African-American Books

Folks, the chapter, 'Never Without a Book' is worth the price of the book alone.

Thank you Bro. Haki for the inspiration and the early awakening. Since reading "Black Men", I have been able to properly increase my "education" and it all began with your very important contribution.

Black...on...Black...LOVE!

This book is a must reading for those who are serious about advancement for those of african desecnt. The author hits on several critical points, and he does an excellent job at providing solutions. THIS BOOK WILL OPEN YOUR MIND!

Understand yourself and the world around you in a way that you never had before.

ALL black people need to read this book!

You will not be able to put this down as you read about the simplest differences between you and your white equivelent. Madhabutis' almost poetic language is peaceful to read.

If you're a black person who believes that change is necessary but you don't know what to do about it, the educative source is right in front of you, it's now up to you.

This eloquent, yet hard-hitting book gives a blueprint, instructions and provocative reasoning behind why Black families are in crisis today, and most of his criticsm is leveled at the "men" in the Black community who have yet to step up to the plate and claim their rightful responsibilities in the home and in the world. In often humorous ways, Haki breaks down what the issues are, where the solutions lie and what we should demand of each other in our collective struggle (from our Black mates, children, leaders, etc.). He does all of this without being condescending or pious, but stern and loving, an accomplishment in itself, and I recommend this to any Black person commited to the struggle to make lives better for Blacks in this country as a whole, starting in their own backyards. If more Black men took these word to heart, the world would be a better place for all brothers and sisters. VITAL, CRUCIAL and NECESSARY!!!

Members of Duke University's Sigma Nu fraternity are thugs. At least, one could get that impression from walking by their section and hearing such musical selections as "Baby I'm a Thug" and "Nothin' but a G Thang" that are frequently boom from within. Adopting parts of the gangsta persona for well-monied groups of future investment bankers and may be relatively consequence free but may not be the case for many youths in Chicago's South Side. This is one issue that Mary Pattillo-McCoy addresses in her ethnographic study of the middle class residents of the South Side's Groveland community, Black Picket Fences: Privilege and Peril Among The Black Middle Class.

Black Picket Fences is in part a response to what Pattillo-McCoy characterizes as the research pendulum of socio-economic studies of blacks having "swung to the extreme." That is, despite the large body of research focusing on the black population, the overwhelming majority further focuses on the less affluent portions of the population, having largely other segments the black population. However, research and knowledge of the black middle class is vitally important because, as Pattillo-McCoy points out, these are the people who are supposedly living the lives that our government and society has envisioned for all blacks following the Civil Rights era of the 1960s.

In the book, the author emphasizes the prevalence and importance of spatial orientation of racial communities. Pattillo-McCoy utilizes census data to show that in Chicago and most other metropolitan areas, black communities are concentrated in "black belts" surrounded by tracts of predominantly white communities. On the periphery of these black belts are often middle-income black communities that serve as a buffer between white communities and low-income black communities.

This picture, though, is not static through time. Pattillo-McCoy reveals a game of racial cat-and-mouse in which middle class black families are chasing their white counterparts. The pattern starts when a black family moves into a predominantly white neighborhood. Whites begin leaving the area, and soon the area is predominantly middle class black. Then lower income blacks migrate into the area, creating a mixture of economic statuses within the community. Such is the case in Groveland.

One concern that arises from her heavy reliance on census data, though, is the possibility of generalization. This is especially troublesome in light of the high socio-economic diversity of many black communities that Pattillo-McCoy describes. This is not as much in relation to her Groveland study area, but the other South Side communities that the author details in chapters one and two.

The implications of living in such an economically diverse community are large, especially for adolescents. Pattillo-McCoy points out that the appeal of deviance to teenagers cuts across racial and class lines, the motivations and accessibility of deviant behavior are often very different. In Groveland, a teenager is constantly confronted with realities of gang life and drug use because gang members and drug users are a large part of the Groveland community. In fact, most teenagers have acquaintances who are in gangs or who know gang members. This means that a part of the teenager's social network probably participates in gang behavior and drug use, making him or her both easy access and social reinforcement for such activities. This is less often the case for middle class whites, who often reside in homogenous neighborhoods where gangs and drugs are less common.

McCoy also emphasizes that today's young Groveland residents are much downward social mobility than previous generations of Groveland residents and middle class whites outside of Groveland.

