Africa Books

After reading this book it made me think ...

God is Crying!

A must read!

Freedom Next Time The book could be improved by getting to the point of each chapter with half, or fewer, of the number of words used by the author. Moreover some of the references are unsatisfactory, such as Note 37 in the Introduction. It refers the reader to note 97 in Chapter 4 that in turn reads "See note 17". Note 17 reads "Ibid. p. 1. that reads "The Discarded People". No date, no publisher, nothing! Vitrol is worthless unless it is justified by firm evidence.

A great book from a great man; this is a must-read for anyone truly concerned with some of today's "global" issues. Moreover, it also serves as a crash course in what truly constitutes Western media and government. Propaganda and willful ignorance are not allowed in this text.

Freedom next time is an excellent read. Thought provoking and puts new light on the crimes of the west on developing countries. John Pilger narrates a harrowing tale of betrayal and deceit with well-sourced interviews on both sides of a myriad of important injustices that currently plague our world. He starts with the little known plight of the Chaogisans: a people who were evicted from their Island at the same time as the Falklands war. This was because the British government `sold' it for a discount on a Nuclear Trident submarine and the 2500 people forgotten and ignored. The US consequently turned the Island paradise into one of their largest overseas bases from which they would later launch air attacks in Iraq and Afghanistan.

Pilger then discusses the increasing stratification of society in India, reveals the true results of the end of apartheid in South Africa. He gains access to many influential parties involved in the current genocide of Palestine by Israel and exposes the barbarism of Governments, the complicity of the media in suppressing the true nature of how the Palestinians are being treated.

This is an excellent companion to Naoim Kleins, `Shock Doctrine' which goes into more detail into the involvement of the IMF, world bank, corporations and military industrial complex in many of the same issues that Pilger discusses from the human contact and investigative journalism he has undertaken.

Essential reading.

Many of the interviews from this book can be seen in a series of BBC documentaries available by searching google video.

This book gets to the very heart of the way injustice is perpetrated in the world. In the best traditions of investigative journalism, Pilger examines in depth a number of ongoing situations in the world involving exploitation and injustice. The first of these relates to the plight group of islanders evicted from their Chagos island home using blatant deceit and brute force and given so little compensation that they were consigned to a life of penury in Mauritius. Why? So the British could give their American allies an island paradise as a new military base. The fact that most of us have never even heard of the Chagos islanders demonstrates the complicity of the world media in selectively reporting the news we often naively assume to have at least a modicum of impartiality.

The true shock of the book comes with the following chapters, however, where we are systematically shown the perspectives of those who have suffered most in the Israeli-Palestinian conflict, the war in Afghanistan and since the end of the apartheid regime in South Africa. Did you think the average black South African has more opportunities to get ahead since the end of apartheid? or that the average Afghan woman is much better off since the ousting of the Taliban? I did - but completely erroneously as it turns out.

Pilger combines a concise summary of the facts with vivid snapshots of the situation on the ground in each location. He gives us excerpts from interviews with the victims that allow the reader to get a very personal perspective and juxtaposes these with excerpts from interviews with those responsible for the decisions that brought about the suffering. The combination is powerful and enlightening.

If I were to criticize the book it would be to say firstly that the chapter in India does not have the depth of the other chapters and adds little to the book. Secondly, Pilger very occasionally commits the same sin of telling only part of the truth that he accuses other journalists of. For example, he relates that the US has intervened 72 times in the affairs of other nations, including the overthrow of democratically elected social democracies such as in Guatemala, Brazil, Iran and Chile. I doubt that some of those governments would really have qualified as having been democratically elected by the standards that Pilger himself would apply to democracy. To be fair, this is a rare occurrence in the book and does not in any way detract from the substance of what Pilger has to say.

400 years of Afro-American folklore are represented in From My People, a fine volume gathering a diverse range of tales, from Brer Rabbit and African motifs to proverbs, recipes, and folk songs. It's the range of writings which sets From My People apart from competing collections on Afro-American oral traditions, making for a comprehensive and important title.

It is a sad fact of our times that the folklore of Black America is almost a vanishing art. As a folklorist, historian, and story teller, it saddens me that I often ask kids if their parents tell them any stories and they don't have a clue, and our older folks tales of Old John, Anancy, Brer Rabbit, the Signifying Monkey, Shine and the Titanic, Raw Head and Bloody Bones, etc. are unknown to most people of my age and younger.

Fortunately, people like Prof. Daryl C. Dance are doing what they can to rectify this situation by anthologies such as this. She does an excellent job not only in preserving this kind of material but also the classic folk sermons of Rev. C.L. Franklin and lesser known preachers as well as songs and children's games. Material such as this has been done before, especially by Zora Neale Hurston, Richard Dorson, and Roger Abrahams, but not very recently.

So overall, this book is a treasure. However,as much fun as Black folklore is to read, its better if watched or heard orally. Somebody needs to make a CD or DVD documentary of this sort of thing (hint hint to my fellow folklorists and scholars out there).

