California Books

In additon to a wonderful collection of native plant profile which you'd expect from a book of this kind, this book also provides plant selection recommendation for different function or desired feature which I found to be most practical. You also get a list of nurseries for purchasing, botanic gardens or similar for learning native plants. That's not all. The short yet informational introduction of the history, design and care of native plant is educational. It's a great book for an out-of-state person like me, native plant beginners, or even professionals.

This book is beautifully illustrated and very comprehensive. I know I'll be using it for many years to come. It is a cut above the others.

A beautifully written and edited book that is a must have for the avid gardener. Possibly the 'Bible' of California native plants. I keep it close by for reference or when heading out to do my buying.

I bought this book several weeks ago and am very happy with it! Lots of helpful and useful information...and great photos too. This book is definitely a great resource if you are interested in landscaping with California native plants.

This is one of two must have books if you are interested in gardening with native California plants. This book is definitely the 'guidebook' half of that collection (the other being Designing California Native Gardens). It does an excellent job of getting you acquainted with all the different plants you may be wanting to bring into your garden, and in giving you actual photographs of the plants! One giant peeve of mine in gardening books and guidebooks is the use of hand done illustrations- in other contexts they are charming but you really can't get a feel for a plant unless you are looking at its' actual picture. It just gives you a much better feeling for the plant- the texture of it's leaves, the weediness of its' growth habit, that kind of thing. This is a book you will find yourself using as a reference again and again. Five stars are given enthusiastically.

This is simply the best Tex Mex /authentic recipe cookbook out there. I have made a number of recipes already and find the recipes to be true and as good as described. I even bought one for my Aussie cousin who visited for Xmas. Buy it now

I checked this out from my library and just had to get my own copy. McMahan spends a lot of time telling stories about her family history and the food memories particular to her California upbringing. The recipes themselves are straightforward, simple, tried-and-true, and delicious. I recently tried the recipe for spicy chicken at a barbecue and got great reviews--the chicken was moist, the preparation was simple, and the flavor was complex and satisfying. One of my favorite cookbooks of all time.

In my 30+ years of cooking and buying cookbooks, this is the first cookbook I have found that every recipe is perfect. Want to have a successful dinner party where every guest goes home thinking you are the best cook ever? Then buy this book. Not only are the recipes fantastic, but you will find yourself completely mesmerized by the splendid history of the Californios and their small, but amazing, time period in California history.

What a great book. I moved from the east coast to California about 6 years ago and I have been wanting to cook more californian. What a great resource this is to learn not only the recipes but the history of each dish. The stories are interesting, the recipes look relatively easy. I can't wait to start experimenting. I am especially looking foward to homemade tortillas. The only reason I didn't give this a five star rating is because a lot of the recipes are deep fried.

Cookbooks have a critical audience. A five-star book must not only have recipes that produce great dishes, but recipes that read well, producing in the reader's mind a dish that the reader can virtually see and taste. A great cookbook is also more than just a listing of recipes grouped by beef, chicken, and desserts. California Rancho Cooking hits on all these points. Through these recipes we get a glimpse into an early Californio family and through them into early Californio history and life. An additional benefit is that the author lets you in on how she modifies recipes into something new and different. As a cook myself, I know that this is how you really advance in your understanding of the art of cooking... and the fun of cooking.

Two recipes especially piqued my interest in this regard: Chilena Pie and the old stand-by and oft poorly made, Chiles Rellenos Con Queso. Her (family's) Chilena Pie makes me ache to get started. In addition, I've already got thoughts on how to (hopefully) make improvements. For those who are similarly inclined, always make the base version first so you really understand the baseline, be careful you do not overuse a individual spice, and never try out your new creation with company first.

For me, Chiles Rellenos in gringo-style restaurants are awful; the coating is reminiscent of white bread and then the poor things are covered in a bland ranchero sauce. McMahan's basic version is akin to mine, but her variations of wrapping them in tortilla is great, and I love the idea of the breadcrumbs. What great ideas. All I can add is to consider that you have other stuffing options than cheese. Oh, her Chiles Rellenos Con Queso are on page 125; it is listed in the index under cheese, not chiles, not rellenos.

