Africa Books

This review is more on a personal note, than an explanation of what the book entails (the other reviews have got that covered!). As a newly natural black beauty - I was still struggling with others perecptions of me and my "new" (e.g. natural hair). And of course - I was struggling with my own perceptions of beauty as well. This book allowed me to finally see that our hair is a unique source of pride that needs to be flaunted - not "fixed". Something shifted for me when I read this book, and I finally was able to own not only my new hairstyle (a budding 'fro) but to love my hair in its natural, uninhibited glory. Black women, regardless of our hair texture - straight, wavy, curly, kinky, nappy - we are all so wonderfully beautiful! Hallelujah - I FEEL SO FREE TO BE ME! This book is a must read - share it with every black woman you know - and encourage them to teach our children and our men how to live a life that says "black is beautiful". Spread the knowledge to people of other cultures as well! God bless!

Excellent book about black hair and black culture. Would recommend it to anyone wanting to know more about both and how they relate to the "American" ideal.

This book is great begining for people that are redescovering themselfes aftermaking the decision or are trying to decide wheter go natural or not. It helps you to understand how we got here , how black beauty is not well accepted and why. It make you wonder, questionning yourself and others, and in my case keep learning.

I've recently made the decision to go natural and as I did, I pondered, "Why do I have to 'decide' to be the way I naturally am?" It was then that I realized how unfortunate it was that black women, more than half, find their "naturalness" to be unattractive. I myself have gone through hair extensions, braids, and the dreaded relaxer that has damaged my hair and scalp for years. Now I wonder what it was all for. I wasn't being true to who I was.

This book helped be to know something that I should have already known: my hair. The history of black hair is one that is very interesting and telling. I learned more about my hair in this book than I have ever learned, even from members of my own family. There is also a sense of confidence one gets from reading books like these. I am letting all of my friends and family read it as well.

You will not be disappointed in your purchase.

If you don't already know, this book is definitely worth the time that it takes to read. The book goes into detail about the history of Black hair. Prior to slavery, Africans took pride in their hair. The intricate braid designs date back to that time. It wasn't until after the slave trade that hair straightening became common. Also, it's a little known black history fact that Annie Tumbo Malone was the first black woman entrepeneur to market black hair products. Madame CJ Walker actually worked for Malone before going into business for herself. This book chronicles so much history about Black hair. After reading this book, I was really encouraged to stop chemically processing my hair.

Let me first of all say that Rick Ridgeway is one of my favorite adventure writers. This book is focused on the area around Kilimanjaro and the current state of the conservation movement. Rick does a wonderful job of describing the area as he makes his way on foot from Kilimanjaro to the East coast of Africa.

One of my favorite aspects of this book is that Rick includes all the books he has used in his research to gain a better understanding of the history of East Africa.

If you love a well written adventure, with enough meat to make you want to dig deeper in understanding Africa - this is your book.

Author Ridgeway writes a well-paced narrative that smoothly ties together his personal adventure in eastern Africa with the area's history and culture, particularly in terms of its ecology, with focus on elephants as the defining megafauna of the area.

Ridgeway provokes thought on the future of Africa's large animals, the past fate of those large mammals that have already disappeared, and how we humans tie into all of this. His primary sources are the people who have shaped and continue to shape Kenya's game and wildlife policies; these sources give his writing the distinct tinge of veracity.

Recommended for any interested in travel, African history, or ecology.

Rick Ridgeway has written a very informative and entertaining account of his 300 mile hike West to East across southern Kenya in 1997. The walk was metaphorically in THE SHADOW OF KILIMANJARO beginning on the summit of that great mountain and spanning the different ecological zones of mountain moraine, foothills, savannah, scrub, desert, and finally tropical white sand beaches of the Indian Ocean coast near Malindi. More significantly Ridgeway writes about his journey in the shadow of others who have written famously on Kenya, most significantly Hemingway, Dinesen, and Blixen. At yet another level this story is set in the shadow of Kenya's colonial history and its current struggles as a developing nation trying to make its way in the modern world.

Ridgeway deals with all the relevant issues - ecology and the environment, conservation, domestic politics, the economy, tourism, the romantic literary images, the colonial legacy, the Mau Mau uprisings, cultural, ethnic, and social issues. And he deals with them in the way good travel writing should. Simply present the facts as you get them and let others speak their truths. No moralizing and very little contextualizing and therefore very refreshing.

The image of Kenya that emerges is that of a real country. Not too much of the fantasy and gloss of a romantic wilderness nor the equally unreal vision of warring tribes at THE ENDS OF THE EARTH. Just reality. Strengths, weaknesses, beauty, blemishes, issues, agendas, and concerns. All the things that face a people making their way on a rapidly globalizing planet. Although Ridgeway's Kenya is a very different place than the country I knew in the 1960's when I lived there in my youth, it's still as rich and as alive as I remember it and Ridgeway has done an excellent job of bringing it home.

I was so disappointed by this book I could not get through more than a couple of chapters. The author may know about mountaineering, but he seems to know very little about Kenya. Moreover, I found the writing to be ethnocentric and quite boring.

Combining moments of danger with moments of profound introspection, mountaineer/explorer Ridgeway details his journey from the top of Mount Kilimanjaro through the Tsavo game reserves to Mombasa, a month-long journey on foot, which allows him to experience man's primal relationships with the environment. Traveling with an experienced guide, two members of the Kenya Park and Wildlife Service, and two sharpshooters (in case of life-threatening danger), Ridgeway follows dry riverbeds across the savanna, seeking "tactile knowledge of Africa's wildlands and wild animals."

