Music Books

I highly recommend the Black Dog opera books. They're the perfect way to learn about an opera: They include cd's of the opera by outstanding singers, photos of performances, historical and critical commentary, a scene-by-scene summary of the plot, and the complete libretto in both English and the original language, so you can play around with the translation if you're interested. They can't be beat.

This is a wonderful study score to Rossini's wonderful masterpiece. The story of a Barber named Figaro, who is the person that everyone comes to seeking advice.
It's easy to read and the size is standard (9in x 12in). It lies easily on a music stand or desk. It's low price is great for the starving music student. I highly reccommend this for professionals and opera-goers alike.

Be aware that the book shown when you take a "Look Inside" is NOT the book you get. What they show is a bound copy of the musical score with the libretto added. What you get is the libretto described in the written review, no musical score. That having been said, the book you get is useful and of interest, and the CD is a great recording.

One of Rossini's best operas, the Barber of Seville, is immortalized here in another one of Dover's fine scores. From the fast-paced overture to the "Figaro" aria (both made famous in old Bugs Bunny cartoons), this opera is nonstop greatness.

As usual, Dover has provided us with a book of the highest quality: they sew their books instead of gluing them so as for them to stay bound and be flexible, and they print legibly. Unfortunately, legible print is becoming disappointingly rare in modern scores, but Dover is the exception.

For a great score of a great opera at a great price, you can't go wrong with Rossini's Barber of Seville.

This book and CD set are the perfect combination for those who are new to the world of opera and not fluent in foreign language. Better than just a synopsis, the libretto in English lets you read every word so you won't miss the humor or pathos. As a homeschooling mom, I really appreciated this set as a teaching tool. I hope to increase my collection of The Black Dog Opera Library series.

The reason I could call my review Tight boy and his violin because He was the bomb. I meen like he was the bat boy and he had it good because if you wer at my school C.L.A.S you couldent be no bat boy or a water boy . My school cause it self C.L.A.S because it stands for CULTURE AND LANGUGE ACADEMY OF SUCESES se THE C IS CULTURE AND THE L IS LANGUAGE AND THE A IS ACADEMY AND S IS FOR SUCCES. But yeah some of the other books chek me out like darnell rock reporting or this one oh yeah thats it.

Reginald's father is the manager of a baseball team in the Negro league. Reginald would rather play his violin than anything else. His dad signs him up to be a bat boy. Reginald plays his violin for the team which starts them on a winning streak. Shows insight into world of music impact and Negro ball players.

Reginald's father is the manager of a baseball team in the Negro league. Reginald would rather play his violin than a else. His dad signs him up to be a bat boy. Reginals plays his violin for the team which starts them on a winning streak. Shows insight into world of music impact and Negro ball players.

My son and I absolutely loved the story and illustrations. We can't wait for Gavin Curtis to write his next book, and for E.B. Lewis to illustrate his next book. Continue to keep up the high standards for children's books. We love to read! Reading is one of my most favorite things to share with my son who will be 5 in July. Thank you again to the both of you for a book well done!!!!!!!!!!!!!!!!!!!!!

This book has so many themes superimposed on one another, but they are all presented within the context of a wonderful story about a boy who just wanted to play his violin.

Set among the context of the Negro League era, Reginald's father decides one summer to make him bat boy for his team. The team is down on its luck, and Reginald's heart isn't in this assignment, but everything comes together for him and the team one day.

The history of the era as gently portrayed in the travels of the players is presented for young readers. The story of being true to yourself, and of parents learning to accept that in their children, is here as well. Above all else, the story of Reginald and his journeys with the ball players is a story of hope and triumph among the community in a time that was not always seen as one of hope. Along with all of this, the illustrations of E. B. Lewis capture these themes beautifully.

What a mouth-watering collection of guitars this book has! Photography is top-notch, and the narrative is crisp and well written. I should say a must-have for guitar fans of all genres and tastes. Highly recommended...SSZ

Not as detailed as I would have liked; however, as a guide to the ideas behind the Blue Guitar effort, it exceeded my expectations. Would have been nice if the excellent graphics and photography were supported with coffee table book sizing.

