New York Books

An exceptional book by far the best translation of the Shrimat Bhagwat Gita. You can also call it Shrimat Bhagwat Gita for Dummies.

I recently purchased my second copy of this book. The Jnaneshwari is an amazing window into the wisdom of the Bhagavad Gita. A hallmark of this work is the beauty of the language Jnaneshwar Maharaj uses to unpack and explain the many subtleties in the Bhagavad Gita's verses. I've read many translations of this work and Swami Kripananda's approach is by far the most heart-felt and inspiring.

This is a fabulous interpretation of a timeless epic. I have always been spiritual but have never identified with or even trusted religion. However, in spite of my skepticism, I could not deny the truths that were put before me in this book. I was able to easily understand and apply the teachings that were imparted by the writer. There is huge amounts of beauty and power in the translation. Jnanadeva, an Indian prince, lived in the thirteenth century. He used his great vision and wisdom to achieve a simple and poetic work based on a massive collection of ancient writings.

It has truly improved my health, relationships, and sense of spirituality immeasurably. I highly recommend it!

I wholeheartedly agree with the previous review. I was going through a rough time in my life when I noticed a non-hindu friend reading from this book. The poetry and meaning are simply beautiful. I had forgotten the power of meditation and faith(not religion). But the truths contained in this translation are absolutely undeniable. This book has changed my life and I read from it every day. I wish that I could share it with everyone...

It's a superb book, very nice photos, most of them i have never seen before. The thing that i notice in the pictures, is that John never smiled in this book (apart from the cover and other two pictures, i think), he look's old, small, sad or maybe depresed. I have the Instamatic Karma too, and it's other John that appears on this book, he looks alive, happy and reflexive. In the end, it's a must buy for any Lennon fans.

Thanks.

This book is simply wonderful. It has some of the most intimate and beautiful pictures of John and Yoko ever published. A must have for any Lennon fan!

John and Yoko: A New York Love Story contains a collection of photographs by photographer Allan Tannenbaum of the long lasting romance between John Lennon and Yoko Ono. Many of the photos may have been seen by the public, and several have not been published before. Tannenbaum shows John and Yoko in their most intimate moments, which were shot at New York's Sperone Westwater Gallery and Central Park; the concluding photographs do not need too much description and show fans paying tribute to John as well Yoko posing in the same spot where John and she had walked days before. And by looking at the photographs, one can see it was yet another end to an era.

The most interesting part about the book is its beautiful layout. With the turn of the first page one can see what they are in store for. The pages are comprised of a variety of size photos from proofs to blown-up portraits of John and Yoko in glorious b/w and color, which capture their candidness as a couple and individually; Tannenbaum and book designer Barbara Genetin do a great job displaying the images.

Overall, this is a highly recommended book for John and Yoko fans or photography aficionados. With its over-sized coffee table book format, this may make a nice addition to anyone's book collection.

Allen Tannenbaum's book "John And Yoko: A New York Love Story" is a candid photo album of John and Yoko at work and play in and around New York City. Tannenbaum is granted amazing access to the couples lives. The photos are beautiful and give one a sense of intimacy of John and Yoko's life together. The overall effect of the book is to remind us of the tragic lost of John Lennon for Yoko, Sean, and the rest of us.

Thanks to DuPont, American Federal Furniture is now much appreciated, and is some of the most expensive period furniture in the world. It's hard to fathom, that not long ago this type of furniture was not coveted at all, it was thought too austere and understated, the wealthy in the ninetenth century and early twentieth century wanted all things French, thankfully they finally came to their sences and now this style is considered one of the most beautiful. John Townsend was a master of the style, along with John and Thomas Seymour and Duncan Phyfe. This book does a wonderful job of highlighting his best work and the text is highly informative and the writing scholarly. If you have any appreciation for great craftsmanship or just love American Federal Furniture, then I have no doubt you will love this book.

This book mirrors the wonderful exhibit of John Townsend's work that was on display at the Metropolitan Museum, and for people like me who make reproductions of Colonial and Early American furniture, it is a source of ideas, inspiration, and goals.

It's also a source for humility. Seeing the work that this man produced without the help of table saws, routers and the other tools of the 21st century is humbling.

The book is definitely worth every penny for those who love the furniture of the period, who enjoy knowing the history behind a particular piece, or who just enjoy seeing objects that are beautifully built with matchless craftsmanship and care.

