Music Books

The Little House series are great read aloud books.

Our daughter is five and this series is perfectly age appropriate, even though an older child would enjoy them equally as well. For younger ones (three or so), there is a great picture book series called "My first little house books," or something like that. One of these is a story based of a chapter in this book and is called "Christmas in the Big Woods."

These CD's are great for long trips in the car. The narrator's voice is wonderful. The adults will find themselves enjoying listening themselves.

"One the Banks of Plum Creek" is the best of the series. It is the one where Mary and Laura go to school and where the character of Nellie Olson is introduced. Her brand of spoiled rotten meanness is nothing short of tantalizing to a five year old. Also, there are the wonderful Christmas chapters.

Just excellent, all around. I highly recommend the books to read alound and the CD's.

Whether you have read the Little House books or have never heard of them, this book on tape is wonderful for everyone from small children to adults. The narrator who reads it does an amazing job of capturing the childhood wonderment and emotions Laura was trying to convey. It is also so interesting to hear the way families lived back in the 1800's. I could listen to this book on tape over and over again.

Book review
I did my report on the book called On the Banks of Plum Creek.
The author of this novel is Laura Ingalls Wilders. It is also historical fiction.
This story is about a family that is very close. There is baby Carrie the littlest, the middle child was Laura but her nick name was Little Half Pint, and the oldest is named Mary. Mary was such a little lady she always did what her mother told her to do. But Laura was the rebel in the family she was always getting dirty or getting into trouble. But Carrie is too little to have a background. Pa traded his horses and bunny for a dugout from Mr. Nelson. There was a creek close to the house and they played there often but they must never go into the deep waters with out Pa or Ma (Laura learned that lesson fast).
I loved this book because I love the time period it was set in and I have read many stories by the same author like Little House in the Big Woods. It would suit some one who loves Family stories and the time period and his farm world it is more like a fun book to read but it is Historical fiction as well.

Laura Ingalls is now eight-years-old, her sister Mary is nine, and Carrie is still just a tiny tot. While they are all still quite young, they are expected to help out with the chores around the house - from sweeping to dusting, cooking and setting the table. But this year, the girls are in a strange new place. Looking to settle in an area where a school and church are close by, and the Ingalls' have a chance to grow a wonderful crop that will provide quite a profit, the family heads to Walnut Grove, Minnesota. Traveling by covered wagon, the family, along with all of their belongings, travels all the way through Indian Territory, across Kansas, Missouri, and Iowa, stopping at their destination in Minnesota. There, they are surrounded by Norwegian's who speak very little English. However, they are good neighbors who assist them in times of trouble. Trading their horses for a home located under the ground, Laura's family begins to call Minnesota their home. And, before long, Pa has built a lovely home by the banks of Plum Creek. He believes that his wheat crop will provide enough funds to pay off their debts when the time comes. But when locusts invade in cloud-like swarms, eating everything in their sight, the family must endure hardships that were unexpected.

But things are not all bad. Having never attended school before, Laura and Mary are finally near enough a schoolhouse where they can attend daily lessons that help them develop reading, writing, and arithmetic skills. It is at this particular school where the two older Ingalls girls are exposed to children - both male and female - who are close to their age. Some of whom title Mary and Laura "country girls." But the label does not affect how the two sisters view themselves, or their family; and only gives them the courage to befriend various girls who love to spend time with them. It is at school, however, that Laura encounters the spoiled, yet oh-so-pretty, Nellie Oleson, who goes out of her way to give both Laura and Mary a hard time. But Laura isn't having any of it, and resolves to get even with the vicious Nellie, even if it upsets her Ma and Pa. Luckily, with Ms. Beadle - the schoolteacher - around, Laura and Mary have the confidence to stand up for themselves, and receive the education that their Ma always wanted them to have; while getting the socialization they deserve. But even attending school doesn't excuse them from having to assist their family when the going gets tough.

Up until last year, I had been a diehard fan of the LITTLE HOUSE ON THE PRAIRIE TV series, but had never had the opportunity to delve into the wonderful tales told by Laura Ingalls Wilder herself. Upon reading the introduction novel, LITTLE HOUSE ON THE PRAIRIE, I quickly fell in love with the Ingalls family all over again; and, since then, they have taken up residence in my heart, and kept me fascinated with the various adventures they experienced throughout their lives. Laura is such a lively, brave, fun-loving character; whose ambition, kindness, and, oft-times, naughtiness, make her appealing from start to finish. Her relationship with her family is hard to resist, as she manages to please and displease them on a daily basis, all to the jovial laughter of her father. I believe that Pa (Charles) is one of the most important characters in the series, as he is such a kind, loyal man; who rarely scolds, and spends his downtime entertaining his family with music from his fiddle, and stories that leave you chuckling. The family, as a whole, are the type of people you would absolutely love to have the chance to know. They are kind to strangers, helpful to neighbors, and both Ma and Pa are two of the most selfless people in literature. The information regarding Rocky Mountain locusts was both interesting, and frightening; but truly provides a wonderful history lesson for the young reader. While the introduction of the devilish Nellie Oleson provides quite a bit of humor, as she and Laura trade insults with one another at almost every meeting between the two. Ingalls did a marvelous job of penning such a cheerful addition to the series; and, thus far, ON THE BANKS OF PLUM CREEK has become my favorite LITTLE HOUSE book yet. A can't-miss addition to the series!

Erika Sorocco
Freelance Reviewer

ON THE BANKS OF PLUM CREEK -- Who could forget the plague of grasshoppers, or spoiled Nellie's encounter with the crab, or Pa's sojourn in the blizzard, among other adventures?

We -- my three homeschooled grandchildren and I -- are going through the Laura Ingalls Wilder series of books for the second time. We read them aloud during story time, and love every minute. These are books written about an American pioneer family in the 1800s with a strong moral compass. In an unsentimental style, the author writes simply of the day-to-day life she experienced firsthand growing up. As the title of this review suggests, a central theme, not only of this book, but the entire series, is that "Pa loves Ma, and Ma loves Pa, and all's right with the world," including in the face of all kinds of adversity and opportunity alike.

