Asia Books

First of all, I agree with other reviewer's assertions that this is not a book for beginners. Without a basic understanding of foundational Buddhist thought and Buddhist cosmology, this book wouldn't make much sense. Vimalakirti is one of my favorite characters since he is a great example of how a lay person can achieve Buddhahood. He could enter gambling halls and other dens of iniquity, engage in business and family life, and still remain unsullied as he taught the Dharma. This book is one of the few readable texts about him. Although very well translated, it still retains some of the repetition and obscure references found in any ancient Buddhist work having a basis in an oral tradition. If you have an intermediate knowledge of Buddhism, this is an excellent work.

This and the Flower Ornament Scripture will keep you busy for awhile. Not easy or light reading by any means.

I agree with many of the other reviewers in this space. This sutra is quite simply my favorite Buddhist text, and Prof Thurman's translation is my favorite translation. I travel with this book because it is so compact and precise in describing the way of the Bodhisattva, the great vehicle of the Mahayana path. I have heard Prof Thurman read from his book, and his transmission is no small contribution to the progress of Buddhism in the West.

Several reviewers have mentioned the humor. I have fond memories of reading this text out loud to my fellow dharma students, and having a good laugh each time a disciple sheepishly declines Lord Buddha's invitation to go visit the ailing bodhisattva, Vilmalakirti. The replies of Vimalakirti, on the other hand, are the highest wisdom I know of in Buddhism, and reflecting on them is a great treasure.

The Vimalakirti-nirdesha Sutra, though almost certainly not spoken by Shakyamuni Buddha himself, is nontheless held in the highest esteem by all schools of the Mahayana. It belongs to the category of sutras which are, in all probability, fictional creations of Mahayana scholars, and not expounded by the Buddha. Despite this, the Vimalakirti Scripture is still given the title of a sutra. For the doctrine it expounds is in perfect conformity with the highest teachings of the Buddha, and, more than any other sutra, the Vimalakirti Sutra shows the perfection of the bodhisattva ideal for laymen and women. Robert A.F. Thurman's translation of this masterpiece is close to perfect. Working from a Tantric perspective (being himself a Vajrayana Buddhist), Thurman details, in his notes and introduction, the clear relation between Buddhist Tantrism and the Vimalakirti sutra, which can lead one to the conclusion that its composition was largely influenced by the esoteric teachings of the Tantras. Yet, the teachings of the Vimalakirti Sutra are in no way exclusive to students of the Vajrayana, or of Tibetan Buddhism in general. This scripture has historically been of tremendous influence on Chinese Buddhism, and is the subject of some of the greatest works of Chinese Buddhist Art. It is also held in the highest esteem by Zen Buddhism for its emphasis on the practice of the layman amongst the cares of the world. Indeed, it is one of the few canonical scriptures that are of particular value to Zen. The scripture tells the story of the layman Vimalakirti (almost certainly a fictional character), a bodhisattva of the highest order, on par with such figures as Manjushri, who, in order to develop living beings, lives as a layman in the crowded metropolis of Vaishali, participating in business and government and teaching the dharma in accordance with conditions. On this occasion, Vimalakirti manifests himself as being sick, in order to develop beings who come to inquire after his health. The Buddha, desiring to know how Vimalakirti is doing, requests several students and bodhisattvas to go and visit him, all of whom decline, however, saying that their skill in the dharma cannot be matched with Vimalakirti. Finally, Manjushri, the bodhisattva of wisdom, goes to the house of Vimalakirti along with a retinue of several hundred disciples. The vast majority of the scripture is composed of the dialogues that occur between Vimalakirti and Manjushri, as well as with the disciples and bodhisattvas. Finally, the entire retinue (Vimalakirti included) return to the Buddha, who delivers a final section to the discourse. Many famous incidents in Buddhist lore occur in this sutra: the exchange between Shariputra and the Goddess, the chapter concerning the Dharma Gate of Nonduality, Vimalakirti's explanation of the cause of his sickness, etc. To any Buddhist practitioner, particularly those of Vajrayana Buddhism and Zen, this sutra is of the utmost importance. The only two major translations available in English are those of Thurman and Burton Watson. Thurman's translation, however, is the better of the two, rendering in clear, poetic English the difficult doctrines of the Mahayana. His notes provide excellent insight into the historical relations of the Sutra, and its importance to Tibetan Buddhism, as well as to Chinese Buddhism. Highly, highly recommended.

This is the Vimilikirtisastra, a Mahayana treatise that deals with nonduality. What this means is that the construct of the Therevada (or Hinayana-- meaning devotional Buddhism) is replaced by something other-- larger-- (from Sanskrit little vehicle to larger vehicle).

What does this mean to you? You have a book here in which all of the paired items (good/bad, monk/layperson, holy/inholy) start to be broken down. Buddhism becomes 'purer' through being less pure, more people are offered the ability to have salvation...

More than that, this is a fun read that can be gone through multiple times-- which will be necessary if you want to fully grasp all that this book says. It will alter your conception of what the Dharma is, or introduce you to one if you're just beginning to learn about it.

I would suggest, though, that you have some background in the Therevada stuff before you start-- otherwise this book would kind of be pointless: excepting that parts of it are amusing. Prof. Thurman has a knack for translation...

I flew with the men of the 1/9 for more than 2 years. Soldiers like Lurch, Lofton, the Saint, Poxon, Jones, Thomas, Burrows, Brennan, ...the list goes on and on. Their integrity was never questioned, their courage was matched only by their determination. I consider even having my name mentioned in a book about these great soldiers my highest decoration. Perhaps Viet Nam was the end of an era where men fought by guts, determination and intelligence, and began the fight by computer (or remote control) era. Each soldier of the 1/9 has my deepest respect, they risked their lives daily and are the essence of the American ideal of soldiering. Wherever they are today, may God bless them. If we are ever involved in a major conflict again, and these kind of men aren't around, God help us all.

