Music Books

This is a great book if you are a huge American Idol fan and you want to know behind-the-scenes stuff. There's a lot of info. about each of the contestants as well, from their favorite color to their birthday. My favorite AI% was Jessica Sierra.

But, I have one question: Where's the Season 5 book? :)

WHEN you read this book it will let you know what happend
behind the scencs of american idol! and you will also learn
more about the top 12.MY favorite idols are CARRIE UNDERWOOD
and LINDSEY CARDINLE they are fantastic singers.IF only
lindsey wasnt voted off so quickly! BUY THIS BOOK its AWESOME!

This book is pretty good. There are some bad things like since it was published and released before Carrie Underwood won, they don't show the winner like screaming, crying, being happy, blah, blah, blah. I watch the show every night and never missed an episode. The top 12 finalists are Lindsey Cardinale, Mikalah Gordon, Jessica Sierra, Nikko Smith, Nadia Turner, Anwar Robinson best!, Constantine Maroulis, Scott Savol, Anthony Federov, Vonzell Soloman, Bo Bice, and Carrie Underwood. They are in order in which they were eliminated from AI. The best is Anwar Robinson because he just sings great, looks great, never nervous, and so on. I think he should have been voted off near the end. Overall this book is awesome.

This book is a great book to get to know the Top 12 a little better. It has quick facts, pictures, and a bio of each of them. Plus some behind the scences stuff, never- before seen pics, and them shopping, etc. When I met the Top Ten (but not Bo), I had them sign their page, and it worked out great. I love it!

I thought it was a good book, had lots of good quality pictures in there. The only complaint I have with it is it came out too early. It should have come out after the season was done so they could have the last final weeks in there and the winner showing her happiness. That's the only complaint I have is it should have been published after the season was over with. Otherwise it was a good book.

As someone new to the singing scene, I find this volume to be my "go to" resource for my voice lessons. Purchased on the recommendation of my voice teacher, it has all the tenor arias you need--wherever you are on the singer's journey...The major repetoire is represented; all the major langugages. From "Amor ti Vieta" to the more recognizable arias, I expect this volume to be with me for years to come.

The book is a great collection. The book was in excellent condition, priced aptly, and delivered promptly. I can trust Amazon.com...

I use this book constantly in my teaching. I love it.

"Arias for Tenor", a G. Schirmer Antholgy(opera), is a plended collection of originally keyed scores of tenor arias from some of the most famous works of all time. Layouts of "Don Giovanni" and "Rigoletto" are just a couple of classics sung by the greats of opera that are obtained by purchasing this book. Whether you are a professional vocalist or an aspiring opera singer, this is definitly a valuable and sound investment.

Sylvester Allen
Greensboro College, NC

As far as i am concerned it's the best book that is just made-written for tenors and people who are students at the conservatories-music schools as me ,should truly benefit from it,

I really liked this book. The pages shown in it were raw with emotion, but there were also several clever ideas for journaling outside of the pages of a book. My favorite part was the blurb in the words of the contributors after each of their projects. I wish more art journaling books included that because having the peek into the mind of the creator really helped me to appreciate their art on a deeper level.

I think this is a great book for anyone serious about any kind of journaling. Exploring negative feelings and experiences and growing from them is a wonderful lesson whether your preferred journaling medium is a full arsenal of art supplies or just a pen and paper.

woman: That's How the Light Gets In: Memoir of a Psychiatrist by Susan Rako, M.D. The title comes from a song by Leonard Cohen: "There is a crack, a crack in everything. That's how the light gets in." Rako's book is fascinating, inspiring, and wonderfully well-written. It's a testamonial to the importance of listening to oneself and daring to stand to one's truth. It's a great read. The writing just flows.

I just love this book! It confirmed what I've known and practiced for many years. Journaling helps bring a balance and healing to my life. What I didn't realize was how when coupled with art expression it magnified the effect. I took a one hour art therapy class at college years ago, so this set the foundation for this concept. I appreciate the openess in which the artists and writers share their stories and examples of their creations. The work is beautiful. The book is well written and well illustrated. My mother passed away last year. I have begun my own art journal titled, "The darkest day; the darkest night." It has been so helpful to me that I have taken this great book to my school and shared it with some of my students and they are creating their own creative art journals. This book has touched my life and now is touching the lives of some of my students. Thank you Sharon Soneff for sharing this great work and for all those artists and writers who shared their stories!

