on how "the other 97% of you probably had a hard time parting with the money to buy this book" when talking about budgets, hinting that you probably are making a 5000$-50000$ feature--and then turns around and gives his most detailed, step-by-step process of making a film, about 15 chapters, all around making a 250,000$ film (which, as you'll find out, is marketed as a 1,000,000$ film). You have to take this relatively. Take what's there, and shrink it down to your budget. He explains SOME things you can cut down on to make a film with lower budgets afterwards, but only spends about a few paragraphs on it. So you go through all the process of the 250,000$ film and take from it everything you can. Bring it down to your level. It has all the information you need to get started, as listed, but you're going to have to get creative and cut down hard on the 250,000$ budget--starting with the things he mentions during those paragraphs.

The other con is, this book is published in 2003, so written during 2002 or earlier. This book doesn't know about HD, HD cameras, and HD tapes. Among others. It's either film or miniDV. And DVC--ha. It's surprisingly savvy on Internet distribution, primarily because it hasn't evolved there yet, but obviously there is other information about it that is present now that you won't find in the book. The main thing is, again, it's a little dated on digital stuff, which is dissappointing, because digital is like the light of ultra low budget film making. However, some updates on this topic can be found at his web school.

Another personal con is all the endorsements and stuff. So a few big names have succeeded by involving Dov's information--it's sad that that's what it takes to sell the book. If you bought the book because tarauntino or queen latifa's names on it, you probably aren't going anywhere. Luckily, he doesn't mention these people anymore than anyone else once you dive into the text; only as references to first-time film makers, etc.

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Great information, I think it lives up to it's claims, and the personality of Simens makes it interesting all the way through. His personality is extremely direct, and if you can't take the heat, you probably won't make the cut in the industry, so it's probably a great thing.

Enjoy

Thank you MR. Simens... I have read many a film production book. None of them compare to this one. This book is clear and the most organized piece of work I have yet to come across. He speaks in terms that is easy to follow and understand, with a large dose of reality. Reality that can get your movie made. He wants you to do it. He has made your production list for you. No need for other books (money saved). Please, if you have read thus far and have not purchased this book, do so now. You will not be dissapointed... And for the expert(s) (with the three stars or less) Get real. Swallow your pride. This book is perfect. Mr. Simens knows what he is talking/writing about. EVERYTHING you need to succeed is right here. Get your first movie off of the ground, then go from there. Again, Thank you Mr. Simens.

I reference this book all the time. From Reel to Deal cuts to the chase and offers no bull. It is an easy read and loaded full of practical and useful information. I have produced eight short films in four years and currently preparing for my first feature-film. Dov's book it geared for those making a feature-film but useful for shorts as well. I always recommend From Reel to Deal to any filmmaker who has not read it already. Do yourself a favor and buy or borrow this book. It is a must-read for filmmakers, or as Dov's says PRODUCERS.

One of the best books I've read on the motion picture industry.
You could not learn more spending 4 years at UCLA Film School.
Now I watch movies with a different perspective.

I've wanted to take one of Dov's workshops but they're never close to where I live so I bought this book which I like. However, with a copyright of 2005 I would have thought it would have more web information (urls, etc) in it. I suspect most of the information was compiled before the web got popular which has been a while. Oh well. I emailed Dov last year too and nobody bothered to reply. Still, for the price, very good info.

Begnini's account of a father who makes the ultimate sacrifice for his son is beautiful, touching, and, at times, comedic. Family Pick.

Life Is Beautiful the movie concerns the triumph of the human spirit over the horrors and attracities committed against the european jews during the holocaust. It shows the extraordinary lengths that people will go to protect the ones they love. Although the film is set during the holocaust, the film is about compassion and love and desperate forcade one man must invent to firstly protect his son and secondly spare his mental anguish. As a result of having watched this film, I have realised that life is precious and life can be a living hell. Somehow though, life is still beautiful.

One has to admit, Miramax makes a lot of darn good movies, from SLING BLADE to GOOD WILL HUNTING. LIFE IS BEAUTIFUL is another great movie. In fact, LIFE IS BEAUTIFUL is one of the best movies of 1998. However, this is not the movie. This is only the screenplay. Sure you have all the lines that are in the film and a few pictures, but that's it. Frankly, if you haven't seen the film, I wouldn't recommend you reading or buying this: the words on a printed page are nothing like the movie. However, if you've seen the film you're probably a fan and it might be worth your while.