This was originally written for the Washington Woodworkers Guild Newsletter, Sept 2007
This lavishly photographed book is a summary of all the currently known and likely works by John Townsend and his shop in Newport in the late 18th century. It is the catalogue associated with the 2005 exhibit of John Townsend's works at the Metropolitan Museum of Art in New York in 2005.
This is not a woodworking book per se. The first portion of the book details the history of Newport, with an emphasis on how it turned into a great cabinetmaking city. The extended family Townsend is then documented, and the links to the Goddards, the other great "name" of Newport cabinetmaking is explained. John Townsend's life is then described in as much detail as is currently available, with some speculation on why and how his furniture is distinguishable from the other major makers in the town. The bulk of the book is photographs of every piece currently known or believed to have been produced by him and his shop, organized by type, and with descriptions differentiating the pieces.
There is some description of technique: 10 pages of the more than 200 in the book are in the section "Observations on John Townsend's Cabinetwork". Most of the book is about the time and place that these masterpieces were created in, and the pieces themselves. As a furniture design, construction, and appreciation aid though the book has major strengths. These include 110 pages of large high quality photos and descriptions of 47 major pieces, including many very similar pieces made over decades. Being able to see the effects of subtle changes in proportion and decoration, and of different wood grains on otherwise similar pieces, is worth the price of the book by itself. There are also many photos of the undersides/backs of pieces, which provide additional understanding of how structural issues in the pieces were managed.
For documentation on technical specifics, more detailed references are required. This book contains no plans, and no exploded drawings. There are references to other sources in this book, though most are of historical rather than a technical nature. This book is appropriate as inspiration, for some technical details, and for the very high quality images that could be used to help make reproductions.

The gulf between appreciation and understanding is immense and while anyone can look upon a John Townsend highboy and see that it is beautiful, understanding the world in which it was built (which was without electric tools), the builder and the technological aspect of cabinetry makes these fine pieces of furniture all the more awe-inspiring. John Townsend, who was a shining star in the rather large furniture industry in New England of which Newport might be considered the capital, is all the more interesting because his pieces and his life have been documented. This work that was produced by the Metropolitan Museum of art is fascinating even if you aren't a connoisseur of fine furniture. It is brilliant, well written and most importantly full of beautiful color photographs of all of the known John Townsend works along with several other masterpieces of 18th century New England furniture.

I don't know whether its best to call this work an art book, a collector's reference or a history book but it serves well in all capacity. As an art book it does an extremely great job of describing in word and image the qualities of a master cabinetmaker. Being a master cabinetmaker was (is) a talent and a skill not unlike being a great painter. The difference is the medium but similarly unique styles are developed skills are honed and a great deal of personality is brought about in each work. As a collectors reference this book shows what makes Newport furniture and furniture of New England unique and also gives a great catalogue of the work that is currently in existence. Finally as a historical account the book does good justice to describing Newport's furniture industry and what made New England the place where Furniture making would reach its American zenith in the mid 18th century.

I am happy to own this book and know that it will be often viewed and re-read. If you are a fan of colonial America or fascinated by early American Furniture you need this book. While it may appear expensive it is an excellent reference a great book for the coffee table or to be gently placed on your Chippendale lowboy.

Ted Murena

I read this book several years back and loved it. Recently, it came to mind again and I had to hunt it down. I was lucky enough to find a signed first edition. This story is so simple and heartfelt. The story of two men, their relationship, their friends and keen, sweet observations of their friend's relationships. The tragedy is unexpected and deepy moving. Davis prose is so captivating that I really felt as if I was there. Actually, I wanted to be there. I wanted to help these people and spend a sunny afternoon having cocktails on beach with them. I really do not want to say much about the story, it needs to be experienced by the reader. If you can find this and take the journey, you will be rewarded for your effort.

I read this book a few years ago but the bittersweet emotions it evoked in me still echo in my heart. Even today I can feel the warmth of the relationship between the Joseph and the Old Man as clearly as if they were my dearest friends. The ending of the novel, both ambiguous and haunting, is one of my favorite literary passages.

This was a wonderful book. Davis writes a chapter-less story that lulls us into its beautiful world through page after page of a touching love story. Just as life can lull us, and just as life can deal us surprises, this book does too. I strongly encourage anyone to read this--gay or straight.

Christopher Davis is one of those authors who is not praised nearly loudly or often enough, and whom I discovered by accident. I first read his work in Men on Men. His short story in that collection, "The Boys in the Bars," is also the title of his own short story collection that came later.

Joseph and the Old Man is easily read in one sitting. it is reminiscent in many ways of Isherwood's A Single Man.

Joseph is the much-younger lover of a famous author whom he calls "The Old Man," and in this chapter-less story, it turns out to be the Old Man's story, but told in the third person. How they met, how they love each other, and how they become the center of a loving circle of friends on Fire Island, and what happens when tragedy (sudden, and not AIDS) strikes, is told with stunning simplicity. I read this book in two days. It was hard to put down.