It is true not to judge a book by it's cover. The cover of this one had me passing it by- but I happened to look inside and was hooked. This is ALL about the content... yes, there is lots of eye candy- but these are pages where people are working with content. Loss, illness, life changes, but also births and motherhood, moving, frustrations, difficult relationships, financial worries... but not as pity me sorts of pages, or agony aunt conversations- these are beautifully rendered, heartfelt, real thoughts and feelings of living and breathing people who are just sharing what real life is like sometimes. Artists who happen to be women keeping it real in the pages of their journals fill the pages of this book with their stories, essays, and their work. If it is all about the pretty or what the newest technique is, this one isn't for you. If it is about the journey, the process, the work- it's a good one. Buy it - you won't regret it.

I'm the author of:Mixed-Media Nature Journals: New Techniques for Exploring Nature, Life, and Memories and True Vision: Authentic Art Journaling

While other books can inspire technique and artistic skills this book
focuses on the reason that we keep journals. When we are alone with illness, dislocation, pain, worry, grief or other troubles we don't always have a friend to talk to. But we do have the journal to confide in.

I respect and thank all the people who contributed to this book. It has made me see how journaling can be a tool for ministers, friends and family to reach through and encourage someone who is suffering. Also, we
will never know when the day presents us with a demon that we must live with.

Art has power to move through time and place as do words. This book is more of a testiment of how many people used journaling as a pair of waterwings while swimming through unknown waters. Their generosity is
wonderful. The book is an excellent tool and motivator.

This book is great! The articulation studies are hip and tricky, and you can actually use them in a "real life situation". There are also some interesting articles on various jazz trumpeters. I highly recommend this book.

Without a doubt, John McNeil has done something with this book that has long been overdue. With the advent of jazz education, so much focus has been put on what to play, rather than on how to play it. McNeil presents exercises that go beyond the simple articulation of scales and puts them in real world situations. Furthermore, the author addresses technique issues that most other jazz trumpet books fail to even acknowledge exist. The section on alternate fingerings and different ways of tonging, that are so important to today's jazz improviser, are throughly covered through simple explanation and execution. Not to mention, the accompanying CD has several examples being performed by astute trumpet players who play through them with the ease of a basic stamp warm-up routine.

Quite possibly, the most important part of the book is the section on finger technique. With three pages full of finger twisters for the jazz trumpet player to navigate, the trumpet player will find more fluidity in their performance, resulting in better solos and overall better trumpet facility. This book should be required to be used by every trumpet player, commercial or not. The result will be a much more technically proficient musician, no longer hindered by a lack of technique, but rather, aided by a plethora of it.

It is important to realise that unlike many other jazz books this book does not set out to try to teach you how to improvise, nor is it a jazz theory book. You would benefit from at least some working knowledge of both these topics before you embark on this book (I would recommend something like Levine's The Jazz Theory Book if you need more background). Instead it helps you to develop the more technical aspects of jazz trumpet playing through exercises, etudes and well-written text.

The first part of the book covers the history of jazz trumpet from about the bebop era onwards, through some discussions of the musical styles of a number of key players and some musical examples.
The hard work starts with a large section on jazz articulation, in which you learn to control your placement of accents on different notes in a phrase and develop a polyrhythmic feel. He provides exercises for wide interval playing - something that is quite hard on trumpet compared to an instrument like the saxophone. Alternate fingerings are covered along with some exercises. He also discusses doodle tonguing made famous by especially by Clark Terry. This is the jazz player's way of tonguing fast passage as opposed to the multiple tonguing used by classical players. He has a useful section on tricky fingering studies which you can even practise without blowing into the horn (useful when the chops are tired).

Although I said that he doesn't try to teach you how to improvise, there are a few useful ideas scattered through the text. For example, after his first articulation study, he gives an example of how you might shift sections of it up or down a semitone at random when you are playing to get an "out" feeling. Putting some randomness into a fixed exercise helps you to exercise the parts of your brain that are needed for improvising without throwing you completely in the deep end. Another exercise he mentions is to play a 1235 or 1535 pattern around the cycle, alternating at random between 1235 and 1535 at random. McNeil describes this particular exercise in more detail in a 2002 journal article for the International Trumpet Guild entitled "Creative Pattern Practice" which is worth scouring the web for - it will give you a good taste of his writing style and his way of thinking about improvisation.

The book also comes with a CD demonstrating some of the exercises and etudes so you can hear what they sound like when performed correctly.

