Travel Books

I read this to my 7 year old in 2 nights. He is not a reader yet, and finding reading material is a challenge in that the things that he can read himself are too simple to interest him. We have two kittens which he loves, and he could identify with the kitten antics in this book. The story-line kept him interested - although he occasionally wanted to flip ahead to look at the next illustration to anticipate the action. The pictures are wonderful, and this is a warm story. When we finished my son asked if there was another book in the series that we could read!

Bonnie Boadicea "Bo" is a little kitten born into a family with a loving mother and father, but not to kind owners. She is the runt of the litter, and doesn't eat much due to her small size. Her father loves her, and to make her feel special gives her a big name, but calls her "Bo" for short.

One day it is time for the kittens to leave their mother, and the nice warm house. They realize that they are going to be hurt unless they escape from Mr. Withers, who was supposed to take them to the pet shop. So all the kittens run in different directions, and are soon scared, wet and hungry.

Bo meets a nice sailor and gets into all kinds of mischief with him on the boat he works on, and is soon a sailing cat with a nice home and a kind owner.

This is a must read children's book that anyone, young or old, would enjoy.

I read this book aloud to my 6 year old daughter and she loved it. My 12 year old niece happened to be here at the same time and would also chide me into reading "one more chapter". I have a hard time finding stories to read aloud to my daughter that are at a lever that she can enjoy. This was excellent and I'm sure will be read again and again in our family.

The CD/book edition of _Little Bo_ is a must for young children. Julie Andrews Edwards reads as well as she sings. This edition adds much to the written text. The CD can be used as a series of short readings. The conclusion of each chapter is accompanied by gentle music that tells the child or parent that there is a natural break. The author researched the book well, and the portions of the book that take place on a fishing boat during a severe storm are very plausible. Henry Cole's soft drawings do much to convey the flavor of the story.

Bo, the kitten, and her siblings were sent away during a snow storm by the owner because their sire was an alley cat. Bo finds a friend in Billy Bates, a sailor aboard a fishing boat. Bo survives a severe storm and the dislike of the boat captain. Billy and Bo leave the boat to find new lives for themselves.

As a child I fell in love with the actress Julie Andrews in Mary Poppins and The Sound of Music. Still an outstanding actress, I enjoyed her recent Princess Diaries, I am continually amazed at her abilities. If singing like a nightingale and acting weren't enough, she has also proven to be equally talented as an author! My eleven year daughter bought Little Bo two years ago with her hard earned allowance money. She couldn't put it down then and frequently goes back to enjoy it over again. She is currently reading it to her five year old sister who can't wait for bedtime now since she so enjoys her bedime story. The only problem is that their eight year old brother runs off with it at the most inopportune times thus wreaking havok! He thought if he could sneak away and read it in hiding no one would tease him. Boys who are almost nine are only supposed to read cool stuff, you know. He, too, found Little Bo irresistable and no longer even tries to hide it. I'm beginning to wonder if Mary Poppins wasn't really a fictional character at all but a chapter in Julie Andrews life. Don't stop now Ms. Andrews. We love you!

Soennichsen attempts to capture "my reverence for Death Valley's geology, history, and harsh environment. It is a reverence conceived in naiveté, nourished through repeated exploration, and polished with the passage of time. It is the story of how this region helped construct my views on the environment, tourism, solitude, and religion, among other topics. It is part memoir and part adventure tale; part history and part coming-of-age story." (xiii) He compares the Valley to a harsh mistress whom he still loves. One who "did not seek to hide its appearance with vegetative cosmetics, did not adorn itself in soft and sumptuous outer garments or employ subtly filtered lighting or cool desert breezes the tempt my senses." (xii) Not all the narrative, wisely, emerges from such extended metaphors. These are deployed sparingly, for maximum effect.

He knows the power of the fanciful placenames we use to try to account for Death Valley's weird formations. Our attempt to play Adam shows both our bold confidence that we can control nature, and our failure to understand the ineffable forces that outlast us. Our naming reveals their power over us far beyond what words can convey. Nevertheless, he tries in a variety of registers to explain some of the fascination that this territory's provoked in him and within a few hardy, or deluded, people over the past century and a half.

