Europe Books

"There was a time when the sun never set on the British Empire. From Ceylon to the Americas, England ruled, bringing her lifestyle to Crown colonies around the globe.

Being stationed in India or Egypt, however, was no excuse to relax the standards of living to which British Army officers were accustomed. Living 'under canvas' did not mean roughing it. Instead, they brought their homes with them, packing cunningly constructed, portable furniture suitable for any elegant tented dinner.

Today, campaign furniture's elegance and simplicity have made it a must-have item for decorators and antique lovers. Nicholas Brawer's new book British Campaign Furniture: Elegance Under Canvas (Abrams) provides a fascinating history and a guide to collapsible decor."

I just had to have this book. The subject matter was unusual and touched on the social aspects of camp life in the British Army.
The pictures are fabulous.

This is an excellent review of British Campain Furniture.

Each piece is photographed in colour and/or Black & White, discussed and given brief measurements. The "disembled" photos are of great use to anyone who wishes to reconstruct any of the items from the book, as well as satisfying the just plain curious. Some of the gadgets are fantastic.

Unfortunately, like most books of this type, the author is limited by the pieces that he can access within a year or two. I know there were 'Campaign' folding rocking chairs, and I an certain that there are other examples of furniture, with other systems of assembly ( Louis Vouton made a folding-bed-in-a-trunk for the Brazza Expedition in Africa in the late 1800's which survives - there is a single picture in 'Treasure Chests').

I can only hope that the author will be encouraged to keep looking & photographing, and that we may see a second volume in years to come.

Sorry Amazon, you just don't have enough stars........

"If you were a British officer during the 18th or 19th century, your home had the look of a proper English residence, with desks, chairs, sofas, chests and fancy bedroom suites--even if you lived in a tent.

'The only real difference between fine household furniture and its campaign counterpart was that the latter could be quickly folded up, packed away in boxes, transported, and--without the use of nails, tacks or tools--reassembled...,' Nicholas A. Brawer writes in British Campaign Furniture.

How the furniture can be taken apart and stored is fascinating. One dining table and set of four padded chairs and a chaise lounge can be broken down into pieces that fit into two small crates.

There are pictures of the furnishings set up and stored. Often officers lived better overseas than at home. One cartoon depicts a British officer and his wife dining in their home overseas, with a half-dozen servants waiting on them, and then dining at home after retirement, with only one housekeeper.

Nearly half the book is a portfolio of the furnishings and detailed descriptions of manufacturers and furniture makers."

This book is a must have for anyone interested in English antiques, social, military, or naval history. I have never seen another book on this subject and it is filled with very interesting "before" and "after" photographs of dozens and dozens of pieces of campaign furniture "assembled" and "disassembled." I imagine this book has been a great hit in London.

In the 106 pages of THE BURNING TIME, Carol Matas is able to take you through tremendous tragedy. And hope.

Rose's mother is a midwife who is known for her great gift of healing, and Rose oftentimes helps her mother. Rose's father dies unexpectedly, leaving just she and her mother to take care of themselves and the land he left them in his will.

Her father's relatives are not happy that they did not receive the land upon Rose's father's death. One uncle in particular feels it should be his and is willing to do about anything to get the land for himself. This is where the historical travesty against women during that time period becomes so real--Rose's mother is accused of being a witch. If you think you know what happened to women accused of being witches during that time, you will still be moved by what happens in this book.

Carol Matas has taken such a historical event and put such closeness to it with her characters. No longer is France in the 16th century something read about in a history book, but rather real people let us into their lives and we experience a different kind of world. A different kind of society.

As a teacher I recommend this book often and every student of mine who has read it absolutely loves it. It is a quick read with a powerful punch.

Reviewed by: Dianna Geers

[Quote]very interesting book but later when it got to the to tourture I thought that that like come on ok thats enough! but then again at a point I was interested in what they were doing to the women back then . overall its a very good book i reccommend it for girls and boys 12 and over[/Quote]

I dont understand what you mean by torture since there isnt alot in this book. Two quick segments and the rest of the book is child free. Your a noob.

on a winter day my teacher thought about reading us a book so she picked this one, the burning time; when she started off it seemed like a very interesting book but later when it got to the to tourture I thought that that like come on ok thats enough! but then again at a point I was interested in what they were doing to the women back then . overall its a very good book i reccommend it for girls and boys 12 and over.

A touching, sad, suspenseful and truth-filled story of a teenager named Rose, and her mother who helps to heal people. And an angry group of people against them. And a terrible, powerfull man who comes to their town.
This is story involves risk, love, betrayal, you name it... This book has it all. I highly reccomend it.
However, only for teenagers and very mature children. It is based on the horrid witch hunts and does include some disturbing things.
If you have a chance to read it, do! I could hardly put it down. The suspence will catch you and hold you. A great tale.
It also brings truth to what really happened in the witch hunts so long ago... A must-read.
Enjoy!

Carol Matas, best known for the "Of Two Minds" novels and her various Holocaust fictions, has created a shocking novella about two women who find themselves trapped in a witch hunt in Renaissance France.

Suzanne Rives, a beautiful and fiercely independent widow and skilled midwife, refuses advances from two men to live with her daughter, the main character Rose. People have already been suspicious of her herbal treatments, but when a witch hunter spreads terror in the town comes, Suzanne's fate is sealed.

However, Rose still has some allies: Sylvie, a plucky castle maid whose motives are revealed later, and Raymond, a young man. Suzanne is subjected to horrifying torture by the cruel witch hunters and fanatics.

The violence is bloody and shocking, but never goes over the top. This book is well written, taut and poignant, about a mother-daughter relationship that must overcome the cruelties of the day.

Great descriptions, unbelievable quality photos; compact. Never having visited Italy befoe, we wanted to travel in teh countryside, in Tuscany and the Lake District. We used the 'Editor's Choices'. Our first stay at Villa Simplicitas near Lake Como was perfect, like we were visiting friends, fabulous service and food, locally made aperitifs. It was inexpensive and fabulous. Just perfect. It set the tone for the trip, and what a relief to find, after driving from Milano and flying in from California. We stayed at other places and were perfectly informed by this guide. There's nothing as valuable as relief from worry when traveling in a foreign city, without speaking the language well.

Great descriptions, unbelievable quality photos; compact. Never having visited Italy befoe, we wanted to travel in teh countryside, in Tuscany and the Lake District. We used the 'Editor's Choices'. Our first stay at Villa Simplicitas near Lake Como was perfect, like we were visiting friends, fabulous service and food, locally made aperitifs. It was inexpensive and fabulous. Just perfect. It set the tone for the trip, and what a relief to find, after driving from Milano and flying in from California. We stayed at other places and were perfectly informed by this guide. There's nothing as valuable as relief from worry when traveling in a foreign city, without speaking the language well.