John McNeil is a highly respected Jazz trumpeter and his book is a classic that every aspiring jazz trumpet player should own. I love this book and use it often.

I fell in love with it since I bought it on Amazon.com. It quite amaze me since I wanna learn more about jazz. This book would definitely take u far as being the best trumpet player u'll be. I'm also a trumpet player, and 'specially play other instruments I self-taught like the piano, keyboard, organ, harmonica, recorder, trombone, mellophone, French horn, euphonium, percussion, drums, flugelhorn, guitar, etc.

I'm not gonna say "I don't like this or whatever". I think it's a great introduction showing some basics and material work on how you 'gon be good at it. I know a lot of people don't agree what I'm saying. I believe that every trumpet player or music learner perhaps should have this along with Jazz & Blues, Arban's Conservatory Method for Trumpet, 1001 Blues Licks, 1001 Jazz Licks, Building a Jazz Vocabulary, The Jazz Fakebook, 28 Modern Jazz Trumpet Solos, Bks. 1 & 2, 14 Blues and Funk Etudes, and 14 Jazz and Funk Etudes all by Bob Mintzer.

Like this is definitely a book I should keep even tho I wanted practice some more I believe.

Fellow Travelers -

I have found John McNeil's "The Art of Jazz Trumpet" to be truly helpful and inspiring. The exercises presented are tough, though-provoking, and very cleverly focused on amplifying skills that appear - to me at least - to be genuinely useful in a jazz setting. Personally, I see the value of this book less in the applicability of specific lines ("licks") to tunes, and more in improving the improviser's ability to present his/her own ideas with more propulsive articulation, fluidity, and melodic confidence.

There is, of course, a significant (in terms of wood shed frustration) cost factor here - but most players, I suspect, will feel that the improvements are deep and fast enough to fall well within our pain and patience thresholds.

Thanks John for a terrific contribution to the field, and for my (small but enjoyable) personal mini-breakthrough - it has been a long time, and I'm really enjoying the experience.

Bravo.

Jim Stagnitto
www.stagnitto.newhopecollective.com

I've read a lot of instructional books over the years, and this ranks as one of the best. My greatest concern was that it be worth the price, and it certainly is. Explanations are clear, photos and diagrams are excellent and the first chapters on historic and contemporary makers make good reading. The book is ever so slightly thin in the area of plate tuning and violin varnish -- but one might argue that both of these topics are so broad as to justify a separate investment in instructional material. I am confidant, however, that one can make a very good instrument using this book alone as a guide -- with the exception of plans and patterns for a specific model, which are not included. The English generally do a very good job at books addressing traditional arts/crafts, and this publication is no exception. I consider my copy an excellent investment.

I found this to be a fantastic book. It is very well written and beautifully illustrated. The text covers every detail of the art of making a violin. It does lack in a few areas however. I would have been thrilled with the addition of some information on original design and or mechanical drawing of a violin. Also, the book is a bit thin in the areas of plate graduation, tap toning, wood selection, tools and varnish. Overall though, I highly recommend this book; it is more than enough to get anyone started on building their first violin. I'm sure it is the best text currently being published.

This book has the best drawings and photographs of the process of violin making that I have ever seen. Large format, good camera angle, good shadowing and lighting. I have been an amateur violin maker for a long time and I learned about a half a dozen new procedures or tool modifications right away. I highly recommend this book for aspiring violin makers.

I have purchased a few books on Violin making and this is by the far the most impressive of all. This book is full of clever techniques and lead you through the complete process from beginning to end, including the delicate area of varishing. Alternative methods are also give for some key areas, such as hollowing out the back and front of the voilin. The thing that makes this book stand out from the others is the artwork and the photographs that accompany each step of the process and the superb presentation. The tip I liked the best, was how to solve the problem of forming the rib joint at the bottom of the voilin. Being a novice, I struggled with this initially.

If there had to be a criticism it would be that it does not have typical template for the main mould, however this is only minor as templates are available from a various other sources.

This book is worth every penny..

This is not a type of beautifully decorated book usually found on coffee table to amuse guests even though it is of superb quality. It belongs in the workshop. It is written for both inspired and motivated beginners as well as serious luthiers. The chapter on tuning plates is revealing but can confuse a beginner. Since I am a beginner myself, I wished for complete measurements of the violin. I overcame the shortcomings by contacting a supplier of woods, tools and plans. Rest assured, the author included the list of suppliers at the end of the book.

