Music Books

Art of Modern Rock features some incredible art drawn from great artists and is a must not just for a rock aficionado, but for an art enthusiast, an artist, a designer or even a writer. The tremendous amount of variety and unique and powerful imagery makes looking through this book a great pleasure.

I've had this book for several years now and this is my all time favourite art book, and I own far too many to even be considered in the realm of normal. The Art of Modern Rock is a huge book (almost 500 pages) and the art diverse and inspiring. I just love this book!!

I purchased the Art of Modern Rock online for my son and his wife for Christmas. I usually have a difficult time finding a gift I think they will like. They have a rock band themselves, and my daughter-in-law is also interested in art, so I gave this book a try. Not only did they love it, but they are in it! I wish now that I had opened it and looked through it before I mailed it to them. I was pleased with the book, and the service from Amazon is always excellent!

This is one of the greatest books I've read in the last ten years about rock posters. All kind of rock music is here. If you really like rock'n'roll music, you must get this one.

This book is THE bible for poster art. Fantastic collection of art, with great interviews and history accompanying. Obviously a lot of hard work by a lot of people passionate about poster art. Highly recommended.

Irving Stone created a wondeful biography of Van Gogh, who is one of the definative "tortured" artists if for nothing more than his name is synonymous with the phrase to most people who are even casual fans of art.

In this book Stone captures the emotions of Van Gogh and the highs and lows of his life. This sheds even more meaning on his works of art. I was fortunate enough to see a Van Gogh Exhibition and hopefully will be able to do so again now that I read this.

I am sure it will add to viewing his works.

My boyfriend's father convinced me that, as an art history major, I needed to read this book. I was a little hesitant, but after the first chapter I was completely hooked.

This was a truly powerful book. No matter that it is not a true biography, it was beautifully written and moving. I would recommend this to anyone with even a passing interest in art.

Amazing book and so very well written as all of Stone's other books are...I have always been mesmerised by Van Gogh's paintings, especially when I saw an exhibit of his in London.The colours were so wonderful that I just stood there infront of those pieces of art like a zombie ! I loved this book !

I loved this book. For someone like me, with just a passing knowledge of art and art history, it was pretty amazing to learn about Van Gogh's development as an artist and the Impressionist art movement. In addition, I think that its two major themes of expression and immortality are going to have a lasting effect on me.

By expression, I mean that Van Gogh put all his time and energy into expressing himself in a way that he felt was making the best use of his skills. For him, his calling was a new form of art, and he stuck with it despite receiving no recognition or profit for his work during his lifetime. By immortality, I mean that although Van Gogh was not successful in his lifetime, his work lives on and is hung in the most important museums in the world.

Highly recommended.

This is a beautiful novel about a beautiful human being. If you love Van Gogh's paintings (he is my personal favorite of all painters) then by all means, you need to read this wonderful book. In his prose, Stone is able to paint a vivid, vibrant, illuminating portrait of an amazing artist. I was truly blown away and completely consumed from the first chapter on. I actually read this fine story after visiting the Musee d'Orsay (Museum Orsay) in Paris and seeing first hand the magnificent works of this illustrious Impressionist. Of all the great many paintings presented at the Louvre and d'Orsay, it was the Van Gogh's that captivated me more than all the others (which is saying a lot, because the whole place is captivating!). I couldn't believe some of his self-portraits. What really fascinated me the most was the despondency in those steel blue eyes of his. This is what led me to read this story. I wanted to know where all that pain and suffering came from. Irving Stone answered all of my questions and then some. He is a brilliant and insightful writer and I will be looking forward to reading his novel "The Agony and the Ecstasy" which is based on the life of another favorite artist of mine - Michelangelo.

Anyone who is struggling to become an artist needs to read this! Talk about sacrifice and desire and heart and passion... this man Van Gogh was a true original. A man like no other before or since.

"...for by sadness the countenance of the heart is made better."

I can't recommend this one enough.