William Lewis Manly's tale-- as retold skillfully by Soennichsen-- of his fellow pioneers who took what would become a fatal short cut for some in their party in 1949-50 (ironically a much wetter winter and more forgiving climate than usual) here's interspersed with chapters on the geology and dessication, the mining and pioneer days, the unpredictable weather, the flora and fauna, the crazy folks, The Devil's Racetrack mystery of gliding boulders, more crazy folks, his earlier forays into danger, burros, and what can be seen off the main roads that circle the National Park. Unfailingly, he gives enough insight into his own experiences without getting bogged down in superfluous details from the rest of his life.

He selects only what's appropriate to illuminate the Valley, from his point of view, and supplements it sparingly but deftly with the records from history and fellow sojourners. I sensed that much more could have been told about the mining camps in particular, but other guides and academic works did this. The context, nonetheless, for such efforts as the 20-Mule Borax Mule Team that in turn spawned the now-nearly forgotten (he makes an aside to it) "Death Valley Days" show by Ronald Reagan before he entered 60's politics remained undernourished. Yet, we can find out more in longer, or less accessible, works. He appends a short list of sources selected, but I would have liked much more annotation or specific suggestions for other media. (There's a URL given on the dust jacket with www. plus the main title of his book as a single word plus dot-com; I tried it today and found a dead link, however.)

This book earns five stars for its clear prose, careful composition, and thoughtful analysis of this infamous expanse. Although the cover and titular typeface make it at first look less than the well-informed investigation that the contents reveal, and the lack of a usable map or representative photos does detract unfortunately from my perfect rating overall, this book's recommended. The photos tended to be rather indistinct, as if random snaps, and did not depict the splendor or strangeness of the sights his words witness.

I admit a bit of confusion. He cites verbatim the dangers of desiccation from Richard Lingenfelter's standard history, while he contradicts what Lingenfelter asserts on the previous page of "Death Valley & the Amargosa": that the Shoshone term "Tomesha" did not mean what Soennichsen in his own introduction's first sentence asserts: "Ground on Fire." (xi; cf. Lingenfelter 1986: 11-13--also reviewed by me.) Lingenfelter traces this false "Paiute" etymology to a 1907 "one-liner" from a geologist. Lingenfelter gives "Coyote Rock" as the probable Shoshone derivation from what was once the largest Indian village there. Thus, as both authors agree, the mythic and the illusive certainly reign over the landscape.

Speaking of placenames, Soennichsen's map, while it reminded me of an affectionate sketch one might take away from an insider who shares his own points of interest on a napkin with you after a long conversation in a local bar near the Valley, on paper's too cramped and idiosyncratic to serve the curious reader wishing for more precision and an easier comprehension of the many sites referred to in the text.

Yet, these remain minor faults compared with the book's strengths. I admired Soennichsen's style, both as a thinker and a chronicler of his beloved realm. For roughly four decades, as he sums up his book's scope, he's been roaming when he could these quiet lands, preparing to tell the tales in this brief, lively, but serious record of what lurks beyond the myths of this often forbidding, yet coyly inviting, place.

He's edited this efficiently told collection of interrelated essays down, I estimate, from a larger work, and the discipline in crafting his reflections shows in the meditative, yet never dull, pace. With touches of self-deprecation, memories of lots of beer in coolers, and the right amount of anecdotes, he tells entertaining yet educational stories. As with Edward Abbey's "Desert Solitaire," this updates the ancient wonder of the American desert for our times; Soennichsen has the advantage of moving further west than Abbey into what still seems to me a Mojave that has lacked the attention from nature writers that it deserves and earns in the hands of such earlier efforts as the late Colin Fletcher's "A Thousand-Mile Summer."

Soennichsen's final chapter accomplishes this feat of verbal reclamation best. Without revealing why I think his night in Surprise Canyon proved so apt a name for such an encounter as the one he relates, he also cocks a sober eye towards our hubris and chides our refusal-- in a wilderness that often punishes the foolhardy visitor-- to respect the limits that such a desert represents to all of us who drag motorhomes and generators out there into the silence. We wish to see Mother Nature from the comforts of only our frigid automobile window, or perhaps after tearing it up under our 4WD's spattered windscreen. Without getting sanctimonious or hypocritical, he marvels at relentless human endeavor to tame such an awesome place. Also, he elicits respect for the hidden places that should not be domesticated.