OOOOOhhhhhhhhhh! My daughter loves it so much! She is only a 6 year old and I have encouraged her so much to read because of her love for Ashley Tisdale. When her cousin came over 11 yrs. old, she loved it too!. When she brought it to school to her 1st grade class to read on her free time, they loved it too!!! love it! love it! loveit!

Ashley Tisdale is my role model. I love her. She's my favorite actress and singer. I love watching the Suite Life of Zach and Cody and High School Musical. She's so pretty, funny, and a great actress. I love her album, too. Ashley Tisdale is amazing.

Ashley is so awesome! Anybody who doesn't like her must be CRAZY! I mean, we're talking about ASHLEY TISDALE, not Paris Hilton. So stay with me and give it 5 STARS!!!

My daughters love Ashley Tisdale. They were thrilled with this book about her.

I read a book called Ashley Tisdale: Life is Sweet by Grace Norwich. This book tells you about Ashley and how she has changed over the years. It is an unauthorized biography but the information is factual because it is taken from interviews with Ashley.
Ashley grew up in Westdeal, New Jersey with her mom, dad, and sister, Jennifer. When Ashely was three, her mom took her to a mall where people were auditioning for commercials. Ashley's mom didn't really want to get into all that but when Bill Perlman noticed Ashley, he slipped her mom a business card in case she was interested later. Ashley did her own commercial. A few years lalter, Ashley played Cosette in the Broadway musical, Les Miserables. After that, she also did a lot of guest appearences on TV shows like "Charmed" and "Once and Again." Ashley wanted a part in a TV show. Lucky for her, along came "The Suite Life." Ashley auditioned for both parts (Maddie and London). After a few seasons of "The Suite Life", Ashley was wondering what she was going to do over the break between seasons. Then she found out about "High School Musical". Again, she auditioned for the two main (female) parts. When Ashley realized that she got the part of Sharpay, the snotty, mean girl, instead of the part of Gabriella, the shy math wiz, she was shocked. She thought that because she was the nice Maddie on "The Suite Life", she would be Gabriella. The cast and crew worked really hard. When "High School Musical" aired on Disney Channel for the first time, more than 26 million viewers tuned in. They had no idea how popular it would be! Ashley is still working on "The Suite Life", but she can't wait for "High School Musical 2!"
I would recommend this book to Ashley lovers and people who love to sing and act. This book is wonderful and I hope you like it.

by CH

There were a few poems that didn't seem to fully blossom but the vast majority are exciting, some shockingly good. Some of the absolute best poetry I've read in years.

Georg Trakl is the greatest German poet most english readers have never heard of. Most of his best poetry dates from the period just before and during his service in the Austrian Army during the First World War and this makes him a brief contemporary of Rilke. However, while Rilke's verses are each a world of incandescent beauty and spiritual profundity, Trakl's are intimations of death, decay and expressions of a world trapped in a cycle of hell. His poems are intensely expressionistic, dark and powerful. Simko's translation is excellent; though he makes a few word choices from the German that might be open to debate, he does an excellent job of preserving the poems' structure while transmitting their power in English. My only quibble is that I would have liked it if the selection of poems was broader.

Fans of German Expressionism owe a debt of gratitude to Simko for this book. Trying to find a book from this era can be extremely difficult. Other famous authors of the period (Gottfried Benn, Georg Heym) are almost impossible to find.

The book presents both the original German text, and a very good English translation. Trakl's poetry is bittersweet, the meter almost hynoptic. The reader confronts a collage of colors and emotions in a Trakl poem.

Trakl died young, a victim of WWI. No bullet killed him, but rather he killed himself while working at a military hospital. Although his poems reveal his grief, and his despair, the reader finds himself somehow empowered by them. Out of his suffering came some of the most beautiful poems in the German language.

Trakl strolls through the dream of a child decaying under blood-red leaves. Silver waters shimmer and recieve the sky's terrible unction. In the elderbush, a wolf devours an Angel, or an Angel expires like the sigh of a golden flame falling into a mythic well whose pit is the open mouth of the man gasping as his murderer confronts him. In the knife is reflected the compassionate face of your melancholy sister, or is it a vengeful God's purple laughter? Your face goes cold as the child speaks your name.

This is a very fine book of translations. To read Georg Trakl in German, of course, is far better. His German is extroadinarily beautiful. Trakl was a magnificent poet; I would say one of my absolutely favorite poets. His techniques are marvelous. He comes from, and surpasses, the lineage of such master technicians as Edgar Allen Poe, and Charles Baudelaire. He wrote poetry as if he were composing music, modulating colors and emotional content rather than tones and harmonies. One has the sense that he was divinely inspired. His work is miraculous.