There is so much to ProTools, Gina puts it into perspective! Her writing style is outstanding, and if you are like me who thinks the technical instructions and white papers seem to require a degree, this book is for you! I am currently on Chapter 5 and in one week, I have surpassed what I learned on my own with the "manual". Her additional downloads and assistance goes above and beyond!
As far as a response to the previous "click track" comment, with respect. I have talked to several studio musicians, and they all say they record with a click track, drummer, pianist, and guitarist.
If Gina comes out with an "advanced" ProTools guide, I will purchase it immediately!

I bought this book because I needed to learn to use Pro Tools fast and because I learn best through tutorials (like the Apple Pro Training Series books). This book got great reviews so I chose it. Unfortunately, I need to learn Pro Tools in reference to working with film soundtracks. This book doesn't address film so you'll need to look for another book if you want that aspect. I still gave it five stars because it is a very well designed and well written book - similar to the Apple Pro series. The tutorials make sense and all of those 'but what about' questions that often pop into your head while working in tutorials are answered. Concepts are clearly explained so that you can actually apply what you learn to other situations within the software. The focus of the book is on live recordings and working with loops. If that is what you are looking for this book is A+ and I kept it as a valuable reference for my library.

I admit that I hate to read a manual.
I am a visual learner: I can watch someone else operate, say, Final Cut Pro and get the general grasp of the work environment.
If I have to wade through text, it doesn't seem to click as easily.

Having read several books on Pro Tools as well as countless instructional web pages, I was still struggling with my Pro Tools LE system.
That's where Gina Fant-Saezs' book comes into play.
I took a chance and spent the money.
And it was money well spent, for someone with my learning curve.

Easy to use, fun to read and plenty of visuals.
Where other books explained Pro Tools in word, Gina's book augmented the text with excellent images.

I highly recommend "Pro Tools for Musicians and Songwriters" for beginners as well as those who need something more than just words on pages.

The best purchase for Pro Tools rookies. I had no prior experience with Pro Tools before reading this book and I feel completely comfortable navigating both the editing and mixing modes. Gloria explains her information in a totally easy to understand format while directing you to record and patch songs together in various different ways so you can determine what method you personally prefer. I was up to speed and recording professionally sounding CD's in days! Thanks Gloria!!!

This is a good book for getting started in Pro Tools. It covers pretty much what a musician would need to know to start making songs.

The author is really good at making complex concepts and procedures understandable. She even uses a blog where she will personally answer your questions if you get stuck.

That said...
The book is using Pro Tools version 7, and because I was using Pro Tools LE 7.4, there were quite a few discrepancies between what was presented in the book, and what I had in front of me, and the reader is required to extrapolate from time to time. All this will probably be fixed if the author ever revises the book. Then she can specify exactly what version is being used.

Also, in the revision, I hope she uses XPand, the free (and extremely cool) sampler from Digidesign, and not the $600 SampleTank, which you can only try for 10 days before buying.

Another thing I think would be very beneficial to new users and should thus be included in the possible revision. is a whole section of the book on creating your own loops, right from the beginning.

Thanx Gina

I purchased this for my 8 year old daughter as a birthday gift per her repeated requests. She already had Farmer Boy, and chose this as her next Little House CD. She and her 12 year old sister both love these. We've read Little House books as a family, but now they can listen over and over.

This is a good CD. Cherry Jones' performance is excellent, and the fiddle music adds a wonderful touch for those who wish they could have heard Pa's fiddle.

As for the story, who doesn't like Laura Ingalls Wilder's classic stories of pioneer life in America? She brings it to life like nothing I've ever read, and I read everything I can get my hands on about American History. Laura give us such a detailed picture of her family, Pa's leadership, Ma's gentle manners, their work ethic, life in the 1800's, old-fashioned morals, and so much more. If my kids listen to this over and over, I know they'll gain so much that TV or movies cannot begin to give them.

The Little House series are great read aloud books.

