Music Books

Narrated in first-person by 12-year-old Livy Two Weems, Gentle's Holler tells the story of the Weems family living in the Maggie Valley area of the Smoky Mountains in the 1960s. With money hard to come by and 11 mouths to feed, the Weems don't have much. Daddy is a musician and has been trying to sell a banjo hit for years, and with nine children, Mamma is worn out. And what's more, there's something terribly wrong with three-year-old Gentle's vision. Livy Two comes up with a plan to train their dachshund Uncle Hazard to be a seeing eye dog and to teach Gentle how to read braille. But when tragedy strikes, the family struggles to survive and stay together.

From the very beginning of the book, you can hear Livy Two's voice and know instantly that she's spunky, smart, kind, and a bit loquacious. This voice carries through the book, and there were moments throughout when I laughed out loud, as I did here:

"I may come from a big family, but I already know I don't want children. I want my own house all to myself in the holler, and I swear I won't fill it with nothing but banjo music and vases of mountain laurel and plenty of food. My nieces and nephews will be allowed to visit on Saturday from one to two. I want a homemade rocking chair and a granny quilt on the bed and a rug from Persia on the floor. I wouldn't mind a fancy refrigerator or, even better, a record player like other regular folks have, and I would play me all kinds of music from Patsy Cline to Mozart." (pp. 54-55)

I found myself liking Livy Two and caring about what happened to this family, and Kerry Madden never lets the readers forget the poverty that surrounds the family. They're hungry. Livy Two often feels guilty and ashamed for sneaking an extra bite of cornbread, and her older brother Emmett, is angry at their father for letting them starve. They are unable to take Gentle to the doctor to get her eyes examined. When Daddy brings the dog, Uncle Hazard, home, Mama is furious because they now have another mouth to feed.

But despite this, it's evident that the family loves each other, and I was impressed with the way Kerry Madden was able to depict the love and tenderness that existed among this family. On one occasion, the tapping of a woodpecker inspires Daddy to pick up his banjo and start playing. Soon all of the children are singing and dancing, and Livy Two proclaims, "Sometimes our house is filled with so much love and happiness that a body can't hardly stand it." (p. 59)

On another occasion, Livy Two, overhears her sister Louise, trying to teach Gentle the colors through her senses,

"Pretty soon, I hear Louise carrying Gentle through the edge of the woods, telling her all about color. 'Now Gentle, eat this blueberry and you'll understand the color blue. Azure, sapphire, navy, and indigo. That's other names for blue.'" (88)


Gentle's Holler is a book about love, hardship, and hope. Livy Two teaches us to dream big and to never give up when faced with bad news. But she also teaches us to enjoy life regardless of how much or how little you have.

Gentle's Holler was my introduction to the Weems family. Totally enjoyable! Although the book is listed under youth fiction, I (well past youth) found the book absolutely delightful.

Kerry Madden tells a beautiful story in "Gentle's Holler." While on the surface it seems a simple story, it unfolds with a quiet power that resonates with the reader. Although it is written for young people, it held this older reader from first word to the last. And I will pass it on to my young friends and family, recommended highly.

In Gentle's Holler Kerry Madden deftly portrays the difficult lives of this family of ten without losing the musical voice of the 12-year-old heroine. As readers see "Livy Two" grow through her new perceptions of her parents, her older siblings and her blind baby sister, they can experience many wondrous complexities of family dynamics. It's a great read in the tradition of Betsy Byars. Readers who enjoy Gentle's Holler might also enjoy Danger, Long Division, in which a modern Maryland latch-key kid discovers that she has what it takes to help her baby brother who has special needs.

In GENTLE'S HOLLER, Kerry Madden introduced young readers to Olivia (better known as Livy Two) Weems, a twelve-year-old with a passion for books and music. Livy has eight siblings of various ages and tempermants, a sweet mama, and a starry-eyed daddy. Money's tight - Daddy's music fills the heart and ears more than it fills the pocketbook - but the Weems make do, and their household is always bursting with family, love, and music. Livy Two also sings and plays music, often writing songs about the struggles her family has faced and the hardships they've overcome. The story is set in 1960s North Carolina, a beautiful backdrop for this artistic and energetic family.

As the tale progresses, Livy Two watches carefully over Gentle, the next-to-youngest one in the family, who has always had difficulty with her eyes. Meanwhile, the eldest son, Emmett, looks beyond the holler and fixes his eyes on Ghost Town in the Sky, a new place on the top of a mountain where he might be able to get a job. Livy Two's trips to the lending library truck connect her with another kind soul, Miss Attickson, who encourages Livy's voracious appetite for novels and poetry.