This fun to read and well researched book explores the rise of Bachata from its obscure beginning as a musical style of the rural and urban poor in the Dominican Republic to its eventual international popularity. It is the only book of its kind in english and a must read for anyone interested in bachata's roots.

Hernandez delves particularly into social conditions and class issues which impacted bachata's formative years. The book traces back the Dominican Republic's musical and social climate beginning from the period of the repressive Trujillo Dictatorship (1930s-1961), and through bachata's humble beginnings in the 1960s to its attainment of international popularity by the early 1990s.

While the subject matter is complex, the book flows easily and is actually difficult to put down. Interviews with musicians, colorful anecdotes and plentiful song lyrics all help to bring to life the humor, candor, and also the pains, of the people who created bachata.

An excellent companion to this book is the classic bachata compilation CD Bachata Roja: Acoustic Bachata From the Cabaret Era - the accompanying booklet features an introduction by Hernandez along with many of the photos she took while researching.

I'm glad to have gotten this book, but the cover photo of Raulin Rodriguez is somewhat misleading. I'm a huge fan of Raulin and I was hoping to read more about his impact on the popularity of the Bachata in the DR. There is still a lot of stigma attached to the Bachata as music suited for bothels and shantytowns and the emergence of Raulin and Antony Santos has done much to make this form of music legit in the public view. The bachata of today is very different than the political songs described in the book. It also seems to me that most of the research took place in the Santo Domingo area rather than on the north coast where the Bachata is far more popular. Just as you wouldn't research country music in NYC, it seems odd to research the Bachata in the DR's largest city. A full follow-up book on the Bachata of today would be great that includes the Americanization of the form by such groups as Aventura and the current complexity of the music's guitar form.

Un curioso estudio, un libro de bachata. La primera vez que lo vi no me anime a leerlo. Pensé como todo mal dominicano con el complejo de gazcue que un libro sobre una música que no me gusta no merecía que le dedicara tiempo. Tuvo que pasar un año y un despertar de mi entendimiento para saber que no importa que la música no me guste o que sea de clase baja o que sea vulgar y yo solo escuche música clásica o rock; lo importante es que es nuestra música, nuestra identidad nos guste o no. El libro como una disección cuidadosamente hecha por una antropóloga trata el tema no con la frialdad de un descubrimiento arqueológico sino con la calidez de un tema humano, bueno con toda la calidez que puede hacerlo una norteamericana. Ella trata el tema de la bachata desde la historia de la etimología de la palabra. No sabia y ahora sé que la palabra bachata significa jolgorio, reunión en que las personas tocan música con guitarras. Las influencias de la bachata según la autora provienen de cuba.

El método de investigación de la autora consistió en residir en Republica Dominicana por un tiempo, mientras entrevistaba a los bachateros de radio guarachita, a artistas famosos, a historiadores y sociólogos. El libro escrito en ingles, también posee unas cuantas letras de bachatas famosas con su respectiva traducción, una galería de fotos de bachateros y merengueros y muestra el avance de la música y su aceptación final al llegar bachata rosa de Juan Luis Guerra al escenario y darle un impulso internacional a la bachata. La autora después de este acontecimiento tuvo que cambiar su foco narrativo, porque esta música lentamente se empieza a aceptar en la radio y ha dejado de ser marginada. Me agrada mucho ver que de todas estas cosas salen estudios, libros, análisis y que mi país esta bien representado. Ojala que autores dominicanos se enfrenten a la labor de exaltar lo nuestro y dejemos nuestro complejo gazcuense, nuestra exaltación de lo extranjero sobre lo nacional y nos pongamos a escribir sobre mas cosas de nuestro país.

Luis Méndez.

Deborah Pacini Hernandez offers an excellently researched, intelligently written, and amazingly detailed history of the Dominican Republic's Bachata music. Be forewarned ... this is not an easy book to read; this is not a glib magazine article with a superficial history of Bachata. On the contrary, Ms. Hernandez analyzes the growth of Bachata from a socio-economic / political and cultural point of view and her discussions and overall presentation often read like a doctoral dissertation.

Despite the book's academic tone, it is a wonderfully rich, engrossing study of Bachata and I highly recommend it. The book covers the birth of Bachata (circa the early 1960's) and traces its growth up until the early 1990's. I would like Ms. Hernandez to write another book that covers the explosive growth and popularity of Bachata from the mid 1990's up to the present. Ms. Hernandez is to be commended on her extraordinary research and intelligent presentation. I rate this book: A+.