I enrich this time for my grandchildren by stopping occasionally to explain and discuss what we are reading about, be it an unusual word usage, a custom no longer practiced, how to do something by hand, historical facts... We have even stopped to do some research and measure out the height of a bear. Our family tradition is that the eldest grandchild (now 11) reads the last page of these books. Otherwise, I usually do the reading. We also try to get started right away on the next book in the series, the same day as we finish the one before, so as not to lose our momentum.

After going through the series the first time, we discovered (almost by accident at the local library) several other series of books, written by other authors, about Laura's great-grandmother Martha in Scotland, her grandmother Charlotte in Boston, and her mother Caroline in Wisconsin, so we decided to start over with the first of those books and carry on through. There is also a series about Laura's daughter Rose which we have not gotten to yet.

Reading through the other series in order has been time well invested. Like Laura, we have strong family roots in Scotland. We have four generations of our family living within close proximity, so my grandchildren know my father, their beloved great-grandfather, quite well, and this series helps them gain a feel of family and historical continuity, generation to generation. (Check for related book series under: Martha Years, Charlotte Years, Caroline Years, Rose Years).

I am investing in and building our own set of all these books in hardcover, having told my grandchildren that I plan to be around to read them to *their* grandchildren!

This is a well organized field guide with an excellent index. The illustrations are also very well done.

CHUCK FULL OF GREAT PICTURES, RANGE MAPS, QUICK FIND INDEX, AND THUMBNAILS FOR EASY ACCESS. BEING THAT WE LIVE IN A FAIRLY LARGE WOODED PART OF THE OZARKS, WE GET TO SEE MANY SPECIES OF BIRDS RIGHT IN OUR OWN BACKYARD.

I wish this book had more detail in both drawnings and discreptions. As in more possable colorings from juvenile to adult and sex. Color of eggs, what kind of nest, habitat and sounds.

This book is very helpful in figuring out just what bird is outside your window. It does help if you have a general knowledge of birds.

After five revisions, this book is a fine-tuned machine. Absolutely every aspect of the book has been thought out in terms of field-usefulness. Once you use this guide, you won't settle for anything else, not even Sibley's excellent guide.

The only thing that might discourage a beginning birder is: 1. use of scientific jargon, and 2. extensive subspecies coverage.

These two factors can be confusing for neophytes, but on the other hand many veteran birders can't live without them. This is the single NA bird guide that approaches the avocation from a scientific standpoint; all the rest take a more relaxed standpoint. I find the subspecies pictures to be extremely useful when afield; some may view it as a hassle.

Bottom line: you owe it to yourself to buy this book - it may be the best $16 you ever spend. If you are a beginner, you may wish to start out with the Sibley guide, or the Peterson guide.

I bought a copy of this book at a performance of The Phantom Of The Opera in 2000 and really love it. I tried to purchase a copy for a friend at the most recent performance we went to but it is no longer available and feel very lucky to have been able to find it here at Amazon. It tells of the Paris Opera House, Gaston Leroux, the original story and the movies. The reason I bought it is the last 100+ pages cover the Andrew Lloyd Webber musical and includes some incredible photographs. I was delighted when I got home and found it also includes the Libretto! I would encourage any fan of the musical to purchase a copy.

Loads of beautiful photos and lots of info. I love it. We do need and expanded edition to cover the movie. This is for Phantom Fans.

This a must have for any phans of the A.L.W. musical!!

This book... I have no words on how amazing it is.

When I rekindled my love for musicals, and of course, Phantom of the Opera made that happened... I had to get everything and learn everything about Phantom. So I found this book at the library and I went insane over it.

Firstly, it gives a clear background history on Gaston Leroux--the writer and the creator of Phantom of the Opera. Then, it goes into another section when talking about the films it inspired. You'll be surprised and amazed when you see it and read about it. Not only that, it tells you some small tidbit facts on the actors and actresses of these movies.

And then, my favorite part, it goes into the Lloyd Webber musical. And when I say "goes into" I mean it!! There are so many pictures of the Original London Cast it's phenominal! There ares ome behind the scenes pictures as well. I never seen so many pictures about Phantom sure in a book, ever.

And when you think that's enough, there is a libretto of the stage production--including scrafito'ed pictures of the OLC copied in there as it was when the CD/Cassette first made it's debut.

All in all, it's not clearly updated as it is now, there is mention of the movie and who they want in it. But otherwise, if you are a London Cast or simply a Phantom obsessionist, you MUST have this book. If you find it at a house sale, a junk pile, book sale... whatever... BUY IT. You will not be dissapointed!!

I recently purchased both 'The Complete Phantom of the Opera'and the novel, and I am soo impressed! After I saw the movie and bought the soundtrack, I knew that I had to have these books. My interst in the Phantom of the Opera was first sparked when I saw the silent version with Lon Cheney. Then I heard about the movie coming out, so I saw it and I was more than impressed. I still have yet to see the Broadway version however. So, I highly recommend the movie, the soundtrack and the books. In my opinion each is well worth the cost!!

I love this book! Of course, I love EVERY book about Leo! but this one was one of the first ones i bought about 3 or 4 years ago, so it'll always be one of my favorites :-) i recommend it

This book was really fantastic!! I love Leo. He is one of the most beautiful men on Earth. I love him more than any one of you wannabes out there.

this book is exelent! many pics (great ones!!!) and lots of info about his films, his life etc. also well writen with many quotes, his or his co-stars in several films. helps you descover many things about him. generaly great book..!!!! you must buy it!!!

i think the book was great, i learn so many things about leonardo, he seems to be such a wonderful person,very kind hearted,i love his pictures, anyone who is interested in leonardo dicaprio, i recommend this book, it's great.. ..