The only areas where I could suggest an improvement are:
- Some of the recopies expect the reader to have the author's understanding of the technique to be used. This expectation should not bother most readers, but a new cook could experience some frustration.
- As one who must watch his intake of fats, especially saturated fat, I appreciate it when the nutritional information is provided. This is really de rigueur for modern cookbooks.
- To roast chiles/peppers, many cooks recommend rinsing the charred chiles under running water. McMahan's technique is to place the charred chiles under a wet paper towel to steam and then to wipe off the charred skin. Both techniques are fast and easy, but I prefer to steam them in a small paper bag or a small covered bowl and use the back of a knife or a spoon to remove the charred bits. It is more labor intensive but there is a lot of flavor in the liquid left over from the steaming that I am loath to loose.

These are very minor points, and I really enjoyed this book.

While I was lucky enough to live in Berkeley, the Cheeseboard was a legend in every sense of the word. The Cheeseboard is THE place by which I judge all other breads and baked goods. I made the scones and they were declared "f@%*ing amazing" by people who normally eschew "dry, brittle" scones. Next, I made my own sourdough starter and it's awesome. Afraid I'd screw it up, I emailed the coop to see if I could buy some of the Cheeseboard starter the next time I was in town. Their reply: "We offer starter as a neighbor would offer a cup of sugar." This is more than a business, it's a community project. These people are Berkeley at it's best. I never made it back to the Bay Area, but I did start my own as per their directions and it's really, really, really good. This book is awesome and everything I've made (scones, sourdough, focaccia) has exceeded expectations. It's well-written and contains excellent instructions for fool-proof bread. The only time my bread failed is when I struck out on my own. I make the City Bread on weekends and enjoy a slice every morning with some butter and jam. It is moist and lasts about 5 days without losing too much texture. The older it gets, the longer I toast it. I actually get cranky when I miss out on it. My thanks to Cheeseboard for writing this great book for those of us who are no longer able to walk to the "Gourmet Ghetto" but keep a place for it in our hearts.. and stomachs!

I bought this book at the original Cheeseboard while on vacation. It was an impulse purchase, but I one I'm glad I made. I've had a lot of failures with bread, but the directions and observations in this book have vastly improved my baking skills. The recipes seem to be fool-proof, and the results are excellent. Bread making is now a relaxing and enjoyable hobby.

This is an excellent source for beginning bakers. Making stellar bread isn't that difficult, and is actually a lot of fun. No more bread machine for me.

As someone who grew up in Berkeley and now only gets to visit a few times a year, I use this book whenever I get homesick for Cheeseboard goodness. Not only do I get raves for every single recipe from non-Berkeley-ites, but the recipes are dead-on in replicating the scones and breads I grew up with.

I love this book. I have been searching for the perfect scones for 25 years. I have found them in the Cheese Board's new book, along with myriad other phenomenal recipes (brioche, shortbread, pizza, etc.). The humor and affection of the bakers/writers for each other and the subject matter are also infectious.

I spent 6 years in Berkeley and I still go back occasionally. The one stop I always make is the Cheeseboard. Not only are they famous for wide cheese and olive selection, but their bakery is out of this world. I remember the days where I would get Brioche and munch on it on the way to class. Or getting the fresh baked sourdough baguettes on the way home from the market. This cookbook describes in detail how to work with the dough, measure out ingredients, and how to bake bread properly. I learned a great deal about baking from this book. I have made a few things (such as the shortbread, sourdough baguette, brioche, muffins, etc) from the book and was very satisfied. Now, this is not for the beginner bakers, I don't think. Also, this is not a speed baking book. I would rate this book as a medium skill book, but with a help of Kitchen Aid mixer and patience, you will be able to get the same great products you find at the Cheeseboard Collective. Definitely recommended for anybody and everybody.

Desert Exile: The Uprooting of a Japanese-American Family"by Yoshiko Uchida deals with a Japanese-American family who were sent to concentration camp during World War II as Japanese-Americans at that time were considered to be potential "spies" for the Japanese government. Uchida started off with introduction to her family, of how her parents met, and how California became their home. Even though she was raised with Japanese values and ideals, she was at the same time an American who can barely speaks Japanese. Her world was turned upside down when the Japanese attacked Pearl Harbor on December 7, 1941.

Japanese-Americans were sent to concentration camp for fear that they could endanger the national security. This violates their Constitutional rights but there were no public support for their fellow citizens. It was indeed racist of the government as German-Americans were not sent to any concentration camps even though the United States was fighting Germany. The Japanese-Americans had to swallow their pride and dignity and were moved to barracks that were bare and ill-equipped. They were placed behind the fence, guarded by MPs and basically were treated as prisoners. Uchida's vivid descriptions of their living conditions were both horrifying and shocking.