This is a great book, one that challenges white male assumptions about class and its relation to music. A valuable book for anyone interested in combatting stereotypes, and patriarchal and racist interpretations of 'popular' music. I was reading a somewhat pompous academic's book about hiphop musical culture by someone named Russell Potter, and it almost made me swear off academic books about music. But Deborah Pacini Hernandez is unusual in that she understands, appreciates, and identifies with the best of Dominican popular music. What a great book!

I would reccomend this book for all people who love the Backstreet Boys as much as I do.

I love to play hit songs on the piano, and I love the BackStreet Boys. This book is giving me the notes to their hits, and it's very easy to play. You can sing along while you play the piano too. I'm sure you'll love it !

I learned to play piano,(although all my music acreitablity still goes out the window)souly just to play their gr-8 songs,etc...that book showed me how.All my friends just love singing with it!And the layout is very well done. It rocks! KEEP THE BACKSTREET PRIDE ALIVE! YEAH!

And a few days ago, I saw a copy of the BSB music book. I bought it (of course) for $20 or so and my next voice lesson, I had brought it. My teacher likes the music and lyrics so now I bet he's practicing. I had let him borrow it (and it's PAINFUL.) and before that, I would study and practice singing and following the right key and pitches. It sounds great on the piano and lets me know all the lyrics. I love practicing BSB music, and I bet you would too! :)

This is the best. i never liked taking piano lessons but now since i got this book i love it. I LOVE BSB!!

A Band of Angels is a moving story by Deborah Hopkinson based on real events and people from history. The book is appropriate for readers in third through fifth grade, and would particularly be appropriate for those studying American history in the late 1800s. The experiences and emotions that Ella faces in the book provide a good depiction of the feelings and events people encountered during that time period in a subtle way. The watercolor and colored pencil illustrations are presented in soft and appropriate colors that are well-suited to the text. The pictures are unique examples of the illustrator, Raul Colon's work, and add to the mood and setting of the story. Overall, A Band of Angels is a touching story that children can enjoy.

The storyteller, Aunt Beth, relates to her niece the story of her great-great grandmother Ella Sheppard. This is the story of the determination of a girl to save her school by forming a chorus and taking them on tour to raise money. While the story is fiction, Hopkinson reveals in a note at the end of the text that is was inspired by factual events. Raul Colon's earth-toned art gives this book a historical flair. The glowing illustrations are suggestive of old photographs. The child narrator gives the book the personal effect to entice the reader to be indulged. This story illustrates the power of hard work and determination.

A Band of Angels tells the story of Grandma Ella, a character who is inspired by Ella Sheppard Moore who was a pianist for the Jubilee Singers of Fisk University. We learn that Grandma Ella was born into slavery and freed at fourteen when the civil war ended. The story details how young Ella worked tirelessly to save money to attend a new school for freed slaves known as Fisk School. After saving her money and arriving at Fisk, Ella continues working so that she can stay in school and also joins the school chorus. In spite of her personal efforts, she still faced the very real possibility of having to leave school because the school itself was experiencing great financial hardship. While school officials had pretty much given up hope of keeping the school open, the school chorus and Professor White, the choir director, believe that they can help save the school by doing concerts throughout the North. The story then chronicles the experiences of the choir which range from jubilant moments to performing in virtually empty concert halls.

A Band of Angels is a book that provides a colorful way to share a proud part of African American heritage with your children. Colon's illustrations add greater depth to the story and will help children better visualize the events that take place. While this is a work of fiction, the story is based on real people who selflessly used their talents to keep Fisk's doors open. The book also provides a good introduction to Negro Spirituals, which were kept alive through the voices of the Jubilee Singers. In addition, readers will see how this brave group of singers would not let racism quiet their talented voices. Above all, the story will help inspire children to hold fast to their dreams in spite of the hurdles or difficulties they may encounter along the way.

Reviewed by Stacey Seay
The RAWSISTAZ Reviewers

If you have read Andrew Ward's new book about the Jubilee Singers, Dark Midnight When I Rise, you will also be interested in this award-winning book that introduces children to their inspiring history.

When I heard about this book on NPR I wished there were more places to hear about children's books like this one. It seems as though bookstores often carry only light and fluffy or series books. I love to share historical fiction with my children and love books like A BAND OF ANGELS.