Nevada Books

Musical genius meeting improvisational photography; two artists coming together as one to capture the spirit of jazz and its energy on film.

Carole Bellmyre's photo exhibit of Jazz artists in Las Vegas.

John P. Marschall (Emeritus Professor of History, University of Nevada, Reno) presents Jews in Nevada: A History, a scholarly volume that indubitably lives up to its title. Chapters cover 1850 to the modern day, evaluating the history of Nevada's Jews more or less chronologically; especial interest is paid to "Antisemitism in the Twentieth Century" and "Civil Rights and Uncommon Causes". "Nevada has a chance to shape a revival of Jewish culture and religion in the West at a time when prophets of doom point only to national decline. Las Vegas's recent growth and expansion of a Jewish infrastructure and its ability to exert a supportive influence to northern Nevada will be the tipping points of success or failure. Proponents of a more robust Jewry in Nevada may be comforted or perplexed knowing that Las Vegas once had a Jewish major who prayed as well as he cursed and who, on the feast of purim, may not have known the difference between the villain Haman and Mordechai the hero." A welcome addition to Judaic studies shelves, as well as Nevada state history shelves.

This collection of amazing images is uplifting and powerful. Lake Tahoe is one of the most beautiful places on the planet and Larry Pesetski's book showcases all of the colors, seasons, and wonders that make up the Tahoe experience.

As a genealogist, I found this book to be a treasure...as a history buff, I found this book to be very informative and interesting...leaned a great deal. I am mystified that Juan Baustista de Anza is never given more credit than he deserved in the history books...I highly recommend this book, it is well written and very insightful into not only the man, but the times and locations as well.

Nevada writer Robert Laxalt's "The Land of My Fathers" is a description of life in the French Basque Country in the 1960s. Laxalt -- the son of Basques who immigrated to Nevada about 1910 -- spent 1960-61 and 1965-66 getting to know his parents' ancient homeland. Making use of his family ties, he succeeded in breaching the "impenetrable wall of Basque reserve" (in Rodney Gallop's words) in a way only a few outsiders have been able to do.

The book is not a straightforward narrative and Laxalt writes about much more than his own experiences. A collection of vignettes, histories, and folk-sayings, it is an exploration of the Basque character. We read about everything from "Basque troubadours" to the humanization of German soldiers stationed in the Basque lands during the occupation of the Pyrenees. Trying to capture the essence of this ancient people, Laxalt gives us glimpses of the "poetic truth" of the Basque land and Basque history, the emotional truth gleaned from "the language of the eyes." Of course the approach is not without its drawbacks, but for a book like this, "The Land of My Fathers" is remarkably free of immigrant-son's-come-home romanticism.

In addition to Laxalt's vivid prose poetry, many of his vignettes are interesting as anthropological descriptions of life in the "Pays Basque". Here, we encounter aspects of Basque folklife such as pigeon-hunting, contraband, dancing, the unique brand of "shepherd justice", and the "bohèmes" (literally "Bohemians", they are a poorly-known group of shunned outsiders -- not unlike the Gypsies -- who have lived in the Basque country for years). A couple of these "ethnological vignettes", in fact, appeared in the August 1968 issue of "National Geographic".

Although throughout one is struck by the Basques' indomitable ability to overcome adversity, unfortunately the beautiful culture described by Laxalt is rapidly slipping away -- if it has not, for the most part, slipped away already. The Spanish sector of the Basque lands has long been one of the most heavily industrialized in Europe and the French sector, although still largely rural, has seen the same kinds of cultural changes places all over the world have seen with the onslaught of globalization. Many things have changed for the better, and Laxalt certainly doesn't claim the past was perfect, yet it is difficult not to agree with him that "something of the romantic past has been lost." For all that, his many books are even more important, small safeguards against a rapidly deteriorating humanity.

If there were ten stars, "The Land of My Fathers" deserves them.

i like to own this book for my future interior and exterior design.
------Kenny the designer

As a native Nevadan I look for books written about the cities of this state. I've read other books by Robert McCracken and can always depend on clear and concise information. A good read for anyone planning on visiting or just learning about Las Vegas.

Lou DeSerio has an amazing ability to capture feelings and moods in the lenses of his cameras and although the photographs in "Last Look" are black and white, it is nevertheless one of the "most picked up" books on my coffee table. AND, what the hey! It's a BARGAIN, and everyone likes a bargain, right?? I wouldn't hesitate recommending this book it to anyone.
Since owning the book, I have also acquired some of his color work. It's obvious that he is truly a perfectionist at his craft!

I bought this book to read the essay by Tee A. Corinne "Artist's Statement: On Sexual Art". It provided wonderful insight and was entertaining - as a bonus the editor included 6 pages of the author's work (4 of the pieces I had not seen before).

Excellent introduction by the editor.

This is a Keeper!

From the publisher's website -

An overview of the field of lesbian studies, tracing its history and providing a summation of current work.