With the exception of a few errors this book is a must read for those who want to try to understand something about a very elite unit, the 9th Cavalry. I was in the Blues in 1966. I was a squad leader and the assistant platoon sgt. On occasion I was the platoon sgt. Never have I met a finer bunch of men who endured the trials of their home on the wire at night followed by running through the jungle the following day. I still wonder how we maintained ourselves, that is, staying awake on the wire and running the jungle. It was impossible to do what we did without sleep but we did it anyway. What the book describes between the Blues and the pilots is very true. We were united in a common goal. I think that goal was to destroy the enemy and go home alive. I personally know that when the lift pilots dropped us Blues on the ground they bided their time in agnony waiting for the call to saddle up and retrieve the Blues, and bring us home. This book describes how the pilots protected the Blues as much as humanly possible. Well done, Matt.

This is a great book that chronicals the experiences of an array of Vietnam Vets. My dad's story is in this book!

While not as good as "Brennans War", it's a great book.

Hunter-Killer Squadron stands alone as the finest book written on the helicopter war in Vietnam. Follow the 1st Cav's "Pink" teams as they decimate the NVA while incurring excruciating losses themselves. A "pink" team consisted of a (white) scout helicopter nosing around at treetop level, attempting to draw fire, invariably succeeding, covered by an orbiting (red) Cobra gunship. Once you read this, you'll understand what helicopter warfare was all about and the revolution it brought about in tactics. The book consists of 25 ancedotes from pilots, gunners and crew chiefs, every one a cliff-hanger. Other great Vietnam helo books: Crew Chief, Chickenhawk, Lest We Forget, and "Low Level Hell". And don't miss "Eyes of the Eagle" by Linderer.

A must read for anyone interested in Indonesia. Superb historical accounts, on the ground descriptions and skillful storytelling. A classic on my bookshelf! Students love it.

I consider this book as very interesting and easy to read. The author describe the situation in a way that you can feel the situation in a real way. it is a very interesting historic document of the Suharto dictator fall; very interesting for all the people who want to know what happened in this crucial days in the history of Indonesia.

This is a terrific book. The author was in Indonesia at the end of the 1990's, in what was obviously a very tumultuous time for that country. The book is divided into three sections, each of which deals with a different event. The first section deals with two trips that Parry made to the island of Borneo, which witnessed several episodes of ethnic conflict during the 1990s. The author was specifically drawn to the island because of reports that members of a particular ethnic group were not only being killed, but that they were being slaughtered in brutal, ritualistic fashion. Parry not only manages to find people who confirm these stories, but on his second trip to the island he actually sees more direct evidence of these atrocities. The second section of the book deals with the student protests that led to the downfall of Suharto. This was probably my favorite part of the book, because Parry provides such an outstanding analysis of the ideological underpinnings of Suharto's regime. I only wish that he would have discussed in greater detail the financial crash as well as the ensuing involvement of the IMF, as well as the anti-Chinese riots that took place throughout the country. The final section of the book details the author's stay in East Timor, including his meeting with an elusive pro-independence guerilla fighter and his harrowing stay in the UN compound after the independence referendum, when the pro-Indonesian militias were committing reprisal attacks with the blessing of the Indonesian military. Throughout the book Parry manages to infuse the narrative with an impressive sense of drama, such that it often reads like a novel. Parry realizes that he witnessed history in the making, and he does a good job of conveying to his readers the historical import of the events that he relates.

Excellent book, well-written and gripping for the most part. During the climax, I found myself unable to put it down -- something that doesn't usually happen with non-fiction. Spare prose and light touches of very British humor at certain points added to the reading "pleasure," if that's the right word for a work centering on horrific events.

I deduct a star for a bit of exaggeration over the climax. From the way it was built up, I thought Lloyd Parry had been involved in something truly horrific. Ultimately, I found his reaction very male and a bit irritating, rather overdone.

Overall, though, an excellent book. I hope he plans on writing more.

As an Indonesian that lived through the tumultous period covered in the book, I found Richard Parry's work to be very authoritative. He digs deep, more than just facts and statistics. Though not a picture that I want my homeland to be remembered by, I found this to be a must read.

This book is a great work of art, it shows the significance of India's contribution to the world of spirituality; spirituality at its pinnacle, not magic or the occult arts. Enlightenment, the greatest contribution of India to the world. It's a good book for any reader from any part of the world to read, easy reading and great illustrations.
Something not to miss out on.

India My Love is one book that shine out in my Osho collection. The very fact is that I been sometimes gifting this book to people who are fond of Osho Discourses. This book is a gem of Osho Insight and truly Indian vision because no other spiritual leader has so vividly introduced the Real India and the spiritual beliefs. Osho speaks of yogis, fakirs, buddhist monks, jain gurus and all about ancient India. This book is not only about stories of saints and osho transcript of talks but also has great illustrated pics alongwith snippets about mystical India. The Krishna tales and Atista are topics that create a lot of interest to read and the liberation goal of osho is defined as one read through these pages. Osho unfolds cultural and spiritual aspects of the golden past of India. A good & Must Read for an Osho Fan. Great Pick.

"The real India is a quest of the inner most soul of man - not the geography, nor the political history, but the inner journey. The journey of meditation is the real India. Mahavir represents it. Buddha represents it. Krishna, Christ and Nanak - they represent the real India. And I have the heritage of all of them and much more," declares Osho.