There are often family and community security mechanisms to help Groveland residents. It is relatively common for divorced or resource-limited mothers to move in with her own parents. The grandparents help in parenting by supervising children, changing diapers, and serving as role models for children. Also, many families in Groveland are third or fourth generation residents, so most people in the community have long-standing social connections to other residents. These connections often prevent wrong-doers from targeting others in the community, and the familiarity helps potential targets feel more comfortable around people they perceive as being criminals, because in all likelihood they know each other or other's parents or children.

McCoy shows how individual Groveland residents deftly navigate between "street" and "decent" parts of their social networks by code and persona switching. Chief among these is William "Spider" Waters, a marijuana-smoking gang member who works two jobs with the Chicago Mercantile Exchange and Groveland Park, respectively. At the exchange, he speaks proper English, goes by Will, and works on his days off. In Groveland, he speaks Black English, goes by Spider, and "kicks it" with his friends. Tyson Reed, former Groveland gang member, student at Grambling University, and aspiring lawyer, points out the even though he talks about school, grades, and academic things, he doesn't broach the subjects of grades or Albert Einstein with his friends from the ghetto.

This book has wide-ranging relevance. It is enriching academic reading for students in sociology, cultural anthropology, and ethnographic studies. More importantly, though, this book is very important to American citizens in general. This book is about their neighbors and illustrates injustices that take place within America's borders. If the American social ideal of racial integration is to ever become a reality, the American public needs to be more informed about why integration is taking so long, why middle class citizens are still socially constrained, and what unjust situations are being perpetuated within America's borders. Black Picket Fences gives a very personal, very compelling answers to these queries. It is certain that the situations that exist in Groveland exist elsewhere in America and quite probable that they exist outside of America, too. Therefore, this book comes highly recommended to everyone.

Through ethnographic research the author highlights the intersections between middle, working and lower class African Americans in Groveland, a primarily African Americans middle class community in Chicago. Despite arguments that the African American middle class is flourishing, Patillo McCoy documents how racial segregation and racism confines many middle class African Americans to neighborhoods that frequently have to battle issues such as crime, gangs and drug use, that white middle class neighborhoods do not. In addition she does an excellent job of tying in the consumer wants and desires of African American youth and adults with the capitalist nature of American society.

Through ethnographic research the author highlights the intersections between middle, working, and lower class African Americans in Groveland, a primarily African American middle class community in Chicago. Despite arguments that the African American middle class is flourishing, Patillo McCoy documents how racial segregation and racism confines many middle class African Americans to neighborhoods that frequently have to battle issues such as crime, gangs and drug use, that white middle class neighborhoods do not. In addition she does an excellent job of tying in the consumer wants and desires of African American youth and adults with the capitalist nature of American society.

Black Picket Fences is an insightful and informative survey of privilege and peril among middle class blacks providing an unusual, intriguing study of the pressures of black middle-class families. Sociologist Pattillo-McCoy lived in a black middle-class neighborhood in Chicago: her experiences serve as a foundation for analysis of social issues and change.

This is perhaps the most significant book on the black middle class since Wilson's Declining Significance of Race. The Author gives us a community study at par with Streetwise, Getting Paid, and Street Corner Society. Through this book, black neighborhood are transformed into multi-dimensional communities, rich with institutions and networks. Truely a balanced view, which goes beyond books like the Truely Disadvantaged (although both deal with the same community). Most importantly, the author reminds us of the link between structural factors and race. The content of the book should not be overlooked, and the conclusions regarding the need to maintain race-based affirmative action, even for middle class blacks, should influence every policymaker in the country.

My father loved me enough to expose me to this book when I was younger. I didn't truly appreciate it until I got older and experienced more in life. This book has a variety of poetry. It is all beautiful. I highly recommend this book.

I first encountered "The Black Poets" as a college student back in the 1970's. It features a wide selection of poems by many well known Black Poets. Many are humorous, such as "I sing of Shine" others romantic, others revolutionary, but all thought provoking. I couldn't find my old copy so I repurchased another recently. This book is definitely worth owning. It will bring you pleasure whenever you pick it up.

I remember reading this book while in middle school. And, I am a 2002 high school graduate. I found this book in the library, and its very impowering - real. The poetry resonates with Mildred D. Taylors, Roll of Thunder poem. I was fascinated by the Run n*****- run master comin get you poem. Its a good book!
Lots of old great African American written poetry.

