Caribbean Books

Benerson Little, a former Navy SEAL, has written an excellent reference work on how piracy actually worked. In short, it's not anything like the mythical descriptions we get from cinema or novels.

The depth and breadth of his scholarship, as evidenced by this work, is highly commendable. He ranges from detailed descriptions/explorations of weapons and tactics to the dynamics of contracts, leadership, and organization. It was an excellent read and I particularly liked it since it provided me more insight into how warfare, outside the confines of most forms of legality or convention, is waged in a modern context.

For example: He details how a pirate crew is put together, from financing to recruitment to employment contracts (the articles) to financial compensation. To me, this was valuable since many of the financial dynamics he details are present in modern criminal economies, from the cyber crime of the Russian Business Network to the IED cell operating in Iraq.

Another example: Very precise examination of the armaments and ships used by pirates to ply their trade. Everything from the advantages of multi-shot and flintlocks to the efficacy of oars and canoes. For me, it was a very illuminating exploration of how weaponry can be altered to provide tactical advantages to an outnumbered and outgunned attacker.

So, if you are interested in finding out how pirates truly operated - or - you want to gain a more insight into 21st Century guerrilla warfare, this is the book for you. Buy it today, read it, and pass it on to a friend.

Final note: Benerson should be giving classes on this subject at Annapolis and West Point (I am sure he would be oversubscribed).

Hope this helps,

John Robb
Author of: Brave New War: The Next Stage of Terrorism and the End of Globalization

An excellent resource to understand the how-to of piracy. From firing a broadside to boarding, it gives the reader a handle on how the pirates were able to outfight and outsail their prey with smaller ships and sometimes fewer guns.

This book is not an easy read, but it's not intended to be. If you like histories of pirates or Colonial America, this is a vital reference.
The author details every aspect of the sea rover's life - ships, weapons, gear, even their compensation system.

Mr. Little is a retired US Navy SEAL officer and his experience shows, especially when discussing strategy and tactics.

The numerous appendices make this a work I'll refer to many times in the future.

If you want to know how pirates in the America's worked then this book is for you. If like me you have seen too many Hollywood movies this book is an eye-opener.

Piracy was a business. A pirate was a businessman and so any attack would be measured by a commercial cost/benefit analysis first. So it was done as cheaply as possible using commando methods. That is why it is good the writer having been a naval seal knows and understands these methods. Which he discusses well.

One doubt on this book I have is it discusses how a professional pirate would have done it, I am sure that many pirates were amateurish. A few people decide to go pirate take over a ship and learn on-the-job. This book only discusses the ideal tactics. Not how it was often done but how it was suppose to be done.

I also found it fascinating the discussions of the social structure of the ship. The pirate leader does not have a formal chain of command like the military caption have. He is in charge ultimately because the crew want him to be in charge. If he does not match up to the crews expectations he is out.

I hope the writer does a sequel on Muslim and Chinese pirates.

PS I even like the recipes at the end and am keen to try them out. I wonder if one of them the rum punch with lime was popular as it would stop scurvy. The medical benefits of citrus foods was known about this time although not proven till the late 1700s.

I would like to offer a little more balanced review of this book, which otherwise seems to only get rave endorsements.

First, the good part. This book indeed seems to be a scholarly study of all things related to sea rovers. It is funny at times and can be a good read.

However, being a novice in the area of sea faring and sailing I found it hard to understand and less of a satisfying or interesting read than it potentially could have been. It also is dry and heavy on factual statements, like a boring academic course, and low on anecdotes and entertainment. Other reviewers seem to imply that the book is based on personal pirate stories but references to these in the book are rarely more than passing half sentences. The book also lacks maps and illustrations, wich makes the material all the harder to understand, for anyone but sea rovers. Maybe I am not part of the intended audience, so this review is intended for the folks like me who don't have the required background, sea roving 101, or didn't intend to take a course on the subject.

A must read. A great selection of non-fiction material. If you know and like Borges you know you'll be pleased, if this is your first time reading Borges I guarantee that it won't be your last, you'll keep buying all his work. Borges wasn't a man, he was a library, a portal to knowledge and wisdom.

Enjoy

To read Borges, you become Borges. You see yourself in his mirrors, you regard the books you read as the books he reads. You appreciate what he appreciates, loving the literature he has absorbed, finding your way through the complex interweaving of his passions: Romantic English Poetry, Shakespeare, H.G. Well, Edgar Allan Poe, Dante, Icelandic Sagas, German Idealism, the Kabbala, Schopenhauer, Bergson, English Empiricism, Sufism, etc... All literary roads lead to Borges.