The very word "India" sounds differently to different people. Most of us may get an immediate view of images like one of these: a herd of skinny cows scattered all over a barren, over-gazed field; people lined-up to a remote water tap to fetch drinking water; trains and buses over crowded with people on its roof; naked yogis and sadhus in eye-unpleasant figures and shapes; etc, etc.

Osho, in this book, India My Love, takes us to a totally different pilgrimage of India: the India of enlightened mystics and of spiritually awakened people. Osho unfolds the golden past of India by picking one story at a time, and explaining it in light of its spiritual and cultural values. There is no doubt that Osho has been one of the most brilliant educators and storytellers of our time. The West has not fully recognized his teachings and legacy yet.

India My Love, on the one hand, samples the wisdom of Osho, unsurpassable by any, and on the other hand, provides with a glimpse of an India, rare and unknown to many, that has a continuum legacy of 5000 years-old search for the enlightenment during all phases of the Indian history.

If you have been to India, you have to read this book. You'll find the echo to bring you back to India. If you have not been to India, you have to read this book. It will bring you to India, the real India. Everyone has an inner yearning to go to India, at least once in your life time. Don't delay. Start the spiritual journey led by OSHO.

on telling you that the author was on of the two to three collaborators of Einstein (The others being Valentine Bargmann and Leopold Infeld) on Unified field theories.

It is a beautifully written account of the gravitational theory. The monster mind himself has written the foreword.

Peter was able to give examples which made the complex easier to understand. The edges of the first sections in a copy in the Caltech library were black from use. I was privileged to be a guinea pig for the first edition.

Don't know of a superior first exposure to relativity. It starts with elementary situations and examines the conflicts with pre-relativistic kinematical viewpoints. This motivates the requirements for special relativities' postulates and their immediate consequences.

From here, the more complex issues of special relativity are dealt with in an orderly fashion; e.g. rigid body dynamics, relativistic hydrodynamics and electromagnetic theory from a relatavistic point of view.

General tensor analysis is covered in a separate chapter for pursuing the general relativity chapters of the book. Incidentally, this chapter is among the most clear expositions on tensors out there.

Finally, general relativity is covered in the same stepwise fashion as was done in the special relativity chapters. The natural introduction of more complex ideas which start from basics is perhaps, the single reason why this book is a hard to beat introduction to relativity.

After a thorough digestion of Bergmann, one is ready to spring up to the next level, the masterful Weinberg.

This book describes the foundations of relativity in a clear and concise way. The development of tensor analysis is especially clear. It is great for anyone who has studied calculus, differential equations, and classical physics. I highly recommend it.

This book is one of the first introductions to the theory of relativity that has the endorsement of the discoverer of the theory. Albert Einstein was alive when the book was first published, and writes the foreward to the book. Individuals who want to learn relativity should still take a look at this book, in spite of the somewhat outdated mathematical notation. In more contemporary textbooks and monographs the physical intuition is usually sacrificed and replaced with mathematical formalism. But here the author puts the main emphasis on the physics behind the subject. It is one of the few books still in print that discusses the relativistic mechanics of mass points and continuous matter.

The reader will also get an overview of early approaches to unified field theories. Historians of science will be interested in particular with this discussion. It is amazing how much has changed in this area since this book was published in 1942. The advent of superstring and M-theory has given physicists a view of reality that is set on a mathematical structure that is quite formidable. It now takes years for a student to obtain the necessary mathematical background to reach the frontiers of unified theories. In this book, it only takes the reading of the first two parts to be able to understand the author's overview of unified field theories. Particular attention should be paid to the treatment of the gauge-invariant geometry of Hermann Weyl, because of its relevance to the construction of gauge theories in elementary particle physics. The geometry of Weyl is constructed using a symmetric tensor representing the gravitational field and a pseudovector that represents the vector potential. When a gauge transformation is applied to this vector potential, it changes by a gradient, which, as the author remarks, is the historical reason for calling the addition of a gradient to the electromagnetic vector potential a gauge transformation. In addition, variational principles play a role in this discussion, and these principles have wide applicability to the quantization of gauge theories in modern developments. The role played by adding extra dimensions to formulate a field theory is summarized here by the author in his discussion of five-dimensional field theories and Kaluza-Klein theories. Ten- and eleven-dimensional theories now dominate modern unified theories. It would be very interesting to know what the author and Einstein would have thought about the theories of today, entrenched as they are in the most complex mathematical constructions ever applied to physical theory.

"Merdeka Square" ("Freedom Square")

For the Western spies on the prowl in Jakarta, 1965 was the best of times and the worst of times. The political climate was as sordid as a Turkish steam bath and just as tricky to find your way about in. But there was real intelligence work to be done. The agents saw their task as saving Indonesia from the creeping Red menace. The country's Communist Party was Asia's largest outside China and was gaining influence over President Soekarno. His wavering threatened to destabilize an already shaky Southeast Asia as the Soviet Union's influence and investments in Indonesia soured, whilst China increased its hold on political life.

The West, alarmed by the growing communist influence in Asia, funded six assassination attempts against President Soekarno and, when these failed, coerced and bribed a group of generals to overthrow their charismatic leader. Secretly, Australia deployed its SAS along the Malay/Indonesian border and for three years these special forces troops penetrated deep into Indonesia, killing the Soviet backed enemy, the skies above protected by nuclear-armed British Vulcan bombers which flew regular, covert missions over Indonesia's densely populated cities.

Among the secret service agents watching these developments was Harry Bradshaw, whose sexual adventures land him in a Soviet entrapment. His protégé is Murray Stephenson, a trained ASIS agent whose position in the embassy provides a colorful background for the sinister, dangerous machinations and turmoil which brought President Soeharto to power, resulting in the slaughter of half a million Indonesians.