Guido, the central character in Life is Beautiful, is one of the most poignant characters in literature. He chooses to create an illusionary world for his son so that Giosue will survive the horrific conditions in a concentration camp. It becomes clear to the reader that Guido makes a decision as soon as he and Giouse are taken to the camp that he will, if necessary, go so far as to sacrifice his own life for his son's strength and survival. The theme of unconditional love transcending pain, horror, and incomprehensible ignorance is the ultimate message of the book. And, if anything, the reader empathizes even more with victims of the Holocaust because of Guido's presentation of his experiences. There is no "making fun" of the Holocaust in this book; there is only a celebration of love and the beauty of life. Everyone should read it and watch the movie!

This is an insult to the intelligence of anyone that has any knowledge of the history of WW2 and the events of the Holocaust. I guess the allied forces should have invaded Normandy with a bunch of pies, rubber noses and floppy shoes. Sometimes clowns simply don't have a role to play and this is one of those situations. Benigni bringing up the name of Primo Levi was an insult to all of Levi's philosophical attempts to explain what happened to him and Europe's Jews.

Yhis book belongs on the bookshelf of all those interested in the early days of psychedelic research and it's social ramifications. One word for it: Excellent!

_Acid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond_, first published in 1985 and revised in 1992, by journalist and author Martin A. Lee and author Bruce Shlain is a fascinating and wild account of the history of LSD in America. The implications of this journalistic history are startling in that they show the role of the CIA and the government of the United States in creating much of the LSD culture that grew up during the Sixties. I should add that one advantage of this book over Martin A. Lee's other book _The Beast Reawakens_ (1999) is that Lee is able to keep a cool head and write about LSD without lapsing into paroxysms of hysteria as he does when writing about Nazis. This is very fortunate for the reader because it spares us from having to sort through a lot of irrelevant nonsense. The history of LSD in the United States is a fascinating one, and the creation of a drug culture in the Sixties as well as the links between this culture and the hippies, the New Left, and the anti-war movement offers much interesting material. But, lurking behind the whole thing is the nefarious role of the CIA and the government, originally in testing out these drugs in a series of unethical experiments and later in possibly manipulating the very culture that arose from their newfound prevalence itself. This is a fascinating story and one that should be told particularly in light of the complex relationship that has always existed between the drug culture and the state.