He lived a long, rich life. He is the Librarian you might meet in heaven. If only he were still alive to guide the reading public. If only he lived today and had a website, to think of all the books he might recommend. And wouldn't it be wonderful, to learn about his opinions on modern writers.

With the Collected Fictions, this book is a testament to the literary critic/philosphical wanderer in us all. Each essay is a delicate delicacy. This book is for you if you're a gourmand of good writing, great thinking and the pleasure of exploring the vast expanding world of literature. This book is rich, complex and wondrous. His writings on Dante and Shakespeare, his reviews, his philosophical essays... just read the book and become Borges becoming you.

Eliot Weinberger has done a real service to the world of literature by selecting, and translating these pieces. They show the range of interest, the incredible ability to make inventive creative cross- connections of one of Modern Literature's true masters, Borges.
Borges covers worlds in his writing, worlds of Literature , worlds of the Argentinean society he and some of his ancestors grew up in, worlds given in a universal encycopediac reading, which seems to cover all continents and all cultures.
Borges greatest work is considered to be his ' Ficciones'. But his signature is present in all , in a single page of a book- review or a philosphical meditation.
For him worlds mingle and combine, and are retranslated in such a way as to reappear as Literature.
He also in this work reveals himself to be a decent and courageous opponent of Fascism.
He confounds and surprises us at times with these strange mixings of things, but the poetic and parable- like element is so strong in this work that it engages us, and forces us to question our own small pictures of reality.
What a great and interesting writer. What a pleasure to have this work to enrich our minds with.

Because Borges lived and worked in Argentina, few have heard of him in the English-speaking world. Those that have are probably most familiar with his fiction stories. This book of non-fiction essays shows the vast knowledge and wide variation of interests of Borges. Therefore, this collection really does have something for everyone. Unfortunately, there are also many essays that are unreadable, some annoying repititions, and some essays are just plain dull.

So, what does Borges write about? He covers some metaphysical ground on the nature of time and infinity. He defines heaven as an infinite library, and then goes into the nature of infinity. On the more mundane end, he reviews movies and gives capsule biographies of authors - King Kong, Citizen Kane, and more obscure (and not necessarily Hollywood) films. He writes on contemporary (at the time) politics - Nazi Germany, the curators of the national library, etc. He gets intensely personal - there is one essay on the progression of his blindness. But if there is a main theme that permeates these pieces, it's his love of literature in all languages - Spanish, English (old and modern), German. He has an abiding love of the Greek classics (Homer, Virgil) and great admiration for Joyce, Poe, and Chesterton.

Unfortunately, those of us with a less classical education cannot keep up to everything that Borges says - I, for one, will never have the time to learn ancient Greek! - which makes certain essays difficult. There are other essays (especially early on) that are simply unintellegible (this may be the fault of the translators, especially since there are times when two or three essays cover the same ground with increasing degrees of murkiness). But it always happened that a real gem would appear just when I was getting frustrated with a series of uninteresting essays.

On the balance, about a third of the essays are not interesting (or badly translated, or repetitions), a third are interesting if not spectacular, and the final third have at least one moment of sheer brilliance. It's well worth buying, but it's unlikely you'll read it from cover to cover without taking a break - I took many breaks to read other things, and it took me over 1.5 years to complete the whole book. But you know what? - on the balance, I like his non-fiction better than his fiction

Borges claims in one of these articles that he was "more proud of the books he has read than the books he has written." I imagine I would feel the same way, had I written any books! And I think this statement captures the unifying theme of this compendium. Herein Borges will astonish and charm you with the breadth, variety, and whimsy of his literary taste.

The book is a compilation of critical essays, social commentary, reviews of the fledgling film art, and other oddities published in various media from throughout Borges's literary life. Each offers you new horizens for literary pursuit and further reading, and all are executed with Borges's renowned concision.

What I like most of all is that Borges is more interested the kinds of books people really enjoy reading, such as Bradbury, HG Wells, Lord Dunsany, and Kipling, rather than the fossilized academic "classics." One of my favorite features are the several recommended reading lists, in which Borges passes on his own most pleasurable reading experiences. There is also a refreshing eclecticism in Borges's taste--for example, this book lead me to Mathematics and the Imagination, a fun popular math book. Another personal highlight is the essay on Edward Fitzgerald.