Although this is a good book for slavering preadolescent female fans who don't understand words more than two syllables in length, the book was unsatisfactory for anyone but the most devoted. Containing quotes, pictures and a short bio, get this one for your daughter only if you want to waste your money.

My bookclub is entering into its Holocaust Month. Someone recommended this book to me last year and I thought, it sounded interesting enough to read. Interesting just barely describes this book. Haunting is more the word that I think of when I finished this book. Incredibly lucky are two more words.

There are so many books out there about the Holocaust that it can be confusing sometimes to read what. This book definitely should be read simply because it's beautifully moving, tragically sad and not only that, it provides a different viewpoint of what happened during the early years of Nazihood in Germany and before the "Final Solution" was proposed to exterminate the Jews. This happened and I don't recall hearing much about any of this till I read this book. Before Hitler and Goring proposed the death camps and just while trying to get rid of Germany of the non-Aryan blood, they came up with a solution that provides entertainment and music/art/theater productions just for the Jews. This is a place for the Jews to retreat to. They were only allowed to play Jewish pieces written by Jewish artists/musicans. And they were left alone in the 30s and early 40s. Well, not quite completely left alone as they still had to follow the Nazi rules. But it was a place of refuge for the Jews, especially in Berlin.

This book, while devoting a huge portion to the Kulturbund and its orgins, the author writes of his personal family history. His mother and father were musicans in the Kulturbund. And they suffered horrible tragedies as the war progressed over the years. However, they were young, in love and naive like a lot of people were. They did manage to escape Germany but they also managed to leave behind family members which have haunted them and their children even to this day. It is very intense reading at times and with hindsight on the reader's part, it is very hard to fathom their optimism that things will work out ok in the end. Not only that, this book brings up the question of whether or not the Kulturbund was good for the Jews or kept them compliant enough to keep them in Germany instead of escaping to other countries, so the Nazis could gas them too. This book is haunting and disturbing. The questions that the author may have unknowingly stirred are now raised in my mind ... and the answers are not easy to figure out.

This is not your typical Holocaust book nor is it like the other books about the camps ~~ this book simply tells a tale of two musicans who were unfortunate to be caught up in the times that stirred Germany (and the world) ~~ but yet, their love of music has sustained them through the years before they left Germany. Are they heros? Not in the sense that we associate it with. They are more like survivors and like all survivors, they carry a burden of guilt that resounded through the years. But it is a book that honors the memory of those who were left behind in a time of turmoil that even today, still vibrates through the years.

9-28-07

MG's story of his family during the early Nazi era is an unusual glimpse into the lives of German Jews during the period from 1933-1941. He writes about the Kulturbund, an organization created by the Nazis to (1) rid Germany of Jewish influence in the arts and (2) provide propaganda coverage of the maltreatment of Jews by the Third Reich.

In my opinion the book is generally well written and seems to be the result of careful research. My one complaint is that MG frequently quotes conversations which I doubt have been recorded in any way. I don't like that in historical writing, but in this case I was willing to overlook it, because of my interest in the story.

What do we really know about our parents' life before we were born? That depends largely, I guess, on how much of an interest we show - and on how much they are willing to reveal. Because in the life of every person there are instances and times they rather wish to forget, and not revive time and again by discussion, even if only among their nearest and dearest.

Such, in the lives of author Martin Goldsmith's parents, were the years from 1933 through 1941; so much so, in fact, that Goldsmith likens that time to the massive ash tree in the house of Germanic warlord Hunding, the setting of the first scene of Richard Wagner's opera "Die Walkuere:" Something looming large, yet never openly acknowledged. Because before George Gunther Goldsmith, furniture and home decorating salesman of Cleveland, Ohio, and his wife Rosemary, a violinist with the St. Louis Symphony and the Cleveland Orchestra, became American citizens in 1947, they had lived a whole other life - the hunted life of Jews in Adolf Hitler's Germany. And only years after his mother's death, on a trip to his father's home town of Oldenburg, did Goldsmith catch the first glimpses of what was hidden behind that massive ash tree, and George Goldsmith began to talk about the events which his, the Goldschmidt family had witnessed there; as well as the early life of Rosemarie nee Gumpert in Duesseldorf, the couple's first meeting in Frankfurt, and their later life in Berlin until their lucky escape to the United States. Beginning with this visit, Martin Goldsmith retraced his family's path to the early years of the 20th century, when his paternal grandfather Alex Goldschmidt took residence in Oldenburg, and his maternal grandfather Julian Gumpert settled in Duesseldorf.

How intensely personal this voyage into the past must have been becomes clear in the account of Goldsmith's visit to Oldenburg prison, as a participant in a march retracing the path taken by the Jews - among them the author's grandfather - driven through the streets of Oldenburg in 1938 by Nazi thugs, to later be shipped off (at least temporarily) to Sachsenhausen concentration camp. But although he writes about his very own family, and now in full knowledge of their fate, Goldsmith's narrative is in no way sentimental. With a journalist's detachment he talks about Guenther and Rosemarie, Alex, Julian and their wives and other children; turning a nonfiction account whose outcome is clear from the very start into a heartstopping tale few would be able to believe if presented with it under colors other than that of the plain historic truth.

Prominently featured in Goldsmith's account is the Jewish Culture Association, or Juedischer Kulturbund; as of 1933 the German Jews' only permitted artistic organization, in whose orchestra Guenther and Rosemarie had met and which had formed the center of their life until they finally left the country. One of the most controversial institutions of Nazi Germany, it reunited what was left of the country's Jewish musicians, artists, writers and composers - providing a modicum of shelter in an increasingly hostile environment, but also a convenient tool in the Nazi propaganda machine. Were the members of the Kulturbund instrumentalized to deceive public opinion, at home and abroad, about the true intentions of Hitler's government? By giving their Jewish audience a sense of comfort and "belonging," did they also prevent some of them from rescuing themselves when there still would have been time? The surviving members of the "Kubu" and their families, interviewed by Goldsmith, come down on both sides of the issue; and the fate of the survivors is probably as symptomatic as that of the many who ultimately did perish in Nazi concentration camps - chiefly among those the Kulturbund's charismatic founder Dr. Singer, who not only let himself deceive into returning to Germany after already having reached the safe shores of the U.S. but saw a mark of distinction even in his deportation to the "model" concentration camp of Theresienstadt.