Far more than a search for thrills, the journey offers Ridgeway an opportunity to observe breath-taking vistas and the full panoply of wildlife, from the elephant to the tiniest of birds, paying equal attention to all. Mourning the absence of once-plentiful animals from the bushlands near Kilimanjaro, and the decline of species elsewhere, Ridgeway contemplates the long-term effects of colonialism, big game hunting, poaching, traditional tribal values, climatic changes, and tourism, as well as man's seemingly innate tendency to kill certain species into extinction.

Ridgeway, long a hunter himself, is an engaging author, both observant and thoughtful. A great admirer of hunter-turned-game-park-adminstrator Bill Woodley, whose two sons from the Park and Wildlife Service are on the journey, he provides a sensitive and impartial treatment of conservation issues. Extolling the work of elephant researchers Cynthia Moss and Joyce Poole, the latter of whom joins the group for part of the journey, he points out that they have acquired through study a kind of knowledge not available to hunters. Without preaching, he conveys "the big picture," making a compelling case for the fact that to preserve Africa's large mammals one must "fight fiercely not only to preserve, but even to expand, their wild habitat." Mary Whipple

This is a beautiful book, with beautiful images. It is entirely worth it, to get a glimpse of the people of Africa. Excellent.

Ahhh. This book, obviously, is many things to many people; not unlike its bountiful subject matter--- the original mother, Africa.

It is also many things to me, each equally beautiful. Most important, it is a powerfully evocative visual link to the 3 years of memories I carry of my life in West Africa as a Peace Corps volunteer. The photographers saw and captured a lot of what I deeply love about the peoples, the land and the life of Africa. The simple and complex beauty; the extraordinary and the mundane; the joy and the frustrations, the good and the bad. It's just life as it is lived everywhere else on the planet, and how good it is to see it presented from a part of the world that is not often shown much appreciation.

While I appreciate another reviewer's criticism of the book's failure to show more modern infrastructure of urban areas, I disagree that the omission is a disservice. True, there is a great deal of development in Africa, but what is shown in this book is still a good and true representation of the vast majority of people and their lives. Far from being stereotyped shots of suffering and drudgery, I find the photos varied and well beyond cliché as they take us into the rhythm of the lives of everyday people. It is a beautiful book. Place it on your coffee table , but keep it in your heart.

I found this one of the most beautiful representations of the continent that I have seen to date. Instead of animals and Egyptian ruins the photographers have taken a diverse array of photographs that potray the people. In addition, the representation of even the least renowned countries in Africa is accurate.

I am also partial to this book, because the proceeds go towards AIDS prevention in Africa.

Africa is a beautiful continent with immense potential, and it never looked better. The 100 or so photographers who took the pictures did an outstanding job. The pictures are the highest quality I have ever seen ...digital technology, I suppose. If a picture is worth a thousand words, this books value is in millions.
The first few pages feature full page pictures breathtaking scenery. One shows a lone teacher under the shade of a tree, a dog sits at some distance. Another show the Victoria falls in its full splendor and the there that magnificent mountain peak. Well by this time if your aren't seated, I suggest you do so for and stop operating heavy machinery. Across from cape to Cairo and across the Sahara these talented photographer have captured the wonderful essence of Africa.
Having in mind the much maligned western Medias portrayal of Africa and it on the tragic. In my opinion this book treats the subjects, e.g. Pictures of HIV sufferers, with adequate sensitivity.
Lastly I would like to salute the producers and sponsors of the project. It's a noble gesture.

This is an absolutely heartstopping collection of photographs from everyday African scenes. I have to disagree with the reviewer who said that it only presented stereotypical portraits of African life. I agree that the collection would have been enriched with more portraits of urban life, but I don't think that this was a typical "National Geographic" variety volume.

It did have diversity, and it did show that many Africans live in modern homes. However, the sensitivity of the portraits was so deep, and their beauty so stunning, it certainly transcended "look at the natives starving/doing something weird/suffering from disease" type photography. Rather, it showed many of the marvels of Africa-from the artwork thriving in so many areas, to areas where ingenuity and industry thrive against all odds, from the thriving markets of Lagos, to the beauty of the desert. This book is so gorgeous that it is rather a testimony of love for Africa and its people-not in some patronizing way, but a true celebration of its spirit. It shows tragedy, but it shows beauty and people loving life and affirming it as well. Isn't that a balanced and fair picture?

I got this for my husband for his birthday because he lived for 5 years in Africa as a child and his father used to hunt big game, so he loves reading books like this, and he said this one was an outstanding read.

Reading books by authors like Capstick is a very good alternative to reading fiction. When you are reading fiction, however scary, thrilling and realistic it may be, at the back of your mind you know that it is fiction. Some of it may not even be plausible. When you are reading true adventure, it is then that you can realise the closeness of death to life, you can identify with the characters more closely, and you can feel their fear of something as primeval and primitive as claws, fangs and horns. You can also feel their elation at escaping injury.
This book is not meant only for hunters and any one reading it will learn something new on practically every second page.On the whole I did not like it as much as much as "death in the long grass". Still, the book has its chilling moments. It also has its share of dark humor. The author does not defend hunting and "cropping" of elephants as much as he does in death in the long grass.
Halfway through the chapter on leopards, I lost touch with what the author was trying to say.

