Music Books

A nicely researched and insightful biography of Florence Lawrence, one of the most shadowy yet important figures of early cinema. Many things about Florence's life and career will perhaps always remain vague, but Kelly Brown gives a worthy account of America's "first movie star." It is refreshing to know that Flo is finally getting the recognition she deserves. This book is a must for the true film buff.

This slender volume is fascinating because it finally paints a well-researched picture of the long forgotten Florence Lawrence. I've always been fascinated by her after seeing publicity stills of her from the mid-1900s. She appeared to be warm, charismatic and fascinating. Her greatest tragedy is that none of her films have been shown in eighty years. I have one of her shorts, "Flo's Discipline" which only lasts about twelve minutes but it gives you a hint of how dazzling she was before the cameras. While her cohort, Mary Pickford, went onto a spectacular career that included mind-boggling salaries and a world-famous Hollywood castle, Pickfair, poor Lawrence was living in a small, hotel room, being paid a few dollars a week as an extra at MGM. Her life would make a wonderful movie--and a cautionary tale about the pitfalls of how fleeting fame is, and how fickle is the public when it comes to remaining faithful to the flavor of the month.

Florence Lawrence was an enigma I had always wanted to know about, having been interested in silent films for many years. Information on her was scarce, save for some still photographs in silent movie history books. Kelly Brown really did her homework, in what must have been a difficult task, digging up information about a star whose heyday was almost 90 years ago! Congratulations, Kelly, on a job well done! I can't recommend this book highly enough!

I always enjoy a good biography, especially those of the nearly forgotten silent screen stars. This biography of Florence Lawrence was well researched and had many wonderful photos. The author did a good job with the resources available. Most of the films and people involved in silents are gone now, so the job is doubly difficult. Although pricey, this biography is well worth reading.

Florence Lawrence was "big" before there were movie stars. She was the original "Biograph Girl" before Mary Pickford was given that name by movie fans. After losing her job at Biograph, she was hired by Carl Laemmle's IMP company (later Universal). As a publicity stunt, Laemmle started a rumor that she was dead. Then she made a personal appearance in St. Louis and was mobbed by fans.

Unfortunately she was pretty much out of work in five years. Poor managemet by her husband Harry, as well as a painful injury forced her into bit parts. She was still acting in very small parts into 1938, when she gave up on life and committed suicide.

Kelly Brown has done an incredible research job. Using Florence's surviving correspondence, as well as trade magazine artices and advertisements, she has reconstructed Florence's life. The book has many footnotes noting sources, and there is a very detailed filmography. Instead of a book full of dry facts, Ms. Brown keeps Florence's story interesting. If you are interested in early cinema, or even important women actresses, you should definitely read this book.

Here is Sinatra stripped of everything who leaves me knowing he has deserved my love and admiration all these years. With Sinatra, he drove himself through life going after whatever he wanted and risking the consequences. We get to look at his ups and downs and his prides and his falls. We see him suffer at love and sing about it. We see him finally, after all the aborted tries, finally sink himself into a relationship with his last wife that kept him happy until he died.

Life for Sinatra was all or nothing at all and he did life his way and fell into lots of tender traps and led some into his own tender traps, like one famous movie star I will let you discover on your own.

What so special about Nancy's book is that she is amazingly organized and objective in her account of her father's life. And the CD, well the CD is everything. You get to hear Sinatra on Sinatra, unabashed.

Everyone on the planet needs to buy and read this book to learn what life can be when you go for it all every day!

Kudos to Nancy for a biography well, well done.

This book has excellent pictures with the most vital information for a biography project. A great buy and great read for interested fans of Ol' Blue Eyes.

No wonder this book is so thick- it's filled with numerous photos of Frank Sinatra, his family, and friends over the years. I love looking at these pics, and so will any other Sinatra fan. There is detailed info throughout the book as well. This is one worth having in your collection.

