Music Books
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WANNABE GREAT READ!!!!!!Review Date: 2008-07-30
This is a very enjoyable read!Review Date: 2007-10-13
Anyway, this book shows the struggles and nonsense that he went through before getting on TV. It is well written and doesn't really gloss over the nonsense he had to put up with.And there is a message in here but you'll have to read the book
A fun book.Review Date: 2007-08-12
I have to admit, I wonder how truthful some of his stories really are, but I'm sure he told it as he really remembered it. I really admire him for having a dream, and making it happen.
He also spins some funny stories about his encounters with celebrities, my favorite was when he was working at Red Lobster, and Arsenio Hall came in, at first he didn't recognize him, and told him there were no tables available, and then recognized him, and got really excited, and then Arsenio asked if he had a table for him now, and Jamie said, "no". Funny stuff, definately worth a read.
A must read!Review Date: 2007-03-09
Y'all betta recognize...Review Date: 2006-10-10
I highly recommend this book and this lifestyle. It will truly rock your world!
MC White said: Check it out!!!

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Great Primer for Ancient WarfareReview Date: 2008-01-18
Great ReadReview Date: 2007-03-29
The Best Resource Available on Ancient WarfareReview Date: 2007-02-09
An excellent introduction to ancient warfareReview Date: 2007-05-13
Must have if you are interested in ancient warsReview Date: 2006-12-08


Pure WuReview Date: 2008-08-26
The RZA serves up an informative cookbook with a pinch of personal tales of life and loveReview Date: 2008-01-11
Though only 26 pages from start to finish, The Wu-Tang Manual is a decadent feast of a read, with usually dry recipes spiced up with some personal cooking anecdotes from the RZA and friends from the Wu-Tang clan. One such tale about the RZA and Method Man's disastrous first attempt at a crab bisque literally had me laughing until I was in tearz.
With mouthwatering photos and sections on menus and sources, The Wu-Tang Manual is all you need to throw a stylish and sophisticated dinner that any chef would be proud of.
Wu Tang...Wu Tang..Wu Tang..Wu TangReview Date: 2007-11-27
do you like the wuReview Date: 2007-10-22
Wow!Review Date: 2007-08-28
If this is truely only a volume 1 out of many, I can't wait for the others. No matter what level of Wu fan you are, this will double it at least. Get this book.

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the best concised book on the bluesReview Date: 2007-10-11
definitive history of the bluesReview Date: 2007-08-21
for serious blues lovers or the novice looking for a deeper understanding of the music's roots, the culture that spawned and the incredible musicians who created it.
A must read for any true music fanReview Date: 2006-08-13
Palmer tells in a fascinating way the origins of the blues, from the age of slavery and its complex polyrithmyc african roots through its development in the Deep South plantation-based economy era, to its final consolidation and world spreading in Chicago's Southside.
Read how Charley Patton developed the genre, along with other gifted musicians like Tommy Johnson from the then almost unknown musical traditions of afroamericans on Mississippi's Delta to finaly create a true american tradition. Find how the amazing and legendary Robert Johnson , took the torch from Patton and made a whole revolution, exploring new musical forms for blues guitar playing. Discover the development of other blues scenes in Helena, New Orleans, Memphis, Detroit and more; and finally the emigration in 1943 of Muddy Waters to Chicago and the cultural revolution he provoked on a global scale when the blues gets electrified and brought to the big urban centers of America.
What are you waiting for!!!, stop reading and buy this book!!!.
DullReview Date: 2006-10-03
The author talks a lot about African rhythm when, in fact, African rhythms have little to do with the blues. Discussions of rhythm would be more appropriate in a book about jazz. I found myself skipping ahead in hopes of finding something interesting. Alas, I did something I don't often do once I start a book--I stopped reading it.
A review on the book, not the DVD.......Review Date: 2006-08-30
The book begins by going back to the western coast of Africa, where the slave trading occurred, and Palmer details very well the oral music traditions of people from the various tribes and countries, presenting styles which could be found in the music of the eastern and southern United States from the late 19th and on into the early 20th Century. He highlights, in great detail, the sounds and how they were made in the mouth by particular tribes in Africa, and in what areas of the country and these sounds began showing up performed in field hollers done by workers on plantations throughout the south. I do not use the word anthropological lightly, as Robert Palmer does a magnificent job of highlighting the blues tradition from it's specific oral traditions in Africa, to it's nascent phase in the early 20th Century, to Muddy Waters' time in the Delta on up through his success in Chicago, to Sonny Boy Williamson's King Biscuit Time radio show and beyond.
Various interviews abound from people and relatives of the blues musicians and by articles from early periodicals detailing their lives, so by the end of the book one really feels as though we were on the freight car with Robert Johnson traveling and avoiding the hellhound on his trail.
A book for anyone who truly loves the blues. Being a book just shy of 300 pages however, only so much detail can be given, which is why this will probably not be the last book on the blues I own. 4 1/2 stars.