I did not expect the penultimate pages of this little book to end with a chapter citing Sartre, but it's again testimony to Soennichsen's skill that he can integrate a profound observation into his own reflections without it coming off as showing off. At Chris Wicht's Panamint camp, he finds intimations that connect with Wordsworth's "inward eye which is the bliss of solitude." (qtd. 168) Our existential solitude, as he learns one midnight, takes us into our minds as the most mysterious of all our landscapes, where even Death Valley may look tamer by psychic comparison.

I thoroughly enjoyed how Soennichsen interwove the historical stories from the past and the factual geographical information with his personal experiences in Death Valley. I liked this book so much that I bought it for my parents.

I throughly enjoyed this book about Death Valley and the author's experiences there. My family used to visit Death Valley regularly on our way to other destinations during our vacations. This book brought back numerous fond memories of my childhood thinking about the mysteries and dangers of the Valley to the pioneers that dared to brave that fantastic wilderness. I was both informed and entertained while reading this wonderful book. If you are even the slight bit curious about Death Valley and the people who explored it, read this book. You'll be pleasantly surprised at the discoveries on each page.

Ok, so... I'm acquainted with this author (online only) because one of his other interests is one I share, and we hang out on the same message board. So when the book came out, I came here to Amazon and bought a copy, just to support John, even though I had NO interest at all in Death Valley.

Well, I started reading it after having it in my "to read" pile for a couple of months, and must say I am VERY pleasantly surprised. John has a great writing style - very accessible, and easy to read. I also like the way you have the past interspersed with the present in this volume. I learned so very much from this book, and have actually told my husband that I'd like to visit Death Valley at some point. (Though, I must admit, I'm one of those city wimps who would want air conditioning & cold water at all times. *grin*)

I'd highly recommend this book to anyone - whether they do or do not currnetly have any interest in Death Valley. It will suck you in and make you long to see this lowest point in America. I am so very pleased that I enjoyed it :) - I honestly thought before I cracked the book open that I'd read 20 or 30 pages then put it away due to a lack of interest.

BUY THIS BOOK!! Recommended by a relative, I had preconcieved ideas and little interest in Death Valley, but started reading it anyway. What a great surprise awaited me within just a few pages! I was transported back and forth between the past and the present, gaining a reverent respect for my ancestors who dared to take this trek through the valley's harsh conditions and then finding myself in awe of the fascinating workings of nature to sustain life and even beauty in such a place.

Reading "Live!From Death Valley: Dispatches from America's Low Point" introduced me to diverse and interesting characters from both long ago and not so long ago, pulled me into mystery and danger, brought me knowledge of botany, wildlife and geology I had never realized before and along the way came many laugh out loud moments that made me look around for someone, anyone, to share them with!!

John Soennichsen's love and expertise of Death Valley shines through and has made me re-think my position that vacations should only be taken on tropical beach's! Wonderful reading!!

Ted Kooser, the poet, has written a beautiful little book of memories of his home. In this day of war and constant fear mongering it is a wonderful surprise to find a book this sweet. I passed it around my poetry group and some expected poetry. These small essays are like poetry in their beauty but they are vignettes about the people and the place.

Poet (and now Poet Laureate) Ted Kooser wrote this collection of prose pieces while in his early sixties, all of them appreciations of his daily life and memories of family going back to his boyhood in Ames, Iowa. Living today in a farmhouse near little Gardner, Nebraska, not far from Lincoln, he first describes the rolling terrain of the land and its Czech and Bohemian settlers, whose descendants continue to provide a cultural identity to the region. The essays are sprinkled with Czech and Bohemian proverbs, reflecting the wry common-sense wisdom of the Old World that informs his point of view.

