Music Books

Great book for any Linkin Park fan. I enjoyed the pictures and reading about the tour and how they made their videos.

My friend and I are vietnamese fans of LP and we must say that it's really hard for us here to buy anything about LP we like, because most websites never ship to Vietnam. But luckily, a friend of mine told me about this site. And the first thing we bought when we entered this site was "From the inside". This book is something I think every diehard fans of LP must have. It's full of beautiful pictures, lovely quotes from LP members and commentaries of Mr Hahn about all the videos in Meteora album. I found out a lot more about all the LP members and how they made music. You should really buy this book, I swear you'll be satisfied with it.

I've been a Linkin Park fan for probably about 6 years now and I'm amazed every time hear something new from them. The creativity and energy they put into each note, each measure of anything they put thier names on. That type of dedication is severely lacking in the music business today. I'm glad to say to say I'm a fan, without any hesistation or worries. I've read this book, 2 maybe three times and it's the kind of book you can go back to and get new views of the bands months or years after the initial read. It's a good job, well written and an easy read, not at all full of superflous language and unnecissary jargon. It proves they are a band of thier word, just average kids from SoCal, with nothing more in mind than making great music.

If you are a Linkin Park fan, want to know more about the band, or just want to recognize how six down to earth guys spend their time on tour, this book's for you. This is a diary of life on the road. It is filled with beautiful pictures, and look inside minds of one of the greatest rock bands in history! A must have for any Linkin Park fan!

From the Inside: Linkin Parks Meteora is a really good book. It tells you how the band started out and gives you interesting facts about the band, Linkin Park. The book tells you what the fans mean to the band, and where the root of their songs and music comes from. A 'Rolling Stone' reporter gives you his insight on the band, and talks about the interview he had with Linkin Park. I would definately recommend this book to anyone who is a fan of Linkin Park, or to anyone in a band, or starting a band. They give you good tips to keep in mind if you are in a band and making music, and what to expect.

Lamb Chops...What do lamb chops have to do with this story, well everything! Lamb Chops is the vaudeville routine that brought fame to this comedic duo in the late 1920's. I have the link to a You Tube movie short that was filmed in 1929 for this popular routine here. ( http://www.youtube.com/watch?v=kzFcsdgkg54 ) In this clip and others that I've seen with Burns and Allen, I think Gracie is the reason that they had so much success. She was so natural in her role as the "ditzy dame". She was good if not one of the best funnymen to a straightman role. This book takes the reader back to the waning days of vaudeville and the beginnings of film, radio and television as the new media for bringing entertainment to its audiances. George Burns takes us back down memory lane with a personnal love story that lasted nearly 40 years. His memories include many places and friends that I as a reader enjoyed visiting. I don't read love stories usually, but this love story is one that I enjoyed and won't soon forget.

In our disposable transient society of today, it is a refreshing change to see a love and a marriage that lasted so long. As time goes on, it is becoming an even rarer event.

In this book, Mr. Burns fondly remembers his wife, Gracie Allen. The stories that he tells about her, how they met, and how they managed to stay together so long were interesting to read and entertaining.

I would recommend this book to all ages. It is easy reading and also tells somewhat of the history of vaudeville, radio, television, and movies.

If you love old Hollywood, read this book. If you loved George & Gracie, read this book. If you want to read a true life love story, READ THIS BOOK. I just love the inside scoop on the old Hollywood that George dishes out. I never knew Cary Grant sold neck ties before becoming a screen idol. Harpo Marx (the quiet one) wanted one child in every window to wave goodbye or hello when he pulled up in the drive. George wasn't all that impressed with Marilyn Monroe.

This book is an easy read and so hard to put down.

Growing up, I really only knew Goerge Burns for the occasional television special he would host. Other than that, and his "Oh, God" movie (which came out when I was very young), I was relatively unfamiliar with him.

In the mid 80's, when I was about 10 years old, I found that a local radio station would run old time radio comedies from 8-10pm, and as such, I used to fall asleep nightly listening to the like of Jack Benny, Fibber McGee and Molly, and, of course Burns and Allen.

I finally just purchased this book from and Amazon bookseller about two months ago, and honestly, it's as good a $2.95 as I've spent in a while.