The book begins with an Introduction entitled "Whose Worlds Are These?" by Andrei Codrescu. This Introduction lays out the use of LSD as presented in the book both through the experiments of the CIA and as promoted by such figures as Captain Al Hubbard, Aldous Huxley, Timothy Leary, Owsley, Art Kleps, Ken Kesey, and others. The book proper begins with a Prologue in which the authors explain the discovery of LSD-25 by Dr. Albert Hoffman, who was later to give an important speech to psychedelic followers in 1977. This Prologue also details the role of the CIA and through such projects as Operation MK-ULTRA engaged in unethical experimentation with LSD on unwitting participants. The first section of this book is entitled "The Roots of Psychedelia". The first chapter of this section is entitled "In the Beginning There Was Madness . . . " and details the role of the CIA in the unethical use of LSD and later in promoting the LSD subculture. This chapter includes sections entitled "The Truth Seekers", "Enter LSD", "Laboratories of the State", "Midnight Climax", and "The Hallucination Battlefield". This chapter details the role of the CIA in experimenting with LSD through projects such as Operation MK-ULTRA, mentioning such figures as William "Wild Bill" Donovan, Allen Dulles, Dr. Sidney Gottlieb, and the hijinx of George Hunter White. The authors explain how originally the model for LSD was that the drug mimicked psychosis, but that eventually this model was to change. The CIA saw the drug as potentially useful for interrogations and engaged in many experiments on unwitting participants with the drug. The second chapter is entitled "Psychedelic Pioneers" and details how the drug was moved from the CIA clandestine operations to the counter-culture. This chapter includes sections entitled "The Original Captain Trips", "Healing Acid", and "Psychosis or Gnosis?". In particular, this chapter explains how government funded psychiatrists and psychologists came to believe that LSD may have some therapeutic potential thus abandoning the original "psychotomimetic" theory of LSD. The government engaged in much research on this drug, and by taking place in government sponsored experiments as participants, many prominent counter-cultural figures became involved with the drug (as a case in point there is the case of the poet Allen Ginsberg). Some figures came to see LSD as revealing deep secrets and as having a profound effect on human nature leading to the popular perspective that LSD offered a form of "gnosis" thus replacing the government's "psychosis" perspective. The third chapter is entitled "Under the Mushroom, Over the Rainbow" and explains how prominent individuals including Harvard professors (such as Timothy Leary and investment banker R. Gordon Wasson) became involved in the drug counter-culture. This chapter includes sections entitled "Manna From Harvard", "Chemical Crusaders", and "The Crackdown" - showing how the government eventually sought to crack down on LSD use eventually leading to its illegality. The fourth chapter is entitled "Preaching LSD" and discusses for example the hijinx of Timothy Leary (who some maintained was a CIA agent). This chapter includes sections entitled "High Surrealism", "The Psychedelic Manual", and "The Hard Sell". The fifth chapter of this book is entitled "The All-American Trip", detailing the rise of the Merry Pranksters who followed Ken Kesey. This chapter includes sections entitled "The Great Freak Forward" and "Acid and the New Left" - showing the problematic relationship between the LSD counter-culture and the political New Left. The second part of this book is entitled "Acid for the Masses". This part begins with the sixth chapter of this book entitled "From Hip to Hippie" showing how the LSD counter-culture created the emerging phenomenon of the hippie. This chapter includes sections entitled "Before the Deluge", "Politics of the Bummer", and "The First Human Be-In", in particular this chapter discusses how the "bad trip" came to emerge from a cultural matrix in which LSD was regarded as harmful by the establishment but as liberating by the counter-culture, virtually assuring that many would experiment with the drug themselves to find out for themselves the effects. The seventh chapter is entitled "The Capital of Forever" and includes sections entitled "Stone Free" and "The Great Summer Dropout". The eighth chapter is entitled "Peaking in Babylon" and includes sections entitled "A Gathering Storm", "Magical Politics", and "Gotta Revolution". In particular, this chapter shows how the LSD culture emerged in Haight-Ashbury and how it interacted with such other phenomena as the political New Left and the anti-war movement emerging as opposition to the Vietnam War, mentioning such things as the Diggers and the Yippies. In particular, many on the politically reductionistic New Left saw the whole hippie phenomena as an attempt to drop out of politics entirely and thus regarded it negatively. Further, many hippies became easy prey for dangerous psychopaths such as Charles Manson. The ninth chapter is entitled "Season of the Witch" and includes sections entitled "Armed Love", "The Acid Brotherhood", and "Bad Moon Rising". This chapter explains the relationships between the New Left and the anti-war movement forming as a force of opposition to the Vietnam War as well as the continuing and complicated relationship with the hippie culture and the phenomenon of folk music. The tenth chapter is entitled "What a Field Day for the Heat" and includes sections entitled "Prisoner of LSD", "A Bitter Pill", and "The Great LSD Conspiracy", in particular, this chapter maintains that behind the scenes the CIA may have been manipulating the drug counter-culture and may even have seen the Haight-Ashbury district as a social laboratory. The book ends with a Postscript entitled "Acid and After" and an Afterword.

This book offers an interesting study on the Sixties and the drug culture focusing around LSD that emerged out of this decade. In particular, after reading the book, it becomes clear that the hippie movement was easily manipulated by psychopaths such as Charles Manson and larger forces out of their control such as the CIA. Further, the naïve belief of many that LSD would lead to world peace turns out to have only been a passing phase. Another problematic raised by this book is the relationship between LSD use and New Left politics. Unfortunately, the New Left sought to reduce everything to politics so failed to appreciate any sort of development that lay outside of their own political sphere. This book offers a good examination of a troubled era and some of the hopes of people in that era that were ultimately manipulated by larger forces.

Watch Video Here: http://www.amazon.com/review/R2NWFN612DXX3 My video review of Acid Dream. Really great bookAcid Dreams: The Complete Social History of LSD: The CIA, the Sixties, and Beyond. ***** 5 stars =)

Can't think of a more informative and interesting way of describing this period of time. I loved this book. Big thanks to the authors!