Not all of them essays, some are short prose poems, spun out usually in one or two long sentences that reach a breathless climax that is, well, breathtaking. Reading his work, you are struck by his sincerity and the intensity of his awareness. While a man of strong opinions, they are rarely expressed directly and only seldom ironically, as when he describes the willful spraying of herbicides in road ditches by two county workers who have no sense of the risks to their health and the environment.

Identified on the book jacket as a retired insurance executive, Kooser embodies a kind of risk aversion that celebrates what is steady, dependable, and unthreatening in his world. There are rarely shadows, and when they do appear it is with a surprise that is shocking, as when a woman tells of an elderly aunt whose family was murdered by a farm hand when she was a teenager. Even his bout with cancer is told with a kind of emotional reserve and matter-of-factness that belies the anxiety he experienced over a six-month period of recovery.

Kooser is clearly abreast of the modern world, but everywhere in his writing, there's a lightness of touch - a gentleness - that harks back to a quieter time in our social history. His touching memories of his father are a tender evocation of post-war America that would easily stand beside illustrations by Normal Rockwell. E. B. White's wonderful essays on rural living in "One Man's Meat" also come to mind. Like White's, his vision is informed by humor, but rarely at the expense of other people (unless you take exception to his characterization of Republicans as "smug"). Even pheasant and coyote hunters with their arsenals and SUVs are seen as earnest and only incidentally comical.

Thanks to the University of Nebraska Press for bringing this fine book to print. Each page is a pleasure.

I am not the sort of person who revisits books. I tend to move on to things that are new since there is so much out there calling to be read. But with Koozer's "Local Wonders" I have had to make an exception. I have read certain sections of it 3 times already and find them as compelling each time. This collection of four seasonal essays contains so many examples of wonderful writing that I am amazed that this book has not received more attention than it has. I was raised in New England, but I " know" many of the people and situations that Koozer is so eloquently writing about. This is a book to be read and your leisure because it is very much like spending time with an old and wise friend. I cannot recommend it enough.

This book is easily the best I have read in years, in terms of the sheer ability to write and pass along interesting and intelligent thoughts. Admittedly, I identify with Mr. Kooser's purchase of a place in the country, and his clear enjoyment of the quiet, contemplative life, but the writing alone is worth the purchase for anyone. I actually thought it was a book of poems when I bought it but, no, it is even better. It is a poet writing a series of brief observations clearly, interestingly, and with great care. Thank you, Ted.

A wonderful book of concise snapshots of rural living. I loved to read each sentence slowly and get the gems packed into each lovingly crafted sentence. So many books these days are too repetitive and include superfulous information that doesn't add to the scene. Every word and sentence is worth reading here though! To me a mix of "The old man and the sea" combined with Willa Cather. Read it like you are eating a rich dessert; you don't need to eat it all in one setting or in large gulping bites. Treasure the book in comfortable places.

I gave this book to my husband who is working in Djibouti. So far, there have been no inconsistencies in the information presented and the actual culture, climate, etc. of Djibouti. Accurate and highly readable. I reccomend this book to anyone planning a trip to Djibouti.

I just went to Djibouti for a 10 day visit and this is one of the only English speaking guidebooks available (used). Luckily, it's very well written and the descriptions are still spot on. Maybe it's because very little changes in Djibouti given its geological history, but the author's recommendations (restaurants and tourist attractions) are still accurate. I've used a lot of lonely planet guides and this is by far the most readable and full of interesting details. Highly recommended!

As a Lonely Planet author, I'd like to echo the words of other reviewers of this book. This is clearly Lonely Planet's best title - the writing is clear, concise and informative, the asides are entertaining, the tone is objective yet engaging, and Frances Linzee Gordon's photos are nothing short of spectacular. Congratulations, Frances - you've produced a winner!

A recent front page article in the New York Times on the Lalibela churches in northern Ethiopia sent me running for my LP copy of this book. I was most pleasantly surprised to find over a dozen pages of detailed information on this incredible center of early Christianity. F. Linzee-Gordon's first hand account of a visit to the churches provided a most informative background lacking in the NY Times article. Well done!

I live in Norway, and Africa's Horn is far from my everyday life. I have travelled several times to Eritrea though, and have been searching for guide books from the country. When I went to Eritrea last fall it was with great pleasure I bought the LP book by Frances Linzee Gordon, Ethiopia, Eritrea & Djibouti.

