Arts and Culture Books

Another fantastic book from Focal Press. This book by Jason J. Tomaric is a fantastic resource guide, covering all aspects of filmmaking from start to finish. Well written, and a DVD loaded with extras! Don't make an independent movie without it! Highly recommended!

Newer thought that I would be considering working on a feature film, but reading and viewing Jason great material just gave me the feeling that I also could do it.

Books like this promise a lot but I have to say that Jason has done an excellent job of condensing the complex task of movie making into concise and accurate descriptions of each discipline. I've experienced quite a bit in the film business over 30 years and time and again as I read this book I kept saying "Oh yes, that's true." It is also a great reference for those noodly details one needs from time to time like proper script format. There is no need to hunt through your library for the answer, script format is right here on page 27. The other good thing about Jason's breakdown is the responsibility associated with film making regarding money,permissions, safety and insurance. I cringe when I think back on how we made 16mm indie films back in the 70s. In some cases we were lucky to be alive afterward much less sued! The Power Filmmaking Kit is terrific primer for those who wish to make a movie in the classic tradition for very little money.

Mark Sawicki
Motion Picture Effects Cameraman/Actor and Author.

I was so frustrated with the lack of practical filmmaking instruction that I took two years out of my life to write and illustrate "The Shut Up and Shoot Documentary Guide", so I speak from the heart when I say that Jason Tomaric's "Power Filmmaking Kit" is a rare wonder of practicality, conciseness, and valuable filmmaking wisdom.

There are two ways you learn the things in a solid practical film book like this:

1) the hard way- by doing it and learning from your mistakes (fine if you've got the time and the money) or

2) by being smart enough to study and learn from a book like this how to stretch your time and money and get better results.

After fifteen years in this business, I still found plenty of valuable tidbits, forms, and practical wisdom in Jason's book and the jam-packed DVD lessons to make it more than worth the cover price. I only wish I had access to a book like this back in my film school days.

Yet another big shot in the DV Revolution. Well done, Jason.

Author Jason Tomaric has written, directed and distributed several minor independent features which is a laudable feat. Yet, Tomaric has surprisingly little to say about the filmmaking process. Sure, there's a lot of information here, but nothing you couldn't get anywhere else. Even the skimpy material on his own productions generally amounts to one thought--"Need something for free? Just ask!" What makes similar books like the Complete Guide to Low-Budget filmmaking (Josh Becker) or Make Your Own Damn Movie! (Lloyd Kaufman) interesting is the authors' willingness to share their personal views and stories of their triumphs and failures. Other books like The DV Rebel's Guide (Stu Maschwitz) and Digital Filmmaking (Mike Figgis) are authored by highly-regarded professionals who describe how low-budget technology potentially transforms mainstream filmmaking processes. Tomaric, on the other hand, opts for an encyclopedic "wide as an ocean but shallow as a water basin" approach. The result is a paint-by-numbers text that reads less like a book and more like a reasonably executed career move.

Growing up in Iowa in the 70s, we didn't have the grindhouses movie theaters of NY nor did we have the drive-ins of the South. Being a b-movie fan at that time meant combing the TV Guide every week to find oddball movies, although if the title was not eye catching (e.g.-The Devil's Rain, Blue Sunshine), it might be missed. This book came out when I was 15, and although horror movie encyclopedias had been published in the past, this was the first really comprehensive tome on what is generally described now as "exploitation movies," "cult movies," or more recently, "grindhouse movies."

The term the author coined, "Psychotronic," became inclusive of not just horror movies, but also biker, blaxploitation, juvenile delinquency, drug, scare, softcore, and any other type of offbeat movie the author happened to fancy.

It was published at the very cusp of the VHS boom, when not only were video shops sprouting up all over the place, but electronic shops, supermarkets, and even convenience stores had huge video rental operations. Michael Weldon's movie guide gave an entire generation of b-movie buffs who did not live in NYC a glimpse into what was out there. This book became a bible to us given that it was first time in our lives that these movies were available to us thanks to the proliferation of VHS rental tapes.