This scrapbook is a real treat to any true SINATRA fan.It is full of pictures of everybody who was important in his life from his parents to collaborators like arrangers NELSON RIDDLE; all his wifes from NANCY to BARBARA;the legendary LOUIS B. MAYER etc.Better than most biographies because it is based on facts not rumours.The early pictures from his beginnings are alone worth the price.I was fortunate enough to get this book at the third of it's price and i went through it very fast because once you open it, you simply can't take your hands out of it.If FRANK became the singer of the past century, it's not by accident, he worked hard at it.I was particulary touched by his loyalty to his true friends.FRANK SINATRA is a mirror of his country. He was the son of immigrants who lived the AMERICAN dream to the fullest.Where is the AMERICAN dream today now that it's last legend is gone?Let's not complain too much ,because everything that FRANK SINATRA ever recorded is now available on cd.Nostalgia when you think of it is a very good thing.SATURDAY is not the loneliest night of the week anymore thanks to the chairman of the board.If you are not already a fan, this book should do the trick.

I had to get this book after seeing how low the price came down.The original price was 40 dollars. Nancy Sinatra's book on her Father has everything in here.I couldn't believe Frank weighted 13and a half pounds when he was born on December 12,1915.The Doctor ripped and scarred his ear,check,and neck,plus puncturing his eardrum.Frank wasn't breathing,so his grandmother Rose held the baby under cold running water until he gasped his first breath and cried.This book is like a Diary.It goes from year to year,sometimes month to month.All of Franks movies,records,concerts,TV shows,songs,and the name of the songwriters are in here,plus hundreds of pictures,starting with Frank's baby photo, ending with a touching family photo taken in 1996.There's a wonderfull picture of Marilyn Monroe taken with Dean Martin sitting ringside at the Sands..All of the stars are in here,and family pictures we've never seen before.If you are a Frank Sinatra fan,you have to get this Book.Its huge,and the pictures are fantastic.

Reviewed by Conner (age 4) and Mom for Reader Views (04/08)

A boy remembers his visits to his Grandma with his other cousins when he was a "little bitty boy just off the floor." The best thing about the trip was her great big feather bed that he would have traded his whole family for.

"I love it all."
"Conner, do you think it was a fun bed?"
"It's a silly bed. I see piggies right there jumping up with the other dogs.
"Do you think you'd be able to sleep with 8 kids, pigs and 4 dogs in the same bed?"
"No."
"Would you like a feather bed?"
"No."
"Would you trade your family for a feather bed?"
"No."
"Why not?"
"Because I don't like feather beds and I don't have geese to build a feather bed."

Parent's Comment:

"Grandma's Feather Bed" is a fun tale with silly illustrations for every line of the lyrics. But I don't think that song lyrics make the best storybooks because of the repetition of the refrain makes story telling disjointed. I did appreciate the background annotation at the end with the sheet music for the song to give it more of a history, though my son didn't think that part was as interesting.

This is the 4th time I have purchased this same book for family members & myself. It is such an amazingly illustrated book. The song was written by an inspirational man who has captured the hearts of numerous generations of families. My husband & I, our daughter (who as a child got to sit on the stage with John & sing Grandma's Feather Bed with a few other children at one of his concerts),& now our grandchildren all truly enjoy John's heartwarming songs. His ability to reach feelings that remind us of how truly blessed we were to have his multitude of amazing songs & his one of a kind voice. Keep these books coming to us we need them to remind us of what we are missing with his passing. He would be so proud of the job that Christopher Canyon & Dawn Publishing did to bring his song to life.