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Recommend!Review Date: 2007-11-10
my bodyworksReview Date: 2007-07-09
Great Music & Great TeachingReview Date: 2007-05-29
It's About Time!...Thanks Steve and Jane!Review Date: 2007-03-20
I had purchased this as a gift for my 5 year old niece last Christmas, and since it wasn't opened until christmas eve, Guess who was howling and dancing while trimming the tree?...yes, all the grown up kids!
I never thought of learning as being fun...but The Schoenbergs are changing that with text and music like this....Keep writing!
Incredible! My (18 months) daughter is a dancing maniac when we play this cd!Review Date: 2007-01-31

Collectible price: $60.00

Great! The Best!!Review Date: 2000-11-03
This is the Best book I have ever read!Review Date: 2000-07-29
SpicyReview Date: 1999-11-30
Oh my gosh....This is the best book ever! Spice Girls Rule!Review Date: 2000-04-29
REAL LIFE:REAL SPICEReview Date: 1999-12-10
Used price: $20.83
Collectible price: $194.99

The Beatles Recording SessionsReview Date: 2008-08-02
freakin' amazingReview Date: 2007-07-24
My only suggestion is that Mr. Lewisohn updates it with all of the new information that has been put out there since this was published (many books including The Beatles's ANTHOLOGY CD and book for example).
I cannot recommend this book highly enough.
AMAZINGReview Date: 2005-04-15
A must-have for musician BeatlemaniacsReview Date: 2005-02-14
An excellent resource for those who care how the Beatles made magicReview Date: 2005-08-20
I own a first edition of this book and have used it ever since I bought a used copy sometime in the early 1990s. I reread it many times that summer, and that somewhat battered, oversized copy still sits on my shelf. It's a book I returned to when I set up a mini home recording studio, and returned to yet again when I was learning how to mix my sounds. Although this is not a "how-to" book, you can learn an awful lot about good recording and mixing technique by carefully reading it.
Furthermore, Lewisohn packed his text with surprises. I, for one, was shocked to learn how primitive Abbey Road's technology was, even by the standards of a British studio in the 1960s. I was also surprised to learn why the mono and stereo mixes of the Beatles' music often sounded so different from one another even though they were mixed from the same masters. Also, it's amazing to learn just how quickly some seemingly complex tracks were put together, while some seemingly simple songs took far more work. As a side benefit, Lewisohn's comprehensive notes probably knocked the wind out of more than one bootlegger trying to pass off BBC radio performances as lost studio recordings of Beatle tracks! Throughout, there are many, many excellent photos - many of which have not been reproduced elsewhere. Just when you think Lewisohn's run out of goodies, there's a rare interview with Paul McCartney that touches on the songwriting process.
I can't rate this as a five star book although I'd like to. As good as Lewisohn is, there are a lot of minor details here that are misleading or just plain wrong. Lewisohn can't seem to tell phasing from flanging (two very different techniques to create swirling electric guitar sounds). He also prints quotes from studio musicians without elaboration, leading me to believe he has a weak grasp on performance and theory. For example, one horn player describes a McCartney song as being "between the cracks" of two different keys; the song in question actually seems to have been recorded slightly flat and sped up to normal pitch upon playback, but we have no way of knowing what the horn player actually meant without more information. The average reader might walk away thinking that the song used two different keys, unless he also knew that the song was in a single key. I'm surprised an editor didn't catch this stuff.
If you're a Beatles fan who could care less about their personal lives, but would love to learn more about how they created their studio albums - this book is for you. If you're interested in home recording, you'll learn lots of tidbits here too. Lewisohn deserves a lot of credit for creating this resource, and I wish that it weren't such a difficult book to find.

