Music Books

As I read this book I had tears in my eyes. I am also a young widow and I have two children (the last was born 3 months after her father passed away while on a business trip in California the rental car he had been driving was hit by a semi. Being a widow I didn't care for the comments made by Deborah Reece, I thought them to be insensitive and hurtful. saying "be thankful for what you have" is just like saying the pain lessens with time. For me it hasn't. It doesn't appear to me she has read the book (kind of like the other book she "read") but for some reason she had an opinion about it. Finding true love is not hard (once upon a time I thought it was) its just about not settling for second best. We should feel sorry for Tammy as she has been through alot. Yes alot of women go through it but that doesn't make it less painful. Also the book I feel was a testamony I don't think she wrote it to make people feel sorry for her. Trent was an amazing man and I was deeply touched by the book (I lead it out alot sometimes to unbelievers one of whom I believe has come to Christ from being inspired by Tammy's book. I love the title as I too thought I couldn't breathe after Dan's crash, everytime I would take a deep breathe I felt as if I couldn't take another breath.Deborah, If you want a wonderful man just pray about it and try to show that you have a wonderful personality, I think guys like positive girls not ones who have negative things to say where they shouldn't be.

Tammy is an engaging writer with the gift of turning her nightmare into a positive, spiritual gift to all who read her story. Both her family and Trent's are amazing.

This is the best book I have read in years! I think everybody that can should read this book and not take LIFE for granted!!!

Tammy did a wonderful work in describing a pain that many of us face and have to go through. At times I felt like she was describing my own thoughts and feelings when I lost my only child in a car accident. While you are learning to draw breath again, our Lord and Savior truly does literally carry you through the pain until you can begin to see hope again. Life doesn't stop just because a life that means more to you than your own, has stopped. In telling her own story, Tammy helps us to tell ours.

I recently lost my husband suddenly, I have felt all the emotions that Tammy expressed in her book. At 24 I have lost my husband, my father (at 16) and two sisters. Last year my husband and I were expecting a little girl and he was so excited to becoming a father. We had been married for 3 years and just bought a house and another car. Unexpectedly my husband was killed a snowmobiling accident, while on a vacation with his brothers. The area that they were on was about 66 acres and he had gone out alone (this was unusual for him) and hadn't returned after three hours they became worried and went to search for him. There were alot of snowmobile tracks and they weren't sure which ones to follow, so they had formed a search party to look for him. As night fell still no sign of my wonderful husband. The next morning they found my husband who had hit a tree, he was wearing a helmet but somehow it had come off of his head upon the snowmobile hitting the tree sending him flying into the tree, he was gone taking my heart with him. I totally understand why she choose the title "Learning to breathe again: choosing life and finding hope after a shattering loss" because thats just what you have to do, when you lose your husband like that, and being so young you think you have your whole life ahead of you and you make so many plans, When you lose it all like that you feel like you have to learn how to breathe again (Im still learning to breathe again)

Tim was my life, my forever love. I know that when I had our daughter Grace Katheryne (it seemed to fit her she was God's Grace to me in such a rough time in my life and it was also the name Tim picked) I felt his presence as I gave birth to her 6 months ago (just 6 weeks after the accident) I know I will see him again in another time and Another place. As I look at her she looks more and more like her daddy each day she has his dark hair nose mouth and chin and my eyes. I know I have had some days when Ive said "I can't do this alone Lord" but then Im reminded that Im not alone God is with me each day and he will never leave me or forsake me. Tammy did such a beautiful job on this book I share it with other widows I know. No doubt it reached an unbeliever and has made them commit their lives to Christ
From the bottom of my heart thank you so much Tammy

Rare it is to find a guide so well crafted by a writer successful in his own right. I found this the perfect abridged bible for anyone with a career or contemplating a career in the musical theater. David Spencer's frank tone tears down the dream and shows the true reality of the business. With diligent and witty writing, Spencer's guide is as fun as it is rigorous. The author includes bits of his own writing process mingled with very generous advice on what works and what does not. It's reading list alone would recommend it. This book will make many a musical theater writer conscious of the hidden pitfalls prevalent in the business and so will, with an increase of its readership, increase the quantity as well as quality of musical authorship on and off-Broadway, a deed most needed.

