Music Books

man.. matt good is the best.. i already can't get enough of his music and now his writing is just... excellent... very enjoyable... go buy this book now!

FINALLY AFTER ALL THIS TIME OF WONDERING WHY MATT SINGS ABOUT JENNI, MY QUESTIONS HAVE BEEN ASNWERED!

tHIS BOOK IS ABSOLUTLEY AMAZING, BUT HARRD FOR ME TO FIND WHERE I LIVE. IT SEEMED LIKE IT WAS CONSTANTLY SOLD OUT AT CHAPTERS SO I HAD NO CHOICE BUT TO ORDER IT. WELL WORTH IT FOR ANYONE WHO READS. EVEN BETTER FOR THE PEOPLE THAT DON'T LIKE READING CAUSE YOU ILL FINALLY BE INTERESTED

A masterpiece for anyone who is a twisted as I am. What he says makes alot of unexpected sense and makes you think. Which I think is what he is always trying to do. We live in a "What's in it for me?" So Invest in this book if you know you're a little stranger than everyone else and enjoy it. For me it was worth every penny and the two months it took me to find it.

(Just a Note...the reviews that are on the back of the book were written by Matt himself.)

I've been a fan of Matthew Good for a little over a year now, ever since a friend introduced me to his music. Matthew Good Band broke up a while ago, but Mr. Good has pursued a 'solo' career, with a new band, but somewhat similar style. I can honestly say that I don't believe that Mr. Good has done a bad piece of work, written or otherwise

As mentioned in a few other reviews, various lyrics from Matthew Good/Band songs are mentioned in various places during the book, and there are even whole stories which relate to certain songs. It's very impressive. A casual reader would definitely be very confused with the book, but a fan like myself would most definitely enjoy it immensely. Not only are the stories well-written, but there are sporadic and seemingly random pictures which actually relate to certain parts of the story, or a comment on society.

Also, the book is not your conventional book. It's pretty much a paperback square shape, with large pages and medium-sized font. Anyway, that's enough. If you're a fan of Matthew Good, I'd advise you to order the book and enjoy it; if you're not, then start listening to the music.

At Last There is Nothing Left to Say is Matthew Good's (of The Matthew Good Band fame) first, and perhaps last, foray into the world of the written word. At Last There is Nothing Left to Say is not a complete novel, nor a series of novella, but rather, a collection of short 1-10 page stories of fictious accounts of Matthew's life and narratives of events in the lives of a host of characters. The novel is layed out in an interesting, dual-story fashion, where one will find major stories taking up 3/4 of the page, and smaller stories taking up 1/4 of the page. The smaller stories are more like manifestoes than short works of fiction, which give some insight into Matthew's delightfully twisted and cynical world view.

At Last There is Nothing Left to Say is not one solid, cohesive work, and it doesn't have a unifying central theme. Instead it makes a few statements on society, on the environment of the mind, and the dysfunctions of people. At Last There is Nothing Left to Say is an entertaining read that offers morbid and twisted insight into the minds of teenagers, rock stars, and sociopaths. And while it doesn't have all that much to say, it still manages to say alot.

This is quite a comprehensive book of "selections"...I feel that you could almost perform a revue of the show just using this book! (Just kidding, don't try it or they'll throw you in the Pit of Copyright Infringement!) In addition, delivery was prompt and the book was in very fine condition (looked new).

I am most pleased with this book because of the very detailed arrangement. Although the melody is written in the Treble Clef, the music survives arrangement very well. The chords are accurate, and in my case, difficult to play, but all the songs are included. But the most surprising thing about this book is that it includes all the vocal harmonies as well. Currently I am learning how to better play the music (it is NOT for beginners) and I'm sure I will appreciate the score when I can play it more effectively. This was a very good buy.