Great descriptions, unbelievable quality photos; compact. Never having visited Italy befoe, we wanted to travel in teh countryside, in Tuscany and the Lake District. We used the 'Editor's Choices'. Our first stay at Villa Simplicitas near Lake Como was perfect, like we were visiting friends, fabulous service and food, locally made aperitifs. It was inexpensive and fabulous. Just perfect. It set the tone for the trip, and what a relief to find, after driving from Milano and flying in from California. We stayed at other places and were perfectly informed by this guide. There's nothing as valuable as relief from worry when traveling in a foreign city, without speaking the language well.

This can be a very helpful starting point for your travel planning, containing useful information about many attractive, special places in Italy. In this modern era, however, it is also important for the reader to leap to the Internet for additional information before making those reservations.

That done, you will discover that there are several potentially disappointing errors in this book, most notably the transposition of the photos for the magnificent Villa San Michele (Fiesole; attributed to Michelangelo) with the Hotel San Michele in Cortona. The former is one of the most beautiful and expensive hotels in Tuscany, standing atop a hillside overlooking Florence. The Cortona San Michele (while quite nice) is a more modest, affordable hotel, on a steep, narrow city street. One can only imagine the dismay for the visitors who arrive in Cortona, expecting the first, and found themselves at the latter! "Certainly doesn't look like its photo, now does it?"

Tighter editing--- and diligent reader investigation-- is essential. But all totalled, a recommended starting point for travel planning, especially if you recall that ancient Roman admonition, "Caveat Emptor!"

Great descriptions, unbelievable quality photos; compact. Never having visited Italy befoe, we wanted to travel in teh countryside, in Tuscany and the Lake District. We used the 'Editor's Choices'. Our first stay at Villa Simplicitas near Lake Como was perfect, like we were visiting friends, fabulous service and food, locally made aperitifs. It was inexpensive and fabulous. Just perfect. It set the tone for the trip, and what a relief to find, after driving from Milano and flying in from California. We stayed at other places and were perfectly informed by this guide. There's nothing as valuable as relief from worry when traveling in a foreign city, without speaking the language well.

I first heard of this book in the late 1980s, when I was at Western Kentucky University. Alfons Heck was touring universities with a Jewish survivor of the Holocaust, and together they would tell the stories. Mr. Heck was amazing -- a sweet, gentle old man, now not only horrified at what he had participated in, but very worried that this could happen again, that people could allow themselves to be twisted in such a way. It was his message over and over -- look for ways that you are being manipulated, think twice before you look for blame on how your life or the economy is going, or you get caught up in a movement, etc. I bought the book right then and there. It is not a very well-written book, true, but the honesty and detail are spell-binding and put this book in the five star range. It's a must-read for anyone wanting to try to understand how entire communities/nations can go so very wrong. I had him sign my copy, and he said at the time that the rights had been bought to make it into a movie. I asked him who he wanted to play his part. He looked up from the book, smiled, and said, "Someone good-looking!" The Jewish lady he was touring with came up at last and put her hand on his shoulder. "Alfons, Alfons, we must go now. We have to go." It was said with such affection.

This book is an autobiography of a young man of the Hitler Youth organization and explains the deep public support for Hitler, especially among young people. What is surprising is how long after the war it was before young Alfon saw and realized the depth and breath of the tragedy that the Nazi's inflicted on Germany, the Jews, and the world. It goes a long way to explain and reinforce how hard-headed the Germans really were in devotion to Hitler.

Mr heck's book gives the reader a true insight into life in a militarized society. His details--from family members to the region near his home, paint a vivid picture of what happened in a rural part of Germany. many of his descriptions--his home and town, his service, and his travels, have not changed all that much since 1945. Much like Charles MacDonald's "Company Commander", this book takes the reader directly to the action.

I think a book is good if it is thought provoking, enjoyable reading, written in an easy-to-read style. Although the style I found not so easy to read, I found this book very thought provoking and enjoyable. I was able to identify (somewhat tenuously) with this Nazi zealot. I was able to feel that "there but for the grace of God (went) I". This, despite the fact that his twin brother was not as zealous as he, that he saw his best friend taken away as a subhuman Jew, that even the people of his small town knew about concentration camps (what did he think went on there?), and that he witnessed a proud old German Jew WWI veteran, who had lost his leg in that war, punched in the nose till blood spurt forth merely because he complained that he could not get into the truck due to his missing a leg. I wish the author had written somewhat about how he managed to rationalize away these things he witnessed directly. But then, what can he say? We all want to see ourselves as superior to others and must work at learning that the ugly, the short,the blacks, homosexuals, women, the crippled, the retarded, the mentally ill etc. are just as good as we are. Certainly there are plenty of prejudices present here in the USA also and if we had gone through what Germany went through prior to Hitler's ascendancy, we might also be susceptible to a leader such as he. At any rate, I found this honest personal history very enlightening. One example: he says "I wish I could shoot the bastard who killed them (his dog and horse)" to which the General replies, "Nothing wrong with a desire for revenge." This sentiment seems so normal on the face of it, but he was a Catholic and don't they teach, "Vengeance is mine, saith the Lord"? I'd like to think an American general would say to me, "My boy, war is hell. They kill our loved ones and we kill their loved ones". At any rate,I thought this was a great book. I would recommend it for a book group, so that members would be prompted to discuss the issues it raises.

I enjoyed this book because Heck simply states the facts. There is not a lot of philosophizing - in straightforward language, he tells it as he experienced it. His story is interesting and moving and illustrates how children were used to further Hitler's goals. Heck died recently. I hope he has found peace.

There is so much to say that I will have to force myself to be brief.

I tend to speed read my way through books but Crossroads 1969 demanded my time and I was glad to give it. This is the type of book that should be read more widely and maybe, through more exposure for the author in Amazon Shorts, it will be. Reading it reminded me that there are probably more John Cassells out there who, with one simple break, could be acknowledged as some of the great writers of our time.

John Cassell describes Crossroads as 'based on a true story' and his decriptions of people and events are so real, so 'in the moment', that he most certainly must have experienced them first hand. That said, it is one thing to experience a person or event and quite another to put it down on paper in a manner that gives the reader a sense of having watched it happen. That is Mr. Cassell's true gift. The people who populate the pages of Crossroads, from the drunk singing his own interpretation of "When Irish Eyes Are Smiling", to the centred and sensible Marcie, to the the bribable Spanish customs official, are so well described that I felt like I had just watched a movie instead of reading a book.

I am grateful to Amazon Shorts for providing a forum for my short stories but I am equally grateful that being there allowed me to make the acquaintance of John and other fine writers. Without the Shorts program, Crossroads 1969 would never have found me and I would have missed something truly worth the reading.

Brother John, I kid you not when I say that this is a wonderful book. Well done and five stars!

