Africa Books

After my recent move I decided to do what I've always wanted to do and that was decorate my home in African style. I didn't have a clue where to begin until I was given this book as a housewarming gift. Not only does Algotsson show you beautifully designed rooms but she teaches you how to develop "your interpretation" of Africa...she discusses general regional differences in designs and colors, textures and furniture pieces that are used...she then teaches you how to identify your own African style to create your own unique look. I've always been one to say I don't have a flare for decorating. I don't say that anymore. My home is beautifully decorated in African design thanks to the help of this book. This book is timeless.

I have lived, worked and travelled extensively in West Africa since the early 1970's and this is the first comprehensive book which assisted me in incorporating my beautiful art and artifacts into a living design for my home. I loved all the gorgeous pictures and the practical tips. The variety of design styles was also a welcome reminder of the diversity of Africa. I can't wait to read the next book by Sharne Algotsson. I only wish there was a magazine devoted to this subject as well.

This great book shows in text and photographs the various and beautiful ways that African artifacts: traditional fabrics, sculpture, paintings and drawings, popular and ubiquitous souvenir items and - most importantly - African-inspired motifs and designs, can be incorporated into (or the inspiration for) sophisticated contemporary room decor.

The authors have worked for the international design company Ikea, so their slant is design, rather than anthropology. They come at it in an energetic and engaging way. The result is a source book that is a visual treat, and a great home tour. The rooms - living, bed, kitchens (in which W. African design elements are adapted to ceramic tiles, with gorgeous results) and more - are lively, smart, and modern.

You notice in reading the text, and drooling over the abundant photos of the beautiful and stimulating rooms, that well-known European textile designers of the sixties (the Finnish company Marimekko, for example) owe a debt of gratitude to indigeneous African cloth designers. This is something I hadn't ever realized.

A lovely, inspirational, and worthwhile book.

I have traveled to West Africa and the Caribbean. This book helped me incorporate the artwork and artifacts I brought back from my trips into my day-to-day design. The things I have are no longer just "souvenirs," but are now part of an overall look and feel of my home. Now, when I travel, I have an eye for what I can do with my "stuff" when I get it home!

The authors and photographers have done a wonderful job.

I just happened to be walking in my local mall and got a glimpse of the cover and was sold from then on. I am probably driving my family crazy but I am now inspired to redecorate my kitchen to resemble an african market. Thanks!!!!!!

I ordered this book with some skepticism as i did not want to be drawm into another dreary account of the significance of the temples. I was pleasantly surprised to find this book very readable and throught provoking. Granted that throughout the book you are subject to the author's bias in interpretation (which he is forthright about) but it is an excellent way to add depth to a visit to the temples and as a starting point for further research if one so desires. Personally for me being a hindu, it was fascinating to discover the similarities between ancient egypt and our own vedic past which I am ashamed to admit I was rather clueless about!!

I used this guide when I travelled to Egypt in '87 and it served me well. I would have missed so many interesting sites if I had to relie on most travel books and tour guides for information on what I could and should see. I continue to use the book for info in my continuing studies on Ancient Egypt. Thank you Anthony West for your tireless efforts to bring to new light the many wonders of this astonishing place.

Now in a updated and expanded new edition, John West's The Traveler's Key To Ancient Egypt continues to be the definitive guide to all of the sacred places of ancient Egypt. The ideal traveler's guidebook is enhanced with maps, diagrams, and photos to accompany the history and spiritual significance of Egypt's art, architecture, mythology, religion, and ritual practices. From the Pyramids of Giza to the Valley of the Kings, this traveler's guide reveals the hidden meaning of monuments, ancient city sites, as well as new research on the dating of the Sphinx. Travel tips include tour information, Nile cruises, what to bring and what to wear, shopping advice, as well as information on money, hotels, and restaurants. If you are planning a trip to the Land of the Pharaohs, beginning with a thorough perusal of John West's The Traveler's Key To Ancient Egypt!

