Asia Books

This is an amazing story and I concur with the previous reviews. There is also a philosophy of suffering and human nature that is presented which the reader will realize as he reads the accounts of the pain and suffering and the authors reaction to them. This is a must read and I'm looking forward to another book about human rights that this author may consdier writing.

This is a gripping story of survival in the worst of political prisons comparable to the Soviet gulag and the Nazi concentration camps. This remarkable book reminds us of the human capacity for cruelty, how ideology can justify atrocity and how absolute power corrupts. The state did not want or expect these prisoners to ever leave alive. This is the only English account of life in the Pathet Lao political prison system and is a crucial document about both Laos under communism and more generally about political systems and man's potential for cruelty. It is also a good read. The ingenuity of the prisoners that allowed them to survive torture, harassment, a starvation rice diet and no medical care was fascinating. It was also heartening to hear that the assistance his wife received from American friends during the time he was imprisoned and she did not know where he was led them to immigrate to the US.

This book is an absolute must read for anyone interested in human rights. The author's personal story of survival is set against a strong, concise modern history of Laos and southeast Asia.

You will find that this is one of the most unbelievable stories of survival ever told. Of the few who did survive the 're-education' camps in northern Laos, only one, Bounsang Khamkeo, wrote the story to bring it to the world. The book is a de facto historic document that cannot be overlooked.

Khamkeo had editorial help from a few individuals in the writing of his book. The text is not awkward like the title. Khamkeo is able and fluent in English. His story both unique and representative maintains an engaging literary quality over the roughly 400 pages. Returning from France to his homeland of Laos after the Vietnam War was over with the intention of helping his country return to normalcy, the author was arrested and put into a prison camp in 1981 after an argument with an official of the communist Pathet Lao government. He was kept in prison until 1988. The lengthy memoir is about this whole time from the early 1970s to the late 1980s, with about half given to each period. The second half of Khamkeo's time in prison is naturally more gripping, and at times harrowing. But the first half has its own significant themes and drama as well--namely, the totalitarian, capricious, demanding rule of the Pathet Lao. Whereas the second part deals with how the author survived the hardships and threats of his years in prison, the first part deals with the more subtle, yet nonetheless engaging, informative, and at times suspenseful story of how he and others had to accommodate the rigid rule of the Pathet Lao while they were at the same time trying to bring improvements to a Laos which like the other nations of Southeast Asia, was disrupted and changed by the Vietnam War. "I Little Slave" brings to light these uncertain and hostile conditions in Laos following the Vietnam War; which have not received as much attention as those in Vietnam and Cambodia. After being released from prison, Khamkeo managed to flee Laos; and today lives in Oregon and works for a state health agency.

It's so easy to ignore the inhumanity and injustices occurring around the world, but once you know, you must speak up. Bounsang Khamkeo eloquently and honestly paints each scene with vivid precision. I felt as though I was actually flying over the forests of Laos, feeling the anxiety of hostile government actions, smelling the stench of hidden prison camps, and witnessing death in it's most unforgiving form. Bounsang should be proud that he kept his promise to speak up against the injustices at the hands of his communist oppressors. I will long-remember the lives of his lost prison-mates, as well as the hundreds of thousands who have no recorded names. This would be an excellent companion to political science texts, and a must-read for us all. I literally could not put it down. As horrifying as his shared experiences were, I am left wishing for another 400 pages. Bounsang, I am proud to have met you. Thank you for speaking out about such atrocities.

child friendly but accurate and cute illustrations. A good reference for any age.

I GOT THIS BOOK FOR MY DAUGHTER TO STUDY ABOUT JAPAN.I'M FROM TOKYO AND I LIVED THERE.
THIS IS VERY ACCURATE AND I F YOU ARE INTERESTED IN JAPAN OR YOU HOMECHOOL,YOU SHOULD GET THIS BOOK FOR YOUR CHILDREN.

a book which introduces different culture and custom to children must be accurate. children's books about Japan by non-Japanese writers are not always correct as they tend to write only what they see/hear/feel and lack a broader view or facts. in that sense this book written by a Japanese author has of course no problem. the contents are well organized covering "a year in a life" of children in Japan. illustrations are light and cheerful. our 4 year old grandson in America who recently visited Japan enjoys this book as he can relate it to what he had seen while in Japan.