Yet, for Guenther and Rosemarie the years with the Kulturbund were dominated, above all, by the musical companionship they experienced. What does seem to have haunted them most for the rest of their lives, however, was their very escape to America, while their remaining family members were stuck in Europe and, one way or another, died in Hitler's concentration camps - and the feeling that with a little effort they just *might* have saved at least some of them. The letters of Alex Goldschmidt and his younger son Helmut, written to Guenther from captivity in France after their own unsuccessful attempt to flee to Cuba, are among the most chilling testimonials contained in this book; and the decision to translate and include them conceivably cannot have been an easy one for Goldsmith. Indeed, it apparently was the knowledge of his family's fate that, all talent and love of music aside, eventually compelled George Goldsmith to forever retire the flute which, in his life as Guenther Goldschmidt, had been the only item of true importance besides his beloved wife Rosemarie; thus punishing himself in a way no outsider could have done. Yet, the couple's gift for music lives on in their son, who in his own way has brought many hours of joy to radio listeners all over the U.S.

Martin Goldsmith's "Inextinguishable Symphony" - named for Danish composer Carl Nielsen's Fourth Symphony, which sets music, as a parable for life itself, against war, terror and destruction - is as much a personal journey of discovery as a journalist's account of historic facts; seeking to understand rather than to judge. It deals with a time in which morality was thoroughly upset by a profoundly immoral regime, which cannot possibly have remained without effect on anybody who witnessed those events. In applying our own values to those facts, I think we would all do well in being careful to, likewise, make a thorough effort to understand before we judge. Goldsmith's insightful account is a great place to begin such a process.

This story was impossible to put down and when you finish, it stays with you for a very long time. Its hard to believe that Gunther and Rosemary didn't make every effort to help their parents emigrate to U. S. What really bothers me most is, not being Jewish, what would I have done in Germany in the late thirties and early forties when I saw these atrocities happening?

I listened to Martin Goldsmith on "Performance Today" (and still listen to his successor, Fred Child) for many years. This man who for years described classical music on the radio -- composers and their life story, pieces and their histories, in accessible, engaging, and lightly humorous ways, and even sometimes tied it in to his love of baseball -- he also has an extraordinary family story. It's moving and well-written, and makes me think about the extraordinary stories that must dwell in the depths of my own geneological past.

This is a deeply wise book. It reflects the wisdom of Thich Nhat Nanh and gives a glimpse into enlightenment and how the enlightened person lives. I learned to ask questions that deepen insight through the reading of this book. It is a foundation for much of the work I do with CEO's and is a foundation for my leadership book "Unleashing Genius." A MUST READ FOR THOSE ON THE PATH.
Unleashing Genius: Leading Yourself, Teams and Corporations

M. Dianna Ryel-Lindsey
MA Indo-Tibetan Buddhism
Giovannina Jobson, Advisor
March 7th, 2008

Old Path, White Clouds: Walking in the Footsteps of the Buddha
By: Thich Nhat Hanh

While at Deer Park Monastery in California, I watched a video of Thich Nhat Hanh dictating what the experience of writing Old Path, White Clouds. He spoke of the memory of writing the book with sweet nostalgia, a far off look in his eye. Thich Nhat Hanh, the Venerable Vietnamese monk who has aided in changing the face of Buddhism in the West, whose work has been deemed "Engaged Buddhism," took on the project of writing the Buddha's life, footstep by footstep. He literally wrote this book with a pen. He would work in four hour shifts for quite a long period of time until the book was done. Thich Nhat Hanh claimed that he was walking alongside the Buddha, with the Buddha, in the Buddha's era. He said it was a marvelous experience to write Old Path, White Clouds. Two women typed up Thich Nhat Hanh's work, and one of the women spoke of stopping mid-sentence to cry because she was so moved by Thich Nhat Hanh's glorious, sensitive flow of words.

The book is to be made into a movie in 2008 by Producers Michel Shane and Anthony Romano. They sought out Thich Nhat Hanh to discuss receiving the rights to make a film from Old Path, White Clouds. Humbly, Thich Nhat Hanh was perfectly fine with this inquiry. However, he wanted the producers to spend some time in his France home, Plum Village Retreat Center and Monastery. Thich Nhat Hanh informed them that they must create this movie mindfully. That is the only way a movie of the life of the Buddha could be produced.

Further, the Dalai Lama has given his consent that the book is as accurate as possible, and the Dalai Lama has taken an advisory role in the creation of the movie's script. "Drawn directly from twenty-four Pali, Sanskrit, and Chinese sources, and retold by Thich Nhat Hanh in his inimitably beautiful style, this book traces the Buddha's life slowly and gently over the course of eighty years..." describes the back cover of the book. Thich Nhat Hanh's personal journey in writing this exquisite book, and the future production of this book into a movie prove the importance and earnest way in which Old Path, White Clouds can speak to all audiences about the Buddha's life.

The book is in three parts and quite large, so I thought it would be a great undertaking to read. Hidden underneath tangled, weaving Oak tree branches, in a small hut in Deer Park Monastery in Escondido, California, I began to read Old Path, White Clouds. In a quintessential retreat setting, I understood why Thich Nhat Hanh's face filled with nostalgia as he remembered "walking with the Buddha" when writing the book. I felt as if I were floating, levitating as my eyes glided quickly across the words. Meditating and reading this book every day made me feel quite close to the Buddha (and the Buddha within). Thich Nhat Hanh's mindfulness in concentration and detail are obvious in his poetic, lyrical writing style. His care and precision is evident, and takes the reader right along with him on a journey in becoming a part of the Buddha's community, the Sangha.