I bought this book because the other Avenue Q book I have was only the "Vocal Selections" and it was missing several songs. This songbook has every song from the Broadway Cast Album, with the exception of "School For Monsters/Money Song (Reprise)" and "There's A Fine Fine Line (Reprise)/What Do You Do With A B.A. In English? (Reprise)". Other than that, every song is here.

This book, unlike my other Vocal Selections book incorporates the melody into the right hand, but it can be easily removed to make room for vocalists if needbe.

The best songs to play/sing in this book are "Schadenfreude", "There's A Fine Fine Line", "It Sucks To Be Me", and "Fantasies Come True". At least, that's what I think. To each his own.

I like the book I bought. It had all the songs I wanted. It came in a decent amount of time from when I bought it.

If you haven't seen the show, go and do it. If you have, well done.

What many piano arrangements for recent Broadway musicals nowadays such as Wicked, Mamma Mia, and Spamalot have in their respective arrangements is a lack of a challenging score to play, though it may sound easy, and how oftentimes, they composer tries to alter the original score into something more adaptive for the public. Although this may sound like a good idea, it really isn't, because as soon as you play it based on the arrangement or sing it, you quickly realize it's not as good as the original, which is what everyone wants, right?

The Avenue Q Piano arrangement, however, keeps all the songs in their original context, letting everyone emulate the classic songs the way they're supposed to be sang. No one wants to sing "Defying Gravity" from Wicked without the chorus back-up or Glinda singing in every now and then, right? Avenue Q gives you the score straight from the source, without awkwardly messing up the original greatness of the music. A must-buy.

mr kooper has been at the correct musical intersections many times in his life. this yarn of the early years of the rock era morphing into the new reality is one of the best "art meets music biz" autobiographies around.

Kooper's back room view of the music industry is hilarious. One flaw that is understandable is that he errs on the side of being far too polite. Almost Canadian......After getting screwed over to that degree, anyone would have trouble keeping their yapper shut shut. He shows great restraint, given the circumstances. I wanted more dirt, but a great read, nonetheless. Very funny.

What a remarkable story of a near miss star. Al Kooper was some of the glue that held early rock together. While never a star in his own right he added so much to what he did play on, that is, more ground breaking hits than anyone I know of. Just being the first organ in Rock is enough plus the horn band idea with BS&T, wow! His work with Leonard Skinered was a career in itself. Too bad he let his ego take him away from the limelight he deserves. He seems bitter in the end. Truly a story of Rock and Roll itself with Al as a matrix. He doesn't seem to know just how lucky he was. Can't say he let any moss grow on him though.

Great book - I couldn't put it down. Here's some insight into some of the greatest acts in rock - Dylan, Mike Bloomfield, Hendrix - it's all there. Al Kooper is a funny guy and I enjoyed the book tremendously!

I recommend this book for everybody interested in the rock scene
of the 60`s and up !
Al Kooper has a lot to tell of the early days in rock music and is
a great writer .
A lot of good reading and dont forget:
Mr Kooper is still making really good music, listen to the newest
album Black Coffee and see what I mean...

It stood the test of time for me anyway, since I used to read this book in bed every night when I was about 14 or 15 and marvelled not only at the world of the Beatles but at the way that Schaffner's words opened up a realm of ideas whose breadth I could only intuit at the time. I just finished rereading the book again, 25 years later, and it still strikes me as elegantly written, passionate, honest, insightful and at times very humorous. (The way he speaks about McCartney's solo career is particularly funny). In 1977, he wrote, "As usual the wild card of the lot is John Lennon."

I think this is the book about the Beatles we all wish we had written. My copy is in tatters, and has a torn-up dust-jacket with the Rubber Soul fish-eyed lens photograph. I will never part from it!

This book is one of a few that every Beatle collector must have. Along with "The Beatles" with covor work by Andy Warhol, "The Beatles Forever" is a must have. If you are interested in owning the 1977 and 1978 soft and hard back copies of "The Beatles Forever" in near mint condition contact Seth at henry23@home.com

I have the pair listed under Yahoo auctions, "music," THE BEATLES, "The Beatles Forever." Look it up via search or let your fingers do the walking. I will ship upon receiving certified funds and you must pay shipping however it should not cost but $7 to $10 max to ship and you can see what the current bid is in Yahoo auctions.