I am an author and a poet and will state that this is an excellent job by Dudley Randall. The poems in this anthology flow very well. The section on the Harlem Renaissance is very pleasing; know the struggles encountered and the determination of will to succeed, the poets during that era showed strength and courage and are well documented. The book is a history lesson in itself regarding poets of the past and present. There is a distinct contrasting of poets who are classified as folk and literary poets. The additional distinction between pre-renaissance and post-renaissance poets is also made in the book. Overall, the poems from poets in the anthology are outstanding and give a great blending of African-American History.

This book was required reading for a graduate class that I had, and I must say that I thoroughly enjoyed it, it was simply great. I was introduced to many poets whom I'd never heard of and that was the best part, because I feel that many Blacks don't know about poets who were not mainstream, this leaves a lot of important writers to dangle in the wind without every being recognized by the very people for whom they wrote. This book was great in particular I liked the seculars they were hilarious, they reminded me of the epitaths we used to read in American Lit in high school. Great little book!!!!

I found this book to be very informative and very well writen! I particularly enjoyed learning true historical facts that have long been misrepresented, or clouded with partial information. I highly recommend this book to any reader who enjoys history and is interested in learning truth.

I don't know about the book, but the author brings an entire new meaning to the term, "head up".

Call me Ishmal......

Simply put, I love this book. I like the fact that it summarizes the lives of so many African Americans including the famous and the still unknown. I highly recommend this book to any reader seeking information about the lives and consequent impact of some of our heroes.

I bought this book in hardcover when it first came out and since then have bought several copies to give to other people, both black and white, both young and old. Without fail, this book has impacted people, and every one of them has told me how much they learned from this wonderful book.

Kareem Abdul-Jabbar did a masterful job in gathering these inspiring stories from what has been, unfortunately, the footnotes of history, if they were acknowledged at all. The achievements by black Americans and their contributions to this country have been largely ignored by historians until recently. And even today, many black Americans who were not taught as young people about their heritage remain oblivious to what should be a matter of great pride.

We have taken great steps to equalize human rights, but we still have a way to go to completely obliterate the racial prejudice many of us grew up with. Books like this by people with the stature of Kareem Abdul-Jabbar will help get us to where we should be--respecting people of all races, colors and creeds.

What's more remarkable than the informative nature of this text is how it came to be...
An African American sport icon who gained success through one of the primary avenues African Americans have to reach affluence (sports and entertainment) just to use it as an avenue to actually uplift the intellectual level of his community. Well done!
I can't tell you how many tears it brings to my eyes to see a brother who achieve greatness through the stereotypical avenue of sports and actually use his greatness to do the truly great...uplift his people. Though there have been lists and books previous to his on the same subject, it has rarely been done by a person with such influence among youth, and for that I credit him unlike other past atheletes who simply use their stardom to sell grills, orange juice, or try and become rappers.

Peace to the God

Great picture book with a wonderful story! I purchased it to share with high school students to show them how visualization is important when you read.

It's a great childress book, but adults will enjoy it also. Soon to be a collectors item.

If you want to know what the book is about and the feel of it,
take a look at the cover. It says it all - the scariness, the
unutterable sadness, the awfulness of the slavery & then the segregation in the South from which the Blues developed.

I just read this book and even as I write this review I'm feeling reluctant to continue. This isn't one of those books that you quickly glance through then immediately write your response on. It's that rare kind of book that you read, and stop, and then think about for long periods of time. It's the book you carry with you to quiet places, like park benches or sloping green hills, just to read it to yourself. It's a book that sings without straining, that ropes you in with its words and then traps you with its images. I shouldn't be writing this review now. I should stop and think more about this book, ponder it a while, and when I figure out what to make of it THEN I'd write this review. But I'm afraid that if I wait to puzzle this book through completely, I'll never get around to writing anything at all. And that would be the worst response to something this good, I suppose. So it is with great reluctance that I'm going to try to convey to you what this book feels like to read.