GENTLE'S HOLLER is the first in The Maggie Valley Trilogy. The second book, LOUISIANA'S SONG, is just as precious as the first book. I can't wait to read JESSIE'S MOUNTAIN, the final book in the trilogy. This series will be loved by kids and families who enjoyed the All-of-a-Kind Family books by Sidney Taylor, The Penderwicks by Jeanne Birdsall, and Cheaper by the Dozen and Belles on Their Toes by Frank B. Gilbreth and Ernestine Gilbreth Carey.

THIS IS ANOTHER GOOD BOOK BY JAMES ROBERT PARRISH. THIS IS ABOUT THE BIGGEST SPILTS IN HOLLYWOOD HISTORY. AMONG THEM ARE BEN AND JLO, JOE AND MARILYN AND MIA AND WOODY. HE GIVES US A BRIEF BIO OF EACH PERSON AND HOW THEY MET. FROM THERE WE ARE TOLD WHAT LIFE WAS LIKE TOGETHER AND WHY EACH COUPLE SEPARATED OR DIVORCED. THEN WE ARE TOLD WHAT HAPPEND TO EACH PERSON AFTER THE BREAKUP. I LIKED THIS BOOK AND IT IS BOTH INTERESTING AND FUN. I HAVE READ SEVERAL OF HIS BOOKS AND LIKED THEM ALL. I RECOMMEND IT FOR ALL GOSSIP AND NOSEY PEOPLE. (LIKE MYSELF)

If you're weary of the stream of pabulum from the glossy tabloids, you need to get a couple of James Parish's books on the wilder and seamier side of Hollywood life as a counteragent. He's been doing this for close to four decades now, with dozens and dozens of books to his credit (as of this writing, I'm expecting two of his compendia on actresses in the mail and am making arrangements to get four more), and his experience and close attention to research show through here and in the other books in his current series (e.g., The Hollywood Book of Death, The Hollywood Book of Scandals). He avoids the extremes, as other researchers have mentioned, of either glamorizing his subjects to excess or painting them in villainously black hues, but instead presents them, sympathetically but truthfully, in their all-too-human complexity. I've started looking for the name James Robert Parish on a Hollywood book when I want the facts (not to mention a good selection of pictures - every story in this book is illustrated with at least one nice B&W photo, many of them not often seen elsewhere), and you should too.

James Robert Parish, the chronicler of all things Hollywood, turns his writing skill to "breakups Hollywood-style" in The Hollywood Book of Breakups. As with all of Parish's books, it's a fun read. His introduction begins with a quote from Sandra Zober Nimoy, Leonard's ex-wife, and her first sentence is a doozie: "It's a pretty mean town." Sad, but true. You'll recognize all the names in the book, and it's likely you might think you know all the stories of the breakups written about here. I doubt it, though. Parish always manages to spring a surprise or two. For example, did you know that Sonny Bono was once married to Susie Coelho, host of HGTV's Landscaper's Challenge? His format for each breakup is quite nice. It begins with general information, then a SHE section, a HE section, and THEY section, and concludes with an AFTERWARD. Lots of pertinent information - and juicy, truthful gossip - in every section. Parish is a good writer, and his words flow along seamlessly, making the book both fun, and easy to read. No only do I recommend the book for reading, it makes an excellent gift for anyone who like film stars or is addicted to "what went on behind the scenes" gossip.

What a guilty pleasure! Concisely written, carefully researched, The Hollywood Book of Breakups is a speed read of celebrity couplings gone wrong. Parish doesn't glamorize or trash his subjects, he makes the stars seem all too human. A fresh take on Hollywood divorce, and a crash course in the many, many ways that relationships can burn up and flame out.

James Robert Parish has always had the ability to cut right through the froo-froo icing and get right to cake. That's why so many of his books are on my shelf. With this one, I have to start a new shelf. He packs in a lot of information: mini bios of all the players, what brought them together and the circumstances that drove them apart. He brings each era alive, mentioning timely rumors and headlines, but delivers only the facts, dispelling media speculation in exchange for - get this - the real story! And the variety of couples, from Stanwyck and Taylor, Burton and Taylor, Brad and Jen or Liza and David Gest represents 75 years of Tinsletown romance gone awry.

I, too, write books about Hollywood (Dishing Hollywood, Hollywood Haunted). Our books are often paired; I am very complemented by that because James Parish is really great at what he does.

I ordered three of these books. They are wonderful and I highly recommend them, especially for families with little ones.

I was lucky enough to meet Laura and experience the joy and enthusiasm that flows so freely when she talks of creating and sharing this wonderful book.

It's a story that tells both sides of a caring relationship, presenting perfect-pitch dialogue that shows there are no limits to the stretch of the human heart when it comes to love.