This huge anthology covers black folklore going back to slavery and up to the latest classic email story. Poems, spirituals, great speeches and famous sermons are included. There is a chapter on little written about black crafts and art and culural activities such as step shows and rent parties. It could be argued that the book is too big. Bibles and dictionaries weigh less than it does but From My People is a reference book. It gives a quick overview of 400 years of folklore. This should be in school libraries across the land.

Kimberley Lindsay Wilson, author of Work It! The Black Woman's Guide to Success at Work.

For most people, the term "folklore" probably conjures the image of songs and stories, but as Daryl Cumber Dance illustrates, it's much more than that. It's about quilts and the history they embody. It's about hair styles, dress, food, traditions of marching bands, sermons, speeches...even internet rumors and graffiti. As one chapter is headed, it's about "The Style of Soul."

Start at any topic that piques your interest, and I promise, you'll find it impossible to put this book down. There are surprises around every corner...for example, I was delighted to find a low fat recipe for greens!

This vast, rich book belongs in every library.
Curator, AfroAmericanHeritage dot com

How often have we sat at the feet of our elders and heard stories imparted to us regarding the days gone by? Handed down through the generations, these tales were not only meant for entertainment purposes, they impart wisdom and provide a living lesson. In 400 YEARS OF AFRICAN AMERICAN FOLKLORE, author Daryl Cumber Dance has created a compilation of folktales, folk music - including spirituals and freedom songs - as well as blues and ballads, folk arts and crafts, proverbs and many other pearls of wisdom that breed familiarity in the Black community. The African slave trade tore our early ancestors from their native lands, stripping them of their individual identities and beliefs, yet our strong forefathers were able to maintain some of their culture and the stories that were once told to them.

Ms. Dance does a wonderful job in capturing the vernacular used in some of the stories as well as providing some historical background to set a frame of reference for her readers. Each story and every entry into this collection caught my attention. I was compelled through the pages by my curiosity and to be reminded of days gone by. Each was very well put together, yet I found my favorite folk tale to be "De Ways of De Wimmens" which is a humorous short tale revolving around Adam and Eve's first days together and the establishment of gender roles. This story literally had me laughing out loud because even today, I can relate to the basic truth found in this tale.

400 YEARS OF AFRICAN AMERICAN FOLKLORE is not just a collection of folk tales. Don't get me wrong, Ms. Dance does rightful justice in providing glimpses into our dynamic society. She reaches back into the early days, guides us through the civil rights era by including powerful sermons by Reverend C.L. Franklin, Martin Luther King Jr., Jesse Jackson and many more. She even addresses some of today's disconcerting issues, such as urban gentrification and gang violence.

In summary, the selections included in this book run the gamut throughout the reaches of time. It provides glimpses into the strong traditions held by the Black community and imparts some wisdom as to how these traditions may have taken root. In writing 400 YEARS OF AFRICAN AMERICAN FOLKLORE, Ms. Dance stated, "My goal throughout my career and in this anthology has been to collect, transcribe, preserve and respect the integrity of the folk text." In my humble opinion, she did just that. Ms. Dance should be lauded for her efforts.


Reviewed by Nedine
of The RAWSISTAZ Reviewers

Easily one of the most impressive books I have read. Frontiers is a book that covers broad sweeps of history and culture in a balanced and informative way. Although it is lengthy (over 1,200 pages), it captures one's interest to such a degree that one is actually left with wanting more!

A noticeable theme for me was the role and importance of individuals in shaping history. For example, Harry Smith, Governor of the Cape Colony, who had a profoundly negative influence on the Xhosa people, yet was admirable in other ways (having served in the American Colonies, Europe, and India-- perhaps one of the first sons of globalization). Similarly, the powerful influence of the London Missionary Society, and by extension, religion in general in setting the course of human events.

A must read for students of African history!

Noel Mostert's 'Frontiers' explains the face of the new South Africa.

Having spent some time in the East Cape I came away with a keen sense of the history of the frontier wars so well described by the book.

Noel Mostert is the best voice of this exciting history.

This is a riveting, tautly written, "page-turner". And thank heavens, because it clocks in at a whopping 1300 pages. But do NOT let that deter you. If Africa is of interest to you then you NEED to, you MUST, read this book. The period under study dates from the earliest explorations of South Africa (late 1400s) to the late 1800s.

Mostert's approach is sensitive and balanced - as the subtitle conveys "The Epic of South Africa's Creation and the Tragedy of the Xhosa People". It is narrative in format and the experience (and indeed the pleasure) of reading this book is not dissimilar from that of reading Shelby Foote's monumental three volume "The Civil War: A Narrative". The flyleaf describes "Frontiers" as having a "Gibbonesque sweep" and this is extremely apt.

There are good maps, though too few of them. The style is fluid and compelling. The descriptions of the landscape are wonderfully evocative. This book provides everything that one needs to understand that tragedy that unfolded in modern day South Africa. One is left yearning for the paradise that was so clearly lost.