"I Live in Tokyo" is a sweet little picture book describing the life of a small girl, Mimiko, and her life in Tokyo, Japan. The book is sectioned off into months, with each month telling the story of something that happens in Japan during that month in a two-page spread, with very pretty illustrations.

This is a great book to introduce a typical Japanese lifestyle to the wee ones. I am happy to see how authentic it is, without antiquated notions of Japanese people running around in Kimono all the time or eating sushi at every meal. I loved seeing Mimiko listing "hamburger" as one of her top ten favorite meals. There is not a thing in here that I have not done myself in Japan, and Mimiko acts like all the little Japanese children that I know so well.

The illustrations are great, and offer a simple but accurate and inviting picture of things like a japanese house, a japanese summer festival, japanese food and even a japanese-style bathtub where you wash outside before getting into the water. Throughout the book, the Japanese names for several things are given, rather than devising English translations, and a few simple characters are introduced.

Highly recommended for anyone wanting to get kids interested in life in Japan, or just to open a window to another world, different yet similar.

Certainly there are monthly festivals in Japan like foreigners don't know. As Japan especially Tokyo of the metropolitan get to be industrial and modern city, the importance and customs for them between Japanese is getting to be thin, however even now the connection between such festivals or customs and Japanese history will be maintained. There are the special holidays, called "Syukujitsu" in Japan except of such festivals, too. If Syukujitsu compare with U.S.A ways, that will be like Independence Day. But Syukujitsu have other mean in Japan, off course though have the mean as being applied to U.S.A like Tennou Tanjoubi(Japanese emperor's birthday), too, that is, there are the holidays like Keirou No Hi(a holiday that people thank for old men)in Syukujitsu, too. I think that such festival have strong connection with Japanese history that Japanese have the custom for old men the old days ago.

In Japan, there will be at least one festival on each month. In January, especially new-year-day there won't be countries that do not their festival. Off course that is special day in Japan. The day is called "Syougatsu" in Japan. As I wrote already, the festival day is not general festival, have the mean of Japanese history, for instance, some of Japanese (over 50%) go to Japanese shrines (Jinja), if we consider of the recent truth that Japanese younger have no the interest for such old customs, the number will be surprising thing. And the custom that Japanese go to shrines on the day have important mean. The act is called "Hatsumoude(first pray)". Japanese have the thinking that good outcomes are made if we do all the things on the first day whether new month day of New Year Day, therefore on Japanese New Year Day, there are the special act of "Hatsuhinode" except of Hatsumoude, too. There is the custom that sunrise bring people good fortune in Japan from long ago. Especially as I wrote already, Japanese think that more good outcomes are brought if they do such act on first day, such act that people watch sunrise on New Year Day is called "Hatsuhinode". Some of Japanese go to seaside or the top of mountains more than 100 km away from their home where they can watch Hatsuhinode clearly, even if they have troubles.

In Japan, there are many monthly customs so that can not write easily. That is interesting genre, too. Even Japanese.

Thank you for reading poor English.

I first read this when first release and just purchased another copy. If you want to read about two real heros, James Stockdale and his wife Sybil Stockdale read this book. They write side by side in spirit, him in a Vietnames prison, the Hanoi Hilton, and she home with thier children. One of the best love, war and a story that you will remember.

Remember James Stockdale running for Vice President in the early 90's under the third party? He was perhaps the candidate with the greatest personal integrity in ages.

This book is just as genuine and is a vivid examination of what it's like to be a POW in brutal captivity for years. The book also has his reflections on the present-day U.S.. Here, he is refreshing, and can be brutally candid on such institutions as the South's best-known anachronistic walled military place.

Mostly though, it's the love story between what he and his wife have been though these years. No candy coating: A rare American hero with the straight story.

The late Vice Admiral Jim Stockdale was the highest ranking POW to return from captivity in North Vietnam. His wife Sybil kept the family focused and hope alive all throughout his long imprisonment.



They present alternating chapters that chronicle their personal challenges which are a microcosm of the nation's challenges at that time.



This should be required reading for all Americans.