BOOK ONE

The first section details the Buddha's youth and decision to leave home for the monastic, mendicant life. The book begins with Siddhartha Gautama in the woods outside of a village in India. He meets Svasti, the young Buffalo herder and Sujata, a young villager girl with some wealth. They brought him rice and kusa grass to sit on comfortably for meditation. He taught the children to eat quietly, with reverence, in mindfulness and gratitude. The children were drawn to his presence. Soon, more children came to hear Siddhartha Gautama's teaching, and the children eventually dubbed him "The Awakened One," the Buddha.

Born in 560 BC in Lumbini (India?) near the city of Kapilavastu, The Buddha grew up in a kingdom of wealth and riches. (He died at eighty-years-old in 480 BC.) Siddhartha Gautama was born to King Suddhodana and Mahamaya, his mother.

...Siddhartha was told about the dream his mother had before giving birth to him. A magnificent white elephant with six tusks descended from the heavens surrounded by a chorus of beatific praises. The elephant approached her, its skin as white as mountain snow. It held a brilliant pink lotus flower in its trunk, and placed the flower within the queen's body. Then the elephant, too, entered her effortlessly, and all at once she was filled with deep ease and joy. She had the feeling she would never again know any suffering, worry, or pain, and she awoke with the sensation of pure bliss. When she got up from her bed, the ethereal music from the dream still echoed in her ears... [The holy men of the kingdom were summoned.]
Your majesty, the queen will give birth to a son who will be a great leader. He is destined to become either a mighty emperor who rules throughout the four directions or a great Teacher who will show the way of truth to all beings in Heaven and Earth...

Mahamaya died shortly after childbirth, and Siddhartha was raised by Mahapajapati, known as Gotami, his aunt. Siddhartha, the Prince, was not interested in the affairs of the kingdom, although well-read and studied, he longed for more.

He wasn't interested in women, but nonetheless, he did meet Yasodhara. Her care and concern for the poor of India and her unconventional views brought her and Siddhartha to be close. Siddhartha was disgusted by the politics of India at the time, especially the Caste System, and Yasodhara agreed. They eventually married. Siddhartha and Yasodhara would speak of compassion together and meditated together. Their lives revolved around generosity, working with the poor. Yasodhara learned to care for herself to be able to give more; she listened as Siddhartha advised. Siddhartha continued to voice his concerns that more must be done, that he was destined to take a journey to solve the problems of India in his day.

In the meantime, Yasodhara became pregnant. Their son was named Rahula, "a fetter or a bondage." According to legend, it is more likely that he was named after a lunar eclipse (rahu) that might have occurred around the time of Rahula's birth. During many talks, Yasodhara (lovingly called Gopa by the Buddha) came to understand that Siddhartha had a mission to accomplish. He consoled her:

Gopa, please don't worry. You are a woman of depth. You are my partner, the one who can help me to truly fulfill my quest... In the near future I must leave and travel far from you; I know you possess the courage to continue your work. You will care for and raise our child well. Though I am gone, though I am far away from you, my love remains the same... And when I have found the Way, I will return to you and to our child.

Thus, Siddhartha left for a life of wandering, renouncing all for the sake of spirituality. He found numerous teachers among the forest-dwelling monks of India. He accomplished easily and quickly numerous deep levels of meditation: the state of no materiality, the state of neither perception nor non-perception, and so on... "He realized that the body and mind formed one reality that could not be separated. The peace and comfort of the body were directly related to the peace and comfort of the mind." He learned of the joys of meditation and the inseparability of interdependence and non-self.

"If the waves understood that they themselves were water, they would transcend birth and death and arrive at inner peace, overcoming all fear." Siddhartha's consciousness was raised to the suffering of all sentient beings; it is a common ground shared by all. Through meditation, Siddhartha became the Buddha, the Awakened One.

Siddhartha gazed at the star and exclaimed out of deep compassion, "All beings contain within themselves the seeds of Enlightenment, and yet we drown in the ocean of birth and death for so many thousands of lifetimes!"... He promised to share his discovery to bring help all others liberate themselves from suffering.

In Deer Park, the radiant Buddha taught his five ascetic friends of the Dharma, the law or words of the Buddha. His knowledge, he shared. At once, he had turned the Wheel of the Dharma. The Buddha taught of the Middle Way path, and also, the Noble Eightfold Path: right understanding, right thought, right speech, right action, right livelihood, right effort, right mindfulness, and right concentration.

He stated, "I have followed this Noble Eightfold Path and have realized understanding, liberation, and peace."

BOOK TWO

This section of Old Path, White Clouds gives descriptions of the Buddha's travels around India and the quickly growing Sangha. Uruvela Kassapa begins the book by stating:

On this fresh spring morning,
the Enlightened One passes through our city
with the noble community of 1,250 disciples.
All are walking with slow, calm, and radiant steps.

The Sangha grew rapidly with exposure to the radiant teacher, the Buddha, and his dedicated disciples. In the second chapter, the Buddha determines that India's monsoon season is not a pleasant or safe time to travel. Thus, the three month deep meditation retreat was established. With donations and the working hands of the Sangha, the community built huts from bamboo, thatch, and pounded earth. For the first year the location for the Sangha was the Bamboo Forest. This was a time of deep reflection, study, and meditation for the monks and disciples. It became a valued tradition.

An ascetic Dighanakha had questions for the Buddha. He did not believe in doctrine or subscribing to any tenets. The Buddha replied:

You see, my friend, if we are attached to some belief and hold it to be absolute truth, we may one day find ourselves... thinking that we already possess the truth, we will be unable to open our minds to receive the truth, even if truth comes knocking at our door... My teaching is not doctrine or philosophy... It is the result of direct experience.