Based on fact, the story commences with Murray being recruited by the Secret Service and sent to Indonesia where he assimilates easily, reporting on student unrest as university campuses are infiltrated by communist elements. Handsome, young and fluent in Bahasa Indonesia, Murray's sexual exploits lead him into dangerous liaisons with influential Javanese women, one a member of the spiritualist sect, Subud, the other an active officer of the communist women's militia.

When Bradshaw is murdered by the Soviets, his replacement, the Melbourne based ASIS chief, obviously unfriendly to his predecessor's protégé, tragically creates an air of distrust amongst the Jakarta based agents. Murray becomes reluctant to pass all his intelligence findings back to Melbourne, confiding in the Military Attaché who accompanies the agent on his mission to save the life of the man who would become the Indonesian president for the next three decades.

This is the inside story to The Years of Living Dangerously. In 1965 as three different factions move to effect their coup d'etat against the ailing president, we find the Americans backing a group of generals whilst Murray is deeply involved in the intrigue surrounding the communists own plans to effect a takeover. Secretly, the West also supports a junior general by the name of Soeharto.

-2-
During the last days of September a list is given to the communists who sweep silently into Jakarta and commence their bloody coup. Six generals are captured and murdered, unwittingly clearing the way for Soeharto to assume power the following day. Tanks fill the capital as two hundred thousand troops swarm over the city, split loyalties spawning firefights throughout Jakarta which falls to the communists for less than one day. Soeharto's headquarters face the US embassy on Merdeka Square and it is here, alongside the national monument, that the young general makes his bold move. Within hours he recaptures the capital.

The Soviets move to shore up their own position, fearing that the West had effected the coup which would result in Indonesia turning from its Russian allies. The KGB First Secretary contacts anti-Soeharto army officers, who set about plotting to kill the pro-West, General Soeharto whose forces commence their campaign of slaughter across the nation, throwing the archipelago into civil war.

Murray's communist lover Yanti temporarily escapes the purge only to be captured, interrogated and executed. His other companion, the seductive Ade, has been reporting on Murray activities to the interim military regime that attempts to execute the Australian spy.

Traitorous military elements initiate a plot to kill Soeharto, foiled by Murray who manages to prevent the new leader's aircraft from taking off with the deadly bomb on board.

Murray returns to Melbourne and, disillusioned with the Secret Service, resigns.
As he leaves the building there is a curt exchange between him and the new ASIS chief, and the reader is introduced to Stephen Coleman, Murray's replacement who takes the story into the post coup period of corruption, murder and the amassing of incredible wealth as Indonesia leaps forward. The sequel is titled "The Timor Man".

If you like Tom Clancy you will love this book. Also if you have any interest in looking into the minds of the Indonesian government or military then this book is for you. Kerry Collison writes about a subject he lived not just something he read about in history books. The writing style is not the traditional American style, which gives the story more power. Kerry carries his readers along with his characters as if you were there. Great read I look forward to reading the second in the Trilogy.

I first read Merdeka Square and was surprised by the factual accounts contained in the book. However, Jakarta has more surprises in store for the reader, and anybody interested in Asia (or who has investments there) should put this in their reading list. Collison writes a gripping account of how business is (or used to be) done in Indonesia, and details the life of a very human hero,Murray Stephenson,who may very well be Asia's answer to Jack Ryan.

Jakarta is probably Collison's best book to date. His accounts of Indonesian politics, financial troubles, and social unrest happened to predict quite accurately events that transpired after the book was published. Collison obviously knows his primary subject (the people and government of Indonesia) and has done a meticulous job of researching everything else. It is also interesting to note that his description of two nuclear power plant near-misses is remarkably close to a recent event in Scotland.

Having lived and worked in Asia,with a number of years in Indonesia, Kerry Collison's books have not only given me substantial pleasure in his presentation of life in this giant archipelago, but has also provided me with a much deeper understanding of what makes these people tick. Move over Tom Clancy! We have a new author in town!

Stephen Addiss is, quite frankly, my hero. Any book he puts out combines in-depth knowledge, thorough (but accessible) scholarship, and a kind of keen commentary that reveals the experience of one who has had hands-on exposure with his subject matter. For example, another work of his entitled _77 Dances_ is an exceedingly beautiful collection of Japanese calligraphy, with mind-blowing commentary on every page.

The volume under consideration here ranks among one of Addiss' best. As a coffee table type art book, the print quality is superb, the proportions generous, and the colour detailing exquisite. Addiss has provided a comprehensive selection here of artists and subject matter: from Buddhist iconography, to woodblocks from Edo period ghost stories [kaidan], to the eroto-grotesque masters of the Meiji period, such as Kyôsai.

Far from simply compiling the pictures, Addiss provides brilliant detail and historical information, never flying off into punditry. He is an absolute model of clarity combined with research, making his work totally enjoyable to the non-specialist. Asian Studies PhDs out there, take note: you can publish books without losing yourself in a morass of insider cant.

I notice this book a lot on the selves of tattoo artists: obviously, the quality must be good if those who practice that craft trust it for deriving their stencils. I'm not into that scene myself: I think of this volume as providing the kind of illustrative detail, and sensory impressions, that Lafcadio Hearn could not have mustered in his time.

The subject matter detail includes a range of sources: religious, folkloric, theatrical (literary), and so forth. Addiss never condescends when describing the superstitions and spiritual practices associated with the personages.

That this book is out of print is a shame. I would say that, even at twice the price, it is will worth getting a hold of if you have an interest in the subject. It is *vastly* superior to the usual scruffy insights that travellers pass off as 'mysterious Japan'.

A great resource if you wish to get a better grasp of the many Japanese ghosts and supernatural elements which appear in woodblock prints. Well researched. I enjoyed it very much.