"Desert Exile" was used by my professor for a History of American West class. This is truly an eye-opener as most Americans are unaware of their fellow citizens' ordeal and treatment. The Japanese-American loss was immeasurable. Not only did they lose financially (from selling their homes hastily), they lost touch with friends and relatives, lost their pride and lost confidence in their government. I highly recommend this book for anyone who wants to learn more about the ordeal of the Japanese-Americans during World War II. It is extremely well-written, eloquent and easy to understand.

I had to read a memoir for my 8th grade English class. This book was about Yoshiko Uchida's Japanese American family, who were put in camps during World War II. I chose this book because I was very interested in the war, which put over 8,000 Japanese American people into old race tracks and deserts. Yoshiko was placed in two different camps, one in Northern California and the other Utah, both the same: over stuffed with people and nowhere to cry.

Even though she suffered a lot while in the camps, Yoshiko learned that all the things in life, are worth living. She was a student, about to graduate from UC Berkeley, when they were taken off and disconnected from the "American's". They were stuck in the camps for a whole year, with no where to cry without someone seeing you.

This book gave too much background before the war, but when the war hit, the book got much more interesting and exciting.

Lori Sue
Northern California

"Desert Exile" is a wonderful book that is easy to read, yet totally enjoyable. A perfect book for a family to share together and talk about.

I was very interested in finding a book that wasn't just dry history. I wasn't born in this time period of World War II, so I was really eager to find a book relating to this topic. Possibly learning about someone who lived through this time period, something a little like Ann Frank's Diary.

My initial thoughts were, this book would be interesting learning about history without any government interference with the conditions of the camps. In fifth grade I made friends with my best friend who had just moved from Japan and her family was getting aquainted with the United States. I interviewed her mom on how she was liking America and the one resp9onse that really stuck out was, I have so much Freedom.

In the Book I realized that many Japanese Families experienced Racism from many nationalities. Children were taken out of school and from colleges. For a few years the students that were attending Universities were no longer able to graduate with their friends.

Having a friend from Japan gave me an extra push to read the book. To my surprise, I couldn't believe that families were living in horse stalls and that people did not have proper barials if they did die while in the camp.

The beginning of the book started off with how this Japanses-American Family pushed their way through life in America and tells us about their family success. At the end of the book I found that some of these Japanese American Families were actually more patriotic than many American families.

I had to read this book for my History 2710 class. I was very reluctant to do so at first. Uchida's book is a sad story about the Japanese Internment issue during the 1940's. Uchida talks about her own family and those she knew while at each stage of internment. She talks about how her dad lost his business, how she was pulled from college, and the general poor treatment of her fellow Japanese Americans. The book is full of facts, the author's own opinion, and her family's struggles at the time. This book is good, and is honestly one of the few novels that I have enjoyed while in college. Uchida does a good job of painting a picture of what the Japanese Interment issue was like for one family.

This is the ultimate book on Disneyland. It's more than a postcard book, it traces the history of the park & combines descriptive text with some of the best pictures you'll ever see of the park as well as the attractions, past & present. I have most every coffee table photograph book on Disneyland that has been released over the years, & this one is definitely the E-Ticket of the bunch. If you have the excellent 'Disneyland: Then, Now & Forever' (also Bruce Gordon), you have a taste of what you will find here.
The 2nd Edition is also the better of the 2 editions, with added material (1st Edition was 1995, 2nd Edition updates to 2000). I would take the 2nd Edition over the 1st Edition if they were both offered at the same price for this reason. This book is out of print... permanently since the unfortunate passing of Bruce Gordon in November 2007, there will not be any future updated editions.
Speaking of price, this book retailed for $75.00 when it was released. With some patience, this book CAN be found for around $150.00-$200.00 despite what you see here. These copies have been sitting for at least a few years at an inflated value. The book itself is spectacular, the fact that anyone would try to sell the book at $300 & up is shameful.

Let me start this review with the following statement: This is the most prized book in my collection. I'll try not to be too biased. It is also the most expensive and one of the hardest to come by. In the Afterwords section of Walt's Time, Bruce explains how The Nickel Tour came to be:

"We talked to every publisher we could find, and heard the same story, word for word. No Commercial Potential. No audience. No Market. No Deal."

They put the book together themselves: Scanned all of the cards, did the layout of every page and had it printed in Italy. They lugged the books to every convention and sold them through mail-order.