The Mom's Choice Awards® honors excellence in family-friendly media, products and services. An esteemed panel of judges includes education, media and other experts as well as parents, children, librarians, performing artists, producers, medical and business professionals, authors, scientists and others. A sampling of the panel members includes: Dr. Twila C. Liggett, Ten-time Emmy-winner, professor and founder of Reading Rainbow; Julie Aigner-Clark, Creator of Baby Einstein and The Safe Side Project; Jodee Blanco, New York Times Best-Selling Author; LeAnn Thieman, Motivational speaker and coauthor of seven Chicken Soup For The Soul books; Tara Paterson, Certified Parent Coach, and founder of The Just For Mom Foundation(tm) and the Mom's Choice Awards®. Parents and educators look for the Mom's Choice Awards® seal in selecting quality materials and products for children and families. This book has been honored by this distinguished award.

I bought this because I've enjoyed John Denver since before I could read. This book was one of my nephew's favorites (the boy just turned 2 YO in early 2008). He would sit on my lap and look at the pictures for quite some time.
There is a lot to see in the pictures, there is a lot of fun in being able to read-sing the words to little ones. It's fun to play "i-spy" type games with the pictures.
Children love the rhyme, the repetition, the singing (should you choose to use the CD or sing it yourself), and the active pictures.

I bought this book thinking it was a read along book. It is just the song on the CD which is hard to follow for a 5 year old reading along. He does love the song and the book is beautiful and fun to look at. He had a fit of the giggles when we tried to turn the pages to keep up with the song, there is just too much to look at on each page to go so fast. We appreciate them seperately.

If you never listened to IZ then you should. He was the best Hawawii had. This book contains alot of good songs. The problem is alot of them are written in Hawaian so dont expect to play and sing them if you dont listen to the music. It is a shame that the best Blues,Rock,PoP and yes Hawaian music always come after the passing of the singer. Give this a shot. Music is music for all and in Hawaii IZ was the best.

Transcriptions of Iz's most popular tunes from several of his albums. I'll never sound like him, but it's good to see what he was doing and try to imitate it. Beautifully illustrated.

I just happen to love the music of Izzy. When you buy this sheet music book to go with your Izzy cd's, that's the perfect combination to start practicing your ukulele or guitar. Don't forget to buy your cd's. They don't come with the book. This is the book only.

I like the different pieces that call for acoustic guitar 1 or 2 and also for 1 or 2 ukuleles.

Any IZ fan (especially those Ukulele players) should own this book. With the 10th anniversary of his passing his popularity is growing and having this songbook with continue to keep him near you (I just I had my ukulele strung with a low 'g').

INSPIRED BY BROTHER IZ'S MUSIC, A FELLOW MUSICIAN IS QUITE HAMPERED WHEN THE SONGS ARE IN A FOREIGN LANGUAGE DOMINATED BY THE LETTER "K"!

THE MUSIC BOOK IS A TREASURE FOR THOSE OF US WHO ATTEMPT TO HONOR BRO. IZ BY IMITATION. THE ONLY COMPLAINT IS THAT ONLY 12 SONGS ARE INCLUDED.

WITH THE RESURGENCE OF POPULARITY, PUBLISHING MORE (OR ALL) OF HIS SONGS MAY BE A VIABLE OPTION.

Having experienced the power and wisdom of traditional African healers, I was glad to see that Yaya took great efforts to convey the potency derived from following ancient traditions. His life story, like many other traditionalists living in the west, is one that is inspiring given all the efforts he and his tribal elders make to keep their old ways alive in the face of pressures to modernize.

As a student of cross-cultural and shamanic traditions I found this book provides clarity into the use of music and sound for enhancing and stimulating healing, as well as the need to gain sufficient mastery before using this healing modality.