This book is essential for any traveller to Egypt with a mind that is even slightly ajar, let alone open.

West gives an alternative account of the meaning of the monuments and antiquities to be seen in Egypt, more esoteric (though certainly not more difficult to understand) than that which is usually presented in guide books. He points out the details which brought him to the conclusion that the Giza Sphinx is in fact closer to 13,000 years old than the 4,500 years old that has been traditionally believed, and has a different viewpoint to the orthodox school in many cases. He presents both sides of the argument, and gives the information necessary to make up one's own mind based on observation of what is actually there to be seen.

On my first visit to Egypt, my companions and I felt rather sorry for tourists in groups with official guides, because they seemed to be missing out on at least half of the story, and in many cases the whole point.

I was particularly impressed with West's analysis of the architecture of the Temple of Luxor, based on the work of Schwaller de Lubicz, and once it was pointed out how the whole building maps onto a plan of the human skeleton, I found it very difficult to refute.

Whilst I did not always agree with his conclusions on every occasion, it cannot be disputed that West has raised thoroughly pertinent questions which conventional Egyptology has either glibly brushed under the carpet or failed to address at all.

If you want a guide book with more than the basic superficial run of the mill tourist info this book is for you.

Lots of maps, tips and explanations of the deeper meaning behind the sites you're visiting.

I'm bringing this book with me on my trip!

Spellbinding. The introduction, written by a different author, presented a history of exploration in Ethiopia in relatively dry mountaineering terms -- typical "stiff upper lip" and all that. I was prepared to wade through a pedestrian account of a climber in a remote corner of the world. What I found, however, was the sheer joy and exuberance of a young climber rediscovering a forgotten gem. The climbing, though superbly photographed and described, takes a back seat to well-limned essays about Ethiopia itself, and the author's incredulity at the history, beauty and current state of the country and its people. Highly recommended for travelers and climbers alike.

This book is cool! Burhardt's photos and text capture the collage-like qualities of true adventure. Along with Burhardt and her intrepid companions, we get to feel our way through the colors, textures, people, and, of course, rock of Ethiopia. What a place, what a journey, what a story.

The incredible photography is what first grabs you - and indeed, it's published as a beautiful coffee-table style book. But once you start reading the text, it's hard to stop. Burhardt is a gifted storyteller and a poetic wordsmith. She shines an insightful light on a country that is so rich and complex - and so misunderstood. You will feel as if you are living the adventure with her - which is the sign of any great read.

I am neither a rock climber nor an adventurer so when a friend sent it to me, I wasn't sure it was my kind of thing... but wow! Its a great read! The pictures alone are well worth the cover price, but it is
Burkhardt's writing that is really fun and compelling, and often downright funny. Initially I wasn't aware that the intro was written by someone else and was a bit bored by mundane geography and geology facts, but within the first paragraph of Majka's writing she had me laughing out loud at her childhood impressions of Ethiopia via dinner table commands to finish her food due to African famines and singing all the verses of We are the World out loud with her friends. That was my first impression as well and I didn't know much else about the country today until I read this book. The rock climbing shots are amazing and the photos of the locals are truly beautiful. My favorite part of the story was a hair- raising tale of the climbers ascending some gnarly vertical spire only to get to the top where a bunch of village kids met them after scrambling up the back. I learned alot about Ethiopia and rock climbing, but mostly I enjoyed Majka's stories and Rogel's photos. I read it in one long sitting and leave it out on my coffee table to thumb through the pictures over and over...!

This is an amazing book. Both the writing and the photography are incredible - you get a real feel for the experience of climbing in a gorgeous and rugged landscape, and at the same time you learn a tremendous amount about Ethiopia and its people.

Compelling, uplifting and utterly absorbing, this book must certainly have been inspired by God. It stands alone in a yet-to-be-determined class, and must, in time, surely be regarded as a classic. HIGHLY recommended for readers of all denominations - including unbelievers!