A little background first. Written by young adult book god Walter Dean Myers, the author switches his focus from long prose to picture book form. Accompanied by Christopher Myers (an artist in the sense that what he draws drips into you) the two have concentrated on the blues. There's a fabulous author's note at the beginning explaining what the blues is and how it was born. From the call and response singing form, found on the continent of Africa, this type of music mixed with European English to create the final product, the blues. Myers puts it this way, "When art from two cultures comes together, the result is often an exciting new experience". He goes on to explain a couple terms and how the blues moved from the fields to the cities. Then the book begins.

I don't know enough about the blues personally to be able to tell if all the different lyrics found in this book can be individually assigned to a particular singer or situation, though I assume that this is the case. Likewise, I'm not certain if the illustrations in this book are based on photographs, but again, I assume so. After all, I recognized the reference to "strange fruit" one one page, and on another I remembered seeing the photo of the two boys sitting on the street curb, one turning his head away to sob. The book does something near impossible. It conveys misery without depressing. Reading through these stanzas, it's almost as if the book is one multi-veined blues song itself. The illustrations compliment this perfectly. The book is black and blue, brown and white. But mostly blue, to be honest. My favorite two-page spread features women hanging their sheets to dry on one page, and a woman reaching towards a flying blackbird on another. I could sit and stare at these pages for hours, if I had a mind to.

The books ends with a timeline of significant moments in the blues as well as a glossary of terms. Y'know, there are hundreds of books out there today about jazz and the importance of the jazz musicians. Why have the blues been so ignored? I can only assume because jazz is the easier subject to write about. Writing about blues, you're in danger of only showing the depressing aspects of the genre, and not the art. It takes an artist to convey this particular form well. We are fortunate that not one, but two artists took it upon themselves to do just that. This is the book that took my breath away.

Father-son, writer-illustrator team Walter Dean Myers and Christopher Myers have produced a masterpiece. W. D. Myers's text is made up of poetic blues lyrics, the "call and response" depicting the African-American experience. The poetry is beautiful, unsettling and evocative; it is perfectly complemented by C. Myers's art. The artwork is done entirely in white paint, warm brown paper bags, and blue ink -- every blue tone from navy-black blue to ice-white blue. It is not at all obvious at first glance that his palette was so limited; C. Myers is astonishingly creative, using a wide variety of artistic techniques and tools, and his spreads are richly textured and diverse. The images are moody, haunting, and tense. Sorrow and pain are the dominant emotions, though hope, joy, tenderness and celebration make appearances as well.

As the title indicates, the book is a journey, and the verses and images progress forward through the timeline of the blues, from the end of slavery through the beginning of the civil rights movement. The pictures also show the gradual movement from country to city, the black migration from South to North. The blues timeline is printed at the end of the book, along with a glossary of symbolic terms used in blues lyrics. This back matter, in addition to the opening author's note giving an explanation of the history and meaning of the blues, provide a necessary key to understanding the layers of meaning in the verses and accompanying illustrations.

Several of the spreads are visually breathtaking, evoking deep feelings of grief and sympathy. A man stands facing away from the viewer, knee-deep in a gorgeously painted blue ocean, holding onto a fishing net. The verse speaks of "casting my love out to the sea;" the illustration speaks powerfully of loneliness. Another spread depicts two young boys sitting on the curb, one with his face buried, turning away from the other child, who is holding his hand in comfort. The very adult look of concern and hopelessness on the boy's face is striking. Coupled with the verse, which says "despair will scrape the bone/ misery loves company, blues can live alone," the illustration speaks of abuse and misery visited upon children helpless to protect themselves; a similar illustration shows two children sleeping on the same mat, head to toe, by a verse that describes their poverty. One of the strongest images in the book is a furious boy at the back of a crowd holding up a sign that says YESTERDAY A MAN WAS LYNCHED, which explicates the accompanying verse ("Strange fruit hanging high in a big oak tree") and summons an image that, while shocking, is an important part of blues history.

"Blues Journey" is neither upbeat, nor easily accessible; it a sophisticated, layered work that expands with every re-reading. Perhaps it is not the sort of book a parent will take home to read to a toddler, but it has a great deal to offer older children; in particular, the book would be an invaluable classroom tool for the study of African-American history and blues music. The Myers have expanded the boundaries of what a picturebook can do. The combined effect of the text and art is to create a visual metaphor for the music of the blues, and a powerful evocation of the black experience.