As other reviewers have said, many times bigraqphies can be a bit on the dull side, but George really did well with this. It is an easy read... a page turner. It's very interesting to get more insight on what a great performer she was, and how natural it came to her. One always got the feeling that even though she was delivering her "dizzy" Gracie charater, that underneath that was a very smart, clever person. This book certianly backs that up, and it backs it up with all the warmth and affection George Burns had for his wife.

I thoroughly enjoyed this not only for the story of Gracie, but also as a way to look inside the life of an entertainer at that time. I neverquite understood before what it was to work the vaudeville circuit, but there is a ton of insight in this book.

This is a must read for even the most casual fan of old time radio and the celebrities of that era.

I glanced at the reviews here to see if my opinion of this book was just a fluke, but they pretty much bear me out. I didn't expect this book to be nearly as good as it is. On second thought, though, it's not that surprising. This pair was magic and it was seen in everything they touched, the prime and lasting example being the without parallel Burns and Allen Show.

Burns and Allen successfully weathered many storms, making the transition from Vaudeville and stand-up comedy to radio and later to television. The earliest TV shows are the only ones available on DVD, but in later seasons they really hit their stride. In this hilarious and ground- breaking show, George would turn on the TV in the den to see what Gracie was doing, and regularly chat with viewers about events in progress. Gracie would walk in the wrong side of the set and regale viewers (or listeners) with non-stop comedic patter, malapropisms and surrealistic humour (ala Ernie Kovaks) with George as the straightman and pinnacle of style puffing his ever-present cigar.

Even as an octagenarian he could still act (Oh God, You Devil) but as a nonogenarian (92) he could still write. This marvelous memoir is not only the most delightful reading I've had in a long time, but makes me all the more want the Burns and Allen show on DVD. This book was a bestseller in hardback, but is now unaccountably out of print. Yet many readers would love this book, and would enjoy making the acquaintance of the remarkable Gracie Allen.

I've used this valuable reference for years and it has never failed to enlighten and answer any questions that I encounter relative to theory or practice. A wonderful resource for any musician or music lover and a beautiful volume to enhance any home library.,

_The Harvard Dictionary of Music_ is easy to use and very helpful. The articles are usually short but thorough, and they often contain cross references, bibliography, and signed entries.

The Harvard Dictionary is a staple with serious musicians - I bought this for a student of mine that was graduating. Amazons service is so fast that I'm spoiled! I expect everyone else to mail my purchases this quickly!

The Harvard Dictionary of Music is a MUST for all college music students. It will be of great interest to all who love music.
Highly recommended!

Back around 1987 (or so), I walked into a local mega-bookstore to find a music dictionary that would help me navigate a couple of Renaissance and Medieval music books I was trying to read through. I'd written down various terms that I would use as the litmus test to gauge how effectively (clearly, concisely and thoroughly) each dictionary would be able to tell me what I needed and wanted to know, and/or how well it defined things I already knew well. So once I'd entered the store, I grabbed their three or four music dictionaries off the shelf and started comparing their enties for each of 8 or 10 musical terms/ideas. I found that the Harvard version was unsurpassed, and in fact rarely equaled in the quality of its entries. Oftentimes the other dictionaries flung around jargon; or their explanations were superficial, or would skirt some of the issues, assuming that I, for one, would already know what THEY were supposed to be explaining to me.
I remember after having bought the book, that whenever I needed to find out something, it would give me what I needed almost without fail. One example of this occurred on the day I wanted/needed to learn how to read and understand figured bass (having never looked into this before). I was doubting that the Harvard would give me what I needed, as it seemed on the surface to be so very complicated. Was I ever wrong! After reading the Harvard entry, I was reading through and playing Corelli on my keyboard sequencer (albeit slowly) within about 15 minutes. Although I had also conversed with a friend who was a composition major, that was for no more than a minute or so.

We used this book for summer reading this summer which was to catch a reading bug. It is a fun book to read out loud esp if you can do voices for the charaters. I would recommend the book .