One of the best ways for me to recommend this book to you is by excerpting a passage:

"It was a battle that fell into complete obscurity.... It was, so to speak, an event without a name, a four-hour long retreat along a wagon road, an agonizing struggle, yard by yard, mile by mile. It was a severe humiliation....which may have helped dim its historic judgement. Yet not again until Rorke's Drift some eighteen years on would the British army again fight and die in such a brave, cruel and intimate scuffle on the African veld. There were to be no medals or recognition for the infantryman of the 91st on the road between Forts Hare and Cox on 29 December 1850. But as Robert Godlonton said, there had never been anything like it in frontier war. Maqoma paid the infantrymen high tribute. Describing the battle he was to say of the 91st that `they died fighting and cursing to the last.'

The fighting was hand to hand, a brutal melee marked by the sort of acts of prompt individual heroism, and of miraculous survival that such ferocious close combat inevitably produced, a situation where every man was immediately for himself, with no certain idea of what was happening except directly in front of him, and yet with the fate of a companion often suddenly intrusive upon his own struggles."

This conveys the immediacy and the force with which Mostert writes. If you loved Pakenham's "Scramble for Africa", or Alan Moorehead's books on the Nile, you will not be disappointed.

This one might take you a while to get through but it's well worth it. Not normally a history afficionado, I still found the 1000 or so pages easy to get through.

Provides a fascinating insight into the background for modern day South Africa, concentrating not on the Zulu but on the lesser known and more peaceful Xhosa. Interesting perspective on the Boers who don't come off near as badly as the good old Poms in this seemingly none-too-biased book.

Most books on S. Africa focus on three things: Aparthied, The Boer War or the Zulu, with Mandela being a close fourth. This book focuses on the real south Africa, the Xhosa people and the tragedy that befell them as Zulu, Boer and British invasions destroyed their way of life. An excellent study of a people and a nation and a study that shows that African tribal wars were just as destructive as the europeans.

A must read for anyone interested in Africans, Africa or colonialism and the survival of native cultures.

Seth J. Frantzman

I visited Ghana in April 2007, and although I was visiting relatives and so had some local contacts, this book was a great help, both from the point of view of planning my trip and learning about the country. The short commentaries from various contributors on subjects such as local wildlife, nightlife or travelling solo as a woman, were especially informative and often entertaining as well. The maps in particular, while simple, were indispensable, as good local maps can be quite difficult to find even in Ghana.

A useful additional tool are the regular updates to the guide on the Bradt website, which have many contributions from recent travellers, including places that are closed (either temporarily or permanently) and recommendations for additional places to stay/eat or visit. I've heard that the 4th edition is due out in fall of 2007, and I'm tempted to go ahead and get it, too, for my next visit!

My daughter is in college, and is currently at the University of Ghana, Accra, Ghana. I bought her this before she left, and she has found it to be an invaluable resource!
Marti

Book very informative, with excellent info on where to go and how to get there. Plan to put it to good use in the fall!

Observations, current and pertainent info, from knowledgeable travelers who've been there. This is the stuff you want to know to plan a successful journey.

If you are traveling to Ghana, West Africa, this is the essential guide to have with you. It has an easy to read layout and includes everything you would ever need to know. I highly recommend this if you are going to that area. I am glad I own a copy!

This is an excellent chronicle of the Italo-Ethiopian conflict and then of the battles in Africa during WWII between Italy and Britain. It is narrated very well and I rarely felt lost or confused. This is a great book and would be a welcome edition to any library.

This is probably the only generally available book on both of the wars involving Ethiopia during the 30s and 40s. Haile Selassie was the Emporer or Ethiopia from 1930 until the 60s, and this book recounts first the conquest of the country by Italy in 1936, then the colonialization of the country during its occupation, and finally the liberation of the nation in 1941 by the British. Besides the Emporer himself, the book involves many interesting characters, from Archibald Wavell, Winston Churchill, Orde Wingate, and William Slim, around to Rodolfo Graziani, the Duke of Aosta, and Benito Mussolini. The setting is Ethiopia itself, a vast, mostly trackless country, full of warring tribes, warlords vying for power, and foreigners trying to stay out of danger.

Mockler's interest, for the most part, is recounting the basics of the conflict. He pays special attention to the effect of the changing face of Ethiopian politics on the various personalities in the nation, and of course those outside it but involved in the narrative. Mockler starts the account by telling the story of the Battle of Adowa in the 1890s, where the Italians tried to conquer the country in order to turn it into a colony. Ethiopia was one of two countries who were still not colonies at that time, and Italy coveted it as a colony. The Ethiopians were stronger than other tribes that resisted colonialization, and of course the Italians weren't as well organized as the British or as ruthless as the Belgians. The defeat at Adowa left the Italians jealous and angry, thinking that the Ethiopians had rejected colony status, and of course all Europeans at the time imagined that subject people wanted, or at least should want, to be subjects of a European nation.

