Music Books

My oldest son got this book from Grandma and Grandpa when he was about 2 and he loved it....to pieces. We read it over and over, singing the song, working the pullouts until the wheels on the bus are gone, the mommies and babies on the bus are gone, the wipers on the bus are gone, virtually every page has major damage and even the binding is falling apart.

Yet oddly, as the book has gotten worse-looking it has lost none of its appeal. It became a game to my son to make up new silly words to the "wheels on the bus" song reflecting the damage..."the wipers on the bus have been ripped out..." and laugh and sing. Now the youngest is getting into the act.

May suffer from the love it gets, but worth every penny. I'm going to get a copy for my nephew and another fresh one for our youngest son to love to pieces...

I know it says 4 and up,but this is my 29m olds fave song so I bought it.

He is too aggressive with the moving areas so I put it up for now-but it is well worth the money! It is very cute and adoreable!

I bought this book at a thrift shop. My daughter loves it, and when I left her a few minutes ago she was moving the baby's arms singing "wah, wah, wah" (the baby on the bus goes wah wah wah...)

She tore out the mother on the bus, so I am keeping the book up high except to read.

It's a great gift book. The pages are sturdy.

We just bought this book last week and my 12-month-old absolutely ADORES it!! She likes pretty much all books, but this is the first one that's made her laugh hysterically & dance along from the very first time we read it. She can't get enough of it, so much so that she keeps demanding we read it to her again, even after 5 or 6 times in a row (after which we hide the book!) It's great because you can play the song & then sing along at the same time, all the while moving the cute characters inside. What a fantastic idea! Don't pass this book up...

This is such a great activity book. My 20-month old got it for Christmas, along with a bunch of toys... yet THIS has been his favorite. He LOVES singing along, doing the motions, and has to have the book with him ALL the time - even a 4.5 hour car trip (made us a little crazy... but we still LOVE that he opts for this book over a toy of some sort.)

Everyone in my family is a Beatles fan. Our 6 y.o. daughter does not know life without the Beatles. We decided to buy her this book, so she could read up on them. This book relates on a child's level the story of the Fab Four from when they were children. I loved it so much that I ordered more copies to donate to my daughter's elementary school library, 1st grade classroom library, and I plan to order another for her 2nd grade library. This should be on every child's reading list.

I thought it was great because you get to learn about john,paul,george and ringo the should make a book about the rolling stones but the beatles book is sad too thers a lot of ups and downs

I bought these to use as a reading book with 4th and 5th graders and they are loving it! I am really enjoying it too....a nice change from the traditional reading book. It is high interest at the right reading level for my kids. I would highly recommend this book for use at school or for finding out more about the Fab Four.

My son who is in 2nd grade had to write a biography report. He chose to report on The Beatles. This book was perfect! It gave him all the necessary information and it was just right for his age level. We both learned a lot from reading this book.

I am in fourth grade and I enjoyed reading this book. I read this book for a book report for school. It tells about all the Beatles lives. I learned about John Lennon, Paul McCartney, George Harrison, and Ringo Starr. When they were twenty-something they were asked to go to Germany, but their parents wouldn't let them. They just went and their dressing room was in the bathroom. I felt sad for them. My favorite part was when they played at Shea stadium. There were 50,000 people! The book doesn't talk all about the Beatles. It talks about the Vietnam War and three famous people who got shot. At the end, there is a timeline of the Beatle's lives and one about the world. You should read this book because it's very interesting.

This is a biography about a blues singer named Honeyboy Edwards who was a contemporary of blues legend the late Robert Johnson. I became interested in his history when I saw a documentary on Robert Johnson's life containing interview footage of Honeyboy Edwards. The lives of musicians in the 20's, 30's and 40's tend to be fascinating and this is no exception. It is a great read.

AS A BLUES HISTORIAN AND GUITAR COLLECTOR I HAVE MANY BLUES RELATED BOOKS IN MY COLLECTION. THIS BOOK HOWEVER MUST RATE AT THE TOP OF THE PILE. WHAT FANTASTIC FLOWING STORY LINES, MAKING IT HARD TO PUT DOWN. IT GIVES A GREAT INSIGHT INTO THE WAY OF LIFE IN THOSE EARLY DAYS OF THE BLUES. THE PLACES HE HAS SEEN AND THE PEOPLE WHO HE GOT TO KNOW & MEET IS JUST MIND BLOWING. ANYONE WHO IS NOT BLUES MINDED SHOULD READ THIS BOOK JUST TO UNDERSTAND HOW HARD IT WAS IN THOSE DAYS JUST TO LIVE AND PUT FOOD ON THE TABLE.(I BET HE THOUGHT EVERONE IN THE MODEN WORLD WAS SOFT)TRULY ENJOYABLE.