For more on the plight of the families of those who were MIA in Vietnam, read Louis Stockstill's epoch-making article:



"The Forgotten Americans of the Vietnam War" By Louis R. Stockstill, at:



http://www.afa.org/magazine/perspectives/Vietnam/1069vietnam.asp

Buyer beware of bookin2002@yahoo.com. I paid $60.00 for a book that was supposed to be in very good condition. When it arrived, the front cover was water damaged and the book was a third edition. $60.00 for a third edition? Not a very good deal.

The BEST book I have ever read. His recount of what he went through is outstanding. I cannot believe the personal, physical, emotional and spiritual strength it took to endure 8 years as a prisoner of War... and the ways in which he communicated with other POW's, his wife and the US government is unbelievable... brilliant. I read this book 2 years ago and gave it to a friend who gave it to another couple friends cross country... eventually I got it back and gave it to my brother who gave it to his buddy... I think either my dad or my uncle has it now. The best book I have read. I reccommend it to anyone. and I can't wait to read it again.

This book is lavish, georgeous, and opens doors to kalidescopes of color that astonish and amaze. Mr. Meola gives us a very personal, thoughtful, lusciously crafted view of India that makes a beautiful gift (even though one will find it hard to give away.)

The photographs are arresting, beautiful and moving. The text is right on and varied in approach and subject. The result is a book that one comes back to time and again. I completely agree with Rob Atkins review.

India is a land of amazing contrasts and exotic imagery. Eric Meola has traveled to India many times for the purpose of photographing the people, landscapes, architecture, celebrations, and art of this vast and diverse land. The result is "India: In Word And Image", a coffee-table art book compendium showcases India's diversity and heritage from the monasteries of the Himalayas, to the tea plantations of Darjeeling, to the stark desert of Jaipur. Spectacular photographic images are enhanced with more than thirty literary passages underscoring the story of India, its people, places, architecture and art. A superbly presented visual travelogue, "India: In Word And Image" is an ideal selection for academic and community library 'Memorial Fund' acquisitions, a welcome addition for personal and library Photography reference collections; and an ideal browse for armchair travelers through the wonders, lands, and people of the Indian subcontinent.

Eric Meola is a master of color photography. This book is a visual trip for the eyes, mind, and heart. Mr. Meola has captured the festivals, but more importantly, the soul of India. Whether or not the reader is interested in India, you can't help being drawn in to the photographs of the people, the landscapes, and the atmosphere that is so richly portrayed.

Beyond the exquisite color photographic compositions in this book, Mr. Meola has that rare photographer's eye to see what most people don't even notice....the glow off a burning cigarette, a gecko that happened to be sitting on a sculpture, a telling expression in the eyes of a young woman.

This book along with its moving text, is a tribute to an India that exists in a Kiplingesque dreamscape that may one day be gone. Enjoy it now and share it with those you love.

Frank Stefanko / photographer

Between the covers of Eric Meola's staggeringly beautiful India in Word and Image is a vision as large and dynamic as India itself. In a similar way to his first book, Last Places on Earth, Meola's peripatetic photography takes us on a journey to reveal the pride and dignity of a culture living in an ever-shrinking world of globalization and instant communication. Yet his new book goes further: through his lens we enter the soul of a country full of color and an unrestrained enthusiasm for life. From the riotously colorful celebration of Holi to a lone, meditating monk under a bodhi tree, the photography of one of the medium's true masters shows us an amazing part of the world.

The immediacy of Meola's photography is breathtaking, whether he's focusing on an expansive vista or some minute detail that he has found and wants to share with us. Viewing the many and varied portraits throughout the book, I feel as if I'm looking not at images printed on a page, but directly into the eyes of the subject.

The inclusion of writings on India by Tagore, Narayan, Rushdie, Kiran Desai, Jhumpa Lahiri and several other great writers of India help make this a very illuminating and moving book.

A Gujarati friend taught me a useful phrase in his language: "Salu che." It is good. But that doesn't begin to describe this astounding book.

Excellent value for the money. Beautiful photos covering a broad range of interiors.

This LUSH book captivates the eye and provides such a visual feast of color, I feel saturated, then satiated, each time I dip into it. Good for hours of fun.

I have to say, I was lucky enough to meet Deidi on her travels in Ladakh and can tell you that she is one intrepid traveler. There was a war going on in Kashmir when she went to take these photos - although you'd never know it from these pictures which paint such a beautiful image of these sumptuous settings.