This may be perfect for children, but reading it to them enriches each of us by resonating the simple and powerful value of love.

the transaction was flawless, efficient and timely. this was a special item for our children...i love you more is a personal way we sign all correspondence and voice messages, and the book was more than appropriate.

Fast delivery! This book is awesome! I bought it for my granddaughter for her 8th Birthday because we play the "I love you more" game on the phone and she always wins! I can't wait to sit down with her and flip it back and forth and back and forth and back and forth! Even though the book is about a little boy and his Mommy, I'm going to do a little "artistic editing" to personalize it to "Nana and Granddaughter". I'd love to see this book written with different relationships but it's still wonderful and I recommend it to everyone who loves smeone who loves them more!

I read this to my 6 year old. Bought it when he was 5 and he still loves to read it with me. Love the way it's written and love to message!

This book was a joy to read. Not only is Arnold Steinhardt a superb violinist, he's also a very good writer. No doubt it helps to appreciate this book if you're a fan of the Guarneri Quartet and a lover of the string quartet literature, but I found Steinhardt so charming, and the story so compelling, I imagine the book might have a broader appeal. It's a story of a kid pursuing a dream, then the kid and the dream both maturing while a love of chamber music develops, which then requires the dream of solo stardom to give way to a lifelong collaboration with three others. The three others, of course, share his passion for chamber music, and particularly for that ineffable, almost perfect form they choose to make their life's work together. They start out exploring and experimenting, with hardly a penny. They grope their way towards playing as an ensemble, gradually become established, and then come the constant touring, recording, families. They learn how to stay together by creating boundaries, and they stay together for over four decades (although the original cellist retired before the rest, this book was written before his retirement).

We meet a lot of famous musicians, and there are many interesting and sometimes humorous anecdotes, but the most interesting parts of the book have to do with the music and its making. Steinhardt mentions the cavatina from Beethoven's Op. 130 more than any other piece or movement - clearly it's had a special place in his life. I saw the Guarneri a few months ago, during their final season, and it was bittersweet. They played Beethoven's Op. 74 and his Op. 130 with the Op. 133 Grosse Fuge as the final movement. It was magnificent. I prefer their late Beethoven to anyone else's. Mr. Steinhardt looked liked he'd aged considerably in only a year or so. I'll miss them. I'm grateful to have this book along with their recordings now that they're retiring.

I would recommend this book for any musician, especially a member of an ensemble. This book gives a good insight of the personal dynamics between the members and why they have been successful and together for so many years.

excellent study of the dynamics of a string quartet, or any group of individuals working for a single goal.

Fantastic read for any instrumentalist, especially if youve played in any type of small ensemble.Highly recommended.

This wonderfully humorous and true-to-the-art book is sweet music to anyone who loves chamber music. Steinhardt gets it so right throughout this delightful book, I, like many of the other reviewers was disappointed when I reached the last page - I wanted it to keep on going...

Steinhardt hits a universal chord that will resonate particularly well with those "insiders" who have performed chamber music at any level. While reading it, I found myself digging into my CDs and listening to the piece the author was describing. The unique commentary accompanied by the performance brought me a new appreciation for the string quartet genre.

I have never heard a piece of music by composer Jan Swafford, but if he composes as well as he writes, his music should be stimulating indeed. Some reviewers have called this book hard to put down, a page-turner. I found it so. Part of its interest lies in Brahms himself; any book that purports to shed even a bit of light on so enigmatic a figure would cause one to turn pages in hopes of illumination. But I can imagine, too, a very dull book about Brahms. Well, there are few dull pages among the 600+ in Swafford's biography. As is now de rigueur in good modern historical writing, Swafford creates a judicious blend of primary-source material and commentary thereon, along with a rich store of anecdotes told in his own fine, writerly voice.

Musical analysis is treated in such a way that the amateur musician, and even the musically challenged, will not be put off. In all cases, Swafford demonstrates well one of his chief theses--that Brahms was the most Janus-like of the great nineteenth century composers. He looked back all the way to Renaissance masters, assimilating their contrapuntal styles in ways beyond anything that Beethoven, Mendelssohn, or Schumann had done before him. Yet he so thoroughly anticipated the ambiguity of tonality and rhythm in twentieth-century music that Schoenberg could, long after Brahms's death, speak of "Brahms the Progressive."