Originally published in 1983, this book describes big game hunting in Africa. After a brief introduction, each subsequent chapter contains details and anecdotes about hunting each of the Big Five game animals of Africa (Cape Buffalo, Rhino, Elephant, Leopard, and Lion). In particular, this book is largely about the dangers of hunting each of the Big Five. All I can say is that being a safari guide/hunter must be an incredible life. I purchased this after reading Hemingway's `Green Hills of Africa' and Robert Ruark's `Robert Ruark's Africa' and was not disappointed. There isn't really a single narrative through this book, it is written in a more of a conversational style, almost as if you are sitting with Capstick in camp in the evening after a day of hunting and he is recounting various tales, `urban legands', and historical anecdotes about hunting each of the big five over a Scotch whiskey. If you don't know who he was, Peter Capstick was a hunter, guide, and prolific author who passed away in 1996. Capstick writes about a much later era than Ruark or Hemingway, things have clearly changed. There are more people about (farming, grazing animals, etc.), and the game is heavily controlled by the national authorities. Overall this is a very good, if not uniquely outstanding, read. Capstick writes with an easy prose, and the pages just sail by. After working through this book, you're quite likely to get the urge to pack up a few of your shootin' irons and buy an airline ticket to Nairobi (I know I did!). I give it only four stars though as much of the ground covered by Capstick has been well tread by others (e.g. everyone seems to feel the need to give their opinion about which of the big five is the most dangerous). I also liked Ruark's writing style more, and there was something more romantic and dangerous about safari hunting in Ruark's era (this is no fault of PC though) - they really were out in Indian territory. The more modern safari isn't quite so wild. In any case, if you love the outdoors, hunting, and testing your mettle against some of the world most dangerous game (or at least reading about it!), I would highly recommend this book. A little different than hunting white-tailed deer!

Many other reviewers have characterized "Death in the Dark Continent" very, very well. It is a bit more graphic than Capstick's earlier "Death in the Long Grass", but not much.
But you definitely do NOT have to be a hunter to thoroughly enjoy Capstick. I think, though, there are a lot of non-hunters who simply haven't discovered how good Capstick really is at "grabbing you, making you sweat blood, and not releasing you until you've died three times, passed Elvis and Hoffa twice, and are coming around for heart attack number 4. Capstick is not just " a hunter with a typewriter". He is Hannibal Lecter mixed with Edgar Allen Poe and Stephen King multiplied by Norman Bates and home-schooled by JAWS. If you thought Amityville and Elm Street were scary, you were wrong. Peter Capstick will show you Scary in "Death in the Dark Continent". If you thought "The Pit and the Pendulum" was mind-wrecking, you were wrong. "Mind-wrecking" starts on page 152 of Death in the Silent Places. Read it early in the day.

If you havent read Capstick, you are missing out on a treat. Not only are his stories, graphic, exciting and compelling, his style of writing is nothing short of superb. Genuinly exciting, and often laugh out loud funny, all of his books are fantastic. When talking about the turn of the century past-time of "galloping lions" (described as "dangerous as typhoid") he writes:" THe elements recquired for the monotony breaking past time were a fast horse, a good rifle, a few lions and not much concern about the future".

Not for the faint of heart, there is a number of gory stories about the fatal encouters that people have, and some well placed warnings about taking any dangerous animal lightly.

A lot like his first book, "death in the long grass" Capstick writes about individual animals- with a chapter on the "big five", Buffalo, Rhino, Elephant, Leopard ( the best chapter in the book- beatifully written) and Lion. As before he relates his own experinces, plus encouters as described by his friends.

I would recommend Death in the LOng Grass as a first Capstick book, but this is still most highly recommended.

This review is less about the book than about my reaction to the book. If you want a conventional review, please read one of the long, 5-star alternatives.

I liked this book, most of the time. Benanav has what it takes (the youthful illusion of immortality?) to undertake adventures most of us would love to try, if only we had the guts, wherewithall, health, and time. He has the ability to describe his adventures in an engaging, entertaining fashion. When he writes about WHAT happened he is excellent. Unfortunately, when he feels compelled to write about why it happened, what he felt at the time, or the geopolitical meaning of it all - well, read fast. Benanav will develop into a fine writer of travel adventures if he doesn't get himself killed, and if he learns not to preach. He should spend some time reading books by Rory Stewart.

I thouroughly enjoyed reading this book. The author writes well and is engaging in his description of the Sahara and the people he encounters. He also writes to educate the reader about the history of the salt trade and gives a thoughtful analysis of his feelings about his journey. This is a wonderful story about the kind of travel experience few of us will ever have. It also inspired me to explore the history of the countries involved in the salt trade and to research the natural history of the Sahara.

I read "Men of Salt" just a few weeks after returning from Timbuktu. And I thought I had it rough! It's just a brilliant narrative, written in such vivid detail that you really feel that you're there in the heat and dust of the Sahara. Now I'm reading one of the other books that Michael Benanev referenced ("Forbidden Sands" by Richard Trench, another, earlier account of crossing with a salt caravan). I highly recommend "Men of Salt" to real and armchair adventurers everywhere!