She is a great photographer, with three Taschen books to her credit (Gardens of France, and Fantasy Worlds). She also makes enormous photos of sacred trees in India which are exhibited in galleries - very dramatic and her best work yet!

This book focuses a great deal on Rajasthan, but also includes regional coverage of key areas.

A first of its kind and a good antidote to the predictable picture books of India. Everyone expects India photo books to show weird babas in Benares and starving people in Calcutta, so it's good for the West to see there's more to India than that.

Glad to see that scenes from the folk and peasant traditions are included alongside the fantastic royal palaces, proving that art has no boundaries.

This is a gorgeous book, beautifully laid out, with good photography and a vast range of type of interiors from palaces to village huts. Having spent significant time traveling throughout India, I frankly opened this book fully expecting to be disappointed and expecting it to be one more example of journalism not being able to do justice to the breadth and scope of India. We see that failure in all manner of books about India, from cook books, design books, culture books, and travel books; any subject that trys to cover the subcontinent in one fell swoop. Remarkably, this book achieves what no others I've seen has. In addition to photography of Deco interiors, British Revival, and Native Cultural Design, INDIAN INTERIORS wisely leaves the commentary to short blocks of text detailing the background of the property and the homeowners but not forming broad judgements or attempting to endlessly characterize and embellish. I have photo books on Village India, India Rail, Indian Design, etc., and they all try to do too much and not let the material speak for itself. This book is different, very different, and from what I've seen from this publisher in other venues, Taschen is one to watch for if you like your material presented succinctly and beautifully without gushing or extraneous filler.

This totally sumptuous book has been beautifully produced and is proof yet again that Taschen are publishing some of the most beautiful books around. Apart from being a visual delight, each picture has accompanying text on the place featured. The book covers a wide range of interiors from palaces and havelis to Rajasthani huts and everything in between. Whether you are interested in Indian style or interiors generally, you will find much to like in this book.

We review a number of books and the first time we saw this one, we were very sure it was going to make to our top selections list. And we were not wrong.

A beautifully laid out book with 500 vivid color photographs is a visual treat. Recipedelights.com gives it a "must-buy" rating for interior designers and style lovers. One of the few books that correct the injustice done by western journalists and gives a positive spin to thousands of years of culture and history. It truly reflects the grandeur of Indian style by weaving a colorful mélange that will come as no surprise to anyone who has ever visited India. This book explores a spectrum of interiors ranging from Palaces to Havelis to Huts. It does not bore with endless text or try to influence the judgment of the reader. Short text (In English, German and French) accompanies each photograph though the pictures speak for themselves.

I was plesantly surprised by this compact book. I didn't know that it was associated with the Discovery Channel. The book has outstanding print/paper quality. It has plenty of maps and lots of pictures. This helps me to find the place. I can also decide, from the pictures, if I would be interested in visiting such an attraction.
The best surprise is that this book is actually listed [$$$] less than the Fodor's compact book.

Published in conjunction with The Discovery Channel, it's information you can trust to be accurate. The history lessons and overview of the modern-day city itself -- it's people, economy, language, currency, culture, artisans and performing arts, markets, and hidden gemstones off the beaten path -- make this guide truly special. However, the glossy pages that are virtually indestructible, up-to-date maps, compact size and plenty of photos are what will make this guide your most valuable travel asset while in Shanghai!

I bought this book and also Fodor's Pocket Shanghai. This book has better print/paper quality. Has more maps. For each attraction, there is a color photo so that you can decide if you would like to go there. The photo also helps to identify the attraction if you do decide to go there.
The Fodor's book has no photos, looks [inexpensive], but is actually [$] more.

I took this and Fodor's Citypack Shanghai (Citypack) guide for a week in Shanghai in 12/00. I found this guide far better than the Fodor guide. I found it to be an excellent general guide, if you want a compact, concise guide. The excursions were pretty good as well.

I live in Shanghai, and usually write guidebooks, not read them. When I do, it's usually to wince at all the things the writers who came here for a mere month or so of research got wrong. Even those without glaring errors tend to be off by angle, such as raving about the rather dull Yu Gardens and failing to notice the incredible living history museum, Shanghai's Old City (aka Chinatown), that it is situated in. They only offer the stupidly obvious destinations, like the Bund, Huaihai Lu, and Nanjing Lu, to the neglect of fascinating, cultural history spots like Sichuan Lu and the Jewish Ghetto.