"The Healing Drum: African Wisdom teachings" by YaYa Diallo and Mitchell Hall offers an introspective view into the Minianka culture of Mali. As an African-American student, this book helped me to understand a lot about myself. For example, YaYa explains that in his culture, musicians have a responsibility for the affect that the music has on it's listeners. "In my culture, art is allied with morality." (94)We in the West have debated the issue of the artist's responsibility for some time now. As an aspiring actress and writer, my belief has always been that we have are responsible for the messages we send through our art. YaYa explains that music can not only heal, but also can hurt. This is evident in the complacent attitude of many of today's rap artists and it's consumers. YaYa also expounds on some of the differences between the value of time and structure in Minanka culture vs. the same concept in the West. Understanding this element of an African culture allowed me to realize that I am not as crazy as many of my peers and professsors would have me to believe. YaYa's description of the late-night festivals helped me to understand why I can stay up all night and sleep all day sometimes.
I was offended by one review which stated that YaYa's book describes Minankas as drug addicts. His description of the Minianka's use of herbs and medicines to heal is no different or worse than the Western philosophy of popping pills to make troubles disappear, i.e, prozac, ridalin, sleeping pills, etc. YaYa also emphasizes the importance of music in the healing process, and his descriptions of instances in which music was used to heal in his culture are both moving and sincere.
In light of American's recent "liberation" of Iraq, it was also interesting to read YaYa's description of the French colonization of Mali. "The French glorified their colonization of large parts of Africa as a 'mission civilsatirce', a civilizing mission...The textbooks spoke of Africa rarely enough and then only referred pejoratively to the 'natives', not the human beings who belonged to our continent." (120)
It has been long understood in the elevated members of my own culture, that Africa and America are inextricably connected. I believe a closer look at the statement above could easily be related to the reluctance of many Black youth in America to take an interest in formal education. The teachings in this book are, in many cases, universal and, in most cases, interesting and inspirational. YaYa Diallo tells his story with simplicistic eloquence,humor, and wisdom. The book offers much in the way of history and parables, without beating you over the head. Mitchell Hall has done an excellent job of translation.
I was required to read this book for an African Dance class I was taking at the University of Louisville. For any person who is interested in learning more about music, Minianka culture, or the world, I would highly recommend YaYa Diallo and Mitchell Hall's "The Healing Drumm", and for anyone in Louisville, I encourage you to take Harlina Churn Diallo's African Dance class. Bring out the Drums!

Over the years of owning this book I have returned to "The Healing Drum: African Wisdom Teachings" again and again. As a person of African descent I find it incredibly enriching to read the stories of Yaya Diallo as retold by Mitch Hall regarding his upbringing in the musical culture of the Miniaka (Bamana) people. We are all lucky that Diallo's words are preserved by Hall in "The Healing Drum" because a great deal of healing wisdom of Africa is oral, passed through families, thus it remains secretative. I welcome this open-hearted effort and openminded collaborative work seeking to contribute to international healing through authentic sound, as such I highly recommend this book to anyone seeking knowledge of alternate ways of healing inspired by West African spirituality.

I wanted to read this book because I have recently started learning African drumming and I wished to find out more about West African culture and how traditional music is used to heal. This was the perfect book for both aspects.

The author helps us to appreciate the culture of his village through his own experiences. We read about his struggles to follow the customs and teachings of his village as he is educated in French culture and taught to embrace the Western way of life.

We also gain an insight into the secret societies and social aspects of life in his village. Suspend disbelief at some of the awesome sights that he relates, I only wish that I could see them for myself! The sociological, psychological and religious knowledge that he reveals about his community is fascinating.

Yaya shows us that a musician in this culture does not just "play" music, music is a vital aspect of life which sustains the society and heals lost souls. The musician is a healer and a protector of the people. Each piece of music has implications, positive or negative, and the musician has a responsibility to the community to play well and appropriately.

This book has helped me to gain an insight into African culture and music; from now on my djembe playing will have more significance for me and I feel inspired by the healing potential that I now hold in my hands.

This book is about music, healing, indigenous view of life and above all, it is about harmony, which is achieved when life is lived with respect and with generosity.