Our daughter is five and this series is perfectly age appropriate, even though an older child would enjoy them equally as well. For younger ones (three or so), there is a great picture book series called "My first little house books," or something like that. One of these is a story based of a chapter in this book and is called "Christmas in the Big Woods."

These CD's are great for long trips in the car. The narrator's voice is wonderful. The adults will find themselves enjoying listening themselves.

"One the Banks of Plum Creek" is the best of the series. It is the one where Mary and Laura go to school and where the character of Nellie Olson is introduced. Her brand of spoiled rotten meanness is nothing short of tantalizing to a five year old. Also, there are the wonderful Christmas chapters.

Just excellent, all around. I highly recommend the books to read alound and the CD's.

Whether you have read the Little House books or have never heard of them, this book on tape is wonderful for everyone from small children to adults. The narrator who reads it does an amazing job of capturing the childhood wonderment and emotions Laura was trying to convey. It is also so interesting to hear the way families lived back in the 1800's. I could listen to this book on tape over and over again.

Laura Ingalls is now eight-years-old, her sister Mary is nine, and Carrie is still just a tiny tot. While they are all still quite young, they are expected to help out with the chores around the house - from sweeping to dusting, cooking and setting the table. But this year, the girls are in a strange new place. Looking to settle in an area where a school and church are close by, and the Ingalls' have a chance to grow a wonderful crop that will provide quite a profit, the family heads to Walnut Grove, Minnesota. Traveling by covered wagon, the family, along with all of their belongings, travels all the way through Indian Territory, across Kansas, Missouri, and Iowa, stopping at their destination in Minnesota. There, they are surrounded by Norwegian's who speak very little English. However, they are good neighbors who assist them in times of trouble. Trading their horses for a home located under the ground, Laura's family begins to call Minnesota their home. And, before long, Pa has built a lovely home by the banks of Plum Creek. He believes that his wheat crop will provide enough funds to pay off their debts when the time comes. But when locusts invade in cloud-like swarms, eating everything in their sight, the family must endure hardships that were unexpected.

But things are not all bad. Having never attended school before, Laura and Mary are finally near enough a schoolhouse where they can attend daily lessons that help them develop reading, writing, and arithmetic skills. It is at this particular school where the two older Ingalls girls are exposed to children - both male and female - who are close to their age. Some of whom title Mary and Laura "country girls." But the label does not affect how the two sisters view themselves, or their family; and only gives them the courage to befriend various girls who love to spend time with them. It is at school, however, that Laura encounters the spoiled, yet oh-so-pretty, Nellie Oleson, who goes out of her way to give both Laura and Mary a hard time. But Laura isn't having any of it, and resolves to get even with the vicious Nellie, even if it upsets her Ma and Pa. Luckily, with Ms. Beadle - the schoolteacher - around, Laura and Mary have the confidence to stand up for themselves, and receive the education that their Ma always wanted them to have; while getting the socialization they deserve. But even attending school doesn't excuse them from having to assist their family when the going gets tough.

Up until last year, I had been a diehard fan of the LITTLE HOUSE ON THE PRAIRIE TV series, but had never had the opportunity to delve into the wonderful tales told by Laura Ingalls Wilder herself. Upon reading the introduction novel, LITTLE HOUSE ON THE PRAIRIE, I quickly fell in love with the Ingalls family all over again; and, since then, they have taken up residence in my heart, and kept me fascinated with the various adventures they experienced throughout their lives. Laura is such a lively, brave, fun-loving character; whose ambition, kindness, and, oft-times, naughtiness, make her appealing from start to finish. Her relationship with her family is hard to resist, as she manages to please and displease them on a daily basis, all to the jovial laughter of her father. I believe that Pa (Charles) is one of the most important characters in the series, as he is such a kind, loyal man; who rarely scolds, and spends his downtime entertaining his family with music from his fiddle, and stories that leave you chuckling. The family, as a whole, are the type of people you would absolutely love to have the chance to know. They are kind to strangers, helpful to neighbors, and both Ma and Pa are two of the most selfless people in literature. The information regarding Rocky Mountain locusts was both interesting, and frightening; but truly provides a wonderful history lesson for the young reader. While the introduction of the devilish Nellie Oleson provides quite a bit of humor, as she and Laura trade insults with one another at almost every meeting between the two. Ingalls did a marvelous job of penning such a cheerful addition to the series; and, thus far, ON THE BANKS OF PLUM CREEK has become my favorite LITTLE HOUSE book yet. A can't-miss addition to the series!