This is quite a fun read that exposed me to a world that I never knew about. It's well written and just the right length. It made me think quite a bit about camels, salt, the desert, and how you wipe your bottom with sand while out on a caravan.

This proved to be a very good read- a great insight into the culture of the Saharan people. It was wonderful reading about how the author was able to bond with the azalai, and amazing reading about the tremendous effort and feats it takes to survive there.

I used this book as a resource for teaching African art. My K-2 students love the pictures of the African animals and don't even realize they are "reading" as they recite the book's rhythms and rhymes along with me. Tying in art with social studies and culture is a great way to reinforce lessons! The students can't wait until Sit Tight and Read time - they all want to read this book again and again.

This was purchased so my Granddaughter could have one at her house because she loves the one at my house so much. An "old standard" that is loved for it's wonderful words and repetitions.

i saw this on reading rainbow when james earl jones narrated it. its my favorite story from the series because it shows how everything is connected, coming together to perform one action. it also inspired me to do cartoon based on how the protagonist made it rain.

After hearing James Earl Jones read this book on Reading Rainbow, I knew I had to buy it. My two very young sons (ages 1 and 2) sat entranced the whole time. Of course that may have been because it was the voice of Darth Vader, but hey, it's a great book all on its own. My husband now reads this book to them at bedtime every night.

I bought this book after having it recommended while taking a graduate level children's literature class. I was not disappointed! I grabbed this book to read aloud if I had extra time while substitute teaching for a kindergarten class. I thought the children would be more attracted to the rhyme and pattern of the words so imagine my surprise when the book sparked a lengthy discussion between 5 year olds about drought, Africa, animals, and culture! It prompted questions that I didn't even know they were capable of asking and had them making connections to weather in our own backyard and stories they heard on the news. This book is a reading, social studies, and science lesson in one!

"Ripples from the Zambezi" is a beautiful, simple, common sense book with profound implications for catalyzing successful small business creation and growth. It was recently recommended to me by an economic development agency official working in an affluent, conservative U.S. Midwestern county. He felt some of the approaches might work for his area; and in reading the book, I concur with his conclusions.

In efforts to inform work on strategic innovation and marketing, I have plowed through far too many derivative, nonsensical business titles over the years. Before I picked this up, I was a little concerned that it might be a cult book; however, given the importance of rural renewal, I was willing to give any earnest voice the benefit of the doubt.

It was wrong to have prejudged "Ripples from the Zambezi." If this has risen to the status of a cult book, then Mr. Sirolli would be the first to suggest that you never mindlessly apply any approach he might propose. In our left-brain weighted society, it is easy to mistake an enthusiastic voice for a naïve one--but there is a basis for this enthusiasm that is powerful, and which Mr. Sirolli explores fully.

The ideas here are different. Mr. Sirolli speaks to the potential and the results of connecting with each entrepreneur holistically to engage heartfelt intention and remove obstacles to successful growth. The message--that individuals can realize hope for themselves, for their families, and for their communities borne of connecting passion with skill and action is a big message--and the Renaissance man who delivers it is capable to the challenge.

Every paragraph of Ernesto Sirolli's book is loaded with mature, interdisciplinary insight. It is a book whose "time has come" and whose wisdom is carefully woven through the subtext: it's personal, easy to read, and gut-wrenchingly smart.

Don't read this book. DO WHAT IT SAYS! I seldom applaud things. This I do.

I loved the book. Not only it gives great insights on enterpreneurship, it also teaches us that facilitation can be applied in all aspects of life, from work to family with fantastic results.

I highly recommend the book.

I work with small businesses and developing entrepreneurs and this book helped me see another view and perspective in the work i go. I recommend it for anyone who works in the small business (and micro business) community and who would like some new direction on how to build local economies.

"I can't myself raise the winds that might blow us, or this ship, into a better world. But, I can at least put up a sail so that, when the wind comes, I can catch it."

E. F. Schumacher

This was a fun and insightful book to read. Amidst all the discussion about radical, disruptive and breakthrough innovation, this book is a refreshing reminder that small things can make a big difference. It's a reality check for big budget innovation programs and economic development programs that usually end up stealing a company from one community in order to develop the economy of your community (a zero sum game by the way). This book is about dedicated, skilled innovators with a passion for their innovations and facilitators who provided the missing ingredients preventing these passionate innovators from making their ideas a reality. Sometimes, those missing ingredients were connections to the right people. Sometimes they were small sums of money (ridiculously small amounts of money that yielded great returns). And, sometimes it was adding small supportive or enabling innovations that turned an idea into a viable business model. And, always it's about the pattern of product, process and procedure innovation that worked.

Sirolli's journey began as a member of an Italian economic aid organization in Zambia. They noticed that the land along the Zambezi River was incredibly fertile. They thought that if they brought modern farming knowledge and applied it to the land, they would demonstrate to the natives just how much they could benefit. Of course, what did the Italians decide to grow? Tomatoes. The soil and weather were perfect. And, the tomatoes grew - the biggest most beautiful tomatoes the Italians had ever seen. The Italians watched with pride as their crop matured. The natives silently watched and laughed among themselves. One morning, just when the crop was about ready to be harvested, Sirolli reports that they came to the fields to find them totally destroyed. The hippos of the Zambezi had eaten all the tomatoes and laid the fields to waste, and the only tell tale signs were the ripples in the water.