As the preface to "Japanese Ghosts and Demons" notes, this book is the fruit of interdisciplinary studies undertaken by the Spencer Museum of Art and the University of Kansas at Lawrence. And it is the results of just such an interdisciplinary approach that have lifted this book out of the realm of an ordinary exhibition catalogue and propelled it into the rarified ranks of an art history classic.

In historical terms, the focus of the book is the Edo period. This long (1615-1868) and peaceful period saw a concatenation of several important trends, including the perfection of the woodblock print, a democratization of art that--for the first time in Japan--served the masses, the rise of the kabuki theater, and a diffusion of popular literature and tales that often focused on the ghostly and the supernatural. The fusion of these trends was most clearly seen in the woodblock prints of Tsukioka Yoshitoshi, Utagawa Kunisada, and Ichiryusai Kuniyoshi, many of which are reproduced here. These three giants of the late woodblock period not only made a major contribution in documenting the theatrical and literary trends of the Edo period but also provided many of the visual models still employed in Japanese-style tattooing.

Apart from the rich feast of art presented in this book, "Japanese Ghosts and Demons" will nourish the souls of those interested more in the fields of anthropology and comparative religion. Even today, when Japan has emerged as one of the most technologically advanced nations on earth, fundamental cultural beliefs are still strongly informed by a sense of mutability. "Japanese Ghosts and Demons" makes an important contribution to explaining this phenomenon, in which the boundaries between the living and the dead, humankind and animals, the animate and the inanimate, and the sacred and profane are far more permeable than is believed to be the case in the modern West. Several thousand years ago, before the rise of the three great monotheistic religions, most of the world's societies believed in a universe more pregnant with magical possibilities, a type of universe that this book helps us better understand.

"Japanese Ghost and Demons" is something I really wish I could have been a part in making. A college with a fine collection of supernatural-themed Japanese art, in a variety of mediums, decides to offer an interdisciplinary study class with each group producing papers on a folklore theme, with supporting artwork from the collection. Brilliant.

Each of the chapters is incredibly insightful, providing a complete education on the topic. Along with the traditional subjects such as the Oni, Ghosts and Tengu, there are many less-often covered subjects such as Sennin: The Immortals of Taoism and Shoki the Demon Queller. I was particularly pleased to learn about Shoki, as I was browsing a print shop in Kyoto and was able to recognize the Demon Queller himself in a few prints.

The plates are, of course, beautiful, and cover an incredible range of medium, from the familiar prints to the drawings, paintings and netsuke carvings. The reproduction quality is high, and the size of the book is "coffee table" size, allowing for nice sized images. The majority of the plates are in full color.

As someone who has read quite a few books on Japanese supernatural folklore, I recommend "Japanese Ghosts and Demons" as one of the best. It would be hard to be disappointed by this treasure.

I almost hesitate to add a review since there are two other reviews here that do such a fine job. I actually attended the University of Kansas and was therefore able to visit the Spencer Museum of Art and see some of these works on display. I purchased my copy of this book at the museum and used it as part of my source material for a theses I wrote while matriculating at KU, so I am very familiar with this book.

This is a very, very impressive book with loads of gorgeously rendered and reproduced wood-block prints. If you like Japanese art you will wish to have this book simply to look at the pictures. My children actually like to get this book down and look at the pictures, half because it is truly amazing art and half because the art is focused on the creepy-crawly and supernatural. An element of Japanese culture and psychology is viscerally on display in these fine prints and it is easy to see that this form of art is the precursor to the Manga that is so popular today.

This book is much more than a simple visual display though. There is a wealth of information, meticulously researched, presented here on the creatures that make up the pantheon of the eerie and supernatural in medieval Japan. For serious students, or even those with a surfeit of Hobbits just wanting a better grounding in an alternate milieu of the supernatural, this is an excellent tome, well-written, easy-to-follow, and chock-full of information. Buy it for the pictures, buy it for the text, or buy it for both, you won't be disappointed.

Reviewed by Paige Lovitt for Reader Views (3/07)

"Japanese Yoga: the Way of Dynamic Meditation" introduces the form of Shin-shin-toitsu-do, which means "the way of mind and body unification." The author describes it as "the direct investigation of universal principles for living." He believes that we can transform our lives by following this practice. It was created by Dr. Nakamara Tempu, also a sensei, when he went to India in the early 1900's to study yoga. In developing Shin-shin-toistuo-do Dr. Tempu incorporated his knowledge of martial arts, western medicine and psychology, and healing into this form.

Shin-shin-toistu-do is different from Indian yoga. It uses a variety of stretching exercises, breathing methods, methods of seated and moving meditation, massage-like healing techniques, auto-suggestion techniques, and mind and body coordination drills. Included are also principles for the unification of the mind and body. This practice is very practical and can be used in our everyday life.

We are encouraged to use this practice because it will teach us to transcend our bodies and it places a higher importance on mental and physical health over material wealth. In reading and learning about this practice, I appreciated the humbleness of Mr. Davey. He encourages the reader to look inside ourselves to find truth, not at him.

I think that this is a great book for anyone interested in meditation and healing techniques. I think that people with a passion for the Japanese martial arts will really benefit from the training. It is in no way difficult to follow and Mr. Davey keeps it very interesting. He also provides resources to accessing instruction and supplies, and a glossary for quick reference.

My personal interests lie in Japanese martial arts and healing. I am pursuing my third degree black belt in karate and have been attuned to mastery level in Reiki. I was very excited to read "Japanese Yoga," because I felt that in addition to assisting me with my everyday life, it will also help me to achieve my next levels of training in the other art forms. Physically and mentally, I will benefit, especially as I feel myself physically aging. I also think that incorporating something new into my life will bring an additional excitement to my training.