"And guess what: we sold every book we printed". --p. 241, Bruce Gordon, Walt's Time - From Before to Beyond

Disneyland, the Nickel Tour is a look at the first 45 years of Disneyland's history seen through the postcards of the park. In addition to Randy Bright's wonderful Disneyland the Inside Story, The Nickel Tour stands as one of the two most comprehensive books about Disneyland's history. Where it edges out Mr. Bright' work is that The Nickel Tour does cover the past 20 years. Unfortunately, Mr. Bright passed away in 1990 and a second edition is not forthcoming. Bruce Gordon, the primary writer of The Nickel Tour, was an Imagineer and started with the Company in 1980. Mr. Gordon co-authored many books about Disney and there are several that will be published posthumously later this year. Mr. Gordon passed away in November 2007. As it stands, the second edition of The Nickel Tour will probably be the last.

The Nickel Tour is an amazing work on so many different levels: the postcard images, the photographs of attractions that weren't released in postcard form, the historical information and the writing. They begin by sharing pre-opening cards and work their way through the history of Disneyland. One of Gordon and Mumford's strengths is that they write well and can take something as simple as post cards and turn it into an epic look at a theme park. The writing never gets technical and is always filled with reverence, love and a little remorse. Occasionally, they slip in some humor. It is always fitting and they obvious love word-play. The following paragraph could have been presented as just a litany of facts, but they went a different way with it.

"On the left hand side of Main Street, we encounter the Sunkist Citrus House. Long before this view was taken, the Citrus House had actually been two separate stores, one housing "Sunny View Jams and Jellies" and the other housing the "Puffin Bake Shop." By October of 1958, Disneyland had canned the jam and jelly shop and opened a candy store in its place. It was a sweet deal until June of 1960, when the Puffin Bake Shop went stale. (It seems they just weren't making enough dough to stay in business.) And even worse, it wasn't long before everyone was beginning to sour on the candy shop next door. So the two shops were joined together, and in a dedication ceremony held with Walt on July 31, they finally became the home of the Sunkist Citrus Shop. Things were calm until 1990, when the time was ripe to spin around in a circle once more - only to find the Sunkist moving out and the Bakery moving back in! Well, that story certainly had a peel. Orange you glad we wasted all this time? Meanwhile, here's the scoop on the Carnation Ice Cream parlor: in 1997 they split from their original parlor and (having lost their Carnation along the way) floated into the home of the bakery. Then, with perfect Disneyland logic, the bakery moved into - the ice cream parlor! If that doesn't get a rise out of you, nothing will!" p. 121

The sense of history that you get from The Nickel Tour, through the postcards and photographs, has not been presented in any other form. Besides being a reference work for postcards, it is almost a wish book--one you can flip open to any page and see a favorite or long-gone attraction and dream about visiting or re-experiencing. The images are stellar and your appreciation of postcards as art and history will grow.

Bottom Line: This work was obviously a labor of love for Gordon and Mumford. It is hard to stress how important this work is in the Disney Literature. Beside being one of two major historical works about Disneyland, you get a feel for how Disneyland evolved, how Walt plussed the park and how the Disney Company moved forward after Walt. It is the most cherished book in my entire collection. If you are lucky enough to find a copy, get it. I know that many people will dismiss this book because it is about Disneyland, but without Disneyland, there would be no Walt Disney World. The history of Disneyland offers a lot of insight into the growth of Walt Disney World as well.

This book is simply amazing!

www.imaginerding.com

For an excellent crash-course on Disneyland, this book can't be beat. Excellent photos, commentary, and fun back-stage stories. Learn about the park from the idea stage to execution. Truly the best resource book on Disneyland available. Besides photos of every postcard released, there are a number of historic photos as well, and indepth information about each attraction. There are no "tear-out" postcards in this book. Get your hands on it while you can!

What memories this brings back! Not only are the postcards wonderful, but the narrative is very entertaining - much more than I had hoped for - and the postcards are supplemented with some wonderful photos to fill in some of the gaps. A great way for us (we?) older Disney fans to share our memories of Disneyland with our children (and later grandchildren), too. I know I will get many hours of enjoyment from this book over the years to come. I am so glad I decided it might be worth the price - it's worth many times over! 2007 update - Wow, the price I was referring to was $52.50, not the $189 I see it going for now.

I've read "The Art of Walt Disney", "Walt Disney Imagineering", "Disneyland:The Inside Story", and several other books about the Magic Kingdom, and this book is by far the most detailed and enjoyable of them all. Every store that's ever had an address on Main Street...every sponsor that's ever had an exhibit in Tommorowland...IT'S ALL HERE. My only complaint is that I wish some of the illustrations were larger so you could take in more detail...but considering that every postcard ever issued by Disneyland is included, in addition to behind-the-scenes photos and concept art, this is an understandable compromise. Absolutely the best book ever printed on Disneyland.