But there is much more than musical analysis in this book. There is a thorough investigation of the many dualities in Brahms's nature: Brahms the generous, Brahms the curmudgeonly; Brahms the respecter of (intellectual and artistic) women, Brahms the misogynist; Brahms the romantic, Brahms the classicist; Brahms the sentimentalist, Brahms the cynic; Brahms the self-effacing, Brahms the monumentally egotistical. Swafford presents them all in their staggering incompatibility. And while Swafford himself admits that no one can ever quite hope to reconcile all these manifestations or indeed fill in the gaps in a life that the composer himself hoped to keep mostly a closed book, he comes close to making this great study in contrasts that was Brahms into a flesh-and-blood individual whose most mystifying acts seem almost comprehensible because we have seen him in action in similar contexts. By an exhaustive examination of the primary literature and shrewd speculation based thereon, Swafford builds a picture that convinces. He can't make us always like Brahms or even sympathize with him, but we come to understand him better through Swafford's portrait than we ever thought we could. That is some accomplishment.

Beyond this are the passages in which Swafford speaks of musical and indeed cultural history after Brahms. The epilogue to this book, in which the author traces Brahms's paradoxical legacy through the great century of change since his death, should be mandatory reading for all students of culture in the West.

Are there flaws? Yes. Some parts of the book show haste while others show careful crafting. In a work this large, that is to be expected. And Swafford overuses the word "magisterial." This may describe Brahms to a tee, but so, I hope, do a few other adjectives. Small gripes? Small indeed, given the wealth of insight and reading pleasure that Swafford provides here. I'm ready for his biography of Ives!

Mr.Swafford did excellent jobs in dissecting and analyzing major symphonic works without sounding pedantic and dry. However, I wish he had invested more ink on the other major orchestral works such as Piano Concerto no.2 and the Violin Concerto, two of my favorites, like he did Piano Concerto no.1 and the symphonies and variations, etc. On the late concertos he merely described the circumstances surrounding their creation and barely touched on structural analysis.

Other than that, the book is very detailed and enjoyable to read. It sheds a lot of light on the human side of the composer and his friends, and thus makes these historical figures come back to life. At several instances I was so touched by Swafford's writing that I almost shed tears. Reading this book has been an emotional journey for me, and I rank it as my favorite book on music and musicians. Very touching! I love it!

I wonder how Brahms would have compensated for the defeat to his friend's wife - Clara Schumann. Although lively attention to details was a notable characteristic of the German woman lover, pianist and composer, her indifference to the sentiments of her husband - the German composer Robert Schumann - was so shallow as to miscalculate Robert's perturbation with her lover's apathy.
How could Brahms, having degenerated to low stage, get over the perfidy of such relationship with the woman who was fourteen years his senior (and who also raised seven children)? Such polyandrous practice was not customary in Germany and both lovers must have become impetuous when they, again, met with indecision of purpose.
Was it bigamy? Or sheer adultery? Did it really matter to Brahms who, at least, cared for Clara's husband and his friend's illness? Was Clara prematurely getting old marking her life by irrational thoughts? Or was it the agnostic Brahms believing in nothing?
Brahms gave us medley of music; conscious of the shadow of the dead Robert, Ein Deutsches Requiem {1867/8} is one that represented heavenly masterpiece as if to seek pardon in humble supplications like the sinner who renounces lifelong bad habits when in extremity of pain.

What a wonderful biography. Brahms' dealings with Clara Schumann, Joachim, and other friends is studied in fascinating detail through meetings and letters -- an intimate portrait of personal relations, desires and fears, quiet joys and resentments, etc., all as absorbing as a Henry James novel.

Meanwhile, Brahms' incomparable music is a life of its own, and we are treated to the master's views of it, as well as those of contemporaries and the author. The author's assessments seem to me almost unerringly valid. (Take, for example, his lofty praise of Gesang der Parzen, an underheard choral masterwork, or his concession that the Double Concerto, a concert standard, is on a less than inspired level.)

Add to this the author's occasional shift of focus to the Austro-German culture in which Brahms lived, in retrospect an even more remarkable time and place, where music was valued to a rare degree, and where ideas and events -- artistic, philosophical, political -- were poised to take momentous turns. Fascinating, even haunting, stuff, and all the more appropriate for discussion as these were issues about which Brahms had much concern in his later years.

This is a great story about a great composer. The book tells his life story, and highlights many of his great works. Within this biography, the book also mentions the interactions, disagreements and perspectives of the different composers of the late 19th century - Liszt, Wagner, Schumann, Bruckner, Mahler and of course Brahms. From that perspective, it is not only a biographry of Brahms but in some ways a history of classical music in that period. In my opinion, Brahms was the best composer of the group, and this book highlights why he was. It focuses on many of his great compositions, even providing the major musical notes for key parts of a composition. For example, in what is arguably his best work, the 4th symphony, this book spends four pages on the last movement of this symphony, a very powerful cantata and chaconne that Brahms brought to the symphony. This form, according to the book, derives from the Baroque period and Bach has a great similar work with the violin. Brahms took it a step further and using the whole capabilities of the symphony orchestra, weaves this concept into a very powerful piece of music. Since reading these four pages, I've developed a greater interest in this movement and in the 4th symphony in total. It is a beautiful powerful work and this book provides a beautiful perspective of this work. The same is true for all of the book. It has given me a better perspective of Brahms and classical music. For this reason, I highly recommend this book.

buy it used. good read for the beach. then see her movies.