The book is now 25 years out of date and younger audiences might not find it quite so useful (it doesn't list The Evil Dead-that's how old it is!), but on the plus side, there are many listings for movies from the early 80s and before that have disappeared, so it's difficult to write it off as irrelevant even now.

Absolutely indespensible guide to cult, sci-fi, horror and every other offbeat film genre written by people that understand subculture. Never ceases to amaze with the rare titles the Psychotronic folk somehow managed to track down and review years before we mere mortals knew these films existed. I refer to my copy at least once a week which should indicate how valuable a resource book this is to me.

I am the first to confess that not everyone spends their time wondering if they might like to watch Untamed Women tonight, or have an Ed Wood film festival, but I am one of them. Call me crazy (ahem!), but I like really bad old movies, especially the ones that try to scare/pander you. Perhaps I yearn for the time when showing a bit of cleavage was considered racy. So I nose around the discount rack looking for such gems as Mermaids of Tiburon or The Earth Dies Screaming. I come across a copy of Demonoid. Should I buy it or not? Comes the rescue the Psychotronic guide which safely guides me through these murky dark waters. It and its companion Video guide are essential for those who share my idea of fun, with reviews of 6000 screen gems, such as Curse at Cactus Creek and Robot Monster.

Perhaps my only objection is that the guide makes no pretense at being authoritative. For example, When a Stranger Calls is reivewed (favorably), but its sequel, When a Stranger Calls back, does not appear at all (and is arguably the better movie). There is also a smattering of "legitimate" film, such as Pursuit of the Graf Spee, and Polyester. No matter, all the films reviewed are, at the least, quirky, and there is a pretty good chance, at any rate, that the film you seek is reviewed. If not, you will have great fun just looking for it.

My only grief is that the concordance is limited to an index. After all, what more important thing could there be than a filmography of Barbara Steele, the geratest actress that ever lived?

These things aside, I recommend this without hesitation. There are other books listing gore/sleeze/exploitation films, but you will find none better.

This tome makes one yearn for the good old days, long gone, of the drive-in movie of the 60's and 70's now replaced by video bins. B movie makers of those days- their names are legion - made an honest attempt to entertain their audiences with meagre resources and often more meagre talent(unlike exploitation film makers of today, whose direct to video releases are lazy and witless). Weldon chronicles this glorious time in a very generous compendium, chocked full of wonderful black and white stills and capsule reviews of the inane and the obscure, thw wild and the wonderful, the unbelievable and the unforgettable. A feast for the fan of offbeat cinema.

The Psychotronic Encyclopedia of Film consists of plot summaries of the kind of movies that come on at 3 am. No not porn - get your mind out of that gutter. Weldon chronicles 50's movies with huge mutant animals from the old nuclear test site, vampires, werewolves and anything with killer androids.

Each movie has a plot summary and many have publicity stills or small news articles about the film culled from Weldons home collection. The introduction includes a section on the psychotronic film zine which Weldon ran. The zine included a listing of which weird movies were on that week and included plot summaries of said movies. What I found entertaining about this section was Weldons description of the difficulties getting his girlfriend to xerox the copies on the office copy machine when no one was looking. This book grew out of that zine.

When it was published in the early 80's this book would have been a great idea for any fans of bad movies. It is still a good source for info about bad movies up through the 70's. (I checked it out of the library and kept it for a semester during which I investigated such classics as Doctor Goldboots and the Go-go Girls and found that it was pretty thorough in the bad movies department.) As Weldon points out it was very difficult to find information about the kinds of films covered here at the time when this was published. However with the internet and sites like badmovies.org and the ever handy Internet Movie Database it is possible to get the information elsewhere.

If you have an internet connection then don't bother with The Psychotronic Encyclodedia. If you like bad movies and don't have internet access then this is a very useful reference for plot summaries and information on bad movies made prior to around 1980 and would be worth buying.