>> I'd already begun the battle to secure a berth for myself in a seminary at Berkeley, having submitted the necessary applications and labored over the essay which was supposed to explain in detail why I wanted to become an Anglican priest. All my friends and family had their own ideas on the subject, ranging from the worst reasons to the best. Mine, I am afraid, would have probably surprised them all and could never have been included in the essay. In truth, I was looking for a dream world to inhabit, a small country parish in the west of England where I could write scholarly theological works, drink scotch, and go prematurely senile minding a turnip garden. <<

For me, there's no substitute for reading a passage of the author's own words, to get a sense of whether you'd want to read a book. For that reason, I often quote a passage from the book I'm reviewing, isolating a segment which exposes some of the most compelling or life-filled word usage. One of the many possible prime quotes of John W. Cassell's syntax in CROSSROADS: 1969, the above passage gives a feel for this author's rich, clear voice. That quote can be found in both CR: 69 and SOLDIER OF AQUARIUS.

When I read that passage, I was already pulling for this warm, intelligent, spirited young man to succeed in living in that dream world, even though I feared that reality of pure scholarly theology might not even exist within the darkened political arenas of religious sanctuaries, except in a few very isolated, monkish cases. I wanted that world to exist, if only for John Cassell to be able to cloister himself into that dreamed type of sacred luxury of religious ecstasy and intrigue.

But, as the novel's plot developed and I saw how John was blocked from entry into that dream world, it was too clear that another world and path awaited this young man's footprints. It didn't take long before the author Cassell's words immersed the reader into subcultures of different paths and possibilities, each disallowed or road-forked-way for various reasons. Each time I fully shared John's disappointments, as I admired his ways of moving ever onward into whatever experiences he lived, through nightmares and joys, catastrophes and raptures, empty spaces and intrigues.

One thing John's life and his books do not provide is any whiff or hint of boredom. Enthrallment is in there, for keeps!

In this case, the enthrallment was not only through a philosophical journey with fascinating directional changes (as intriguing as those in the Tin Man's Quantum Leap out of the Kansas of his heroine's childhood); it's the most unusual travelogue you'll ever read on a USA citizen touring Europe and North Africa in more intimate ways than possible through friends who "live there"... and with less (almost equal) means than it would take to buy a Kindle Reader. Kindle: Amazon's New Wireless Reading Device (John's novels are available through Kindle, too.)

I recommend taking the journeys through Cassell's novels, either in physical book form, and/or through Kindle. Eventually, I'll own both/all forms of this pioneering author's works now forming their place within The Classic Literature of the Next Age.

CROSSROADS: 1969 may be my favorite of JWC's novels listed below, though now that SOLDIER OF AQUARIUS: 1969-1970 is out, that would be my favorite of those two, because that is where this saga of a series is seeded, and because my blurb is included in the opening quotes from, "What other writers are saying about John W. Cassell."

There are a few logical ways to approach a step into reading the sequential counterculture novels of John W. Cassell:

-- One is to begin with CROSSROADS: 1969 (published 2005) and follow that with AN AQUARIAN TRAGEDY: 1970 (published 2006 under pseudonym James Mundell). An Aquarian Tragedy

-- Another is to begin with SOLDIER OF AQUARIUS (published November, 2007) Soldier of Aquarius: 1969-1970 SoA is a compilation of the two above novels; the two component novels were formatted for each other in their original united state.

After reading the pair of books (CR & AAT) or the original manuscript which had both of those novels in one (SoA), the road fork would offer:

-- ODYSSEY: 1970 Odyssey: 1970

That novel gives a brief summary of CR, then covers the plot of AAT with a few chapters added to extend the protagonist's experiences through the whole year of '70, the effect of which broadens the view (through the expanded time structure and interjected research of major, news-breaking events) of what Cassell calls the Counterculture movement, with its multi-angle-motivations (realistically exposing dark and bright). Whereas CR & AAT focus on an individual's personal perspective of how he reacted to and worked within and through those timeframes; ODYSSEY presents a broader cultural perspective, looking outward into the world as well as inward into the psychological, sociological impositions and enhancements of the same individual.

The author's suggestion is to read CR:69 + Odyssey:1970... or S of A.

Then, the sequence would be as follows:

-- HELL'S QUEST: 1971 Hell's Quest: 1971

This novel continues from the base of either of the above alternatives, through the same protagonist, based on the author himself. In HQ, however, the author adds extensive (and fascinating) fictionalized elements to some of his biographical base, whereas the other novels listed above are based strongly on autobiographical realities.

-- DEVILLIER'S COUNTRY BLUES: 1972 DeVilliers County Blues: 1972

This novel continues where HQ leaves off, including the addition of fictionalized elements into a biographical basis, with the balance of fiction continuing to increase.

-- UNCERTAIN PARADISE: 1973: Part 1 (Release scheduled for late December, 2007)

This novel continues where DCB leaves off, with the balance of fiction again increasing. This novel is a satisfying read in itself, even if Part 2 does not materialize. However, you will be wanting more of JWC's novels, no matter what books you read first.

Take time to visit our discussion forum in the Amazon Shorts category, "A toast to John Cassell's novel, "HELL'S QUEST: 1971, an ongoing commentary."

That forum title has evolved well beyond a seminar on writing within a successful story format, for short pieces, novels, or sequencing sagas; yet in its evolution that forum has remained carefully focused on highly informative concepts related to writing while using Cassell's works as the baseline for comment. If you're at all interested in an X-ray view of "authorship-in-progress" or completion of Nobel Prize worthy literature, you'll feel satisfied with what you'll find there. Maybe the best part is that many of those contributing to that forum are still alive and writing... though a few quickened characters, ghosts, and poltergeists did and do apply!

From your friendly, local (on Amazon) parapsychologist,
Linda G. Shelnutt
Morning Comes: the Pre Dawn Blues - Part 1

Review of John W. Cassell's "Crossroads: 1969" (Once, We Were Young) - By Jack Engelhard

John W. Cassell traveled to Europe in search of America and to understand this it helps to be a Child of the 60s -though in a sense we are all Children of the 60s since the art, the music, the literature and even the politics of that era, all of it is still very much alive. In "Crossroads: 1969," Cassell' uses a bio-novel technique to recover the past - the second half the 1960s and into the 1970s - and the result is a masterful rendering of an era.

In trying to find America, through the backroads and the highways of Europe, Cassell was obviously trying to find himself as well, and this no one ever achieves, something nearing perfection, but it's the pursuit itself that makes for an exhilarating adventure; in this case, Cassell's adventure, wherein he introduces us to new landscapes and new people, and we never know, until we turn the page, who might be waiting for him around the next corner.

Cassell writes it straight and his most noticeable skill is in his ability to take us with him wherever he goes. We're with him when a friend turns into an enemy and we're with him when strangers turn into friends and we're with him when at any moment he could be arrested by the French police or the Spanish police - or the dreaded ESTABLISHMENT.

We understand his shyness toward women at a time when women were getting bolder. This took some of us off stride.

This is all about being young and the 1960s were about many things, but mostly about being young. America, during that period, was going through the symptoms of birthing, or rather, renewal. America was trying to figure out exactly what kind of nation it wanted to be. Therefore, there was that, the Establishment, and then there was the counterculture.

Like so many of us, Cassell found himself caught in the middle. Lucky for us that he turned to writing to share the excitement of a nation and a man still unfinished.

The adventure continues.