One difficulty that I had with the book is pretty much outside the parameters of what the writer can control. The country of Ethiopia and the people have very strange, foreign-sounding names. Of course they don't sound foreign to them, but to an American, they're hard to take in. One city discussed repeatedly in the text is called Debra Markos (sounds like a waitress at a diner in New Jersey to me) and one of the warlords is named Endalketchew. I always wanted to say Gesundheit when I saw his name.

Outside of that, I enjoyed the book a great deal. The author deals with the issues presented by the events intelligently, and the result is a very good book.

Haile Selassie's War is a historical account that should satisfy the professional and amateur historian alike. On the whole the author handles a set of material that is highly complex and potentially confusing (such as the intrigues of the Ethiopian nobles) and does a great job in keeping up with them without losing the reader along the way.

Due to the vast subject matter, we get to know everyone and everything a little, but largely superficially. Even in regard to the Emperor himself, we follow his rise to power and intrigues with his often-rebellious nobles and rivals, but we get to know little of this man apart from his political actions. What were the influences of his boyhood and early manhood? What was the impact of his diminutive size in terms of his prestige among other, more warlike nobles. Perhaps these things can no longer be determined. But others might have been answerable, such as who was the Empress and what was her influence? What of his sons, his daughters? We get little back-story and meet most of them whilst he is already an exile in England.

On the whole, though, I can have nothing but admiration for Mockler's treatment of the subject. I found the book immensely readable, despite the odd grammatical "gremlin". Although I am a historian by profession I often find large historical monographs of this ilk very hit and miss; I usually find myself skimming through pages and chapters to pick up the story at a more interesting place. With this one, however, I didn't skip a single paragraph and found it all completely fascinating. I also enjoyed the small doses of dry humour injected by Mockler in places, especially where he allows the personalities of some of the characters involved to shine through a little, like the Italian pilot "Gina's brother", "Lawrence of Ethiopia" Ord Wingate, and of course the indefatigable Wilf Thesiger.

And finally, while there are no blushes spared from either Italian (for its harsh regime), British (for their distinct lack of enthusiasm for the Emperor's cause) or Ethiopian (for their serial treachery and indeed the Emperor's own brand of harsh justice) perspectives, insufficient attention, I believe, is focused on the war crimes of the fascists, in particular the use of mustard gas and large-scale execution of civilians (these are examined only cursorily).

The maps, family trees, chronologies and biographical index were all very useful tools - but what about a few photographs? Certainly a picture or two can assist the reader with fixing images in their minds of the personalities and the landscapes being discussed in the text. It would have enhanced my reading of this book quite a bit. My only other irk with this book was the large number of quotations in French and Italian that the author had not bothered to translate for us. I can get by on my high-school French but it is perhaps a little unreasonable of the author to expect readers to be fluent in several languages, when a simple translation in the footnotes would suffice.

Nonetheless I highly recommend this book to anyone with an interest in the history of Ethiopia, East Africa, World War II, Fascist Italy or Haile Selassie (Ras Tafari) himself.

Ras Tafari, last Emperor of Ethiopia, otherwise known as Haile Selassie, lived the last of his days during the 1970s as a weird diplomatic footnote, but in his prime, he was equal to his title "Lion of Judah." Upon ascending to the Ethiopian throne in the mid 1930s - an ancient and fascinating institution, due to the unique Christian heritage of Ethiopia - he was forced to defend his homeland against the Italian invader. Though his troops fought bravely, Selassie was forced temporarily to seek exile in Bath (England), where he languished for about four years. Then, in 1940, the British Army was able to deliver vengeance to the Italians, as they extinguished the entire Italian presence in East Africa, rolling up Ethiopia, Eritrea and Somalia and returning Selassie to Addis Abbaba. Mockler's account of Haile Selassie's two wars is meticulous and well-written, and includes interesting stories about a number of highly significant players such as Orde Wingate (the T.E. Lawrence of WW2), the Duke of Aosta (and Italian prince who got tangled up in the Abyssinian adventure) and Mussolini.

This is probably one of the best war histories ever written. Mockler's superb book outlines the causes, actions and consequences of the Italo-Ethiopian conflict from Italy's first (foiled) attempt at conquest in 1896 at Adowa to Haile Selassie's final overthrow in the early 1970s by a military junta.
Mockler was exceedingly fortunate to have interviewed some of the people who appear in his book. Many were old men and several were later reported murdered by the Marxist Dengue that set up shop after throwing Selassie out.
Most of the story focuses on the 1936 war between the two countries when Fascist Italy conquered feudal Ethiopia, the last independent nation in Africa at the time. So often portrayed as barefoot and spear-carrying warriors, Mockler shows us that parts of the Ethiopian Army were fairly well-armed and trained. But it was still underdeveloped and relied heavily on massed attacks that guaranteed being massacred by the mechanized, well-equipped Italians. The book continues through the Italian occupation, the Ethiopian resistance, the declaration of war between Italy and Britain in World War Two, the Emperor's return and Ethiopia's eventual independence. It is rife with intrigue, plots and treachery, as Ethiopian nobles plotted with and against each other to see who would eventually wear the crown. It is an exquisitely crafted piece of work and it is a great great shame that it is no longer in print.