Compelling, uplifting, and utterly absorbing, this book must certainly have been inspired by God! It stands alone in a yet-to-be-determined class, and must, in time, surely be regarded as a classic. HIGHLY recommended for readers of all denominations - including unbelievers!

I have just finished this book. Now I can hardly wait for the new one. The whole story kept me spellbound and I just didn't want it to end. The writer puts a lot of herself into all her books, and this, as well as everything she believes in, is portrayed in some manner in them. That's what makes them so special. I felt as though I knew right where everything was taking place. I could see Johannesburg on the map and just routed out from there.

I know that I know that I know that this is a good book! I have read many others of this period, and I find this one well written, excitingly paced, with charming characters. For me it's on a par with The Sound of Music in making belief in God attractive and real. Well done!

Thank you for being such a good writer. Your thoughts and the way you express them are pure beauty. Your novels contain such valuable ideas and are so well expressed that the deepest ones can reach the soul. Congratulations! And keep on writing. The world needs you!

There are many good books of reference on African American history published. However, this one ranks among the best. Well written, user-friendly layout, addressing a broad range of topics, this is recommended for a home or classroom library to teach that all members of a society contribute to its advancement and that our society must be inclusive of all members. Every child can be proud of his or her cultural and historical heritage in a country created by immigrants.

The author states in his introduction that this book is not to be viewed as a text book, but rather to be used as supplement. It's a rather comprehensive supplement with captivating text! This book is organized in easy reading segments that are all numbered 1 thru 1001 & also divided within 6 Parts (Sports, Culture and Religion. . .). I feel as if the author is talking with me personally. History boring? I don't think so with this book! I plan to use this book with homeschooling as well as "homeschooling" myself! Can't wait to learn more of what I missed in school!

It's not easy to write a comprehensive history book that is also engaging and user-friendly. Author, historian, and professor Jeffrey Stewart found the way. In 1001 Things Everyone Should Know About African American History, he pens a concise yet encyclopedic narrative that highlights the people and events underlying the amazing story of African American history.

Stewart organizes his work around six sections: Gretat Migration, Civil Rights, Science, Sports, Military, and Religion. This is a book you can read cover to cover or one article at a time in any order.

Reviewer: Bob Kellemen, Ph.D., is the author of Beyond the Suffering: Embracing the Legacy of African American Soul Care and Spiritual Direction .

This is a wonderful wealth of information written at a level that easily read and interpreted by students. It should become an addition to every classroom library.

Took me absolutely forever to read this book - months! But I loved it and certainly learned a lot. Stewart is to be commended for pulling so much information together in a marvelously cohesive book. Prints and photographs are terrific. And for those who want more on the subject, and there is more, believe it or not, there is a black history calendar, a desk calendar, also chuck full of history and info.

Shephard created a book satiated with texture, woven in embroidery of dyes and rituals. In African Accents, the author shares with us her stories through textiles. She recreates African accents for readers who have formerly collected pieces of cultural tradition and for the newly converted. Scanning through the craft section of any bookstore, one could notice a scarcity of African crafts, house style, and decorating books. With this book, Shephard undertakes a worthy task. The author's time spent in Senegal piqued her already flourishing interest in African design. Shephard prefaces each chapter with anecdotes, the significance of fiber technique, and facts about the fabrics used for the easy to follow hand-made crafts she shares later in the book. The author separates the fabric regionally and explains the social and rich cultural aspects tied into the various designs and processes.
The first part of the book is devoted to recreating the essence of each separate style of fabric, (that is, if you choose to). Some fabric recreations are simple and others are intricate including embroidery and weaving. Shephard cautions that replicating the fabric does not replace the real thing, but could rather deepen one's appreciation for the years of apprenticeship. In reproducing the designs on the fabrics, the book includes actual sized symbols with their meaning. Some of the Ashanti designs on the fabrics, the author indicates, are the equivalent of the European family crest.
In part two of the book the chapters are devoted to each room of your home and the art of gift giving. Secrets and tricks are provided to lend your pillows, clocks and picture frames the professional touch. There is certainly no limitation of "how to" procedures. I tried a few myself and although the suggestion of the staple gun for the kente stool fell short of my expectation (probably the gun itself) I pulled out the old hammer and nail and my stool looked unfailingly as Shephard had promised. Some of the crafts, if you were not handy with a sewing machine would be better left to the local tailor. Yet, there was a time when a sewing machine was a staple in most family's homes. The art of sewing and the practicality of its uses have been forgotten. But if sewing seems impossible for you, Shephard happily offers other easy alternatives.
This is a consummate reason for a recommendation of this slim book to be on the shelves of all art leagues. The book makes it apparent that Spanish and French artists popular in the 19th and 20th centuries have gained much of their appeal with the use of African art infused with their own. Shephard's passion for the continent exudes throughout the book, aquatinting the reader with crafts and fabric otherwise inaccessible. It is a craft-book du nouveau, a comprehensive history lesson, and a full color tabletop book. It is a significant forefront of a happily growing movement. Through this thoughtful undertaking the beauty of the textiles, that have been admired and used for years, could now have intimate meanings and representations. Choosing that kente, Kuba or mudcloth after reading Shephard's book will add new substance to its use.