I bought this book for my son when he was 4, but the lesson is there for any age. It tells the story from an ant's perspective. A little boy is going to step on the ant, but the ant is begging him not to. Kids are so quick to kill things these days, and they think a little ant doesn't matter at all. It's a wonderful lesson to teach compassion to all creatures. My son is 8 now and he still won't kill anything. He is my catcher of bugs and lets them outside. The story leaves it for the reader to decide the right thing, but it really helps the child to think.

This is the best book! I use it in my Kindergarten classroom when we do a thematic unit on bugs. We act out the story then talk about the ending.

I loved this book and the intention the author had to encourage children to consider the moral of the story. Also for a children's book it is well written with amusing rhymes. The kids also loved hearing this story. The only problem was this - they got absolutely the wrong message from it!

The book presents two arguments - the ant pleading for its life, and the boy who questions the value of the ant's life. But the author wrote the boy's side of the story so pleasingly that my kids far more enjoyed siding with the boy than with the ant, despite explanation, to my complete despair! My young listeners were quite young, ages 2-3, so perhaps this book would be better for a slightly older child.

I am a 3rd grade teacher, and I use this book in my classroom to teach about bullying, peer pressure (the boy's friends are encouraging him to squish the ant), and empathy. My students love it! I wish I could find a poster of the page where the ant is looming over the boy and asking "If you were me, and I were you, what would you want me to do?" What an incredible lesson for kids! The best part is that the book ends with the shoe looming over the ant and leaves the ending up to the reader. Kids love writing (or just inventing) their own endings! GREAT BOOK!

Like all the other reviewers I'm staggered by Youngkin's accomplishment, which seems to me--perhaps profanely--even more impressive than Lorre's own. In a way, Lorre has found a biographer supreme, one beautifully blessed by all the gifts of sympathy and knowledge needed to translate an artist's work into contemporary times. How many of Lorre's peers have been given such a chance to live again? It's really shocking how few good biographies there have been of Hollywood stars, and even some of the most acclaimed (think of Gavin Lambert's Norma Shearer) have actually been among the most banal and simplistic.

Of course Lorre gave Youngkin a life really worth chronicling. If it wasn't the drug addiction, it was the dramatic life in Germamny observing and protesting the rise of Hitler, till he and Celia Lovsky found their way out in a sequence right out of Shearer's ESCAPE! The work with Fritz Lang, with Brecht, with Hitchcock, with Bogart, with Irwin Allen, with Roger Corman, each one of these phases could have made an interesting book, and Youngkin knows how to spread them out so that every angle is covered and yet our curiosity remains high. And the research and the interviewing is by itself amazing. Every time you turn around, Youngkin is eliciting revealing and wry comments from exactly the people you hope would comment on the particular situation he is writing about. Because the book has apparently been in motion for something like 30 years, his reach goes way back--he spoke with Frank Capra, with Hitchcock and Huston, with Broderick Crawford and Corinne Calvet--hundreds of actors, writers, directors and behind the scenes personnel. This research gives the book a depth and richness of point of view that elevates it to the Mount Rushmore of biography.

I wasn't always persuaded by Youngkin's critical judgments, and would rather put a staple gun to my face than have to watch SILK STOCKINGS again, for example--but now he's got me re-thinking, "Maybe it is a great performance stuck within a lousy film." Youngkin pulls the camera way back and takes us through Rouben Mamoulian's whole career, his way of astonishing audiences by revealing unexpected sides to their favorite stars. I didn't actually need all of that to get the point, but I hope he gets to do the DVD commentary for SILK STOCKINGS, for we need more enthusiasts and fewer haters. Why write a book about a man, even a drug-addled and morose one, unless you love him?

if you are unable to get ahold of author stephen youngkin's earlier biography of peter lorre, then by all means purchase this book. it's comprehensive and thorough, and a good read of a fascinating subject. if you were able to get ahold of the earlier book, then you can save your money on this one. the only new item that would make purchasing this edition worthwhile is the photo and information on peter's daughter catherine. she looks like him but pretty, and her connection to the hillside strangler is included.

Peter lorre was one of the most unique and fascinating actors ever to come out of the studio system in Hollywood. Anyone who has every seen his soft, silken acting or heard that lyrically menacing voice ever forgot it. I know that I never did. I have been a fan since seeing him go toe to toe with Cary Grant in Arsnic and Old Lace when I was in my teens.