I just ran across Satan and Adam a few weeks ago and have thouroughly enjoyed the 3 CDs they released. This book is a very interesting look into some of the experiences they had while touring as well as an outsider's view of making into an insider's position as regards Adam's acceptance into the blues community.

I have been following Adams teaching for a while. His new book "Journeyman's Road" only increases his street cred. After reading the book I got a better feeling for talking the talk and walking the walk. If your a harmonica player, a New York blues fan, or a street musician this book is a must read. Adam Gussow give a first hand look at music in Harlem, his adventures with Mr. Satan, and becoming a respected musician.

Over the last several years I have written a lot of reviews for Crowsfeet Productions. They handle publicity for several labels. Betsie Brown has been my contact for the West Coast. It has been a pleasure to bring the wonderful entertainment of the East coast to the attention of readers and listeners here in Washington. Occasionally the review I'm asked to write is on other than music releases. Such as in this case. When I was asked if I was interested in reviewing this book I jumped at the chance. Even though book reviews are a lot more time consuming, than reviewing CDs or even DVDs, I feel that they are a media source that need more coverage in Blues reviews.

The secondary title to this book might suggest a very highbrow and hard to read tome concentrating on the literary works of Faulkner. Fear not. While there is a healthy chapter dedicated to the analysis of Faulkner's relationship to the Blues the majority of this text is an appealing, and easy to follow, observation of life as a street musician, jam session veteran and club performer. There are highlighted profiles of New York area Blues musician's that are compelling as well as occasionally touching.

Gussow is not only an award-winning scholar and an Assistant professor (English & Southern Studies-University of Mississippi). He is also a very accomplished harmonica player and recording artist who has been nominated for a W.C. Handy award. His partnership with Sterling "Mr. Satan" Magee was remarkably unlikely from the beginning. Adam Gussow was young, white and Ivy League and "Mr. Satan" was older, black, street-wizened and an accomplished one-man band. Nonetheless together they built a very large fan base, made a few albums, and performed all up and down the East Coast. In reading this book I became so intrigued that I bought two of their three CDs and have played them on my radio show. For my money that's why it's good that we, on the West Coast, can hear about this stuff. We need to know that there is some wonderful music that normally doesn't get distributed to this side of the country.

There are many parts of this book that I can point to as a highlight for me. Gussow's words of disgust for southern racism are similar to my own beliefs. His mentoring of young Bluesman Jason Ricci is a good read because I was participated in a post-concert interview with Jason and heard of his victory over his troubles with substance abuse. I found him to be a sensitive and talented artist. Addam Gussow can claim a little credit for that. My favorite part is Adam's writing about his own mentoring by Sterling Magee. This relationship is covered well in Gussow's first book, "Mr. Satan's Apprentice". There is enough of the Satan & Adam storyline here to serve as an excellent backdrop to the bigger dissertation. It blends together well compilations of articles Gussow has written for Harper's and Blues Access as well as critical essays. The comprehensive examination of William Faulkner's relationship with the Blues is covered here fro the first time. It is deep but I found it enlightening. It made me think about the famous author's place in literary history a little more.

What I assumed would be a slightly self-indulgent semi-autobiographic of Mr. Gussow's life in Blues actually became more of a modern day true life text book. This would serve well any class on black history, Blues history or literary history. There is so much more to Journeyman's Road- other than what I have outlined here. Find out more by visiting his web page & on YouTube (www.modernbluesharmonica.com & www.youtube.com/kudzurunner). To purchase contact www.utpress.org ($30 hardcover)

Well done Mr.Gussow! I believe I shall now have to find Mr. Satan's Apprentice. I can't wait to read it.

I first became aware of Adam Gussow through his YouTube blues harmonica lessons. That is how I became aware of the fact the he was writing this book. I have read many books. This is the first time that I have ever felt the need to write a review.

At first glance it would seem to be a collection of short stories or articles which could stand on their own if read as such. It is much more; it is a book that should be read from front to back in its entirety. It is actually several books in one, each with their own appeal.

It is the story of Adam Gussow, an interesting man, who is both a street blues musician who played the streets of Harlem, and toured the blues joints, and a teacher of much more than the blues harmonica. He bares his soul through his music (his CDs are available at Amazon.com), and with this book.

It is the story of blues musicians, and indeed, it is even the story of the blues itself. A story of the call and response music form that is the cry of love lost, or unfound, and the promise of how good life could be if you can just find it.

He reminds us of the "bad old days" that spawned the blues, where the black man's call for love went unanswered. It is a bit painful to read, but he takes the reader to a place of hope. Perhaps the influence of the music itself is an answer to that call.

It is the story of Sterling Magee (Mr. Satan), and Adam's relationship with him. It is a story of respect and love for the man that he apprenticed himself to.