This book is perfect - It offered everything I was hoping for when I first purchased it. It covered from the end of the 50's and the Beat generation and how their influence lead into the hippie generation, and it ended in the early 70's tying in the beginning of rock and punk. It is a true spectrum of the 1960's counterculture generation.

It's a large book but its facinating to learn about the history and the culture. Like previous reviewers said, it really ties up everyhting and clearly shows the correalation between the drug counterculture and the govn't & society during that time period. I was born in the 80's and this book really showed me alot about the 60's counterculture and the attitudes towards drug use and young people during that time. I can see alot of correalations between that era with Vietnam as the war that they were protesting versus todays war in Iraq and the amount of US citizens that are against it.

The author also goes into government policies at the time and conspiricys and covert CIA and classified documents. I was amazed by the actions of the CIA and thetesting of LSD on unsuspecting American citizens. It is like the stuff movies are made of but it really happened! Truly and amazing and interesting book - I could not put it down. I reccomend it to everyone, regardless of your view on LSD or drug counterculture - a true wealth of information on 1960's America.

I highly recommend this book. It has helped write the Different Flags screenplay. Eugenia RenskoffDifferent Flags

So far the best and complete guide for screenplay that I've read. Very useful for those who wants to start writing a screenplay. I recommend it.

This books is very well written and has loads of information for the beginning screen writer such as myself. The author takes a chronological step by step approach as to how to get started and the proper format for a screenplay. The only thing I'm sort of ad odds with is that the author doesn't say much as to how in the world you get an agent to just read your script, let alone representing you. He sort of glosses over that problem and a real problem it is. I personally have been sending out query letters since February of this year and have received only "polite" rejection form letters or no responses at all. I've even sent out "follow up" queries and still no responses. I assume that agents need postage stamps, they've obviously kept the ones that I've included for return postage, or that in order to get ANYTHING read and actually produced, you have to know someone personally in the business. Don't quit your day jobs and think that you're going to sell a story. It's next impossible, as I've unfortunately realized. You would assume that it's not really that difficult given all the "schlock" that IS produced. Case in point: an independent film maker made a film this last year about zombies attacking a small town and it cost him about $30,000 to make. He released it and it made over $35,000,000 in one weekend! Out grossing the three main stream releases put together! Go figure. Never the less, this book is a good fundamental but just don't depend on it too much as gospel. Keep writing, keep looking for an agent but also keep/find a regular job in the meantime.

Unless you enjoy battering your head against the wall, read Keane's book before embarking on your project. Soup to nuts and three desserts - he gives the reader everything.

As Chance the Gardener says in BEING THERE, "I like to watch." As one who also likes to watch, this 'blockbuster release' time of year always makes me wonder....Could I do 'that'? Just how hard is it to do 'that.? 'That' being writing a screenplay and whatever comes after. A mystery to most of us watchers. This time I decided to seek answers to these questions. I naturally sought a book, which, for this quest, is Christopher Keane's HOW TO WRITE A SELLING SCREENPLAY.
CASABLANCA screenwriter Julius Epstein's foreword to this book closes with, 'Good luck and welcome to the terrible, wonderful world of screenwriting.' Why terrible/wonderful? By the time I finished this book, that was crystal clear. I learned that this pursuit isn't for the faint of heart or the thin-skinned. Screenwriting is demanding. It's daunting. It requires utter focus. It's frustrating. It's exciting. It's lonely. It's rewarding. There are lots of rules....There are no rules...
In this informative, engaging primer one can learn these rules and gain valuable insights into the wild and crazy film business itself. You might learn from this book that your idea is better suited for a play. Or a novel. Or a TV series. It's just as important to know what isn't a good screenplay idea as what is. Saves time! Throughout, I found that this book teaches about writing in the larger sense as well as screenwriting in particular. Chris Keane walks us through the many facets of this discipline that comprise the whole; the all-important story, character, plot, structure, dialogue, format, collaboration and re-write among them. He illuminates all of these aspects with references to specific films. And the book is peppered with personal anecdotes from the author's career. I found these to be invaluable insights. And one learns that once the screenplay is finished, the real work begins. This book will be helpful in the vital hunt for an agent, a key piece of the process puzzle.
I particularly like that this isn't an 'Ivory Tower Theory' book. Though Mr. Keane teaches this art, he also does it. And he has written novels and written for TV. As it's said today, he's been there-done that. I trust and respect this experience above all.
Whether you want to be a Chance the Gardener and 'just watch,' or you want to try actually writing a screenplay, I suggest you have Christopher Keane's book by your side. It's a helpful tool, seems to me. The more we know about the film process the better the 'watching' or 'doing' will be. This book will enhance the watching experience and make the 'doing' more manageable.
I've been trying to come up with a logline for this book....So far? 'The Hitchhikers Guide to the make believe.' Logline? Very important. See HOW TO WRITE A SELLING SCREENPLAY, Chapter 5.....