Todo tipo de imágenes del artwork de big daddy, ... echo de menos algúna lámina mas grande.. pero está muy bien

This is the definitive review of the lovably subversive Rat Fink, the iconic mascot of Ed 'Big Daddy' Roth.
This history of Rat Fink (along with some of his cohorts) evokes the heyday of Ed Roth and the Kustom Kulture he inspired.
Rat Fink personified the 'Anti-Disney' take on the world, popular among social outlaws (of the time) including hot rodders, bikers, and even skateboarders and surfers.
Never serious, but a sincere rebel, R. F. maintained his macabre sense of humor, which endeared him to his devotees, and confused the citizens not in on the joke.

A great book for Ed Roth fans. Very nicely done. I would also get Ed "Big Daddy" Roth: His Life, Times, Cars, and Art for even nicer pictures. Long live Big Daddy!

The various individuals involved with this great man truly did him well by this book. It has motivated me to get out my mack stripers and get some! I'm even pinstriping my toilet seats, anything I can get my hands on! Some great stories and from a truly personal perspective. Great pics to go w/stories too!

Book was in excellent condition. Speedy delivery. Thanks so much.

I'm a big GH fan and have watched since I was a child with my babysitter. I was a teenager when Robin and Stone's story was playing out and I loved it so much I bought Robin's Diary to relive it whenever I wanted to. These days soaps are more about violence and shockers than love and it's great to take it out and remember how it used to be.

You don't need to watch General Hospital to read this book and it to make sense. It's a great tale of young love.

Although based on a storyline from the popular soap opera General Hospital, this is actually a Romeo and Juliet type story teens can relate to. I read this for the first time as a teenager and still love it as an adult. This story looks at how two people on the verge of adulthood have to learn to live when one is HIV + and how that affects everyone in this young man's life, most notably his girlfriend Robin. Robin's courage thoughout is an inspiration.

This is my favorite book. The story covers a major crush, first love, a first time and a tragic death. I am the biggest fan of Robin and Stone around, and each time I read this book I still cry at the end. Robin and Stone will always be in my heart.

This book has everything you love in a story: friendship, love, drama, vunerabilty, complexity. I could go on and on. This story was truely the best I have ever read. I watched Robin and Stone on t.v when I was younger, but now that I have the book I appriciate it even more. I cried and cried at the end. Love to Robin and Stone forever. Thank you for this wonderful story General Hospital.

i have read and enjoyed this book many many times. I am also a huge fan of both Stone and Robin. I just have one problem with it. (not the book) i can't seem to find anything on the actor who played Stone, and i am not able to find him real name either. If anyone can help me please let me know. My email is mrs_green_thumbs@yahoo.com.i will be looking forward to more books like these.

I really think they are stretching to come up with more "Essential" books for Star Wars, but nonetheless, this is still a good book full of all the information you knew, know, wanted and didn't want to know about the lovable robotic droids of the Star Wars movies and books. Star Wars fans won't be disappointed, however there is not much here for the non-Star Wars fan, as they probably won't even know what their reading about (or if they did, they wouldn't care). I recommend this to all Star Wars fans.

In the immortal words of Darth Vader..."Impressive. Most impressive." I found this book to be not only an excellent resource but also a great read. It touches on every major detail of the droids that it mentions...which is quite a bit. You can read about anything from C-3P0's internal computer to the technical details of the medical droid. I recommend this book to anyone who wants to scratch the surface of Star Wars and dig a little deeper.

I have all of the Essential Guides and have been pleased with all of them to one degree or another. The Essential Guide to Droids, however, is one of the better ones. The author and artists have done their homework in researching the novels, but for all their work-there are some really silly designs in here, usually written into novels or whatever, because the author thought it would be cute, but only comes across as annoying or dumb (the C2-R4 comes to mind). Other designs have not been well thought out-the M38 Explorer droid is too tall, it seems logical that if you want an automated robot for planetary surveys, then something with a lower center of gravity would be a much better design. I would recommend that everyone ignore the fact that Anakin made C-3PO and keep his manufacturer as Cybot Galactica, since that is a little more believable. As always The Essential Guide to Droids would make an ideal addition to the Star Wars role playing table as well, and it has a good spread of robots from domestic, industrial to combat and medical droids. A solid effort with great art work and well written.