Today, the lines are much more clear-cut. You're left or you're right. Back then, we were still trying to make up our minds.

The 1960s were the defining decade of a generation. But which America was the correct one for us?

Cassell doesn't lecture or pontificate. He only observes and lets us, his readers, arrive at the conclusions. That's what we call good writing, and as so often happens in this bio-novel - great writing. There are so many nuggets to choose from here, but Cassell pretty much puts his finger on what the 1960s were all about when he writes: "The future was certainly ours - there was nothing but time. Yet there was not a moment to lose."

What a beautiful snapshot! Yes, we knew that at this moment the decade belonged to us, we were all in revolt, and yet we recognized that at any moment it could all be over. Vietnam was happening, after all, and the cities were burning, and everybody, it seemed, had issues, so we knew that it could not last. How long could we continue to protest when at some point we'd actually have to raise a family and earn a living? We'd have to cut our hair and most likely join a corporation - the Establishment.

One day we would have to grow up.

Cassell did grow up and what an incredible bio he developed over the years, much too long and storied to repeat here, except to note that out of all that, he enlisted in the United States Air Force, served as a New Mexico State Trooper, and also served as a district attorney - but that only touches on his many achievements.

His greatest achievement, though, as far as this reviewer is concerned, is in reminding us that once upon a time we were young. Once upon a time everything was possible.

Maybe such a time will come round again.

Bravo, John W. Cassell!

Jack Engelhard's latest novel, "The Bathsheba Deadline," is now available in paperback. Engelhard wrote the international bestselling novel "Indecent Proposal."

John W. Cassell is an author of extraordinary talent. His descriptive style, wit and smooth prose take you along on his journey, which is not only interesting, but captures the imagination and takes one to boundless territories.

If you never read any of John W. Cassell's work, you have missed more than just a little. You have missed adventure, excitement, romance, and wonderful trips, journeys, where you feel, almost believe, you are there with him sharing his sometimes wild, sometimes hair-raising, and often just plain fun adventures. Definitely five stars for this very, very talented writer.

John's story begins in his teens, and probably long before, where he is searching for something better than what he is accustomed. Disillusioned and with a certain sense of emptiness, he decides to embark upon that quest. He doesn't want to consider graduate school, as is strongly suggested. Instead, he wants to travel to Europe and soon has a passport. However, John and his friend Chris work for several months, while John is saving up money for his journey.

Following months of hard labor, John finally finds himself on his mother's porch, saying goodbye to his mother and brother, Barry. Mixed with the excitement of what may lie ahead, is fear and apprehension. Still, this is something he has to do.

In England, John is stunned when he learns that his acceptance into King's College, London was a mistake. It had been believed that it was his brother Barry who had applied. Once more, John feels the pain of humiliation from his childhhod that he'd fought against for years to overcome.

John enjoys the wonderful meals of England, but when he travels to France, he finds the bread really good and the coffee very bitter. And he finds he has difficulty chewing the delicious bread and believes it is a molar problem, but later comes to realize it is much more serious.

John makes many friends, some strange, some mysterious and some really close, male and female alike. He travels a good deal by bicycle, often taking daring chances, entering tunnels where he could find himself approaching head-on with a car or truck. Picking apples from orchards in France and nearly getting killed, along with his French friend, who is something of an enigma, but he doesn't remain that way for long. John soon gets one of the biggest surprises of his life.

In Spain, John finds the people a little warmer and friendlier than some he has encountered on his trek, and his knowledge of Spanish is a definite plus, not only for himself, but for friends he makes along the way. However, he realizes that he must return home, one of the main reasons being his health.

At one point, he ends up getting arrested due to a misunderstanding. He realizes that no one who ever cared about him even knows what continent he is on. In this hell of a prison, he is beaten and bruised and receives a rifle jabbed at shoulder length into his spine. Then, just when he believes he is at death's door, he is suddenly assisted in cleaning up and finds himself a free man once more. But, for how long, he is not sure. He realizes though, that in spite of everything that has transpired, he has met some kind people.

At last, he turns back for home and finds himself at Victoria Station in London, England, anticipating a previously arranged meeting with Marcie, a young woman he met earlier on. He loses grip with himself on a train, and the conductor brings a Doctor Cordova in to check him out. Doctor Cordova proves to be a kind and sympathetic person. This is where it is discovered that John may have a very serious infection in his mouth, but the doctor, though very concerned, has no antibiotics. He makes John promise to get the problem taken care of as soon as possible. John manages to connect back with Marcie and soon makes his way back home, but he is a changed man, much wiser and more appreciative of what he has.

This is only a bare sketch, if you will, a short synopsis of a great - and I emphasize great - book. A journey of a young man. A must read! It is educational, entertaining, gripping, riveting, sometimes frightening and definitely inspiring. No less than five stars. There should be ten!

"No man travelleth by the waie without his sword or somesuch weapon except the minister who commonly weareth none at all unless it is a dagger or a hanger at his side." - Aylward [English Master of Arms]

Terry Brown's `English Martial Arts' is an outstanding book about a little known topic. Beginning with an excellent overview of the background of English Martial Arts, we are then introduced to the weapons of the English man at arms:

>>Broadsword
>>Quarterstaff
>>Sword & Dagger
>>Sword & Dagger vs. Sword & Buckler
>>The Bill
>>Bear-Fist Fighting
>>Stances

Terry Brown then introduces us to the `Principles of True Fighting' and demonstrates the techniques of the weapons listed herein. A series of clear photographs demonstrates the effective application of techniques, allowing the student to develop sufficient basic skill to seek entry to `The Company of Maieters' [http://www.maisters.demon.co.uk/] as a Free Scholler.

Finally, English Martial Arts closes with "Words of Wisdom" from the English Masters of Defense such as Silver, Godfrey and Lonnergan.

For any Scholler of the Arts of Defense, English Martial Arts is a `must have' resource.

This book gives an introduction and brief history of English Schooles of Defense. The history was a fun read. The practical sections, which contain reconstructions of various CQC techniques as the records indicate they were taught, are presented in a clear pictorial format which makes them easy to learn and analyze. If you are interested in historical combat, this is a book you will reference again and again.

I find 'English Martial Arts' to be very clear and sharp in its accuracy, presentation & applications. Also it is very well balanced in strategy and tactics. The photography and explanations are superb. With some imagination and practice, much of the book can be applied via cane or fist, as well as the great traditional usage. Yet this excellent book is quite streamlined. 'Simplicity is efficiency's best friend' ---

How wrong could I be. Having practised re-enactment martial arts for 24 years I thought I'd seen it all... you live and learn.

The techniques described in the book are brutal to say the least. The knee stamp when the opponent is down is my favorite.

There are chapters divided into historical references for each weapon(including fists). Adding to this there are clear photographs of the strikes and blocks.

If you are re-enacting later european medieval history this is the book for you.

I read through the book and I must say that it is pretty good. I've read the original manuscripts from which this book drew its techniques and the stuff for the long and short weapons (like the broadsword, dagger, pole-arms, ect.) are very precise and accurate.
His first few chapters are an overveiw of some of the historical roots of English Martial Arts. Not bad.