Yasmain Broady-Soya...

African Accents by Lisa Shepard is more than just another book with homey decorator projects for the Do-It-Yourselfer. As Shepard makes clear in her introduction, her passion for genuine African fabrics is based on admiration for their strong colors and designs coupled an educated appreciation for the craftsmanship that goes into their creation.

Since she recognizes that collection of these beautiful fabrics may well be beyond the reach of the average pocketbook, she sets out to teach us how to duplicate the look with affordable materials and then provides detailed instructions for sophisticated decorating projects that are reasonably easy to accomplish.

Make your own stamps with potatoes, compressed sponges or rubber stamps to get the look of Adinkra cloth. Shepard provides over 20 different Adinkra symbols to copy together with their African names and meanings.

Choose from over a dozen images to create unique Korhogo designs (and I dare you to resist trying the panels and floor cloth projects in the book). Try mudcloth, Kuba cloth or Kasaii velvet.

The instructions are clear and the power of the designs would enhance just about any room in your home or office.

They would also be fairly easy for a school group or Scout troop to teach children about the strength and beauty of the cultures they represent. I can easily imagine a group of kids having a good time creating Adinkra stamps at a children's birthday party.

Shepard expresses the hope that working on the projects will increase the readers appreciation for the real thing. A quick glance through this lovely book will convince you.

This was exactly what I was searching for...beautiful, inspiring photos of projects that you can easily do for yourself. If has great graphic designs you can copy and use for stenciling, stamping, etc. Loved the cardboard spear and the textiles.

I must have bought 10 other books on exotic decor, ethnic decor and this is the only one that really thrilled me.

I enjoyed lisa's book but I'm not much of a craftsperson. I love african style, and came away with some good ideas. Some of these projects require more than I am willing to give. I'm into simplistic projects that look like there was alot of effort. The projects range from easy to not so easy. The are some good internet sources but some of them are no longer avalible. I have not attempted any of the crafts in the book but I'm looking foreward to Lisa's next release (coming out in October). I think her next release may be what I'm looking for.

Ms. Shepard's knowledge and appreciation for African textiles and crafts is shown with style throughout this book. The craft instructions are clear and easy to follow (even for a novice craftsperson like myself!) The photographs are terrific also, they act as real motivators to try some of these great decorating ideas. How refreshing to see a crafts and decorating book with culturally diverse appeal!

Having both lived in and travelled throughout Brazil in my youth, as well as having studied Portuguese and Brazilian History, Economics and Sociology in college, I consider myself to be a true "Brazil Nut". A while back, I reviewed a book on Amazon.com, Brazil, Five Centuries of Change, by Thomas Skidmore, which I gave accolades to, and I will applaud Uys' marvelous work Brazil for the same reason: it gives both the novice and the Brazil expert an excellent understanding for the complex history, culture and geography of this little known Latin American giant.