". . . offer[s] a wealth of information on lesbian and women's history while providing a comprehensive look at a field of scholarship that is certain to continue to grow in influence." --Sojourner: The Women's Forum

The lesbian is now an accepted subject for scrutiny--she exists, but how do we define her history, whom do we include, and when did it begin? These essays, primarily drawn from Feminist Studies from 1980 to 1993, trace lesbian studies from its beginnings, examining the difficulties of defining a lesbian perspective and a lesbian past--a culture, social milieux, state of mind.

Essays range from studies of such well-known figures as the Harlem Renaissance poet Alice Dunbar-Nelson, to studies of specific historical moments, such as the regulation of sexuality in the Women's Army Corp during WWII. Other essays treat well-known authors such as Virginia Woolf and Gertrude Stein, lesser-known writers from the early nineteenth century to the present, Postmodern definitions of the Lesbian "Queer Theory", and Lesbian invisibility.

MARTHA VICINUS is Eliza M. Mosher Distinguished University Professor of English, Women's Studies, and History and Chair of the Department of English Language and Literature at the University of Michigan. She is author of The Industrial Muse and Independent Women, and editor Suffer and Be Still and A Widening Sphere.

If you've ever put a quarter in a slot machine, you might have wondered if the game is fixed or if you actually have a chance of winning. You know that the house always has an edge, but you assume you have a chance of winning, otherwise you wouldn't play, right?

In Nevada, where the economy depends on gambling, there are two regulatory agencies, the Gaming Control Board and the Gaming Commission. In general, the Commission licenses casinos and the Board enforces the laws regarding gambling. Together they have a responsibility to make sure the public has confidence in the gambling system.

Jeff Burbank used to be a business reporter for the Las Vegas Sun and then the Las Vegas Review-Journal, the two major newspapers in Nevada. He investigated the casino industry from the late 1980s to the mid-1990s. During that time there were a number of landmark cases that the Commission and the Board dealt with. In License to Steal, Burbank describes seven of the most controversial and entertaining cases.

One story tells of the casino owner who had a Nazi memorabilia collection that he liked to exhibit to a few hundred close friends from time to time. He'd throw a party, sometimes on Hitler's birthday, to show off the collection. The parties were held in his casino, but not in public view. Word got around (apparently the collection was really something) and the Commission wondered if it shouldn't do something, since one of their mandates is to ensure the licensees (casino owners and operators) don't do anything to give Nevada a bad reputation. It was a touchy problem: a lot of people were offended, but what about freedom of speech? And wasn't it somewhat hypocritical to censure someone for offensive behavior in Las Vegas, which has a bit of a reputation for bad taste? In the end, they fined the casino owner. Even in Las Vegas, there are limits to bad taste.

Another story explained how a slot machine manufacturer had programmed its machines to make it look as if losing spins had just missed being winners - "near misses." The owners claimed that the machine wheels would spin randomly, as they are supposed to, but that once the spin had randomly been determined to be a loser, the wheels would re-adjust to show a near miss. This made it more exciting for the player, who would play more. But the regulators thought it might compromise the appearance of randomness. They decided the near miss feature would not be allowed, but when the company appealed on the grounds that retrofitting thousands of machines would be too expensive, the Commission cut them some slack. They still went bankrupt.

Then there's the story about a Gaming Control Board employee who found a way to rig the slot machines he tested so they would pay off when a certain sequences of coins was fed into them. Burbank tells how the employee also learned how to predict keno draws, using a computer program, and was trying out the system in Atlantic City, when casino security became suspicious. This was different from the slots - he hadn't rigged the keno game, he was using an algorithm that found an element of non-randomness in the draws and exploited it. I'm not even sure that qualifies as cheating according to Commission rules, but it certainly does by casino rules. The casinos can make up their own rules and anything that gives a player an edge over the casino is considered by the casino to be cheating.

Once Atlantic City authorities notified Las Vegas authorities, the employee's boss at the Board examined the employee's office computer and examined the records of payoffs the machines he had tested and found he and his friends and relatives had been hitting regular jackpots on the machines. This caused a real public relations headache for the Commission and for the casinos. Just the fact that an employee of the commission had been rigging slots for several years was bad enough. But then ABC-TV reported that the employee claimed that commissioners had abruptly stopped an investigation into rigged machines, and that they knew that the jackpot for the Megabucks statewide progressive slots could be triggered from the central computer center, and that several other companies were programming the slots to display illegal near misses. These were claims that should have been investigated immediately and vigorously, if only to maintain the appearance of an honest system. But they weren't.

License to Steal is fun to read as a collection of eccentric character sketches and descriptions of clever scams. But it's also disturbing. The Commission and Board members are all political appointees and the casino owners contribute to most of the political candidates. So when you drop a quarter in the slot and pull the lever (or more likely slip a $20 into the currency scanner and press the button), are you playing a fair game? Or would you rather not know the answer to that question?