Blue Guitar is a sweet tribute to Jimmy D'Aquisto as a guitar maker and to Scott Chinery as a collector of fine instruments. The impeccable workmanship of the instruments in this book is a small oasis of patience and craftsmanship in a fast-food culture. It provides an insight into the type of people that create these wonderful pieces, as well as the zeal of one person whose passion was acquiring the best of examples of this art form. You don't have to be a guitar junkie to enjoy this book. It's fun to read and real easy to look at.

The book is an execellent reference to anyone interested in the making of guitars, and to know who presently, are among the "elite of luthiers".

Scott Chinnery, an avid collector of guitars, was instrumental in re-igniting a passion for the revival of the arch top, semi-acoustic guitar. It was Chinnery, that approached twenty two of the finest luthiers, and inspired them to the task of creating an eighteen inche (wide) semi-acoustic guitar. Chinnery also requested the guitars be made "blue" - all luthiers used the same color, yet were free to formulate and apply the color as they indivudally desired. The results and finding of this work becomes the topic of the book.

The text presents a challenge to continue the work initiated by these craftpersons. It is "inspirational", and very informative.

What does the ultimate blue archtop guitar look like? 22 master craftsmen were posed with this challenge: "make an 18 inch wide acoustic archtop guitar...make it any way you want, as long as you make it blue."

A virtual competition ensues as the top 'luthiers' get down to business creating their personal vision of the finest blue archtop. Scott Chinery, a collector of fine guitars had amassed a collection numbering over a thousand pieces when he had the notion to commission the best craftsman to make a blue archtop. You don't even have to love guitars to appreciate the wonderfully varied interpretations that came about as a result. The pride of craftsmanship shines through on each and every meticulously crafted piece. This is a handsome book richly filled with photographs of these masterpieces in blue, and the talented men and women behind them. This book is a gem for the price.

One of the best books every written about the Broadway Theatre. Lots of little known facts, lots of pictures. A fountain of knowledge and a must have for every Broadway buff.

This is an amazing book that covers from Gilbert and Sullivan to (almost) present day.
It is very much worth it's weight in gold if you love Broadway and Music Theatre.

This book is great for anyone - from the Broadway musical savant to the average curious person to the theatre student.

If you've seen the PBS television series, Broadway: The American Musical, this book acts as a fantastic companion and will look great on your bookshelf or coffee table!

It's virtually exactly the same as the DVD in terms of following the chronology of the development of Broadway but the great thing about it is it seems to come with additional pictures not seen in the series and great quotes. Forget about flicking on your DVD! If you need a quick reference you could turn to any page and find something interesting about Broadway to read about.

If you enjoyed the series and are passionate about Broadway, I would thoroughly recommend this book as it has everything in there that you'd need to know. Enjoy it!

If you're into theatre, this book is a must-have! You won't find any other book that gives you such a detailed and accurate history of Musical Theatre. The pictures are great and the reading is outstanding!

This book is great for bringing the artwork alive! My kids favorites are the bumblebee and skeleton song and picture. Very well done.

This book and accompanying cd are awesome and so great at helping children to understand classical music and the stories and emotions that it conveys.

This book has wonderful pictures and the accompanying CD lets the user expand with questions and dialogue. Great resource!

I absolutely adore this book. As a preschool music teacher, I search for ways to make classical music interesting and fun for young children, and I think this book has done it. With colorful, beautiful artwork and fun musical selections, children love listening closely to "find" the items that are "described" in the music. For young children like mine, I pull out this book occasionally to work on critical listening skills by putting on one or two of the pieces at a time. The only thing I would have liked better is a little more variety in the musical pieces. Vivaldi's Four Seasons and Carnival of the Animals are both used 2-3 times.

This elegant picture book and Cd combo provide adult and child partners at any level of maturity with a trip to the Metropolitan Museum of Art and the symphony concert hall at the same time. Page after page provide opportunites for delight,discussion and description. We danced, we laughed and we were amused ,even deliciously frightened, by the music and visual art. Brilliantly done, and available to experience during any season of the year, again and again.

Absolutely necessary reading for those interested in American alternative cinema and not only. The book gives a brilliant picture of USA's one of the best directors ever.
Highly recommended for everyone. No other book shows Cassavetes in this light. Packed with interesting material, as good as Cassavetas' cinema itself.