This is where I go to get information on Droids. You never seem to get really good description of the droids so this is where reccomend that you go and if you can't find out what you need to know the I would reccomend th Star Wars Encyclopedia.

The Essential Guide to Droids is better than the rest of the EG series thus far. It has good pictures and relatively informative schematic drawings of each of the droids, with better art than has been seen yet in a Guide. It also has the obligatory listing and brief description of all the major droid manufacturors in known. Another helpful feature is that it lists the droids according to their function, rather than in the standard alphabetical order, a la EG to Weapons. But the author goes beyond simply describing each droid and its function. He created background lore about the droids, and their developers. He doesn't make each droid individual, but rather trases entire product lines, for example, he goes from the R1 to the end of the R- series, creating the whole product line development, etc... What he doesn't do is spend the entire allotted text space for each droid simply relating the adventures it has had. This is a very helpful, informative, and readable SW book, and I'm glad I bought it.

I have only lived in the US since 2001, and SNL rapidly became my favourite show. Hence I bought this book to have a peek behind the scenes of the Manhattan studio where it all takes place, and I was not disappointed. Some of the people in it I didn't recognise as they were before my time, but I recognised many faces. Even if I hadn't, it is great to see all the backstage shots. Particularly memorable are photos of a writer hunched over a laptop, with Norm McDonald smiling over his shoulder, and Chris Farley sitting at the head of the table in a crowded writers room. There are also lots of other great shots of people building sets, working on costumes, doing all the pre-show stills for the commercial break etc - all of this exactly what I was interested in.

What jumps off the page for me is the camraderie that obviously exists between everyone on the show - obviously there are rivalries and creative tensions, but you can tell there is a group mentality that connects everyone in the photos. There are some treasured memories in here for the lucky few that were there at the time.

This is the next best thing to actually being involved with the show yourself, and as such, I recommend it wholeheartedly. A flood of images! Lovely stuff to have on your coffee table or beside your bed.

A great book, really good if you only started watching SNL in the last few yaers and would like to know about the earlier years.

I'm sorry to say that this book was published a year too early. It went to press after the 1993-94 season which was SNL's 19th. Were the authors and publishers so anxious to get it out? I guess they were. Anyway,this book tells about the amazing history of Saturday Night Live. Every overall cast member,director,writer,producer and everyone else involved. We'll never forget October 11,1975,the day of its premiere. The premiere episode began with the late John Belushi and the late writer Michael O'Donoughue in a sketch called "The Wolverines". O'Donoughue played a psychiatrist and Belushi was the patient. At the end of that sketch and before the pre-taped opening montage played,Chevy Chase came out yelling "LIVE FROM NEW YORK,IT'S SATURDAY NIGHT!",which is said at the beginning of every show,even to this day. Chase didn't stay very long on the show. Before the end of 1976,Chase,the first Weekend Update anchorman,went to Hollywood. Jane Curtin,another original cast member succeeded Chase on Weekend Update. Shortly after Chase's departure,in came Bill Murray from Chicago. After 1978-79,Belushi and Dan Aykroyd left SNL to go Hollywood and concentrate on their Blues Brothers act,initiated on SNL. They filmed THE BLUES BROTHERS in '79,a year after Belushi's first starring film ANIMAL HOUSE. In 1979-80,Harry Shearer joined remaining original members Curtin,Garrett Morris,Laraine Newman and Gilda Radner. After that season,all five were gone. The 1980-81 season began unusually late due to the actors' strike and Presidential debate between Jimmy Carter and Ronald Reagan(the SNL studio was used for the debate). That season brought an entirely new cast,one of them being Joe Piscopo who stayed thru 1983-84. Eddie Murphy,then age 19,joined the show and departed with Piscopo. Another member was Gilbert Gottfried who was then not-so-famous. Jean Doumanian succeeded original producer Lorne Michaels,who had left with the remainder of the original cast. Gottfried was let go after 1980-81. In 1981-82,Piscopo and Murphy had new castmates,some of them Canadians. Robin Duke and Tim Kazurinsky are Canadian like original member Dan Aykroyd. Later(1984-85) came Billy Crystal who almost became an original member,and James Belushi,John's brother. Also joining in 1984-85 was Martin Short,who'd go Hollywood himself later. The following season,things finally settled down in studio 8H. Lorne Michaels returned,triumphantly(Doumanian was fired after 1980-81 and succeeded by Dick Ebersol) to serve as producer like he did for SNL's first 5 seasons. The new cast members were Nora Dunn,Dana Carvey,Kevin Nealon,Victoria Jackson and Dennis Miller who'd become the next Weekend Update anchorman. Mike Myers joined in 1989. Myers and Carvey became Wayne Campbell and Garth Algar,two hard-rocking and babe-loving buddies on the sketch Wayne's World,later inspiring two films. Chris Farley and David Spade later came and also went Hollywood. Another big SNL star is Adam Sandler,another film star. Sandler previously worked for NBC,guest-starring on a few episodes of The Cosby Show. Every show had a guest host and musical guest(some shows had more than one of each). We will never forget the Coneheads,Emily Litella,the Festrunk Brothers,Ed Grimley and Wayne's World(sorry if I forgot anything). We also won't forget John Belushi,who died in 1982 of a drug overdose and Gilda Radner who died at 42 of ovarian cancer. Farley fatally overdosed on drugs in 1997. O'Donoughue succumbed to lung cancer in '94. Oh, by the way,Bill's brother Brian Doyle Murray was an SNL member from 1981 to '84. This book should have been updated in 2000 for the show's 25th anniversary. After nearly 29 years on the air,Saturday Night Live continues to pull in tens of viewers from 11:30 PM to 1 AM,EST.