Erika Sorocco
Freelance Reviewer

ON THE BANKS OF PLUM CREEK -- Who could forget the plague of grasshoppers, or spoiled Nellie's encounter with the crab, or Pa's sojourn in the blizzard, among other adventures?

We -- my three homeschooled grandchildren and I -- are going through the Laura Ingalls Wilder series of books for the second time. We read them aloud during story time, and love every minute. These are books written about an American pioneer family in the 1800s with a strong moral compass. In an unsentimental style, the author writes simply of the day-to-day life she experienced firsthand growing up. As the title of this review suggests, a central theme, not only of this book, but the entire series, is that "Pa loves Ma, and Ma loves Pa, and all's right with the world," including in the face of all kinds of adversity and opportunity alike.

I enrich this time for my grandchildren by stopping occasionally to explain and discuss what we are reading about, be it an unusual word usage, a custom no longer practiced, how to do something by hand, historical facts... We have even stopped to do some research and measure out the height of a bear. Our family tradition is that the eldest grandchild (now 11) reads the last page of these books. Otherwise, I usually do the reading. We also try to get started right away on the next book in the series, the same day as we finish the one before, so as not to lose our momentum.

After going through the series the first time, we discovered (almost by accident at the local library) several other series of books, written by other authors, about Laura's great-grandmother Martha in Scotland, her grandmother Charlotte in Boston, and her mother Caroline in Wisconsin, so we decided to start over with the first of those books and carry on through. There is also a series about Laura's daughter Rose which we have not gotten to yet.

Reading through the other series in order has been time well invested. Like Laura, we have strong family roots in Scotland. We have four generations of our family living within close proximity, so my grandchildren know my father, their beloved great-grandfather, quite well, and this series helps them gain a feel of family and historical continuity, generation to generation. (Check for related book series under: Martha Years, Charlotte Years, Caroline Years, Rose Years).

I am investing in and building our own set of all these books in hardcover, having told my grandchildren that I plan to be around to read them to *their* grandchildren!

Excellent book !
All of a good Phantom of the opera's fan needs to know about this classic musical masterpiece. History, true facts, anecdotes, first editions, the future.. No more words. Don't miss it !!

I bought a copy of this book at a performance of The Phantom Of The Opera in 2000 and really love it. I tried to purchase a copy for a friend at the most recent performance we went to but it is no longer available and feel very lucky to have been able to find it here at Amazon. It tells of the Paris Opera House, Gaston Leroux, the original story and the movies. The reason I bought it is the last 100+ pages cover the Andrew Lloyd Webber musical and includes some incredible photographs. I was delighted when I got home and found it also includes the Libretto! I would encourage any fan of the musical to purchase a copy.

Loads of beautiful photos and lots of info. I love it. We do need and expanded edition to cover the movie. This is for Phantom Fans.

This a must have for any phans of the A.L.W. musical!!

This book... I have no words on how amazing it is.

When I rekindled my love for musicals, and of course, Phantom of the Opera made that happened... I had to get everything and learn everything about Phantom. So I found this book at the library and I went insane over it.

Firstly, it gives a clear background history on Gaston Leroux--the writer and the creator of Phantom of the Opera. Then, it goes into another section when talking about the films it inspired. You'll be surprised and amazed when you see it and read about it. Not only that, it tells you some small tidbit facts on the actors and actresses of these movies.