One of the key principles of Japanese Yoga or shin-shin toitsu do is being and staying positive. When you stay positive, the ki or the energy starts to flow in you. When you turn negative, the ki stops flowing. It is as simple as that! H. E. Davey writes in a simple and most effective manner to instill in one this simple principle.

If you are practicing Yoga for some time, you will know that Yoga is not all postures. Living life to its maximum is yoga; letting that universal energy flow through you uninterrupted is yoga. The author writes about the teachings of his master - Nakamura sensei. While acknowledging the roots of Japanese Yoga lies in the ancient practice from India, Nakamura sensei went on to form the foundations of Japanese yoga through his own interpretations and experiences.

As with staying positive, concentration of the mind is a big part of the book. There are several exercises/techniques (candle gazing, listening to the fading of the ringing bells to eternity) explained in the book and how, with such exercises once can connect to the universal energy. The exercise with a pendant is a simple and profound way to illustrate the effects of the mind on the body. You will find the many gentle stretching and ki stimulating exercises easy to learn and practice. This is one of the yoga books that I could read through without the express need to 'know' the steps of postures, the sequences and combinations of different categories of postures, etc, etc.

I found the book to be simple and devoid of the numerous asanas that one needs to learn to 'practice' yoga. You need to read quite a bit of the book to get a sense of what Dynamic Meditation is. That's how this book is different. If Yoga were to be condensed into a two-page booklet readied for a crash course, then there wouldn't be so many books on the subject. Each author and each way of yoga uses a different and often unique way to get the message across. H. E. Davey speaks from his own experience and practice in writing this book and in it you will find a different and welcome way of practicing yoga. This book will be a unique addition to your Yoga library.

`Japanese Yoga' is comparatively an easy book to read and to follow. The author has a good gasp of Japanese culture and its philosophies. His explanations are relatively easy to follow. I think the paradox of Japanese is that they don't say much as most of their communication is through their actions and Davey has managed to explain many of demonstrated action into simple words. Although the book has fewer illustrations of yoga techniques which was rather disappointing but the explanation behind `Japanese Yoga' concept was well handled by the author. I will certainty recommend this book to any student who is keen to understand the basic principles and the source behind various exercises discussed in the book and those who are keen to understand the primary connection between the body and mind.

'Japanese Yoga' is a surprising book that affects your daily life from day one that you practice it.
The fact that i keep on practicing it everyday is a solid proof that the exercises are helpful in many ways.

The author H.E. DAVEY reveals in a clear and instructive way the teachings of NAKAMURA TEMPU SENSEI.
Both the psychological and spiritual background of his method are written in a down-to-earth way and without acting as a 'guru'.
Each of the principles has a PRACTICAL pendant as an exercise or test to make you really feel what is meant. In this way these principles are not mere assumptions, but become true and real, here and now.
For example : the principle that the mind moves and controls the body : the author includes several tests and exercises to make you find out for yourself what is meant.

The practice of Japanese Yoga has a lot to offer : stretching exercises, improvement of posture and breathing, centered movement, healing skills, meditation etc. These are not too difficult for most people, if practiced in the right frame of mind. And they are beneficial indeed.

The author suggests that there could follow a second volume of this book. i would be very pleased to read and learn more about Japanese Yoga.

H.E. Davey also wrote "Living the Japanese Arts and Ways", 45 paths to meditation and beauty. This volume
further explores the Japanese Ways (do) and is equally interesting and revealing. It looks at "body-and-mind-

unification" through the traditional crafts and arts of Japan.

If you're just interested in whether I liked this book or not, I'll get that out of the way first. I enjoyed this book and I expect to read it again in the near future.

I should mention, before discussing the contents, that this book is well-constructed. I like to read on airplanes and took this book on several short trips. It not only fits well into carryon luggage, but also withstands the rigors of travel and hotels extremely well.

This is not just a how-to type of book. Readers will not be overwhelmed by images of slim, svelte individuals in contortionist stances or situations. Rather, this book discusses the mental process of meditation. Any physical postures or exercises mentioned seem to be designed to facilitate the meditation process, not merely to lose weight or
fit in with the burgeoning yoga crowd.

I don't think there is any one good manner of addressing the mental processes, especially those of meditation. It is just too complicated an area. This author takes the approach of discussing some of the short-term goals of the incremental steps of his method, Shin-shin-toitsu-do, rather than ephemeral discussions of long-term, years-down-the-line goals. He
repeats important points, usually from different angles and perspectives. This approach can be heavy-handed and burdensome, if not done correctly.
Mr. Davey keeps his approach light. Just when it seems he is going to spoil things, he is off on another tangent that brings the reader back to the same goal.

I couldn't read this book in one sitting, although it is not a ponderous tome. I felt the need to break it into many short, educational readings. Sometimes just a snippet, sometimes reading longer. The material was presented in an easy manner, free of self-importance, yet not disrespectful. I know I probably didn't pick up all the important material
discussed, but I put it down with the feeling that I had found something that was important. I will read this book again, soon.

I ordered this book mainly because of my fascination with a blog by the same name. Here is a link to the blog "Japonisme" http://lotusgreenfotos.blogspot.com/ . I ordered my book "used, but in excellent condition". Its appearance is like any book that I have had for a few weeks. With 1105 illustrations and 432 large (10" x 12") pages I still haven't read it all.
The layout of the book really helps a novice like me to understand the influence of Japanese art on the West. Wonderful western images that capture the spirit of the Japonisme but don't copy them are abundantly reproduced in black and white and in color. Japanese images from gardens to tea bowls place no one technique over any other as long as the result is beautiful. Each wood block print is carefully calculated to achieve the most impact within a confined area. In all designs are based on nature, but don't replicate it.
I will be looking at this book for years, reading, looking at the illustrations and just enjoying it.