The book is one of the best LP books I've read. The writing is clearly, and it gives us good insight in history, facts, geography, and so on. I have read parts of the book about all three countries, but the Eritrean part is the only one I have actuallu used when travelling.

The books has some very good pictures and maps, and give alot of up to date information. My favorite part is the part about Asmara's architecture, "Asmara, or Piccola Roma, soon came to epitomise the new philosophy: it was not just beautiful, but was well planned, well built and, above all, functiomal. The book is a good guide to use when you plan your travel ahead, and is even better when you actually are there and need or want information.

An extra benefit of the book is the small notes you find alot of, giving interesting information. Reading these notes makes your travel alot more special.

When I travel I use my guidebooks as kind of diaries. I write down restaurants I visit, hotel I stay at, interesting places I see and so on. And this book is filled with my writings almost on all pages. Gordon has seen it all, and gives very useful information about a very interesting, though little known country.

Britt Arnhild Lindland

The Italians Newby depicts in this memoir (and also in his "A Small Place in Italy") are often funny, but never buffoonish. Newby's warm admiration for country folk is always evident, as in this passage where a retired stonemason helps remove an enormous boulder from the hideout the locals are making for him:

"He went over it with his hands, very slowly, almost lovingly. It must have weighed half a ton. Then, when he had finished caressing it, he called for a sledgehammer and hit it deliberately but not particularly hard and it broke into two almost equal halves. It was like magic and I would not have been surprised if a toad had emerged from it and turned into a princess who had been asleep for a million years."

Readers familiar with Newby's travel writing will find all his strengths here: his eye for detail, his warmth of character, his humor (mostly self-deprecating). They will also find a love story -- one made all the more poignant by Newby's craftsmanlike selection of few but telling scenes.

During World War II, the rural citizens of northern Italy vowed to assist Allied soldiers on the run in their mountainous region. They were operating on an informed heart, on the Golden Rule, wanting to give aid to those who opposed the hated Fascists and Nazis as they would hope someone would help their own sons. And while the Allies were protected by the Geneva Convention should they be captured, the citizens were not and they were subject to less humane punishment, sometimes torture and death, if their actions were found out. But they did it anyway. It is these people, who otherwise lived a pastoral, ancient way of life, whom travel writer extraordinaire Eric Newby profiles in his memoir, LOVE AND WAR IN THE APENNINES.

Those familiar with Newby's other books will find his signature wit, self-deprecating humor and descriptive powers at work here, but his curiosity and appreciation of other people and cultures is in highest gear. He comes to meet the peasantry of northern Italy after fleeing a prison during the chaos following the ouster of Mussolini in September 1943. He is helped by a succession of individuals and families, including the woman who would become his wife and companion in later adventures, the estimable Wanda. The book ends with his unfortunate recapture by the Germans and in an epilogue he revisits the people who took him in ten years after.

Newby is a hugely gifted writer, his sentences are knowing and clear as a bell. He orders information rhythmically, always knows when less is more and more is more. He never bows to sentimentality, never sells anyone out. He does a remarkable job of expressing the fear and dispiritedness that politics and war heave on a people, at the same time revealing their resilience. There is much to admire in this book.

Eric Newby knows how to tell a story. This is one of the few books that I started over again immediately after finishing it the first time. The insight into the minds of these extraordinary Italian farmers who hid prisoners of war without thought to their own lives and safety is one of the great adventure reads to come out of World War II. Having passed through this countryside so many times traveling between Milan and Florence, I know first hand how rugged it is. Just to get through these mountains by train is an adventure, as there are dozens of tunnels to pass through after one leaves Bologna. Newby brings the setting to life for the reader, and we walk in his footsteps as he falls upon adverture after another. There is almost an unreal quality to this story, expecially his meeting the wonderful mountain men who live in the most remote parts of these mountains. If you want a really good read, grab a copy of this book. You will not be disappointed.

