Asia Books

Has just the right balance of the visual and the literal: gorgeous examples of Chinese art through the ages is seen accompanied by amazing textual information on the language of the animals, characters, numbers, etc. by a rare someone who is knowledgeable in both the worlds of Chinese art and Chinese history, philosophy and language. She writes clearly and the fascinating material holds the reader's interest, even if we may not know the Chinese language.
This book is well executed, a real treasure and a great introduction not only to Chinese art but art in general too, for everything Western artists have accomplished they learned first from the Chinese...

This is an excellent book. For anyone who has admired a painting on a Chinese vase, the carving on a Coromandel screen or even the costumes in a Chinese New Year's Day parade - and wondered about the significance or meaning of the flowers, animals, colours, symbols and everything else - you will find the answers in this beautifully organized, lavishly illustrated, comprehensive volume.

The book can be read cover-to-cover as specialized art and cultural history or opened anywhere for a fascinating glimpse into a fascinating civilization. The author brings an immense academic understanding to her subject and writes clearly, concisely, eloquently; although the book can be read by any enthusiast for things Chinese it will undoubtedly find a place on the scholar's reference bookshelf as well.

CHINESE ART tackles a complicated philosophical theme - the perception of a civilization through its imagery and designs - and succeeds wonderfully. A pleasure to read and to own, a remarkable achievement, and probably definitive. Five stars.

Patricia Welsh turns, what at first glance could be considered a dry and dull subject, into an adventure of discovery. Alongside her obvious expertise and deep academic appreciation of her subject the writer has created a reference book where ideas are beautifully expressed in a clear, easy to read style. The result borders on what can only be described as academic story telling clearly indicating the extraordinary skill of the author. At no time is the reader left in any doubt that this is a work of true substance.

This book has the ability to enthral as it subtly draws the reader in, to the point where each page is a compulsive read. This scholarly work is a treasure trove of amazing facts and figures to explain how Chinese design is a vehicle for communicating specific messages, some simple, some complex metaphors or puns. The culture and language are effectively related to history and symbols in a compelling way.

All in all a first class reference book which surprisingly happens to be a good read into the bargain.

Having long relied on auction catalogue descriptions and explanations only to find them often less than substantive (and sometimes just plain wrong), I have been looking for a good reference book that identifies the scenes and objects seen on the Chinese furniture, scrolls, carvings and screens I have inherited and collected. This book does it. Its well organized by subject matter (women, men, children, plants, flowers, fish, etc.); the explanations are brief but robust, and the footnotes at the end of each chapter hidden with little gems of stories, additional more esoteric information, or advice on where to turn for more information on the subject. It's also loaded with great reference pictures. I've bought additional copies for collector friends and highly recommend this book as a basic reference guide that should be in every Asian art collector's library.

In the 20 years that I've been studying and enjoying Chinese culture, I have not come across a book that so comprehensively decodes the symbolism that permeates Chinese art. In 288 meticulously researched and beautifully illustrated pages, Ms. Welch precisely and clearly unlocks the meaning that imbues Chinese art.
What this book reveals so eloquently is just how tightly interwoven visual symbols are with the Chinese language. Ms. Welch opens up the book with an excellent primer on Chinese art symbolism, explaining how Chinese art 'contains a whole code of symbols...based on the similarities of an object's attributes to another object (metaphor), while others are a play on a word's pronunciation (a pun or rebus).' The book is organized into 4 major sections, and 17 chapters, all indexed clearly and concisely at the front of the book, making the task of finding just what you're looking for all that much easier.
Like the Chinese language itself, visual symbols in Chinese art can be mixed and matched in countless ways. Explanations of the symbolic meaning underlying Chinese art become a lesson on the power and beauty of the Chinese language. While it won't get the novice learner of Mandarin up and running on the streets of Shanghai - and that clearly is not its intent - the book does equip the reader with the linguistic foundation for understanding and appreciating Chinese art - and by way of that, Chinese culture more broadly. This book is like the Rosetta Stone of Chinese culture.
The illustrations and photos are very well done throughout. This would make an excellent reference for the serious scholar of Chinese art and culture, or just a beautiful 'coffee table book' that you can dip in and out of at home. For the person who 'has it all', it would also make for an impressive and memorable gift.

Glantz's book is a must read for any serious student of the Eastern Front in World War II. While it may be long and dry, it covers the Soviet Army at an important time in the war. It is not a book for those who are new to the conflict. Glantz covers it all, so if you want to understand how the Red Army beat the German Army, this is one you have to read.

David Glantz may not write in the most exciting way or use tons of hyperbole or focus alot on the human facet of his stories on the Russo-German war, however as far as wealth of information on the Soviet side of things go there is no one better equipped in the western world to write about The Great Patriotic War. His access to Soviet military information is unprecedented and his attention to detail of the military operations second to none. When I first began reading Glantz's tomes on the war I had preconceived notions about this conflict. If Hitler had stayed on course for Moscow after the battle of Smolensk, if he had not split Operation Blau into a Stalingrad and a Caucauses dual front and kept those troops together for a concerted drive to the Volga, if Barbarossa had been launched in May instead of late June, if the Rasputista and bitter Russian winter had not intervened, if if if. And i truly believed Hitler could and should have won this war. After starting on Glantz's books around the year 2000 or so, and truly realizing the awesome potential in manpower and equipment the Soviets had, and realizing in these readings how unprepared materially and logistically the Germans were to fight this war my whole mindset has changed. I believe even if the Germans had taken Moscow Russia would still have won this war. Other then the Germans developing atomic weapons before anyone I have radically altered my view on Germany's chances here. The Soviet Union was destined to win this war no matter what the cost. Barbarossa more then anything else, was Hitler's greatest mistake in the war. I owe this new view to the works of David Glantz. His information is incredible, his summaries superlative, his conclusions inescapable. Dry and technical it may be, but for my money there is no better writer on The Great Patriotic War then David Glantz. Remember, Germany lost the war and 90 percent of her casualties on the Eastern front. Remember, the Soviet Union lost 27 million dead and most of her agricultural and economic bases and STILL won this war. She probably could have done so, although at even greater cost, without a second front in Italy in 1943, and in France in 1944. The Russian contribution to World War II must not be downplayed in the west. The war against Germany was primarily a Russian one, and David Glantz deserves accolades for being one of very few western writers to acknowledge this fact.