I have read both of Timuel Black's books and recommend both highly. Black is the right person for this job, having a nearly perfect memory for a past that includes important work as an activist, educator and scholar. He knows what his subjects are getting at and knows how to tweek the most out of them. Timuel Black's memories intertwine with the memories of his subjects and create a whole that is greater than the sum of its parts. It is truly living history

This is a book that everyone should read but can particularly important to young people, black and white, who don't quite understand that they are standing on the shoulders of giants.

I loved Bridges of Memory Volume 1... and this book doesn't dissapoint either. I love his interviewing style and the variety of people he has choosen to interview about their personal Chicago experiences. This is a well written book and I am looking forward to reading the next volume when it is released.

Here's my bias. I like history. I like to hear people talk about their lives. I like intelligent, articulate, effective language. And I loved this book. The people interviewed are fascinating, and Timuel Black helps them tell their stories in an unpretentious but by no means diffident way. I learned a great deal and enjoyed myself for many evenings.

What a gift this collection is!

In 1988, Timuel Black began to record and preserve the recollections of people who had lived in Chicago a long time, particularly the first generation of the Great Migration. When he wrote the introduction to this book, he had recorded over 125 conversations and still had "many , many more people with whom I would like to speak." Thirty-six of those conversations are presented here, with two more volumes planned to follow.

The interviews are conducted using the "participant observer" technique, and since Dr. Black - a long time resident himself - is an "insider" these interviews are essentially honest, intimate conversations among old friends, many of whom have now passed. As Dr. Black makes clear, this book is not intended to be a history of Black Chicago and its institutions, but rather a collection of oral memories from people who participated in shaping those institutions. But his field work provides invaluable data for future researchers attempting to compile that history.

If this book contained nothing more than the biographical information about each of the 40 participants (some are joint interviews), it would make fascinating reading. But the interviews bring each vividly to life. We meet people from all walks, including civil servants, educators, politicians, jazz musicians, railroad workers, business people, even two generations of South Side Chicago represented by mother and daughter Mildred Bowden and Hermene Hartman. Some, like George Johnson, tell a story of "from rags to riches." Others fall into a category of "just keep on keepin' on."

But all are riveting. I look forward to the next two volumes!

The strength of this book is in its informality. Mr. Black is friends with nearly all of his interviewees (he has known several of them for over 40 years), and the sessions read as a conversation rather than an interview. This book is especially useful for one looking for supplimental material about the neighborhood of Bronzeville in Chicago, segregation (from an individual perspective rather than scholarly leaning), and smaller aspects of city history and social change that are often forgotten. Some of his interviewees include a man that owned a company that distributed hair straightener around the U.S., a man that started what would become the Illinois state lottery, well respected teachers, and military servicemen.

There is a great deal of repetition that could have been eliminated regarding DuSable High School, locations of buildings, boundaries of the neighborhood, and references to people that are not elaborated upon; it is possible that Black chose not to edit this out to keep the interviews intact. It would have been extremely helpful for maps of Bronzeville throughout the past 80 years were inserted among the small selection of pictures that are included, in order to help those unfamiliar with the neighborhood navigate through some of the interviewees' memories of businesses, theaters, and homes.

I echo the thoughts of the previous reviewers...I was taken back in time and felt Bull Jean as I read her story I longed for her to find her Mina! I cried at the end of the book. I'm a student as well as thespian and wish that one day I can bring Bull Jean alive on stage..This is a most have!

I have had this book for several years and each time I reread a story I gain a new appreciation for this book. I want more of Bull-Jean.

Sharon Bridgforth is a conjurer. She captures the voices of folks on the pages of this book whose stories would otherwise be lost in the wind. I laughed out loud, big old belly laughs, and read the stories aloud to friends and family. This writer is a descendant of Langston Hughes and all the folks who tell stories on the corner, in the back of the church, in the beauty parlor and on the porch, looking at the sunset. Her deeply felt prose and poetry is redeeming. Thank you for one of the most enjoyable experiences I've had as a reader in recent memory!

the openess to love that bulljean expresses and the ability to bounce back once a love is gone is so present in us all. I felt bulljean, when she tells Mina-Mina be my woman. Madam Bridgeforth has brought back the power of love to poetry and she didn't have to be political about.

In the haze of a Michigan Women's Festival delerium, standing next to Sharon Bridgforth in a bookstall, I bought her book, along with any other lesbian book of poetry I thought I might like. I've since reread this book repeatedly, recommended it repeatedly, and offer this opinion: If you like women, if you like to laugh, if you like a heart-breaking, soul-warming story, buy this book. Buy 12 of them.