This book must have taken Nicholas Schaffner all his energy to write. It's a wonderful account of the lads music from their rise to fame in 1964 to their solo careers in 1977. Schaffner cares most about the music and he definetely knows his stuff. He's not escatic about Sgt. Pepper, which is an overated album, and he mentions a forgotten George Harrison masterpiece, "It's all too Much". Schaffner writes in a dry witty factual style focusing on the Beatles albums, their influence on rock music, the ups and downs of their solo careers, and anaylizes their lyrics. There are pictures of all the Beatles singles and rare pics of the beatles infamous butcher cover. This is my favorite Beatle book.

I have loved this book for years. Nick Schaffner has done a superb job of sharing his personal love for the Beatles from both an objective and subjective standpoint. Not only does he make personal references in re the Beatles, he also details the history of the band and the recordings they had released up until this book was published. Certain references, such as the Beatles' hair length being comparable to then-president Jimmy Carter (1976-80) are what "dates" this work; other than that, this excellent book is a timeless classic.

When I was in the 9th grade, I wrote a paper on the breakup of the Beatles entitled "The Gestalt Beatles: The Whole is Greater than the Sum of its Parts" and smile today as I think of how much I wanted to be a paperback writer. There is no doubt that Mr. Schaffner has inspired countless hordes of fans in this manner. I think of my old term paper because the writing in this book is greater than the sum of its parts - the combination of objectivity and subjectivty make for a very well rounded presentation indeed!

I had the pleasure of meeting Nick Schaffner at a Beatles' convention and he graciously autographed my copy of this book. He also shared stories about the Beatles and offered words of solace to fans still mourning John's death. This book deserves a place of honor and is a must-have for the avid Beatles' fan. Please read this book and share it with somebody. You will be glad that you did.

I own over 150 books about this lot....and this is one of the 4 or 5 best. Track this down

Being a huge Big & Rich fan I had to get this book. When I got the book it was even better then I could have expected. There are detailed biographies on the entire Muzik Mafia as well as candid and personal photos that have never been seen before. This is a great way to get connected even deeper to a great band. Also I think that even if you aren't a fan you will enjoy this book and possibly become a fan.

Tells a great story about how Kenny Alphin and John Rich became Big and Rich. Not only does the book tell about Kenny and John, it also talks about other members of the Muzik Mafia. Even if you are not a fan it's a great book and it makes you feel real good inside. As a fan of Big and Rich I knew I would not be disappointed and if you are a fan neither will you. Besides the great story the pictures are really awesome from younger photos to candid shots with their families. And who can resist Kenny's son Lincoln...cute as can be!!! A must have for all fans of Big and Rich be huge fans or passer by fans.

very good good reading about the two singers, not sure why they added the dvd with just clips , they should have had earlyer music of them, but the book was really good

I expected this book to be just a chronology of what I already knew about this duo - and I was pleasantly surprised that there was much I didn't know. Their diverse personalities and backgrounds certainly come out and makes the beautiful blend they do in music even that much better. I was unaware that the book existed until I opened the newest CD which was also great, and have really enjoyed reading it. Great pictures, not ones I had just seen over and over on websites. It was interesting to "meek" those who supported the union, those in the background and others in the Musik Mafia. Gread read!!

I just love this book, and it's not just all about the great pictures (which there are many of, including some exclusive private ones), but it's the stories behind the pictures, told by Big Kenny and John Rich from their hearts.

I feel like a very uneducated fan, having never had the experience of seeing them on stage. My only dealings with Big & Rich have been through their CDs, videos and TV appearances and from my fellow Mafia Soldiers. This book really gives you alot of insight into who these guys really are and how they got to this point in their lives.