Sirolli quotes Pliny the Elder, "There is always something new out of Africa." Sirolli writes, "Those who have worked in an African country will tell you, if they are honest, that they always learn from the expereince much more than they had bargained for...I am no exception." Later he states, "I became conscious of the fact that we were not doing the right thing - and consciousness is an extraordinary thing."

"Right now, in your community, at this very moment, there is someone who is dreaming about doing something to improve his/her lot. If we could learn how to help that person to transform the dream into meaningful work, we would be halfway to changing the economic fortunes of the entire community," the author comments. This is Sirrolli's credo. It is clear upon reading the book that the author has had a good classical education (formal or informal). His thinking about innovation is colored by Schumacher, Maslow and Rogers.

His advice, based on Schumacher is, "If people don't ask for help, leave them alone. And, there is no good or bad technology to carry out a task - only an appropriate or inappropriate one. Something big, modern and expensive is not necessarily best; it all depends on the circumstances."

"Because of Maslow and Schumacher," he writes, "I came to understand that successful development has to do with the quality, not quantity of life." Human beings are striving creatures. When one level of need is met, people move on to higher levels in an endless cascade. Is it any wonder that this country grew as it did because the founders understood this about people and claimed equality, life, liberty and the pursuit of happiness?

With this framework, the author was able to explain his experiences in Africa. "They were secure and did love and had self esteem in the same proportions Western people had, maybe even more. Some of them were beautiful, wise, self-actualizing people reaching for the apex of full humanness," Sirolli writes.

The level of what is enough at each stage of development is set by cultural and psychological factors. Some people get stuck in the pursuit of material goods and others have lower levels of satisfaction and move on to the next higher state of development. The natives had enough food, safety and security for them, and they could move on to higher levels of human development.

From Carl Rogers he found that "that it was possible to help people heal themselves by simply being there, listening, facilitating and responding to the client's needs for communication and finding values to live by." "The aim is not to solve one particular problem but to help the individual to grow so that he can cope with the present problem and with later problems in a better, more integrated fashion."

Later, he continues, "Reading about the champions of the human race, I couldn't avoid creating, in my mind, a demonology - that is, a list of the demons oppressing us. Contrary to Dante's Inferno, however, my hell wasn't populated by naked gluttons, greedy merchants, and assorted petty sinners. The torturers had no tails; rather they were well-dressed authoritarian figures who, in the name of an idea, would torture and beat the psychological life out of the people in their power. From unyielding bureaucrats to religious fanatics, from political extremists to avid do-gooders, my demonology started to contain anybody who dreamt up a code of conduct and tried to manipulate or coerce others to follow it."

Sirolli's encourages his facilitators to support clients who have a marriage of both passion and skill. "But becoming what we are is invariably difficult," he writes. "We have to commit ourselves to a course that may prove to be unpopular with our peers, unfashionable among our friends, and unbecoming in the eyes of our parents. Striving for individuality is always a lonely business. Passion is what propels us during our solitary journey." Commenting on skill he writes, "Our generation is a generation without masters. We are still under the impression, and like to think, that The Beatles didn't have to learn how to play music; that Jimi Hendrix picked up a guitar one morning, put a big joint in his mouth, and started to play like a god. Does the next, younger generation, understand that there cannot possibly be art without skill?"

"Facilitation," he writes, "is based on the belief that it is human to dream and desire. Faith in human nature is what makes it work." "The skill of the facilitator is to become available to those who have the dream and to help them acquire the skills to transform it into meaningful and rewarding work. The skill of facilitation is therefore a communication skill with a twist. It isn't so much that facilitators have to communicate to their client; rather they have to be the kind of person one likes to talk to." Their role is to simple remove the obstacles that stifle a client's growth.

He identifies the characteristics of facilitators:

 Facilitators are passive
 Facilitators are visible
 Facilitators provide just-in-time help
 Facilitators work in confidence
 Facilitators act like swans
 Facilitators love action
 Facilitators are a loaded spring
 Facilitators assess the person and the motivation behind the idea.
 Facilitators understand that ideas are cheap, passionate individuals are rare
 Facilitators establish true communications and build trust
 facilitators don't play power games
 Facilitators are non-threatening, unassuming friendly listeners who make people want to talk to them.


The book is full of examples and case histories, and is divided into 14 chapters:
1. Out of Africa
2. The Technology Fix
3. Homo Cupeins - The Desiring Man
4. Out of the Mountain Cave Back to School
5. The Art of Shoemaking
6. The Esperance Expereince
7. The Esperance Model Applied
8. On Facilitation
9. Training Facilitators
10. A Word of Caution
11. Facilitation and Economic Development
12. A Quiet Revolution
13. The Politics of Personal Growth
14. Epilogue - Civic Society, Social Capital, and the Creation of Wealth

As you can see from the outline, the discussion covers a good deal of territory and Sirolli has meaningingful insights in all the topics. For example, "The shift by governments away from resource driven economies to valued-added ones cannot take place without recognizing that our greatest assets are not the ones that lie underground. Our greatest assets must be our energy, imagination, and skill - our commitment to good work and to the pursuit of excellence and the courage to fulfill our ambitions. Every single person is important in the creation of a better, wealthier, smarter society. Whether employed are not, engaged in export service industries, in the arts, sports or tourism, the quality, both of personal and professional, of every single person is what will make a country prosperous."