I was channel hopping and came across a PBS independent file "Banished" and was quite surprised when the 1st place they mentioned was Washington County, Indiana, where I am orginally from and where my family still is. I was curious, so I did a search on Amazon and came across this book. Again, 1st thing mentioned, Washington County, Indiana. Then, later on in the book I came across Laurel County, Kentucky, where my maternal grandmother's people are from! I never thought I could be so ashamed of where I came from. It hurts to read this book, that people can be so ignorant and cruel.

I definitely suggest reading this. As I mentioned, it hurts, but we all should know our history, and hopefully quit repeating it.

I wish to commend Mr. Jaspin, the author of this work for his intelligence, his tenacity, moral integrity. I thank him for the sacrifices that he made to bring this powerful work to us.

This is a chapter in American History that I had not known before. I learned of Forsyth County for the first time when I read the accounts of the protest and its racist past in the New York Times. And I was born and raised in Atlanta during the time when segregation was the order of the day. Having read this work, I believe it is possible that my own family may have felt the terror of a racial cleansing and banishment. My father, now deceased, told me that my grandfather packed up his family and belongings, left Monticello and came to Atlanta in fear of the Klan in 1902.

This book makes one of the strongest cases for reparations. The problems of racism and inequity in economic relations in America will never be solved as long as the problems are denied. While there was an apology given by congress for its inaction at the height of the lynching era of blacks in America for the first time in June 2005, the apology is meaningless without an atonement with a compensation for the real and personal property that was lost and stolen under the threat of death in the early part of the 20th century. And finally, unless justice is rendered and actions are taken to protect the property rights of all Americans, then the perpertrators will be encouraged to continue their brutality and theft of the property of the citizens who are least able to protect their rights; the Hurricane Katrinas will continue and the entire American economic fabric will be destroyed as is occurring in the subprime mortgage crisis, though the fraud in these transactions initially targeted to African Americans, the victims now envelop the global economic community.

I wish I could say that I cried over this book, but the truth is that I am so accustomed to America's legacy of genocide, social injustice, and external fraud, regime change, and invasion that I simply sighed and thought, "wow, about time this came to light."

This is a stunning book that should be read by every American of every race, creed, and class.

I previously reviewed a book today that discussed how white supremacy views were one of the causes of the downfall of democracy after the Civil War. I believe this. As a Marine, I learned there are only Marines, some dark green, some light green. That lesson has NOT been learned by all Americans, and that is one reason I favor a restoration of universal national service (including two years for any immigrant granted citizenship, at any age), with the option of armed, peace, or homeland service.

I am Latino by culture, white by race, intelligent by design (pun intended). I believe that America genocided the native Americans, genocided the people of color, and is now in the process of disenfranchising the Latinos while making commons cause with the Asians. None of this bodes well for a Republic that is supposed to offer Liberty & Justice for all as the foundation for collective intelligence and the sovereign We the People.

The Constitution has been trashed by Dick Cheney and his neo-conservative and Christo-fascist supporters, and it is high time someone stood up and said ENOUGH--we must make common cause with the people of color, embrace their leaders, both self-selected and elected, and MOVE ON beyond the corporate socialism and the corrupt political party environments that have broken the middle class and impoverished the working ppor--which the author of the book by that title points out, should be but is not an oxymoron.

This is an important book. I hope it shames some, causes dispair in others, and that overall, it rises to be a liberation manifesto, a starting point for a Truth and Reconciliation Commission within America, to reveal, curse, and forgive all that has been done to the people of color on the assumption, the grotesque assumption, of white supremacy.

I share Martin Luther King's dream, and I am committed to seeing it fulfilled.

Semper Fidelis,
Robert Steele

Bonhoeffer
Improper behavior
The Populist Moment: A Short History of the Agrarian Revolt in America (Galaxy Books)
Al On America
Vice: Dick Cheney and the Hijacking of the American Presidency
American Fascists: The Christian Right and the War On America
The Color of Fascism: Lawrence Dennis, Racial Passing, and the Rise of Right-Wing Extremism in the United States

Elliot Jaspin does a superb job of uncovering the hidden history of about a dozen American counties where the white citizens used violence and the threat of violence to force their black neighbors to move out of the county. It's ugly history that many white people might be reluctant to hear about, which is why it's been hidden for so long. But Jaspin tells the stories with a compelling and passionate voice that makes for very accessible and important reading for anyone who cares about the American history of race.