You get the feeling the author cares about the reader's survival through life as well as on the perilous if rewarding journey of musical theater writing. The book is surprisingly also a brilliant textbook for navigating professional and private relationships as Spencer is of the clever opinion that success in any field requires such skill. Theater-goers may benefit as well from its clear picture of the creative process behind the large shows. No one interested in musical theater should be without this book.

David Spencer's book is without question the most comprehensive, concise and informative book on writing contemporary musical theatre I've found on the market to date. An astonishingly quick (and entertaining) read, the book covers all of the bases of writing shows, from the creative process to dealing with the business end of getting an original musical produced. It is also jam-packed with useful information regarding the 'knit-picky' details of standard conventions (such as formatting scripts, creating and distributing demos, etc) that are worth the price of purchase alone.

The book is well-structured into concise, easy to read sections that are easy to refer to when necessary. Appropriately titled a "Survival Guide," Spencer makes no attempt to create an 'everything-you-need-to-know-to-write-a-musical' guide; instead, he provides brief (but considerably detailed) insight into each topic.

This is not a book for a beginner who is looking to learn how to write songs, but rather for ambitious young artists who are serious about creating new musical theatre. There are entire books that deal with the considerations posed by individual chapters (such as musical forms, rhyme, characterization, etc) that supplant the information in this book; his list of suggested readings is very helpful. Consider this book to be the 'study-guide' for the test; there is no other book on the market that covers so much terrain with such detail in such a small volume. It truly has become my survival guide - thank you David Spencer!

I have read some books on writing Broadway Musicals which were quite good but this one has a direct clarity that demystify's the process of creating a musical. Good advice is given in every important area from story to page layout and fonts to the politics involved in collaboration. An invaluable tool for a writer that's seasoned or just starting out.

I am an aspiring musical theatre writer with no real experience yet, but reading this makes me feel like I have twenty years of experience under my belt! It seems that Mr. Spencer has thoughtfully included, out of his own widespread experience in the biz, absolutely every thought, information, helpful tidbit or advice that I think EVERY new or seasoned musical theatre writer will find very, very helpful. He is very intentional about sharing stories and information to help young writers avoid pitfalls and mistakes he once made, or is familiar with. Every chapter flows well, is thorough, well-structured, & intriguing to read. I am sure I will continue looking back to this for frequent reference as I continue pursuing this career. Thank you, Mr. Spencer, for this invaluable resource!! It is worth more than every penny!

THE MUSICAL THEATRE WRITER'S SURVIVAL GUIDE is, one the whole, an excellent and much-needed resource. This is not so much a book about how to write a musical, but what to do with it once you have written it. The most valuable parts for me were the sections dealing with collaboration. Author David Spencer discusses not only how to deal with writing partners, but also with the other collaborators, like the director, the producer and the designer. He also gives practical advice about the most effective way of presenting the reading and making the demo recording. He goes into great detail about what any material that you send out should look like. These parts of the book alone make it worth owning.

I felt that Spencer jumped the track toward the end with a lengthy discussion of setting up one's own recording studio, which would have been much better as an appendix, rather than in the main body of the book. My other quibbles with the book are the rather gag-inducing Sondheim worship and the author's frequent tooting of this own horn. (I found the section dealing with awards and grants depressing because it only pointed up the unlikelihood that material by a maverick like me would ever be considered.) There are a couple of minor errors (such as when he says that William Redfield played Rosencrantz in Burton's HAMLET, when in reality he played Guildenstern) and there is a glaring use of "principle" as an adjective, rather than "principal." But in general, I found this an invaluable book that absolutely needed to be written. Every serious musical theatre writer should have his own copy. This one is simply essential.