This volume is not something one would read from cover to cover in several sittings, but rather a treasure trove to be mined from time to time, like the famous cave discovered by Ali Baba in that book so dear to Borges's heart!

I bought this book because for the long time I wanted to read something by Neruda, and this bilingual edition offered an opportunity to read the original Spanish alongside with the English translation. Since I know a bit of Spanish, this was an opportunity to practice it and improve it, as well as get exposed to some of the most sensual and inspiring poems in any language. Neruda's idiom is rich with metaphors, and he takes everyday objects and situations and imbues them with poetic and emotional undertones. This fascination with common objects is particularly useful for someone who is learning Spanish - it provides a great and enjoyable vocabulary-building opportunity. However, be warned - some phrases and words are a bit risque, and you shouldn't be too liberal at trying to impress your Spanish speaking friends at parties. It may lead to some interesting situations.

This is quite possibly the most beautiful book of poetry that I have ever read.

An excellent gift to one that you love passionately.

The most amazing and sesitive book that I ever had read about Pablo Neruda.
Pablo es capaz de modelar como nadie las imagenes y meterte en un libro tan hermoso y poderoso. "La muerta" es un claro ejemplo de la belleza y la fuerza de su poesía.

I had heard about Pablo Neruda a few years before and I wasn't too fond of his poetry. When I opened "The Captain's Verses" in a bookstore a few months ago, I knew that I had to have it. Since then this has become my most treasured book of poetry. I don't even know how to describe Pablo Neruda. When you read his poetry you just become entranced by the way he is so accurately able to convey such passion in his simple words and beautiful imagery. Even now after I have read each poem in this book at least a hundred times I am still amazed by the way he does it. I have not yet found another book of poetry that can evoke such feeling as "The Captain's Verses." I believe that this is essential to any poetry lover's collection of poetry and that those who are not big fans of poetry would enjoy the love poems of Pablo Neruda.

This is a fabulous dual-language collection of some of the most sensual, passionate poems written in modern times. Whether he imagines himself as an insect making a journey "from your hips to your feet", traveling to distant places with his beloved by his side, or as a soldier who must leave but whose love will "go on singing until the end of life", Neruda writes with exquisite simplicity, and great beauty.

I find this to be the most accessible of Neruda's books that I have read, perhaps because its subject was a central part of his life. As explained in the introduction of the book, these poems are autobiographical, and written about his wife, Matilde Urrutia. First published anonymously in 1952, they were released in 1963 under his own name, but only after much thought, because of their "intimate birth".
The translations by Donald D. Walsh are superb. He has captured the fluid rhythm, the emotion, and the fire.

He was fortunate to have had this remarkable relationship, as well as the ability to express his feelings with such uncommon depth, but for those men who lack Neruda's poetic genius, and who would like to melt the heart of the woman they love, this might be the perfect gift to go along with that bunch of flowers.

Richard Bondurant arranged a great trip to Moorea and Tahaa for my wife and I for our 10 year anniversary. This spectacular book is a great memory of our trip to Tahiti, and does an outstanding job of detailing all the exotic recipes that we jotted down on bar cocktail napkins while sipping fabulous drinks and sitting in the sun. I need to stock up on a few obscure ingredients before I can make all these wonderful drinks, but while it's snowing here for the winter, it's nice to just sit back, look at the amazing photos, read some of the trivia about Tahiti, and dream of going back someday soon. Thanks again Richard, for another great time!

The format of the book is very well done. Makes you want to go to Tahiti.

Wow! What a great book! We received it as a gift, which was perfect since my husband and I spent our honeymoon in Tahiti. Several things make this book great. First, the information about Tahiti is factual and entertaining to read. Second, the photos are amazing. Third, not only are the drinks easy to make, they are awesome! Kudos to Richard Bondurant.

Not only does this book have a wealth of information on a destination we long to travel to, but it offers a wide variety of fun and DELICIOUS drinks.
We love to entertain and it has been great having 'Cocktails in Tahiti' out at our parties...quite a conversation piece! Everyone loves the stunning photos of Tahiti, the scrumptious drinks, and the intriguing facts of the islands. Thank you!