Mr. Gussow gives the love to the blues men, and women, who gave him the gift of their music. He passes on their gift, and he finds the love. The long awaited response to his own blues call.

The first readers of this book will undoubtedly be blues harmonica players. The book deserves a much wider audience than that. It will appeal to a wider audience than that. I hope that many people discover this book, and read it. I'm glad that I did.

Most photographs here were made in ca. 1870. Looking through the book, I imagine that at that time photography was still so new, so unprecedented, that no one yet had idea of what portrait photography was to become. An art? Or a detailed recording of what the eye perceives? In this ambiguity, Julia Margaret Cameron shows herself in this volume to be great artist, a portrait photographer second to none. In the faces of her women, I can see stories and history as recorded nowhere else.

Most notable is the series of images of Julia Jackson. (She also appears on the front and back covers.) One can see her life evolve over the time span of the photos. These images become even more interesting upon learning she was mother of Vanessa Bell and Virginia Woolf. So here at last is the real Mrs. Ramsey.

This amazing book is well worth the investment. These photos still have the power to knock one over the head with their dizzying beauty. Too often people look to the men who made up the Pre-Raphaelite Brotherhood for an ideal of the Victorian woman. For a fresh look, one should explore Victoriana through the eyes of the women themselves. Cameron's photography is the perfect counterpart to Christina Rosetti's poetry. Enjoy.

This amazing book is well worth the investment. These photos still have the power to knock one over the head with their dizzying beauty. Too often people look to the men who made up the Pre-Raphaelite Brotherhood for an ideal of the Victorian woman. For a fresh look, one should explore Victoriana through the eyes of the women themselves. Cameron's photography is the perfect counterpart to Christina Rosetti's poetry. Enjoy.

julia margaret cameron's women contains 63 different plates representing magnificent victorian portraits photographed back in 1864 to 1874. every plates are monochromed in sepia or black & white. ...5 pages are consacrated to her models biographies,her favorite ones like: julia prinsep jackson (mother of virginia woolf & painter vanessa bell), mary ann hillier (her maid,cameron described her as one of the most beautiful & constant of her models.) , Alice Pleasance Liddell (aka the little girl from whom Lewis Caroll wrote "Alice's Adventures in Wonderland" in 1865)..etc.. - 5 other pages focuses on cameron's Literary & mythological subjects:from "DAPHNE" (nymph pursued by the god Apollo) to "OPHELIA" (from shakespeare's "Hamlet")..all are well explained and presented...the rest of the 242 pages are dedicated to margaret's life, her debuts,her Illustrations to tennyson's "Idylls of the king", her different relations... - all fans of painting & photography should own this book! it is a unique reference! cameron was and still is one of the greatest portrait photographers of all time...

other interesting books in this genre: "Reflections in a looking Glass" a centennial celebration of Lewis carroll. , "Photo Historica" landmarks in photography , "a new history of photography" edited by michel frizot.

In Keeping Score, Linda Sue Park again gives us an opportunity to really feel what it was like to be a particular kid in a particular place and time quite different from our own. In Maggie-O's mid-twentieth century New York, the technology was different, but the kids still had problems that today's kids can relate to. Baseball without TV or the Internet -- just imagine! Maggie tunes in to the game by listening to radios through open windows while walking through the neighborhood. She shares the ups and downs of her favorite team with the whole community. Her baseball experience includes no visuals at all except the black-and-white photos in the morning paper. When Maggie-O first lays eyes on that field we are right there with her, seeing what she sees (GREEN!) and feeling what she feels. Her obsession with score keeping, her magical thinking and superstitions are quirky but quite age appropriate, and her growth through disillusionment seems quite genuine. Maggie's experience of the effect of the Korean War on her friend Jim will give today's kids a peak at some of the difficulties facing our own soldiers today. Here's a book that is serious and intelligent, but tremendously engaging. It's a great choice for preteens who like to see how the world looks through someone else's eyes, even if they couldn't care less about baseball. I think this wonderful story also has cross-generational appeal--giving parents a glimpse into the universal experience of tweener angst and giving sixty-somethings a chance to rekindle memories from their younger days. Another home run for Ms. Park!
Janet Gingold
author of Danger, Long Division

Here is a baseball book that appeals to both boys and girls and to kids who may not know a walk from a balk or what team Willie Mays played on.

Willie Mays plays a central role in this novel set in Brooklyn in the early 1950s. He was a New York Giant then and, amazingly, the favorite player of young Maggie Fortini.

Amazing, because Maggie lives, breathes and suffers with her hometown Dodgers, and the Giants are their archrivals (still are, in fact). Maggie's brother Joey-Mick tells her she has to have a Dodger as her favorite. "Besides, it's double-stupid to pick a player from your worst-enemy team."