I got this book because my 2 1/2 year old couldn't get enough of "The Bear's Toothache." (also highly recommended.) I love the colorful pictures. My son has learned what bagpipes are and what begging is because of these illustrations. My friend who teaches 1st grade was around when I was reading this book with my son and she informed me that this kind of rhyming book is so good for children. (I pause before the last word of the paragraph which completes the rhyme and my son finishes it for me.) I am getting this as a gift for a few people this year.

This is a fun book to read! I have twins who are almost 2 and they love the book and the way it rhymes. The first time my husband read the book to our kids he was laughing and both of us consider this book one of our favorites! Definitely a good one to add to your collection!

I teach kindergarten and my students picked out this book for me to read to them during snack time and I fell in love. Now it's one of their favorite and I have it memorized. I'm buying one through amazon to have at home to read to my own son. Not only is the text funny, flowing, and interesting... but the illustrations are absolutely hilarious! My students love to act out the pictures and point and laugh at pigs in their underpants and a cow tied down to train tracks. Did I mention that I love this book?

We checked this book out from the library and it has become one of the top ten requested reads from my daughters (4 & 2-years old), so we've decided to purchase a copy.

Not only are the story and rhymes great, but the pictures are incredible for playing "I spy". "I spy a pig in a kilt! Who else spies him?" There's alot of action and detail, so it's a lot more than just a good reading book or a great picture book.

I think this book should be on the book shelf of every kid!!

This is an excellent and hillarious poetry book. I used to work in an elementary school library. The kids would love it when I would read it out loud to them. This also makes a good oral language book. My own kids love it as well. The pictures are great.

As an event manager for Jan Mulder and orchestra, website: www.janmulder.us I purchased three copies of The Story of the Orchestra which will be given to young people to learn about the orchestra's various instrument. I highly recommend this book for both adults and younger people.
Hans Goede

Excellent tool for teaching your children about the Orchestra. The CD that comes with it is great.

"Santa" brought this book for our 4 year old. She loves it! It is layed out in a way that we can read just portions of each page without her getting overwhelmed. It is definitely a book she can grow with. Because a mom has to brag: My daughter can now easily name each instrument and knows which "family" it belongs. She laughs hysterically over Beethoven's picture, knows Tchaikovsky composed Swan Lake and the Nutcracker (the sweetest thing is hearing a 4 year old rattle of Tchaikovsky and Vivaldi!) etc. Highly recommended!

I purchased this book in preparation for teaching a group of homeschooled students (ages 7-14) a short course in music appreciation. It was a terrific resource for them. The text was brief but engaging; the cartoons were entertaining; and the photography was so eyecatching. It covered the musical periods, with information on several representative composers. Then each of the orchestra sections was covered, with a helpful CD included to hear snips from pieces that featured the instruments. The students all learned quite a bit from this book. I recommend it highly.

I was looking for resources to help make teaching about classical music and composers to primary grade children more entertaining and I found what I needed all wrapped up in this book and CD combination.

Part I of the book concerns composers and is separated into the periods in which they composed, ie., Baroque, etc., with a brief description of art, architecture and feeling of the period. The composers covered for all periods are Vivaldi, Bach, Haydn, Mozart, Beethoven, Wagner, Tchaikovsky, Brahms, Mahler, Debussy, Stravinsky, Schoenberg, Gershwin, Copland and Bernstein.

Part II of the book is about the instruments of the orchestra. Again, this is further broken down into the different sections of the orchestra such as strings, woodwinds, etc. Then within each of those sections a feature on the individual instruments.

The accompanying CD has brief examples of the compositions introduced in the composers section and for each instrument. It really helps the kids hear what they've been discussing.