Diallo is a member of the mainly agricultural Minianka/Senufo tribe living in what today is Mali. The Minianka have been able to resist the depredations which occur when Islam or X-ianity enters African societies; they are animist, that is, they still observe and follow ancient laws that emphsize the interdependence between humans, nature and the transcendent realms. Music to the Minianka music is much more than entertainment. It is used for work, celebration, ritual, inititations, funerals and healing; each activity (as well as each profession and each person) has its own special rhythms and harmonies. The MInianka understand music as a bridge between the visible and invisible. As such, it is used to establish harmonious relationships between an individual, his community, his ancestors and the Creator. Every night there is dancing at the village square - and EVERYBODY dances. Minianka musicians learn to transpose the essence of their fellow men's characters into music, so that when a villager gets to dance, he is greated by rhythms which match his/her character and emotional configuration. By observing closely, the musicians can adapt the music to the needs of the listener and thereby lead them to health. In Minianka villages, says Diallo, "musicians are healers, the healers musicians.... Music...amplifies to our sense the unheard tones and unseen waves that weave together the matter of existence. The beat, the rhythm, the timing, the orchestration, the flow, the balance between action and rest must all be within well-defined limits...and the music becomes a healing art that helps restore emotionally and psychologically disturbed people to harmonious human functioning. "

THe book is well written and brings us a close -up of Fienso, the village of Diallo's childhood. I found the descriptions of initiation ceremonies, daily work, secret societies very interesting. It made me see the Minianka society as an extremely sophisticated - where there is place for everyone and where everybody is interconnected in a web of mutual obligations between people, spirits and God. Unfortunately, the interdependence on mutual obligations makes the African society also fragile; when reciprocity inherent in such webs is interrupted, as during incursions of oil and diamond money, radical X-ianity or Islam, the African society collapses and we get what we see today in Sierra Leone, Nigeria, Liberia or Sudan - lack of harmony and lack of peace.

Still, we would be fools to pass the opportunity to learn what Africans have to teach us. Music is one of the keys that can open the door of the gilded cage in which the giant of industrial nihilism has imprisoned us and Yaya Diallo shows us in this wonderful book, that it is possible to open one's body, spirit and destiny to the amazing world of harmony and beauty where true healing occurs.

This book is well written and very interesting to my children of a wide range of ages. The accompanying CD is of very good quality and fun to sing along with. My children look forward to doing a hymn study.

I have used this not only at home, but at school. The stories of the hymn writers are fascintating, and the children enjoy singing along with the cd. I've been amazed at the number of children who don't know My Country Tis of Thee. Each of the stories are short enough to be understood, but they always have a moral principal. Just a great resource for parents and Christian educators.

Great stories to help love the old hymns even more. The music is the only children's singing I haven't felt nauseated listening too! Tastefully done and enjoyable to share with our children.

Wow, what a treasure to have. It is great to have the story about the hymn, the music and a CD altogether in one place. I have enjoyed it as much as my children.

We are a homeschool family of four children (ages 2,4,6,8). Each and every one of us loves this book and CD. It's great for teaching God's truths, music and history. It's been an established part of our day throughout the year -- not just during our schooling months. Thing is, it doesn't FEEL like learning or school. It feels like fun. Last summer, after six months of enjoying this book, it wasn't uncommon for our children to start belting out Amazing Grace or other hymns while climbing trees, swinging, playing in the sandbox, or jumping on the trampoline. Amen! We also enjoyed the Christmas book and CD.

Why is this book so good? Unlike most books, Richards takes the time to explain why each of the example pieces are important, and what you should pay extra attention to. He also really holds your hand in the improvisation practices by suggesting notes (and explaining why the suggested notes were suggested). Also very good is the use of different keys in the pieces. Some blues books tend to stick to C or G, but in this book the keys are varied (and Richards suggests going back through the pieces in other keys, which is a very good idea).

My only wish is that Richards makes a sequel to this book. This does not mean that this book isn't completely jammed with material, or is too easy: no on both accounts. I found myself wanting to learn more of the advanced "cliche's" which make Blues sound like the Blues. Nonetheless, this book is the best there is on the market for blues or improvisation instruction.