Ray Carney's "Cassavetes on Cassavetes" is a wonderful introduction to Cassavetes' work. I found it to be a great read - amazingly free of academic jargon or fancy terminology. It was hard to put down! And with incredible photos of the wild-man at work. A must for every fan of indie film as well as aspiring directors and artists - and also for students of life! If you want to know even more, I'd also recommend Ray Carney's massive web site devoted to Cassavetes and indie film. Any search engine will take you there. It has wonderful behind-the-scenes information about the making of Cassavetes' work. If you want a volume to provide ongoing daily inspiration and encouragement regarding the artistic process, buy this book. It is a book you will go back to again and again and again...

Ray Carney's done a great service to film fans by bringing Cassavetes' scattered talks and interviews together into a coherent statement on art. Carney shows how Cassavetes' whole process of filmmaking was tied to his outlook on life. Combative, spontaneous and deliberately amateur, he aimed for situations where writer, actor and viewer are all left without direction, forced to respond to the story as individuals rather than reach for pre-approved 'social codes'. He savagely edited his films to defy audience expectations, usually rejecting versions that the studios, his collaborators and even his wife liked best. Some of Cassavetes' statements made me wonder if he did this to edit some part of himself--the Greek immigrant son made good, with the blonde wife and kids and Hollywood home. In some ways he was an insider desperate to stay on the outside. Conflict was fun for him, he thought America needed more of it, and the messy collaborative 'families' he built around each film were his alternative to the button-down corporate society he fought against all his life.

As Carney presents him, Cassavetes wasn't out for the money, the glory, the ego or ultimately maybe even the art. He wanted fun, he wanted friends and he wanted people to really live as individuals. Are there folks like this around anymore? We need them more than ever.

If you're intrigued at all by the work of John Cassavetes, this book is well worth your time. The book itself is a collection of interviews Cassavetes gave through his entire life, edited into chapters that correspond to the movies he talked about. The excerpts themselves are pretty interesting, but it is author Ray Carney's commentary in between quotes that really makes this book worthwhile. Carney gives us the back story, and fills in the missing parts, but he also sets things straight when John rambles into fiction. It's easy to see that Cassavetes liked to talk about his work. There are over 500 pages on roughly a dozen films.

If you are new to Cassavetes and read this book, you'll want to view his films. I have only seen a handful myself, but his total commitment to getting them made is so impressive that I feel ashamed to have not seen more. I saw my first Cassavetes film in college and felt that it was interesting, but a little over the top in places. As I get older, I think that real-life might be more over the top than I first realized.

John Cassavetes passion for making movies shines through in this volume. Ray Carney's insight tells the rest of the story. If you are interested in independent film making, this book is a must.

My half-hearted browser's interest in Cassavetes needed a kick in the seat of the pants, I now realize, and reading this book shows me how much I failed to appreciate him while we were lucky enough to have him around. The format is eye-opening. Cassavetes speaks, and then the author. The constantly shifting P.O.V., and the frisson between the truth Cassavetes himself presented, and the unvarnished truth as discovered by the author, makes this book constantly stimulating and endlessly arguable.

Cassavetes life and films are worth a serious look-see -- and this book is an EXCELLENT place to begin that-- if only because he is that rare individual who absolutely refused to accept mediocrity in himself and others, both as an artist and a committed liver of life. He went for the burn every time out, and could often be an ornery s.o.b. when he detected that people were simply going through the motions in their life or art. (The book is rife with anecdotes that literally make you wince and leave you wondering "Could I have long tolerated this behavior in a friend or family member?") He seems never to have thought "I'd better not burn my bridges here", or practiced any of the other forms of incremental, over-thought cowardice that most of us do.

Cassavetes was driven like no one else; he never made a lazy, easy commercial film. He let his life and films commingle, letting the cameras roll for hours, shooting thousands of feet more film than he could use, afterward sculpting it into a shape that could be released. (He said film stock was the one part of his film making on which he would never scrimp.) His films were, probably more than any other director's, explorations of life.

Cassavetes lived life so completely that it might be truthful to say he did something the average person would call foolhardy nearly every day of his life, in some way or other. But in spite of this, or because of it, it's impossible to come away from this book without an awakened admiration for him.