I would request some alternatives through which we or those who would like to know more about the true faith that mankind surpose to follow,should have access to the books contents specially the spiritual ones through the internet rather than commercializing them.however,I am not aginst sales but atlease those who can buy or order the book can do so but we have to consider them who are home like Africa in which shipping is not efficient and also money is the problem.We beleive the word of Jah is already spread in the entire world but yet mankind need constant reminder and through the books,and other spiritual words. we could feed the nations spiritually and the message of ONE LOVE inculcated into the hearts of all mankind.
Back to the book, I have really not yet read the contents of the book to comment on it.
Thank

Haile Selassie the First is KING OF KINGS and LORD OF LORDS and this truth is revealed in "Hath...The Lion Prevailed..?" Whoever does not already know that Haile Selassie is the Lion of Judah who did open the seven seals of REVELATION ...READ this BOOK and the BIBLE, You will Truly find it out. Ras Tafari is his name. If only the Black world knew that Jesus was a Nazarite Dreadlocks Rasta, crucified. Jesus said "I and my Father are one" and Jesus would not lie. If you want to be one with the Trinity and seek a better understanding of the BIBLE read " HATH ... THE LION PREVAILED? ". JAH LIVE Black KING OF ISRAEL ONE LOVE

"Hath The Lion Prevailed" is an interesting book to read about the heart of one "SOUL." It puts one in touch with an understanding of one self, and through "Rastalogy." It is a primier that give one a true understanding of Rasta. Using the bible you can see where the author proves why Haile Selassie is Jesus returned in his Kingly and conquering form. I think that "Hath The Lion Prevailed" is an execellent book and I would recommend it to anyone who wants to know more about Rastafarian truth.

This unique book of 38 pages will assist any one, at any level, to understand the Rastafari religion. It begins , as we did, with Adam and Eve. Using biblical quotations throughout, author John Moodie, or Prince Michael as he is spiritually Known, provides an understanding of the linage of Haile Selassie 1 from the very begining. Chapter One presents the trial and tribulation of Ham, Shem, and Japhet, their curses and their blessings followed by Moses and the Burning Bush, the betrayal of Samson by Delilah and the shearing of Samson's seven locks. You probably already know about David and Goliath, but did you know about Davids youngest son Solomon anh how he seduced Sheba? Chapter Two sheds new light on Jesus Christ and what he had to endure due to his belief in God. The death that he suffered in being crucified on the cross makes one wonder why some religions continue to use the cross as a sign that is representative of ones faith. The cross was used to crucify people and yet now it is a sign of worship. The cross is a sign of death and destruction, a burning one designates the nefarious Ku Klux Klan. It is by all means, a graven image that Moodie exemplifies in his writing. " The gun today is a symbol of death, just as the cross was 2000 years ago. the cross as risen to become a symbol of holiness; will the gun in the next century become a symbol of holiness?" In Chapter Three we are educated on Haile Selassie 1."Therefore being a prophet, and knowing that God had sworn an oath to David that of the fruit of thy loins, according to the flesh, he would raise up Christ to sit on David's Throne"(Acts 2:30). H.I.M. Emperor Haile Selassie 1 fulfills this prophesy by returning to sit on David's throne. Read on in Chapter Three to learn what Selassie 1 went through during his reign as King of Kings, Lord of Lords, Conquering Lion of Judah. "Rastafari has survived the afterbirth grime that the system has placed on H.I.M;" explains Moodie, "and today is classified by a Catholic Commission as a valid religion" ( Report of Catholic Commission on Racial Justice in Britain and Jamaica). With several photos of Haile Selassie 1, some interesting art work to embellish the words, some excellent inspirational poetry interspersed and significant insightful information, John Moodie has written a fine piece of literature that is inspired from the heart and soul. When Mr. Moodie visited the Reggae Report offices recently his spiritual vibe was omnipresent. Not only is Hath...The Lion Prevailed...? an excellent primer for the newcomer, it is enjoyable reading for all who wishes to learn more about the origins of Rastafari.

Haile Selassie the First is KING OF KINGS and LORD OF LORDS and this truth is revealed in "Hath...The Lion Prevailed..?" Whoever does not already know that Haile Selassie is the Lion of Judah who did open the seven seals of REVELATION ...READ this BOOK and the BIBLE, You will Truly find it out. Ras Tafari is his name. If only the Black world knew that Jesus was a Nazarite Dreadlocks Rasta, crucified. Jesus said "I and my Father are one" and Jesus would not lie. If you want to be one with the Trinity and seek a better understanding of the BIBLE read " HATH ... THE LION PREVAILED? ". JAH LIVE

There are considerably information about Yoruba's History and Religion.
If you are a priest or worshipper of Orixa , you need to buy this book.