Peter Lorre fans have cause for celebration with this book, which is full of tremendous insight and depth. It covers all of Lorre's life and does so with compassion and appreciation. This work never becomes a fan's love letter, though, as the author does not shy away from the star's less admiriable qualities (which I will leave to the reader to discover). But everything is put in context, which often provides a certain understanding. And what a fascinating context it is - from the German stage of Bertolt Brecht to the Hollywood horror of Roger Corman. It's worth noting that this book is extremely well researched and includes a complete Lorre filmography as well as a complete listing of his tremendous radio work (was ever their a voice better suited for telling stories over the radio?).

As the Author tells Lorre's story, the reader is treated to plenty glimpses into several Hollywood immortals, such as Humphry Bogart, Walter Huston, Sidney Greenstreet, and Lauren Bacall (with whom Lorre had a close friendship). And the writing style is very readable and smooth.

All I can say is, for all of us Peter Lorre fans, Thank you, Mr. Youngkin.

And while we are on the subject of Hollywood greats that never have been given an aurhorative bio, what about Boris Karloff. Mr. Youngkin . . .?

-Mykal Banta

"He's crazy about me...all the degenerates are." Peter Lorre, speaking of his chimpanzee co-star in "Five Weeks in a Balloon."


From the beginning of his career, Peter Lorre was typecast. The classic German Expressionist drama, "M", set the tone for his entire career. Lorre said that from that point on, in people's eyes he was "forever the murderer". This was allowed to overshadow his incredible talent and his great aptitude for comedy. (His throwaway lines, like the one I quoted above, are priceless!)

His career spanned from experimental theater in pre-Nazi Germany, to classic noir films with Humphrey Bogart, to eminently forgettable films from the Sixties. (How odd that one of his last appearances was in "Muscle Beach Party"!)

Stephen Youngkin does an admirable job of chronicling Lorre's professional life, including the myriad missed opportunities--(of note: Malcolm Lowry's rabid interest in seeing Lorre play "the consul" in "Under the Volcano", and Lorre's own desire to produce a film about Kasper Hauser. Both of those projects, never realized, would have added so much to Lorre's cachet.)

The book overflows with examples of Lorre's humanity, professionalism, and wit. Unfortunately, the actor's personal battles with the demons of drug abuse and poor health, his unluckiness at love, and his profligate nature create an undertow of tragedy which no reader can escape. In the end, this is a deeply saddening and troubling book. Long after you have finished reading it, you will find yourself reflecting on the life of this brilliant and tormented individual, who indeed has a special place in the hearts of all the "outsiders" in the world.

First of all I am profoundly grateful, that finally someone took up the task to write a biography on one of the greatest actors of the 20th century. Mr. Youngkin did very good work especially in researching the very early years of Peter Lorre in Vienna and Berlin, which I assume must have been a quite excrutiating task. Nobody who ever saw the film "M" will ever forget the wonderful performance Peter Lorre gave. Even later on, nearing the end of his live, when he was doing B-movies, he gave them that certain Lorre-touch. It is a wonderful read and Mr. Youngkins work cannot be praised enough. Sometimes this biography makes you cry and laugh at the same time. Finally somebody did credit to this wonderful, wonderful actor.

The book has some good ideas, but much of it explains really basic things like how to upload audio and video files. There's simply too much filler. All of the really good marketing ideas could have been written in ten pages or less.

There has never been anything available before that offers such clarity and knowledge of this industry. A must have for someone starting out either as an artist or anyone wanting to get into the field. The author really knows his stuff.

In today's world where music is the number one download on the Internet and connected with the top gift lines of today, making money with it has not been the on the "top of the online businesses to make money" for the average person. Until now.

From basic HTML codes to social networking, this book clearly and simply explains every single step of the way to the bank, with success whistling all the way. Its contents and index provide an easy way to browse through the book to find exactly what you need to know or do, with professional advice and teaching from cover to cover.

The book is written from heartfelt experience, tough roads, and successful insight. I enjoyed reading it, and with the information in this book opening up a new field on line--it would be best to jump in now ahead of everyone else.