The Italians Newby depicts in this memoir (and also in his "A Small Place in Italy") are often funny, but never buffoonish. Newby's warm admiration for country folk is always evident, as in this passage where a retired stonemason helps remove an enormous boulder from the hideout the locals are making for him:

"He went over it with his hands, very slowly, almost lovingly. It must have weighed half a ton. Then, when he had finished caressing it, he called for a sledgehammer and hit it deliberately but not particularly hard and it broke into two almost equal halves. It was like magic and I would not have been surprised if a toad had emerged from it and turned into a princess who had been asleep for a million years."

Readers familiar with Newby's travel writing will find all his strengths here: his eye for detail, his warmth of character, his humor (mostly self-deprecating). They will also find a love story -- one made all the more poignant by Newby's craftsmanlike selection of few but telling scenes.

Newby's writing can be rather dry, but in this recounting of his escape from the Germans in WWII Italy, he strikes a fine balance between mawkish sentimentalism and tough-guy posturing. An engrossing narration about the extraordinary measures ordinary people can and will resort to, to stay alive and to do what they think is right. Encouraging, inspiring, and highly recommended.

I have just stumble on to the writings of Ms Neel. First, this book provides a view into the old traditions in Tibet that are not buddhist in nature but rather part of the old culture of Tibet. It provides a perspective on the old traditions versus the true practice of buddhism. The author takes a very knowledgeable approach to the pactice of magic and devination which is sometimes confused with the main line practice of buddhism. The author also explains in great detail some of the main practices of buddhism and includes a detail 3 fold explanation of "om mani padme hum". I was amazed that someone who was a very nice looking women who also perfomed opera and had many other accomplishments would put all that aside during the time period and travel to Tibet and learn all the languages in order to develop the insight that is present in her works. This book provides an excellent backdrop for the study and practice of buddhism.

Also, the practice in the monasteries in Tibet is illuminated. The point of the Theocracy vs true buddhism is brought out with the exposure of the sham and material based approach of those who are in the business of Buddhism versus those who are in practice of the middle way. The presentation is suttle but none the less obvious. Those following the middle way should read this book in order not to get caught in the web of Theocracy.

I first came across this book in 1973, in an Abakwa bookstore that carried occult titles and it made a powerful impression on me, lighting a lifelong interest in matters Tibetan and Buddhist as well as instilling the idea of a lifelong spiritual quest. I assumed then that the author was still alive, because the dust jacket wrote of her in the present tense. I was not wildly off mark, because she had died only four years before. She was the real deal and saw the magical land of Tibet first hand before the Chinese invasion. Moreover, she was recognized and valorized posthumously by the Dalai Lama.

This book present an excellent overview of Tibetan spirituality and the various practices that occur within that spirituality. Perhaps what I liked the best was that the author seemed to avoid incorporating Western cultural biases into her description. Indeed she seemed very intent on describing the practices in an accurate manner.

I was able to take her description of tumo and actually incorporate it into my daily practice. I've also used her chod ritual.

This is information you will find nowhere else. A fascinating book
on the mysterious world of Tibet at the beginning of the last century.

While many books about Buddhism and other historically eastern religions focus on high theology, the book describes Tibetan Buddhism as it was practiced in the early 20th century. It is fascinating.

I first read this book in college and have just read it again after many years. It was better the second time around.

The first time, I was entranced by the accounts of exotic magic and mystery. This time I searched for themes and Ms. David-Neel's viewpoint. Dealing with death is the primary theme underlying at least the popular practice of this religion. As for Ms. David-Neel, I was interested in her viewpoint and experience as a Buddhist who did not find the Tibetan version to be her paricular brand. Because of her distance from this version of Buddhism, her accounts of events that she saw or experienced personally are particularly interesting.

This is a magnificent, beautiful book. We left it open on the kitchen table, and everyone who passed by turned to a new, exquisite image. I've now snatched it back to my office and expect to browse repeatedly when I have a chance for a cup of coffee and a brief get-away moment. It is truly a gift.