So, this is something that's only for professionals and hardcore fanatics, but it is highly recommended for them. It contains everything you ever wanted to know about the Red Army between 1941-43, and even more.

OK, nothing's perfect (5 stars means it's as perfect as it could be in our imperfect world), I can tell you one complaint. At one point he claims that command turbulance wasn't that bad even during Barbarossa. He cites statistics. But what I would've needed is some comparison. It's fine to know that less than X% of certain types of commanders were relieved of command, but it would've been nice to read some comparison: how was it with other armies... Without those, the data just hang in the air... (There were a few similar points - it's not much in a book well over 600 pages. So I still give it the 5 stars.)

Glantz does his usual excellent job on the Soviet military in World War II. He covers the campaigns, and the structure and development of the red army during the early part of the war. Separating much of the formation, commander and OoB material into the companion volume is actually a plus. Both volumes are easier to handle becuase of the size and it is easier to use two books to cross reference material.

Although hundreds of histories of Soviet-German war have been published in the last decade or so, they have for the most part either focused on large-scale operations, told the story from a predominantly German perspective, or, most likely, done both. Another unfortunate result of this has been the number of revisionist works, in some degree or another based on Viktor Suvorov's Icebreaker. In part this was out of necessity due to a a number of factors, including the lack of access to former Soviet archives as well as the repression of histories deemed embarrassing to important wartime heroes. David Glantz has once again answered this dearth of reliable Soviet-perspective war history with his newest volume Colossus Reborn. Using a massive number or Soviet primary sources he has written the comprehensive history of the Soviet-German war.

Glantz' book is divided into three parts to tell this story. The first is a chronological discussion of the first 30 months of war, subdivided into the initial period, which covers the war up to the Soviet counteroffensive at Stalingrad and then the second period, which covers the remaining 12 months. This first part of the book not only discusses the conventional view of the war but also clearly exposes the many Soviet operations that have lay hidden in virtual obscurity since war's end. Glantz also does a fine job showing how the Soviet-German war affected the course of WWII in general. Perhaps out of necessity this part of the book is rather concise. In any case it is still eye opening to have the vast number of counterstrokes, counteroffensives and strategic offensives laid out as they are here. As he himself points out, prior histories of the war have led to an almost constant and simplistic portrayal of operations as smooth periods of Wehrmacht offensives in the summer and Soviet offensives in the winter. He also clearly dispels the myth that the Red Army was simply along for the ride after the surprise attack and shows how Stalin and the Stavka repeatedly during the initial period of war attempted to organize counterstrokes as well as full counteroffensives.

Part two of the book is a very thorough look into the force structure of the Soviet army. This section is as comprehensive as one could possible ask for and retain a modicum of readability. Even as such, it is certainly the most difficult section to work through as it is basically a detailed look into how every aspect of the Soviet forces were reorganized from Front down to battalions in some instances. As such is feels at times to be comprised of endless tables of organization. This should not be overstated however, as this type of attention to detail is what most readers of Glantz have come to expect. Furthermore, it is this level of detail that sets him apart from most other widely published WWII historians. He does not simply explain to the reader that a particular type of unit was employed in a particular defensive or offensive action. He thoroughly explains how that type of unit came to be and gives the prior organization of similar units and why they failed to work.

Part three is a thorough analysis of the leaders of the Red Army and those that they led. The first subsection is broken up primarily into mini biographies of every major general, commanding every Front, Army, and Corps and all of their variants. It does so and gives a very interesting breakdown and percentages by year of the surviving and thriving general staff as well as command failures and traitors. Glantz then gives a very enlightening look into the soviet soldiers; who they were (ethnicity and gender are investigated here) how they survived, why they fought and what methods were used to keep them toeing the line, particularly after the hideous and demoralizing losses of the first six months. This section is probably the most readable of the three and is a very well written look into the human aspects of the war.

Finally, Glantz has once again written a history of the Soviet-German war that is groundbreaking, to say the least. Using sources that only he seems to be able to gain access to, he has delved more comprehensively into the factors that allowed the Red Army to first survive and eventually defeat Hitler's Wehrmacht, than anyone else before him. Yes, this volume reads quite dryly at times and the tables of organization can seem daunting but it must clearly be understood from the beginning that this is not a book for the casual history reader by any stretch. This book is meant for the dedicated historian of the Soviet-German war-those who need more than a basic overview of the military operations and geopolitical ramifications of the war. With all that said the only weakness that this book has are some instances of sloppy writing and subsequent poor editing. At times-particularly in Part I-this poor editing is truly frustrating and frequent. For the most part though, this is never more than a minor irritation. As a whole Glantz can, once again, be said to be the undisputed master of Soviet-German war history.

This book is set about 200 years after the events described in the diaries of Sei Shonagon and Lady Murasaki (and tale of Genji), however, this memoir reveals a world fossilised, doing it's very best to imitate the 'elegant' world shown in Lady Murasaki's masterwork Tale of Genji. What comes across is a very conservative society, and if you weren't told the dates of the events taking place you would believe they were set in the 10th or 11th century.