I must say I was very surprised at how good this book was! Yes there were basic things included as well, as mentioned in another review but there was also tons of new ideas and more advanced strategies. I understand how many people dont know the basics such as my bass player..lol Myself I know alot more than basic and this book gave me lots of ideas.. we already have booked more shows and following is growing for sure as more people are coming to shows..and got a review in the paper! never would of done that without this book! great read, Great strategies, and useful ideas here! Thank-You, Thank-You, Thank-You!

I'm extremely suspicious of this book getting 17 5-star ratings. It was alright! Seriously though, any more than 3 stars is generous.

THE BAD:
It's quite basic, explaining how to set up a myspace page, etc. Now, maybe I'm biased because I was not new to MySpace when I purchased the book. I already knew about bulletins and blogs and messages and how things work on MySpace. I was more interested in getting more traffic to my band's page.

Certain things about the book were frustrating. For instance, there is a subheading in one of the chapters titled "Getting on the Front Page." Well, in that section it talks about what a great opportunity it is to get on MySpace's homepage. (Duh.) However, it does NOT tell you how to accomplish this. Instead, it states how unlikely it is, but that it's a "wild dream for everybody." Useless. Basically, the book tended to tell you which things would be good things for you to do but then left you clueless as to how to go about it.

There was a type-o probably every 5th or 6th page, and that REALLY irritated me. It was hard to take the book seriously when it clearly had not been edited.


THE GOOD:
It is a quick read. You could go through the whole book in a day.

It talked a good deal about promotions for your band. Although, most of it involved writing or hiring a writer rather than flyers or other traditional techniques I assumed would be the most proficient.

Nicky Kalliongis obviously has a lot of contacts and has done some great stuff in his musical career. ... but I would not by any means consider him a good author.

Anyway, yeah, 3 stars, no more.

This book exposed the contradictions of the autopsy report vs events that were publicized after Sam Cooke's death. Also intriguing sides of his personality were revealed; such as the trailblazer he was on the business side of the music industry and other popular entertainers he groomed.

Both these aspects of Cooke's life have been grossly
'under reported'...perspectives that are way overdue!

Of all the artists to populate the pop (as in popular) music scene since it began in 1955 no other artist is better than Sam Cooke. In my opinion, no other artist's music has had relevance in its day, and held its importance even today. Sam Cooke was a musical genius, and an incredible verbal story teller. I have read other books about Sam, and they were fine, but what makes this book different is that those other books leave Sam's passing, and the events surrounding it, a mystery. This book paints a much clearer picture giving much more plausible scenarios for what, more than likely, really happened that day. What is most commendable about Erik's book is that it takes what most people were feeling about Sam's passing ... i.e. that he passed in a tarnished fashion, and turned it around (and I do believe that it is the truth) and showed Sam as the hero that he was. The truth had to come out sometime. I highly recommend this book to anyone, but especially to Sam Cooke fans - this book is a gift.

While reading "Our Uncle Sam" I cried, I laughed and I knew that the Sam Cooke that was in these pages was the real Sam Cooke. Even though the authur did not know his uncle he was able to bring out the real Sam. The book was beautifully written and you can see the love in every page. I am glad I bought "Our Uncle Sam" because it gave me the opportunity to know or feel like I know him. I always knew there was more to the story and now I know for sure. Thank you to the authur, Erik Greene, for writing this wonderfully uplifting and eye-opening book about the greatest song writer/singer/performer there ever was or ever will be.

I have read them all. Erik Greene's book is from the source and from the heart, by the people who knew Sam best: his family; not the people who just wanted a part of Sam or to control Sam.

Great read. Well done. If you love Sam Cooke's music you need to read this. If you're new to Sam's music--this will give you a deeper understanding of the man and his music.

The casual observer really believes that sensationally sexy singer known as Sam Cooke was killed doing the usual shady celebrity ho-down in a seedy hotel deep in a neighborhood that no sensible person would roam about after dark. Sam Cooke's musical brilliance has been almost completely buried in the scandal of his demise.

Erik Greene brought up many facts about Sam's murder that no one else has talked about. I've read Peter Guralnick that pitches Allen Klein as an angel and I've read David Ritz (w/ SR Crain and Cliff White) that pitches Klein as the devil in very flimsy disguise. Looking at Klein's track record with The Beatles, Rolling Stones and more recently (1997) The Verve, Klein is not to be trifled with or trusted. The spin in the "Legends" DVD on how he helped Sam develop Sam's second Copa show was comedy, even to someone on the outside looking in. It's easy to take credit for the success of a man who has been in the grave for 4 decades.