And then, my favorite part, it goes into the Lloyd Webber musical. And when I say "goes into" I mean it!! There are so many pictures of the Original London Cast it's phenominal! There ares ome behind the scenes pictures as well. I never seen so many pictures about Phantom sure in a book, ever.

And when you think that's enough, there is a libretto of the stage production--including scrafito'ed pictures of the OLC copied in there as it was when the CD/Cassette first made it's debut.

All in all, it's not clearly updated as it is now, there is mention of the movie and who they want in it. But otherwise, if you are a London Cast or simply a Phantom obsessionist, you MUST have this book. If you find it at a house sale, a junk pile, book sale... whatever... BUY IT. You will not be dissapointed!!

As a Calif kindergarten teacher and mother of a 3 year old, I love this book. The story is engaging and witty; I find that I'm the one pulling out the book night after night (which also thrills my little one!). As a teacher, I love the rhymes (a challenging concept for my students in the first two months of school) and the predictable pattern keeps the children engaged and thinking about what comes next.

My 3 year old grandson loves this book. Nice art work and a good story. I think this book would be a great addition to any child's library. I was extremely pleased with the book we love reading this together. I hope I can find other nice books like this for him. His mother loved Witches Holiday by Alice Lowe when she was little and I think this is a equal.

This book is just great, entertaining, educating, fun reading and listening. It's a book about building friendship. I'll definitely buy more of her books. (I have a feeling my son will like "The Snail and The Whale" and "Where's My Mom?":) ) The only other book my son loved this much was "Hello! Is This Grandma?" by Ian Whybrow and Deborah Allwrigh but I think I love reading this one better due to the rhymes in it :)

I bought this for my son after getting turned on to Julia Donaldson/Axel Scheffler when I bought The Gruffalo. I have since bought most of their books and I'm usually not disappointed. This book is one of my favorites and also one of my sons favorites to read. He is 18 months old and carries it around with him. Before his naps and bedtime, I always read to him a few different books. Now that he's older, I ask him to bring me books that he wants me to read and this one is regularly brought to me to read. I don't mind at all because the story is really cute and it is a great rhyming "read-aloud" and the illustrations are eye-catching.

Bright artwork and a very, very cute story! My toddler loved it (and we liked it, too!)

I loved this one growing up. Really. Amelia Bedelia always choose the funniest possible interpretation of words, and her name rhymes! What's not to love?

The one thing I'd be concerned about is that a lot of the usages in this book are going to be unfamiliar to your young kid. I don't think many of us say "draw the curtains" anymore, and even if we do, we probably don't often talk about "trimming" steak (with or without lace!) or "dressing" chicken, at least, not around our kids. Maybe we should, but we don't.

So this book might be better saved for read-aloud time than read-alone time.

My first grader love that book. He was cracking up and he had so much fun reading this book! He reads it without any help. It is a cute and funny story and if you child doesn't like to read this is a great book to spike an interest in reading.

I remember reading these books years and years ago! I'm in 10th grade and it's been more 5 years since I was in elementary school and yet when I go work at my old school I go back and read them again!

A fun (and funny) book which will delight kids with Amelia's well-intentioned but mistake-laden chores. Kids feel empowered because they are 'smarter' than the character and are able to cheer her on. In the end, Amelia's good deeds overpower any mistakes she makes.

I recommend this book for any child who is beginning to read on their own!

This is surly a kids favorite since I was a little girl! We join Amelia Bedelia as she starts her first day of work for the Rodgers. They rush off shortly after she arrives, but they've left her a list of things to do. Should be a snap, as all the tasks are simple and clearly stated...but that's what you think...Amelia Bedelia begins completing each chore in quite a literal fashion...drawing the drapes and much, much more! Younger kids (1-4) will like the silliness of it and beginner readers and more savvy grade schoolers (5-8) will like that's it's simple and clever/silly too! I recommend it without reservation! I'm sure Amelia will be with us, teaching fine lessons about the words we use and the many means they can have for generations to come!