*edit* I had to edit this reveiw because previously I mentioned that there was no evidence for the blocks in the pugilism described in this book. Mr. Terry Brown sent me solid evidence that contested my statements, therefore I must change them. It seems that the boxing of the older world is indeed a bit different from the boxing of the modern world. I would change the review to five stars but it wouldn't let me do so.

My advise is this, if you want to train in an all european martial art I suggest training in western boxing, catch wrestling, and take the general concepts of what is demonstrated with the long and short weapons and apply them to a machette, bayonette, and military knife. Don't dress up in anachronistic clothing either....the key is to train for battle not play dress up. Rather, one should wear either BDU's, street cloths, or a loose-fitting "uniform" which consists of sweatpants and a t-shirt which has the name/symbol of your school on it.

The best kind of school that you can find will be rooted in Tradition but open to Innovation. This way you won't "re-invent the wheel" but at the same time you won't be stuck on the outmoded and anachronistic. I call this Renovation.

Overall the book isn't bad and its a good way to connect with your English roots. Learn from the past, be willing to innovate, and act in the now. This is the best advise that I can give.

Also, check out www.amerross.com . ROSS Concepts have some good stuff (like clubbells and biomechanical exercises) that can transfer into ANY martial art and are invaluable to the western martial artist.

This book might be the most widely read among Bloch¡¯s works who is the pioneer of Annal school. This book typifies the methodology of Annal school. History as a science took off in the 19th century. But Bloch argued that it was not history but just chronicles of events and political episodes. Bloch posed the fundamental questions: ¡®What is the history?¡¯ and ¡®What does history serve for?¡¯ To be a science, the object of history should be not the particular but the universal. Bloch did not think the universal law is possible in history. Then, the object of historical research should be the relation which may refer not to the law but to structure. This structure sets the boundary (or in Braudel¡¯s word, the possible and the impossible) on the everyday life, and has the not-so-easily changeable long-term duration (or in Braudel¡¯s term, longue duree). Whereas Braudel¡¯s trilogy, ¡®Civilization and Capitalism¡¯ is about the capitalism as longue duree (for more detail, see my reviews on those volumes), Bloch¡¯s ¡®Feudal Society¡¯ is about the feudalism as longue duree.
Marxists and others maintained the feudalism originated from the sudden and violent collision between Roman society and German society. It¡¯s the child born from the violent and coercive marriage. But Bloch argues that resulting form of feudalism had its origin not directly in German invasion but in subsequent invasions of the Moslem, the Norman, and the Hungarian. These added up to the uncontrollable chaos all over Western Europe, and ended in the collapse of effective ruling of the state. Feudal system as we know emerged in this stalemate which Frank empire and other states of the time faced. State apparatus could not be maintained for state could not pay bureaucrats salary. Frank empire pioneered the alternative system which was later known as feudalism. What characterizes feudalism is the unique social type based on the principle of subordination and custody. The principle is similar to the patron/client relationship of Roman age. But feudal one is based on the principle of contract which is premised on reciprocity. Put another way, feudalism is the network of reciprocal relationship of rights and responsibility from king to serf. Ruling class could not wield power over serf in unilateral way. In this vein, feudal system is both social (between classes) and political (among ruling class) relationships. Bloch maintained this relationship should be called as feudalism. It¡¯s a social type which is not limited to the economic terrain as Marxists argued.

I suppose I should be of two minds about Marc Bloch's "Feudal Society," a French work from the late 1930s which became available in English in the early 1960s, and was still fresh and exciting back when I was taking a freshman course on "Western Civilization." In theory, the book (and it is one book, although published in paperback in two volumes) has two major drawbacks. In practice, I find it solid, admirable, and well worth reading.

One drawback is the author's romantic glorification of the medieval peasant -- Norman Cantor has called attention to this in his "Inventing the Middle Ages," pointing out that Bloch gave it Marxist trappings. I call it romantic because I suspect that Bloch owed at least as much to Jules Michelet's nineteenth-century historiography, initially with a veneer of "science" added. Of course, Bloch actually went out and did fundamental work in the archives, and tried to get a real picture of how, in the long term, life had been lived by ordinary people, instead of relying on Michelet-style suppositions. (Yes, Bloch's "Annales" school is supposed to be the antithesis of the enthusiastic Michelet; but, while Bloch established its methodology in reaction to existing approaches, in Bloch's last book "The Historian's Craft," Michelet is still among "our great forebears.")

The second is the concept of "Feudalism" itself, which these days makes anyone with a serious background in medieval studies very uncomfortable. A very good case can be made that "Feudalism" is largely a set of modern constructs, re-invented several times since the sixteenth century to suit different legal, political, and social purposes, and presented as an "Historic Fact" alongside contemporary and later "discoveries" such as "Anglo-Saxon Liberty," "The Norman Yoke," and "Our Ancestors the Gauls." (A short, pointed, introduction to one aspect of the problem is J.G.A. Pocock's "The Ancient Constitution and the Feudal Law: A Study of English Historical Thought in the Seventeenth Century.")

If it means anything for modern-day historians, the term applies to how control of land, and its revenue, was linked to social status, political authority, judicial functions, and reciprocal military obligations -- a large, messy, topic. So the feeling is growing that the word is best avoided, as carrying too much baggage, and too likely to be invoked as a substitute for thought.

Indeed, as picked up by Karl Marx, Feudalism, equated largely with landlord-tenant agriculture instead of sub-divided political and judicial authority, became a theoretical concept to be applied to a variety of extra-European societies, as a stage in an inevitable social evolution. In this role, it produced, or at least became a part of, bitter, and literally murderous, disputes over the nature of Russian and Chinese society, among others.

Even with all this in mind, and many years after first reading it, I find Bloch's emphasis on the material basis of medieval society refreshing, and think that he carried it out with reasonable consistency. Whatever his agenda, he went looking for real data, and adjusted theory to match it, which is where he parts company with both Michelet and Marx. That later work has revealed a more complex, and in some ways different, picture does not discredit his effort. And having the hardworking peasant as a sort of collective hero helps hold together discussions of things like field rotation, strip cultivation, and plough-teams, which most readers will not find all that gripping on their own.

More important, in some ways, Bloch presented feudal *society* -- not some imaginary entity called "Feudalism" or "The Feudal System" -- as a whole set of ways of ordering people and institutions, and making resources available to various parts of a diversified ruling class. The unsystematic nature of actuality is not denied, but it is classified in terms of common elements.

This getting down to practical realities may not sound so impressive, but a couple of generations of scholars had been smacking each other over the head (in this case, figuratively) in an argument of whether "Feudalism" was *really* Roman or Germanic, with partisan sub-divisions on whether either origin was a Good Thing or a Bad Thing. Somehow, figuring out how it worked had seemed less important than what Mircea Eliade called "The Prestige of Origins" -- a form of mythical thought as much as a topic of historical research.