One of the best things about this book are the illustrations. They are colorful and entertaining. Sometimes there are humorous illustrations such as a drawing of the ideal Baroque instrumentalist needing 2 right hands, 3 left hands, and 3 eyes which really had my 3rd grade kids in giggles after hearing the intricacies of "Spring" by Vivaldi. There are also entertaining illustrations showing how an instrument produces its sound and they are mixed with photographs of the instrument itself. I highly recommend this book for music teachers to use as a reference and for parents who have children interested in learning an instrument.

Very few books are as riveting as this satiric masterpiece. Through the mad romp of the book's hero Ric Browde through St Louis, While I'm Dead...Feed the Dog lampoons the sacred cows of American society - religion, the press, politicians and even rock and roll. A must read

Ric Thibault will emerge as the funniest most poignient ad insightful character in modern literature

While I'm Dead...Feed The Dog is a black comedy fiction work that is accompanied by an originally scored music CD Soundtrack featuring never before released material. Written by songwriter/music producer and eight time platinum and eleven time gold awards winner Ric Browde, the novel explores teenage angst, love & sex and rock 'n roll in the '70s. Browde, who has sold over twenty million albums has worked with such artists as Poison, Joan Jett and Ted Nugent. From narcoleptic nuns, nymphomaniacs, the Mafia, a huckster televangelist, dying Latin teachers, corrupt school administrators, inept policemen, unscrupulous lawyers, buffoon reporters, half -- witted rock and roll musicians, transsexual record company presidents, drug addicted disc jockeys, greedy family members and the lovely Nina Pennington, this novel is a must for anyone who lived or wanted to live in the '70s as a teenager.

It's not often that humor is so well done and, yet, makes points that are insightful without being preachy. Ric Browde is clearly intelligent and takes on religion, the media, law enforcement, relationships, the music biz and more in a satiric send up that is simply outstanding.

Ric is funny and you can't help but laugh. However, I was compelled to pay attention to the points being made because they were good ones. Through humor Ric gets you to think about things which is always good.

This is a good book with a soundtrack too. The song "I'm stupid and so are you" is hilarious and along with the rest of the CD that accompanies the book it highlights the story being told and makes you enjoy the process all the more.

I wish my teenage years had been as exciting as Ric Thibault's, the hero of this fantastically funny novel! This book is like a drug - once you start reading you're hooked... Hope there is more forthcoming from this new author.

A wonderful collection of the historical and the traditional songs. This is one of the best hymnbooks of any kind to be published in recent years. It took me back.

this is a wonderful book. It is full of new and old songs.

GIA, the publisher of this hymnal, is a Catholic publisher. This book is not a Catholic hymnal unlike "Lead Me, Guide Me", GIA's "turnkey solution" to gospel-style music for Catholic services. Also, the lyrics have a lot more "I", "Me", "My" and "Mine" in the lyrics than would be appropriate for Catholic litugies. This is not a quibble; just a bit of information for potential Catholic purchasers. Those matters aside, this is a fine product, packed with impressive new material and old favorites that will add much to spirited worship.

This hymnal has all my favorites in it. Even the responsive readings are biblically solid. I love it. My pastor does too. The pianist at our church loves to play these hymns.

This song book has wonderful spiritual, God-loving songs. It is a great source for getting your congregation in the spirit of 'singing praises to our King'. Introduce it to your choir or congregation and you will be forever greatful for the joy it will bring.

This for me is better than any other book because it is reading the acutual words that John said. He gives his own first hand comments on each song (no guessing what each song was about -- he tells you). When he can't remember (it was the 60's after all) John will say so. The most important thing he says is "get interested in your own life" meant in the very kindest way John wants to remind us that we can identify with him, we can love him, but to please NOT make him to focus of your life -- YOU should be the focus of YOUR life. His insights to life can help you acchieve insights of your own. John rules! But I am thankful that he reminds us it is not important to memorize his height and weight or other "facts" but rather to LIVE the life we have -- as I wish he had the option to do. American must stop naming cruel people and making them famous if we do not want more useful people to be killed by those who have little human value -- of course that is only my take -- I can't rule YOUR thoughts (and for that you should be glad ha, ha).