But her buddy at the firehouse, Jim, is a Giants fan. Jim teaches Maggie to keep score while listening to Giants games during Willie Mays' breakout rookie season. Keeping score makes Maggie feel as if she has some control over the progress and outcome of a baseball game.

She also uses that skill to "keep score" of the Korean war after Jim is drafted and then stops sending letters home to Maggie.

Linda Sue Park does an excellent job implying that Jim is suffering from PTSD, a disorder not recognized in the '50s but familiar to kids who know about veterans from our current wars.

Resourceful as ever, Maggie cooks up a scheme and saves all her money to pull Jim out of his funk and get her family and friends to a Dodgers-Giants game. She isn't entirely successful, but she doesn't strike out either.

Maggie-O is a believable, eminently likable character with a good heart and who knows her game.

[Review originally appeared in the Palo Alto Weekly, 7/9/08]

Of me and my sis -- growing up in the Bronx in the 1950's. I was personality-wise, something like Maggie (but I could not work a scorecard) and Sis was a little like Joey-Mick

Sis was a Brooklyn Dodger Fan-atic. Like Maggie, Sis kept METICULOUS score sheets of their games. For the life of me, I (a YANKEE FAN) tried but could not master that system of keeping score -- but then again I was having WAAAY more fun, going outside and playing baseball like a maniac (I am a GOIL) -- AND one of the big guys who lived across my stoop usta be a New York Yankees Pitcher!!! What a wonderful life for a skinny little kid (me) growing up in the Bronx!!

Sis threw a fit, just like Joey-Mick-- when I named my tiny little kitten (whom I'd gently carry thru the apartment in the palm of my hand) "Pee Wee" -- ("I KNOW You named her after Pee Wee Reese!!!" screamed Sis, indignantly. Well, no I didn't)

Anyway -- these personal memories kept cropping up as I read through Linda Sue Park's excellent book -- And, when I read of Maggie's scrupulous conscience (LOL!)) oh how that reminded me of myself, as I was "fine-tuning" my way thru the world, as a child becoming a teen-ager.

Seems like Maggie was a very thoughtful introspective and tough little kid -- but hey Maggie if you had just picked up a bat and hit a few fungoes to the outfield- I think you woulda gotten hooked.

Linda Sue Parks takes the stuff legends are made of and weaves them into the life of a little girl, Maggie (named after Joe Dimaggio by her dad), an ardent Brookly nDodgers fan.

Women's baseball teams of the 1940's, The Brooklyn Dodger ("Da Bums" as they wuz affectionaly called), the Yankees, the great neighborhoods of Brooklyn (each one a world unto itself) and their equally memorable denizens come to life through Maggie's eyes and experiences.

Sal Maglie, Duke Snider, Raplph Branca, Jackie Robinson -- Say Hey Wille Mays -- those legendary players come back to life in this book, and once again thrill us with their love of the game, and I saw them thru the eyes of a 13 yr old -- me -- in the same way as Maggie would view their heroic exploits.

Linda Sue Parks enthralls the reader with the true stories of the agony and ecstasy of those magic years of the early to mid 50's when the Brooklyn Dodgers came so close to grabbing that GOlden Fleece (winning the World Series), and how this impacted Maggie and her friends at the firehouse who listen spellbound to each Dodger game on the radio (and Mel Barber's mellifluous voice -- how can I ever forget that voice?!!).

The part about the radios tuned into the game thoughout the neighborhood, so Maggie could hear the games, even though she was running errands for her mom and Dad -- is So very true!!! Yes that DID happen -- the play by play from those radios (being played in every mom and pop store) and those cheers echoing down the street was the next best thing to Actually Being There!!! And I (sadly!!!) remember walking past my Bronx neighborhood candy store when Mazeroski hit that home run in 1960.......

Maggie has some tough decisions to make -- she grows up a little more each day as she tries to reach out to a friend who has vanished, even though he is still there in the flesh.

Treecie, her best friend, is a good foil for Maggie - a little more practical and a good stabilizer for Maggie's emotions, I think. The guys at the firehouse are good friends of the family-- her Dad, a former firefighter is Maggie's rock. Maggies Mom has a few surprises up her sleeve, and Maggie's faith in her friend Jim's ability to heal, and her Childlike Novena is very touching.

And the games play on, and the Dodgers win em and lose em. But they don't win the ones they should.....and all of Brooklyn was still waiting.....

The Korean War (which is what we called it back then -- I remember Mom saying in 1953 -- "It's finally over!!!") is brought to life in the Maggie's thoughful tracings of those maps over the years, sobering images of what was, then.