So instead of a broad theory of a single "origin," we get "The Growth of Ties of Dependence" (volume one of the paperback edition), followed by "Social Classes and Political Organization," showing the extent to which the pattern of rural hierarchies did, or did not, carry over into "higher" or "more advanced" developments.

Although probably much more accurate for France than for other parts of Europe, and for some centuries more than others, the book does manage to present a (by and large) convincing picture of how Europe re-organized itself between the collapse of Rome and the High Middle Ages. A reminder of the people who made it all possible, but were usually left out of the chronicles, and certainly are missing from most of the chansons de geste and romances, is not a bad basis for a book.

Still, largely for reasons of documentation, Bloch is sometimes rather better at explaining how the military aristocracy was supported, than at presenting the daily lives of the people who were doing the work. His analysis of how some knights and officials had "fiefs" which were simply stipends, or even what we might consider cafeteria privileges, is an interesting sidelight to "life on a medieval manor" approaches. It also reveals that methods of supporting the clergy and the nobility were not all that different, which shouldn't be a big surprise, given the limited options available.

So I continue to think of Bloch's "Feudal Society" as a valuable contribution, to be read and pondered, although not taken at face value, by anyone seriously interested in medieval European society, or supposedly comparable systems elsewhere. Since it has also generated a half-century of follow-ups, attacks, and defenses, it is also a good book to have read as part of getting acquainted with a wider literature.

I read this book for a contemporary historiography class. As has been told by other reviewers, Marc Bloch is the founder (together with Lucien Febvre) of the Annales school. As a non-historian, I won't comment on its importance for historiography, but as a very valuable read for non-historians who want to understand the history of Western civilization reading the best books that have been written on the subject. This is my first book on the middle-ages and, although it took me quite a while to finish it (about a month) and it is definitively not an easy read, since it is an extraordinarily erudite work, it is a very worthwhile read. It provides a fairly good picture of how the feudal society developed after the Hungarian, Muslim, and Scandinavian invasions, which allowed it to flourish. I would point out two basic concepts that were of particular interest to me (although not explicit in the text). First, the concept of sovereignty. It is particularly interesting visually, since land was divided among an infinite number of lords as a bottom-up chain starting from the lowest peasant through the prince or monarch. So land belonged to everyone and to no one at the same time. This is a very original idea of sovereignty, rather opposite to modern sovereignty. The second concept is that of the "hommage", which I would call contract. The hommage between serf and lord was not that of subordination entirely, but it was neither that of equals--such as the contracts of the bourgoisie were, that we can trace back to the XIIth century, and personally I was moved by Bloch's analyses of this first contract among equals--, and it was originally voluntary. According to Bloch, this hommage influenced many other contracts we know of, namely marriage, courtois love, and even representative parliamentary governments.
To conclude with, I would say that my historiography teacher told me this is the best work on the middle-ages, so I decided to read it, and it wasn't easy, it took me a while, but it was very rewarding. I don't recommend it for people who don't read a lot, but if you enjoy history and want to know what the feudal society was all about, this is a very rewading book as an introduction to the middle-ages. I strongly recommend it.

Bloch's work is one of the ten most important and influential books on medieval Europe. Bloch displays true excellence in sholarship and narration. Nothing is stated without factual documentation to support it, and no information is carried beyond its logical conclusions. It is essential to read this two volume work before moving too deeply into medieval studies. Combine this work with Strayer's Feudalism (out of print, unfortunately) and you will have a good understanding of what society was like in a good portion of the Middle Ages.

Certainly an undeniable classic in the field of "history of the middle ages". As other reviewers have already noted, Bloch was one of the initial members of what grew to become the "annales" school of western history, though, to be fair, he died before you could call it a "school" or "movement".

Volume one of the two volume set looks at the growth of feudalism in western society, and by western I'm talking about Northern France, Western Germany, England and Northern Italy. Bloch's main concern in this volume is setting the conditions which led to the developmen of feudalism from 800 AD to 1000 AD and then describing the various forms that feudalism took.

The book is well translated, and I found it hard to argue with much of the thesis. I too have read Norman Cantor's "the Making of the Middle Ages" where he calls Bloch a Marxist (and maligns the entire Annales school). I've also read more recent productions from the Annales school. I have to say, based on this particular book, I don't really see where Bloch is a)romanticizing the peasant (another Cantor criticism) or b) a marxist.

It seemed to me that Bloch's explanation for the growth of feudalism was, basically, that central government decayed to the point where various muck a mucks needed to find an alternative way to "rally the troops" in the face of frequent small to mid size invasions. Feudalism, with its emphasis on individual obligation and quid pro pro, was an attempt to remedy the lack of communication over long distances and lack of central authority.

The peasants didn't really figure in this book at all, except near the end. Certainly, one wouldn't accuse this book of being filled with marxist/post-modern/decontructionist gobbeldy gook. This is a must read for those interested in the field, especially lay men.

This is the perfect guide for anyone planning a trip to Italy. Pocket-sized, and beautifully illustrated, Gelato, will be the ultimate way for any tourist to get the inside scoop, literally, on Italy's gelato hot spots. Gelato is a way of life and with this book you can experience Italy through the eyes of someone who knows the best places and hippest areas in the country. This will definitely make your Italy trip all the better. If you like this book and want to learn about Michael McGarry's newest venture check out [...]

A wonderful book, but whatup with the price? So bizarre, as I purchased it online for $10 + shipping. Check around before you buy, someone's database is broken.

When investment banker Michael McGarry's wife received a year-long art history fellowship in Bologna and Rome, he wasn't sure what he would do while she was working. A visit to Bologna's La Sorbetteria convinced him that his calling was gelato. And so began a year of first-hand research that culminated in this impressive book. If you love ice cream, you'll love this book. McGarry reviews over 50 gelaterias in northern Italy as well as Rome and Naples. He plans a follow-up volume on southern Italy and Sicily. Interspersed with reviews, McGarry explains the history of gelato and how it is to be eaten properly. He also includes a glossary of over 75 flavors, which is very helpful for any serious gelato lover/traveler. The author has a special place in his heart for the legendary Roman gelateria, Gioliti. "Half of it is the experience. It is always packed and there is always a scene he says," he says. Gelato changed McGarry's life. He has left investment banking and started his own publishing company.

I was given this book right before I went to Italy for vacation. I am not the biggest Ice cream fan but I have been told that Gelato is an experience of its own, which I found to be very true. This book is very funny, it had me laughing out loud at certain parts. Not only does the author take you visually through the gelataria, he lets you know what to expect and gets you prepared to face the "gelato man". He even gives you tips for when you get jammed up, with what is call his "go to cones".

Great book!