Brian Epstein's magnificence and decency as a person, and secondly as manager of the Fab Four, is what really comes across in this warm, revealing account of the rise of the Beatles. I really think that had Brian lived, the boys would never have split up. Argued yes, but split, no. Not if Brian would have had his way. His integrity (such as not going back on a contract, even though it would have meant the Beatles could have made a ton more money) makes me respect him highly. One such incident was referenced by the Ed Sullivan show, which was contracted at a measly amount, before the mop tops took America by storm and were commanding much larger contract dollars. It's seemingly rare to find this kind of integrity in the entertainment industry, and probably garners the criticism of those who later said Brian was a 'poor' manager, not getting the Beatles their due share. Maybe true...but I don't think anyone around them loved the boys more than Mr. Epstein. There's a very interesting anecdote about Brian's wavering loyalties at one point. He was so tired of the strain and the 24 hours a day work that came with being the Beatles' manager, that he considered selling his contract with them, for a good amount of cash. When confronting the boys with this idea, they thought he was joking, then realizing he was serious, threatened to pack up and quit if Brian left. Brian's quote in this regard speaks to his admiration and loyalty, in return, to the boys. After telling his prospective dealer that the deal was off, Brian remarked:
'And this was the point. The Beatles are not a deal. They are unique human beings and I believe that even if the whole thing peters out I will always be with the Beatles. I would like to look after them in some way throughout their lives, not because I want a percentage but because they are my friends'.
And a true friend they, and we all, lost when Brian passed.
Thank the stars above he brought them, and their joy, to the world with his unflagging, unwavering hope and belief that the Beatles were, and are, a once in a lifetime 'deal'.
A must read for any Beatle lover.

This is an interesting book, though you'll likely have read the story elsewhere in other Beatles books. But it's from the manager's mouth, so worthy in that regard. Some trivia: When (homosexual) Brian asked the other Beatles what he should title the book, John--with his cruel streak--said, "How about `Queer Jew' or `Cellarful of Boys'" Ridiculously, Lennon's cruel streak made Epstein just more infatuated with John!

Just to counter the praise of Brian Epstein's writing in the review below: Epstein didn't write the book; his and the Beatles' press-man Derek Taylor ghost-wrote it (and he himself said he thinks it would have been better if he hadn't written it so quickly).

Brian Epstein, by writing this book in the middle of the Beatles phenomenon, provides us with a great snapshot in time - a time unlike any other before or perhaps since. Without being conceited (in fact, he reveals in his own words many of his own faults) he provides a fascinating insight into what was probably one of the great judges of pop music talent of the last 30 years. Reading this now, knowing how Brian's life was to turn out, leads one to wonder just what might have been. His style of writing, more conversational and "simpler" than one might have gathered from his outward appearance, makes this an easy and entertaining read and a must for Beatle fans.

This book is probably one of the best books I have ever read. I read it constantly and I never can put it down. It is the most beautifully told story of the early beatles from someone who was actually there. A must for ALL Beatles fans.

This is an excellent book covering almost every aspect of not just chanting but understanding what all those lines, dots and wiggles surrounding the text in the chumash mean. There is a complete rundown of every te'am and how it fits into the context of the verses, and there is an example in a later section on how each te'am is chanted, basically in the Ashkenazi tradition. There is also a lot of interesting history of the development of the Torah scrolls and history on Torah and Tanakh traditions and also a section on pronunciation.

One word of warning. In order to understand the significance of the te'amim in the context of the verses, you need to have a fairly good knowledge of biblical Hebrew, both vocabulary and grammar. The context of the words in a verse determines which te'amim is assigned to their accents. This is, of course, separate from the te'amim that are assigned to indicate the vowels and pronunciation.

If you want to know absolutely everything about chanting Torah, Haftarah, or one of the Megillot, this book is for you. Every special circumstance is discussed, every rule of reading is discussed and the history and evolution of how and why we chant the way we do today is discussed. It is a wonderful resource for those who teach trope.