I was handed the compact guide as a reference for a project I was working on, and it pleasantly surprised me. Amazingly, I found nothing to criticize, nothing to wince at. I was impressed to discover in it city trivia that even I consider obscure, like the history of the Broadway Mansions as the old Foreign Correspondents Club.

But nicest of all is its refusal to patronize. Many guidebooks take the attitude, "You're a stupid Western tourist,doesn't speak any Chinese, so here's what to do!" So, if you pick them up having read anything - anything! - about Shanghai previously, you're likely to feel put off. The Compact Guide refreshingly presents the facts without too much condescending background but also without playing insider baseball. It's very accessible.

Only two quibbles: the maps are confusing, have a number of typos, don't have characters along with the pinyin, and are so small, listing so few streets, to be useless unless you already know where you are/where you're going (and then, why do you need a map?). Also, Shanghai changes so quickly that, being written three years ago, it is rather woefully out of date. Use its listings with caution.

Mexican painter Miguel Covarrubias set sail for Bali in 1931 on an optimistic personal quest to discover, absorb, and chronicle Bali's traditional living culture. Buy into the romance and seduction of Covarrubias-driven by a feverish imagination-- inexorably pulled towards and teased by the lure of Bali, half a world away. Travel back sixty-four years in time to Bali's unspoiled natural vistas-a happy, peaceful. pristine retreat standing apart from a West mired in crippling economic depression and poised on the precipice of World War II. As a fellow artist on an island with three million artists-in-residence (creativity is considered both a religious and a natural activity on Bali), Covarrubias penetrated deeply into the spirit of the dance, theatre, music, decorative arts, and pastimes of Bali.
Embellished by 114 half-tone photos and 90 drawings by the author and other Balinese artists, this essential, still-relevant classic consists of twelve chapters on the Balinese people and their civilization in the 1930s. Accompanied by painter Walter Spies, Bali's most famous expatriate resident, they roamed the countryside together with eyes, ears, and canvasses wide open, observing the local life. Covarrubias's most notable writing describes the organization of the traditional Balinese village: the markets, social order, etiquette, language, caste system, the banjar, law and justice, the courts, the subak, rice culture, and the distribution of labor. This intimate, insider's foray into every nook and cranny of his own paradise produced key chapters on everyday family life in Bali: the house, cooking, costume and adornment, childbirth, childhood, adolescence, sexual customs, and marriage.
Covarrubias explored the place of the artist in Balinese life and the development and evolution of Balinese art, crafts, sculpture, and architecture. Drama and dance are important components of Balinese life: they come alive through the village orchestras, musical instruments, classical Legong, and the ancient shadow plays. Island of Bali unveils material on priests and religion, temples and feasts, offerings and exorcisms, the Balinese calendar, and the original Bali Aga people. Written from a day when primary forests reigned supreme and witch doctors wielded terrifying power, Covarrubias delves into the cult of the Barong and Rangda, black and white magic, folk medicine, the sacrifice of widows, and death and cremation. The Balinese still lead a magical, mystical, harmonious life that is difficult for Westerners to understand unless they read a profound work like Covarrubias's Island of Bali. With an artist's sensibility and a Bali-lover's eye, Covarrubias paints a complex nirvana with words and easel in this great literary achievement.

This book is the essential book about Bali. I read it 26 years ago when I first went to Bali and it still ranks as thee book about Bali. If you wish to learn about the Balinese people, their culture and religion and beliefs I highly recommend this book. jim

If you only read one book on Bali, read this one. Believe me, I'm Balinese.

Miguel Covarrubias, and his wife Rose,who were Mexican, went to Bali twice, once in 1930 for several months and again in 1933 again for several months. The first time they stayed in Denpasar, the capital, and the second time in Ubud, where I live.

They stayed with Walter Spies in Ubud,who was an extraordinary German, who had been living there for years, and who totally absorbed Balinese culture. My mother worked for him. He taught the Covarrubias's a lot.

They then wrote their book. It is regarded as the bible and all subsequent books owe a lot to it. Some things have changed, of course, but only on the surface. We are very traditional, especially in the Ubud area. The book is an excellent introduction to our rich culture.