This is, by far, the best blues piano book out there. Mark Harrison's book is also good, but more as a quick guide for those who already have some chops and some understanding of theory.

Richards' book is a full course in Blues theory and practice and as such, you have to work through it. I've been at it for 14 months now and have just finished the second chapter. The material is perfectly paced for a pianist of my level (about Gr. 2-3, RCM, 30+ years ago). The pieces are fun to play and jam packed with important ideas and blues cliches. I'm really starting to see the beginnings of true hand independence that works , not only when I play memorized pieces, but that I can invoke when trying improvisations!

If you want to play professional-level blues piano in a month, then this is not the book for you. If, however, you live in the real world and are prepared to work at it, this book will do more than show a few riffs or tricks. It will give you a deep and firm foundation in popular piano improvisation in general, and blues in particular. I estimate I'll be another couple of years with this book and I can't wait to get back to it!

This book is a work of genius. Thank you, Tim Tichards!

I'm an aspiring jazz pianist in Canada (I'm 32). I'm another one of the victims of the classical music education system that was taught to read the page and nothing else. I always thought that people who were good at jazz and could play by ear were born that way.

When I was in high school I wanted to play jazz piano. Someone recommended the Mark Levine book to me. I tried going through it but gave up because I couldn't even figure out what a II-V was from his explanation. I figured jazz was this impenetrable language. I was sick of classical lessons by that time and gave up the piano.

Fast forward ten years when I decided I didn't want all those hours of practicing (before school, even) to go to waste. I headed to a local music store and literally went through every piano book before I found IBP. It's pretty much been a revelation, from discussions of notations to chord types to ideas. I still suck at improvising, but before this book I wouldn't have even tried.

I've got Tim's other two books on my shelf, patiently waiting for me to get to them. Seriously, his books are phenomenal. If I had found IBP back in high school instead of Mark Levine's brick wall of jazz accessibility, I might be ten years ahead. I can't recommend it highly enough. Rumour has it he's working on a fourth book about Latin piano, too.

There realy are not many great methods for the blues out there, but Tim Richards is thorough and goes into the required detail to show you how each blues style works.

The examples are very playable, suiting more or less an intermediate level pianist. Richards is one of the few take-away instruction teachers to be concerned about fingerings, and takes the trouble to suggest good ones. His playing instructions work very well and add a dimension that you don't often get in these method books - he has a great insight into the chords, and the notes and the way they fit the music. The breakdown of theory is very well explained, if sometimes overdone. But he never floods you with scales without showing you how to apply them - that in itself is a good thing!

Richards' choice of music is impeccable, and calssic blues standards of af all styles are presented from boogie, to funk, slow blues, and some jazzy numbers. And he shows you music in a number of keys so you aren't stuck to one or two and get a work out in the other keys. I found the music very playable, and well sounding, although I didn't always find the improvising instructions that intuitive.

The historical background he gives is accurate and informative and the pictures of blues and jazz legends really make this book interesting.

My criticism of the book is that it should have stretched up to the more advanced techniques of the blues - where the top players are, like Oscar Peterson, for example. That is its dissapointment - a teacher as good as this who dedicated the time to work a out a progressive and different course in blues shouldn't have stopped at the middle level. He surely should have stretched us, his interested audience up to the highest level.

But this should not stop you from using this very useful and inspiring book - I Thank you sincerely Tim.

Now and then you run across a method book that makes you a better player and is great fun to work through. "Improvising Blues Piano" is one such book. It starts out very simply and steadily progresses to a pretty sophisticated level. The accompanying disk is well recorded and the author's playing, particularly his timing, is quite musical. On most examples, if you can make your playing sound like Tim Richards, you'll really swing.

Starting in "C" and moving on to other familiar blues keys, the author mixes theory and practice in a logical progression of "bite sized" lessons that are very complete and doesn't assume anything about the student. At first, the experienced player may find the pace a bit slow but each section builds smoothly upon the foundation of the preceding material and I think it's worth while to patiently work on your weaknesses. When you can make those first simple exercises sound really musical, you've learned something valuable.