Since its television debut in 1995 few will argue the fact that Saturday Night Live was a cultural, comedic, and TV phenomenon.

Here in one volume is a collection of the sketches, characters, performers and phrases that first appeared on the show that kept many of us up late.

It's also a visual reminder of some of the great comedians who were first showcased there and the once shocking catch phrases that became a part of our collective vocabulary.

This book is an awesome book! you can learn about every castmember in the show up until 94'. You can learn about all the hosts, all the years, all the musical guests, all the backstage info, all the famous songs(including Adam Sandler's Songs), and much much more. Not only will it let you know your facts, but you will enjoy it! Trust me, buy it!!!!!!

I've always been a big fan of "How To" books, especially ones like "Shaking the Money Tree" and "Writing Down the Bones," where a highly accomplished professional shares insider tricks and tips that I am able to use to solve a pressing problem.

Well, I recently had to pitch an idea for a new book. The subject (Citizen Journalism) was new for me, and I didn't know how to communicate my passion for the book and the importance of the subject. Then a friend told me about "Selling Your Story In 60 Seconds." I read the book in one afternoon, and using what I'd learned was able to pitch the idea successfully, four days later.

"Selling Your Story in 60 Seconds" is surprisingly well written and easy to read. Whether you are pitching a book, a script, or pitching an idea during fund raising--this book is essential.

This book on how to sell your story has an interesting perspective and will make you think of important facets of marketing your story you probably would not have thought about. Worthwhile.

Writers are lucky to have this book available - it provides them with much specific & essential guidance on their quest for perfection and success. And it makes things easier for us - film company executives - as well, because dealing with writers who have been enlightened by this book saves us time, compared to dealing with those who choose the shaky road of "trial & error". Thus this book is invaluable to both Writers and Executives. [...]

As an aspiring screenwriter, Mr. Hauge's title offered me a "guaranteed way" to get my screenplay read. Needless to say, this title sold me immediately. I finished reading it in one evening, and highlighter in hand, I went back and reread it again. It now closely resembles one of my college textbooks. I can't wait to implement Mr. Hauge's tips and suggestions as I enter the world of pitch fests, contests, and (hopefully) pitch meetings. When that time comes, I know I'll be well prepared and ready-to-go.