I read this book after visiting Arcata this summer. While there, I went on a BLM ranger-guided hike into the Headwaters, the "lush, mysterious, ancient, holy" (p. 82) subject of Dunning's book. I wanted to see for myself what all of the protesting was about. Enjoy this book, then experience the Headwaters' redwoods.

Dunning's book is about many things. Trees. Community. Redwood politics. Bearing witness. The destruction of "one of the most magnificent ecosystems on Earth" (p. 3). Saying "enough!" Non-violent civil disobedience. Protecting America the beautiful. It is also about Dunning's personal journey, or "metamorphosis" as she calls it (p. 239), from naturalist to activist. "What is an 'environmentalist'," she reflects, "but simply a citizen who has shed denial, who has opened his or her eyes and said, 'it does matter nature does not have an infinite capacity to heal herself, himself, itself . . . I am responsible'" (p.228).

Dunning's book reads like an insightful journal, in which she sets out to tell it like it is. "This book is not about happiness," she warns her reader on the first page. Rather, it is about "yielding to conscience. It is about a forest, and it is about us" (p. 1). She reveals that the destruction of old-growth forests like the Headwaters isn't someone else's problem, but our own. Dunning reports that in 500 years, we have destroyed more than ninety percent of our country's ancient forests, leaving only 3.5 percent to protect (p. 263). By saving the redwoods, we save ourselves. Dunning writes, "I want nothing more than to dissolve the polarity that plagues this county and this country, to bring us all back to center--the owls and the pussycats, the loggers and the environmentalists, the business community, everyone--to put us all in the same life raft, which is our Earth" (p. 61).

Dunning also reports that redwood civil disobedience is nothing new. We learn, for instance, on November 19, 1929, Laura Perrott Mahan (1867-1937) lay down in the area now known as Founder's Grove in California's Avenue of the Giants to halt redwood logging. Dunning also writes, and her collaborator, Doug Thron's photographs show that clear-cutting "is an act of violence that affects trees, rivers, air, water, earth, and every person, owl, toad, or human who lives there" (p. 88). "Our whole earth is suffering from the cumulative effects of a million minute daily actions" (p. 240).

Although much of Dunning's book is downright depressing, her real message is this: "Find a corner of the world and fix it" (p. 240). Turn your driveway into a garden. "For each of us," Dunning says, "regardless of where we live, there is a valley, a mountain range, a beach, a whale, a peregrine, a gnatcatcher, that if we merely give our time as a witness to the loss, will gradually unite the being of its existence with our own, will ground us by putting us in touch with what is wild and speechless, will empower us when we speak out in defense of the powerless" (pp. 14-15). (Those interested in how each of us can make a difference might also enjoy Thomas Berry's, THE GREAT WORK (2000), which I also recommend as one of my favorite books.)

In addition to Thron's amazing color photographs (note the cover photo), Dunning's book is also illustrated with her own drawings of redwoods (p. 17), salamanders (pp. 25, 174, 179, 260), a banana slug (p. 41), flying squirrels (p. 56), frogs (pp. 67, 187) and an owl (p. 103), among other subjects.

In our world of "Cars. Cars. Cars." (p. 124), Dunning's book triumphs in showing the value of silent, "dark, dripping, ancient" (p. 37) redwood forests, that tell us to "Be still." For its insights, photographs, and drawings, this book about the wonders of tall trees should not be missed.

G. Merritt

I learned so much by reading this book. Joan Dunning has a way of tackling difficult, cumbersome and emotionally charged subject matter and making it easily digestible. It's a compelling read and the photography by Doug Thron is extraordinary.

No book has ever moved me the way this one has, I have tears in my eyes as I write this. I've just read many of the other reviews, and I don't have the way with words that some do, but they tell it like it is. Joan tells it like it is. Books don't get any better, and this one will change your life, like someone said it isn't all about happiness, and I have become informed and aware of too much to not so something about what is being done to our Redwood Forests, and what is being allowed to be done to our envirnment and watersheds. It's a true story, happening right now, this book documents it succinctly with amazing one of a kind pictures. It will open your eyes. Something needs to be done about Charles Hurwitz from Houston, Texas and his company MAXXAM. He is savaging The last of the Virgin Redwood Rainforest in California. I cannot beleive the CDF and the department of Forestry are "letting him get away with it." Not to mention the way he "aquired" the land, which is explained in the book. Please read this book. This book will light a fire in you, and like me you will have to do something. There are several websites listed in the back to point you in the right direction. I beleive this book is THE BEST one on the subject and if you plan on reading only one this should definitely be it. It has the most facts, information, and insight and is so well written, I couldn't say enough. And 57 pages of priceless color pictures! I am buying used copies for people, I would give one to EVERYONE if I could, and I have only said that about 2 books, and I read alot. The book is priceless. Thank You Joan

I had the opportunity to listen to Joan read from this book. It touched my soul, and I have started to give it to some of my friends to read.