The volume is accessible to beginners (this will take you a long way) while remaining useful for the more advanced because there is so much good content. I particularly like that he weaves in biographical information of known blues players along with examples of their style. The history of blues unfolds along with the student's expanding ability to play.

If you are interested in the blues, I can't think of a better learning tool.

In The Wings is a wonderful book to own especially if you or the person you're buying the book for has had dance training. It's a wonderful look at everything you don't see before the performance. The morning warm up, ten-minute break, and exhausting rehearsals. My only gripe is that it's small! I was hoping this would be a coffee table book but it is in fact compact and very easy to take around.

The pictures and commentary are fabulous and give an in depth look into the goings on of the NYCB.

Highly recommended for the content and both black and white and color photographs. Only downer is the size, but that is easily looked past when you see what an amazing book this is.

I wish this book would have received more attention upon its release. It is a fabulous book of photographs and commentary from someone, a dancer, on the inside at New York City Ballet and is filled with images, wonderful images, that one would likely not otherwise see in any other ballet book. For the fan of NYCB it's a must have, but would be equally at home on the shelf of any ballet or photography fan. Mr. Froman has produced a keeper. Bravo!!!

This book is not another valentine to the New York City Ballet - it's far more authentic than that, and far more important. It's an often poignant look at what it's been like for this thoughtful, creatively gifted dancer to grow up in the company, with all the joys and disappointments that come with that surreal but privileged life.
I've always thought of Kyle Froman as a beautiful dancer, but as it turns out he's also a gifted photographer and an elegant writer as well. His photographs and his words have a penetrating honesty, and the book succeeds so brilliantly because it rings so true.

Rarely do I write in about purchases I've made, but In The Wings deserves mention. I bought this book for my daughter, a twelve-year old aspiring dancer, but when it arrived in the mail, I found myself completely immersed in it.
I don't consider myself a ballet buff. What I immediately identified with was the dancers' devotion to their art. I loved the fact that Froman didn't portray this world as sugary sweet. In page after page of gorgeous photography, he showed what it was like to devote yourself to something, what it takes from you, and what it gives back. Bravo, Kyle Froman

This book provides a great look behind-the-scenes at my favorite ballet company, New York City Ballet. Kyle's photos are super and his story of a day in the life of a dancer is revealing, funny and moving all at once.

I wrote about the book at my blog, Oberon's Grove.

James Brown was a true innovator. Nobody can take his genius away from him. He has passed on to occupy the ancestral realm. Remember the ancestors are always with us, you simply have to invoke their names.

I recommend this book for any James Brown fans or casual reader of history.

RIP to the Godfather of Soul, Soul Brother #1, The Hardest Working Man in Show Business. This been a great blow and to all of us James Brown fans here. This book was the one I needed to keep me focused. Just read it all the way through earlier this year. Very strong, uplifting and powerful. James Brown was the Hero, the Legend, the American Pioneer. He wasn't just an entertainer or a hit maker or an artist, he's a man that have overcome alot on what's happening in the world: going thru poverty, business, the Civil Rights Movement, the world, loss of jobs, politics, way of culture, way of living, and a way to express ourselves thru a meaning of religion, life, hunger, soul, pain, and suffering. The Man had it all. Boy I'mma miss him and his talent. His spirit always captures us thru this day. GOOD GOD!!!

Thanks for all the hardship and legacy you put us into, Brother James Brown.

I bought this book a couple of years ago, and once I began reading the first page I couldn't stop until I'd finished the whole book. The things that JB had to go through as a young boy, it's a wonder he didn't wind up on death row, or in an early grave. It's a good thing that he turned his attention to music, and put all he had into it. Even though he was never really raised by anyone, or had a real family life he was able to make his mark in life. I'm glad that he acknowledges the power of God, and he knows what God can do. I enjoyed reading this book. This is a must read for everyone.