"Gelato: Finding Italy's..." by Michael McGarry is not only a book about Gelato, it is a "how to" book for enjoying Italy. I will give a copy to everyone I know who is embarking on a trip to Italy whether it's for the first or fifteenth time. It is well researched- full of history, practicle tips, and richly flavored with humor. The guide is well organized and creatively illustrated. And it's just the right size to fit in a large coat pocket next to your passport. However, if you're not planning a trip to Italy soon- you can still drool over this book at home- it will be the inspirations for a host of sweet dreams. Ciao, J Kordonowy

This book compiled for the most part from original sources such as diaries and letters depicts the struggle in Normandy from the German viewpoint with emphasis on the grunts doing the fighting. But, the book transcends the viewpoint of either side. It relates in detail the receiving end of what students of military history now describe as industrial warfare. Many of the first person descriptions repeat the overwhelming material advantage the Allies possessed. German tanks especially Panthers and Tigers, "88" caliber guns, their equivalent to our bazookas, and machine guns were far superior to the Allies. Their soldiers were confident until faced with the massed airpower, artillery, navel gunfire, and the strangling of their supply lines by the allied strength in the air. Still, they fought a courageous and skillful retreat except for the trap at Falaise. The book reminds one of the amazing job the American Army did in putting divisions with no combat experience in the line and succeeding in attack without catastrophic losses. Despite the massive literature on the Normandy campaign, I recommend this book to those interested in military history, WWII, students, military professionals, and libraries.

Most people are fairly informed about the D-Day invasion at Normandy from the American, British and Canadian view. I knew little about the battle from the German side. Book was very informative and interesting. I also have just read Dunkerk and the Ambrose book.

This book is great, and really opens your eyes to the side of losing that war, and what nightmarish things they went through.

This is a superb book that is well researched & examines the battles fought in Normandy in 1944 from a German stance. The author explains how the Allied invasion was seen as the last opportunity to turn the tide & how Rommel made great strides in his short time in 5-6 months to strengthen the defences. However, the author does not just cover off the strategic & key high command personalities but more importantaly he looks at the Normandy battles from the common fighting German soldier (Landser)& has drawn on many first hand accounts, letters, diaries etc. The book examines how the German soldiers fought on despite been overwhelmed by the Allied material superiority & air supremacy. The Allies command of the air was a key factor in the German defeat as all German movement by day was effectively paralysed & soul destroying to the troops. But as the author points out 'despite the Allied material supremacy, tank for tank, gun for gun, the Wehrmact was more than a match for its enemies'. Unfortunately for the Germans, their losses incurred in men & material could no longer be made good. This is the story of the German soldier & how he fought & endured those battles in the West in 1944 (especially around Caen & Falaise), been driven on by their comradeship for one another. Highly recommended reading.

Santa put this in my stocking. Many adjectives and cliches come to mind: "page turner," "can't put it down," and even just "Wow."

Hargreaves masterfully narrates and is possessed to tell this story from the German view, only turning to an Allies' account of some key event when it is only absolutely necessary. He stitches personal stories, official records, and historical context of June 6, 1944 together for a whole and complete German account of the battle for France.

This detailed perspective of The Germans in Normandy is refreshing and a long overdue addition to the works of Paul Carell's Invasion! and Stephen Ambrose's D-Day works (D-Day, Band of Brothers, and others). If you enjoy WWII history, Hargreaves has written the next book you should read.

I am so impressed with the John Adams DVD set and wonder what Tom Hanks and his crew could do with this beautiful Trilogy written by George Blackburn. Anyone know him well enough to send him the series?

"The dream of going home will now actually come true. The thought is intoxicating. But try as you will, it is impossible to suppress the feeling that this is only a temporary pause before another push, or at least another training scheme - there has always been another." ~ George G. Blackburn ~

Mr. Blackburn, who earned his Military Cross (M.C.) for his effort in helping to save the Twente Canal Bridgehead in Holland, is truly a brilliant writer. "The Guns of Victory" is one of the most absorbing books I've ever read. His use of "You" instead of "I" is his way of transporting the reader into the war zone and gets the feeling that you are actually there experiencing the horrors of war.

This is the third and last volume of George Blackburn's engrossing trilogy of military books about World War II, which faithfully chronicles the last eight months of the war on the Western Front. This book is divided into four parts: Part One - September 6 thru November 8. It covers the Clearing of the Channel Ports and the Battle for the Scheldt; Part Two - November 9 thru February 15, which traces the troops settling in the Nijmegen salient near Groesbeek. Part Three - February 8 thru March 10 is all about the Thirty-Day Battle for the Rhineland. And the last part covers March 11 thru May 15 about Crossing the Rhine to Sever Holland from Germany. It also contains sixteen pages of twenty-nine black and white glossy photos from National Archives of Canada including a nice photo of Groesbeek Windmill taken by the author himself. Groesbeek Windmill was used by Mr. Blackburn, a Forward Observation Officer of the 4th Field Regiment with the Canadian Army, as an observation tower during winter of 1944 and 1945.

Last year in May, Mr. Blackburn took a 'sentimental journey' and attended the 60th anniversary of the VE-Day and participated in the unveiling of a commemorative plaque in Groesbeek Windmill, and memorial services at the Groesbeek Canadian War Cemetery in Holland. He spoke with CTV News recalling his World War II experiences in the Netherlands saying: "We wished to God the Russians at that time would get to Berlin in time to defeat the Germans, so we wouldn't have to go back in it. But we knew that the end was going to be settled right there."

It was such a relief to read the last chapters of this World War II classic. It means the end of a nightmare and the achievement of victory, hence, "the resting of the guns." This is my very favorite from the trilogy for that simple reason alone. The last chapter of this book is entitled "The Resting of the Guns," wherein the Corps Commander, Divisional Commander, commanding officers, brigade commanders and all the infantry battalions participated in a solemn rite and saluted the guns before handing them over to the Dutch Government. The author described it as a "striking day of truth" and he was deeply touched with the simplicity and solemnity of this noble ceremony.

"As the first gun rolls slowly by, chuckling and clinking on its limber hook, there's a glowing awareness of just how deeply these cold, steel machines have endeared themselves to you. It's as though you're saying goodbye to old friends you shall never see again. . . then you hear a voice, as though from a great distance, saying: 'Well now . . . let's go and find something to drink.' And you realize the ceremony is over."

I salute Mr. Blackburn for writing his trilogy of books that are so moving and affecting, and to all his comrades, alive or deceased, for their heroic acts of courage, endurance, perseverance and bravery. They went to war to protect freedom and gain peace. They are truly the world's greatest heroes.

Mr. Blackburn is not just a good writer; he's an exceptionally great writer. He's also an award-winning composer having written a hauntingly beautiful and nostalgic "soldier's song" entitled "Are You Really There?" which he wrote for his wife, Grace Blackburn while he was in England during the war waiting for the invasion of France and overwhelmed by feelings of homesickness. The song conveys the sentiments of servicemen longing to be with their loved ones in the midst of war. The music video won three major awards: Silver Award at the 1999 Worldfest - New York, Silver Award at the 1999 Worldfest - Arizona, and Bronze Award at the 2000 CINDY Competition - California.

This book is a classic, a valuable piece of history and must be read by every generation. It merits my highest recommendation.