Get the book if you are a Beatles or John Lennon fan... ;-)

Indeed, All We Are Saying: The Last Interview with John Lennon and Yoko Ono pulls out the punches. The book shows how far former Beatle, John Lennon, had come and where he was headed. David Sheff's "Playboy" interview with John Lennon and Yoko Ono is the most fascinating piece of oral history about Lennon's life as well as the story behind every Beatle song. Sheff intimately takes reader through the studio, John and Yoko's Dakota apartment, and down the neighborhood coffeeshop sharing a cappuccino. All We Are Saying presents an extremely candid and frank interview that was held two months prior to Lennon's passing. Sheff reveals Lennon's growth and new beginning that would unfortunately be cut short.

All We Are Saying does not lack in humor and seriousness. This was the man, not the Sixties icon who sang against a "Revolution," who still had dreams and aspirations to accomplish at the time the interview was conducted. For fans of Lennon as well as the Beatles, this was Lennon stripped down and open for questions, and he merely tells it like it is or was. He expresses the breakup of the Beatles, and emphasizes that they were great, but they were in the past. He talks about the ups and downs of his individual experience from being a heroin addict to a househusband. He was living in the here and now, and the music that he was making at the time reflected that mantra. Though the references he made about the music scene now appear dated, Lennon was ahead of his game and kept up with bands, such as the Clash, Pretenders, and the B-52's. He even raves how the B-52's rip-off Yoko's style of music.

Sheff writes the interview in clear and picturesque narrative. For every new chapter, he introduces the reader to where the interview is going. However, the concluding portions of the book appear too rushed. Sheff appears to have wanted to discuss or at least learn about every tidbit about each Beatles song, which almost portrayed a to-do list, and at times it appears as if he did not want to run out of tape. From the transcript of the interview, Lennon appears too tired to talk about each and every Beatle song as he answers with yes and no answers. For the most part, Lennon wanted to speak about his new album at the time, "Double Fantasy", and new projects he was planning.

All We Are Saying is an important document of the life of John Lennon. For Beatle and Lennon fans, the book is quite ironic and sad due to the circumstance, but that should not stop any one from learning more about one of the most legendary artists of the twentieth century.

INCLUDES AN AMAZING SERIES OF QUESTION AND ANSWER SESSIONS, THAT YOU WILL NOT BE ABLE TO PUT IT DOWN! I WAS SURPRISED AT SOME OF JOHN'S ANSWERS; BUT IT DID MAKE SENSE COMING FROM HIM. I WON'T SPOIL IT FOR EVERYONE....SO EVEN IF YOU'RE NOT A DIE HARD LENNON FAN, YOU WON'T BE DISAPPOINTED BY THIS FUNNY AND TOUCHING PIECE OF WORK...JUST BEAUTIFUL!

John Lennon and wife Yoko Ono give an excellent interview by pulling out all stops. Sheff's interview in "Playboy" with the pair is a vital oral history about the former Beatle's life and his insight on each Beatle song. Sheff takes readers on a Magical Mystery Tour through the recording studio; the Dakota and in and around the neighborhood. The interview is candid and direct; readers are given a clear look of and at John and Yoko.

John is shown, warts and all in real, living color. He is not glamorized nor vilified; he is presented as the man that he was. John Lennon was many things to many people; Sixties icon; musician extraordinaire; artist; spouse; father; author; actor; joker; interviewee; "militant pacifist," an oxymoronic term. John was a very complex man and this Rubik's cube of a book puts the pieces together in such a way that readers can readily assemble their image of John Lennon.

John makes no bones abut the Beatles being part of his past; he appears to want to move further down the Long & Winding Road without further Hard Day's Nights in re his Beatle history. It was also interesting to learn what groups and artists John liked and how he felt they influenced him.