I attended 2 of Michael's seminars at Screenwriting Expo '06 and this book contains the same "special" quality of Michael's in-person class: He wants you to succeed. The book is an Instruction Manual for understanding, crafting and marketing your story. The material is digestible for beginners, valuable for all levels of writing, simple and thorough. There is a nice balance of "Do" and "Don't" advice. The "Executives on Pitching" Section provides confirmation and flavor to the meaty material that precedes it. This book is not simply a compilation of quotes and buzzwords. Michael has command of his craft and endeavors with the heart of a mentor to infuse it in his readers. 2 thumbs up :)

This is a very good book on Walt Disney World. It is far superior to the 20th Anniversary Book "Walt Disney World 20 Magical Years". Although, many of the pictures are the same, there are alot more in Since the World Began.

In addition, this book provides much more information on the creation of the park. Still the best book on the creation of the Disney theme parks is "Disneyland: Inside Story" by Randy Bright. Since this is out of print, Walt Disney World 20 Magical Years is a good choice.

Walt Disney lives.

No, I'm not talking about the urban legend about him being cryogenically sealed and stashed below the Pirates of the Caribbean exhibition. Nor is this some soft New Ageism about spirits inhabiting the celestial plane.

He's alive down on a plot of land outside of Orlando, Florida, a boom city that was a dumpy little crossroad when Walt began buying what became a 30,000-acre spread there is the late 1960s.

Walt's gone, but his vision and energy lives on, and once you start dipping into "Since the World Began," you'll see that the scope of his vision is nothing short of awesome.

There are many faces of Disney, the producer of family-friendly and highly profitable movies, the creator of family-friendly theme parks, but also a visionary who thought that, as one associate put it, "bad information was responsible for all the evil in the world." Who tried to change people's attitudes within the confines of an amusement park, the man whose idealism spawned the Epcot center, and under Michael Eisner, the Disney Institute, where education and learning are on a par with entertainment.

What the book won't tell you -- this is published by Hyperion, Disney's publishing arm, and written by Jeff Kurtti, a longtime Disney employee -- is just what hell Walt went through to realize his vision. You won't hear of Disney's fundamentalist upbringing, his retreat into fantasy to escape a brutal father and life in poverty, his endless hard work to make animated movies, his multiple nervous breakdowns. His brother Roy is idealized as the business brain behind Walt's success, but you won't hear that Roy constantly opposed Disney's ideas as a waste of money. When Kurtti writes that Disney founded the design firm Walt Disney Imagineering in 1952 "because he realized that he wouldn't be able to create Disneyland within the boundaries of the studio system," he doesn't mention that it was also because Roy and the Disney board refused to advance Walt the money to design Disneyland, fearing that it would be a failure.

There was plenty of reason for Roy to be worried, too. Disney's ideas constantly threw the company perilously close to bankruptcy, generally on the order of every 18 months, until Disney's deal with ABC in 1955 made him very wealthy and put the company on a firm financial footing. Walt Disney was an idealist and a visionary, and if it wasn't for his tenacity, the company would not be the worldwide giant it is today.

Even while ignoring those shadings, there is still plenty of story left to make "Since the World Began" an awe-inspiring overview of Walt Disney World. It's probably the single largest and most complex construction project this side of the space shuttle. Its statistics are jaw-dropping: 55 miles of canals and levees were built to control the water levels, nine acres of underground corridors thread through the park, housing sewer lines, pipes and cables, and a pneumatic system for hauling trash, 60,000 plants and 800 varieties of trees acquired, moved and transplanted to build the park, 100,000 pounds of linen had to be washed every day.

As befitting its creator, the theme park was ahead of its time in its use of innovative technology. WDW was also the first area to implement 911 service in Florida, the first commercial venture to use fiber optic cables, the first telephone system using underground cable instead of overhead wires.

But the park was also a reflection of Walt Disney's vision of a global coming together of different peoples and cultures, learning about each other and attempting to find and enjoy peace as a result. It's globalization with a human face, to borrow someone else's phrase, and even if it seems outdated or even impossible in this post-9/11 world, Walt's beliefs is a hopeful and sustaining vision, and as American as the culture from which it sprang.

The author dives into the nuts and bolts of Disney history, including the formation of the Reedy Creek Improvement District and Disney's unique infrastructure. Yet the book isn't bogged down with technical, intricate details. Any Disney fan should enjoy reading about the Imagineering behind all four Florida parks' concepts, the hidden meanings of the names on Main Street's second floor windows, the transformation of Tomorrowland, ad infinitum. I received the book as a gift in 1996 and I've enjoyed reading through it several times.