The writer of this memoir is a very independant and sensual woman - who took her lovers regardless of the consequences. The second half of the memoir details her travels around Japan's sacred shrines as a nun later in life. Lady Nijo constantly finds on her travels that the world outside Hein-Kyoto has changed since the days the poems she learnt at court as description of Japan's famous sights were written. Some of the old 'famous' sights have gone and she finds new ones to fill their hole.

If you've an interest in these old Japanese diaries and memoirs, this should be added to your list. It's a later, and lesser known book, but worth the effort of reading.

This is a moving and remarkable autobiography.
First, there is the quality of the writing itself, full of beautiful short poems ('A hidden love and tears/enough to form a river-/were there a shoal of meeting/I would drown this self of mine'), comparisons ('my years had passed as quickly as a racing horse glimpsed through a crack') or metaphors ('life is more fleeting than a dream within a dream').
It confirms Lady Nijo's saying that 'the most important accomplishment for a beautiful woman is the ability to write poetry'.

Secondly, there is the extraordinary eventful itinerary of Lady Nijo emotionally as well as physically.
Emotionally, she cannot forget her father ('I shed tears of longing when I recall the care my father gave me') or her first lover at the age of 14 (the Emperor).
Physically, she gives birth before her 18th birthday to two children from different fathers and in her later life struggles for survival.

Thirdly, it gives an interesting look at court life in this period: drinking, singing, playing music, competition between the concubines and promiscuity showing general human characteristics ('She complains that I am treating you as an empress' or 'This road is too easy to be interesting').
But this book also paints aspects of commom life: the fact that many children are taken away from their parents, religious customs or prostitution.

Fourth, it gives a general impression of the importance of religion and psychology: the mighty influence of the karma principle ('I am convinced that this unbearable passion is simply the working out of some karma from the past') and the importance of dreams ('I just dreamed that I turned into a mandarin duck and entered your body').

The overall tone is melancholic ('No matter how many tints the autumn leaves reveal, once the wind rises they do not last long').

K. Brazell's translation as well as her notes are excellent. I would have prefered an afterword instead of an introduction which reveals already the fate of the author.

This is a truly moving tale, not only for Japanese scholars.

How can it be enjoyable to read a biography of someone who lived in the royal compound of the late Kamakura emperors of Japan? That time is so different from modern times, and the Japanese cultures is ineffably foreign to most of us. Yet Lady Nijo's "confessions" or autobiography is so ably translated by Karen Brazell that this book reads as if it were a character in Clavell's "Shogun" coming to life and discussing her private life (though "Shogun" is of course set in a different time period in Japanese history.)

The Kamakura court had almost a pathological nostalgia for the Heian imperial era, and the court structured every detail of custom and behavior to reproduce the glories of the past. Lady Nijo is brought into court at age 14 on the wishes of the emperor, who essentially makes her a concubine. She takes part in court life for many years but, since her father passes away and her relatives are few, she lacks the behind-the-scenes influence that would be needed to elevate her to empress. Thus she never marries and even has a number of outside affairs, strangely tolerated by the emperor.

We see these events dimly as if through a silk veil. Nijo, which is not even the lady's name but is a designation of where she lives, tells us of affairs, of being in and out of favor in court only in oblique comments. But we get detailed scenes of entertainments, poetry contests, clothing and a sense for the playfulness and utter uselessness of the Japanese aristocracy of the era.

Eventually, Nijo is mysteriously banned from court (she protests she does not know why, but we certainly can guess who is behind it all) and she becomes a Buddhist nun. This gives her the freedom to travel widely, and she does so, more than a woman of that time might ordinarily be able to do.

This autobiography is so readable and gives such insight into the Kamakura era that I'd recommend it to any student of Asian history, but I'd also recommend it to anyone who enjoyed either "The Tales of Genji" or even "Shogun." The translation is so wonderful that this ancient story reads like a modern novel.

For such an intresting book its extraordinary so few people have left a review. Anyways, much of the court we see in the novel through lady nijo's eyes is truely fossilized as one reviewer said before, they even go so far as to try and copy musical concerts after those written about in Genji, and theres a great many allusions in the narrative to the tale of genji. The diary itself is extremely enjoyable to read, poigant at times, as for instance when she runs after Gofukakusa's funeral procession barefoot down the street until she loses sight of them. Other times its extremely funny, Im pretty sure Sei Shonogon mentioned the holiday where the women get slapped with sticks, the same was true with Lady Nijo, except she got revenge on the retired emperor by sectioning off the halls and setting up other ladies to keep an eye out for him, when he comes, they descend and all start whacking him with these sticks for revenge. after that there was a huge uproar withen the court that the women actually smacked royalty around. Overall Lady Nijo is very real, and very human in her writing, it makes for an intresting literary and historical read of the Kamekura age. One thing i personally enjoyed was that Lady Nijo was not as vain and condescending as Sei Shonagon, for instance when shes a travelling nun, Nijo actually speaks with commoners, ex-prostitutes, etc etc.

Nijo's autobiography is another wonderful chapter in the literature of Japanese classics. And, like all true classics, it paints a picture very much like some women of today.

The book is not organized as a story, or even as a particularly strong description of events. Instead, it's a first-hand description of moments that roused especially strong feelings, positive or negative. Nijo (not her born name, but the only name that has come down to us) wrote this book late in life, so the literal truth of events often seems layered under decades of nostalgia. The first passage, for example, takes pains to draw a teenage girl, tearful during her first nights in the emperor's bedroom. 'The lady doth protest too much' - that is about the last time we see her hesitate in accepting a man's overnight company.

After her heyday in court society, Nijo retreats and finally takes vows as a nun. She takes the robes and duties of nun in full, but her thoughts never settle into that role. I don't mean to say that she in insincere. Still, a part of her never lets go of the happy times in court. Although she carries out her religious duties, she keeps coming back for another look at the people and rites she loved. Gradually, the people from her youth move away and pass away. The court was all she knew; in the end she doesn't know even that any more. It's like the woman whose greatest day was being prom queen. Now in her forties, she lives by remembering a time and place that doesn't remember her.