This book explains in simple terms the descruction that P.L unloads on our earth. We are all suffering from the greed of hurwitz. When they "take" a tree alongside a stream, the sun hits the water. Then the water becomes silted, and the water heats up. Then the salmon do not come anymore. Then the eagles have nothing to eat, so they leave. With no trees, no air is cleansed, and with bad air we die. Somone else needs to leave.

A superb look a the Greene Brother's masterpiece ultimate bungalows. It includes some of the best Greene and Greene photography I've ever seen, and has a very good look at the details of the architecture, and the internals of the Greene and Greene houses. This book focuses more on the houses themselves, and the fixed appointments therein, rather than the furniture itself. Influences on the Greenes are coupled with a well laid out timeline give you a real view into the evolution of their style.

Excellent! The best book on this subject I've ever seen...

Superb photoraphic illustration depicts the design genius of the Greene brothers. A comprehensive study of leading architects of the Arts & Crafts movement...a high compliment to the monumental craftsmanship of those who executed their designs.

The book is beautiful, filled with both architectural ideas and furnishing ideas for items done in the craftsman style. I purchased the book for these ideas and was delighted with all the pictures. Some of the stonework illustrated is breathtaking in its beauty.

We were very disappointed at the quality of printing, inferior paper stock, and lack of clarity in the photographs. At the "coffee table" price we were expecting much higher resolution in the color photographs and better quality paper.

i bought this book in prob. 1990. on the upper west side of nyc. i lived downtown, but whatever, the cover of the paperback grabbed me and i recommended it with intention to SO many friends. i'm a californian. i know this story. it's not my story, but the story as told is poetic and real and visceral and scary as hell. and beautiful. a wonderful debut. i just sent a copy to a friend. i hope he can handle it. it is intense. go you. great work. xo.

I have been reading this book over and over for years. It is a beautiful landscape novel set along the highways in California in its suburban, fast food squalor. The metaphor throughout the book is the emphasis on scientific elements and how they apply to a young boy and his mother on the run. Incredibly well written.

The use of language and the unbelievible accesibility to heavy intelectual concepts (e.g. cultural theory, metaphysics, and subjectivity) will make a lot of creative writing students a tad bit envious. I read the book and one night and after reading it I felt like I took the craziest drug possible, minus the brain damage. This novel is f-ing nuts, sick and disturbing, and yet you can't possibly not fall in love with its brilliance.

I accidentally found this book while browsing the stacks of a local bookstore and was really surprised that I hadn't heard of the book or the author. Not many writers have the ability to startle me with such a wonderful writing style coupled with a zesty storyline. This is one of those books whose words are placed together with great feeling and care, resulting in a sharp, clear and sometimes painful book.

I picked this book up from a remainder stack at a local bookstore because I liked the title... I'm keeping this book because it took me for a ride that few contemporary works of fiction have. A thoroughly enjoyable read, full of startling twists and intelligent writing.

What a candid book. I read it in one night. I volunteer in Los Angeles County Juvenile Hall. I read this aloud to the wards, 15-16 year old boys. That was last year, some are asking me when am I going to read it again. Some books about incaceration glorify the situation, but Mr. Abbott's account of an innocent childhood to a downhill spiral of abuse and survival really strikes a cord with the reader.

this is a great read. though much of it is tought to read through, the material is important and needs to be circulated!

The author of this book states that he wrote it while in solitary confinement. It's a trip into his childhood, where he came of age in California's Juvenile system. It takes place throughout his childhood years, beginning with an early stay at age 6 (along with a rape by a counselor). The rest is his teenage years spent trying to survive the brutal system of rape, violence, and sadistic counselors (also known as prison guards).

It's very chilling. I couldn't peel myself away from this book, even though it has graphic descriptions of rapes and brutal fights between gangs of boys not even old enough to shave. The fact that the author even survived that system, which incidentally took place in the 1960s, impresses me. When I was a teenager, a few friends of mine ended up in a juvenile drug rehab center at Horsham, PA, and afterwards they were extremely shaken up. It turned out later they had been raped. Not much has changed in the last 40 years.