You really have to read it to understand it. And I hope, in say, 10 years, there is another book to share the next decade of their lives with us as they get even bigger and better.

This book is certainly the greatest single published wealth of knowledge on Wailers recording I have ever seen. However, Steffens' choice of what is included in the book seems at times erratic. He has included a smattering of live shows (both historical & typical), but he has not fully documented all the shows currently in circulation. He has included some shows for which no tracks are issued, some which are partially issued, and some that are in for sale in thier entirety.

He also includes only a partial glimpse into the known unissued studio recordings of Marley. For instance, he lists tracks such as "Show Your Dreads" and "She Used to Call Me Dada," and intimate sessions, such as the one commonly known as Mother B Reel I. However, he includes no mention of known unissued studio tracks, such as "Wounded Lion" and "Real Good Time." For that reason, I must wonder how many songs & sessions are sitting in the vault that were purposefully omitted from this "definitive" discography.

This is a valiant effort and invaluable resource for sure. I'll be looking forward to the 2nd edition.

One.

With any discography, you expect to get details layered upon details about an artist's output. Here you get all of that, but there's much more. Roger Steffens is not only a huge reggae fan and supporter, but he's one of the premier collectors of reggae (and Marley in particular) recordings and memorabilia. He shares photos, anecdotes and insights into countless Marley recordings and sessions. As a long time Marley fan, I have spent hours just browsing and absorbing the information. Highly recommended if you want to know the minutiae and tidbits of the record releases from the Bob Marley.

Even "experts" have long been confused about details of Marley's recorded works, but here is the long-awaited authoritative reference source. Anyone, no matter how knowledgeable, will learn from flipping through this book, and the many illustrations of record covers/labels/etc make it fun to do so. Imagine Bob himself looking at this one - even he no doubt would be reminded of many recordings he might have forgotten - and would be proud indeed.

-steve heilig, BEAT magazine

Many a fan has wondered about the provenance of a certain track by Bob, Peter or Bunny or the whole holy Wailers trinity; only to be stymied by the seeming impossibility of ever imposing rational order on the gush of Wailers releases over the years. Helped by other aficionadoes, including my fellow Marley biographer Tim White, reggae historian and archivist Steffens and multi-talented bluesman Pierson have kept the faith -- and the vinyl -- for a full fifteen years to produce this handsome, thorough volume, illustrated with previously unseen pix by lenspersons including Kate Simon & Steffens. Delightful essays round out a very valuable work that's a true labour of love.

This long gestating book on the wild and wonderfully wide-ranging releases from 'Jamaica's Beatles' is finally out and meets all expectations. Thanks in part to the extensive interviews authors Steffens and Pierson conducted with 'the living stone' Bunny Wailer over several years, BOB MARLEY & THE WAILERS: The Definitive Discography plows through the mountains of facts and dis-information to provide a clear and thorough, yet still living and evolving, look at the tremendous output of Bob Marley, Peter Tosh and Bunny in all forms, roots and branches. The days of frontin' Wailers discs as originals in online and other record auctions are over as this compendium provides detailed proof of all origins and matrix numbers. Here's a slam dunk that actually merits an Order of Freedom Medal. Go deh dready go deh. -Doug Wendt, www.midnightdread.com

Too-adoring biography always takes the best view of Chaplin's often checkered personal life, and doesn't really dig into the drive for control that made Chaplin one of the first modern artists.

Robinson is the premier researcher on the life of Charles Chaplin, and this book is the result - a fact filled, balanced book that allows equal focus on Chaplins films and personal life. Most books tend to focus on WAY too much personal life and innuendo, but Robinson avoids this problem, and makes a good book that truly encompasses the entire life of Chaplin.

Robinson's book includes a well detailed filmography, scripts from several early Keystone films, excellent appendices, and many rare pictures. My only complaint is that many of the pictures could be printed much better, and larger too.