Nijo conveys a pervading shallowness. She spends more time describing some outfits than the children she bears. She could have moved closer to the inner imperial circles; the retired emperor publicly acknowledged her first-born as his scion. Nijo never had aspirations so high, or never realized what could have been open to her. She was content for the child to be brought up elsewhere while her life drifted on as before.

The irony of the final sentence may be the happiest moment in the book. "... I have been writing this useless account - though I doubt it will long survive me." It has survived nearly seven hundred years. There is no real point to this book, but that is part of its charm. It is just a look at one woman's world and at the woman herself.

National Living Treasure Kokan Nagayama's "Connoisseur's Book of Japanese Swords" is one of the definitive references on Japanese swords (nihonto) available in English translation. I bought it after either purchasing or familiarizing myself with several other essential, but much more basic tomes such as John Yumoto's "The Samurai Sword: A Handbook," Kazan Sato's "The Japanese Sword: A Comprehensive Guide," and Kapp and Yoshihara's "The Craft of the Japanese Sword." Each of these books has a niche, along with relative strengths and weaknesses (e.g., Yumoto's book is but a brief overview with crude hand illustrations, Kapp & Yoshihara focus on a general overview of forging, etc.) such that those seriously entering the world of nihonto would be well-served to collect them all (after all, all of these books together are going to cost a infinitesimal fraction of the cost of a nihonto and will therefore be a sound investment).

The stated intent of the Connosieur's Book is to arm the novice with a beginning understanding of the types of things that one would need to learn about kantei, the art of nihonto appraisal. Having said that, the level of detail here is far beyond that found in most other introductory books about nihonto for novices, and probably more than the casual fan of "samurai swords" would benefit from. The book is really designed as a reference and includes considerable detail. It does a nice job of going through major and subtle differences of nihonto through different eras and schools of sword-making, along with a brief historical context to explain changes and influences. It likewise gives an illustrated reference to variations in sugata (shape), design (sori, mune, shinogi), hamon (hardened edge), nakago (tang), kissaki (tip), hada (steel grain), horimono (engravings) and the like. There are no photos, but there are ample oshigata-style illustrations showing the subtlest variations to match with the text. Significant detail is included listing various schools of forging and individual smiths -- all of which are essential building blocks for kantei. There's also an appendix on inspection etiquette, charts organizing smiths and characteristics of their blades, and a glossary.

It's therefore a fine reference, from one of Japan's leading authorities, but as with the other books of the genre, there are strengths and limitations. The strong point of this text is its encyclopedic detail along with decent organization and illustrations. I picked this book up hoping to learn more (having read the other books, taken a course in forging of Japanese swords, and training in Japanese swordsmanship) about differences in major traditions of swordmaking. The book helps to explain that, but perhaps not in the clearest way. As but one simple example, Nagayama Sensei writes, "Swords of the Shoshu tradition typically have abundant ji-nie as well as chikei in the ji, and a hamon consisting of nie with vigorous activity such as kinsuji and inazuma." The Japanese terms can be cross-referenced elsewhere in the book, but they are presented individually and piecemeal, such that it can often be hard for the novice reader to get any kind of clear overall mental picture of the subtleties referred to in the text (e.g. what does it really mean that the nie is 'abundant' or 'vigorous?'). So what is missing? More illustrations of entire swords (and at least some photos) could be of use, along with side-by-side comparisons to understand the relative differences between styles (e.g. here is a typical Bizen, here is a typical Shoshu and here's how they're different), or maybe a few examples of swords in which the reader is taken through the process of kantei.

Of course, there is only so much you can teach in a book... you can't very well expect to read a manual on swordsmanship, car repair, or reading EKG's and then get right to it -- rather the manual gives you an overview, you then take up the practice, and later you go back to the book for reference. So it is here -- I seriously doubt the book would be very helpful for those who don't plan to earnestly start collecting nihonto and studying kantei, and in fact the level of detail and complexity might very well turn some away. But for those looking for "the next level" of reference after Yumoto or Sato, this book is a good start to learn and refer back to as you then track down, join, and attend your local Token-Kai. It's probably one of the best English language references, but it's not a tutorial or class-in-a-book nor does it claim to be.

This book is essential for all that want to take a closer and deep knowledge on japanese swords. Complete and easy to use.

This book must be the most informative (almost too much) but easy (as possible considering the subject) to read book I have ever owned. It really does have everything you need to know if you are thinking about purchasing a sword. I live in Japan, and when I showed my book to the shop owner I am friends with he was very impressed. Even with a language barrier we were able to communicate about certain features of swords that he was selling in his shop. A must buy if you have any interest on the subject.

This book contains more info than one could even imagine! In fact, that's all I'm going to say becuase it would take to long for me to even give you even a basic idea! I will tell you this: If you don't have this book in your library then you are missing out big time!!!!! Oh, by the way, the illustrations are awesome too!!!!

Enjoy and make sure that you have a weekend free to read.... you'll need it ;-)

I'm not really into sword collecting, but I nonetheless found
this book to be fascinating. Two-thirds of it is pure reference
material related to particular sword makers and that part would be
invaluable to collectors, but it is not of general interest. The
descriptions of the history of swordmaking and the attributes of
the craftsmanship, however, stands on its own as interesting reading.
One comes away with a much greater appreciation of the art form.

Dancing in Shadows combines politics with personality. Benny Widyono creates a dynamic read in this memoir of the heady days following the collapse of the Khmer Rouge regime in Cambodia. All of the personalities and conflicting loyalties that make themselves known when the whole world comes to town (ie. UN) are in evidence here. What could be a dry record of past events is much tastier with Ambassador Widyono's wit and honesty. A must read for anyone interested in S. E. Asia.