I love this book! Of course, I love EVERY book about Leo! but this one was one of the first ones i bought about 3 or 4 years ago, so it'll always be one of my favorites :-) i recommend it

This book was really fantastic!! I love Leo. He is one of the most beautiful men on Earth. I love him more than any one of you wannabes out there.

this book is exelent! many pics (great ones!!!) and lots of info about his films, his life etc. also well writen with many quotes, his or his co-stars in several films. helps you descover many things about him. generaly great book..!!!! you must buy it!!!

i think the book was great, i learn so many things about leonardo, he seems to be such a wonderful person,very kind hearted,i love his pictures, anyone who is interested in leonardo dicaprio, i recommend this book, it's great.. ..

Although this is a good book for slavering preadolescent female fans who don't understand words more than two syllables in length, the book was unsatisfactory for anyone but the most devoted. Containing quotes, pictures and a short bio, get this one for your daughter only if you want to waste your money.

My bookclub is entering into its Holocaust Month. Someone recommended this book to me last year and I thought, it sounded interesting enough to read. Interesting just barely describes this book. Haunting is more the word that I think of when I finished this book. Incredibly lucky are two more words.

There are so many books out there about the Holocaust that it can be confusing sometimes to read what. This book definitely should be read simply because it's beautifully moving, tragically sad and not only that, it provides a different viewpoint of what happened during the early years of Nazihood in Germany and before the "Final Solution" was proposed to exterminate the Jews. This happened and I don't recall hearing much about any of this till I read this book. Before Hitler and Goring proposed the death camps and just while trying to get rid of Germany of the non-Aryan blood, they came up with a solution that provides entertainment and music/art/theater productions just for the Jews. This is a place for the Jews to retreat to. They were only allowed to play Jewish pieces written by Jewish artists/musicans. And they were left alone in the 30s and early 40s. Well, not quite completely left alone as they still had to follow the Nazi rules. But it was a place of refuge for the Jews, especially in Berlin.

This book, while devoting a huge portion to the Kulturbund and its orgins, the author writes of his personal family history. His mother and father were musicans in the Kulturbund. And they suffered horrible tragedies as the war progressed over the years. However, they were young, in love and naive like a lot of people were. They did manage to escape Germany but they also managed to leave behind family members which have haunted them and their children even to this day. It is very intense reading at times and with hindsight on the reader's part, it is very hard to fathom their optimism that things will work out ok in the end. Not only that, this book brings up the question of whether or not the Kulturbund was good for the Jews or kept them compliant enough to keep them in Germany instead of escaping to other countries, so the Nazis could gas them too. This book is haunting and disturbing. The questions that the author may have unknowingly stirred are now raised in my mind ... and the answers are not easy to figure out.

This is not your typical Holocaust book nor is it like the other books about the camps ~~ this book simply tells a tale of two musicans who were unfortunate to be caught up in the times that stirred Germany (and the world) ~~ but yet, their love of music has sustained them through the years before they left Germany. Are they heros? Not in the sense that we associate it with. They are more like survivors and like all survivors, they carry a burden of guilt that resounded through the years. But it is a book that honors the memory of those who were left behind in a time of turmoil that even today, still vibrates through the years.

9-28-07

MG's story of his family during the early Nazi era is an unusual glimpse into the lives of German Jews during the period from 1933-1941. He writes about the Kulturbund, an organization created by the Nazis to (1) rid Germany of Jewish influence in the arts and (2) provide propaganda coverage of the maltreatment of Jews by the Third Reich.

In my opinion the book is generally well written and seems to be the result of careful research. My one complaint is that MG frequently quotes conversations which I doubt have been recorded in any way. I don't like that in historical writing, but in this case I was willing to overlook it, because of my interest in the story.