This book is one of the foundation materials that informs the depth of the Omoluabi Matrix. Inbetween the pages of this volume we can trace the concept of Omoluabi civilzation which is the single factor responsible for the continued survival and advancement of our race. Ignoring the obvious Oyo bias of the author this resource material alongside others, details the incontrovertible evidence of an ancient African civilization on which the principles of democracy could rest. It details the cultural concepts that helped to overcome the colonial beast and gives a name to terrorism in ancient times. The only draw back is that the book did not investigate the insidious root of the word "Yoruba" - an abusive 18th century coinage of ancient terrorists. The original Olukumi tag would have furthered the cause of our national reawakening.

I remember reading this book when I was in secondary school over 25 years ago and I can still recall how amazed I was to discover that we Yorubas had organized govermental inititutions. I found out why we as a people are so defragmented, the origin of the Yoruba people and different tribes, the power and might of various tribal empires. I don't think there is another book that has this amount of detail regarding the Yoruba people. Now I need a copy for my library and is now difficult to get hold of.

The author of this classic work is not to be confused with Samuel Johnson (1709-84), the English essayist, poet, and lexicographer usually known as "Dr Johnson". This Samuel Johnson (1846-1901) was an Anglican vicar of African descent. He was born in Freetown, Sierra Leone, but spent his adult life in Nigeria. His peace-efforts in the 1870s contributed to the eventual end of the Yoruba wars in 1886.

In 1880 Samuel Johnson became a deacon and was ordained a vicar in 1888. Claiming Yoruba ancestry, he was concerned that his people were losing their own history and completed the original manuscript of his history of the Yoruba people from his notes in 1897. Whether by accident or design, this completed manuscript was sadly lost. However, after his death, his brother, Dr Obadiah Johnson, produced this work from his notes. It was at last published in 1921. Unfortunately, Obadiah died in 1920 so neither he nor Samuel saw the finished product.

It remains a key resource for the understanding of Yoruba history.

Any student of political history will be forced to acknowlege the explicit and almost accurate records collected by Samuel Johnson in this book. The book has a vivid picture of a generation of Yoruba Nationhood within Nigerian Nationality, prior to the British invation and colonalization of Nigeria, Yoruba had been a Nation with an institutionalized government and there is no better place to understand and assess this form of government except in this book, the book is a bag of history, politics and culture of a nation called The Yorubas, it is one of the best book to describe the politics of government in which history defines the terms and culture of power dictates the order.

Achebe's work was informative, thought provocing, and at times amusing. His work is another example of how important it is for all people to tell their own story/history, especially people who were once disposessed. This little book inspired me to write a few ideas to prevent my experiences from being misinterpreted.

Long live the proud son of Africa and our respected statesman.
Achebe the honest and truthful dispenser of both sides of the story. Colonial griots (to borrow Achebe's words) such as Elspeth Huxley and other apologists have for too long been left alone to justify the dispossession of precious lands and cultures. Until the proud son of Africa made them eat their own words and exposed them for what they are. Dishonest griots deftly laying the groundwork for self-enrichment at the expense of peace loving and decent Human Beings.
Chinua Achebe as exemplified by his few but precious books writes not to make money but only when he must say something useful. Unlike modern day "authors" who are more about money than substance. I have no doubt Achebe can write profound and moving accounts of African and world issues at the rate of one book a day but he chose only to spend his time teaching.
It is obvious why the Nobel Prize went to Wole Soyinka instead of Chinua Achebe. Achebe refuses to write for a "foreign" audience and does not take his marching orders from anybody. He is his own man. Africans and honest people all over the world have in their own ways given Achebe the best prize in the world.
Continuous interest in his worthwhile classics such as Things Fall Apart,The Man of the People,No longer at Ease,Anthills of the Savannah, Morning Yet on Creation Day,Hopes and Impediments and many others.

Home and Exile may be a small book but has enough three pence (from Achebes "somebody knock me down and have three pence!") to liberate nations and individuals from the grip and stench of colonial and racist apologia masquerading as literature.

Long live Achebe, proud son of Africa and citizen of the world.
To know Achebe (by reading his books) is to know how to be an unassuming and proud Human Being who quitely and calmly states his truth for the benefit of us all.

Excellent! Achebe has done it again. This is a must read!

Since the book is already well-summarized above, I'll just give my own reaction.

I've read a number of Achebe's novels and one essay (the excellent critique of Heart of Darkness) and really enjoyed the "backstage" feeling of hearing the author's first person voice - an insightful and kindly voice. For me, the effect of Achebe's strong positions is heightened by the dignified presentation, and of course by the poignant and funny stories from his own life that he uses to illustrate those positions. As compared to one of my other favorite authors, James Baldwin, Achebe's writing includes less calls to action, and more explanation. For instance, even in his sharp critique of Vidiadhar Naipaul's novels, Achebe's first priority is to shine light on the processes that led to Naipul's failures of vision. I think people who have read Achebe's fiction or essays and liked it, or generally care about literature from an indigenous or "Third World" perspective will really enjoy this short text. Definitely worth the cost, and may be available from the library.