And, "Thus the freedom to become is the key to unlocking civic society and long term economic prosperity. Wealth can be generated in the short term in exploiting natural resources, but 1,000 years of prosperity can only be created intelligently by working together, exchanging ideas, sharing technology and resources, and helping each other do well in the understanding that a myriad of wealthy self-employed people produce an economic system immensely more resilient than any alternative."

And, "The beauty of Maslow's theory is that it explains that helping each other is not done out of charity, but out of our need to be appreciated, loved and respected."

Michelangelo, who believed his role as a sculptor was to release the images that were already in the stone, wrote:

"The best of artists hath no thought to show
which the rough stone in its superfluous shell
doth not include; to break the marble spell
is all the hand that serves the brain can do. "

To make his point, he carved a series of "unfinished" works depicting humans emerging from the rock (The Prisoners).

Metaphorically, the facilitator's role is the same.

And, if the facilitator is blessed with double insightful vision and can not only see the beauty inside the innovator, but can see the community that could emerge as a result, then a community transformation can occur.

You just have to read this book. And, when you do, write something about it. Better yet, use it.

I loved this book. It's very well written and very informative - definitely not "dry" and "stuffy".

The book is interesting as well as fascinating with much information. Just what was needed to add to her Elizabeth Peters novels about Egypt.

A few years ago I visited these areas and the tour guide spoke with great certainty about everything. Come to find out almost everything is subject to question. Mertz is clear on what has been established, and what is theory. The time, energy and research put into Egyptian archeaology opens new avenues of doubt and make facts more and more elusive.

Mertz warns at the beginning that this is not a text nor a complete history. She says it is an collection material that she finds interesting. The first part was a little TOO informal for me. Mertz hits her stride with Hatshepsut and keeps the narrative strong through the end.

For anyone who has an interest in Egypt or ever wondered exactly who the ancient Egyptians were and why their dynasties lasted for thousands of years, Barbara Mertz's "Temples, Tombs & Hieroglyphs" is the perfect introduction. More commonly known to readers as Elizabeth Peters, Mertz is the author of the popular Amelia Peabody mystery series.

Long before she started her career as a best-selling writer, however, Barbara Mertz began as a trained Egyptologist, with a PhD from the famed Oriental Institute at the University of Chicago, the launching pad for many successful Egyptologists. These credentials make her the perfect person to write this history, as she is able to translate the rich Egyptian history of the pharaohs into something more easily understood by readers with no archaeological background, except an interest in Egypt.

This is not to say that the book is always easy reading, although Mertz tackles her subject with a passion and humor readers are unlikely to find in any other, more typical history tome. She manages to bring the Egyptians of old to life, translating ancient hieroglyphs into fascinating stories of individuals, each with their own purpose, strengths and weaknesses exposed.

She opens up the fascinating world of tomb robbers and archaeologists (which some claim are not so far apart in purpose or behavior at times). She demonstrates how information is extrapolated from archaeological findings and illustrates how history is revised over time as new facts and theories come to light.

Despite the injection of personality Mertz brings, this can be dense material at times. For anyone uninitiated in the world of the Egyptians, there are more than 30 dynasties, each with several rulers, falling into 10 eras, dating from the Stone Age Archaic Period to the time of Cleopatra and the Roman invasion. The sheer length of time and individuals and events covered is staggering.

With repeating pharaohnic names, unfamiliar landscapes and place names, conflicting historical research and theories, the book can be overwhelming at times. Yet the reward for sticking it out (dare I even say, re-reading parts) is worth the time and effort expended. Frankly, I read this book twice, cover to cover, and the second time around, I finally began to get a real sense for the overall arc of historical time period covered. And I would hazard to say that it seems even more likely that dipping in again would yield even more historical treasure and understanding.

The richest gift that Mertz offers in her overview of Egypt can be found in the simple stories of the rulers described here, in illuminating for the novice the archaeological tricks of the trade (and weaknesses of such methods) used to determine exactly (or to the best of anyone's knowledge) what happened so many years ago. Mertz's infectious passion for all things Egyptian (well, except possibly pottery shards) can't help but influence her readers to want to learn more. Through her book, she has opened the door to her own exciting world, and readers can't help but want to share in that magic.

Christine Zibas, Book Pleasures

Writing under the pen name Elizabeth Peters, Barbara Mertz started the Amelia Peabody series of tongue-in-cheek Victorian archaeological thrillers in 1975. But 11 years before then this trained Egyptologist published the first edition of "Temples, Tombs & Hieroglyphs".

Like many other books this traces of the history of ancient Egypt from the pre-dynastic to the Ptolemies. But Mertz brings her sense of humor to lighten what can be a dry series of lists of kings. She brings to life highpoints in the Old, Middle and New Kingdoms, as well as the chaotic periods in between. Moreover, she lifts the veil and lets the reader in on many of the scholarly disputes, like those over the woman pharaoh Hatshepsut and the role of Nefertiti in the succession to her heretical husband Akhenaton.

It's also nice to see someone reveal the egomaniac Ramses II for what he was, a poor leader who lost the second Battle of Kadesh, and who covered his weaknesses by pasting his image everywhere.

For anyone who has read the Peabody books, including the depiction there of Sir William Flinders Petrie (and his approach to feeding his staff), Mertz' homage here to the founder of modern Egyptology is interesting.