This story was impossible to put down and when you finish, it stays with you for a very long time. Its hard to believe that Gunther and Rosemary didn't make every effort to help their parents emigrate to U. S. What really bothers me most is, not being Jewish, what would I have done in Germany in the late thirties and early forties when I saw these atrocities happening?

I listened to Martin Goldsmith on "Performance Today" (and still listen to his successor, Fred Child) for many years. This man who for years described classical music on the radio -- composers and their life story, pieces and their histories, in accessible, engaging, and lightly humorous ways, and even sometimes tied it in to his love of baseball -- he also has an extraordinary family story. It's moving and well-written, and makes me think about the extraordinary stories that must dwell in the depths of my own geneological past.

What do we really know about our parents' life before we were born? That depends largely, I guess, on how much of an interest we show - and on how much they are willing to reveal. Because in the life of every person there are instances and times they rather wish to forget, and not revive time and again by discussion, even if only among their nearest and dearest.

Such, in the lives of author Martin Goldsmith's parents, were the years from 1933 through 1941; so much so, in fact, that Goldsmith likens that time to the massive ash tree in the house of Germanic warlord Hunding, the setting of the first scene of Richard Wagner's opera "Die Walkuere:" Something looming large, yet never openly acknowledged. Because before George Gunther Goldsmith, furniture and home decorating salesman of Cleveland, Ohio, and his wife Rosemary, a violinist with the St. Louis Symphony and the Cleveland Orchestra, became American citizens in 1947, they had lived a whole other life - the hunted life of Jews in Adolf Hitler's Germany. And only years after his mother's death, on a trip to his father's home town of Oldenburg, did Goldsmith catch the first glimpses of what was hidden behind that massive ash tree, and George Goldsmith began to talk about the events which his, the Goldschmidt family had witnessed there; as well as the early life of Rosemarie nee Gumpert in Duesseldorf, the couple's first meeting in Frankfurt, and their later life in Berlin until their lucky escape to the United States. Beginning with this visit, Martin Goldsmith retraced his family's path to the early years of the 20th century, when his paternal grandfather Alex Goldschmidt took residence in Oldenburg, and his maternal grandfather Julian Gumpert settled in Duesseldorf.

How intensely personal this voyage into the past must have been becomes clear in the account of Goldsmith's visit to Oldenburg prison, as a participant in a march retracing the path taken by the Jews - among them the author's grandfather - driven through the streets of Oldenburg in 1938 by Nazi thugs, to later be shipped off (at least temporarily) to Sachsenhausen concentration camp. But although he writes about his very own family, and now in full knowledge of their fate, Goldsmith's narrative is in no way sentimental. With a journalist's detachment he talks about Guenther and Rosemarie, Alex, Julian and their wives and other children; turning a nonfiction account whose outcome is clear from the very start into a heartstopping tale few would be able to believe if presented with it under colors other than that of the plain historic truth.

Prominently featured in Goldsmith's account is the Jewish Culture Association, or Juedischer Kulturbund; as of 1933 the German Jews' only permitted artistic organization, in whose orchestra Guenther and Rosemarie had met and which had formed the center of their life until they finally left the country. One of the most controversial institutions of Nazi Germany, it reunited what was left of the country's Jewish musicians, artists, writers and composers - providing a modicum of shelter in an increasingly hostile environment, but also a convenient tool in the Nazi propaganda machine. Were the members of the Kulturbund instrumentalized to deceive public opinion, at home and abroad, about the true intentions of Hitler's government? By giving their Jewish audience a sense of comfort and "belonging," did they also prevent some of them from rescuing themselves when there still would have been time? The surviving members of the "Kubu" and their families, interviewed by Goldsmith, come down on both sides of the issue; and the fate of the survivors is probably as symptomatic as that of the many who ultimately did perish in Nazi concentration camps - chiefly among those the Kulturbund's charismatic founder Dr. Singer, who not only let himself deceive into returning to Germany after already having reached the safe shores of the U.S. but saw a mark of distinction even in his deportation to the "model" concentration camp of Theresienstadt.