This book is a must for anyone seriously studying the nuances of cantillation. This large tome includes chapters on grammar, punctuation, and epistemology. I recently heard a lecture on the meaning of the trope (musical notation)in relation to the meaning of the Hebrew words; amazingly, they informed each other. Such information fills these pages. My son, who studies old manuscripts elaborating some of these topics, was thrilled to receive this book as a birthday gift. The author, Joshua Jacobson, is also the director of a chorale, specializing in Jewish music and his CDs are well worth the price. He's a master in many areas of music and I was fortunate to attend a conference recently where he was the keynote speaker. He's an outstanding scholar and a mensch.

I know of no book that can even compare to the scope and depth of this one, therefore I cannot give it anything but 5 stars. It is a thorough reference of the history and melodies of the cantillation, including a CD and musical notation of all cantillations used for public reading. It is appropriate for all levels of knowledge--from a beginner to an experienced reader.
The grammar he presents is not quite up-to-date and there are minor problems with the phonetic notation he gives certain letters and vowels. However, all in all it is quite excellent.

It is a great book that finally shows that the cantilation is not arbitrary, how it contributes to the sense of the text, how
it works with grammar. Instead of teaching the Taamim as
a dogma, it actually shows how one can understand a text and
put the Taamim himself. It also reveals the grammar of the texts.
I bought four more for my friends.

Have you ever had the experience of discovering that a great talent resides in your neck of the woods? That is the experience I had upon reading Nathan Singer for the first time with his novel Chasing the Wolf. I picked up this novel because the subject of the blues combined with a visual artist appeals to me (I am a visual artist my ownself). The whole 'connection' involved in this novel was enjoyable to me as I discovered that the author Singer resides (and instructs) in my native city of Cincinnati (He is an instructor of creative writing at the University of Cincinnati). I have now repeatedly kicked myself for 'missing' the performance of this well constructed story on stage. You can be sure it is not a mistake I will make again if I ever have the chance to see any future works by Singer performed on stage. If you enjoy the writings of Joe R. Lansdale and Neal Barrett Jr (to mention just a few of the authors that Singer 'relates' to) then you owe it to yourself to read this novel. I feel that Singer strikes a familiar 'chord' with Lansdale in particular, as Singer's writing 'resonates' with issues of race and social relations. In ending I'd like to extend a note to Mr. Singer, if ya ever need an artist to adorn your book covers, I'd love to take a stab at it!

I was fortunate enough to have Nathan as a guest on a radio show I hosted in Cincinnati many moons ago when Chasing The Wolf was just being written. The other fortunate part was hearing him read passages from it on the show. A prolific artist, in Chasing The Wolf, Nathan has written a fine piece of literature and it also shows that he's been developing his unique voice for some time. A great read (I'm not sure how close the published version will be to the computer-printed copy he presented to me, but I enjoyed it tremendously) and well worth the investment of time & money.

Chasing the Wolf is like the cyclone from The Wizard of Oz--it picks you up and you stare through your window at whirling faces who transform from the ordinary into nightmares. Only in this case the cyclone sets you down someplace much darker than Oz.

Although the plot involves time travel, it doesn't have a have a science fiction feel to it at all. Like Richard Matheson's Bid Time Return and Jack Finney's Time and Again, the focus is on the characters, not the mechanics of a time machine but this is far more dangerous. Octavia Butler's Kindred is the closest thing I've ever encountered: dealing with race relations and devotion beyond time.

I'm not normally the type who wants to read a happy-ending version of King Lear or hope for Lear II: Regan's Revenge but in this case I would love to see more of these characters and the world of this novel. Just the theories of Time-walking that one Walker develops are better than any hard-pseudo-science explanation. We get a glimpse of something incredibly intriguing and it ends before I was ready to let go. It's like watching a beautiful woman begin to undress but then she sees you and yanks shut the blinds.

I highly recommend Chasing the Wolf but don't start it at night if you have to wake up early in the morning.

Chasing the Wolf reads like a chase, with a writing style, and page layout that forces a reader to keep turning, keep looking, keep chasing, as our main character first stumbles, then chases through time. A love story, an artist's story, a fantasy, an ode to Robert Johnson, and oh yeah, there's time travel too, all crafted together with bits and pieces of everyday sarcastic goodness. The highlight of the storytelling is the dialogue. Writing conversations realistically, to the point where the conversations are believeable is a difficult thing....but Nathan makes me feel like I'm eavesdropping.