Hats off to Sheff for introducing readers to each person in the interview. If there is one literary pitfall to avoid, it is never, repeat, never spring characters or real people onto readers without introducing them. That weakens a work and Sheff is quite adept at dodging this trap.

John appeared to be moving at a quicker pace in this interview; whereas Sheff wanted to discuss the Beatles more in depth, John gave one word answers to Beatle related questions and seemed eager to discuss his 1980 album, "Double Fantasy" as well as works he was planning after that.

This is a bittersweet book for Beatle and Lennon fans because of John's untimely death in late 1980. Even so, the book remains an excellent source of information about the man who founded the World's Number One Band, the Beatles and the man who made the world listen.

Listen to John Lennon.

My favorite Lennon quote comes not from this book, but from the Beatle's set during the Royal Variety Performance for the British Royal Family in 1963: "Will the people in the cheaper seats clap your hands? And the rest of you, if you'll just rattle your jewelry." I love that, though I've been told you need to be raised in the British class-consciousness to fully appreciate the insolence of that.


I grabbed this book just out of curiosity, as a Beatles fan and a Lennon fan in particular. I read in a review that Lennon goes through the whole catalog of Beatles songs and comments on them. I thought that would be interesting to read. Yoko Ono was the least of my concerns, but they were and are a package deal. I bought into the popular cultural conception of Yoko as the villainess who broke up the Beatles. So the first thing that struck me, reading these interviews, is what an intelligent, sympathetic, and likeable figure she is, when heard in her own words, in the comforts of her home base. And the two of them together actually seem like a nice, well-matched couple, decent people who- against the odds- had found contentment amid the surreal circumstances of their lives. No doubt that they are eccentric in some ways, and some of their philosophizing has that post-Hippie, flaky, dated feel, as you might expect. They are artists after all. But at the same time, they surprised me at times at how level-headed they came off. Despite the near deification of the Beatles, it is John who continuously reminds us that they were just a rock and roll band that was in the right place at the right time and wrote some good songs. And they are able to honestly talk about the strain on their relationship caused by their celebrity. With all the typical defiant talk about letting people think whatever they are going to think, Yoko admits to the heartache of bad press: "It's a very strange thing that society can do that much to a relationship, but it does because we're social animals. We're social beings. A relationship is not isolated from society." "Society can break an individual. That is what happened." John, too, often displays the vulnerability buried within the armor of the iconoclast: "We're both sensitive people and we were both hurt by a lot of it." Enough time has passed for them to analyze the hostility garnered by Yoko, as a woman, when she began managing John's business affairs. John talks about the attitude towards Yoko at these meetings where she was the only woman, "They're all male, you know, just big and fat, vodka lunch, shouting males, like trained dogs, trained to attack all the time." Yoko is wonderful, chiming in with "I was emasculated." Then launching into her formulation of male aggressiveness, "you must have the womb-envy thing," she speculates. Men are aggressive to mask their intimidation and jealousy. After all, she notes, "we give life."

The most valuable part of this book, in which John systematically goes through almost every Beatles and solo Lennon song, is a concession John granted after blowing Playboy's scoop by giving an interview to Newsweek magazine. We get John's feelings about each of the songs as well as the memories triggered by them, what was going on in that period of his life and how they were written. Though John continues with the superficial model of `John songs' and `Paul songs,' we see that the truth is more complicated, they wrote the best of the Beatles "one-on-one, eyeball to eyeball... both playing into each other's noses." We see why they were great together (and why George and Ringo are two very lucky men to have been along for the ride) and why neither of them, as solo musicians, could produce songs that measure up well to the Beatles. There are several examples of the two of them contributing little touches to each others songs, the little shadings that profoundly deepen the work. Without Paul, John was mostly a writer of catchy tunes, superficial fluff with great hooks. Some of Paul's solo works come close to the best of the Beatles, but for the most part, he was missing the nuances- the melodies and tenderness- of Paul's sound. A song like "Michele" is a perfect example. Paul wrote a pretty little love ballad. John heard it shortly after hearing Nina Simone sing the blues, and he suggested the bluesy "I love you, I love you, I love you," bridge. Paul writes "It's getting better all the time," and John adds "it couldn't get much worse." Paul writes "We can work it out" and John adds "Life is very short..." Or conversely, John writes about "A Day in the Life," about a man violently killing himself, and Paul adds the sweetest little lick to ever float into a song from nowhere: "I'd love to turn you on." And so on. I particularly recommend this section as a morning commute read, riding the train with Ipod in hand, keeping the songs in your ears as you read John's analysis of them.