Superb reading!

David Robinson's book is the finest biography extant of this indispensable genius of movies. I first read this monumental book 22 years ago and it has remained an indelible part of my understanding of movies and of the life and work of this complex, infuriating, somewhat naive but always questing and humanistic comedian, whose movies are finally being issued on DVD in luminous copies of his own carefully preserved originals.

At the time of Robinson's book, and for a number of years after, Buster Keaton was the preferred choice in silent comics. To take nothing away from Keaton, whom I regard as sui generis ("The General" is a masterpiece, and "The Navigator" is the funniest movie I've ever seen) this may have been more a reflection of the then-current attitudes of "cool," reacting against Chaplin's perceived sentimentality, than an argument for Keaton as the greater artist. Chaplin has recently become of greater interest, and at present his star seems much more firmly fixed, due in large part I think to the recent availability of his work on DVD. Robinson himself, in tandem with the silent cinema scholar Kevin Brownlow, is partly responsible through his access to Chaplin's mint copies of his own movies, which resulted in the superb Thames documentary "The Unknown Chaplin." In any case, it's much easier now to see and to recognize Chaplin's innate (yet painstakingly arrived-at) genius for mixing uproarious physical comedy and subtle pathos; if there is a more moving finale in all of American movies than the last moments of "City Lights," I'm not aware of it.

Robinson's approach is both scholarly and eminently accessible. And he dispels a great many erroneous "facts" that have accrued to Chaplin over the decades, many of them directly attributable to Charlie's own myth-making. The author also refutes some aspects Chaplin's late (and appallingly egocentric) memoir "My Autobiography," whose appearance in the 1960s shocked and saddened many of his former creative collaborators, who found themselves conspicuously absent from Chaplin's over-stuffed tome. If this book is not definitive -- and who can say what future writers may produce in the fullness of time? -- it is at the very least the one fixed starting point for all serious Chaplin research.

There are only two books necessary for the true Chaplin fan; "My Autobiograpy", by Chaplin himself, and this book by Robinson. While there are scores of other books on the market concerning Chaplin's life, Robinson's is THE definitive work.

If Charlie had been around to read this work, he might have amended his famous phrase from "If you want to know me, see my movies," to "If you want to know me, see my movies and read this book".

David Robinson has written the definitive biography of Charlie Chaplin. It is largely the basis for the movie "Chaplin" because it was authorized by the legend himself and thoroughly explores his life to a greater extent than his autobiography. It is truly a moving and informative work.

Robinson begins his chronology of Chaplin's life in his childhood. He was largely orphaned by his alcoholic father and was only allowed to spend time with his mother while she was mentally healthy. It was through a failed performance of his mother than he got his first taste of acting as a child. From this point, he would devote almost all of the rest of his 87 years to entertainment. In his youth, he specialized in the stage productions which entertained England. He got his first taste of America on one of these traveling tours. On a later tour, he was offered a contract by an American film company. Chaplin agreed to honor his stage contract before beginning his film career.

The book documents with reasonably precise details the process of each film he released in addition to one the public never saw and the final project he never started. Through this filmography, we see the development of "the tramp" character. With each film, the character moves closer to the final product we know.

Chaplin's personal life is well documented. Unlike the autobiography all four wives are addressed, even the one Chaplin was not very fond of discussing. The fact that his first two wives were young is not avoided. However, it must be put in perspective that people did marry and have babies a lot sooner in those days. It is only unique in Chaplin's case because the husband/father is famous and much older. Despite his work for America during war time and a professed love for the country, the slanderous allegations of McCarthyism, also known as the 1950's witch hunt for communists, forced him to finish his life away from the country he loved. Truly the red scare is made to be a more terrible embarrassment to America by this result.

Today's cinematic audience has little appreciation for the roots of the art form. Charlie Chaplin was a revolutionary and founding father in the film industry. Reading about his life is only a step in appreciating his brilliant work.