Fans of blues music and musicians will relish this autobiography of Delta bluesman Edwards, which charts his rise to fame and his survival in a critical musical world. His first-person observations of the changing blues style and field are especially meaningful given that so many blues titles are not written by participants in the field.

Honey and his astute collaborators have given us the genuine article: a poignant, detailed, uproarous chronicle of what Robert Palmer called the"Deep Blues," the Delta tradition from which all other blues styles emanate. If you've heard Honey sing either in person or on his fine recordings, you will hear the voice you read. He offers dozens of unforgettable moments, from the first sounds he ushers from a broken-necked guitar to his mother's death to the death of Robert Johnson, that are alive and chilling. My only criticism is that the photographs featured in the book are spartan, contemporary views of critical sites in this artist's life. More historical photography would have enhanced the text. The publisher of this well-designed softcover has made the text relaxingly readable. After my first 50 pages, I wanted to purchase all of Honey's recordings and read more about him. He is an articulate, funny, precise chronicler of his own life. If only I could do the same with my own life! First rate.

This autobiography succeeds memorably on several levels. Told in spare, moving words, it provides a vivid picture of life in the Mississippi Delta long before the civil rights movements of the '50s. In addition, it's a kind of African-American "On the Road," told from the perspective of one who crisscrossed the Southern United States, scuffling to make a living playing the blues. And finally, it's a terrific history of the blues, told by a man who made a significant musical contribution himself and who played with nearly all the essential artists of the '30s and on.

Edwards, born in the Delta around 1915, worked the fields as a kid before he learned to play the guitar and began hoboing around the South. He rode the rails, played in innumerable small towns, and polished his craft. Along the way, he hung out and played with the likes of Sunnyland Slim, Big Walter Horton, Little Walter Jacobs, Robert Junior Lockwood, Muddy Waters, B.B. King and yes, Robert Johnson. The book describes how these architects of the modern blues passed songs, licks, and stories back and forth, keeping a form that relies so heavily on tradition dynamic and vital.

A major strength of the book is Edwards' distinctive voice, transcribed by his collaborators to retain its distinctive rhythms and dialect. The book's title sums up his attitude. His memories include violent death, physical and emotional loss, and great material want. Still, you sense strongly that he wouldn't have had his life any other way. His narrative is devoid of self-pity, but it never glosses over the difficulty of the times he endured, which included stints in prison.

The book concludes with useful appendices that define key terms and offer capsule biographies and discographies of musicians Edwards encountered. A good bibliography is also included. Highly recommended for those interested in the blues and in American social history. Great read.

In only 192 pages, Frankel presents writing for the musical theatre from the perspective of the book writer, lyricist and composer -- and how each contributes to the whole. Enough specifics for each to gain a better appreciation of the others' unique contributions. The book would be an excellent introductory text for a musical theate workshop. Most examples from My Fair Lady are illustrative and excellent; other examples from Company were less helpful (as that show was less successful). Highly recommended for those working on musical to keep near at hand.

Aaron Frankel, who has directed more than 100 plays, loves the stage, especially musicals. He brings his genius to Writing the Broadway Musical by formulating an organized book, which is easy to use both as a reference and as a guide.

He fills the text with pertinent examples -- plenty of them --like chocolate chips in cookies. Frankel's book is full of encouragement for the dreamers, while it outlines the practical aspects of taking a musical play from a dream to a full-fledged production.

Frankel's concise, clear volume on writing large-scale musicals is a welcome addition to the bookshelf of anyone who wants to understand how this peculiar theatrical genre works-- when it does. By focusing on two artistically successful, well-known pieces in the canon-- "My Fair Lady" as a well-executed classic musical with linear plot, "Company" (my personal favorite) as a well-executed plotless musical whose songs move character forward--, Frankel can support his intelligent teaching points with concrete yet familiar examples. I'm very happy to see this book back in print.

This book gives a good foundation for basic elements of a musical script. I bought this wanting to write a musical script but not necessarily the lyrics/musical score and am a complete novice - was a bit lost on the different musicals it quoted. However another book that is quite "meaty" in terms of how to write a compelling gripping story/script for theatre is "The Writers Journey" surname is Vogler. What Frankel says is that the book or story needs to be written first before appropriate lyrics/musical score can be created. So I would have gone straight to this book first. Good as reference but can borrow from library, not a must have.