And the finale of this great book is heartwarming -- a one-two punch -- Giants and Dodgers -- and I can still hear those Cheers from those stadiums, and from those little radios in every Mom and Pop shop, from more than 50 years ago.

And BTW - if MAggie had only grabbed one of her brother's bats and hit a few fungoes into the outfield, she WOULD have been hooked on playing baseball-- even my very own Score-card keeping Sister played a few games with me!!

This heartfelt, endearing, nostalgic and educational tale is set in Brooklyn, New York in July 1951. The main character is Maggie Fortini who is nine going on ten years-old. She is known to everyone as Maggie-o and her older brother is known as Joey-Mick, both being named after their Father's favorite New York Yankee Joe DiMaggio. But here's the "rub": Maggie-o, Joey-Mick, and their Mom, absolutely love and "live-and die" with the Brooklyn Dodgers! "DEM BUMS" as all Brooklyn fans affectionately called their beloved Dodgers, were the center of their lives. Their entire neighborhood regardless of race, creed, color, or sex, shared their mutual love of the Dodgers in the same manner as "O-positive" blood was a universal donor in an emergency room. Whenever there was a Dodger game being played, the radio in Maggie-o's house was always turned on with Red Barber (and later on Vince Scully) providing the play by play with such favorite phrases as: "a can of corn" for an easy pop fly, and "sitting in the catbird's seat" when "DEM BUMS" had a good lead. It was an unspoken rule in the house that if Mr. Fortini wanted to listen to a big Yankee game he had to go somewhere else. If Maggie-o had to leave the house to go to school, or go to the store, or go to the firehouse, while a game was on, she never missed a pitch as long as she was in the neighborhood. Every house and every store she passed had the Dodger game on and it was like stereo coming from all the windows.

Maggie-o's Father had been a fireman until he suffered a bad leg injury fighting a fire. Now he worked in an administrative position at another location. His old firehouse was just down the block and Maggie-o spent countless hours there with the firemen and their dog Chalky. During baseball season the men would sit outside and listen to the Dodger games and Maggie-o would always join them when she wasn't in school. There was nothing but Dodger fans at the firehouse until one day there was a new recruit named Jim Maine who was a Giant fan. The other firemen wouldn't let Jim listen to the Giant games loud, so at times he would lay on the floor next to his radio. Maggie-o befriended Jim or it could just have easily been the other way around, and before you knew it, Jim was teaching Maggie-o the official way to keep play-by-play score of a baseball game. Maggie-o started keeping "official" scorecards of every inning of every game when she wasn't in school. Jim even taught her how to keep track of every ball and every strike, even differentiating between called strikes and swinging strikes.

This was the point in time of the Korean War/Conflict, and bad news hit the firehouse when Jim received his draft notice and had to report for active duty. Maggie-o immediately started writing letters, even before his ship crossed the ocean to Korea. Jim started writing back for awhile, and then all of a sudden he stopped. Maggie-o was distraught and couldn't find out why Jim had stopped writing. She then put as much effort into learning everything about the Korean Conflict (It hadn't been officially classified as a war yet) as she did into learning how to keep official score. I must admit I learned things about the Korean War that I didn't know based on Maggie-o's maps and footnotes. During this gloomy time in Maggie-o's life, she became extra diligent in her scorekeeping in honor of Jim. She even prayed harder, and without giving away a major part of the story, I'll suffice to say that she even convinced herself to commit the biggest sin in Brooklyn, by secretly rooting one year for the HATED Giants to win, because she hoped and prayed that would help Jim.

According to the promotional information regarding the release of this book, it is supposedly geared for children aged 9-12 years old. I am a Grandfather, who is originally from Brooklyn, and my entire family was born with the Dodger's as the very blood that pumped through our veins, and this story is so realistic in every way. The pedestal that Jackie Robinson, Duke Snider, Gil Hodges, Pee Wee Reese, Roy Campanella, Carl Furillo and Maggie-o's Mother's favorite pitcher that "fine young Mr. Labine", and the other bums were put on, was portrayed as true as life! I actually had tears come down my face a number of times. Some of the tears were because I got to go back and relive some of my fondest childhood memories by living through Maggie-o's beautiful Brooklyn Dodger loving eyes. My parents are long gone, but this story brought my families most cherished times to life again in my heart because of this author's beautiful (And for my family accurate) story telling. Other tears were because of the many sorrow's that are an awful by product of war. This is a wonderful, wonderful, book that would make a great "Hallmark Hall Of Fame" type movie that would be enjoyed by entire generations of a family.