I enjoyed Lauren Bacall's autobiography better than any autobiography I've ever read. Her style of writing is so personal, it's just a pleasure to read. It's written with heart, it's witty, poignant, and so honest. You'll also learn about the original "Rat Pack", and other celebrities. I can't say enough about this book!

I read this book 20 years ago when it first came out and I couldn't put it down. The love story between her and Bogey was sweet, but tragic. His death was so detailed in this book that when my own father was dying I couldn't help but relate back to her description of Bogey's final hours. It made me sob for her. The mention of Hollywood in the 50's and all of the corrupt politicians trying to blackball performers is deplorable. I believe Ms. Bacall is our current Kate Hepburn - a no BS kind of Hollywood woman that is still well-respected and greatly admired.

I have never considered myself a Lauren Bacall fan but having recently rewatched To Have And Have Not, her film debut, I became intrigued about her and Bogart so I picked up this book after reading such positive reviews here at Amazon.

Well, was I surprised. First this is a very well written autobiography that demonstrates a keen intelligence and a reflectiveness on the past that is truly admirable. It is also incredibly honest and not just a recitation of a Hollywood star's accomplishments.

From Bacall's youth in New York where she tried desperately to find a place in the theater to her ultimate return to the stage as a star after spending years in California as Mrs. Bogart and raising a family, every stage of her life is well examined.

Bogart emerges as a truly good guy, not perfect but clearly they were a great match despite the obvious age difference.

Some of the episodes in her life with Bogart have the added quality of capturing a period in Hollywood and the film industry that is long gone. Bacall isn't and doesn't need to be a name dropper but so many famous characters pop in and out of her story that it is a virtual who's who of 1940's Hollywood.

What I initally picked up as a casual read turned into something much deeper. Lauren Bacall , who I knew little about before reading this is a woman who I came to really like as a result of this book.

Well written and well worth checking out for filmfans, fans of Bogart or anyone interested in acting and theater and the celebrity life of the 40's and 50's.

Lauren Bacall's 1984 autobiography details her humble beginnings, how modeling led to acting, and her marriages and love affairs. She met Bogie on the set of her first movie when she was 19 and he was 43 and married. They fell in love at first sight and had a good marriage until his death. Her next husband was Jason Robards, Jr.; his drinking made for trouble from the start. The ups and downs of her movie and Broadway careers and her love of politics (and politicians) round out the book.

The woman who emerges from the pages is pretty much what I expected - strong, independent, and passionate - but also quite self-centered and spoiled. She's had a charmed life and makes no excuses for her shortcomings.

The book is full of famous tinseltown names and fabulous jet-set locations. She writes as if she were talking, often using ungrammatical half-sentences which slowed me down sometimes, but that is a minor quibble. I heartily recommend it to her fans.

I am constantly amazed at the magnitude of CeCe Winans musical and spiritual capabilities and I am pleased to say that her gifts do not end there. On A Positive Note is a beautiful piece. In it, there is a very natural and earthy quality that reaches the reader to relate the story CeCe seeks to tell. The flow of the book is very smooth; transitions are made nicely from one subject to the next as she relates her story. I cannot stress enough how the personal the experience of reading this book feels and how natural the language reads. CeCe has done it again. God is consistently working through her in a mighty way.

I read this book and I was so blessed by it. Throughout it, Cece constantly discusses the fact the she was taught to give up the world for God. This blessed me because it is evident in the way that God has blessed her music ministry that if we give up the world for God that he will do exceedingly, abundantly, above all that we could ask or think in our lives. It was awesome to read about how God just kept blessing her life because the posture of heart was correct towards him. It was great to read a story about saved artist who had just been taught to live holy and to see the rewards of doing it. I was blessed and truly encouraged through this book.