Wow, wow, wow what a great book depicting the history of the number one vacation spot on the planet. I actually bought this book when it came out about 5 years ago. After reading it, I decided I'm going back to Dinsey World to celebrate its 25th birthday. Needless, to say it was a great trip. This is the book for all you wanting to know about Dinsey World History. For Dinseyland I would reccommend Disneyland: Inside Story, but getting on of those under... is a hard task.... What are you waiting for, buy this book! Get ready to experience the magic!

This is a very good book on Walt Disney World. It is far superior to the 20th Anniversary Book "Walt Disney World 20 Magical Years". Although, many of the pictures are the same, there are alot more in Since the World Began.

In addition, this book provides much more information on the creation of the park. Still the best book on the creation of the Disney theme parks is "Disneyland: Inside Story" by Randy Bright. Since this is out of print, Walt Disney World 20 Magical Years is a good choice.

I am finding this book very useful for a rounded guide to technical theatre for those of us who are 'Jacks of all Trades'. I am a solo technician in a Performing arts college in the UK and find it a useful recourse as I have to don many hats and it makes a good refresher or guide for the less experienced.
It is well written and I find it honest and light and gives a good bit of detail about specific technicalities without the really mind boggling stuff that I guess 'non technical people' would get someone in for anyway.
Every director should have a copy, or anyone who has to work with technicians as it is a great overview of different roles and the work that different departments put in.
Have a go. It's worth the money in my humble opinion.

Campbell is a consummate technician, with experience in all areas of entertainment. He certainly knows his stuff and has made it accessible to anyone interested (even casually) in theater and how to make it happen. I interviewed Campbell for my own book, Careers in Technical Theater, and he is included in the chapter detailing technical directors, where he makes clear just how much there is to know about tech theater. Technical Theater for Nontechnical People helps bridge the gap between folks as experienced and knowledgeable as Campbell, and those just trying to put on a show who may lack even the basics. Highly recommended.

Very informative book, does what its says it will do, easy to understand.

I found this to be an excellent treatise on what it takes from a tecnical standpoint to mount a successful show. I've been involved with Community Theater for over 40 years and I learned a few new tricks of the trade.
The community theater company I'm involved with now has recently merged with a local art gallery to create a center for the arts. The paid staff has little to no theatrical experience yet has to interact with not only our local members but potential touring groups, local bands, etc. I am recommending to the executive director that the entire staff be required to read the book as part of their asscending the learning curve related to theatrical productions.

This is a wonderful book, but did you know there's a revised 2004 edition available? Click on "Paperback (2nd)" so you can get the most updated information on this subject.

Imagine that! Poe actually lived here, and I missed it!
Good read! Glad he's finally settled!

This is a great book. Endlessly fun and insightful and funny. Poe's adventuresome spirit sweeps-up the reader and delivers us to places we may probably never go. He dares to visit the shadow of America as well, and delivers to us the jewels of characters hidden therein. The experiences through which they all live are painted here in vivid, full spectrum color. I would buy and/or read anything this guy writes.

I am not very good at writing reviews, but just wanted to say this is a great book which deserves reading!!!

I became a fan of Poe Ballantine through reading his articles in The Sun magazine. This collection of short stories is just great. They are all autobiographical stories about his stays in different areas of the US and Mexico. The editorial, or maybe confessional, "twist" he puts on each experience is what makes the narrative so interesting.

If life were a greyhound bus, you would find Poe Ballantine out on the front bumper, experiencing it sooner and more intensely than the rest of us. This book is a collection of dispatches from the road, and what they have to tell us is edifying, entertaining, terrifying, and reassuring, as well as utterly authentic. Some readers have likened Ballantine to Charles Bukowski, and certain common themes suggest the comparison, but Ballantine's sympathy, wry understanding, and cheerless optimism have more in common with the themes of Tom Waits, Bob Dylan, and Hank Williams.