The book discusses family and village life, rice farming, our Bali-Hindu religion, ceremonies, history, drama, art and dance.

It's very readable and the photographs and line drawings are great.

I must confess this book is thick but hey!!! It's well worth reading about for those who want to understand a little about Balinese culture as well as it's lovely people. I found it very interesting since it covered almost everything about Bali, however the book was written before World War II and well I still think it's great to have a book that is still resourceful. Even though so much has changed with Bali over the decades this book will never die surely. This is a must and is essential for those who want to have a better understanding of Bali back before World War II and they can still relate it to the present. Nothing much has changed but a few things have altered. It was like stepping back in time when I read this book... I hope everyone will enjoy the book as much as I do too... great book to have...

This is by far the best book available if you want to know about the people of Bali - their unique lifestyle, religion, customs and beliefs. Written in the 1930's, it still holds true today. The classic black and white photos are worth the price alone. The Balinese people still live a magical life that is difficult for a westerner to comprehend, unless you read a book like this.

This is part two of one of the four great written masterpieces of China, beautifully translated by Professor Yu. It is, I believe, the closest English speakers will get to the original Chinese text. Occasional awkwardness of wording in the translation is unavoidable as this work has gone from its original to a greatly contrasting culture. Do not let this discourage you as you read, let it instead encourage you to learn to read the Chinese original. Seeing it via one of the many movies / TV productions available is a great help in enjoying this work. I highly recommend the CCTV production from mainland China done in both 1986 and 2000.

This translation of Journey to the West is awesome. I'll admit that I haven't read other translations, but, from people that I know that have read the Chinese version, and also seen the Chinese series, and I have discussed the book with them, they say it is a great translation of the book.

A really great book, I could hardly put it down. The subtle comedy and the continuos action is perfect for anyone above 9 years old. I LOVED it.

This is a great story not just this volume, I really recommend these books to be read by anyone it has everything that a great -great story need.
Prepare yourself for a great journey...read the story.

Yu has done an excellent job in this translation. The book is heavily footnoted with Buddhist and Dao references. It's an older translation so it uses Wade-Giles instead of modern pinyin. It's also the least abridged. If you can't read the original Chinese this comes a close second.

I was amazed at the way this is written. I have been looking for books that my middle years students could read in their lit circles and just happened to stumble on this at my local library. Finding a book that is real literature, shows another culture, is a finger-licking page-racing novel that even reluctant readers will enjoy is close to a miracle.
It is all that! Plus it is a novel about women without being a chick book.
Why didn't this book turn up in all the searches I've done on the amazon site?

I thoroughly enjoyed the book. I could not describe it any better than critics did. This is a book set in pre-independence India with its harmful traditions - that may still be there - as one young girl with support of her family leads the way for a change. This will make a nice reading for any young reader who wishes to be carried away in this colorful story mixing history, struggle and enlightenment.

There has been some comparison to this book "Climbing the Stairs". While both are set in India during World War II, they are different books. I encourage people to read both.

In "Keeping Corner" we have twelve year old Leela who has been married at a very young age. Leela is your typical girl, and that's what I love about her. She isn't bookish and she really doesn't care about politics. She is interested in looking nice and wearing pretty clothes and jewelry. That is the extent of her life, and I think that makes her so much more interesting as a character. I mean what young adult doesn't like those things?

Leela's life is turned upside down when her fiancé dies. Now she is a widow at a very young age and must "keep corner." She must shave her head; lose her pretty clothes and jewelry. The community views her has bad luck, and she needs to remain inside her house for an entire year.

While she is in mourning Leela's schoolteacher comes and helps her with her lessons. Leela doesn't want to be taught anything. She dislikes school. Yet, as time goes on Leela becomes more interested in her studies and she enjoys hearing about Gandhi. She grows as a character and realizes there maybe something out there for her. That maybe she can change how people view women.

"Keeping Corner" is an excellent story that has a lot of great details about the era and the plight of women. There is also an index in the back (something "Climbing the Stairs" didn't have). I think students who are interested in historical fiction will enjoy this novel as well as students who enjoy other cultures. There is no romance in this novel however, so that may turn some teens away from the book. However, I strongly encourage people to read this novel. It was very interesting.

This is one of the best books I've read this year! I loved Kashmira's descriptive writing. This story keeps you on the edge of your seat to find out what happens to Leela after her husband's death and keeping corner for a year.