The physical brevity of Achebe's "autobiography" truly belies the intrisic wisdom he so effortlessly spews upon his listeners. Mr. Achebe sets out to deconstruct the manifold, post-colonial ills (endemic to the dispossessed of African diasopora) with the assistance of historical literature, creation fables, and his own personal memories. Indeed, a thought provoking manifesto for any fan of the great Achebe; one which will aid the reader to pursue further literature with a new sense of enlightenment.

Taken to Kenya at age three, in 1905, Beryl Markham was raised on a farm by her father and a much-hated governess - her mother soon re-abandoned pioneer life for England. And while other girls were groomed to be ladies of society, she learned to ride and train horses, played with the Nandi boys living on her father's land and went hunting with their fathers. Barely 19, she became a professional racehorse trainer; at age 24 (1926) her mare Wise Child won the prestigious St. Leger, beating the odds and the favorite, Wrack, likewise initially trained by Beryl but taken from her weeks earlier by an owner distrusting her experience. After marrying and divorcing again wealthy Mansfield Markham, whose last name she kept, she met pioneer aviator Tom Black (later pilot to the Prince of Wales), who awakened her interest in flying and soon became her instructor. Having obtained her B license - "a flyer's Magna Carta" - Markham operated a taxi and cargo service out of Nairobi and worked as a scout for professional hunters like author Karen Blixen's (Isak Dinesen's) (ex-)husband Baron Br&oring;r Blixen. After her return to England, in 1936 she became the first pilot to successfully cross the Atlantic from east to west, against the headwinds. (She didn't reach New York, as planned - technical difficulties forced her plane into a Nova Scotia bog - but her achievement created substantial headlines regardless.) After being lured to Hollywood by a film project involving her flight, and marrying and divorcing again the man who later claimed this book's authorship, writer Raoul Schumacher, Markham ultimately returned to Kenya and to racehorse training. No less than six of her horses won Kenya's East African Derby, making her a local celebrity of considerable note. She died in 1986.

"West With the Night" is a memoir of Markham's life in Kenya until her mid-1930s departure to England. In language rivaling Blixen's in poetry and Hemingway's in power and skill, it chronicles her unconventional upbringing, early 20th century colonial society, a racehorse trainer's anxieties and ambitions, a flyer's freedom and solitude, and those people who meant most to her: her father, her Nandi friends, Tom Black, and some persons also known to readers of Blixen's memoirs: Lord and Lady Delamere, Baron Blixen, and Denys Finch-Hatton, for whose attentions she competed with Blixen (who herself isn't mentioned at all, as Markham isn't mentioned, either, in "Out of Africa").

"There are as many Africas as there are books about Africa," we are introduced to the continent she considered "home:" "Being ... all things to all authors, it follows, I suppose, that Africa must be all things to all readers. ... It is what you will, and it withstands all interpretations." And the people Markham most respected matched this environment in hardiness as much as in diversity and depth: Baron Blixen, "six feet of amiable Swede," whose "appreciation of the melodramatic [was] non-existent," and who was "never significantly silent" and "the toughest, most durable White Hunter ever ... to shoot a charging buffalo between the eyes while debating whether his sundown drink will be gin or whisky." Denys Finch-Hatton, "a great man who never achieved arrogance," whose charm was "of intellect and strength," who "would have greeted doomsday with a wink," could "tread upon inferior men with his tongue," and was "a keystone" in an arch of lives which fell at his premature death, "leaving its lesser stones heaped [and] for a while without design." And Tom Black, Beryl's messenger from Destiny, who taught her that "when you fly ... you feel that everything you see belongs to you [and you're] closer to ... something you've sensed you might be capable of, but never had the courage to imagine," but who summed up the effect of Kenya's growing attraction to amateur hunters (aided not least by his own services) with the simple words "lion, rifles - and stupidity."

Perhaps Markham's most poignant accounts are those of her interactions with the Nandi. For unlike Karen Blixen, who came to Africa as an adult and never entirely abandoned a white colonialist's attitude, Markham's upbringing enabled her to innately understand their world: "He thought war was made of spears and shields and courage, and he brought them all," we learn about young warrior Arab Maina: "But [in World War I] they gave him a gun, so he left the spear and the shield behind and took the courage, and went where they sent him. [When he was killed,] some said it was because he had forsaken his spear." And when her childhood friend Kibii returns to become her servant, now a warrior himself and renamed Arab Ruta, she realizes that what a child doesn't know "of race and colour and class, he learns soon enough as he grows to see each man flipped inexorably into some predestined groove," and while Ruta will still be her friend, "the handclasp will be shorter ... and though the path is for a while the same, he will walk behind me now, when once, in the simplicity of our nonage, we walked together."