Of course, one can't read these interviews without being constantly reminded that John was assassinated just months afterwards. It gave me chills to read some of John's philosophizing in that light, "Mahatma Gandhi and Martin Luther King are great examples of fantastic nonviolents who died violently. I can never work that out. We're pacifists, but I'm not sure what it means when you're such a pacifist that you get shot."

And the heartbreak is palpable when reading of the pride John took in stepping out of the action and becoming a full time father to Sean. "Here we are: I'm going to be forty, Sean's going to be five. Isn't it great! We survived!"

Great book! I thought it would be mainly pictures, but it's very well written with lots of great trivia.

Yes you have heard the stories before, and you have even seen most of the picutres, but the way they have been put together still makes it worth while. It's like having all MOJO articles on the fabs in one book, and hey! maybe it's exactly what it is? They should have called it Chronology!

once youve read one story you have got to read them all, they go into detail about john and paul and its just great. theres stories for just about everything.

the pictures are clear and amazing, most, if not all of them you cannot find on the internet, this book is gigantic, almost the size of text books, which makes the pictures even more amazing.

you are not a beatles fan unless you have this book.

This book is simply a delight that will hopefully introduce the nowadays young generation to the Beatles' unparalleled social and musical impact they have had on the world. I have always believed that the Beatles have set new standards in music as they imposed themselves as cultural icons in the sixties. I bet any Beatles fan would be joyful over the arrival of this book. I spent hours reading it, watching its photos, lovingly turning each page, smiling, laughing or weeping over so many previously unseen fantastic photos and background information to some of their songs and albums. I have many Beatle books at home but this one beats all of them in the detailed information provided, style and text. Some of the photos have never been released before. Besides, the material is extensive and professionally ellaborated. This book is a great work and I recommend it especially for the Beatle fans and connaisseurs. I'm sure everyone will love this book. The minute this book has been published, the timeless and greatest band of all times - The Beatles - are shocking the world, again!