Yet, for Guenther and Rosemarie the years with the Kulturbund were dominated, above all, by the musical companionship they experienced. What does seem to have haunted them most for the rest of their lives, however, was their very escape to America, while their remaining family members were stuck in Europe and, one way or another, died in Hitler's concentration camps - and the feeling that with a little effort they just *might* have saved at least some of them. The letters of Alex Goldschmidt and his younger son Helmut, written to Guenther from captivity in France after their own unsuccessful attempt to flee to Cuba, are among the most chilling testimonials contained in this book; and the decision to translate and include them conceivably cannot have been an easy one for Goldsmith. Indeed, it apparently was the knowledge of his family's fate that, all talent and love of music aside, eventually compelled George Goldsmith to forever retire the flute which, in his life as Guenther Goldschmidt, had been the only item of true importance besides his beloved wife Rosemarie; thus punishing himself in a way no outsider could have done. Yet, the couple's gift for music lives on in their son, who in his own way has brought many hours of joy to radio listeners all over the U.S.

Martin Goldsmith's "Inextinguishable Symphony" - named for Danish composer Carl Nielsen's Fourth Symphony, which sets music, as a parable for life itself, against war, terror and destruction - is as much a personal journey of discovery as a journalist's account of historic facts; seeking to understand rather than to judge. It deals with a time in which morality was thoroughly upset by a profoundly immoral regime, which cannot possibly have remained without effect on anybody who witnessed those events. In applying our own values to those facts, I think we would all do well in being careful to, likewise, make a thorough effort to understand before we judge. Goldsmith's insightful account is a great place to begin such a process.

Also recommended:
The Jewish Response to German Culture: From the Enlightenment to the Second World War (Tauber Institute)
The Pianist
WITNESS: Voices from the Holocaust
Hitler
Holocaust
Conspiracy
The NPR Listener's Encyclopedia of Classical Music
The Beatles Come to America (Turning Points in History)

I am a vocalist, and after seeing Wicked for the first time I knew I needed to own a solo book of the songs so I could use them in future auditions. That and I'm just a music junkie. :-) I have several musical books for voice and piano from Hal Leonard, and they are all exceptional. The piano parts are done well, and the voice parts allow room for the singer to make it his or her own. The only reason I did not give this 5 stars is because of the major changes in Defying Gravity and No Good Deed. First of all the beginning of both is totally left off. (Defing Gravity starts with, "Something has changed within me.."), and instead of talking to Glinda with the "Unlimited" section, there is a reprise of that section from "The Wizard and I." I understand that this was done to make this song a complete solo, but it was still a little disappointing. No Good Deed starts with "No good deed goes unpunished.." instead of the original beginning where she's chanting (Eleka namen, namen, atum atum eleka namen...), and that was my favorite part! Otherwise a fabulous book! I would still buy it again!

This was a complete compilation of WICKED songs. The arrangements are for intermediate pianists. The melody line is simple and easy to follow.

Good quality paper used and photos make it extra fun.

I wish it was spiral-bound.

I think that his book is amazing. Some disappointmennts are that they changed some of the songs to make them solos and not groups, which is nice but if you want the real original then i would recommend the Wicked Grimmerie. I also own that and that is really cool. So other than that I would say that this book is really nice if yuo have any auditions or any concerts or just for fun. Stephen Schwarts also made the notes easier for younger kids but he still put the real chords and everything. I highly recommend this book.

Great collection with plenty of challenge for the intermediate piano player. Several songs are written in keys with many flats/sharps thus requiring patience and practice. Includes a few pictures from the play, also. Label on the front calls this a "standard piano/vocal format with the melody in the piano part."

Wicked is fabulous on every level. Just know that this score is not easy to play from if you are not a good piano player. Also as voice teacher, prepare yourself for a lot of students who will not be able to even touch the high belt required for some of these songs!

Check Out: Vocalize!