As far as my tears; Maggie-o said it best on page 179: "MAGGIE BLINKED SEVERAL TIMES, HARD. THERE WASN'T ANY WAY TO STOP TEARS FROM FILLING YOUR EYES ONCE THEY HAD DECIDED TO DO IT. YOU COULD BLINK THEM AWAY, BUT ONLY AFTER THEY WERE ALREADY THERE."

For the first half of this book, I thought the title referred specifically to the protagonist, Maggie, learning how to score a baseball game. It's 1951, Maggie is a huge Brooklyn Dodgers fan, and baseball is central to her life. She learns how to score a game when her dad's firehouse colleague teaches her.

I admit I find it frustrating that Maggie has no real desire to learn to play baseball herself. There is a brief mention of the strides that women had made with the game, including the women's league that existed during World War II, but Maggie is content to be a fan. Not that there is anything wrong with fandom, but it is energy that seems misplaced in a story about a spunky, outgoing, full-of-life girl with baseball on the brain.

The conflict finally arises when Jim, the fireman who took Maggie under his wing and taught her how to score, is drafted to Korea. At first, Maggie and Jim write letters back and forth. Then Jim's letters stop coming. Maggie is hurt and confused that her friend no longer seems to appreciate her letters.

When Maggie's father finally breaks the news that the reason Jim hasn't written is because he is at home in a catatonic state after witnessing something very bad in Korea, Maggie begins brainstorming ways that she can help make Jim "better."

First, she keeps score of his team, the New York Giants, who are rivals of her beloved Brooklyn. Then she tries prayer, also to no avail. Then she comes up with an idea that is so precious and selfless that I won't spoil it by recounting it here. But I will say that the idea is the heart of the book, and it's a shame that it took half of the story to get there.

KEEPING SCORE starts out as a story about a girl learning to score a baseball game. By the time it ends, Maggie finds herself keeping score of her own efforts to help her friend. While the adults around her realize that there is nothing she can do to help Jim, and that his illness isn't her fault, this lesson never really hits home for Maggie. She continues to accept responsibility for Jim's struggle. However, though misguided as Maggie may be at times, she is also selfless, kind, and caring. She is a dutiful daughter who not only respects her parents, but has a real affection for them. She certainly has at her core the idea that it is better to help others than to help yourself.

The story weaves in some interesting facts and information about the Korean War that will help kids better understand a time in our history. It definitely will lead readers to contract baseball fever. And, it ends with some helpful websites that readers can visit to learn to score baseball games on their own.

Reviewed by: Marie Robinson

"Richard Kern rapes the nude brain of a chemical=anthropoid and generates the cyber-pornography for a drug fetus." - Kenji Siratori, author Blood Electric

Richard Kern here has presented a fine collection of photographs. Though his style, at least in this presentation, seems to be mostly snap shots of ameture models; there are some nice shots none the less.

This volume could also be called 'The Best of Richard Kern' as it presents a review of his work ranging from 1976 to 2001. Covering a wide range, we find bondage shots and girls with guns, as well as girls in the bedroom, bathroom and other scenarios, presenting an overview of Kern's interests and low-key fetish work.

Perhaps the strongest pictures are the close-up portrait shots, where the models reciprocate your gaze, as though daring you to enter their slightly dark and edgy world. In one shot, a small lizard crawls over a model's face, in the stark monochrome looking almost like a tribal tattoo. Most striking is the picture from 1993, simply titled 'Monica with Candle'. The model tilts her head backward and a lighted candle protrudes upright from her mouth. A very arresting picture the first time you see it (why that was not used on the cover is a mystery. Too provocative maybe?) Certainly a deeply erotic image.

Like all the best books of photography, this one starts well and gets better the more you look into it. A good one to keep on the bookshelf and delve into from time to time, and well worth buying.

As a young man I have been searching for the perfect woman and theres no such thing. But Kern captures both a meaningful persona and porcelain like femininate in his photography. And this book delivers all expected from Kern and more, its better than New York Girls and thats hard to do. This book deseves to be on even the Queen of Englands coffe table but I for one will keep it hidden away as a unsering boy may hide his chocolete easter eggs from his anoying sister. (ABLOL)

This well - witten well researched book tells the story of a psychopathic priest who was a pedophile, forger, thief and murderer. Although he tried to hide behind an insanity defense at trial, he was a textbook anti-social personality. The perversion of the murder of his girlfriend, with fetishistic and necrophilic elements, reminds one of Ted Bundy or Jeffery Dahmer.
Readers will find very familiar the story of how the church ordained him when they knew he was disturbed, passed him from one parish to another instead of defrocking him.
This book deserves a paperback edition to reach a wider audience. It's very good. I hope the author writes more books.