While reading "On a Positive Note" by CeCe Winans, I was taken back into a time when I myself was growing up, how her childhood memories was very similar to my own. I also grew up in a large family, and reading her book brought back so many memories of my past. Despite all the tribulations and triumphs of her life, she managed to hold on to her spiritual belief, letting it guide her through her every decision in life. "On A Positive Note" has inspired me, lifted me to a higher level of praising the Lord and reminded me to always put God before each decision throughout my life. This book was quite a page turner that filled my heart with laughter, joy, tears, praise, sadness and forgiveness. I was moved to pray for Ronald myself as she astoundingly shared his testimony. My thirteen year old daughter is now reading this wonderful book and I will reccommend it to everyone I know.

http://pages.ivillage.com/cassie23/

This book, "On A Positive Note", was truly an inspiration. I didn't want to put the book down. Ms. Winans biography was written so that you felt that you were right there in that moment of time. Again, GREAT BIOGRAPHY!

This book was truly an inspiration. I didn't want to put the book down. Ms. Winans biography was written so that you felt that you were right there in that moment of time. Again, GREAT BIOGRAPHY!

Steinway pianos are my favorite. Being that I am a professional country/blues pianist, if I can't play a Steinway, I would rather not play! James Barron wrote an historical account of the making of a Steinway. The piano is still made the way they started since the 1800's. No assembly line, no plastic parts, and no artificial wood. They are constructed by hand and skilled craftsmanship.

Why buy a $400.00 piano made in China? That is an insult not only to beginning and professional pianists, but an insult to the piano itself. In 2000, the piano celebrated it's 300th anniversary. Piano is the most famous house hold instrument.

This book is enjoyable, and educational even to those who do not play, but love to hear the glorious 88 keys hitting the strings. The harpsichord was a for runner of the piano. The difference was, you may beat the keys as hard as you can, but you still only received one level of sound. Strings were plucked, and the piano was made for the hammers to hit the strings. The harder you played, the louder a piano sounded. The piano changed the history of the world. I think two of the greatest pianist is Floyd Cramer, and Roger Williams.

Steinway takes you deep into the heart of their factory, and shows you how a piano is meant to be built and played. The history is fascinating.

K-0862 became a living...feeling...emotional entity by the end of this book........A very very original idea (to breath life into this piano) and well written. Actually EXTREMELY WELL WRITTEN book...My NEW favorite among all books...right up there with OVER THE EDGE OF THE WORLD......... The two most enjoyable....... educational........ books I have ever read!!!!!! KUDOS!!!!!!! I hated when i got to the end of this one!!!!!!

I took my copy of "Piano: The Making of a Steinway Concert Grand" to the beach with me. I read it in 4 days! Mr. Barron infuses a wealth of information into a wonderful story about this piano,and oh so much more. Before you know it K-0862 is a character you care about. I cannot imagine anyone not finding something to love about this book!!! Masterfully written!

The writing style is very engaging and readable. It is more about the people who build the pianos and the history of Steinway than it is about building a piano, but still a nice read.

After reading this you might be interested in: The Violin Maker: Finding a Centuries-Old Tradition in a Brooklyn Workshop by John Marchese, and then perhaps Guitar: An American Life by Tim Brookes (these two books a longer and more detailed then Piano but are similarly styled).

Excellently and diligently written, this little book tells the story of one Steinway concert grand piano from conception to adolescence. Barron loves the piano, respects the Company, and is dilgent in showing the evolution of Steinway, as well as the creation of one, new opus - a 9 foot concert piano. Barron introduces us to the barons of Steinway and the individual craftsmen who hand make these excellent instruments. To me, the quality and individual character of each Steinway piano are no longer a mystery.

Each time I play my own small grand piano (a quality A B Chase, close replica of the Steinway model S), I think of the efforts that went into it. Unlike Yamahas and such, the Steinway is an almost hand-built piano from a Company which has never relented in its determination to produce the best.

The book also explains why age is not all that becoming in the tonal life of a piano. The instrument has a birth, a development, and an aging process which are measured in tonal character progress, not just years. The aged Steiway seems a time integral of all that has come before - including hundred year old designs and techniques, and all the way up to its last tuning.

If you think a piano is a piano, is a piano, Barron's book will change your outlook.

Charles L. Granata is a Sinatra Historian and Archivist, and he has distilled a wealth of information into his book: Sessions With Sinatra. It covers Frank Sinatra's career, from his first recording in 1939, until his last in 1993. It focuses on the music, and only mentions his private life if it pertains to the music. The book is about Frank Sinatra, the singer, but it is also about the Art of Recording, and the development of recording technology, which parallels the career of Frank Sinatra, or that is the central thesis of the book. "Chuck" Granata puts up a very good case, and documents his case with extensive detail. But with evidence like the illustrious career of Francis Albert Sinatra, it is an easy case to make.

Frank Sinatra is quite a paradox, someone with a dark side, but also a sensitive artist, the greatest singer of the 20th Century--but sometimes he could be a real jerk. The book doesn't pull any punches, but since we mostly see him in the recording studio, he is on his best behaviour. There is mutual respect between him and the musicians, the producers, and arrangers, with him occasionally pushing them to do their best. Yes, there are tantrums at times, and it is all in this book.