Always looking for new and exciting cocktails to try, I purchased this book. Each page became more interesting, not only for the drinks presented but for the knowledge that Mr. Bondurant shares about Tahiti, it's culture, local accomodations, etc.

The photos are exceptional and each drink I have mixed has been better than the last. I have bought several as gifts for coworkers and friends. You won't be disappointed!

The writers share the belief that people of different cultures can come together in mutual appreciation and respect for their differences, though the experiences they describe are at times wrenching. A superb collection, the book captures the Peace Corps spirit insightfully

"Pretty exotic" will be many a reader's conclusion, but so will "thoroughly human," i.e., funny, raffish, tragic, cruel, . . this is a powerful, engrossing collection

While this book did allow me a glimse into a far away world (Mainly Africa)only some of the stories were truely worth reading. Most of them seemed to drag on and have no particular point. Even so, the environment and the dialogue were exceptional, and i truely learned about other cultures. There were only two stories in there i thought actually deserved four stars. One was "My First Lion Hunt." This story had plot, characters, humor, and a great ending. I would recommend just reading this story! I was a bit dissapointed in the lack of depth and plot in a few of the stories, and the terrible endings (they didn't seem very well thought out). However, for the most part this was an enjoyable and educational book. FOR FURTHER READING go the PEACE CORPS web site and read some of the stories there! Enjoy!

Geraldine Kennedy's choices cannot be faulted. I don't know of any other volume that has captured the Peace Corps spirit as insightfully as "From the Center of the Earth."

The collection contains a surprising amount of humor for a book grounded in cultrual turmoil, global poverty, linguistic confusion, and a decent amount of tragedy. . .a crash course in cultural relativism while capturing the pecular sights, struggles, and smells of distant places

I was born and raised in Havana. After 13 years of living in the States, I recently purchased this book. The handling of lighting in the pictures is just masterful. Because of my familiarity with some of the places pictured and with the architectural styles depicted, I could almost feel as if I was part of the scene; I could smell the air and hear the voice-filled environment of some of the street scenes captured. This is the best photography book in my collection, despite a handful of pictures being on the weak side as far as the theme is concerned. The rest more than makes up for it. Highly recommended!!

All the pictures are beautiful, the photography is excellent, but some of the images are a little weak and uninteresting. With a little more self-criticism and a little more work the book could have been really good.

I thought it would have more of a written description, not just pictures

I was so surprised that I actually found 2 pages of pictures from my Aunt Amelia Pelaez'house in this book!!! And what pictures!! Shows her bedroom perfectly. Other pictures are of a real and depressing Cuba. Some people think Cuba is a Tourist paradise and they forget the citizens of that same heavenly paradise! Cuban people are dying of hunger and many parts of the city are hidden from tourists, they're not allowed to see the real Cuba, which yu can see in this book. Wonderful pictures of Cuba! Bought 4 kept one gave others as Christmas presents!

This book is such a great buy. The photographs are amazing; filled with rich textures and colors. If you are looking to expand your art library, I would definitely recommend this book.

St Barts is about great food and this book completely encapsulates the essence of the island cuisine. You want some incredible recipes?. Then get this book and bon appetit

St. Barts is very dear to my husband and I, but more so for me. It holds a very special place in my life. It has offered me peace, contentment, a chance to regroup, recharge. We have placed our copy of Paradise Found on our coffee table at home. Robert and Kara have produced a book that is both a recipe book and a history of St. Barts. The book takes me back there whenever I look at it, read it. They have captured not only the essence of St. Barts, but the people that make St. Barts what it is. The stories are fascinating. The photographs are breathtaking and when I look at the photo on the front cover, I can smell the ocean, hear the ocean, feel the sun, feel St. Barts. I have tried several of the recipes and so far none have failed. As a "wanna be" gourmet chef, this is quite the accomplishment ! We have been to most of the restaurants featured and have now visited those we hadn't previously. This is a beautiful, wonderful book and if you love St. Barts, you'll love this book. If you've not been to St. Barts? This will make you go !

Debby Best

This book reveals St. Barthelemy in a unique way. The Brooks' exceptional photographs & revealing interviews with resident restaurant owners present a compelling case. "Paradise Found" is in a class by itself--more than a guide, more than a cookbook. For those who already know the island, it keeps the flame alive between trips. For those contemplating a first trip, it will give a feel for the people, the marvelous cuisine and the ambiance of a special piece of paradise.