The Buddha handles doubt so elegantly! He is never on the defensive proving a point. He leads by example. His words are controlled, compassionate, and gentle. The Buddha's life, he leads by his own genuine experience.

Thich Nhat Hanh agrees, "Do not think the knowledge you presently possess is changeless, absolute truth. Avoid being narrow-minded and bound to present views. Learn and practice nonattachment from views in order to be open to receive others' viewpoints."

The Buddha goes on to describe a gorgeous metaphor:
I must state clearly that my teaching is a method to experience reality itself, just as a finger pointing to the moon is not the moon itself. An intelligent person makes use of the finger to see the moon. A person who only looks at the finger and mistakes it for the moon will never see the real moon... My teaching is like a raft used to cross the river. Only a fool would carry the raft around after he had already reached the other shore, the shore of liberation.

This teaching is vital in Buddhism. The teachings of the Buddha are stepping stones, not the end-all. Buddhism leaves the path open to the individual's experience, and if a person holds too tightly to "the view" or "the Buddha's words," they will be carrying a very heavy raft on their shoulders.

Next, the disciples experience Ambapali and her power of physical beauty. Sariputta asked the Buddha, "Master, how should a monk regard a woman's beauty? Is beauty, especially that of a woman, an obstacle to spiritual practice?"

The Buddha answered:
Bhikkhus, [(disciples)] the true nature of all dharmas transcends beauty and ugliness. Beauty and ugliness are only concepts created by our minds... But perhaps no beauty has more capacity to distract a man's concentration than a woman's beauty. If one is obsessed with a woman's beauty, he can lose his way.

This has long been an issue historically with Buddhism. The female, seen as a mara, or distraction (sometimes translated to be demon), is an obstruction in the monk's path of becoming enlightened. Of course, feminists have harped on this. Yet, many modern women see this as a sign of the times and let it go. Unattached, many women know that they can become enlightenment to the same extent as men and are not concerned with the term "mara." Thich Nhat Hanh presents the issue gently in Old Path, White Clouds.

The Buddha continues, "...the beautiful may still appear beautiful and the ugly may still appear ugly, but because you have attained liberation, you are not bound by either... Such a person understands the impermanent and empty nature of all things." In this account of the Buddha's life, this is where the teachings are morphing progressively from Hinayâna to Mahâyâna Buddhism.

Following this, the Buddha returns to his home palace to meet his son Rahula as an older boy. Rahula joins the Buddha on his quest and becomes the youngest disciple, layperson. He is too young to become a full-fledged monk. The Buddha states, "With understanding and love, there is nothing you cannot accomplish." These are simple, profound, and beautiful words; the Buddha elaborates quite a bit on the correct form of love that does not hold possession or greed.

The Buddha and the Sangha are walking once again and encounter an "untouchable," a man of the lowest Indian caste bathing in the river. The Buddha approaches him to greet him in a friendly manner. The man backs away! "I am an untouchable. I don't want to pollute you and your monks."

The Buddha replies, "You are human being like the rest of us," and he invites him to join the Sangha.

Sunita, the man, placed his palms to his forehead, astonished, he says, "No one has ever spoken so kindly to me before." He devotes the rest of his life to the Buddha and his teachings.

In an incredibly important point in the book, it covers the historical trials of women who wanted to become lay disciples and eventual nuns. "After hearing the Dharma talk, the queen and princess felt their hearts open. They both wanted to become lay disciples, but did not dare ask." At that time in India, politically, it would have been considered absurd and for women to become nuns. Their place in society had to do with tending the home and serving their husbands and children. There was no room for strict devotion to a spiritual path, monastic devotion.

A group of women, including the Buddha's aunt Gotami, shaved their heads, dressed in robes, and walked barefoot to meet the Buddha and portray their eager earnestness in becoming lay disciples and eventual nuns. The Buddha was not discriminatory against women, but he was unsure as to how to open the Sangha without disrupting it inside and out. He was afraid that society would not support the Sangha with women in it. Harmful conflict could come to consume the Sangha.

Finally, the Buddha comes up with strict laws that would allow the women to become nuns. The rules were stricter than the monks'. It has remained this way unto this day.

Here are the extra eight rules for women:
First, a nun, or bhikkhuni, will always defer to a bhikkhu, even if she is older or has practiced longer than he has. Second, all bhikkhunis, must spend the retreat season at a center within reach of a center of bhikkhus in order to receive spiritual support and further study. Third, twice a month, the bhikkhunis should delegate someone to invite the bhikkhus to decide on a date for uposatha, the special day of observance. A bhikkhu should visit the nuns, teach them, and encourage them in their practice. Fourth, after the rainy season retreat, nuns must attend Pavarana ceremony and present an account of their practice, not only before other nuns, but before the monks. Fifth, whenever a bhikkhuni breaks a precept, she must confess before both the bhikkhunis and the bhikkhus. Sixth, after a period of practice as a novice, a bhikkhuni will take full vows before the communities of both monks and nuns. Seventh, a bhikkhuni should not criticize or censure a bhikkhu. Eighth, a bhikkhuni will not give Dharma instruction to a community of bhikkhus.

These rules sound terrifyingly sexist to the modern ear. However, the women were so elated to be part of the Sangha and learn alongside the Buddha, that they bowed, thanked him, and accepted the rules immediately. It was understood that the Buddha was defying society and taking a huge risk for the women's sake. In order to defend the Sangha to society, the rules were set up to protect the nuns, to help ensure their place in the Sangha. Unfortunately, the rules have historically remained until modern day.

Shortly thereafter, the Buddha delivered The Sûtra on the Four Establishments of Mindfulness. Ananda repeated the Buddha's words, "Sati means `to dwell in mindfulness,' that is, the practitioner remains aware of everything taking place in his body, feelings, mind, and objects of mind- the four establishments of mindfulness, or awareness." This is where venerable Thich Nhat Hanh picked up his famous words, "Present Moment, Wonderful Moment." Being present is being able to truly live life in happy awareness no matter what realities occur.