As well as information about Sinatra, his singing, the arrangements, and the music, there is also a tremendous amount of technical information. The various microphones used, the recording equipment, the echo chambers used to enhance it, the various studios and their construction and acoustics. Sometimes this can be a little dry to the non-engineers who might be reading it, but what is fascinating about it is that Frank was there making records when they were recorded on laquer covered disks, and he was along for the ride for all of the technical innovations that followed. To study the recordings of Frank Sinatra is to study the history of recording. He was not only there when it happened, but often the force making it happen, or at the very least the catalyst.

It is all there in Mr. Granata's book: From his early days with Harry James and Tommy Dorsey, through his solo career at Columbia and Capitol. He left Capitol to form his own company, Reprise, and then finally at the end, for the Duets I and II he was back at Capitol. The great arrangers and producers that worked with Sinatra are all covered: Axel Stordahl, Nelson Riddle, Billy May, Gordon Jenkins, Don Costa, Johnny Mandel, Jimmy Bowen, Mitch Miller, Claus Ogerman, Ernie Freeman, and many others.

If you have ever wondered what is was like at the creation, this book is for you. If you are skeptical about Frank Sinatra's talent, if you doubt that he was the greatest singer of the 20th Century, and if there is a greater one in the 21st, he or she has yet to reveal him or herself, then listen to the songs listed in the book, then read the book. Songwriter Sammy Cahn knew Frank when he was just starting out, and as his career was just starting to gather momentum, he told him of a dream, a vision, that he could be, was going to be, the greatest singer the world has ever known. And he was.

Essential Sinatra:

Songs for Young Lovers (Nelson Riddle, August 1954) My Funny Valentine, The Girl Next Door
In the Wee Small Hours (Nelson Riddle, April 1955) In the Wee Small Hours
Songs for Swingin' Lovers! (Nelson Riddle, March 1956) I've Got You Under My Skin
Close to You and More (Nelson Riddle, January 1957) Featuring The Hollywood String Quartet
Frank Sinatra Sings for Only the Lonely (Nelson Riddle, September 1958) One For My Baby (and one more for the road)
Come Fly with Me (Billy May, January 1958) Come Fly With Me
Ring-a-Ding Ding! (Johnny Mandel, March 1961) Let's Fall in Love, I've Got My Love To Keep Me Warm
It Might as Well Be Swing (with Count Basie) (Quincy Jones, August 1964) The Best is Yet to Come
September of My Years (Gordon Jenkins, August 1965) It was a very good year
Strangers in the Night(Nelson Riddle and Ernie Freeman, May 1966) scoobey doobey doo!

Sessions With Sinatra sets a unique standard of excellence in balancing historical research with respectful recognition of Sinatra's importance to Twentieth Century music.

"I adore making records. I'd rather do that than almost anything else." ~ Frank Sinatra, 1961 ~

"Frank had the color and the fire and the brains and the imagination. Intellectual background strangely enough. Artistic sensitivity." ~ Nelson Riddle, 1983 ~

"Most Sinatraphiles would argue that his finest work, and the style he will ultimately be remembered for, was forged with Nelson Riddle. Sinatra-Riddle partnership was musically ideal and illustrates how a symbiotic musical relationship between orchestrator and singer can make a world of difference in what we hear and how we hear it." ~ Chuck Granata, 2004 ~

"Sessions with Sinatra and the Art of Recording" is indeed a wealth of information on everything you should know about Frank Sinatra's recordings. It is divided into five parts: The Big Band Years (1937-1942), The Columbia Years (1943-1952), The Capitol Years (1953-1962), The Reprise Years and Capitol Revisited. Mr. Granata did an excellent job in outlining Frank Sinatra recordings during his entire musical career, and his vast knowledge on all aspects of recording, technical in particular, is so amazing.

The Foreword was written by Phil Ramone, who himself is very well-versed when it comes to recording session engineering, and once said that he "was in heaven on the day that he realized his dream of engineering a Sinatra session."

Nancy Sinatra, who herself is a star in her own right, has written a very loving tribute to her famous Dad and "her hero" on the Afterword. I would single out a quote from her that I found so moving, here goes. . .

"My father always had a genius for picking the right songs, and when you consider the relationship between the tunes he selected, and the remarkably different themes that comes with each passing decade, you can see that his music tells a story that parallels his life and ours. Those songs, and their changing themes, represent Dad's most passionate dream - the one he talked about on dates with my mother - and the realization of that dream, which brought him almost insurmountable pain along with irrepressible joy as he experienced it, and as he lived it."