I can not hardly add anything to the great customer reviews. I took this book along on my last trip to Brazil and now I must encourage anyone who is traveling or has a deep interest in Brazil, read this book. Doing so may not only engrave visions of Brazil's history in your mind through an entertaining means, something that history books fail to do but it may also enlighten your understanding of why Brazil is the way it is and what makes Brazilians act the way they do. This is what it did for me. Thank you Mr.Uys

To view a country and write as seen through their people is a difficult task. Errol Uys' re-release of Brazil is a blazing success. This book creates an image and feel for the country that truly leaves a concrete imprint in the mind of the reader. This well-researched book is a facinating epic for fans of historical fiction as well as lovers of non-fiction.

Brazil's history, sociology, ethnicity, politics, etc. are as big and complex as the country size. To capture all these matters in a correct way in just one book is a task that's simply impossible. However, I feel that Errol Lincol Uys knew that, and what he has done in his book is to create a "big picture"of Brazil, and that was the right thing to do. His research and knowledge of the portuguese language are impressive for a non-brazilian, although there are many mistakes, in both aspects. When these mistakes were relative to the language, I found them completely normal, because portuguese is a very difficult and complexe language, even more difficult for someone who comes from a non-latin-speaking country. When the mistakes were relative to brazilian history and its further development, I was angry at first, but then I realised that Uys, as a foreigner, had access mostly to the "normal" and "adjusted" history of my country. Every country has its "adjusted" history, the history full of martyrs, dramatic situations, sword duels, fights for freedom, etc. That's the history that Uys tells his readers.

One other thing. As many authors dealing with the fictionalized history of a country, Uys makes a common mistake. He simply ignores the latest century. As a consequence, the book pratically ends at the turn of the twentieth century, and many interesting and important things have happened in Brazil in the XX century are left behind: Getulio Vargas, the transition from an agrarian to an industrialized country, the military dictatorship and many, many more. Of course, as I said before, it's impossible to completely cover an entire country's history in just one book, but "Brazil" could be two- or three-hundred pages longer and it would not be better or worse, just more complete.

So, in the end, "Brazil" is a good start for someone who is interested in the country. The book is mostly accurate and well researched, but it's just a gimpse of what Brasil really is.

Grade 8.3/10

Having lived in and travelled throughout Brazil, as well as having studied Portuguese, Brazilian sociology and Brazilian economics in college, I consider myself to be a true "Brazil Nut"...On Amazon.com, I have highly recommended Brazil, 5 Centuries of Change, by Thomas Skidmore, and now I will highly recommend Brazil by Erol Lincoln Uys for mostly the same reasons...it gives both the novice and the Brazil expert a true feeling for the fascinating history, culture and geography of this little known giant of Latin America. I especially like the final updated chapter which brings the reader up to the 500th anniversary of Pedro Cabral's 1500 Discovery of Brazil.

Very useful if you want to go there and understand the real Morocco. Well written, too.

It is all very well, but the main vehicle of culture is the language. This book is helpful in highlighting cultural features but a good section on the language would also be a good idea.

I have spent 3 summers in Morocco and 5 years with my husband who is Moroccan and this book clarified a lot aspects of Moroccan life for me. No matter how objective one may be about cultural differences, it helps to have a neutral party explain what is happening in a given interaction. I didn't even realize how much I suffered from culture shock until I read "Culture Shock!" Particually helpful were the author's comments on the difference in Western and Eastern concepts of personal space, public space and privacy.

In anticipation of accompanying my close Moroccon friend to his homeland on a business trip with another American, I read this book in one sitting and read it twice more before leaving for Morocco. It proved to be an invaluable tool to better understanding my Moroccan friend here in the states and it provided knowledge, information and tips that proved priceless during my recent stay in Morocco. I have no doubt that had I not read this book, I would have had a very different experience. This book enabled me to have the most incredible travel experience of my life despite the fact that I don't speak arabic or french. At the very least I had an understanding of this wonderfully rich culture steeped in tradition. I recommend this book to anyone interested in Morocco whether for travelling or simply interested in the country, their people and customs. While this book is ideal for someone relocating, I found it to be more useful than any of the other travel companions I purchased for my trip. Any future travel plans of mine will start with a purchase of "Culture Shock..." for that country.