BOOK THREE

The third book entails further, deeper teachings of the Buddha like full breathing, the raft not being the shore (do not get stuck in the teachings), and virtuous action and wisdom being "the two most precious things in life." He also teaches of co-dependent arising not to be grasped through logic and words solely. This must be contemplated through the art of meditation. "When you look at a leaf or a raindrop, meditate on all the conditions, near and distant, that have contributed to the presence of that leaf or raindrop. Know that the world is woven out of interconnected threads."

The Buddha continues in his teachings and traveling. Ending up at one point in Alavi, he meets a farmer. He refuses to give a Dharma talk until the farmer and all present had finished eating. The Buddha then elucidates a discussion on hunger. "If I delivered a Dharma talk while our brother was still hungry, he would not be able to concentrate. There is no greater suffering than hunger." Always remember those who are hungry, is the advice of the Buddha.

The book finishes with gorgeous verses of the Buddha's teaching. Ananda stated, "Lord, listening to the sound of the tide and looking out over the waves, I follow my breath and dwell in the present moment. My mind and body find perfect ease. I find that the ocean renews me."

The teachings become more and more esoteric. Uttiya asked, "After you die, will you continue to exist or not?"

The Buddha replied, "This question... I will not answer... I only answer questions that pertain directly to the practice of gaining mastery over one's mind and body in order to overcome all sorrows and anxieties." Becoming enlightened means no longer holding on to the fear of death. Becoming enlightened entails no death.

Finally, the book ends with the chapter entitled Old Path, White Clouds. The Buddha has passed away at eighty-years-old; he is given a wondrous ceremony in the midst of sal trees.

"For six days and nights, the people of Kusinara and nearby Pava came to offer flower, incense, dance, and music. Mandarava blossoms and other flowers soon thickly carpeted the area between the two sal trees." After this, his body was carried into town for a magnificent funeral. The practice of meditation and teaching Buddhism continued well after his death and to this day.

Thich Nhat Hanh concludes his compassionate book with, "The Buddha was the source... Wherever the rivers flowed, the Buddha would be there." Old Path, White Clouds is a timeless treasure as are the teachings of the Buddha. I recommend this book for: anyone curious about Buddhism, people young or old, those of any and all spiritual traditions, and practitioners on any level. Thich Nhat Hanh presents the Buddha's life with great reverence and sensitivity. This book's words flowed throughout my being as I read the superlative, spiritually provocative life story of Siddhartha Gautama, the Buddha.

This book is simply a masterpiece. Thich Nhat Hanh delivers the story of the Buddha and his path to enlightenment in peaceful words and pages. I will likely read this book throughout my life, again and again.

A clear and beautiful biography of the Buddha. Thich Nhat Hanh is the rare writer who can write simply without sounding simplistic. Anyone looking for a simple and engaging introduction to Buddha and Buddhism would do well to start here.

Wonderful read. Written in a way that is easy to understand. Thich Nhat Hanh writes beautifully. I highly recommend this book for anyone, especially those who are looking for an understanding of this particular lineage of buddhism.

This is a good book for getting started in Pro Tools. It covers pretty much what a musician would need to know to start making songs.

The author is really good at making complex concepts and procedures understandable. She even uses a blog where she will personally answer your questions if you get stuck.

That said...
The book is using Pro Tools version 7, and because I was using Pro Tools LE 7.4, there were quite a few discrepancies between what was presented in the book, and what I had in front of me, and the reader is required to extrapolate from time to time. All this will probably be fixed if the author ever revises the book. Then she can specify exactly what version is being used.

Also, in the revision, I hope she uses XPand, the free (and extremely cool) sampler from Digidesign, and not the $600 SampleTank, which you can only try for 10 days before buying.

Another thing I think would be very beneficial to new users and should thus be included in the possible revision. is a whole section of the book on creating your own loops, right from the beginning.

Thanx Gina

Amazing book very easy to read, follow along, comprend, and a must have for quick fun beginners guide. Provides refrences to other helpful software and throughly explained how-to's.

I have never felt compelled to write a review for any product I've ever purchased, but this is different!! I've been a home recording artist since the mid-eighties. Started with a Tascam 4 track cassette recorder, then to their 8 track version and then to Yamaha's AW4416 DAW. So I have a basic understanding for recording, but was never a techie at it. All I wanted was to lay my tracks and sound down.

I recently purchased Pro Tools Mbox2. For two straight weeks I muddled through what the hell all of the drop downs boxes, buttons and options meant. The manual explains each function in technical terms, but not how each is used in the context of recording and the big picture. I wanted to return the dam thing!!

I then began looking into different books and saw the positive reviews that "Pro Tools for Musicians and Songwriters" had and thought I'd give it a try... THIS BOOK IS FRIGGIN AWESOME!!!!! I felt like the author was sitting right there with me showing me exactly what all of the features were for and how to use them. Right from the very beginning of laying your tracks down to the finish product and a whole bunch of everything else in the middle!!!

DigiDesign, should include this book with every sales of Pro Tools. It's just that good!!!! ...and now I love Pro Tools!!!

I had a difficult time understanding how to begin working with ProTools until I bought this book. It's a great step by step tutorial that works through all the basic concepts and produces a finished music composition as an end result. I refer to it often as I write and record. Now when I refer to the ProTools manual for detailed info, I have a much better grasp on what I'm reading.

I needed a book to get more out of Pro Tools; I don't want to be an engineer savant - just record my guitar and vocal tracks and add a touch of MIDI here and there.

Some books were terribly daunting, some so simple that they were of no use.

It's true - this book is laid out to work as lessons with tracks that can be downloaded from a website. But even if you're working on your own projects - the explanations here are simple enough, you should be able to apply them to your needs. Or heck, go through the lessons - if you wanna learn, put in the time.