I'm not sure if Nathan was on speed, or heavily caffeinated when he wrote this book, but the story moves at a pace that leads me to believe that must have been true. And, as the story jumps from NYC to little towns in Mississippi, from present day, to Depression-era, the reader just goes along for the ride. Nathan writes with the flavor and color and humor of Vonnegut, and the images fall into place without overly excessive detail.

Hot shot, hipster, high-art-society New York City....to rural, small town, dirt roads....and this is just the first ten pages. "Everyone in New York is "neo" something" - well Nathan Singer is a neo-literary-genius.

A modern-day Billy Pilgrim (Eli Cooper from twenty-first century New York City) meets 1930's Mississippi blues heroes, friends, and eventually foes while searching for answers in pre-modern times. Similarites between past and present cultural issues surface in surprising ways to make this book an important read for people from all ages and walks of life.

Electrifying images with intense feeling. Fine photography by Raeburn Flerlage and superb editing by Lisa Day. What a moving adventure to turn each page. I felt like I was in the audience and part of each photograph.

The blues are not just notes and lyrics, instruments and people, but, more a frame, a view of the world, and of life, from inside and under.

Raeburn Flerage's evocative photographs and commentary, partnered with Lisa Day's luminous editing, have given us all a rare opportunity - a chance to take that view through Flerage's camera lens and rembrances.

Black and white - could the pictures be anything but black and white and all the muted tones of grey inbetween? And could the comments be more laconic and straight to the heart of the Blues?

I do not think so. I cannot reproduce the sensation in this review, but Flerlage's description of a 1964 performance of Sam House, tells the tale and paints the picture: "After a brief ingratiating smile, his face change dramatically, first slowly but then swiflty as the lyrics changed he projected those terrible moments that haunted his memory. When he sang "Death Letter Blues," he saw his dead girlfriend, "lying on the cooling board" and it made your own blood run cold. The scene was reflected in his face, sounded in the violent guitar strokes and his painfully forced voice. Unforgetable!" Unforgetable indeed when those lines are coupled to the stark photos of that performance by Lisa Day's skillful use of words and pictures, white and black and grey.

We weren't there. We can't really know the feelings. Like Sam House's comments on hearing his lyrics sung by an up-and-coming, young White blues pretender - "Those are my words all right, but it sure ain't my music." - we can't know it unless we are inside, down and under. "Chicago Blues: as Seen from the Inside" takes us about as close as we can get visually. Turn the pages with real blues in the background - "Unforgetable!"

This is the best photo documentary of a music culture I have ever seen, the photos are so alive you feel you are there, you remember when you were there, even if you never were. The text is as beautiful and intimate and truthful as the photos. The scope is big and very complete. I spend hours, looking and looking again, reading and re-reading. I close the book and the music stops.

I met Flerlage a few years ago in Chicago when I was doing some research for a now-forgotten project and I went through his collection of fantastic photos with him in his apartment and loved every second of it. The composition and lighting in these pictures is beautiful, and he catches something of the energy of the performances that is pretty amazing. Flerlage isn't one of these precious blues prigs (e.g., Steve Calt) who spends all of his time trying to protect some pet thesis and trashing everyone else's work relentlessly, but is a real dude who lived jazz and blues on the South Side in a way that few other writers or photographers have. The result is what you see -- great photographs, on the ground, in the clubs with the people who made the scene as wild and energetic as it was. If you want to see pictures that give you a real taste of the power of jazz and blues in teh 50s and 60s, get this book and linger over these fantastic photographs. You won't regret it.

Someone sent me a copy of this book...what a find. Whether you're into Blues greats of the 50's and 60's, or just into good photography, this is worthwhile. Some of the greatest black and white photographs I have seen. Puts your right in the smokey clubs of South Chicago, and in the artists' face. Sensitively accomplished and carefully assembled after 40 years. Photographer Raeburn Flerlage had a remarkable feel for the soul of the music, and a love of these peformers, and was granted unusual access to their lives. It shows in the photos, both candid and peformance, if there is a difference here. A lovingly crafted collection, and a time capsule of a age fled, a city now changed, that gave us an American art form. Done by a photographer with the soul of a poet. Excellent notes by Flerlage, now in his eighties. For music lovers, a must have. Ditto fans of Chicago.