Abbott and his companion quickly rise to the top of the ruling prison gang, which he uses to attempt several escapes. Each time, he nearly makes it. It's amazing that he goes for his parents, who are totally excluded from being able to help their boy. He forms a love relationship with his companion which he must hide in order to survive. The counselors maintain the order by daily beatdowns and shake-ups, and when it comes down to it, the boys are treated exactly like adults. The prison system makes people have to fight for their survival almost daily, or be pushed to a fate of worse than death.

It makes the reader wonder why anyone thinks that prisons can reform any person. Trapping someone in a room and punishing them for years with the most sadistic people doesn't seem like a good way to reform anyone. In the end, prison, for adults or kids, really just sweeps the problem of emotional disturbance underneath the carpet. Nowadays, a few million reside in United States prisons, the largest such population in the world (even more than China, which has 5 times the population). We're at a time when the ruling classes think it's better to completely separate millions into boxes than to even give a carrot to oppressed communities.

Dwight Abbott remains in jail today, and he says he wouldn't be there unless the Juvenile Youth Authority had twisted him as a human being to the point where the only place he could exist was in a prison. They destroyed him as a teenager at a critical point in any human being's development. Why? If you want a window into how a person can be destroyed, read this book. At the same time, if you want to see how a person can keep some amount of love and hope for a better day (away from the prison), read this book as well.

This plain autobiography is written with such directness that it is difficult to doubt the veracity of even the smallest incident. More important, it is difficult to doubt that these incidents (or similar ones) are fairly common place, not just the events of some freakish horror story.

The story is told with great specific purpose, to expose institutions so completely rotten, but one is aware that much is not being told. The author concentrates on what must be said to bear witness to what is wrong institutionally, and does not allow himself long divergences into his own feelings and ideas. The title is a bit ironic; it's about tears shed long ago, and mere personal understanding can no longer change much.

The book speaks clearly to the need for, at very least, massive alterations in the juvenile (and adult) justice system in this country, above and beyond any very small reforms made since this story occurred. Ultimately, one must question our reliance on "professionals" to do our thinking and social organizing for us. Every terrible action detailed in this book, each so obviously misguided and clearly bound to have exactly the opposite effect of it's supposed intention, is a reminder of how we as a people have turned our freedom and control over to institutions that serve only the dictates of cynical and uncaring power, and which operate directly against the interests of individuals and society in general.

Whatever tiny changes have been made in California's juvenile system must be looked at against the fact that America has few (or perhaps no) growing industries other than it's prison system, which cannibalizes the society it purports to serve, and is already a bloated hulk, claiming more far people per capita than that of any other country, two, four, or 10 times as many as any other major nation today.

I cried, You Didn't Listen was absolutely breath taking. The whole time I wanted to stop reading the horrors, but didnt stop looking at the text the entire way through the book. It placed a new perspective on a lot of things for me and I thank Abbott for such. This is a must read for anybody looking for some perspective on juvenile punishment within the Califonia Youth Authority. It is a tough one though if you have a passion for living beings, especially children.

I work a lot with Welsh Gods and I have to remind everyone, this is THE source of what we know about Welsh mythology. I am not sure if persons not interested in deciphering the stories would enjoy them, but if you want the mystery and challenge, buy this book. Too many people claim to worship Rhiannon or know all about Ceridwen, and have never read the original sources of what we know about them which drives me nuts.

I received this book the evening before departing on a trip. After settling in on the plane the woman who was seated next to me asked, "What are you reading?" I showed her and was greeted with an immediate "Oooooh.... ugghh." I must admit that I understood her reaction. Although I have steadfastly slogged my way through them, many translations of ancient works have left me wishing for the touch of a modern bard. This one, however, did not (or perhaps it had, indeed, benefitted from such a touch!). Ford was my companion on both the flight out and the return trip. He was informative, entertaining, insightful, and (I am told by others who would know), quite accurate. I recommend this book highly.

How does the handsomely bound new rendering by Sioned Davies, Chair in Welsh at Cardiff, compare with the standard version often used and widely praised, Harvard professor Ford's? I consulted my 1977 copy as Ford's new printing has not yet been published. Will his "30th Anniversary" U of California paperback reissued edition find itself in a dead heat with Davies? The race may prove a photo finish!