Even without yet going through all the lessons, I've found two or three great tips that have made my mixes (and CPU usage) much improved; and for that alone it was worth the money I paid. Big clear pictures, the Table of Contents takes you where you need to go, and the author even makes herself available via her web blog, if you have a question.

A friend who has ProTools sat at my house and picked up the book and just flipped through some chapters and saw some relevant tips he took home with him to California (I'm in Utah). I'd bet he's bought a copy by now.

Will it detail every configuration of every plug-in - no. Is it "For Dummies" - no.

This is a five-star reviewed book - it's not for everybody, but if you're starting out and need some good clean answers, start here!

For those fortunate fans who were in the groups fan club, in 1999, could purchase it earlier on, and would get an extra page, at the front thanking fans for their support.
Ever imagine being on stage with one of the coolest bands,*NSYNC, to see what it is like to be them? "*NSIDE *NSYNC The Ultimate Official Album", delivers.
Read a day in the life of *NSYNC, leading up to their stage entrance. Hear what they are saying about fans,and life on the road.
Go backstage, meet their band. Get to recognize their security team.
View the guy's off stage antics, with each other, wherever they may be!
End your journey as the tour bus rolls out.
Look at the signs, marking their arrivals.
In closing gaze at a unique image of everyone that makes what they do possible. It's one photo , you won't ever forget!

I order the book from Amazon and I just got it today and I started to go and read it and I love it because it brings me back memores seeing them in Arizona in 1999 when I saw them it is great book. I love it a lot I can know what they do offstage this for any N'sync fans you will love reading it also it is so funny too with the pictures that they have in the book. Justin is so hot in the pictures also with the back of the book Lance is so cute sleeping.

Hey ya'll. This book is a keeper. I'm the ultimite *NSYNC fan and it add's to my collection of memorabilia. All *NSYNC fans should own it. It's VERY easy to read and fun to talk about with your friends.It has big pic's full of the hotties. Esp. JUSTIN! Owww... what a hottie! Well what are you waiting for! GO AND BUY IT! Bye, Bye, Bye! ( MY saying )

This is by far THE best ever that i have seen coming from the guys themselves, *N Sync. This book brings with itself the real lifes of these VERY talented guys. You are going to be SO entertain with its awesome pictures, that you won't even bother with the reading. You should read it, ofcourse, because that is the reason why they made this book. They want to let people know who they are and to also show the world that they are here to say. They are the best group ever. They don't have their 15 minutes of fame and leave. These guys make a mark wherever they go. Chris, Justin, JC, Joey, and Lance: Congratulations on your sellings and remember that GOD is on your side. I love you guys snoopy8876.

Tons of photos! If you haven't yet gotten to an Nsync concert, you'll feel like you have with all the pictures of the showl. And for those of you who have been lucky enough to see Nsync perform live, this book will show you what goes on before a concert.

This is probably one of the few books you are going to find about Badfinger, who are another very essential but overlooked rock band. Sure they had hits, but they got screwed over. The book arrived in great shape and very quickly, so I was completely happy with everything.

I ordered this for my brother's birthday and he loved it! The book arrived in perfect shape. This is one of my brother's favorite bands from 'back in the day'!!! He was very happy with it. Thanks

A wonderful book. I knew very little about this band other than a couple of great songs I heard on the radio in the early 70's. By the time I finished the book I felt like I'd known them all my life. I couldn't help but get emotionally involved in their plight...Highly recommend

The most engrossing band bio I've ever read, and also one of the saddest stories in music. I find it funny that the two biggest debunkers of the author of this book are also two people who haven't read it! The story spans the very beggining, when they were known as the Iveys, to the ASCAP debacle in which Pete Ham and Tom Evans were utterly disrespected in front of an audience for their wonderful accomplishment of having written Without You. No stone is left unturned and unfortuntely some of the people involved should crawl back under theirs but haven't.

Dear Joey and Kathie: You can fool some of the people, but you haven't fooled me. At least Pete doesn't have a grave, or else I'm sure you would have been dancing on it quite happily. Why did you have to be part of the problem?

The "tragic" story of Badfinger couldn't be a better title for this book or this band. So much talent and ability and such bad management and naivete' destroyed not just a band but many lives in the process. I believe every young musician should read this book and learn from their mistakes.

This book is beautifully written. The words on the page flow like musical notes. This book is a valuable addition to any home or school library and a great way to introduce children to the types of musical instruments. I love the way the book introduces the instruments one at a time and gives the vocabulary for the number of instruments in the orchestra each time a new instrument is added (solo, duo, trio, quartet, quintet, etc.). At the end of the book, the author shows how all of the instruments join together to create music "that we all adore."

Great picture book to use in the classroom from preschool through 4th grade. For 3rd through 4th graders, you could use this book as an engaging tool to discuss musical terms, context clues, alliteration, adjectives, prefixes.

This is my 4 y.o.'s favorite book. We had read it to her so many times that she has memorized it. She can name every instrument and tells me which ones she likes the best. A plus plus.

I purchased this for my Kindermusik class, and the only thing that would've made it better would've been a real violin. It is a charming book, and it wasn't too long even for 3 year olds.

My just-turned-3 year old likes this book, and so do I. It has deepened his curiousity about and enthusiasm for instruments and the music they make, and it has inspired him to play his miniature guitar both as a 'violin' and a 'cello' (though he knows he needs a bow!).

I like the illustrations very much, and the verse is also fun to read.

I was very happy that he liked the book so well--when the Amazon package arrived, he was hoping for a book about excavators--his other passion! I'm glad to say he was not at all disappointed, once he saw the pictures.

This book is one of my standard gifts to families with small children. It's a great way to introduce them to poetry, music, and art. It's a great vocabulary builder, too--I've read it to my 4th-6th grade choir and had to explain musical terms to them. Fun sounds and interesting pictures to explore!