As a long time visitor to the island, I found the book accurately captures not only the cuisine, but the feel of the island...the blend of french and caribbean influences creates some memorable meals, which the book will allow you to duplicate (well, sorta...LOL) in your kitchen at home.It's a great way to keep memories of St Barts alive, and a wonderful introduction to the island for a first time visitor.

This book is a wonderful blend of terrific recipes and an inside look at the beautiful island of St. Barths. The photos are breathtaking and the recipes delicious! If you haven't already been to the island, you'll definitely want to put it on your travel list after reading this.

_The Book of Questions_ defies easy description. Neruda composed over 70 poems in quatrains, two questions per quatrain - yet the depth of the questions and the variety of interpretations the reader can take from the questions is limitless. That the book contains English translations of the Spanish original is an added bonus.

The images are surreal, as if a Dali painting put to words. Further thought (and the poems ARE thought provoking) yields a different answer with each reading. There is a pervading sense of sadness to them, perhaps because Neruda was dying of cancer while he wrote them; but there is hope, here, too - and a wisdom that only a master poet can communicate. For example:

Where is the child I was,
still inside me or gone?

Why did we spend so much time
growing up only to seperate?

Neruda's _Book of Questions_ haunts and provokes, much like life itself. Highly recommended.

The BOOK OF QUESTIONS was written in 1973, a few months before Neruda's death to cancer. Troubled by the knowledge of his impending death, as well as by a U.S. backed coup threatening the Allende government in Chile (Leftist regime 1970-73), Neruda wrote several small books of brief poems, comprised simply of unanswerable questions, in the koan tradition (question/statement in the form of a paradox that disciples of Zen ponder). They are enigmatic, at times surreal, leaving you lost in labyrinths of deep thought, or in abstract bewilderment.

My favorite questions include:

Why do leaves commit suicide
When they feel yellow?

and

When the convict ponders the light
is it the same light that shines on you?

--ross saciuk

Pablo Neruda's BOOK OF QUESTIONS is one of those books that simply cannot be read just once. Though the poems are short, they are questions that make you ponder and think about through out the day. Neruda covers just about everything, such as politics, society, nature, and life in general.

The most enlightening thing about poetry, especially Neruda's style of writing poetry, is that it lends itself to much interpretation. Anyone that reads this book will have their own answer and interpretation of what they think Neruda was trying to convey. For example, Neruda has a knack for covering politics. He writes:

"How did the grapes come to know
the cluster's party line?

And do you know which is harder,
to let run to seed or to do the picking?

It is bad to live without a hell:
aren't we able to reconstruct it?

And to position sad Nixon
with his buttocks over the brazier?

Roasting him on low
with North American napalm?" (p.18)

For the most part, the book has a zen-like quality, which suggests a complexity to the poems -- the sense of not-knowing, and moving towards intuitive perceptions, beyond rehearsed patterns of thinking and feeling (viii). In a way, it appears complex, but at the same time liberating. Neruda's poetry is simple in its structure.

Beyond analysis, BOOK OF QUESTIONS is also helpful for anyone trying to refresh their memory to read and write in spanish. The translations are wonderful and practical. I recommend this book as well as other books by Neruda because of this added bonus.

Pablo Neruda is much missed as a poet and thinker. Since his death in 1973 there has been an even stronger growing of appreciation for his unique style of writing. During his last days he composed this strange little collection of some 300-odd questions and a number of poems all dealing with the life cycle as only one who sees his end at hand can write. The subjects are death, rebirth and nature in as complete a marriage of intention as any poet has created. They are beautifully translated by William O'Daly.

Intending his reader to be stimulated by his words to create a visual image that is personal, his questions from this volume so aptly titled 'The Book of Questions' open our eyes and our minds to some rapturously beautiful experiences. Examples:

'Why don't inanimate things
do something?

Where did a celestial body
leave something tonight?

Why don't they train helicopters
to suck honey from the sunlight?

Where did the full moon leave
its sack of flour tonight?'