This book is gorgeous in it's lay out and presentation. The articles are arranged in a magazine style format with a very imaginative what?,where?.when?, tag at the top of each article. I must say that some of these articles were written by some of the best Beatles writers and authorities in the world like,Hunter Davies,Barry Miles, Mark Lewisohn, and Ian Macdonald, to name but a few. However, some seem to be written by MOJO staff writers who's knowledge of the Beatles would fit in a thimble. These particular authors had to relie on previously written books to assimilate their info.,so for the M.B.E. ceremony you get that stupid story about the boys smoking a joint in the palace bathroom before meeting the queen. (probably taken from Lennon Remembers which should have been retitled,Lennon is Angry this Week and Wants to Make Up a Bunch of Shock Stories.) A few of these ridiculous Beatles folk lore tales are retold in this book because the young staff writers at MOJO simply didn't know better. Seriously,with the drug penalties of 1965, would the boys have risked their entire career and reputation for a spliff in the QUEEN'S bathroom?
I did love the record reviews of each album, complete with vintage music reviews and commentary from Beatle fans in the music biz. Unfortunately the reviews of the earlier albums were given to those young staff writters again,(and they wouldn't know a Beatles album from a Cowsills album apparently.) It would have been nice if the reviewer for Beatles for Sale had taken the time to find out who is singing on Kansas City,instead of saying, "And WHOEVER is singing on Kansas City sounds great." Why were people like this allowed to write in the first place?
Also some of the picture captions are wrong. One of John and Paul is off by 3 years! (ouch) If I sound annoyingly anal,it's because I am anal when it comes to the Beatles. I've studied and read everything about them and because of this,I'm finding that I seem to know more than a lot of people who are making money writing about them. I always want to fix the many mistakes I find, and they are in every book except the ones by real experts like the fine writers I mentioned before.
Don't misunderstand, the wonderful things in this book far outweigh the anoying mistakes. In fact Ten Years... reminds me of the Beatles Anthology so it is definetly one of those must haves for the library. The pictures are absolutely gorgeous and almost all of them rare. The articles are facinating because they don't just retell the same story but they dig deeper,revealing unknown facts. They are written in a way that makes them seem fresh.
Also I really enjoyed the contributions from famous Beatles photographers with some of their most beautiful photos of the boys, and interesting anecdotes about working with them. You'll find everything here; the music,the mania,the private lives,and the personalities of the four who did indeed shake the world and changed our culture forever.

Since I named my son Graham after Bill, I thought perhaps I should know a little bit more about his life. I now now know alot more!

It is written in a narative style which makes it very easy to read. The stories are told by the people who were there, some happy, some sad ,some very funny.

If you are interested in the life of this man or even the history of modern day Rock and Roll Concert Production, how it started and evolved, I highly recomend this book.

This book is a little weird (to me) in concept but it works out really well in the end. The book goes from Bill's early days in Nazi Germany all the way to his death with no major stone left unturned. Lots of great stories with very little in the way of punches being pulled. I mean Bill really tells you what he is thinking. Very uncensored. Covers the drugs and the behind scenes stuff with no BS involved. Shows the guy for who he was, warts and all and lets him and the people he is talking about retort one another which I thought was weird in a good way. This book is of great interest to anyone who has probably gotten to this point in reading reviews. If you are interested in this type of subject then this book is a must.

It's a good insight into the rock scene back in the 60's and 70's. A must read for anyone who likes classic rock.

i didn't realize how much bill graham did behind the scenes.
montery pop ,woodstock, altamont,ect............

This book is structured so that as Bill Graham comments on different times of his life, he allows the persons hes speaking of to comment in the next paragraph. This makes for some very interesting reading. Grham discusses his time in Korea and killing the enemy. This experience allows him to have an abundant amount of courage when it comes to dealing with band managers in the future. Bill discusses Crosby, Stills, Nash and Young, Zeppelin, the Stones, J Geils Band, Santana, the Who and all the tense dealings with each of these personalities. This book could have benefitted from better pictures of the bands. Thats my only critical comment.

I can not say how excited I was to come home from classes yesterday and see my Celtic Woman songbook waiting for me :)!!! I am one of the ladies biggest fans; since I discovered them I just can't get enough! This book was the perfect edition to my CW collection; I am a classically trained soprano and am now psyched to be able to work on some of these songs! If you purchase the book, start to work on any of the songs and have seen any performance by the girls, you will probably hear and see them performing in your head (I know I have). A great edition to any performer's or CW fan's collection!

I purchased this book of celtic songs for my 25-year-old single
daughter. She has many favorites here she is learning to sing.

I play piano, and I like this music. The piano parts, for the most part, have the melody in them and are very pretty on their own rather than being just an accompaniment. Like someone else said, a spiral-bound version would be easier to keep open, but it's not a big deal for me, especially since I'm just playing it for fun.

Love it! Love it! Love it! Medium difficulty and beautiful songs. All my favorites are there! Highly recommended!

Worth the wait to finally get Celtic Woman in print! Exceptional music for the vocalist who sings in this range.