As a member of the Brahman caste, the highest, twelve-year-old Leela doesn't notice the hardships of lower castes.Engaged at two and married at nine, Leela is soon to have her "anu," when she will move into the home of her husband. In the interim, she enjoys the life of a loved, petted member of her household which consists of her parents, her aunt and uncle, her older brother (away at school,)and Lakha, the man who takes care of their animals. Before the much anticipated anu, her husband is bitten by a venomous snake and dies. As a widow, Leela must have her head shaved, wear dull brown saris, and spend an entire year "keeping corner." She can't leave the house for an entire year. Only gradually does formerly light-hearted Leela come to understand the magnitude of the calamity that has befallen her.

Set in India during the time that Gandhi is leading non-violent protests against the caste system and the British colonists, Leela's story exposes enormous gender inequalities as well. This novel follows Leela's inner growth during the year. She is tutored by her former principal, and she begins to read newspapers voraciously, equating the injustices suffered by Indians under British colonial rule with the injustices inflicted on her. Coming to appreciate education as her only hope, Leela endures the year of keeping corner, studying, until she ultimately triumphs. With first-rate prose, this work of fiction, based on the life of the author's great-aunt, is exciting and compelling within unusual confines.

Written by an author who also served in the United States Army in Vietnam, Killed In Action is the biography of draftee, journalist, and anti-war activist Stephen H. Warner. Though staunchly opposed to the war, he refused to avoid service to his country for the sake of principle, and served as an Army journalist until enemy fire slew him. An eloquent, articulate account, that draws heavily upon Warner's own words and testimony from people who knew him, Killed In Action is a singularly vivid portrait and testament of shining ideals and a life brought to its end all too soon.

Mr. Amchan has managed to explore all the contadictions and ambivalence of the Vietnam era through the forgotten story of one complex and courageous young man -- Stephen Warner. Deftly paced and brimming with historical fact and insight, it is of interest not only as great history, but as American drama.

THIS IS A TERRIFIC BOOK ABOUT AN ANTIWAR ACTIVIST DRAFTED OUT OF YALE LAW SCHOOL AND SENT TO VIETNAM LATE IN THE WAR. TOWARD THE END OF HIS ONE YEAR TOUR, STEVE WARNER, WHO DEVELOPED GREAT RESPECT AND AFFECTION FOR THE COMBAT INFANTRYMEN WHO FOUGHT THAT WAR, IS KILLED IN ACTION.

THE AUTHOR, HIMSELF A VIETNAM VET, TELLS THE COMPELLING, TRUE STORY OF STEVEN WARNER. A MUST READ FOR THOSE OF US WHO SERVED IN VIETNAM AND ENJOY READING ABOUT OTHERS WHO SERVED. THE AUTHOR'S DESCRIPTION OF ARMY BASIC TRAINING IS, BY ITSELF, WORTH THE PRICE OF THE BOOK.

Killed in Action is a short, powerful book about SP4 Steve Warner, US Army, who could arguably be called the most intelligent enlisted man to have served in Vietnam. This remarkable story begins with Steve's undergraduate years at Gettysburg College where he became an articulate anti-war spokesman at a time when it was not popular cause. Graduating summa cum laude, he went to Yale Law for one year after which he was drafted. Rather than head for Canada he decided to serve and served admirably. The details of Army basic training in the late 60s are as accurate as any I have read. Anyone who went through at this, or any other time, will appreciate it. The story of Steve in Vietnam is absolutely incredible. He had a nice safe job in Public Information but chose to use this position to go out into the field and get stories from the fighting soldiers first hand. His journal entries from these trips are fascinating as is his metamorphis into a soldier. This book will interest both those for and against the war and shows the power war has to change a person. The black and white photographs (all taken by Steve) are stark and haunting. Highly recommend to anyone interested in the Vietnam War and its related affects.

Drawn from the diaries and letters of a former anti-war activist who chose to serve rather than evade the draft and died in the waning days of the War, this gripping account of life in Nam has special poignancy today. Drafted out of Yale Law School, Steve Warner faces the dilemmas of his generation, but his war experiences change him. The author writes the book that Warner the journalist wanted to write but could not. Reads like a novel. I couldn't put it down.