Warmly humorous, touching and eventually elevating, the questions remain on the backs of our eyes awaiting reentry into our brains for relish at needy times. Neruda is a poet for all seasons. Just read this book and discover. Grady Harp, December 06

With this book, Pablo Neruda takes the universe and turns it inside out; in doing so, he brings forth questions for which there are no answers, and which, at the same moment, lead us toward the questions and vibrations of our own souls. The questions may appear as nonsense, but in truth, they are of another language, that of the poet, and they are neither meant to be answered nor translated into the realms of the logical and linear. He embraces humor: "What will they think of my hat, the Polish, in a hundred years?" and "Is there anything sillier than to be called Pablo Neruda?" Yet he also delves into mystery of life and living: "Is 4 the same 4 for everybody? Are all sevens equal?" and "In the end, won't death be an endless kitchen?" While perhaps never having read C.S. Lewis' "A Grief Observed," Neruda picks up a thread from two lines of this short memoir of grief: "Is yellow square or round? How many hours are in a mile?" But while Lewis searches for answers in a prosaic realm, Neruda remains the poet of questions. His work also brings to mind a poem by American jani johe webster, "the color of august": "what is the sound of a shadow / how do you say a hope / can you see time in a dream". For a truly amazing experience, read William O'Daly's translation of "The Book of Questions" side by side with Ben Belitt's: it is an amazing study of words, meanings, translation, and most of all, questions.

As you read this book it seems as though you are right there with Larry and Lin as they build and sail their small boat from California through Mexico, Central America, Jamaica, up the U.S. East Coast to the Chesapeake Bay and finally to Europe. This is the 25th Anniversary edition of this book. It has been updated from the original with pictures and maps. A great book I would recommend it highly for anyone with an adventurous spirit.

Page turner - made me want to drop everything and sail. The combination of this book and Slocum's book gave me the sailing bug. Contains useful information for those that are thinking about buying a boat. As seasoned, adventurous, resourceful sailors, the Pardeys' books are useful for salties or salty-wannabes (like myself).

Now available in a brand new 25th anniversary edition, Lin and Larry Pardey's Cruising in Seraffyn now sports a new introduction, "Anyone Can Go Cruising," and a new appendix, "Affordable, Attainable Dreams." Cruising In Seraffyn is an exciting, detailed cruising guide with a 16-page spread of full-color photos, making it an adventurous reference for nautical buffs and armchair travelers alike. With its decades of sailor's wisdom and inspirational prose, Cruising In Seraffyn is very highly recommended reading for anyone interested in setting sail for pleasure.

I loved the book, but always wished there were more photos. Now I have seen the new edition, in hard cover, published by the Pardey's. It is great. They have done it for the 25th anniversary of this book. Lots of color photos, a really updated discussion of cruising costs and a really nice story about what has happened to Seraffyn over the past 30 years. The pictures of the Pardey's new boat and Seraffyn sailing side by side are worth the $2l.95 price. Unfortunately, the book will not be on the American market until June. I got one from a friend who is a book reviewer. I was told you could wait till june and get it at ..., or you can go to the news letters on thier web site, ... and order one early.

As other folks have written, this book is lovely to read and inspiring as can be. The new edition, in its hard cover is not just a simple reprint. It is almost a whole new book - the new introduction gives grand info for sailors today, the appendix puts it all where it is for those who want to sail off in 2002. But best of all are the l6 pages of full color photos - stuff to dream about, ideas to use on your boat. Really lovely. If you have the old edition, you'll still want this one. If you've never read the first book, this is the one for you.

informative and fun to read, this is a loving tribute to the music of Cuba and from whence it came. It's historical without being tedious and a real page turner. I love it and recommend it to anyone who digs this kind of music and culture.

It's a first for me to review a book I haven't finished reading. I've been reading Cuba and Its Music for about a year, off and on, as I've read other books and material. What's prompting me to review it now is that this is simply a terrific, wonderful book and the word needs to get out. Full disclosure: despite being a musician all my life, I discovered Cuban music only about twenty years ago. The more I learned about it the more it took me over. This is not the place to go into the reasons, but I will make an outrageous blanket statement and say that what Bach is to classical music, Cuban music is to popular music.

Ned Sublette explains why in his marvelous book. I find myself pouring over passages, rereading and underlining and making notes to myself in the back. I can't take a lot of this at one time. I'll put the book down to pick it up a week later and end up rereading what I'd already read. The prospect of getting all the way to the end of it fills me with joy and dread at the same time. It's not that it's densely written: on the contrary, it's some of the clearest, easiest to read scholarly writing I've ever run across (and that's a lot, by the way).