Much has already been said about the quality of the book. I personally find that the book is a due tribute. I also must say that I have not found something on Kubrick of comparable depth.

On the content side, I would have liked to see more info on the projects that were not realized, especially on "Napoleon". And I didn't find a lot of value on the CD, since it's a spoken track instead of some audiovisual material. Nevertheless, as I said before, I haven't been able to find anything comparable to this book on Kubrick. The written material is of excellent quality, as are the pictures and graphics.

I see that Taschen is issuing a new version for it's 25th anniversary. As I understand it, it will be out on Oct/2008.

In conclusion, I am the proud and happy owner of an excellent piece of work.

I have been a Kubrick fan since I was 7 and saw "Paths of Glory" - it was the only film I ever saw that I NEEDED to know who directed it, and, what other movies of his were out there. That was 30 years ago, and I still keep all his films seperate from anything else in my collection! This book is simply INCREDIBLE! Buy it if you can.....no true Kubrick fan should be without this......it is MIND BLOWING! A true work of art covering the work of a true artist. We will not see Stanley's talent and caliber in any other film maker, at least not in my lifetime. Bravo, Stanley!

If it wasn't for its hefty weight, the book is one of the items I'd take with me if my house was on fire - without hesitation. I can't even imagine how long it took for the Taschen team to assemble this incredible book; it tries to do justice to recollect Kubrick's body of work in the form of a portable archive. Seeing this book in person is an experience in itself. The conceptual design is simply impressive: details like the texture of the binding mimicking that of a real archive is a start.

A CD of a rare uncut interview with Stanley Kubrick included in the book is a real gem. The interview takes place during Kubrick's career in its earlier years, and it provides an insight of the director that no other text interview has been able to accomplish - precisely for the reason that you hear Kubrick's voice and his unfiltered opinions. Then, of course, you have a piece of 2001's film strip as an added bonus. It's just too much for a book! And I say that gratefully.

The first part of the book is filled with glossy stills of all the films made by Kubrick. It's nice, and glossy, but the real reason I purchased this book is for part two.

Part two, or "The Creative Process", is filled with a lot of archival materials for each of Kubrick's films - especially pre-production materials: production notes, correspondences, and etc. You learn a lot about how Kubrick prepares for his films by seeing just a tiny fraction (undoubtedly) of what he does before he actually goes into production - it is one of the reasons that explain the long intervals between the director's releases. In addition, the book has an extensive collection of interviews with the director from various sources. But it is little treasures like the former that make this book special.

If you are a serious fan of the master director that is Stanley Kubrick, this is the next thing to have in your possession after the DVDs. Taschen made a serious effort in paying homage to Kubrick's work as a book publisher, and they have succeeded. They could've made a lazy effort in disguise to simply profit off of Kubrick's name, but they didn't, and for that they have my respect.

Amazon now has this book available for pre-order for an October 1, 2008 release date, for $44.10 from a $70 retail cost. Look under 'The Stanley Kubrick Archives [ILLUSTRATED] (Hardcover)'. I would like information on book dimensions as the first print run was on average 40 by 30cm.

Lucky me! I scored a copy of this and I have to say it is the best book on a film artist I've ever seen. The previous reviewers weren't kidding--this thing is huge! Too large and heavy to be read anywhere but on a large flat surface, but that's not a complaint, unless you're lugging it across an airport like I did.

A spectacular book that you'll refer to repeatedly. I pored over it for hours. The first half is devoted to an incredible array of pristine stills from each film. The second half is focused on every film with a plethora of on-set photos and interviews with cast & crew. The book is helpfully tabbed by film.

A stunning look into one of the greatest of all filmmakers. So well designed that my friends were awed by its beauty. And that 70MM film strip--holy cow! IMHO, it's worth the price for just for that.