The details about 55 year old Bertha Franklin's composed neat appearance, immediately following her supposed tussle with 33 year old Sam that resulted in his demise is interesting. The dispappearance of all the police and morgue files and the sham of a interrogation directly following Sam's murder all point to people in high places wanting Mr. Cooke dead. After all, Sam was a black man who owned his own publishing and record companies in the 1960's. Not only that, he was encouraging other artists to do the same. Black people had been killed for much less in Sam's day, like sitting at a lunch countr and asking to be served. Sam posed a huge threat to the record company, much of which was and is controlled by the mob. Mr. Green brought all these factors to the forefront, including Sam's penchant for the finer things in life, from clothes to cars to homes and gadgets. If he was to indulge in dealing with call girls, I truly suspect that he would go to an expensive hotel where he was known and the staff would turn a blind eye. Lastly, a Ferrari idling in the ghetto, complete with keys and nobody steals it? Sam was set up, beat up and murdered.

Now Sam was far from a saint, but he did not deserve to be killed, most especially in such a horrific and humiliating manner. In 1964, only white people could pull off such a complete shut down of proper police and medical follow-up. What about Bob Keane owing the mob and having life insurance policies on some of his artists? Who owned the nightclub PJ's where Sam was last seen alive? What really happened to Bobby Fuller?

This book opens up a wound that has festered and remained a sore spot all these long years. Sam Cooke was an incredibly handsome, amazingly talented man; so much so that to watch tapes of him today still display what a sexy dynamic man he was. His appeal is not dated and he is still relevant with "A Change Is Gonna Come" and his many pop hits continue to play on radio stations that cater to the tastes of a wide spectrum of people.

The book reminds us that Sam, though flawed, loved and was loved by his family. He would be 76 today had he not been murdered. Sam's great nephew reminds us of Sam's great talent, forward thinking and charisma. But most importantly, it brings to the forefront the humanity of Sam Cooke, which makes his loss even sadder.

Don't look at this with the eye of a photo critic or you may miss the magic. This is an intimate glimpse into the life of Sammy, his family, friends, and acquaintances as only someone "on the inside" can capture.

A wonderful book!

an amazing collection of photos that serve as a historical and entertaining view of the times he lived through.

Few have personified the phrase "self-made man" as did legendary entertainer Sammy Davis, Jr. (1925-1990). The world remembers Davis for his varied and extraordinary accomplishments as an actor, singer, musician, dancer, and comedian.

But hardly anyone outside his circle of friends and family has been familiar with his photography--until now. With this hefty book, interspersed with reminisces by longtime friend Burt Boyar (who co-wrote Davis's autobiographies Yes I Can and Why Me?), his old fans and a new generation can revel in hundreds of images that reveal yet another significant facet of Davis's far-reaching talents.

Though Photo lacks the singular thematic focus of books published by such photographer-celebrities as Dennis Hopper and Gerry Spence, that's no drawback for this posthumously published volume. Rather, it pulls the reader into the exciting world of nightclubs, casinos, and Beverly Hills homes in which Davis moved, mostly from the late 1940s through early '70s. A voracious shutterbug, he took his photography seriously: his compositions are strikingly iconic, employing sophisticated use of line and form. Yet, his pictures are mostly snapshots--in the best sense of the word: they capture their subjects spontaneously, and his joie de vivre suffuses his work. Think of it as a highly stylized family album packed with candid portraits of "Rat Pack" pals Frank Sinatra, Dean Martin, Joey Bishop, Peter Lawford, and Shirley MacLaine, as well as other famous friends like Nat "King" Cole, Tony Curtis, Janet Leigh, Sidney Poitier, James Dean, Marilyn Monroe, Jerry Lewis, and Bill Cosby.