Many of today's top talents in musicals on and off Broadway have studied with Aaron Frankel. Now anyone can learn the ropes from this honored director and instructor in a step-by-step guide that makes for good reading whether you are a writer, composer, or simply an avid theatergoer. I enjoyed the previous edition and found this revised and updated one an even more interesting read.

This book is great on so many levels. I have truly found my passion which is music production and this book is helping me realize that my passion can become my career.

Thanks
Wendell

Wendall Haynes shares a vast amount of information and stratagies for success in TV/Film scoring based on his personal experience within the field . I think the book is very straight forward and enjoyable to read! If you can ever see him speak live don't miss that opportunity because he's extremely inspirational!

This book is a must have for anyone who needs a little help getting started not only in the commercial(music) biz but in the music biz in general.
I got the book and couldn't put it down.
It's a great and easy read and chock full of information.
Thanks Wendell for letting us in on some valuable and much needed info.

Quixotic (Keyahtic)

Everything you need to know about making commercial music is right here!An in-depth approach from a realistic point of view,if you are an aspiring composer,beat maker,serious about getting involved in the commercial industry,this is one book I highly recommend you to purchase!

I first encountered Wendell at The Dynamic Producer Conference in NYC 2 yrs ago and got a lot from his presentation about getting music into commercials and film. He had a wealth of information and experience to match. If you're interested in learning from someone who knows, buy the book.

Although the title is Acting for Singers, actors and directors will benefit as well from Ostwald's excellent analysis of what makes a believable character on stage. The book is full of helpful exercises and explanations of what works on stage. Acting for Singers should be on the bookshelf of every performer.

I came upon this book while preparing for the North American debut of a 1640's Baroque opera in Washington D.C. The information in it is invaluable and succinct. Great for anyone trying to extract meaning from music and convey it to an audience. Well-written and containing excellent advice and exercises, I recommend it.

I have been a professional opera singer and voice professor for many decades. This book REALLY gets to the heart of the acting delima which singers' face. The index is very thorough, allowing the singer to find exactly the topic they are looking for easily. The book should be read cover to cover many times if the singer is new to the field of acting. (I find it helpful for each singer to ponder this question: Am I a singer who acts or, an actor who sings, or both.) An opera singer MUST learn to create operatic characters with which the audience can identify. Each Mannerism and gesture will change with each new operatic role one intends to interpret. This book should be a great help for the preparation of singers who aspire to act realistically and who wish to conquor this extremely demanding and rewarding field called OPERA.

David Ostwald's new book, "Acting for Singers," is an important and helpful guide for singers-in-training, for professionals learning new roles, and for seasoned performers who wish to infuse new dramatic life into their repertory. As a former arts administrator for San Francisco Opera and Affiliate Artists, Inc., I feel that Ostwald's book is equally useful for stage directors, conductors, teachers, and coach/accompanists who strive to make their highly collaborative art form appear as seamless as possible. Ostwald covers a number of pertinent topics including the foundations of believable acting, ways to improve concentration, and how to motivate a character's actions. Having judged many auditions over the years, I found the chapter on "Getting the Part" to be especially helpful to young singers who may not know how to dress for the occasion, speak to the judges, or introduce their selections from the stage. The author's "Ten Maxim's of Believable Singing" provide a concise checklist of wisdom gleaned from his years of teaching and directing. Ostwald's analysis of how directors and teachers can help their singers grow and flourish, including the sage advice of "Always be supportive" and "Never humiliate anyone," presents a pithy list that bosses in any business should read and take to heart. The text is lively, clear and well designed, with headings, bulleted points and enough white space to make the book's insights both accessible and memorable. Each chapter contains helpful exercises, summaries or trouble shooting techniques which will enable singers and their colleagues to create superior performances. "Acting for Singers" will likely become an indispensable, dog-eared companion for any singers who wish to breathe live and artistry into their characters.

Perry-Lynn Moffitt

"Acting for Singers" speaks to the problems that most all of us share in creative situations when we are speaking to a group or preparing an article or script for publication. We do not have to be singers to use the wisdom of Ostwald's mind and experience. These challenges are inevitably concentration, trust, projection, communication, and the self-doubt that most of us sometimes experience.