After reading this book, now I'm all the more excited to go to Morocco. Hargraves paints such a vivid picture of the people, the culture. It is a complicated society, very foreign to my understanding and experience. And yet, as I read through it, so many times, page after page, I realize that the culture is so familiar, so like my experience. Most of all, I now understand that it will take a lifetime to learn to adapt to Moroccan culture. I am eager to see how the words lift off the pages and into reality.

Almost every page has nuggets and key points to learn and understand, and my copy is mostly yellow from highlighting. One aspect that I wish were different, though- Hargraves appears too often to accept the stratification in Moroccan culture, and the mistreatment of the lower classes, as par the course, and something Moroccans accept, and therefore something that we should accept, and something culturally neutral. There is so much good in Moroccan society, but, just as in any society, some that is not as good as well.

But that's only one small detraction in an otherwise great text. Particularly interesting is the quiz at the end of the book, where you test one's knowledge gained through reading. I've never seen this in any other culture or travel book, and it should really be more common! Hargraves doesn't just repeat information here either- rather, he asks the reader to intuit the answers not yet given, from the information that he's previously provided- and then of course, he provides all the possible correct answers.

I want to learn how to live and eat and talk and think, Moroccan. I want to see what it means to be a Moroccan who is so adept at adaptation to so many different cultural situations. I want to learn to engage in real Arab relationship, and to learn how to politely refuse a request, and how to be a good guest, and a good host. I want to learn how to serve the Moroccan peoples. If you're interested in this as well, then this is a book you need to get.

Dangerous Game is one FANTASTIC read.
Its gritty, its real, its brutal ... it's Africa. (T.I.A.)
I think that unless one has lived there, it's not easy to understand the `mentality' and politics.
This is a "shooter's" story, with lots to engage the imagination.
Warning: this is not a fairy tale, it is an Honest tale that flows quickly and will take you into places that will make your hair stand on end.
I can't wait for his next book!
-Dave.

This book is nonstop excitement gives you the the feeling of actually being there. While most books and movies tend to be politically correct on the subject of modern Africa Dangerous Game does not go that route but instead takes the reader on a safari that National Geographic would not dare go. On this this journey you will see the corruption, aids, drug smuggling, violence, and other things that would have Kipling spinning in his grave. I first heard of this book on sniper [...] and after reading the reviews and excerpts I was intrigued enough to buy the book and can't put it down Don Hollway is an excellent writer and look forward to reading more of his books.

I really enjoyed reading the novel. It seems to have captured certain themes of Africa rather accurately. I could readily identify with the descriptions and the way in which the characters played their parts. They, the dust, and the chase are real, and tangible to any person who has Africa in their soul.

Africa. Big game hunting. Army style. In this book Don tells the story of a Delta Force sniper that has major troubles in the streets of Mogadishu. In the aftermath he leaves the army but returns to Africa. As Don puts it "This is NOT Hemingway's Africa"! Drugs, corruption, wealthy man with his own private army, beautiful ex-Spetnaz sniper and ...well heck I ain't gonna tell you the whole story!!
Somali warlord, Kenyan government officials, CIA - gee them AGAIN - and real animal wildlife, and that's just the first few chapters!
What a read!!!

Just finished the book this morning (got it yesterday morning). This looks like a movie in the making. As an avid hunter and shooter myself I really appreciate the details. There is the true contrast between humanity and civilization relating to all of the classes of people detailed. The characters come to life with true authenticity and fervour and the battle of Good v. Evil rages on. The ending was wonderfully done and I enjoyed the book from cover to cover (so to speak.) The book is a must have for any hunter/shooter and the story is excellent. I must have a copy for my collection and and I fully intend to send copies to friends of mine. Truly one of the best reads I have had in a while all BS aside. Thanks for the opportunity to preview it and it was indeed well written. Here's your quote," No questions...a gotta have book!"