Among the more touching aspects of this book are the portraits of his actual family: his parents, his second wife May Britt and their children, and his third wife (and widow) Altovise Gore Davis. The most poignant are the many shots of actress Kim Novak, the first great love of Davis's life, who was forced by Columbia Pictures studio chief Harry Cohn to break off their relationship (interracial relationships were strictly taboo in 1950s Hollywood, not to mention in society generally).

One photograph, despite its matter-of-fact framing, is particularly chilling. Through the window of a passenger train en route to Miami, Davis snapped a picture of an elderly white gentleman on a station platform holding a cigarette, standing before a pair of double doors over which the foreboding phrase "WHITE WAITING ROOM" is painted. Davis's photographic abilities and inclinations were such that we see a mostly glamorous world through his eye. Thus, when we arrive at this jarring image, it's impossible not to apprehend it from his point-of-view--and also not to feel the sense of injustice that he must have experienced in the Jim Crow South as he clicked the shutter.

As Davis's show business career took off, many venues--even north of the Mason-Dixon Line--were happy to let blacks perform onstage; but the same headliner artists weren't even permitted to drink at the bar, use a dressing room, or occupy one of their hotel rooms. Photographs from Rev. Martin Luther King, Jr.'s 1963 "I Have a Dream" speech at the Lincoln Memorial, and portraits of politician friends Senator Robert Kennedy and President Richard Nixon, give silent witness to Davis's largely forgotten achievements as an outspoken civil rights advocate.

Photo is a coffee-table book that won't spend much time on the coffee table if your houseguests are anything like mine. Because of a car crash in 1954, Sammy Davis, Jr., was left with only one eye. But what an eye this cat had!

This book is so fun. It has so many candid great photo's, really intresting history on Sammy Davis Jr. and his relationship's. I really enjoyed this book. Great coffee table book.

I originally picked up this book as a curiosity and found its links to a bygone era utterly fascinating. The subject matter, i.e., rat pack photos were wonderful but the photographic mastery of Davis Jr. is, I think, equally as stunning. A look into Davis Jr.'s remarkable life is given by him in the way, like other great photographers, he insightfully choses to document and communicate with his subjects through the lens. Again, like many great photographers, the images are powerful and soft, crisp and dazzling. More talent revealed from a man who had more in his baby finger than most of us have coursing through our entire bodies.
Bravo. Well done.

For those who know of Roy Buchanan...he's not as well known to the general public...this book documents the upbringing and influences that guided and shaped one of the most talented and unique guitarists ever. A wonderfully researched chronicle of the life of an icon in music.

I've always wondered why Roy Buchanan, who in my opinion was the world's greatest guitar player, never broke through to a larger audience. After reading this excellent biography of his life, I completely understand why. Phil Carson did an outstanding job of pulling together a huge amount of detail into a page-turning, sometimes laugh-out-loud funny and other times heart-wrenching story of Roy's life. I've read quite a few biographies on music legends and the majority of them have been hard to read chronologies of factoids and interviews loosely held together. So, even though I was very motivated to learn more about the life of this unsung guitar master, I assumed that I was in for a chore. Much to my surprise, this was an outstanding read...a well researched, heart-felt, telling of the life of a gifted, albeit troubled, man.

If you're a fan of Roy's, then order this book immediately. If you aren't familiar with Roy's music then order a couple of Roy Buchanan CD's and listen to them while you read this book.

Note to Phil Carson: I'd love to see you take on the biography of another relatively unknown guitar master, Nils Lofgren (a protégé of Roy Buchanan).

THIS BOOK IS FANTASTIC..ROY WAS FANTASTIC....IF YOU ARE A FAN, YOU NEED THIS BOOK..I WILL READ IT OVER AND OVER....

All I ever wanted to know,about the man and his music.Great biografy,have read many books on other artist.If you go through Buchanan`s songs,there are many differt styles he mastered.Country,rockabilly,rock & &roll,instrumentals,pop,r & b,jazz.Saw him live once in Oslo,that was great.My friends say,play the #Telecaster# and die young,but I have to play it,have -blonde 52 reissue.Now I study bossa nova masters,like Lois Bonfa,Joao Gliberto,Jobim etc.cause I got a job with a female singer,playing spanish guitar.There are a few cuts with Roy playing acoustic and they are great.Read the book,by his concert DVD,s,and if you run short,get bored playing the beast,listen to the man.There have never been a guitar player like him,he had his own style,his style will never be duplicated.All american music styles,and Malaguena.The roadhouse king will live on forever.Arnie Buy-ROY BUCHANAN his first and SECOND ALBUM on Polydor,that is a good start.Good reading,good listning and play them over and over,and you will hear his soul.