This book is a reference, with an amazing quantity of detailed photos. Very carefully organized, the author demonstrate his experience in guitar construction. If you have no experience at all in guitar constructions, after seeing the many details, you may be somewhat affraid of begining. But this book do is a reference. Congratulations to the author!

This is one of three books I bought to help me build my first guitar, the other two (Guitar making, Cumpiano and Natelson, and Step by Step Guitar making, Wills) are very competent and worth buying also, but lack the same clarity of explanation and high quality colour photos describing the step-by step process. I am halfway through the guitar making process now, but my experience thus far of this excellent book leaves me in no doubt I will successfully complete the project.
Any gripes? Yes! In 1999, NASA's Mars Climate Orbiter spacecraft crashed into Mars because the manufacturers had unknowingly confused Imperial and metric units during construction. To quote from Bogdanovich's book; "Now glue the Indian rosewood veneer (2 mm thick and approximately 3 inches x 7 1/2 inches)...". Throughout the book, measurements in inches expressed as both fractions and decimals (0.775 inches) are freely mixed with mm metric measurements. For heaven's sake, Mr. Bogdanovich, and your publishers, Sterling, get this fixed in the second edition, either sticking with imperial, or preferably, metric, avoiding fractional measurements!
....but the book is still very, very worth buying, and I don't think first time guitar makers will be disappointed!

Classical Guitar Making: A Modern Approach to Traditional Design is a gorgeous book about how to build a John Bogdanovich-style Herman Hauser I guitar. If you are an out and out beginning woodworker who wants to build a guitar from scratch you can make a guitar from this book, but you will either have to own or have access to the power tools that the author uses to build his guitars-a drum thickness sander, resaw bandsaw, and a bandsaw, to name a few. The author really doesn't go into how to use hand tools to build the guitar and doesn't offer alternative ways to use hand tools as does "Guitar Making: Traditional and Technology" by Cumpiano and Natelson. I bought "Classic Guitar Making" to see if I could learn any new tricks in guitar building and I did-how to laminate sides and his binding-cutter router attachment is pretty nice. If a person is patience and willing to take the time to methodically follow Bogdanovich's instructions you can build a wonderful guitar. That can also be said for "Guitar Making: Tradition and Technology", by Cumpiano and Natelson and "Making Master Guitars" by Roy Courtnall. A nice thing about both of these books is that the authors immerse you into the tradition of guitar making as if an old school master luthier was standing over your shoulder telling you about how Simplicio, Ramirez and Torres made their guitars great. Buy this book but only after you have first bought "Guitar Making" and "Making Master Guitars" and all the wood you want to build your guitar with. If you have the money to build and equip a full sized cabinet shop definitely buy this book.

I had originally checked this book out of my local library and after reviewing it, I knew I had to add it to my collection. It is a great companion to the Cumpiano standard with excellent color pictures. I am working on my first guitar and it is nice to have another book to illustrate different techniques for the different steps of construction. As the title suggests, he only covers classical guitar construction but many of the principals are similar and I would recommend this book to anyone considering building a guitar.

If it weren't for the fact that this is a step-by-step manual, the causual observer could be forgiven for mistaking this for a coffee-table book. It's almost too nice for a workbench! At the risk of sounding like an advertising blurb, the same passion and craftsmanship Bogdanovich displays in his guitars shows in nearly every page. He knows what he's doing, and it shows; the color photography is excellent, and the text is a pleasure to read - informative and concise without being dry at all.

The beauty of this book is it has something to offer to experienced and aspiring luthiers alike. While the text deals with building a classical guitar almost entirely from scratch, much of the information given is pertinent to those attempting to go the kit route.

This volume picks up where the classic Cumpiano/Natelson text leaves off, as far as the classical guitar is concerned. There are a few typos in the text that should have been caught by the editor, but they are obvious and not likely to cause trouble to anyone building a guitar from the book. All in all, Bogdanovich has kindly shared his skill and knowledge in a very timely, informative volume that I for one am proud to own!