As a undergraduate student of Cambodian history, this book was a personal must-read. Surprisingly, it isn't your typical dry historical accounting, it reads quite suspenseful at times, and one gets the feeling of being in Widyono's shoes, experiencing firsthand the lively political intrigues pitting together three powerful (yet flawed and insecure) personalities -- Sihanouk, Ranarridh, and Hun Sen. This book could very well be the definitive reference source for this under-reported and misunderstood period in Cambodian history.

Dr. Widyono gives us an insider's view into the complexities, suffering and political bargaining that transformed Cambodia. Through his book, we can now see what REALLY went on without the guise of political partisanship and propaganda. Although at the time, Dr. Widyono was a member of the UN transitional team and later a special envoy to the Secretary General, he spares no criticism of the UN operation. His account of the battle for power in Cambodia, the eventual peace process and its repercussions certainly is timely and offers lessons for today.

Rarely does an insider to a critical period in a nation's history describe the players and events so unabashedly. Dr. Widyono has provided readers with a bird's eye view of events that does not gloss over or curry favor with any group or individuals. He writes honestly and often amusingly about his life and work during this tumultuous period in Cambodia's history.

This is Benny Widyono's engaging memoir of his five years in Cambodia, first as a senior official in the UN Transitional Authority (UNTAC), responsible for the Province of Siem Reap, and later as the Personal Representative of the Secretary General after the new Royal Government was formed. Widyono's analysis of the flawed preparations for Cambodia's first modern elections is fresh and well-documented. Less dramatic, but no less important, was his role, along with the diplomatic corps in Phnom Penh, in monitoring and sometimes influencing the efforts of Cambodia to maintain a fractious coalition -- only to see it come apart in 1997. This is an engrossing read, especially for those who already know a little about Cambodia's recent history. For the beginner, it features an detailed chronology and an excellent bibliography.

I had the privilege and honor of knowing Larry Bell and his family so I have to admit that I may have a bias toward the positive, but I agree with the other reviewers that this is an outstanding book that is hard to put down and I highly recommend it.

No matter what side of the debate you were on over the Vietnam War this book gives you a unique insight into what goes on behind the scenes in covert operations. The author takes the reader through the whole range of emotions that for me ultimately concluded with a sense of pride for our country.

This book will be of particular interest to anyone who served in the US military or covert operations during these turbulent times.

Sadly, Larry passed away in September 2007, but this book will live on as a testament and a tribute to those who served.

Semper Fi Marine!

This was a real page turner. Just when you thought things couldn't get worse, they did. A big salute to Mr. Bell. He is a REAL hero. Everyone needs to read this book. I now feel I have a real understanding of the CIA. I also have a much better understanding of the Vietnam War. I hope he sells a million copies.

Dead Horses in the Sun written by Larry Bell is an enthralling story. From Chapter One to the end the reader begins an astonishing trip from the dramatic ending of South Vietnam back to the very beginning for the author and his military time in deepest Africa. The next two chapters provide funny, and exciting episodes and escapades that include; two riots, a flag stealing and shooting incidents, to participation in the indentification and capture of an East German agent-right in the American embassy! Mr Bell continues the story by describing his training as a CIA agent in Washington, D.C. Which was followed by his eventual assignment to South Vietnam.

Upon arriving in Vietnam the excitement and drama escalate to a fever pitch as Mr. Bell goes from paramilitary operation to another to interrogating defectors and prisoners of war to reveal astounding penetration of the South Vietnamese military intelligence service by a long-time Viet Cong agent. Teamed with his Vietnamese interpreter he develops two operations; the capture of over three million in communist liberation funds to the recruitment of a high level communist.

The book continues with the conversion of the author from a career employee to a contract agent to handle the communist agent. He lived in Vietnam for a total of seven years. With five years in an undercover status, moving from the northern city of Danang down the coast to eventually remaining in Saigon.

Departing only one week before the end of Vietnam Mr. Bell lived an fought in a country he had come to love only to see it all dissolve before his eyes. Very highly recommended reading.

Some of us wore Uniforms as soldiers, and some of us did not. This exciting autobiographical book shows us the
"other side" of operations during the ten years of conflict in South Vietnam. The side of United States involvement that
did not make the evening news on a regular basis. When read, the reader will have a better understanding and an
insight into the day to day workings of the CIA that is not usually disclosed i.e: They are Human beings after all!
Having walked the same ground in South Vietnam myself in many of the cities and towns described in this book for 27
months, I can tell you that this book is the real deal!
Author, Larry Bell has done an outstanding job of letting us see the other side of the war in Vietnam. The reader will
have great difficulty putting it down.
This book carries the highest rating from The Military Advisor.

This book was recommended strongly by a friend, and I can
honestly say it's the first time her recommendation was great!
Mr. Bell has projected his life to the public during an exciting
time for him and made it very exciting and entertaining. He
projects himself in a modest fashion in very, very serious situations and it is quite evident his bravery was at a high level thoughout his time in the Congo and Vietnam. His breathtaking description of riots in the Congo had my heart
bounding! Later in South Vietnam he continues describing events
that happen one after another in rapid sequence that makes the
book move rapidly.
As a historically-oriented woman I thoroughly enjoyed his book
since his story is only peppered with necessary abbreviations,
military nomanclature and intelligence 'language'. By keeping
this information to a minimum he continues the story line with
little distraction to the "flow" of his telling the story.
My father read the book at my urging since he is a Vietnam
veteran and he later told me he had read it in one sitting since
he could not put it down. So this review is for two people who
have read Dead Horses in the Sun and highly recommend it!!
I'm only hoping our present CIA continues to have dedicated
employees like Mr. Bell due to our fight in Iraq and against
terrorist worldwide - we need them.