Maine The Home Place by Murad Sayen is an especially appealing photography book. Not only is this book visually pleasing as you view beautiful scenes in Maine, but it also is very emotive as you also "feel" Maine. The quality of the photos is superior and most of them look as much like paintings as photos. If you are ever fortunate enough to look through this book, go directly to page 28 ( one of my favorites)and enjoy the compostion of hands. There have been numerous artists who have highlighted hands in their composition but never with the unique approach that this one does. I have only had this book on my coffee table for one month, and have already "sold" 5 copies. People's responses were so positive that 5 lucky people will be getting this book for Christmas. Maybe you could be lucky also. If Maine was ever your home, I think you will enjoy having this book around as much as I have, and Maine was never my home.

The thing that strikes you as you turn the lush pages--the land and seascapes, the faces--is the surface sense of calm. And yet, below those surfaces there is always a suggestion of great energy, of processes being carried out. In the cover photo, for instance: a country church, maple trees in their October regalia, a cemetery, the cornstubble foreground--lies the hint that things are in motion, even there below the ground. The world is moving toward a new incarnation.

This dualism--or energy and calm--kept me turning pages, forward and back, over a period of many days, looking closely at colors, faces, cloud formations, ice crystals on a pond, dawn sunlight on a lighthouse.

At first I quibbled that Sayen has confined his camera to so few regions of the state; and yet, in truth, this only reminds us that art, in order to be universal, must be local. To develop the kind of intimacy that Sayen (a confessed "outsider") obviously has with his subject, it is necessary to keep it focused.

With "Maine: The Home Place", Murad Sayen has created a masterful book, far more than another of the garishly colored "coffee table" books that publishers seem to crank out each year. This is a book that bears repeated readings, and which, for me, continues to offer fresh discoveries. In addition to the photographs, there is a series of elegantly written essays and photographer's notes. For anyone looking to be delighted and deeply moved by the complexity within simplicity, "Maine: The Home Place" is a volume that will do that.

When I opened Maine: The Home Place, I didn't know how much I was opening up. I looked through it, then I realized I needed to look into it: I did so at two pages a day until I went through the book. I especially love two of the pictures (although each page and picture looked more like a composition in a painting than a camera capturing a scene): The Androscoggin at Bethel, November and North Pond, Greenwood, October. There is a disarming directness in the simple presentation that drew me into the pictures, and into myself. The captions reminded me these places are here, in this world. What I found myself doing since I opened Maine: The Home Place is seeing myself and the world around me differently. Cezanne says that "Art is a harmony parallel to nature." I am wonderfully confused by Murad's presentation of nature and art that has gotten into my heart through my eyes. What more can you ask from a book than to make the world and yourself more alive? Maine: The Home Place is a book that will do that year after year, picture after picture. Great job, Murad Sayen.

Murad Sayen shows us in his amazing pictoral that Maine is more than a magnificent coastline dotted with harbors and lighthouses. His photographs and essays capture the essence and beauty of Maine that those of us who are fortunate to live here can now share with the rest of the world.

He is masterful in his use of lighting. The effect is mystical and invokes a strong emotional response to his work. For all those who want an unlimited opportunity to escape to Maine, whenever the spirit moves you, I highly recommend Maine: The Home Place.....the way life is!

I've personaly been to Mata Ortiz and everything the book contains is acurate! Go ahead and buy it, of course there is no substitute to actualy going there but this will give you a great idea of how things are.
Thanks!

We just visited Mata Ortiz, and it is great to be able to connect all the faces and stories with the beautiful objects these humble artists create.

This is a great book for all that are curious about Mata Ortiz pottery and the people who make it. If you want to start collecting, it's a great book to have for a reference source. All artists mentioned in this book are of high caliber, as good, some even better than the Native American potters of the Southwest. At this time, these wares are also less expensive and affordable to most people. Hopefully they will be a good investment for the future.

Susan Moesch

A wonderful collection of photographs combined with dialoge about this remote village in Mexico. It describes the journey to get there, then details the lives of the talented people who live there. The photogtaphy is outstanding. A must for any person collecting or thinking of collecting pottery from this village.

"The Many Faces of Mata Ortiz" is a treasure trove of information about the treasures that are the Mata Ortiz people and pottery. It is well laid-out, well written, and well...wonderful!! The only thing that would make my copy better are autographs by Juan Quezada himself and every other potter in the book.