However, this book is not only about history. In his final chapter, Jaspin, who researched this history for both this book and a series of newspaper articles, recounts the struggles over the publication of the newspaper articles. This chapter shows that the impulse to keep the hidden history hidden is still strong -- for example, by resisting the term "racial cleansing" and holding to the legend (that Jaspin refutes) that the black people were generally compensated for their loss of land and property. This final chapter ends on a hopeful note with a story of truth and reconciliation that shows that the truth can lead to healing.

I encourage anyone interested in the American history of race to read this important book.

Jaspin should be commended for telling the stories of these towns, even when the information concerning these incidents is scant. Buried in the Bitter Waters serves as a reminder to its readers that racial cleansing in America took place throughout the country, not just the Deep South. It also reminds us that much of the history of our country has yet to be told. Selma, Birmingham, Memphis, and Montgomery are familiar names in the history of race in America. Jaspin shines the light on towns like Corbin and Commanche, not to disparage them but to remind us that the racial clensing in America was widespread.

When I read Cassandra Dixon's "playbook" on how to beat a player at his own game I was relieved to discover that this wasn't yet another book bashing brothers. It's an enjoyable little book that is not a chore to read. It's light, but to the point, and although it is in some instances humorous it speaks seriously to today's woman on how to navigate through the nonsense to either make it happen with the man they presently have or make it happen the way it should happen when Mr. Right comes along. I have recommended it to both men and women alike.

Finally a book that says it all! I should have had this book 20 years ago.I could have saved myself a lot of undue stress from the opposite sex. The book says in simple english what everyone woman knows but denies to herself when in love.I sincerely hopes Ms.Dixon writes a follow up but only longer and in more detail.

Ms.Dixon appears to be on the right trail in her delightful yet thought provoking essay. As a police officer with two daughters her work speaks to the young adults of today's world in the street language that they understand. It is not clinical nor is she trying to dazzle anyone with big words. Well done Ms. Dixon and thank you.

I found Ms. Dixon's book to be down to earth and to the point. She shows a remarkable sense of humor while pointing out some remarkable insight on how to stay true to yourself. I felt that she had true insight into men & women who "played the game". Ms. Dixon has explained very simply how to get what you want out of a relationship without compromising who you are as an individual. I am sure anyone who reads this book will find a piece of themselves here. Pick up the book ..learn a little, think alittle and laugh a little

MS.DIXON'S BOOK IS VERY ENTERTAINING AND TRUTHWOTHY, CONCERNING THE ONGOING RELATIONSHIP OF MEN AND WOMEN.A MUST HAVE FOR BOTH SEXES, WHO WANTS TO KNOW THE CONTINUING GAMES MEN AND WOMEN PLAY.A REAL POSITIVE BOOK THAT ALSO BOOST YOUR SELF-ESTEEM AND CHARACTER AS WELL.

(My review is on Thoreau's Cape Cod rather than this specific edition).

While some literary critics seem to slight this work by Thoreau, saying that it is not as "powerful" as his other works, etc., I personally find this one very enjoyable. Sure, it does not have as much "philosophizing" as other books by him, but it is full of humor and very fun to read. The part where he describes the old man spitting into the hearth is particularly hilarious. The part about him sleeping in a lighthouse is also very funny. It lets us experience the more jovial side of Thoreau. This is probably one of the easiest to read among Thoreau's books.

Published posthumously, this volume is surprisingly consistent and complete (unlike "The Maine Woods" which is chopped into three different parts), it gives one the feel of walking along the entire cape, although the materials are quarried from several different trips. One only wish Thoreau had lived longer and had seen the West, imagine him taking a trip in the Sierra! Oh, well, meanwhile, we still have this one to enjoy.

This hardcover edition from Peninsula Press is unquestionably the best available edition of Thoreau's Cape Cod, for these reasons:

1) While all other editions are based on Thoreau's journal entries from only his first three visits to the Cape, this edition includes an epilogue compiling Thoreau's notes from his fourth and final visit, in which he traveled south to Chatham and Monomoy.