Like most memoirs - most notably Hemingway's "Moveable Feast" and Blixen"s "Out of Africa" - "West With the Night" is a selective account; and as in those works, the omissions only enhance its power. Hemingway's much-quoted lavish praise is both deserved and all the more notable as "Papa," otherwise so thrifty in lauding contemporaries, intensely disliked Markham as a person. - Authorship of the book has been called into question by the claims of Markham's ex-husband Raoul Schumacher, and by Errol Trzebinski's biography (which relies substantially on third-party accounts and merely proves that Schumacher had time and opportunity to write the book, not that he actually did). It's a great shame that writing as lasting and beautiful as this should be marred by such a controversy. Frankly, though, I don't hear any voice but Beryl Markham's in this account; both philosophically and stylistically, I have no doubt that this is her story alone. And therefore, ultimately ... "What matter who's speaking?" (Michel Focault, "What is an Author?")

This is the illustrated edition of West With the Night, published by Stewart, Tabori & Chang, 1994. A handsome, quality book with a sewn binding, dustcover, and hardback boards that are quarter-cloth, 3/4's pictorial (clouds.) I think it is pretty! Heavy weight paper with something like over 125 illustrations integrated into the flow of the text.

I've recently read the "autobiography" "West With The Night" for a Hight School history class. While I found Markham's book to be a beautifuly spun story of growing up in colonial Kenya and life in the early 1900s, this book left me with more questions than answers. On digging deeper, I found that this book was written by her third husband, Raoul Schumacher. Also, I found that many interesting and scandalous parts of her life had been omitted from this historical tale. However, these things do not change the fact the "West With the Night" is a completly enrapturing tale of a very strong, determined woman. I only advise that you take this story with a grain of salt; and then go read the book "The lives of Beryl Markham" by Errol Trzebinski to get the real deal.

It is debateable whether or not Beryl's husband helped to write this story. He was a writer and must have inluenced her in some ways. However, there are books other than "The lives of Beryl Markham" that give insight to the depth of his inluences upon her writing and also present Beryl's opinion on this subject. In Beryl's "African Stories" compiled by a woman who interviewed Beryl it becomes clear that Raoul's writing style did not match the writing style of this book. Raoul focused on scandal and tried to write his own story about Beryl in which scandal played a large part to help make the book popular. In Beryl's opinion the scandals of her life were unimportant details. Horses and African life were her truths and the details surrounding these truths were what she wanted to convey to the world. She used artisitc liscence. One surely should be able to to use this skill if one is writing about ones own life. Stories are not required to be as reality shows are today. The book is not titled "West With The Night A True Story". It was not meant to be taken with a grain of salt. It was meant to immerse the reader, take them to a different place if you will and make them feel as though they lived it. Allow the book to be what it is, enjoy the fine writing and let it take you to where you may have never been before. Read further and discover more. It is a facinating mystery touched by so many factors many of which we may never know because the one person who could tell us whether or not she wrote the book is dead and gone.

Beryl Markam's controversial "West with the Night" gives a vivid, personal view of life in colonial Kenya. A geat aviator and race horse trainer, Beryl Markham gives new life to women everywhere.

I think everyone of any ethnic background could appreciate this beautifully illustrated text. It has even given me some historical context for a book I'm writting. I love it.

In Praise of Black Women is one of my alltime favorite books, beautifully illustrated and colorful, it does an excellent job at presenting ancestrial and legendary African women as leaders, smart, beautiful, sexy, brave, talented, spiritual, mystical, five dimensional...Every type is represented, from warrior to diplomat and everyone in between. Included, are the average everyday persons who performed extra-ordinary acts of faith and deeds. Purchasing this book new will set you back a bit, but it is worth every dollar...A home library staple and heirloom

"In Praise of Black Women" is a gorgeously illustrated volume relating the lives of ancient African queens, rulers and warriors from pre-historic Africa through ancient Egypt up to the 19th century. Twenty-eight remarkable women are profiled here, all of whom had a lasting impact on their time. Here you will find Queen Tiye, the consort of Pharaoh Amenhotep III; Makeda, the legendary Queen of Sheba; Nandi, the mother of Shaka Zulu, and a host of other fascinating women. Superbly narrated by Simone Schwarz-Bart in the tradition of the oral historians of Africa, there are also historical sidebars on each page to bring the time and place into fuller perspective. This book is a magnificent tribute to the women of Africa and to all women of the African diaspora.

In Praise of Black Women: Ancient African Queens is an astonishingly rich, gorgeous jewel box of information, artwork and the voices of women who changed the world interwoven with the words of "ordinary" women. This is a mission of true love and commitment--the work that went into it is evident on every page, and from that loving tribute flows the wonder of our Ancient African Queens and their inspring legacies. Everyone who is or knows or loves a Black woman will find this book a very rewarding read.

This is a beautiful book for all generations. The book is broken down into short stories. There is extensive use of pictures and historical diagrams which makes each story interesting for adults and children. This book provides the reader with a true sense of who these women were. It is a wonderful book for all families, especially those with young girls and teenagers. I wish all students and teachers had access to this book. This is not just for the African-American population. American children receive too much of their learning from "acceptable history" books and the movies, both which perpetuate an inaccurate picture of much of the rest of the world. I know this book opened my eyes and expanded my view of history.