If you could see David Ostwald in action, you would recognize how his life is a demonstration of his work. When the groups at my seminars would get excited and several voices were talking at once in an exercise, David (upon my request) would clearly enunciate one or two words to the whole group in a tone that instantly shifted everyone's attention to the work at hand. The whole group loved David's wit and wisdom, his power to achieve the intended focus and hold it, plus his demonstration of an open mind, the will to learn and to share knowledge gained through years of a focused mind and experience.

David's whole life is filled with the qualities of concentration, trust, projection, and communication. This is the real power of his written words. I think this book will prove so useful that it will become an essential textbook for teaching acting to singers.

This book is incredibly entertaining. I'm 25 years old, and need constant excitement to keep my attention. While reading this book I was amazed by the by the numerous experiences Buzz Cason has encountered throughout his life. Any individual one of these expeiences could be a highlight in the "average person's" life, and Buzz has had a countless number of them. You can't help but wonder in amazement how one person had the opportunity to do so many exciting things in a lifetime. No matter your age, this book is incredible!

Heroes are found everywhere in the story of a Nashville kid who made good in the brutal business of music, beginning in the late 50s and still going strong in 2004. Autobiographical in its first person telling, this story regails to us tales of "the early days"...before belly piercing and techno grooves, when some of the biggest names in rock and pop music were fledgling acts, just kids. I found myself asking how one person accomplished all these things and met all these people while turning pages as quickly as my eyes could pass the story on to my eager brain. The creativity of Buzz Cason shines brightly from the pages of this delightful story, pictures being proof of the pudding of the rememberances most of us could only imagine in some fantasy life. The photos alone are worth the cost of the book. Every book shelf should sport a copy of this delightful look back down the road over the long, fun trip it's obviously been for the author. I'm getting it for practically everyone on my Christmas list!

This book, written in the first person, actually invites one into the very thoughts that Mr.Cason has as his memory interacts with some of the most well known and famous entertainers in the entire music industry.
The book is just the "right" length of read - not too long - and full of insight and humor! It includes many photographs too!
I would love to go to one of Mr.Cason's book signing's - I know that this first edition will increase in value over time.

Living The Rock 'n Roll Dream: The Adventures Of Buzz Cason is the autobiography of musician and award-winning hit songwriter Buzz Cason, founder of the Casuals, the first rock band in Nashville. A dazzling true story about the popular music trade Cason embraced for fifty years, shedding light on his career and offering an inside peek at the early days of rock 'n roll. A treasure for rock 'n roll fans looking to experience a primary account of the origins of their wildly popular music, and especially for those who have thrilled to Cason's outstanding talent.

Over the years, I've read dozens of music industry books. This book has to go to the top of the list for history and entertainment, that covers a time like no other on the planet.

My five stars are for the performance and the book. All opera recordings should come in this format. But the cd copies are bad and will be short-lived, they easily loose their coating.

I bought this as my first piece from the Black Dog Library in preparation for seeing the Vancouver BC Operas production in 2002. Black Dog Library is a must for everyone going to see an opera. Get this, listen to it, fall in love with the music and then see this opera live if you ever get the chance. This is opera at its best. After seeing the production live, I can't wait to see it again. And by listening to the cd's I can bring it right back to my mind and my heart.

Bravo Giuseppe, Bravo......

The historical account and the story help the person new to opera appreciate the opera. The sound is of high quality. I only wish Amazon carried the full series of The Black Dog Opera Library.