I compared their translations of a favorite passage of mine early on in the First Branch, Pwyll's tale. Arawn's just been reunited with his queen after the year's test by unwitting yet steadfast doppelganger Pwyll. She wonders, post-coitally after a long year's lapse, why it's been so long since her husband made love with her.

Here's Ford (1977 ed., p. 41) first at the starting line.

"Shame on me," she said, "if from the time we went between the sheets there was even pleasure or talk between us or even your facing me-- much less anything more than that-- for the past year!"

And he thought, "Dear Lord God, it was a unique man, with strong and unwavering friendship that I got for a companion." And then he said to his wife, "Lady," he said, "don't blame me. I swear to God," he said, "I haven't slept with you since a year from last night nor have I lain with you."

And he told her the entire adventure.

"I confess to God," she said, "as far as fighting temptations of the flesh and keeping true to you goes, you had a solid hold on a fellow."

"Lady," he said, "that's just what I was thinking while I was silent with you."

"That was only natural," she answered.

--You can feel the hesitant insertion of the teller's dramatic pauses implied with the "saids." These intensify rhythms of the poet's strong, confident prose. A few contractions and the well-placed dashes quicken the dialogue's pace. The language avoids the flowery exactitude and chivalric diction that marked Gwyn and Thomas Jones' 1949 Everyman edition. But, neither does Ford choose an entirely modern register. He keeps a slightly elevated style while emphasizing verve and a gently sophisticated voice for the couple.

--Compare and contrast Davies (2008 ed., p. 7). As in other pages I spot-checked, the two professors run neck and neck and overlap considerably-- a sign of how both scholars channel what Ford calls the "restraint" in this passage as well as its humor and tension.

"Shame on me," she said, "if there has been between us for the past year, from the time we were wrapped up in the bedclothes, either pleasure or conversation, or have you turned your face to me, let alone anything more than that!"

And then he thought, "Dear Lord God," he said, "I had a friend whose loyalty was steadfast and secure." And then he said to his wife, "Lady," he said, "do not blame me. Between me and God," he said, "I have neither slept nor lain down with you for the past year."

And then he told her the whole story.

"I confess to God," she said, "you struck a firm bargain for your friend to have fought off the temptations of the flesh and kept his word to you."

"Lady," he said, "those were my very thoughts while I was silent just now."

"No wonder!" she said.

--Davies in her preface emphasizes the "performative" qualities in her edition. In this passage, she appears to let the lines go longer rather than reining them in to English syntax. They drift away slightly before coming back to us. Perhaps this echo demonstrates Davies' own scholarship in the medieval Welsh interplay between orality and literacy. The author of two books on the Mabinogi, she stresses the "interactive" nature of the manuscript to be read aloud for the "acoustic dimension" embedded in the Welsh texts and through alliteration, tone, and beat, she tries to give us a feel for this tempo, albeit imperfectly conveyed perforce into our clunkier English.

--Both Davies and Ford include the four branches: Pwyll, Branwen, Manawydan, and Math. Both include Lludd & Llueyls. But, reflecting textual differences in the original manuscript anthologies, they also differ. Ford's tales attributed to Gwion Bach & Taliesin, Culhwch & Olwen, and his appendix on Cad Goddeu do not appear in Davies. She provides Peredur, The Dream of the Emperor Maxen, The Lady of the Well, Geraint, and Rhonawby's Dream.

--Both editors explain their textual choices and open with prefaces. They both add glossaries, pronunciation guides, and bibliographies. Ford situates the tales in Indo-European contexts and Davies delves into their delivery as recited stories. Ford begins each tale with a short introduction; Davies adds explanatory notes in a detailed appendix, keyed to asterisks in the body of the text. Davies keys her "Index of Personal Names" to pages in the text while Ford does not. For study and teaching, it looks like the competition may result in a dignified and spirited draw. Most serious readers doubtless will want to consult, as I have, both fine efforts side-by-side.

(This review's, fittingly, also at the Davies listing on Amazon US. May both translations flourish.)

Patrick Ford's translation is the best that I've read. It appears to be the most accurate translation and the easiest to read and understand. Anyone who is interested in Welsh mythology or mythology in general should read this book. The tales themselves are interesting and entertaining. They give us a great glimpse into the world of the ancient Welsh people.

An excellent and accessible translation of most of the stories normally included in the Mabinogion (minus the three Arthurian tales, Macsen Wledig, and Rhonabwy), plus "The Tale of Gwion Bach/The Tale of Taliesin" and the hard-to-find "Cad Goddeu". Includes introductions, a glossary of proper names, and an index.