Unfortunately for whatever reason, Juan's son Alvaro is not featured in the book. He is indeed an exceptional artist.

I was able to meet Alvaro and Juan Quezada in Nov 2006 in their family gallery in Mata Ortiz and found them and their entire family to be humble friendly and genuinely thrilled that people love their wonderful creations.

If you have not had the opportunity to visit Mata Ortiz, "The Many Faces of Mata Ortiz" will inspire you to go. If you have, it will make you pine for it and it's people.

My grandparents got this for me before I left to study abroad in Paris for a few months. It didn't take me long to realize how useful it is. I literally didn't leave home without it! It had everything I needed and was small enough to fit in a purse, but not so small that it was difficult to read. The metro map in particular was accessible and very, very helpful. Highly recommended to anyone going to Paris, whether it's for a few days or a few years.

This book (mine is spiral bound, but the one here does not look it) is very useful to the traveler. The maps are very clear, in full color, and easy to understand. My only complaint is that when you are looking at a page, if you want to view the continuation of that page, there is no reference to what page to view next. There is a small diagram showing what section the page highlights, but I do not find that quite as clear. But overall, a good, portable map of Paris for visitors.

I spent the fall semester of 2003 studying in Paris. I'm a type A so I was really prepared before leaving -- I'd done a ton of research and I couldn't imagine arriving in Paris without a map. So I headed down to my local bookstore to buy one. I happened to come accross this Michelin map and it was perfect!!

It has ring binding so it's really easy to keep open without creasing the pages. It's also broken down by arrondissement and in the back is a road index. All of the metro stops and even taxi stops (a God send at times) are marked down!! And in the inside cover you find a map of the Paris Metro system. It's also really really thin and can easily be taken wherever you go.

I really couldn't have down without this Paris Pocket Atlas!

My friends all purchased their maps in Paris (Paris Pratique). Trust me though this one is far better and more convenient!!!

I loved it!!

I bought this map for my trip to Paris. It is such a great map. Very readable and so well organized. Having a map in a booklet format like this is indispensable.

This pocket Atlas of Paris is a book/map that truly amazes me. I bought it based on the reviews here, and I am still awed by it. The navigation of the pages is well-done and user-friendly. You can quickly lookup and flip to the right neighborhood you need. The level of detail is amazing. Even pedestrian-only shopping arcades are there. The metro stations are easy to find and use. With this spiral atlas and a mini-compass velcro-strapped to your watchband, you will never be lost in the maze of Paris. Key sights and monuments are labeled and drawn in brown (with the correct building geometries!). Wanna change plans on the fly and zip from one neighborhood to another? no problem. You will spend less time looking for sights and more time touring. We even used the one-way street detail of the atlas to pre-plan our drive thru the hustle of Paris traffic; Zipping around the Place de Madeline and Champs Elysees was a real rush and treasured memory. The whizzing by of passing scooters made me feel like I was an X-wing in a Tie-fighter dogfight. I wish I could have a guide like this for every city we tour.

The product came on time, well packaged, and exactly as described. A great shopping experience.

Already have an Atlas, topo CD set of Northeast, Garmin GPS Vista with topo/street maps. Once I found these Gazetteers, I bought one for every state in New England and New York. Each of the above provide different levels of information and alternative routes and access to various locations, often places with no direct road or trails. The gazatteers provide fast detail access to areas in question over the GPS or atlas and are invaluable to me while in the vehical. Although, the GPS is my lifeline away from the vehical, the gazatteers are large and not weather resistant.

I currently own CO, TX, TN, VA and now AL atlas & Gaz.
all are useful for home hunting, trying to locate a key area, etc.
don't count on this for in depth directions. but a good look at contours and gps this works.
this one isn't as good as the TX or TN version.

These are fantastic maps! I have several others, and use them quite often. I don't know of another one that will be better than this one.

I wanted to get this atlas, especially to help us find places to go camping and hiking.. It's not always easy to find campgrounds or primitive campsites (since they're not always located in clearly identified campgrounds), so having these detailed maps is very useful for that. We recently used the atlas when we camped in the Catskill Mountains region, and I was glad we had these maps to help us out.