Wow!! Wow!! O my God! I just heard this album and my jaw dropped. Why it so many critic snub this recording ? It's the best Aida on record. I think it has to do with the fact it's very rare and more of a collector's piece as well overshadowed by more popular editions- i.e. Placido Domingo/Leontine Price, Jon Vickers..Pavoratti..Montserrat Caballe etc. But the cast in this album can not be more perfect. Birgit Nilsson was a grand lady of the opera- with a voice that cut through great orchestras, with dramatic integrity in her stage performances (she was as much as an actress as she was a singer and in this way she was like Maria Callas). It is true that she is far more recognized for her Wagner heroines- she is the best Isolde and Brunhilde, but her Wagnerian voice, so high, so powerful, is perfect for such diva roles as Aida. Verdi wrote the role for soprano di forzas which Birgit Nillson delivers with electrifying prowess. She was trained in Italian as well, which people seem to forget. Her Italian voice is rich, powerful, with a high top and generous bottom. She gets into characters with passionate intensity as well. Has anyone ever heard Turandot ? It's the best! So intense and powerful. And her Tosca is breathtaking. She also sang in Mozart's Don Giovanni starred opposite Leontine Price and the famous bass Cesare Siepi in that one. She can do the Italian roles as good as the rest of them!! There is also her powerful interpretation of Turandot and Tosca. So there you have it. Her Italian was as dynamic as her German. Franco Corelli is an awesome Radames, with hot-blooded, masculine energy and lyrical moments of love and grief. He can be a tough guy and a sensitive lover. "Celeste Aida" is superbly done, even if not sung as written. His Tomb Scene at the end is incredible. Grace Bumbry is the best Amneris, and she sang the role numerous times which made her an expert on it. She has a dignity of her own in the role and she is not as scary or bitchy as Rita Gorr's interpretation. Bumbry's perfect. You can also hear her as Amneris in the Leontine Price/Placido Domingo version conducted by Erich Leinsdorf. This is truly a great recording and will have you wanting to get other recordings of its amazing lead singers. Certainly Franco Corelli is a magnet of opera lovers with his excellent artistry. He sang with Birgit Nilsson in the greatest operas of their careers- Puccini's Turandot and Tosca which are also available at Amazon.com and I strongly urge you seek them out. Their Aida is mind-blowing.

The sound to this recording been digitally remastered from the old LP and sound fresh, powerful and moving. The Black Dog Opera Library series offers the best in opera to a beginner who takes interest in the world of opera or to fans who are already converted. It does more for the novice, however. My first of these "cd-books" was Verdi's La Traviata starring Beverly Sills and Nicolai Gedda. This was indeed a perfect performance. This was followed by Bizet's Carmen starring Jon Vickers and Grace Bumbry..another winner! Then came Mozart's Magic Flute starring Peter Schreir, Anneliese Rothenberger, Kurt Moll, Walter Berry and Edda Moser. This is the best Magic Flute out there. Indeed, all the recordings on this series are of the highest calibre. This book comes with the libretto, pictures of Aidas in the past, and bios on Corelli, Nilsson and Bumbry. Go out and get it today!!!

Brilliant voices of Birgit Nilsson, Franco Corelli with Orchestra e Coro Del Teatro dell' Opera di Roma under Zubin Mehta. A marvelous studio recording without audience noises. A number of stage photos of major performances and introduction of Verdi and the writing of AIDA. Two CD's with the complete opera with complete libretto in Italian and English. A great value. A must-have.

Alabaster's Song is a story that you should own, even if you don't have a child. It is warm and sweet, and brings you back to the place where the child inside each one of us still lives.

As always, Max Lucado has the gift of reaching down into the depths of your heart and soul, and touching you, drawing you closer to God.

Make this book part of your library, part of your Christmas traditions. I read it each year to my "babies", who are now 19, 17, and 13. It is a tradition I will carry on with my grandchildren.

This is a fabulous book that brings to mind the wonder of Christmas through a child's eyes. The illustrations are beautiful and the story is timeless and unforgettable! I read this story to my children, ages 11, 8, and 4, each year around Christmas. I even read it to my MOPS group as a Christmas reading last year. Thank you, Max Lucado, for another wonderful children's book!

Very cute story about a little boy whose Christmas Tree angel comes to life to sing sweet songs to him. Gorgeous artwork brings the story to life with brilliance. I loved that the story repeated itself once the little boy grew up and had a son of his own who hears the angels music.

This is one of the most beautifully illustrated, delightful stories I have had the good fortune to encouter. Alabaster, the spirited little angel, touches the life a boy with positive results. The message in this gentle story is that when good is done, pass it on. It is so lovely, so moving that it might make one misty eyed. This book is a real treasure. Max Lucado and the illustrator have used their talents to enrich the lives of others.

As a Preschool Teacher of 4 and 5 year olds, I have read many books about the Christmas Story. This book is by far, the childrens' favorite. It is both touching and exciting. I have never read one of Max Lucado's books that I was not absolutely thrilled with.

Steve Turner has done a great service to Christians everywhere. In the first part of his carefully researched book, Turner gives us an excellent account of the life of John Newton, the author of the famous hymn "Amazing Grace." Here he covers much that is familiar, and at the same time corrects some common misconceptions.