2) This is the only edition to translate the many, many Greek and Latin phrases Thoreau includes throughout the work, and it is also the only edition to provide illustrations, maps, and sidenotes in-text.

3) This is the only indexed edition ever created.

HIGHLY RECOMMENDED for fans of both Cape literature and Thoreau in general.

Thoreau visited Cape Cod in 1849, 1850, and 1853. These trips formed the basis for a series of essays, several of which Thoreau published in magazines. After Thoreau's death, the essays were gathered together and published as "Cape Cod" in 1865.

Thoreau's "Cape Cod" is different in tone in theme from his earlier books. The tone is leisurely and light. Instead of solitude or the wild woods, the picture that remains with me from this book is that of a long walk, or, as Thoreau puts it, a "ramble" through the sand and dunes of Cape Cod. The book is picturesque, full of humor and wry observation. Thoreau unforgettably describes the ocean, in its storms, vicissitudes, and moments of peace, the fish and the fishermen, the sands, birds, plants and lighthouses of Cape Cod, and the people. I have visited portions of the Masachusetts coast, but I have never been to Cape Cod. Thoreau took me there in his book.

The book is arranged into ten chapters. It opens with a description of the shipwreck of the St John on a rock off the Cape. Thoreau then describes a ride by coach across the Cape. But the heart of the book lies in the following chapters in which Thoreau with a companion walks the 30 mile beach from Nauset Harbor to Provincetown with many stops and diversions along the way. I felt the salt air and saw the fishermen and the sandy beach as I walked with Thoreau.

The most vivid characterization in the book is in the chapter "The Wellfleet Oysterman", as Thoreau describes a grizzled, taciturn, and ancient native of Cape Cod and his family who offer him hospitality for the night. Another memorable chapter involves the description of the Highland Lighthouse, no longer standing, and its keeper. The stops with the Oysterman and the Lighthouse punctuate Thoreau's long walks through the day over the beach and his meditiations about and descriptions of what he finds there.

Thoreaus walk ended at Provincetown, on the northernmost portion of Cape Cod, with its wood walkway, shanty houses, and ever-present scenes of fishermen, boats, and drying fish. Thoreau offers what I found an affectionate portrait of these hardy fishermen and their families. Following a description of what he found at Provincetown, Thoreau offers a great deal of historical background on the exploration of the Cape, from the Pilgrims reaching back to earlier French, Icelandic, and English explorers.

Thoreau's "Cape Cod" is a worthy companion to his books describing his experiences inland, on Walden Pond and on the rivers and woods of New England and Maine. It is beautifuly written with unforgettable descriptive passages. It made me want to get up and go from my life in the city, and over 150 years after Thoreau wrote, wander and walk for myself along the dunes and sands of Cape Cod.

This book details the flora, fauna and people that Thoreau found in Cape Cod in the 1850s. Thoreau organizes the book around a single trip to Provincetown, although much of the material that he uses in the book came from various visits to the Cape, and to the ocean in general. He starts with a description of a shipwreck at Cohasset, then a stagecoach ride from Plymouth, then a walking trip with a companion along the outer shore to Provincetown. Along the way, he describes not only the plants and animals he encountered, but also the people who he met. The book finishes with a lengthy academic historical account of the discovery and mapping of the Cape.

I found this to be the most humorous of all Thoreau's work. The character sketches he provides in this book, sharpened with his trained eye for observation of natural phenomena, are legendary. The cultural description of the Cape and its environment is quite fascinating for those interested in the history of daily life in 19th century Massachusetts. As Thoreau describes the desolate, treeless desert that made up the far reaches of the Cape, one begins to comprehend what it meant for an economy to be based on wood and whale oil for fuels. Thoreau stresses how valued driftwood was for residents of the Cape, as one of their main sources of heating and cooking fuel. Doubtless, he would not recognize the Cape today with its lush new forests. Or its Wal-Marts--switching to an oil economy has brought mixed blessings for the Cape. For those who think Thoreau to be a humorless didactic philosopher, this book shows a very different aspect of Thoreau as a writer.

You will forget about the outside world when you read this; nothing but sand, wind, and water. Plus some natural history, local folklore, a few shipwreck tales. Typical Thoreau; he finds beauty, interest, detail in the wilderness. The desolate landscape will help to clear your mind. Highly recommended.