Although this book certainly won't be for everyone, there are pieces in here for anyone from the beginning-intermediate level to the "Waldstein," extremely advanced. These pieces are beautiful to play, or even just to hold in your lap and follow along while you listen to a recording. Either way, the notes are clear and the notations are helpful. The only caveat I'd mention is that although these books are set in two volumes they still each contain so many pieces that folding them over so they stay open can be a challenge.

The Dover edition of the sonatas of Beethoven definately isn't the urtext edition. This edition is very cheap and that is a nice thing. But sometimes it misses some parts and has wrong notes. This edition is favorable to many people. However I suggest that this edition isn't the ideal edition. The cheap price tells you what's in the book.

Obviously there is nothing to say about the Beethoven sonatas. Simply amazing.

This edition has given us 1-15 in a very reasonably priced book. The binding is sturdy, and I have put it through some strain, trying to make it stay open. It will stay open, if you will work with the binding. But the binding seems to have no problem standing up to the strain I have put on it. Highly recommended.

I'm a piano major in college and I know several people who own this edition and have in soem cases for years and they're all still in very good condition for their age. Surprisingly, it holds up well over time and the pieces are excellently presented...I've never heard any editing complaints.

I myself own the Henley Urtext edition of the volume 2, but own teh Dover for the volume 1. If you're strapped for cash in your music shopping *which I have been many times*, this is a great choice!

I might be biased because I almost exclusively buy Dover editions of piano music, but the LVB Sonata volumes are one of the better ones.

Firstly, it's clear that you can't Dover on value. It'd cost more to photocopy the entire book than to buy it. I like the binding of the books, as they are well-made. I do have some trouble keeping the pages open in the thicker books (esp. the Scriabin Etudes book), but I can't complain.

Secondly, the notes are printed as a good size, and notation/fingering is good. I like Heinrich Schenker's notation and commentary, and I feel that it's very helpful for the amateur pianist for suggestions. There are some fingerings that I don't necessarily agree with, but it's unobstrusive enough to not bother me. I'd rather have some suggestion than none at all.

For Beethoven Sonatas, Dover is a good choice, unless you'd prefer Henle Urtext, which is at least 2x or 3x the price of this. I would avoid the Schirmer editions, as they butcher the markings.

...this book resonated with my lifestyle because I'm also a foreigner who settled in this country over fifteen years ago.

I loved these stories and it's a good read for anyone to understand what is behind the person next door, the shop owner down the street, or the student sitting next to you.

It reminds you that we all have stories and we need to be careful about judging those we don't know. There is a reason behind their ways and culture. Take the time to talk to people and learn about them as much as they learn about the culture of this country.

Great book

I had to read this book for a freshman lit course and I must say, it was such a wonderful read that it never felt like work. I'd buy another copy in a heartbeat if mine was lost. Excellent work!

A great job done by the authors for a multimedia piece that reflects America's melting pot story. The people are real and the work itself should inspire immigrants and descendants of immigrants to share the experience. I found the CD fascinating as a work to be enjoyed with the book. A wonderful job! I look for more work by the authors.

The book is well done except the authors failed to include the ethnicity that was and continues to be among the largest immigrant group, the Irish. The authors dropped the ball on that one.

If there was ever a time when we needed to be reminded that immigrants are the heart and soul of what makes this a textured, rich and interesting country, this is it. This book and its companion museum exhibit, which I was lucky enough to come upon serendipitously at Purchase College's Neuberger Museum, celebrates the gifts we have received as a nation from the diverse people who have struggled first to get here, and then to make a life for themselves here. Before we build walls on borders, before we villify those who are different from us, let's appreciate what we are gaining from the immigrants who choose the US as their home. Let's remember that very few of us are Native American. We have all benefitted from the open door to America.