The second half of the book traces the history of "Amazing Grace." It is fascinating to learn how the song's tune has developed and changed, how the verses of the song have evolved over time, and how the hymn has grown in popularity over the years. Not as enjoyable was learning how "Amazing Grace" has been reinterpreted since the 1970's to support the views of whatever unsaved person or group using it at the time. I am sure ol' John Newton would be spinning in his grave if he knew what our postmodern society has done with his marvelous hymn. Still, Turner's book should do nothing for the Christian but endear even more to "Amazing Grace" the song, and amazing grace the message.

I'm not sure why,but this book has a lot more to it than first meets the eye.Often books of this nature are of the 'edited 'type with very little effort put into them and while the concept is good ;usually filled with a bunch of fluff.But not this one.A great effort has gone into it and as a result we have an excellent work.
While he never gets away from his topic,Turner gives us an awful lot about the history of Newton and everyone associated with him,a thorough understanding of the slave trade,a good understanding of the various Protestant churches of the18th and 19th centuries .If that isn't enough, he has covered in minute detail the evolution of the hymn,it's meaning word by word,it's associated music and how it spread ,and by whom ,throughout it's 225 year history.
He has beautifully shown the deep religious and theological meaning the hymn has for those who understand it and have a faith in God.He has just as well explained how and why so many people love and get inspiration from the hymn even though they may have little in the way of faith or religious involvement.He does this without being judgemental in any way.
As to how Newton could be involved in the slave trade.."Slavery was as acceptable as abortion is today-it was legal,it had immediate and tangible benefits,and people predicted widespread calamity should it ever be banned.There was no social pressure for him to feel shame.Cities had been built on the fruits of slavery and the great merchants of slaves were celebrated,giving their names to buildings and streets.It was those who were opposed to slavery who were regarded as irritants-ememies of social stability,troublemakers,idealists with no concern for progress."
There is one thing I would like to add and that is..If there ever was a book that would have benefited from an included CD,this would have been it.

I love Steve Turner books, and I love the song Amazing Grace. What a combination!...a work of history that reads like a good mystery novel! I couldn't put it down until I'd read it from cover to cover. This book has everything...a great redemption story, both for the man, Newton--and his song, which didn't really take off until someone put the perfect tune with it a hundred years later. Turner manages to present the context of Newton's theology in a scholarly way that will be informative, but not off-putting to those who are not into reformed theology. The secular life of the song is fascinating...to see how this song was popularized, and now touches millions. To me this song has what we wan't all music to have...something that touches our insides in a way we can't describe, but we know that it makes our lives more complete. And the biggest surprise of the book?...Newton became a slave-trader AFTER his conversion, and only opposed slavery much later in life. Considering how slowly America has repented of it's historic racism, there may be a lesson for us all as we see the sanctification that occurred over time in Newton's life.

I sing and Amazing Grace is one of my favorite hymns. I'm also a nontheist. I'm pretty comfortable with those two seemingly incongruous facts, but I thought I'd read Steve Turner's book Amazing Grace to see if other folks like me had made it into the text. I'm also an Arlo Guthrie fan and I figured I'd do some fact checking on the version of John Newton's story Arlo tells when singing Amazing Grace in concert. Folks like me show up towards the end of the second part of the book and Turner indicates that Arlo is aware that his version is condensed and inaccurate.

The first part of Amazing Grace is the story of John Newton and how he came to write the words to what is now America's favorite hymn. I learned a lot of history, especially of the slave trade in the 1700's, while getting the non-Arlo, complicated version of Mr. Newton's life. The second part of the book follows the history of the hymn post-Newton. Turner has done his homework and I especially enjoyed learning about the history of the hymn in the 1800's, including how Amazing Grace picked up the tune we now sing it to.

I highly recommend Amazing Grace to fans of history, music, and, of course, the hymn Amazing Grace.

I just led a church service about "Amazing Grace," and Steve Turner's book served as my main resource. I read it cover to cover during the process, and found it highly intelligent and interesting, with far too many "tidbits" that I wanted to include in the service and couldn't! I encourage the reading of this book AS a "pleasure read," not just as research material.

I particularly appreciated the section on contemporary versions of "Amazing Grace" and its impact on the secular community. As a Unitarian Universalist, I was greatly cheered to find one of our ministers quoted on the impact of the hymn on those who don't necessarily believe in a divine presence.

The discography of AG recordings included as an appendix was also hugely valuable, as I compiled a CD of recorded versions as a "party favor" for my (small) congregation. Turner's correct when he says it's a "select" discography, but he got most of the really good ones!