I just finished reading this book and still can't believe that a catholic priest did these terrible things and then was executed in the electric chair. I truly enjoyed the way the author wrote the story. Not only did he write about Father Schmidt and his crimes, but he also wrote vivid descriptions of New York City in the early 1900's. I hope Mark Gado's name becomes synonymous with James Patterson and keeps on writing. I can see Ed Norton or Johnny Depp playing Father Schmidt. A potentially chilling movie!

I was very interested in reading this book when I heard of it. I was born and raised a Catholic and enjoy reading books of all topics about my faith and I especially love true crimes.....my husband is a police officer! So when I saw both areas of interest twisted together in one book I was fascinated!! I really enjoyed this book and this authors writing style! He masterfully captured this priest and his crimes with such imagery.....as I read the book I could envison what was taking place and I kept thinking this book would make a great movie!
I hope to see more books by this author!

Killer Priest by Mark Gado is an electrifying story expertly told. Hans Schmidt, the only priest ever to be executed for murder in the U.S., had character flaws that surfaced during his childhood in Germany. He had no use for his brothers or friends, but became transfixed with religion and killing. When adolescent sexual fantasies become intertwined with images of death and slaughter, problems are almost certain to arise. As an introverted teenager, the intelligent and scholarly Schmidt drifted into ecclesiastical studies. However, the character flaws and sexual conflict deepened and he ran afoul of the law. He became a thief and a forger who was ostracized by the clerics that knew him.

Gado's meticulous research traces Father Schmidt's twisted childhood in Germany, through his years at the seminary in Mainz, his flight from Europe and eventually his first clergy assignment in Louisville, Kentucky. A missing nine-year-old girl case raised questions at his parish and Father Schmidt suddenly leaves Louisville and heads for New York City. There, he secretly married a beautiful young woman in a ceremony he performed himself. When her dismembered body parts turned up in the Hudson River, a city became mesmerized by the spectacle of a Catholic priest arrested for a murder...and the possibility he was a serial killer!

As a seasoned detective, Gado carefully lays out the investigation and the manner in which the detectives built the case against Schmidt. Once it got to court, Schmidt, ever the manipulator, attempted to hide behind the insanity defense - creating the disturbing risk that the killer could have been turned over to the custody of the Catholic Church.

Gado's experiences in homicide and death investigation, his first-hand understanding of the criminal mind and his ability to dramatize a story so effectively combine to make Killer Priest an excellent read.

Gorgeous portraits - full of emotion and complexity. I originally bought this book because I was interested in the fashion celebs - Todd Oldham, As Four, Simon Doonan, John Bartlett, etc, but all the other celebrities in the book - John Waters, Edward Albee, Michael Cunninham - certainly don't hurt, either.

A compelling, gorgeous book - totally unique. Gay and straight readers alike will be captivated by the interior images so beautifully displayed in this newly published addition to the photography genre. While by no means a book on interior design, the spaces depicted will be a source of fascination to readers who delight in viewing interesting homes. The human subjects, too, are intriguing. Alternately calm and kooky, they don't dominate the photographs, but are essential to the composition. A thrilling read. (Or, rather, experience.)

So refreshing to see a gay photography book that is thoughful, insightful, not obsessed with young bodies, and at the same time absolutely gorgeous.

The photographer Tom Atwood writes in his "Artist's Statement" that he wanted to do a book of color photos of clothed gay men in New York who live in apartments. The photographs should balance both the portrait of the individual with his environment. He describes this book as a "miscellaneous catalogue of personalities and living spaces." The models come from a variety of professions: writers, artists, composers, designers, interior decorators, attorneys-- John Waters, Edmund White, Ned Rorem, John Ashbery, Edward Albee et al. Most of them are collectors of practically any and everything: books, crosses, musical instruments, paintings, photographs, porcelain poodles, wigs, etc. Some of the subjects arrange their "stuff" well while others do not. I could not be in Joe Holtzman's kitchen (p. 42) for more than five minutes without jumping out the window. On the other hand, the apartment of Eric Bernhoft and Peter Mintun (p. 15) is most inviting.

The photographer in 70 frames or so manages not to repeat himself at all or even come anywhere close to repeating himself, no small feat. Some of my favorites are that of Billy Basinski (p. 64) where the model is seated on a sofa in front of floor-to-ceiling windows with beautiful light streaming in, Andrew Solomon (p. 61) in a beautiful but claustrophobic shot and Christophe Le Gorju (p. 39) where the model is standing to one side of a window which makes a beautiful Modrian-like grid. The most unusual living space has to be that of Tobi Wong (p. 31) which is described as being an eight by nine foot apartment.

A friend of mine used to say that regardless of how diverse the objects were, that you could hang anything together on a wall so long as you grouped them. This book of very fine photographs perfectly illustrates that theory.