Exquisite book, most comprehensive I have seen on this subject. Worth ten times over the Amazon price!

This beautiful book really opened my mind to the influence that Japanese art had on the Impressionist movement. Some very interesting comparisons of woodblocks and the work of Van Gogh.....Wow...It had never occurred to me before & to see the works side by side is fascinating. I first found this book in the school library & kept borrowing it; such wonderful images.I decided I had to own a copy & made my first Amazon.com purchase. Great service, Amazon, thank you....so quick & efficient. This book is great value and very well illustrated. The text is extremely interesting and thought provoking.

For anyone interested in both Japanese Art and European Art at the turn of the last century, this book will become the most satisfying reference book in your collection.

"Japonisme" is the term used to describe the Victorian fascination with all things Japanese. Wichmann's book successfully demonstrates the influence of this fascination on the fine art of the era. Lavishly illustrated with over a thousand images, Wichmann's essays are informed both historically and artistically on the detailed ins and outs of the sharing of the two cultures of East and West. Topics include the Asian influence in composition, pictoral space, design, choice of material, and subject matter in the visual art and architechture of turn of the century fin de siecle Europe and America. Visual examples are given from a wealth of artists including Van Gogh, Manet, Cassatt, Whistler, Degas, Mucha, Klimt, the architechs Frank Lloyd Wright and Richard Neutra, and Japanese artists such as Hiroshige and Hokusai, just to name a few.

Being a visual artist from the west trained in the Western tradition and yet fascinated with Japanese fine art and in particular the tradition of ukiyo-e, discovering this book for me was like finding the holy grail, a book filled to the brim with stunning visual compromises between the traditions of East and West from which to take my own influences. Fantastic.

the title says it all - "The Japanese influence on Western art since 1858" --- details print making, textiles, jewelry design, ceramics and glass, home and garden, objects d'art and of course painting. Amazing, for example how much Van Gogh was influenced by Japanese art especially wood block prints and you will see examples of his art and Japanese art which he had access to "Theo and I have hundreds of Japanese prints in our collection..." --- I truly wish I could see an exhibition as put together as this book --- it is absolutely indepth, articulate, clear and consise and immense in scope. Weighs a ton and worth its weight in gold.

This is phenomenal book! There's a slight bit of difficulty with so many Indian names, which are unfamiliar to Western ears and a bit difficult to keep track of. My solution was to turn around when I finished the book and immediately re-read it. I was totally unaware that the Andaman and Nicobar Islands even existed until reading this book, and now I'm mad to see them for myself. The story of the destruction of these ancient tribes over the last 200 years is one of the saddest things you will ever read, and it makes you root even harder for those people on Sentinel Island, who have resisted all attempts at contact by the "civilized" world and are shooting Stone Age arrows at our airplanes when they fly over. Let's hope they're able to maintain their independence--

Madhusree Mukerjee's writing is so compelling I didn't want to stop reading. The historical background she relates is based on solid scholarly research, but the book should easily appeal to popular audiences. Readers will admire the author's persistence on her visits to the Andaman Islands in striving against bureaucratic resistance and other difficulties to search out, experience, and report on the current situations of the aboriginals.

In reading the book, I continually found myself, as the author did, identifying with the native peoples in their confrontations and interactions with the invading visitors, settlers and administrators. Mukerjee has an excellent way with words, including the manner in which she describes the many ironies and the bunglings by the governing bureaucracies. Regarding the resulting messes, she uses perfect imagery: "One could always blame the previous administration, a long line of pointing fingers fading into history."

It's unfortunate and sad how, over much of the world, so-called civilized outsiders continue to arrogantly and ignorantly devastate other lands and their inhabitants, intentionally, unintentionally, and through greed and indifference. Even though the facts recounted in the book eloquently speak for themselves, the manner in which Mukerjee frequently relates her own reactions and feelings on her visits seems entirely appropriate. Hopefully, this book will draw considerable attention, both in India and worldwide among concerned citizens and officials positions to influence policies.

The book is excellent, beautifully written, even poetic in places. The author describes the history of contact by the 'civilized world' with the people of this lost world on the Andaman Islands, a world about which I knew nothing. She uses an interesting novelistic device of weaving together past and current events to described the world of the Andamanese and of her trials and tribulations of trying to work through an uncooperative bureaucracy to meet the fascinating original inhabitants. The cast of characters is huge and includes historical figures from as far back as 1771 to people of today. The role of the author is that of compassionate observer. Ultimately the tale is sad; thoughout I kept asking, "What are we doing?".

Discussions of endangered peoples often invokes stories about Amazonian natives, Kalahari Bushmen, and Australian aborigines to name a few. The people of the Andaman and Nicobar islands are seldom mentioned however. Mukerjee does a great service to the indigenous people of these islands by exposing the destruction wrought upon them by modern intrusions.

The Andamanese and Nicobarese have lived in isolation from the modern world in the Bay of Bengal for thousands of years. They were portrayed in travelogues, including Marco Polo's, as ferocious, cannabilistic, and uncivilized to the highest degree. These impressions were often based not upon direct interaction but rather on distant observation of a unabashedly naked people with a hunter-gatherer culture. When actual interaction did occur primarily by the British, the Andamanese and Nicobarese were often ferociously defensive as can be expected when confronted by an imperialist power intent on conquering and also gathering human specimens to study and display on the mainland. Even in the face of these dangers, they attempted to maintain some peaceable interaction with their conquerors and displayed the great attributes of their cultures.