This is an infinitely useful collection of primary sources. Any student of this period should have this on their bookshelf - they will get much more than the $23.10 worth of use.

The editor does a good job of including the best arguments of both sides and does not taint the actual debate with modern biases.

Love the book! Been looking for these debates for years. It's nice to learn the behind-the-scenes arguments for and against the Constitution. Also nice to know that partisan bickering is not new.

I've gathered other collections (i.e., The Federalist Paper, Constitutional Debates) over the years, but this collection (along with Volume 2) is by far the most comprehensive yet affordable collection to date. Given the fact Bernard Bailyn compiled the contents and wrote the background material, the reader can rest assured that a distinguished historian is behind these endeavors. Bailyn's commitment to detail and analysis of primary sources has always been one of his hallmarks. He continues that commitment in these two volumes.

There is more material here than the average person probably ever knew existed regarding the constitutional debates. Letters, newspaper articles, formal treatises, and speeches all provide the documentation. Bailyn wants to show the depth and richness of the discussion, which varies from those who feared loss of personal liberty to those ready to embrace the document. Anyone who picks up these volumes will come away with an idea of how complex the constitution really is - that it will never be all things to all people, but it does ground our national identity. It becomes the task of each succeeding generation to uphold the tradition yet strive to assure the Constitution carries out its intended purpose. Obviously this is no small feat to be taken lightly.

The books are arranged chronologically, more or less, divided into subsections. The reader will get the broad spectrum of constitutional debates (the Federalist Papers are included, the "antifederalist papers" are included) as are the fears, assurances, and the entire range of human emotion regarding the Constitution are all there for the reader to peruse.

The only spoiler I offer is the peculiar selection of a Benjamin Franklin letter as the very first entry of the set. Franklin fears the Constitution yet is willing to embrace it just the same. In a way, this might be the quintessential document of the entire collection as all Americans have reason to heed Franklin's concerns.

Unlike the political commentators of the late 20th and early 21st century (watchers of Sunday public affairs programs and AM radio listeners know who they are), the commentators of the 18th century actually had something of substance to say. This was a time when education was rare, but when done was done well. The New American Library does its usual exceptional job in assembling the material in this book including some of the more important selections from the Federalist Papers as well as some of the writings of the anti-Federalists. Here the role of the government and the nature of freedom are really explored. Life was better before politics became about feeling and emotion. Every American should read this book, but only if he wants to really understand the basis of the American experiment.

Study of the Federalist Papers, of course included in this two volume series, is a conduit for understanding the American ethic. When the Federalist Papers are viewed as included in this chronological deliberation between the Federalists and Antifederalists, they become even more profound than the enormous depth they can achieve when read alone. The concerns of Brutus and Agrippa are answered, the repititive call for a 'Bill of Rights' revealed. Madison wrote to Jefferson in 1825 defining the Federalist Papers as 'may fairly enough be regarded as the most authentic exposition of the text of the federal constituion, as understood by the Body which prepared & the authority which accepted it.' The enormous insight gained from tracking the arguments and concerns of the proposed Constituion , and the responses of the Federalist cannot be easily estimated, yet the result is a much more informed conscience of the American experience. Madison in the same letter mentioned above stated that Federalist Essays did not foresee all the misconstructions which to that date had occured, nor prevent some it did foresee. For the concerned and deliberate citizen of today many of these issues remain, issues such as Federalism are current topics and all too often the opinions of the few become the conscience of the many, examining these volume will do much to alleviate this vexing condition. More alarming is the realization that many of the fears of the Antifederalists have become a reality in todays polity. An excellent and comprehensive collection thank you Bernard Bailyn.

Edward Said's blaming the West and its "Orientalism" for all the problems of the Arab World has provided much fuel over the years for demagogues and refusniks throughout the middle east and has thus contributed to the continued backwardness of that region. His "victimization" mantra has been especially devastating to the Palestinians and their aspirations for statehood and international recognition. Since, by playing the "victimization" card and the scapegoat card, which is what Edward Said's "Orientalism" is all about, the peoples of that region have failed to see what is really wrong with their societies and have therefore failed to take any meaningful actions to remedy the situation. Anger towards the West (and the resultant terrorism) then becomes the only option. Sadly too many in the West, especially in academia, have also bowed down at the altar of Edward Said and elevated him to the status of prophet--or even deity--for telling them what they wanted to hear, which in turn has only provided all the more fuel for the victimizationers and scapegoaters in the middle east. However, Ibn Warraq brilliantly puts everything into perspective and totally demolishes Said's thesis. If one does nothing else they should read chapter 8 "The Pathological Niceness of Liberals, Antimonies, Paradoxes, and Western Values." While the entire book is most noteworty, chapter 8 should be required reading by every person in the West who has any desire at all to see our civilization survive the 21st century. To sum up, the research that went into this book is mind boggling, and every point he makes is thoroughly documented. Scholarly, yet accessible to the non-scholar.

Ibn Warraq, author of other brilliant and explosive books such as Why I Am Not a Muslim finally deals the death blow to Edward Said's mythmaking Orientalism (Penguin Modern Classics).

It is a needed critique because so many in the academy have been seduced by Mr. Said. Edward Said was a Anglican Arab raised to an upper class family that lived the life of the jet-set, travelling back and forth from mansions in Egypt, Lebanon and Jerusalem. Said, after his upbringing that included Armenian and Jewish servants, went on to claim that the west was racist for daring to write about the history of the 'East' from a western perspective. He claimed that only Muslims could tell Muslim history and only Arabs could write Arab history.