This wonderful and well-written book also features over a hundred black and white photos of the star himself with his fellow artists, musicians, conductors and arrangers such as Nelson Riddle, Quincy Jones, Billy May, Count Basie, Duke Ellington, Mitch Miller, Rosemary Clooney, Bing Crosby, his daughter Nancy, among others; Nelson Riddle's original score for "Close To You" in 1956; a vocal lead sheet of "April In Paris," (from Come Fly With Me sessions in 1957), which Mr. Granata cited as an example of how great Frank Sinatra was in legato-style phrasing, breath control and vocal maturity.

Mr. Granata wrote about the collaboration between Sinatra and Riddle (Part 3, Pg 92) and called it "A Musical Marriage." Frank Sinatra believed that Nelson Riddle was "the greatest arranger in the world, a very clever musician who was like a tranquilizer - calm, slightly aloof. And he's got a sort of a stenographer's brain." If Sinatra tells him, "Make the eighth bar sound like Brahms," or "make it like Puccini" - Riddle will make little notes, and will obey the Chairman. Their partnership was so fruitful and creative as well, and had produced the finest recordings of all-time, there's no doubt about it. They were truly musically made for each other. They both had good work ethic and the same musical goal. They knew what "each other was doing with a song and what they wanted the song to say." They had a very good rapport in all their collaborations, which is the most important factor to the success of a recording.

This is a very detailed source of information to any new Sinatra fan looking to start a collection of albums for the appendices show lists of Companion Recordings, Basic Collection, Concept Albums under Columbia, Capitol, Reprise, QWest Records. It also enumerates "Fifty Songs That Define the Essence of Sinatra" and most of them are meaningful, special songs that are my all-time favorites.

Congratulations, Mr. Granata for an excellent and well-crafted book you've written. And thank you very kindly for inscribing my copy. :)

Very highly recommended to any Sinatra buff.

This book comes from a different perspective and reminds the reader that really , it should be about the music .

I had read some silly books about Mr Sinatra and was glad to come across a serious one - I've always been fascinated by recording studios , having done some recordings myself . I wish I could have been at some of Sinatra's sessions .

This book is the next best thing for me .
I loved it .
Buy if you are even a small fan - this will make you into a bigger one .

Read this one cover to cover. Incredible detail, both technical and artistic. The only thing that would have made this book better is a complete sessionography or a description of the recording process of each album rather than just select dates. That said, it is an incredible resource. This book, along with Will Friedwalds excellent "The Song Is You" are the definitive works on Sinatra's recording career.

Very rarely do you find a book that leaves you desiring more of God. However, this one provokes a yearning in you to give yourself more to God in prayer, worship and time in the Word. It pulls you into God. An easy read, short in length and well written, Matt Redman does a great job of pulling your attention away from whatever or whoever and pushing you to concentrate on the Lord. The book provides a healthy Godly perspective on worship, provides principles that one can easily understand and apply to their lives and mix a few of Redman's personal stories in to lift you to a higher place of worship. I highly recommend to anyone who needs another boost toward God! If you're struggling at this season in your life to keep God the main thing, this is for you. If you're at a place where you just want more of Him, this is for you! No matter where you are, this is for you! Enjoy~

This book was recommended to me by a fellow marathoner. It reads quickly, and you will want to read in a single sitting. It speaks well of the heart and relentless desire of the worshipper of Jesus, to give Him endless and countless praise and worship for His work on the cross. It's also penned by a dude with amazing musical gifts. I will probably re-read many times,as it validates one's desire to worship even in the midst of the storms of life..........

I'm a worship leader in NJ and I've require all our musicians and vocalists to read this book. My philosophy is that everyone doing worship during a service is leading the congregation in worship. Not just the one who may talk or sing the most. This book by Matt Redman is a valuable help to everyone involved with a worship team or seeking to understand what worship is all about in a deeper way. Do yourself a favor and read this wonderful devotional type book by a very experienced composer and worship leader. It will enhance your own time with the Lord and make you a better worship leader for your church.

Ever feel like no one else gets it? Like you sometimes can't connect with other people who although share your faith, seem to have a different taste for God than you do?

In my opinion this is the book for you. I found myself finishing this book in a short time because not only did I feel challenged, but I realized that I'm not a complete failure simply because I struggle in my focus on my God.

Matt lays out a very profound and understandable set of lessons that will help you understand what life long/ eternity long worship really is.

This isn't the gospel according to Matt or any book of vague ideas. It's a great devotional on intamacy and thirst for our God.

As a worship pastor/ youth pastor of a church I can't tell you what a blessing this reading really is.

We were taken back to the Heart of Worship!!!!