The book is not for everyone. You have to like music, for starters. Then, it would be good if you enjoy learning about how musical styles originate, travel, and influence other styles. Cuba has been a true melting pot for many of the world's musical traditions, and most have made their way to this country, through New Orleans, through New York, and by other means, to the point that its influence is discernible in almost every popular American genre today. Sublette has traced these influences in the most careful and understandable way, and the result is enlightenment on every single page.

Now I hear that Sublette has another book out on the musical cultures and history of New Orleans. This is wonderful news even if it means I'll spend the next five years finishing both volumes. Amazon won't let me review a book twice, so I won't be able to comment on the latter parts of Cuba and Its Music here. Maybe I'll be able to mention it when I finally report on The World that Made New Orleans: From Spanish Silver to Congo Square.

Ned Sublette really knows his stuff. Although he quotes extensively from other authors, his own research and experience combine to make this a wonderfully solid piece of work, and one that is long overdue. Sublette takes us back to the very beginning, unravelling the potent mix of cultures and influences that have gone into what we call Cuban music today. His attention to detail will be appreciated by Cuban music afficionados, for whom many questions will be answered and mysteries revealed. Read this book, and look forward to the second volume!

There is nothing written in English that compares to the scope and depth of this book on Cuban music. (Leymarie's Cuban Fire comes close in volume of information, but it lacks the cogent overview and insight that Sublette masterfully weaves into the details.) This is a history of Cuban music written by a musician (!) who understands the importance of credible research when defining context and cultural antecedents. Furthermore, he uses his perspective as an outsider--he is a North American--to our advantage. Coupled with his examinations of the complexity of a Cuban identity and aesthetic, our North American culture also becomes more transparent.

This is particularly true when it comes to dissecting the story that most conventional Western Hemisphere histories neglect-the profound cultural influence of West Africa. As Sublette notes, "the drum...what an African would call a drum-is conspicuously missing from European music before the sixteenth century." Was it the creolized cultures of the New World that finally gave Europeans license to return to the dance floor after centuries of Church proscription? Sublette presents a convincing case for this, while simultaneously providing an explanation for those among us who are rhythmically challenged...

Readers also benefit from the full spectrum Sublette's perspective--that of a musician who migrates comfortably between the music of the concert hall and the dance hall. "Dancing," he writes, "is an intense listening state. Dancing can be complex and it can be spiritual. African music is almost always music for dancing; and so is Cuban music, which is African music's grown-up child." No armchair scholar talks like that.

Furthermore, his writing is not of that academic ilk that is afraid to offer opinions, or reveal passions. (For starters, he states that he likes Cuban music because he "has good taste.") Nor does he shy away from connecting the dots or hazarding wide-reaching theories. He is the first author I have come across to point out that the geographical origins of the African slaves-those coming to North America from the Senegambia, those to the Caribbean from the coastal areas-largely explains the differences in the musical styles (melismatic vs. polyrhythmic) between these two regions of the Western Hemisphere. Shouldn't this information be part of our cultural literacy?

The subject of this book is huge and Sublette is certainly up to the task. (Did I mention the extensive index?) I have also found, thanks to this text, that I am listening to Cuban musicians (eg. Chano Pozo, Miguelito Valdes, Arsenio Rodriguez) with new ears. That's quite a gift. Chevere que chevere!

This is the finest book on the sociological basis of music I have ever read. Many good books will provide a new fact on each page or two, but I seem to learn three new bits of history on every single page of this extensive analysis of the origins of musical styles in Cuba. But this is more than about Cuba; it is about Al-Andalus/Sefarad and Renaissance Spain and the eary history of the United States, and about northwest and central African peoples, and about Renaissance Europe, and about the early history of Islam and Arabia. It is about differing social policy and its effect on the slave trade. It is about what gave New Orleans jazz the Latin tinge and makes that city a treasure. It is about the distinct origins of the polyrhythmic, polytonal structures of Afro-Cuban and Afro-Brazilian music and the recitative, glissando-embellished, monorhythmic music of the blues and later jazz. We learn about Louis Gottchalk's first use of the African drum in classical music [performed in Europe] and why such instruments were banned in England's continental colonies and the early United States since 1739. We learn how Moorish, that is, black, line dance style was once the rage of western Europeans, and led to England's Morris dances. These are among the smallest of factoids that you will encounter reading this highly readable yet scholarly book.

Because I admire and particularly enjoy multidisciplinary cultural histories, Sublette's book is a feast. His explorations are ours. You will be fascinated, and you will be delighted. The book is an education. Buy it.