I'm 34 I had listened to some James Brown manly the hits. I had the oppertunity to see his show a couple of months ago. It was fantastic. I started getting some of his other albums like the big payback(my favorite) I must tell you I'm hooked I can't get enough of that sound. I finished this book today. It was awsome his takes on things are so down to earth. If you're down with Mr. Brown than you gotta read this.

What a life. What a personality. I have enjoyed this book enormously: You get the feeling that this is James Brown telling you his extraordinary story in a long and fascinating conversation. He talks about his music, his personal life and troubles, his philosophy, and, what I think is most thrilling, show business and stage performance.

My main goal in reading this book was resolving a personal doubt: Was he the genius behind his records, or was it Maceo Parker, Fred Wesley or his producers? After reading the book and listening to his records with lots of new insights, I have little doubt that the main driving force (although not the only one) in his records was himself. What Brown says about his music, where it came from, how it was made, what he intended to say, really made me discover many things in his records! For instance, if you have 'Live At The Apollo (1963)' (one of Brown's best albums) or have listened to it, DON'T MISS what he has to say about it -and play the LP again. I couldn't stop laughing for almost a quarter of an hour.

On another hand, I was also wondering: Is he a ruthless, egotistic and authoritarian character, as he is sometimes portrayed? In the book, JB openly and candidly talks about the discipline in his band, prison, guns, Black Power, and politics; and, paradoxically, in the end I finished with the impression of having received a lesson in confidence in man, tolerance, faith and spirituality. Soulful singers like him or BB King really have something to say about life-not only in their records.

On a last note, I think the (co-)writer Bruce Tucker has structured the book very well, hooking you from the beginning until the last page. As usual, it is better to avoid beginning with the prefaces and forewords, and leave them for the end. Only a little information about musicians in the sessions would have been welcome -although it is true that it's not the scope of the book.

Definitely worth reading it if you are a James Brown fan, and also very commendable if you are interested in music in general.

this will teach you the fundamentals in creating your own voice in jazz guitar, instead of wriggling your fingers, now you can play interesting triadic lines and hip modern superimposed harmonies, thank you andrew green!

Very clever book, I never read the notions explained here anywhere else,
or maybe it was because it wasn't clear enough. The material is precisely
organized and the examples sound great. This gave me another way to hear
bebop, recognizing some structures.

You have a lot to work on this stuff to make it comes naturally, but the
challenge is really worthy, so good luck !

peace

This book, though limited to just a few melodic structures, gives a very good insight to what improvisation is about: telling your own story, using coherent and consistent melodic structures. It goes to the basis, and because it doesn't overwhelm you with all possible modes/scales/structures but just sticks to a few powerfull tools, enables you to understand and implement. A must for the advanced guitar player.

I have all of Green's books and they are uniformly excellent. Structures gives you a wealth of applicable information. Not scales, or licks, or weenie theory, but applicable ideas. Intermediate++.

This book has been the stepping stone I need to get to applying arpeggios all over the neck and combining different sounds with them. I've only gotten through the 1st section (minor arpeggios) and I'm not only more able to connect arpeggios over the neck but also able to substitute them in over other chords. For instance, before this book I didn't know how to substitute and play only minor arpeggios over a ii V I progression. Now I know multiple ways and can very the sound depending on degree of the chord I build off of. There is a lot of information and so much to get out of the book. The other sections that I haven't even gotten to yet covers in the same way how to use and apply major triad +2 and minor tetrachords.

The best thing about Andrew's two books I have (Comping is the other I have) is they way he presents things. The examples he gives allow you to understand the concept and then later know how to easily apply it. So many books give too few examples that are so easily applicable outside the book.

To get a better idea of the contents of the book, check out Andrew Green's website at www.[...]com. This along with his Comping book have been two of my favorite books in a while. Know that both of these books require reading skills (no tab) and they are not aimed at beginners.