Another great discours from Aimee Cesaire reagrding the Europeans bumbling excuse for justifying the illegal acquistion of others peoples land and resources, and slavery. No wonder I personally have BLACK RAGE.

the quality of the product was the very best. it also arrived when i expected it too. i needed it in a crunch time and it came through beautifully.

This is a fascinating book for folks interested in the international decolonization movement of the 50s and 60s, and its relation to the Black Power movement in the States. The Discourse is beautifully written and passionately argued. The interview helps clarify Cesaire and Senghor's concept of "Negritude" as an early form of Black pride, rather than racial essentialism. The essay introduction is worthwhile since it puts the book in relation to Cesaire's poetic work and the Surrealist movement in France, America, and the Antilles. It's unduly dismissive of Cesaire's Marxist politics, especially since it goes against the spirit of the interview appended at the end.

I read Cesaire's 'discours sur le colonialisme' in one afternoon at a coffe place and it was captivating in how intellectually he wrote, with tinges of attitude in the words. A lot of the things he wrote about I already knew from studying a lot about Africa before and what ethnocentricism vs. ethno relativism means when applying yourself and perceptions of other cultures. This book is as applicable in the 1950's as today, I found that America seems to be the new France and Britain, as far as imperialism goes.

This book has so many good points about how one must look at the non Occidental world. Whenever I hear people talking about Africa in a degrading way in that the continent needs the Western world to give it medicine, schools, etc . . .it infuriates me with the lack of research these people have done. Although one can't expect everyone to know, but they would at least get a glimpse if they read this. They would see that it is the fault of the Occidentaux which is why Africa is in the state it is now. Before Europeans went there, the people of this rich, great continent had their own cultures, laws, languages, writing, religions that worked very well for them. Because they were different than Europes ways, they were viewed as primitive and uncivilized, but you can't measure a civilization by the same standards of another, far different one. Just because they didn't write their history down, doesn't mean they didn't have it. They used oral tradition for this, which is just one example of the European's prejudice. If Europe never went there, these African civilizations very well could have flourished and become great as the passage of time went along.

Colonization has done it's damage, Cesaire talks about decolonizing our minds, I wonder how long that will take to accomplish? I would recommend this short read to anyone who wants to try to get out of their own cultural shell and think about the way the world is viewed from the viewpoint of others, even though this book is seriously outdated and seems like the author has never even been to Africa.

Frantz Fanon is a more compelling read though (even though he's a bit of a misogynist), try "black skin, white masks" or "l'an V de la revolution algerienne/a dying colonialism".

In Aimé Césaire's "Discourse on Colonialism," She very blatantly voices her opinion that a (European) civilization that is:

...incapable of solving the problems it creates is a decadent civilization. A civilization that chooses to close its eyes to the most crucial problems is a stricken civilization. [and finally] A civilization that uses its principles for trickery and deceit is a dying civilization. (31)

As well as applying for both Britain's presence in Southeast Asia and the Caribbean, and France's colonial presence in Africa and the Caribbean, this powerful statement could become an equation for the line drawn between one country's involvements with another.

For example, here is an unmistakable connection here to the US' involvement in Iraq. Are we as a nation decadent? Stricken? Dying? The over $155B spent in Iraq (...) instead of other national priorities. Cesaire's points are very relevant to the times as she brings further knowledge and past histories into the damage of Colonialism: "...at the present time the barbarism of Western Europe...being only surpassed...by the barbarism of the United States" (47).
She talks about the `gangrene' of impartiality, in regards to the French hearing stories that are disturbing and pornographic. "Colonization, I repeat, dehumanizes even the most civilized man" (Césaire 41). A theme prevalent in films such as Black Girl, Chocolat, and Xala. It is easy to be impartial when one is ignorant.