In her forward to this Second Edition, Mertz says she thought she wouldn't have to do much to revise the earlier work. But then, she adds, taking into account four decades of new discoveries proved to be a challenge. There are places in this book where she discusses post-1964 work, but the addition of the new material is seamless, with no sense of things just stuck in.

This is a delightful introduction to the fascinating history of ancient Egypt.

I am a voracious reader and I read this about the time I entered high school. It is one of the very few books that I can remember reading several times. It did engender interest in the books of the bible that were about women, and I really think that it helped me cope in a way with being a foster child from the age of 8 to 17. I still remember it and it's been about 40 years since I read it for the first time.

If one book I have read comes close to being "perfect", it is
"Behold Your Queen"! The biblical characters come alive, as real people, the "tour" of ancient Persia is vivid, and the story -- (straight out of the Bible....yet anything but dry
and stodgy...in fact, it may send you TO the Bible to read
the original!) -- exciting, romantic, scary, and in the end,
triumphant!

Courage and moral values are at the core of this book -- but
they are not taught by rote here. REASONS for these things
are given. Also -- there's a lovely lesson in "dating" --
how to get a guy interested in you. Simply -- be interested
in him! The love story between Ahasures and Esther is that
of two young people who find each other in the midst of lone-
liness, (each is an orphan), and splendour....yet it is the
splendour of their love that shines through.

Esther's love is tested when it is revealed to her that the
Prime Minister, (Haman), plans to have all people belonging
to one race in the Persian Empire killed. These people are
the hereditary enemies of Haman's people -- the Amalakites.
Unknown to Haman, the new Queen Esther is one of those
people -- the Jews -- whom Haman would have destroyed. Haman
does not know this, (initially), because Esther was told by
her Uncle Mordechai, (who brought her up), to keep her
origins a secret. (This is another lesson of this book --
though told as children we must always tell the truth, the
maturing person realizes that some things -- things that
would hurt others, or even one's self -- need not be told
...at least at first) How Esther decides that she must
risk her life so that she -- and all other Jews in the
Persian empire -- can at least defend themselves...is a
lesson in courage for all time. She not only risks her
life...but also his love, which she has found so precious...

True, there are some non-politically correct parts of this
book. Yet they are minor....and could easily be remedied.
For instance, at the beginning of the book, Queen Vashti
is banished because she refuses to appear at a banquet
clad only in her royal crown, at the behest of drunken
guests. (This is why a beauty-contest is later held
throughout the empire to choose a new queen.) The message
here might be, "Obey your husband or else" -- and the
danger of wives, following Vashti's lead, and disobeying their
husbands, is indeed what Ahasures's counsellors warn against.
However....one of them saying, "...And even wherein a wife and
husband act as one, lovingly consulting each other, as did
your royal parents, there will be strife...for the wife will see she need not even consult her husband any longer -- and
one will again become two!" -- could now be added. Also --
(to please traditionalists, (boo!) -- who believe that Ahasures was an older man, and that Esther -- true to her faith -- did not really love him, another minor change could be made. In fact, when I told a relative of mine about this book, mentioning that in it, Ahasures and Esther fell in love in it, he said, "Oh -- that ruins the whole story!" -- oh, if only I had had the book there for him to read!) So, to please these tradtionalists, Ahasures could stay in love with her, remain
young and handsomne, (sigh!), and Esther could remain deeply
in love with him, (double sigh!!) But -- to make tradition-
alists happy, Ahasures could also be shown to take some
interest in Judaism, (which -- before Christianity -- was, (in my own estimation) the most moral, and perhaps the only moral religion in existance. (Later on, it was joined by Christianity and Islam, two other highly moral, modern religions, of course). Ahasures could even be shown to be toying with the idea of conversion,and/or gaining more and more respect for Judaism even if he doesn't convert. This would please the traditionalists no end, and so they would be, (at least a little bit!) in favour of the deep romance that is gives this wonderful book so much of its essence, charm, amd power! Ahasure's growing interest in Judaism could be added after Haman's demise, towards the end
of the story. It would fit beautifully there, as Ahasure's
coming defeat, at the hands of the Greeks, (with their new idea
of "democracy") could also account for this: the shadow of defeat often leads to intellectual curiousity and growth....
In fact, in another telling of this story, "Esther", by Nathanial Weintrab, just this coming defeat at Greek hands is touched upon, and added. These very, very slight changes changes could be added, to make the book more viable
for today's audience, and added to keep traditionalists
happy, too.

Added to what? To a NEW PRINTING OF THIS BOOK! And,
as well, perhaps a MOVIE VERSION???? This book cries out
for both....for courage, tolerance, moral values and love, have no barriers of place, or people. BEHOLD YOUR QUEEN! is a
story for all time -- and, perhaps, especially for our own time,
when courage, tolerance, moral values, and love, often seem
at various times, to be derided as old-fashioned and unnecessary.
The story of Esther is a great story in all respects, and never was it better told than here. Our post-911 world NEEDS a
movie of BEHOLD YOUR QUEEN! -- or at the very least, a reprinting of this book. Who knows -- even Osama Bin Laden could learn a thing or two from it? I hope so ...and why not?
(STEVEN SPEILBERG....PLEASE TAKE NOTE!!!!!! I know I am not
the only person who would love for these things to happen!)

Behold!