Mukerjee spent some time in the islands in an attempt to interact with the Great Andamanese, Onge, Jarawa, Nicobarese, and Sentinelese and in the process, has exposed the Indian government's wrongheaded and destructive policies toward these indigenous peoples. It is apparent that most Indian bureacrats in the islands are there to live the easy life and make a quick buck, and the few who desire to make change often are faced with insurmountable obstacles in their attempt to improve policy toward the natives. Mukerjee describes her subjects in affectionate detail, and her love for them and her sorrow for their plight are evident throughout the book. Her feelings for them culminates as she approaches the Sentinel Islands, home to possibly the most undisturbed culture on earth. As her boat nears the islands, she begins to regret her intrusion and thinks to herself "Please please please, let us not destroy this last haven."

Unfortunately, disease and war has wiped out most of the islands' population. Construction and deforestation is wiping out native habitats. The islanders are impotent to change the situation, and the Indian government will ultimately be responsible for protecting these vulnerable and beautiful people.

I highly recommend this book to anyone concerned with the disappearance of a people who have not been able to fight back and are quickly disappearing from our earth.

_The Land of Naked People_ by Madhusree Mukerjee is an interesting and informative account of one of the last stone age peoples in the world (or what is left of them), native peoples of the Andaman Islands, a archipelago located north of the Nicobar Islands in the Bay of Bengal in the Indian Ocean, a people that according to archaeologists, linguists, and geneticists have been isolated from the rest of the world for tens of thousands of years. Mukerjee interwove personal accounts of travels to the islands and interviews with government officials, researchers, activists, local residents, and the tribesmen themselves with vivid historical narratives of early contact situations, warfare with, and research on these aboriginal peoples.

The people of the Andamans, long known to Asian and European travelers, were feared for centuries as cannibals and headhunters. They were often referred to as "dog-people," as sub-human; in the nineteenth century some were displayed in the Calcutta zoo, where Bengali visitors took them to be descendents of the monkey god Hanuman, and as late as 1925 a paper published in _Man_, a journal of the Royal Anthropological Institute, defined the Andaman as a new species of human, _Homo mincopoeus_. Simultaneously intriguing and repulsing Arab, Chinese, and British travelers by their casual nudity (the natives wore virtually no clothing), ferocity towards outsiders (many of the historical accounts are of hostile first encounters and "punitive expeditions" against islanders), and their physical features that were more African than Asian, the islanders were little bothered for centuries, the islands mostly unsettled despite being located on major trade routes between India and China. Though outside civilization has become increasingly dominant in the last 200 years or so, there are still remote areas in the archipelago; the one hundred or so individuals who make the island of North Sentinel their home are still very much a stone age people (though many technically no longer use stone but rather work metal from nuts and bolts that wash up on their shores into arrowheads) who may be among the most isolated humans on earth (though how long they will stay isolated is a matter of some concern).

Mukerjee divided the Andaman islanders into four groups. About ten tribes (at one time during colonial times comprised of as many as 5,000-8,000 people) made up a group called the Great Andamanese, occupying most of the Great Andamans (the South, Middle, and North Andaman Islands) and several adjacent smaller islands. They were at war with the elusive Jarawa, a small group that numbered at one time as many as 600, a group that lived in the dense western forest of South Andaman. Seven hundred or so Onge tribal members lived on Little Andaman, a sizable island farther south, and a hundred Sentinelese lived on the eighteen square miles of North Sentinel off to the west.

The author painted a vivid picture of an interesting group of people. Though only distantly related to the Congo Pygmies, they were originally similar in many respects; they lived in dense, moist tropical forests in small bands, had peppercorn hair, painted their naked bodies with clay (a practice which the author discussed at length), used bows, arrows, and nets to obtain food, and had extraordinary botanical knowledge. Hunter-gatherers, they subsisted on a variety of plant products, fish, sea turtles (a favorite), dugongs (now virtually extinct in the islands), and a number of forest animals, the most favored of which was the wild boar, believed by some to have descended from the southern Chinese pig. The natives cared greatly for children; among the Great Andamanese it was considered a compliment and a mark of friendship if a married man, after paying a visit, asked his hosts to adopt one of their children; these parents would in turn not only visit frequently their own but adopt others. Several of the groups had taboos against killing certain creatures. The Great Andamanese for instance ruled that it was taboo to kill a certain spider, a type of beetle, two bird species, two fish species, a certain mollusk, and two types of trees. Cicada grubs were much coveted in several of the islands as food, but many were fearful of upsetting Biliku, the northeastern monsoon wind, whom the cicada was the child of; the islanders would be "silent as a mouse" during early morning and late evening singing of the cicadas, not doing any work or making any noise.

Unfortunately much of the book is about the very sad state of the Andaman Islanders. Massive, often illegal, deforestation, even in the protected tribal reserves, has resulted in huge erosion problems, silt runoff that has killed nearshore corals and local fisheries, and deprived the islanders of much food and shelter on every island but North Sentinel. Only 42 Great Andamanese remain, most of them alcoholics (a dependency on alcohol and other substances in the past deliberately encouraged by the authorities), suffering from malnutrition thanks to a diet largely of oil and starch, and many of the children fathered by the welfare staff who are supposed to care for them, Mukerjee documenting how the social workers sometimes took cruel advantage of them. The remaining 100 or so Onge are only a little better off. Disease in the past devastated the islanders and still thins their numbers to this day as they are a people without previous exposure to such illnesses as pneumonia, mumps, and even the common cold. The Jarawa are famous for their resistance, having fiercely fought logging and road construction in their forests, killing laborers and travelers as recently as 1998. Much feared, laborers required guards, police had to escort travelers on the road through their forest; one person told the author, if asked if he ever saw a Jarawa, replied, no, "To see is to die." Though there have been some reverses in favor of the Jarawa in the end it seems that they are doomed to be assimilated into Indian culture if they don't perish from disease and deforestation first.