Used price: $17.99

Engrossing storytelling from the band membersthemselves!Review Date: 2008-07-29
The true gospel according to the rock band GenesisReview Date: 2008-07-27
The book tells of the history of Genesis and, unlike other band biographies released over the years, is the band's official story in their own words so this is the setting the record straight biography on the band told by all of its band members (past and present including Tony Banks, Phil Collins, Steve Hackett, Anthony Phillips, Mike Rutherford and Chris Silver) plus record executivess, managers and road crew over the last 40 odd years of the band's history.
The book tells us of how keyboard player Tony Banks, lead singer Peter Gabriel, guitarist/bass player Mike Rutherford and guitarist Anthony Phillips first met at the English boarding school Charterhouse and their fateful decision to become Genesis whilst still teenagers.
They also talk about the struggles with the band's first manager Jonathan King and being dropped before Charisma Records head Tony Stratton-Smith gave the band some new life right up to the breakdown of Ant Phillips (which caused him to leave) and the succession of drummers they had ala Spinal tap before they found their first classic lineup with singer/drummer Phil Collins (who stayed until his amicable 1996 departure and returned in 2006 for their 2007 Turn It On Again Tour) and guitarist Steve Hackett (whom left in 1977).
Then, we read about their evolution of a 60s Brit pop band to pioneers of progressive rock in the 1970s to first the departure of Peter Gabriel in 1975 and their fateful decision to carry on as a quartet. Then seeing Steve Hackett leave in 1977 and in between covered all of the albums in full detail and many solo projects of each member respectively.
The book also captures the band from its 1978-92 commercial heyday as a global phenomenon (including the ill-fated 1982 reunion with Gabriel and Hackett at the Milton Keynes Bowl), topping the charts all over the world and selling over 150 million albums worldwide.
The book also goes into great detail about the departure of Phil Collins and the ill-fated decision to carry on with Ray Wilson before deciding to call it a day after the huge US failure of Calling All Stations before reuniting with Collins once more for the 2007 "Turn It On Again" tour (which just ended and I saw the show in Boston and what a performance, they still have it).
In addition to the band members' story are comments from long standing sidemen (Daryl Stuermer, Chester Thompson, Bill Bruford, Nir Z), managers the band had over the years (Jonathan King, Gail Colson (whom co-managed the band with Tony Stratton-Smith from 1970-73) and Tony Smith (who is still Genesis' manager in 2007 since taking over in 1973), producers (Hugh Padgham and David Hentschel) and record executives (including Atlantic Records founder Ahmet Erutegun in his last interview before his 2006 death) all of whom share their personal memories of working with Genesis, as does the band's loyal road crew.
Genesis Chapter and Verse is a book that once you read you can't stop plus jam packed with many unseen photos of the band and assorted crew over the years.
RECOMMENDED!
Wonderful look into the world of GenesisReview Date: 2008-03-26
INCREDIBLE STORIES BUT, WRITING ERRORS? WHAT?Review Date: 2008-08-10
Excellent Genesis Book, But Needs FixingReview Date: 2008-04-13

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Must have for anyone who is or wants to be a part of the music businessReview Date: 2008-09-20
The language is conversational, and the author has a great sense of humour. It simplifies issues most artists find confusing (like legal documents and royalty calcuation!) and is a great read.
'Getting Signed!' is a text book, idiot's guide and light read all rolled into one. It helped me a lot, and I HIGHLY recommend it to anyone who wants to have anything to do with the music business.
George Howard also teaches a number of great courses at berkleemusic online.
Getting Singed by George HowardReview Date: 2008-04-10
Paulom
a helping hand from start to finish..!Review Date: 2007-09-25
Define your path into the business of music.Review Date: 2007-09-18
Like having a top A&R guy as your personal coachReview Date: 2007-07-02