Like other reviewers, I read this as a young person at about age 8 or 9. I have re-read it many, many times since.
It was also my first exposure to the Middle East, and ancient culture.
It's the story of Esther, from her young maidenhood to her rise as Queen of Persia.
Beginning with her as an innocent girl brought up with strong morals and respect for others, we follow her as she is selected to be taken to the King of Persia as a prospective wife. Throughout her journey from naive youngster to cosmopolitan sophisticate, she never loses the values she was raised with.
The characters come alive, and the scene descriptions are vivid- you will feel like you're there!
The two best things about this book (IMO), are the enchanting descriptions of Ancient Persia, and the emphasis on being true to yourself above all else.
Esther showed us that loving yourself and being courageous enough to stick to your principles makes you more beautiful and valuable than any superficial, cosmetic facade ever could. This book makes doing the right thing seem much more attractive than having power and fortune.
I was lucky enough to find 2 hardcover copies at a library auction, and they are keepsakes I will pass on to future generations!

Yes, this once "dry" biblical tale is brought to stunning life by Malvern. It sticks closely to the biblical account (keeping the age group in mind) and even shows how hard a decision Esther faced after the saving of her people began. A book that will inspire anyone and will be picked up time and again. Please bring back into print. Many of Malvern's books were my "friends" growing up, I would desperately like to visit them again!

Behold Your Queen! is a wonderful retelling of the Book of Esther. Malvern's writing incorporates credible motivations into the story, and adds a rich wealth of detail that make the story come alive with a vivid vitality. I first read this story when I was 8, and did not stop reading it until the (misguided) library withdrew the book from its shelves. If I could find a copy it would be on my shelf today, and eagerly reread. I would love to share this book with a new generation. As a teacher, I know this book has much to offer to young women facing difficult decisions about family, loyalty, honor, faith, personal safety, and love. Hadassah faces difficult choices in dangerous times, and Malvern's tale gives the reader the opportunity to share in the anguish and fear in Hadassah's choice, as well as in her final triumph and affermation. PLEASE REPRINT THIS BOOK!!!

Just a wonderful romantic adventure story with a plucky heroine, great characters and setting. I reread it frequently and recommend it to my
friends. The Pollifax books are fun, but this Gilman is amazing. I wish it had a map of the heroine's journey through the Sahara.

Recently I was introduced to the writings of Dorothy Gilmore. Yes, I enjoyed the Mrs. Polifax series, but Caravan shows the depth and expertise of Gilmore in storytelling. Her descriptions of the desert are magnificent and I felt like I was there. The love story added to making this book even more interesting with a surprise twist at the end. Please, do not read the ending first because it will spoil the delightful trip through Gilmore's mind and eyes. I highly recommend this book because it is not only well written, but it is also a page-turner. Bettye Johnson, award winning author, Secrets of the Magdalene Scrolls.

Caravan is an incredible book. For 11 years I had a medically fragile daughter and kept Caravan in a packed emergency bag for dashes to the Childrens Hospital 2 hours away. On many occasions, I would be at the hospital for weeks and would always re-read Caravan. The strength of the main character, her ability to "roll with the punches" was such an encouragement to me. Sections of the book spoke to me when I needed them the most. At one point Jared is near death and we are quoted "Our doubts are traitors and make us lose the good we oft might win by fearing to attempt...". My child was near death and risking the scorn of the ER doc, I called up the medical director of the hospital to demand a neurosurgeon consult. Whew, did that get action! My child had emergency surgery and lived to see another year. Dorothy Gilmans Pollifax books are great but none can touch the depth of Caravan. Thank you Dorothy!

I listened to this book on tape. I did not particularly enjoy the reader; I felt the main character's voice was too high, and another's voice sounded too contrived. But the story was quite entertaining and imaginative in spite of some parts stretching credibility, but that's why it's called fiction! There is a lot about Africa, African tribes and the Sahara, which is wonderful.

Dorothy Gilman's Mrs. Pollifax mysteries have delighted me. I am late in coming to them. They have been out for years. But I love the pattern of suspense and the new cultural treats that are in store for her readers. I always learn in a Gilman book. And her sense of respect for other ways of living, of relating to God and one another, enrich the tales she gives us.

I recently gleaned the shelves of Half-Price Books and found a few of her titles I had not read, among them was Caravan. And it is a true jewel of a tale.

One feels a bit like this character, a carny child sent to finishing school, is historical, a veritable Unsinkable Molly Brown, and yet the story, as told in retrospect by Lady Teal, encompasses only a small part of a very rich life. And what a vibrant small part that is!

Caressa's survival in the stark desert life of the early 1900's is impressive, and Gilman's finesse in presenting a foreign world and its pecularities make for suspenseful reading beyond the norm. One thing that Gilman never does is shy away from the brutal and the violent realities of her character's situations.

In the primitive 1914 imprisonment that Caressa faces among the conquering Tuareg tribesmen, there are an amazing set of obstacles that just shouldn't have been lived through. No Indiana Jones character could out do Caressa's challenges.

Most beautiful of all are the endearing friendships that she makes with the unusual likes of a fellow slave, a black boy, Bakuli, and earlier with Mohammed, her Arab host in Tripoli.

Delightful endings wrap up Gilman's books with happily ever after as their due. But one is not disappointed with Lady Teal's surprise to readers. In fact, one should have guessed such an ending would be in store.

Typical Gilman in some ways, but very nice escapist reading overall. Brava!