In this, the concluding chapter of Canadian war veteran George G. Blackburn's superb three-volume eyewitness history of our northern neighbor's involvement in the war in Europe, we find a truly stunning successor to the previous two volumes. As with "The Guns Of Normandy" volume, we discover a masterful narrative punctuating the combination of dramatic life and death struggles contrasted with moments of drumming ennui or utter despair. For the Canadian soldier on the ground, the several months following the heroic and costly landing on D-Day were seemingly a coda, a time that seemed unreal because while they had the enemy on the run, the remaining elements of the Wehrmacht fought savagely and well in the ensuing period of time. So, although many of the allies felt it was all over but the shouting, especially after the re-taking of Paris and much of France, as Blackburn shows us from the ground grunt's view, it was anything but over and done with.

This volume picks up the narrative thread where the previous volume left it, with the much-vaunted Canadian 4th Field Regiment ordered in to relentlessly pursue the Germans as they retreated through the treacherous topography of the flooded French area known as the `Low Country'. As the pursuit ensued, the soldiers began to reach the limits of their physical and emotional endurance. And the battle as it unfolded before them promised no respite from the hellish demands posed by an enemy with no real thought of surrendering or fleeing. Yet, as they knock the Wehrmacht from its hastily devised defense perimeters within the Scheldt estuary again and again, they gradually succeeded in creating the conditions for re-opening of Antwerp, and thus helped to unleash the productive power and formidable logistics trail previously left hanging for want of such a large and capable deep-water port.

In the midst of all this, the Canadians, along with the rest of the Allied forces, had to suffer through the worst winter in decades in the European theater in the open and on the ground, and many died from such harsh exposure to the elements. Yet the Germans, fighting under these horrific conditions, still were able to mount savage resistance as they fought even more ferociously even as they began to understand how desperate their situation was. And as they beat the foe back yard by yard, mile by mile, back across the Rhine, the Canadians are enlisted in the increased fight once more in the Battle of the Rhineland, the final push toward the German heartland. And, as victory finally comes, Blackburn assures us it was indeed a bittersweet experience, felt equally with measures of pride and relief, knowing the unbelievable ordeal of the last several years was finally over.

As with his other books, here Blackburn relates his personal experience with a wonderfully literate and engagingly approachable writing style, and he surely uses his journalist's experience and his obvious facility with words to great advantage here, adding immeasurably to our understanding of what the experience on the ground was in as the first fatal hours and days turned into weeks and months of savage fighting, as the Allies bludgeoned their ways through the brutal resistance of a frenzied Nazi war machine. This is a story we should hear again and again, as we rediscover once more how truly amazing the feat of both the Canadians in particular, but all the Allies in general, stood tall in the very face of tyranny and smashed it into smithereens, saving the world from what has to be considered the face of absolute evil. Mr. Blackburn writes with surprising intensity and emotion, and his sense of recall of particular events and existential circumstances for himself and his fellows is both impressive and quite moving at points in his narrative. This is first person history at its best, one that employs both a more objective coda to the book, which also serves to lend a more authoritative aura to the proceedings than would otherwise have been possible. I recommend not only this book, but the other two volumes as well. Enjoy!

Not sure who all these Yankees are reviewing the quintessential Canadian war memoir, but they have good taste.

Written in the second person, this book is unique, but it doesn't end there. Blackburn has a rare ability to recall small details and the entire story rings with authenticity. His stories run the gamut, as all good war memoirs do, from the sad to the hysterically funny.

Second Canadian Division seems to have produced few authors (unlike the First Division, with Mowat taking the lead) but those few that have put pen to paper have been incredibly good. Whitaker and Williams were best when recounting the history of others, and this memoir stands out above any war memoir written by a Canadian in any single war. All three books in the trilogy are a terrific source of information about the Canadian Army in the Second World War.

And a stirring tale it is!

In a magnificent trilogy by a former junior officer in the Canadian Royal Artillery, George Blackburn records his experiences as a Forward Observation Officer (FOO), and those of the Canadian 2nd Infantry Division in general, in World War II's western European campaign. The first book, WHERE THE HELL ARE THE GUNS?, covers the training in Canada and England of Blackburn's unit, the 4th Field Artillery Regiment, from its formation in 1939 to June 1944. The second book, THE GUNS OF NORMANDY, describes the 4th Field's actions in support of the 2nd Division in northern France from early July 1944 to its arrival at the Seine River in late August. This final installment, THE GUNS OF VICTORY, chronicles the advance from the Seine into the Third Reich via the Benelux countries to VE-Day, May 8, 1945.

Should you read this series, you will, like me, come away with a heightened and supreme regard for the valor of the Canadian Army from D-Day to the end of the war and the value of massed artillery to the combat efficiency and survival of infantry units. Blackburn's personal account is perhaps the best description of men in modern war that I've ever read. The author's narrative is not a detached one. He brings you along into the mud, cold, rain, fatigue, terror, devastation, and apocalyptic arty barrages of the conflict's leading edge.

There are too many excellent passages to enumerate, but I shall give two examples.

At one point, Blackburn's observation post is in a Dutch windmill on the very border of Germany. As the Army brass plans the advance into the Reich, the author's vantage point becomes widely heralded as having the best view of the ground to be fought over, and to it, as if on pilgrimage, come the high and low, including Lt.-Gen. Guy Simonds, Commander of 2nd Canadian Corps, and Lt.-Gen. Brian Horrocks, Commander of British XXX Corps. But the interesting perception by Blackburn is the way the various officer ranks used battlefield maps.

"Corps commanders ... planning the best use of 450,000 men, swept open hands across map boards ... Division commanders and brigade commanders, reviewing the role of their brigades and battalions, stroke their maps with two fingers held together. Then come battalion commanders using a single finger for similar purposes in meetings with company commanders. But when company commanders returned with platoon commanders, maps were marked with razor-sharp pencils."

Much later, at a company command post, the author comes upon a Major Stothers and the Company Sgt.-Major opening parcels from home mailed to men already killed, the contents distributed to the survivors, and enclosed letters put into a pile.

"(Stothers) hands one across the table to you without comment. It is a hand-written note of only a few lines: 'Dear Son, the papers tell us that it is very wet where the Canadians are fighting now. So please, Dear, always be sure to wear your rubbers and keep your feet dry.' When you look up at Stothers, he tells you that her boy is the one lying dead outside the back door, face-up in the rain."

As the war's end approached, Blackburn had the reputation of being the longest surviving FOO in the Canadian Army, and 4th Field gunners, not without affection, had a pool going, the money to be won by the man who correctly predicted when the Baker Troop FOO (Blackburn) "got it". Lucky for us, George survived to pen his memoirs. By the end of the third book, I can even forgive him for writing in the second person, a quirk that, in WHERE THE HELL ARE THE GUNS?, almost put me off. But, in no one of the volumes, in the photo section of each, did the author include a wartime picture of himself. That's the only deficiency in an otherwise superb literary accomplishment.

To George, who recently celebrated his 88th birthday on February 3rd, and his comrades-in-arms, living and dead, highest honor is due.

Note: George Blackburn, through his son Mark, personally sent me all three of his books. Thank you, Sir.