A Memoir of Music, Love, and SurvivalReview Date: 2007-11-15
Lisa's devotion to music weaves the story together as she strives towards her parents' dream. Becoming a concert pianist seems unachievable under the circumstances, but this touching biography details Lisa's progress towards that goal. This account has appeal for both adult and teen readers.
I also recommend In The Shadow Of The Cathedral: Growing Up In Holland During WW II by Titia Bozuwa
The Power of Music Review Date: 2007-09-01
from the Jewish Journal of Greater Los Angeles
August 30, 2002
Vienna, 1938. In the city of Mozart, Schubert, Beethoven and Strauss, 14-year-old musical prodigy Lisa Jura looks forward to a promising career as a concert pianist. Hitler has other plans. With the breaking of glass on Kristallnacht, Jura's dreams are shattered.
Internationally celebrated concert pianist Mona Golabek, with journalist and poet Lee Cohen, has crafted a loving, lyrical tribute to her mother, Lisa Jura, in "The Children of Willesden Lane: Beyond the Kindertransport: A Memoir of Music, Love, and Survival."
Jura was one of 10,000 Jewish children saved from the Nazis by the British and sent on the Kindertransport to safety from Eastern Europe. Already being compared to "The Diary of Anne Frank," this simultaneously heartbreaking and uplifting tale weaves together the stories that Golabek's mother told her about prewar Austria; the gut-wrenching separation from her family; life at the orphanage on Willesden Lane; and the power of music to help her survive.
As Jura's mother, Malka, puts her on the train, she says the prophetic words that will sustain and inspire her daughter and future generations: "Hold on to your music. Let it be your best friend."
In a world turned ugly, the beauty of music becomes Jura's strength, and, against tremendous odds, with the help and encouragement of the 30 other displaced children at the orphanage, she wins a scholarship to London's Royal Academy.
"Each kid saw something in my mother's music that reminded them of what they had left behind in Czechoslovakia, in Austria, in Germany," says Golabek, a Grammy-nominated artist, "and that's what I tried to do in the story, not only to pay homage to my mother, but to all these kids and to their bravery."
The book opens with Jura's tantalizing daydream of performing in a great concert hall and closes with the fulfillment of that dream, as she makes her debut before an exhilarated crowd. And in between, the pages burst with melody: Jura pounding the cadenza of the Grieg "Piano Concerto" to drown out the sounds of bombs during London's blitz, Jura visualizing Chopin fleeing a flaming Warsaw as she struggles with the somber coda of the "Ballade," Jura remembering her mother's Sabbath candles as she plays the solemn opening of Beethoven's "Pathetique."
"My mom and her mother never cared if a piece is in C major. What really counts is the passion behind it, the image. If it's `Clair de Lune,' imagine the moon over a desert island. That imagination allowed her to survive the horrors of what she experienced, because a C-major chord will not inspire you through the horrors. It's the moonlight, the idea that maybe the composer wrote it for someone he loved. These things inflamed her imagination, and that's how she inflamed mine."
And now Golabek's book will inflame the imagination of a whole new generation. The Milken Family Foundation, together with Facing History and Ourselves, an educational organization that teaches tolerance to 1 million students annually, are working with Golabek to bring the story to schools across the country by developing a companion curriculum guide.
Plans are under way to launch the book in Austria, and make it available to teachers as part of the now mandatory four-year Holocaust education program for students.
The saga of Golabek's 18-year struggle to get the story published is almost as harrowing as her mother's story itself. "It went through many, many writings; many, many ups and downs, starts and disappointments," Golabek says.
Now the accolades and offers are pouring in. On Sept. 24, she will be an honored guest speaker at the California Governor's Conference for Women at the Long Beach Convention Center and will appear at Beth Am on Nov. 17 with her sister, pianist Renee Golabek-Kaye, and Jura's four grandchildren, all musicians: Michele, 16; Sarah, 14; Jonathan, 8; and Rachel, 7. Brandeis University will honor her at the Skirball Cultural Center next March 31.
Last week Golabek was interviewed on NPR's Morning Edition and was the subject of a feature story by Andy Meisler of the New York Times. In the planning stages is a concert next year co-sponsored by the U.S. Holocaust Museum and the Austrian government. And, of course, Golabek is considering movie offers.
On her syndicated radio show, "The Romantic Hours," which highlights stirring writings against a musical backdrop (Saturdays at 10 p.m., 105.1 FM), Golabek often quotes the poet Jean Paul Richter: "Life fades and withers behind us, but of our immortal and sacred soul all that remains is music."
"That was a quote my mother taught me, and the whole reason why I wrote this book and why I created `The Romantic Hours' was that my mother felt through words and through music our souls would be immortalized."
Excellent readReview Date: 2007-08-15
Fantastic!Review Date: 2007-07-29
A Must Read for Parents and their children.Review Date: 2007-02-05
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