I like Roy's first records--loud and clear, with the focus on his playing. Later on they tried to make him like Clapton, but it didn't work. I would rate Roy in the top 5 of the people I have heard. I also like Bugs Henderson, Tinsley Ellis, Wes Jeans, and Dave Hole. This book is a very good read. I saw Roy at Park West in Chicago. He did a very short set. It was hard to enjoy him with the female booze hustlers bothering me, but, he seem to be in top form. I still have my ticket, inside Roy's live Japan import.

his is the first classical instruction book i ever had with a cd i had flamenco books with a cd guide to show how you are playing i am looking forward to many hours of fun playing and learning using this book.

I stumbled onto this book as a teenager trying to teach myself to play the guitar. I found it both easy to understand and rewarding. Eventually I went on to minor in jazz guitar in college and spent several years as a union musician. A few years ago I returned to this book (I finally replaced my old copy with a new version) when I wanted to venture into classical guitar. Almost thirty years later I found it equally as captivating and rewarding as it was in my first encounter.

Recently I decided to learn to play the English concertina, but found that there were no quality tutorials readily available, so I turned, once again, to Mr. Noad. The exercises presented in the book have been very helpful and have allowed me to feel an increasing sense of aptitude on the concertina as I step through the lessons!

Solo Guitar Playing is built on a clear, accessible methodology and a well-paced progressive learning system that stands the test of time! If you could only have one guitar instruction book, this would be the one to consider.

I've started and stopped trying to teach myself how to play guitar on 3 different occasions for over 10 years. (I did have prior music experience from playing the violin as a youth.) I bought this book some time ago, got 20 pages in and then decided I'd just try to learn tabs and chords like everyone else seemed to be doing. But then I engaged my ego and decided to learn how to read notes and properly learn the playing technique I would need to last me for a lifetime. I dusted this book off again and kept plugging away. Lo and behold, I kept getting further and further into the material. The thing that helped me, which I didn't do on prior attempts, was to exercise PATIENCE! If it takes me two or three weeks to master a chapter, then so be it - I know it will stand me in good stead in later lessons and boy, has it! I now play at least 4 times a week for at least an hour, including practicing arpeggios and scales, for the sheer joy of it.

I am loving this book and have Solo Guitar 2 standing ready for when I complete the first volume. Highly recommend for those trying to teach themselves the "right" way. :-)

I ditto both previous review. Don't buy this book until after you have completed Noad's book one. It reviews some previous technique, but is much more advanced generally. I found a few mistakes in it so far, in the learning to count notation section, so it does have some notational errors. But overall, so far I think this is a good book worth the money. It would best to use this book in conjunction with a quality classical guitar teacher. Trying to learn classical guitar on your own with no professional guidance is begging to learn terrible playing habits.

First let me say that I would not recommend this book unless you are at least an intermediate classical player, if not, then begin with Noad's "Solo Guitar Playing 1", which goes from beginner to intermediate. Both of these books come with a cd containing most of the songs from the book, and neither one has tab. Solo guitar 2 has some technical instruction, such as counting dotted notes, rest stroke and free stroke, slurs, trills and other ornaments, and a number of definitions of classical music terminology. This book covers the periods known as classical, romantic, renaissance and baroque, with exercises and songs from each, by masters such as Sor, Tarrega, Guiliani (including his exercises for the right hand), Bach, Handel and others. The material goes from fairly easy examples that will improve your speed, accuracy and sight reading ability, to "Recuerdos de La Alhambra" and "Estudio Brillante de Alard", which are advanced concert quality pieces by F. Tarrega. There is also a song by Frederic Hand called "Study number 1", which isn't exactly classical, but it is quite nice anyway. This is one of my favorite classical guitar books, the material was selected to be educational and very enjoyable as well. If you put in several months (years ?) of work on this book you will not regret it, and by the end, you will be able to play these great songs, and just about anything else that you could ever imagine.