Warraq shows that not only was Said wrong in asserting that western portrayels of the 'east' were racist, but that in most cases the west romantisized the east and accepted it and learned from it. This is most true today when most western scholarship never critiqus the Koran or the 'east' but instead accepts all the myths it has itself created. This incisive and wonderful book dares to break down these myths and explode them.

Seth J. Frantzman

DEFENDING THE WEST: A CRITIQUE OF EDWARD SAID'S ORIENTALISM is the first in-depth critique of a work that for three decades has received nearly unanimous recommendation and discussion. Said's thesis was that the Western image of the East was biased by colonialist attitudes and racism: this reconsideration offers a powerful rebuttal to college-level audiences, surveying misinterpretations in Said's original survey of scholarly literature and providing college-level collections strong in history and culture with a fine reinterpretation. Collections housing Said's work need this rebuttal.

The book is OK (like any book, I guess), but Ibn Warraq is way too serious about the subject, in my view. It is understandable, considering the impact of Said's "scholarship".
But, still, Edward Said is not an "intellectual terrorist". I think there is a difference between terror and pogrom. To call Edward Said a terrorist, or an intellectual, would be as ridiculous as to call Trofim Lysenko a scientist, or a biologist. Terrorist have to hide his intentions. Pogrom is done with a certain assurance of impunity. That's exactly what Edward Said have done.
I guess there is some point in refuting Said's ravings. But overall it looks a little bit odd: really, if you are normal, you wouldn't go to a clinic for mentally ill for some quarrels or intellectual discussions. There are doctors or nurses for that.

For 25 years, many leaders and candidates have accepted the willful misinterpretation of Western history instigated by Columbia University's infamous late professor, Edward Said. Western civilization could greatly benefit if current presidential hopefuls read this bromide of a book, identifying the damage Said caused---and providing a curative.

Politicians here gain a yardstick to measure Western cultural grandeurs (including intense self-criticism)---compared with ongoing social dysfunction, disintegration and horrors over 1,400 years of Islamic history.

Colleges requiring students to read Edward Said's Orientalism should also require this 24-karat tome, rebutting Said's flawed evaluation of the West---what Ibn Warraq identifies as inadequate methods, incoherence, tendentious interpretations---and amusing, but dangerous "historical howlers."

He credits Said for courage and self-criticism---in disparaging Arab writers insisting "the Jews never suffered..., the Holocaust is an obfuscatory confection created by the Elders of Zion," or supporting criminal French Holocaust denier Roger Garaudy.

But Orientalism's "pernicious influence" made Arab and Muslim self-examination---especially criticism of Islam within the West---nearly impossible, Ibn Warraq shows; it "taught an entire generation ... the art of self-pity," blaming all Arab and Muslim miseries on "wicked imperialists, racists and Zionists" whom Arabs and Muslims almost universally blame for their failure to reascend.

Alas, Said neglected historical Islamic imperialism---from Mohammed's invention of "one true faith" through the 17th Century, with reprises whenever wealth, time and war materiel sufficed. Petrodollars fueled the recent Islamic renewal of this effort---via "modernized" Muslim Brotherhood ancient Islamic strategy, supremacist jihad---and aggressive 21st century financial jihad through "shari'a finance."

Terror-advocating "experts" like former Pakistani Shari'a Court jurist, Taqi Usmani set Islamic banking standards for the MB construct that was established to promote Islamic supremacy. Usmani serves on the shari'a board of Saudi Arabia's terror-funding Dallah al-Baraka; in July 2007 he advised U.K. Muslims to live peacefully only until they acquire military strength to "establish the supremacy of Islam." Syrian Abdul Sattar Abu Ghuddah is a senior-level advisor to al-Baraka.

Christian, and not an Islamic scholar, Said nevertheless "bludgeoned into silence any criticism of Islam"---adding late-modern inadmissibility to ancient Islamic shari'a tradition: Muslims (or non-Muslims) criticizing Mohammed or Islam are guilty of blasphemy, punishable under Islamic law by death.

Ibn Warraq shows innumerable Western to Islam. Egyptian novelist Naguib Mahfouz avowed, "Napoleon's campaign" ushered Egypt from "centuries of obscurantism" into modernity, including discoveries of pre-Islamic Egypt, which now anchor Egypt's tourism.

Said held, "the Orient was viewed as something inviting French interest, penetration, insemination--in short colonization...." He ignored the German, Russian, Italian and Western Jewish scholars who created Islamic, Middle Eastern and Arabic studies, thereby gutting his thesis.

Ibn Warraq finds Westerners and Western history and thought characterized by "three tutelary guiding lights,"--rationalism; universalism; and self-criticism. Pursuing truth and knowledge, Westerners accepted others and all humanity--and consistently criticized societies to improve them. Sir Jadunuth Sarkar credited the English with India's 19th century Renaissance---a mass-recovery from 500 years of Muslim jihad invasions (1000-1525), when an estimated 80 million Hindus perished.

But Islamic orthodoxy remains "suspicious of `knowledge for its own sake'." Unlimited intellectual inquiry is "dangerous to the faith." The 2003 Arab Human Development Report thus found fewer books translated into Arabic in the last 1,000 years than Spain translates in one year; Greece (population, under 11 million), annually translates five times the foreign books as all 22 Arab nations combined (population, 300 million).

Arab and Muslim pleas for assistance often brought Western "imperialists" to the Middle East to start with, Ibn Warraq notes. Sultan Selim III declared Jihad after Napoleon's 1789 Egyptian conquest---joining the infidel British and Russians to protect his imperial territories from the French. In 1804, the Ottomans got territorial guarantees from Russia and Austria; In 1809, they again allied with the British. In 1866, the Sultan permitted Suez canal construction, against British and French objections. Egypt's Khedive Ismail nearly bankrupted his protectorate---and in 1875 sold the Suez to Britain for its £4 million nominal value to unwind debts. Only reluctantly, the British helped quell riots that followed---yet the Sultan refused Britain's request that he repossess canal ownership.

Said ignored historical evidence, mimicking superficial French "existentialists, structuralists, deconstructionists and postmodernists" methods, and "grandiose theories" supported by "flimsy history or empirical foundations." Said's signature work displays "laziness and arrogance" of a literary man lacking time for empirical research or need to prove his results.

Said offended worst by neglecting comparisons. Using them, Ibn Warraq affirms the West.

Said excoriates Western slavery. But Muslim traders were far more culpable. From 1700 to 1929, Arabs traded over 17 million black slaves---including 1.5 million who perished crossing the Sahara; little over 11 million crossed the Atlantic. The Occident outlawed slavery. Muslims saw Western abolitionists as "a threat to their very livelihood but also as an affront to their religion."

Tenth century Arab geographer al-Maqdisi described "Zanj," Bantu-speaking East Africans, as "people of black color, flat noses, kinky hair and little understanding." A 10th century Persian treatise called Africans "people distant from the standards of humanity." A 13th century Persian wrote, "the ape is more teachable and more intelligent than the Zanji." Islamic social scientist, economist and philosopher Ibn Khaldun (d. 1406) argued, "Negro nations" submitted to slavery since they "have little [that is essentially] human and have attributes that are quite similar to those of dumb animals..."

Even "tolerant" Ottomans perpetuated slavery through tradition and religion---and lacked an abolitionist movement, write Ehud Toledano and Turkish historian Y.H. Erdem.

Ottomans also manufactured and traded eunuchs--boys castrated throughout southern Europe, North Africa and the Near East to maintain large Ottoman harems for the upper classes. Following "total removal of testicles and penis," eunuchs suffered extensive hemorrhaging and death rates upwards of 90% in sub-Saharan and west-central Africa.

Every Middle East scholar and library should own this book.

--Alyssa A. Lappen

This provocative book brings forth historical, spiritual, and cultural concepts that have been at the heart of the India since 2000 B.C. By looking to the Vedas, Gupta deconstructs difficult concepts and gracefully explains them in a manner which helps the reader understand the Indian worldview. By exploring the concepts of dharma, karma, and moksha, Gupta brings forth the core values inherent in Indian societies. The need for educating their children, respecting elders, and consistently putting the "other" before the "self". Dr. Gupta provides a window into the world of Indian-ness. This book is not only for teachers...but for anyone looking to explore the unknown terrain of Indian-ness.

Gupta's comparative work offers an important critique of the assumptions of American (and Western) educational psychologies. She gracefully points out that American educational orthodoxies unwittingly overlook the human aspect in the classroom. That is, particularly as they encounter other cultures, Western educational psychologies at times bundle children into developmental boxes which may contradict the children's cultural background, and disregard the power of the familial, social, religious or economic background of the teacher in the pursuit of the West's classroom standards.
Gupta does not speak contra Western educational psychology. Rather, she argues graciously that it recognize itself as a cultural product, and that it not be quick to impose its ontological and practical assumptions on others. I found her insights extremely helpful and inspiring!

Gupta's point that teacher education systems need to take into consideration teachers' own value systems is a suggestion many countries could benefit from hearing. As an American teacher who is interested in educational systems throughout the world, I found this book to be extremely informative and interesting. This book is a fascinating combination of educational theory, postcolonial theory and an examination of both Indian and American teaching methods. Gupta provides well-written background on Indian philosophy, religion and educational practices as well as on educational theorists. I recently took a trip to India and studied the educational systems there - I found her book to be very helpful. Chapter 3 "The Sociocultural Context of Education: Core Concepts of the Philosophy Underlying the Worldview of Indians" clearly outlined the texts and ideas that form the basis of Indian philosophy. Anyone interested in studying Indian philosophy and/or educational systems would do well to read this book. In a world where we are in dire need of intercultural and interreligious understanding, Gupta raises thoughtful questions and proposes timely next steps.

An excellent book!
Presents an in-depth exploration of classroom practice and teachers voices in urban Indian schools, as well as the connections between cultural values and educational values in India. It is about time that such perspectives and aspects are made a part of the wider body of educational research. Very informative. I would strongly urge teachers, school administrators and policy makers to read this book.

A very well written and insightful book that helped me to better understand the intersection and relationship between a society's cultural philosophy and educational practices. The author provided an unusual perspective on urban Indian early education that is laden with implications for all levels of teaching. I found this to be an excellent book!

This is one of the book that had been recommended by the teachers of school of foreign service,National university of Mongolia. Full of true facts and information that people who are in the field of mongolian studies shall have this book.

Baabar's Twentieth Century Mongolia is one of the best books ever written on Mongol history. This is the sole available work that not only deals with Chingis-Khanite period till modern day Mongolia, but is also written by a Mongol person. The book would be a great help for one who is doing a research on Mongol history and people. Not only a great writer, Mr. Baabar is a leading democratic revolutionist and a respectable politician in our country.

This book is one of the best history books i've ever seen. You guys should take a good look on it in order to achieve core elements about Mongolia. This book will help you to know what exactly Mongolia is and Mongolians are.

IF you are interested in Mongolia's early history (Genghis, Ogodei, Kublai, the Mongols, etc.) this isn't the one you would want. However, this book has lots of information from beginning of 1900s to 1945.

Baabar's Twentieth Century Mongolia is one of the best books ever written on Mongol history. This is the sole available work that not only deals with Chingis-Khanite period till modern day Mongolia, but is also written by a Mongol person. The book would be a great help for one who is doing a research on Mongol history and people. Not only a great writer, Mr. Baabar is a leading democratic revolutionist and a respectable politician in our country.